New York Uranium Film Festival 2014 Program

THE PAVILION THEATER
FEBRUARY 14 - 18
BROOKLYN - 188 PROSPECT PARK WEST
PHONE 718-369-0838
WWW.PAVILIONTHEATER.COM
WWW.URANIUMFILMFESTIVAL.ORG
SUPPORTED BY
FROM RIO DE JANEIRO
TO THE BIG APPLE
FEBRUARY 2014
INTERNATIONAL
URANIUM
FILM
FESTIVAL
NEW YORK CITY
A PROJECT BY
PROGRAM
International Uranium Film Festival New York City
February 14 to 18
The Pavilion Theater
188 Prospect Park West, Brooklyn, NY 11215
Movie Hotline: 718-369-0838
www.paviliontheater.com

About the International Uranium Film Festival
Climate and demographic change as well as energy security will determine the global
development agenda in the twenty-first century. The nuclear industry would like to have us believe
that the solution to meeting these challenges can be found in nuclear energy, and mining
companies are constantly looking for new uranium deposits. Yet, nuclear accidents do happen and
when they do have most devastating effects on local and regional populations, whether nuclear
reactor accidents like Fukushima, Chernobyl, or uranium mine disasters such as Church Rock and
Goinia (Brazil). Concerned citizens and indigenous peoples the world over from Australia to India
and the United States are fighting every risky phase along the uranium fuel chain from uranium
mining to radioactive waste dumps.
The International Uranium Film Festival aims to highlight some of the personal stories associated
with these developments. It is the first annual film festival that addresses the problems with nuclear
and radioactive issues, such as the nuclear fuel chain, uranium mining, atomic weapons, nuclear
power plants and nuclear waste deposits.. The most important films of the year receive the
Uranium Film Festivals award, the Yellow Oscar. After premiering in Rio de Janeiro in 2011, the
festival has traveled to other major cities in Brazil and around the world. The festival has been
featured in So Paulo, Recife, Salvador & Fortaleza, Lisbon and Porto in Portugal, in Berlin and
Munich in Germany, and in ten major cities in India including New Delhi, Hyderabad and Mumbai.
The Uranium Film Festival Team is grateful to the Heinrich Bll Stiftung North America and Peace
Boat US for supporting and The Pavilion Theater in Brooklyn for hosting the festival. And the
festival is grateful to the Brazilian supporters, the FAETEC (Fundao de Apoio Escola Tcnica) of
the State of Rio de Janeiro and Heinrich Bll Stiftung Brasil.
Uranium Film Festival New York City February 2014 2
Program
FRIDAY FEBRUARY 14
11 AM - NEW NUCLEAR ANIMATED FILMS
HERR HOPPE AND THE NUCLEAR WASTE - Germany, 2011, 4 min, Directors: Jan Lachauer and
Thorsten Lffler, Animation, English
FAIRLIGHTS - Germany, 2013, min, Directors: Ilinca Hpfner & Helge Henning, Animation, Musical,
English
AFTER THE DAY AFTER - USA, 2011, 6 min, Director and Producer: Nathan Meltz. Animation/
Experimental, English
THE LAST FLOWER - Iran, 2013, 6 min, Director: Sima Baghery, Fiction, Animation, no dialog
ABITA. CHILDREN FROM FUKUSHIMA - Germany, 2012, min, Directors: Shoko Hara and Paul
Brenner, Animation, English subtitles
LEONID`S STORY - Germany / Ukraine, 2011, min, Director: Rainer Ludwigs, Producer: Tetyana
Chernyavska, Animated Documentary, Russian, English Subtitles
HIBAKUSHA - USA, 2012, 54 min, Directors: Steve Nguyen and Choz Belen, Documentary with
animation, English
1 PM - FILMS ABOUT NUCLEAR USA
SLOUCHING TOWARDS YUCCA MOUNTAIN - USA, 2011, 17 min, Director and Producer: Eve-
Andre Larame. Experimental
THE ATOMIC STATES OF AMERICA - USA, 2011, 92 min, Directors: Don Argott & Sheena M.
Joyce. Documentary
3 PM - ABOUT URANIUM MINING
TAILINGS - USA, 2012, 12 min, Director: Sam Price-Waldman, Documentary, English
SACRED POISON - USA, 2011, 30 min, Director and Producer: Yvonne Latty. Documentary
URANIUM - Canada, 1990, 48 min, Director: Magnus Isacsson, Producer: National Film Board of
Canada, Documentary, English.
5 PM - GERMANYS SECRET URANIUM MINE WISMUT
YELLOW CAKE. THE DIRT BEHIND URANIUM - Germany, 2010, 108 min, Director: Joachim
Tschirner, Documentary, English, www.umweltfilm.de
7 PM - AUSTRALIAN ATOMIC FILMS
ATOMIC FOOTPRINTS - Australia, 2006, 14 min, Director: Pip Starr, Documentary, English
KINTYRE - Australia, 2012, 15 min, Director: Curtis Taylor, Producer: Curtis Taylor and Eleonor
Winkler, Documentary, Martu and English, English subtitles
MUCKATY VOICES - Australia, 2010, 10 min, Director: Natalie Wasley. Documentary
AUSTRALIAN ATOMIC CONFESSIONS - Australia, 2005, 49 min, Director: Katherine Aigner,
Documentary, English
9 PM - FILMS ABOUT NUCLEAR BOMB TESTS
ATOMIC BOMBS ON THE PLANET EARTH - UK/The Netherlands, 2011, 13 min, Director: Peter
Greenaway, Producer: Video Design Irma de Vries, Experimental documentary, no dialog
NUCLEAR SAVAGE: THE ISLANDS OF SECRET PROJECT 4.1 - USA, 2012, 87 min, Director: Adam
Jonas Horowitz, Documentary, Marshallese & English.
SATURDAY FEBRUARY 15
11 AM - ABOUT HIROSHIMA & NAGASAKI NUCLEAR BOMB SURVIVERS
HIBAKUSHA, OUR LIFE TO LIVE - USA, 2010, 87 min, Documentary, Director: David Rothauser,
Memory Production, www.memoryproduction.org
1.15 PM - ABOUT NUCLEAR BOMB SURVIVERS & FUKUSHIMA
THE ULTIMATE WISH: ENDING THE NUCLEAR AGE - USA, 2012, 40 min, Director: Robert Richter,
Co-Producer: Kathleen Sullivan. Documentary, English subtitles
HIROSHIMA NAGASAKI DOWNLOAD - Mexico/Japan, 2010, 73 min, Director: Shinpei Takeda,
Producer: Shinpei Takeda and Eiji Wkamatsu, Documentary, English
3.30 PM - NUCLEAR BOMB STORIES
MOAB - Israel, 2012, 3 min, Director: Keren Zaltz, Experimental Film, no dialog
THE LAST FLOWER - Iran, 2013, 6 min, Director: Sima Baghery, Fiction, Animation, no dialog.
ATOMIC MOM - Japan/USA, 2010, 80 min, Director: M. T. Silvia; Documentary, English, English
subtitles
5.30 PM - FILMS ABOUT ATOMIC WAR RISK
THE NUCLEAR FAMILY - USA/Singapore, 2010, 2 min, Director: Angela How, Producer: Angela
How and Morgan Faye, Fiction, English
AFTER THE DAY AFTER - USA, 2011, 6 min, Director and Producer: Nathan Meltz. Animation/
Experimental, English.
THE RED BUTTON (CZERWONY GUZIK) - Poland/USA, 2011, 52 min, Director: Ewa Pieta,
Miroslaw Grubek, Documentary, Russian, English subtitles.
7.30 PM - NUCLEAR WEAPON INDUSTRY & MOVEMENTS AGAINST IT
DEADLY DECEPTION - USA, 1991, 29 min, Director: Debra Chasnoff. Documentary
BEATING THE BOMB - United Kingdom, 2010, 71 min, Directors: Meera Patel and Wolfgang
Matt, Documentary, English, Maddmovies Production, www.beatingthebomb.com
SUNDAY FEBRUARY 16
11 AM - FILMS INSPIRED BY THE NUCLEAR ACCIDENT OF CHERNOBYL
EXCLUSION ZONE - Spain, 2011, 13 min, Director: Omar Kardoudi, Fiction movie, English
YURI'S OMEN - Spain, 2012, 14 min, Director: Jordi Montorns, Fiction movie, English subtitles
COFFEE BREAK - Sweden, 2011, 15 min, Director and Producer: Marko Kattilakoski, Comedy
Thriller, Swedish, English subtitles
CHERNOBYL: THE INVISIBLE THIEF
Germany, 2006, 59 min, Director and Producer: Chistoph Boekel. Documentary, German and
Russian, English subtitles.
1.30 PM - FILMS ABOUT THE FUKUSHIMA NUCLEAR ACCIDENT
ABITA. CHILDREN FROM FUKUSHIMA - Germany, 2012, 4 min, Directors: Shoko Hara and Paul
Brenner, Animation, English subtitles
WOMEN OF FUKUSHIMA - Japan, 2012, 27 min, Director: Paul Johannessen, Documentary,
English subtitles
FOOD AND RADIATION - USA, 2012, 18 min , Director and Producer: Yoko Kumano,
Documentary, Japanese/English, English subtitles
TOKYO'S BELLY - Germany, 2013, 70 min, Director: Reinhild Dettmer-Finke, Producer:: Defi-
Filmproduktion, Documentary, Japanese/German, English subtitles
3.30 PM - ABOUT NUCLEAR POWER PLANT ACCIDENT RISKS
FORBIDDEN GROUND FUKUSHIMA - Japan, 2012, 57 min, Director and Producer: Kazunori
Kurimoto. Documentary, Japanese, English subtitles
ROTTEN ROCK (PEDRA PODRE) - Brazil, 1990, 26 min, Directors: Eve Lise Silva, Ligia Giro, Stela
Grisotti and Walter Behr, Documentary, Portuguese with English Subtitles
INDIAN POINT NOWHERE TO RUN - USA, 2003, 29 min, Director: Tobe Carey, Documentary
5.45 PM - NUCLEAR FILMS FROM INDIA
HIGH POWER - India, 2013, 27 min, Director and Producer: Pradeep Indulkar, Documentary,
Marathi/English, English subtitles
BUDDHA WEEPS IN JADUGODA - India, 1999, 52 mins, Director: Shriprakash, Documentary,
English
FOR THE SUPREME FIGHT (GERE DAN), India, 2014, 48 min, director: Shriprakash, French/
English with English subtitle. WORLD PREMIER
8.30 PM - NEW NUCLEAR COMEDIES
CURIOSITY KILLS - Estonia, 2012, 14 min, Director: Sander Maran, Tallinn University Baltic Film and
Media School; Estonian Academy of Arts, Comedy Thriller, no dialog
ATOMIC IVAN - Russia, 2012, 91 min, Director: Vasily Barkhatov, Producer: Telesto Film Company
Romantic Comedy, Russian, English subtitles
MONDAY FEBRUARY 17
3.30 PM - NEW NUCLEAR SCIENCE FICTION
HALF LIFE (HALBWERTSZEIT) - Germany, 2012, 20 min, Directors: Anne-Katrin Kiewitt and Alice
von Gwinner, Production: Bauhaus-University Weimar, Science fiction, English subtitles
DOUBLE HAPPINESS URANIUM - Australia, 2012, 87 min, Director Cole Larsen, Production: Tom
Young, Science fiction.
5.30 PM - INVESTIGATIVE DOCUMENTARIES ABOUT URANIUM MINING IN AFRICA
URANIUM: A POISONED LEGACY - France, 2009, 52 min, Director: Dominique Hennequin,
Production: Nomades TV, Charlotte Hennequin, Documentary, English
URANIUM - TO DIE FOR (HAZMAN HATZAHOV) - Israel, 2012, 54 min, Director: Shanny Haziza,
Producer: Sasha Klein Production, Documentary, English/Hebrew, English subtitles
7.30 PM - DIRTY BOMBS: ABOUT THE USE OF URANIUM WEAPONS
BLOWIN IN THE WIND - Australia, 2005, 62 min, Director: David Bradbury, Documentary, English
FALLUJA: A LOST GENERATION? - Irak / France, 2011, 48 min, Director: Feurat Alani,
TUESDAY FEBRUARY 18
3.30 PM - RADIOACTIVE POLLUTION ON NAVAJO LAND
GROUND ZERO - SACRED GROUND - USA, 1997, 9 min. Director: Karen Aqua, Animation
DIIGO TO BAAHAANE: FOUR STORIES ABOUT WATER - USA, 2012, 37 minutes, Produced by
Deborah Begel. Co-Directed by Deborah Begel and David Lindblom, Navajo with English
subtitles.
THE RETURN OF NAVAJO BOY - USA, 2000, 57 min. Director Jeff Spitz, co-produced by Jeff
Spitz and Bennie Klain. Contact: www.navajoboy.com
5.30 PM - RADIOACTIVE LEGACY IN USA
YELLOWCAKE - USA, 2009,10 min, Director: Brock Williams. www.boxcarfilms.com
NOT FOR PUBLIC RELEASE: A NUCLEAR INCIDENT IN LOCK HAVEN - USA, 2010, 73 min,
Director: Bill Keisling, Documentary
7.30 PM - BRAZILIAN FILMS ABOUT ITS WORST RADIOACTIVE ACCIDENT
THE NIGHTMARE IS BLUE (O PESADELO AZUL) - Brazil, 2008, 30 min, Director: ngelo Lima,
English Subtitles
AMARELINHA - Brazil, 2002, 4 min, Director Angelo Lima, Fiction, Portuguese.
CAESIUM 137: THE NIGHTMARE OF GOINIA (CSIO 137. O PESADELO DE GOINIA)
Brazil, 1989, 95 min, Director Roberto Pires, Production Laura Pires, Doc Fiction, English subtitles
DETAILED PROGRAM
FRIDAY FEBRUARY 14th,
11 AM - NEW NUCLEAR ANIMATED FILMS
HERR HOPPE AND THE NUCLEAR WASTE
Germany, 2011, 4 min, Directors: Jan Lachauer and Thorsten Lffler, Animation
A barrel of nuclear waste drops into the living room of Herr Hoppe an average suburbian German.
He has to get rid of it and does it in his own wacky way. With our animated series, 'Herr Hoppe
and the Nuclear Waste', we want to remind the people to the still unsolved problem of nuclear
waste, with the help of entertaining slapstick animation and absurd humour. Classic cartoons from
the fifties and especially "Road Runner" inspired us a lot. Jan Lachauer and Thorsten Lffler
FAIRLIGHTS
Germany, 2013, min, Directors:
Ilinca Hpfner & Helge
Henning, Animation, Musical,
English
Behind the power outlet in her
room the little girl discovers a
futuristic fairground run by the
nuclear energy industry. Soon
her fascination turns into
horror. There is no way back,
the catastrophe is near. The
Fukushima nuclear accident is blueprint for the story: a society, confronted with the sudden
disaster, acting like headless chicken - those responsible send their apologies.
AFTER THE DAY AFTER
USA, 2011, 6 min, Director and Producer: Nathan Meltz. Animation/Experimental, English The film
remakes a section of the 1983 post-nuclear made-for- TV movie 'The Day After', retelling the story
of atomic devastation in a Dada collage-meets-stop-animation style. The film showed atomic
bombs reducing humans and animals to skeletons, and a city was blown to rubble.
THE LAST FLOWER
Iran, 2013, 6 min, Director: Sima Baghery,
Fiction, Animation, no dialog
An atomic world war had been destroyed
the entire civilization. Everybody is
wondering around lost, neglecting each
other. Until one day a young girl finds the
last flower on earth. She runs to people to
tell them about the flower, but people do
not care. At last a young man shows
interest to the story... Meanwhile the war
machine factories appear and the story of
war begin again. Special Achievement
Award Uranium Film Festival 2013
ABITA. CHILDREN FROM FUKUSHIMA
Germany, 2012, min, Directors: Shoko Hara and
Paul Brenner, Animation, English subtitles
Animated short film about Fukushima children
who can't play anymore outside, because the
nature is contaminated with radioactive
elements of Fukushima. To play outside is only
a dream. YELLOW OSCAR WINNER 2013 -
BEST ANIMATION
LEONID`S STORY (ISTORIYA LEONIDA)
Germany / Ukraine, 2011, min, Director:
Rainer Ludwigs, Producer: Tetyana
Chernyavska. Animated Documentary,
Russian, Subtitles English.
A Soviet family searching for a modest
paradise is swept into an immense disaster.
This magically animated film combines
drawing, photography and documentary
video to capture the surreal emotions of the
too-real tragedy: Chernobyl 1986. YELLOW
OSCAR WINNER 2012 - BEST ANIMATION
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HIBAKUSHA
USA, 2012, 54 min, Directors: Steve
Nguyen and Choz Belen, Documentary
with animation, English, TRAILER
www.hibakushafilm.com
This film is inspired to bring awareness
to the Hiroshima and Nagasaki
bombings in hopes that a nuclear
tragedy like this will never happen
again. Hibakusha is a Japanese term
which refers to a survivor of the atomic
bombing of Hiroshima and Nagasaki.
The film was built around the story of
Kaz Suyeishi, an 84-year-old survivor,
who recalls her memories as an 18-year-old Japanese American student when the atomic bomb
was dropped on her hometown of Hiroshima. Not only is the story compelling, but so is the form.
Well into the project Steve Nguyen decided it shouldnt be a documentary with talking heads, it
needed elements to bring to life the emotion of the time. And so the animated documentary was
born, taking Kazs memories and transforming them into animated reenactments.
Steve Nguyen, who signed in from Los Angeles and Choz, from New York, began their creative
collaboration in 2010 when Steve sought Choz out after hearing praise for his work as a director,
including his work on two videos for the Far East Movement. Special Achievement Award 2013
1 PM - NUCLEAR USA
SLOUCHING TOWARDS YUCCA MOUNTAIN
USA, 2011, 17 min, Director and Producer:
Eve-Andre Larame. Experimental.
Twelve fictional time-travelers explore the
post-atomic age American West, when they
discovered the abandoned tunnels beneath
Yucca Mountain Radioactive Waste Repository,
in this sixteen-minute long Experimental
SciFiction Punk Western.
THE ATOMIC STATES OF AMERICA
USA, 2011, 92 min, Directors: Don Argott &
Sheena M. Joyce. Documentary
In 2010, the United States announced the first
new nuclear power plant construction in over
32 years. The "Nuclear Renaissance" was
born, and American's long stared expansion of
nuclear energy was infused with new life.
TRAILER: http://vimeo.com/51323610
3 PM - ABOUT URANIUM MINING
TAILINGS
USA, 2012, 12 min, Director: Sam
Price-Waldman, Documentary,
English
Just outside Grants, New Mexico, is
a 200-acre heap of toxic uranium
waste, known as tailings. After 30
years of failed cleanup, the waste has
deeply contaminated the air and
water near the former uranium
capital of the world. The film is a
cinematic investigation into the pile
that is gravely shaping the lives of
those who are stuck living in its shadow. TRAILER: http://tailingsfilm.com
SACRED POISON
USA, 2011, 30 min, Director and Producer: Yvonne
Latty. Documentary
The legacy of uranium mining has left the navajo living
where clean water is limited, where families lose
children to contamination and cancer seens to live
inside of many. TRAILER http://sacredpoison.com
URANIUM
Canada, 1990, 48 min, Director:
Magnus Isacsson, Producer:
National Film Board of Canada,
Documentary, English.
This film exposes the ethical and
environmental problems which
surround the practice of uranium
mining in Canada. The film
delivers some hard-hitting and
little known facts about the
detrimental impact of uranium
mining on the environment as
well as on the health of those
employed in the industry. Toxic, radioactive waste is a severely detrimental by-product of uranium
mining, which has been proven to cause profound, long-term environmental damage. The same
radioactive waste puts the miners at extreme risk for developing cancer. Finally, because most of
the mining to date has been conducted on land historically used by Canada's Native populations,
uranium mining violates the traditional economic and spiritual lives of many aboriginal peoples.
"Uranium is one of the most powerful recent films that I have ever seen." Helen Caldicott
5 PM - GERMANYS SECRET URANIUM MINE WISMUT
YELLOW CAKE. THE DIRT BEHIND URANIUM
Germany, 2010, 108 min, Director:
Joachim Tschirner, Documentary, English,
www.umweltfilm.de
Uranium mining, the first link in the chain
of nuclear development, has managed
again and again to keep itself out of the
public eye. A web of propaganda,
disinformation and lies covers its sixty-five-
year history. The third largest uranium mine
in the world was located in the East
German provinces of Saxony and
Thuringia. Operating until the
Reunification, it had the code name
WISMUT - German for bismuth, though it supplied the Soviet Union exclusively with the much
sought-after strategic resource Yellow Cake. Until 1990 WISMUT supplied the Soviet Union with
220,000 tons of uranium. In absolute terms this quantity was enough for the production of 32,000
Hiroshima bombs. For the last 20 years WISMUT has been making a huge material and financial
effort to come to terms with their past, which is an alarming present and future on other
continents. The film accompanies for several years the biggest clean-up operation in the history of
uranium mining and takes the viewers to the big mines in Namibia, Australia and Canada.
DIRECTORS STATEMENT:
YELLOW CAKE is the result of a project,
which began in 2002. The World Uranium
Hearing took place more than a decade
ago. The declaration of this hearing
became the essential meaning of my film:
Radioactivity knows nothing of cultural
differences or political boundaries. And in
a mutated world poisoned by deadly
radioactivity, it will no longer be of
importance whether we separate our
garbage, drive fewer cars, use phosphate
free detergent, or plant a tree. Nor will it
matter if we spend our time trying to save the elephants. Whatever action we would take at that
point would be superfluous and devoid of meaning. Thats why the end of the atomic age must
begin with the first link in the chain of nuclear production The Uranium Mining. During my
research I have experienced that despite its explosive nature, uranium mining seldom makes it into
public awareness. The film "Yellow Cake" is my reaction to this unacceptable situation. For me it
was quite clear that unbiased, well researched information about uranium mining is absolutely
necessary. Joachim Tschirner
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|r |ove W|lr Lyd|a (Nadja 8ooy|eva), lre daugrler ol lre Russ|ar Vajor 8urs||
(lerry luocrer) - a dargerous |ove alla|r. wrer lrey oecore |rvo|ved |r a
r|r|rg d|sasler, lre|r secrel |ove |s lr|ed lo lre orea||rg po|rl. Lyd|a's lalrer ras lo
dec|de oelWeer lre ||le ol r|s daugrler ard carry|rg oul r|s orders: lo r|re
urar|ur lo preserve peace. F|||ed W|lr susperse ard erol|ora| |rpacl, lre l||r
0ER uRAN8ER0 le||s lre slory ol rurar lragedy as parl ol ar a|rosl ur|roWr
crapler ol 0errar r|slory Wr|cr allecled Wor|d po||l|cs.
Tre urar|ur Vourla|r (0er uraroerg) , 0errary, 2010, 89 r|r, 0|reclor: 0ror
Zarav|.Corlacl: WWW.saxor|a-red|a.de
0|RE6T0R'8 |0CRAPhY
0ror Zarav| |s a graduale ol locrscru|e lor F||r urd Ferrserer Korrad wo|l |r
Polsdar, 0errary. le produced lre l||r A|exarder Perr - 'lcr W||| se|r |r
a||er, Wr|cr Was ror|raled lor a sluderl 0scar |r 1988. le ras s|rce d|recled
rurerous le|ev|s|or rov|es as We|| as ep|sodes ol le|ev|s|or ser|es. lr 1999 re
rece|ved lre 0errar Te|ev|s|or AWard, 0eulscrer Ferrserpre|s, ard lre 8avar|ar
Te|ev|s|or AWard, 8ayer|screr Ferrseprpre|s lor r|s Wor| or lrese Tv ser|es.
YELL0w 6AKE
The 0|rt eh|nd Uran|um
urar|ur r|r|rg, lre l|rsl ||r| |r lre cra|r ol ruc|ear deve|oprerl, ras raraged
aga|r ard aga|r lo |eep |lse|l oul ol lre puo||c eye. A Weo ol propagarda, d|s|rlor-
ral|or ard ||es covers |ls s|xlyl|ve-year r|slory. Tre lr|rd |argesl urar|ur r|re |r
lre Wor|d Was |ocaled |r lre Easl 0errar prov|rces ol 3axory ard Trur|rg|a.
0peral|rg url|| lre Reur|l|cal|or, |l rad lre code rare wl3VuT - 0errar lor
o|srulr, lrougr |l supp||ed lre 3ov|el ur|or exc|us|ve|y W|lr lre rucr sougrl-
aller slraleg|c resource Ye||oW Ca|e. url|| 1990 wl3VuT supp||ed lre 3ov|el
ur|or W|lr 220,000 lors ol urar|ur. lr aoso|ule lerrs lr|s quarl|ly Was erougr
lor lre producl|or ol 32,000 l|rosr|ra ooros. For lre |asl 20 years wl3VuT ras
oeer ra||rg a ruge raler|a| ard l|rarc|a| ellorl lo core lo lerrs W|lr lre|r pasl,
Wr|cr |s ar a|arr|rg preserl ard lulure or olrer corl|rerls. Tre l||r accorpa-
r|es lor severa| years lre o|ggesl c|ear-up operal|or |r lre r|slory ol urar|ur
r|r|rg ard la|es lre v|eWers lo lre o|g r|res |r Nar|o|a, Auslra||a ard Carada.
Ye||oW Ca|e. Tre 0|rl 8er|rd urar|ur (0|e Luege vor der sauoerer Ererg|e),
0errary, 2010, 108 r|r, 0|reclor. !"#$%&' )*$%&+,-+. WWW.urWe|ll||r.de
0|RE6T0R8 8TATEHENT
YELL0w CAKE |s lre resu|l ol a projecl, Wr|cr oegar |r 2002. Tre wor|d
urar|ur lear|rg loo| p|ace rore lrar a decade ago. Tre dec|aral|or ol lr|s
rear|rg oecare lre esserl|a| rear|rg ol ry l||r: 'Rad|oacl|v|ly |roWs rolr|rg ol
cu|lura| d|llererces or po||l|ca| oourdar|es. Ard |r a rulaled Wor|d po|sored oy
dead|y rad|oacl|v|ly, |l W||| ro |orger oe ol |rporlarce Wrelrer We separale our
garoage, dr|ve leWer cars, use prosprale lree delergerl, or p|arl a lree. Nor W|||
|l raller |l We sperd our l|re lry|rg lo save lre e|eprarls. wralever acl|or We
Wou|d la|e al lral po|rl Wou|d oe superl|uous ard devo|d ol rear|rg. Tral's Wry
lre erd ol lre alor|c age rusl oeg|r W|lrlre l|rsl ||r| |r lre cra|r ol ruc|ear
producl|or - Tre urar|ur V|r|rg.
0ur|rg ry researcr lve exper|erced lral desp|le |ls exp|os|ve ralure, urar|ur
r|r|rg se|dor ra|es |l |rlo puo||c aWareress. Tre l||r Ye||oW Ca|e |s ry
reacl|or lo lr|s uracceplao|e s|lual|or. For re |l Was qu|le c|ear lral uro|ased,
We|| researcred |rlorral|or aooul urar|ur r|r|rg |s aoso|ule|y recessary.
!"#$%&' )*$%&+,-+
3Z
Joacr|r Tscr|rrer
FlR3T lNTERNATl0NAL uRANluV FlLV FE3TlvAL Rl0 0E JANElR0 2011
ThE URAN|UH H0UNTA|N
Tre Wor|d |r 191Z: Tre Co|d war ras oegur. Tre ruc|ear arrs race oelWeer u3-
Arer|ca ard Russ|a oecores a lrreal lo rar||rd. Tre arrs race |s dec|ded |r
lre 0re Vourla|rs. Tral |s Wrere lre 3ov|els rad lre 0errars r|re urar|ur lor
lre corslrucl|or ol lre|r l|rsl alor ooro W|lroul ary cors|deral|or lor lre aclua|
cosls. Tre repalr|aled pr|sorer ol War ard r|rer Kurl Ve|re| (v|rzerz K|eler) la||s
|r |ove W|lr Lyd|a (Nadja 8ooy|eva), lre daugrler ol lre Russ|ar Vajor 8urs||
(lerry luocrer) - a dargerous |ove alla|r. wrer lrey oecore |rvo|ved |r a
r|r|rg d|sasler, lre|r secrel |ove |s lr|ed lo lre orea||rg po|rl. Lyd|a's lalrer ras lo
dec|de oelWeer lre ||le ol r|s daugrler ard carry|rg oul r|s orders: lo r|re
urar|ur lo preserve peace. F|||ed W|lr susperse ard erol|ora| |rpacl, lre l||r
0ER uRAN8ER0 le||s lre slory ol rurar lragedy as parl ol ar a|rosl ur|roWr
crapler ol 0errar r|slory Wr|cr allecled Wor|d po||l|cs.
Tre urar|ur Vourla|r (0er uraroerg) , 0errary, 2010, 89 r|r, 0|reclor: 0ror
Zarav|.Corlacl: WWW.saxor|a-red|a.de
0|RE6T0R'8 |0CRAPhY
0ror Zarav| |s a graduale ol locrscru|e lor F||r urd Ferrserer Korrad wo|l |r
Polsdar, 0errary. le produced lre l||r A|exarder Perr - 'lcr W||| se|r |r
a||er, Wr|cr Was ror|raled lor a sluderl 0scar |r 1988. le ras s|rce d|recled
rurerous le|ev|s|or rov|es as We|| as ep|sodes ol le|ev|s|or ser|es. lr 1999 re
rece|ved lre 0errar Te|ev|s|or AWard, 0eulscrer Ferrserpre|s, ard lre 8avar|ar
Te|ev|s|or AWard, 8ayer|screr Ferrseprpre|s lor r|s Wor| or lrese Tv ser|es.
YELL0w 6AKE
The 0|rt eh|nd Uran|um
urar|ur r|r|rg, lre l|rsl ||r| |r lre cra|r ol ruc|ear deve|oprerl, ras raraged
aga|r ard aga|r lo |eep |lse|l oul ol lre puo||c eye. A Weo ol propagarda, d|s|rlor-
ral|or ard ||es covers |ls s|xlyl|ve-year r|slory. Tre lr|rd |argesl urar|ur r|re |r
lre Wor|d Was |ocaled |r lre Easl 0errar prov|rces ol 3axory ard Trur|rg|a.
0peral|rg url|| lre Reur|l|cal|or, |l rad lre code rare wl3VuT - 0errar lor
o|srulr, lrougr |l supp||ed lre 3ov|el ur|or exc|us|ve|y W|lr lre rucr sougrl-
aller slraleg|c resource Ye||oW Ca|e. url|| 1990 wl3VuT supp||ed lre 3ov|el
ur|or W|lr 220,000 lors ol urar|ur. lr aoso|ule lerrs lr|s quarl|ly Was erougr
lor lre producl|or ol 32,000 l|rosr|ra ooros. For lre |asl 20 years wl3VuT ras
oeer ra||rg a ruge raler|a| ard l|rarc|a| ellorl lo core lo lerrs W|lr lre|r pasl,
Wr|cr |s ar a|arr|rg preserl ard lulure or olrer corl|rerls. Tre l||r accorpa-
r|es lor severa| years lre o|ggesl c|ear-up operal|or |r lre r|slory ol urar|ur
r|r|rg ard la|es lre v|eWers lo lre o|g r|res |r Nar|o|a, Auslra||a ard Carada.
Ye||oW Ca|e. Tre 0|rl 8er|rd urar|ur (0|e Luege vor der sauoerer Ererg|e),
0errary, 2010, 108 r|r, 0|reclor. !"#$%&' )*$%&+,-+. WWW.urWe|ll||r.de
0|RE6T0R8 8TATEHENT
YELL0w CAKE |s lre resu|l ol a projecl, Wr|cr oegar |r 2002. Tre wor|d
urar|ur lear|rg loo| p|ace rore lrar a decade ago. Tre dec|aral|or ol lr|s
rear|rg oecare lre esserl|a| rear|rg ol ry l||r: 'Rad|oacl|v|ly |roWs rolr|rg ol
cu|lura| d|llererces or po||l|ca| oourdar|es. Ard |r a rulaled Wor|d po|sored oy
dead|y rad|oacl|v|ly, |l W||| ro |orger oe ol |rporlarce Wrelrer We separale our
garoage, dr|ve leWer cars, use prosprale lree delergerl, or p|arl a lree. Nor W|||
|l raller |l We sperd our l|re lry|rg lo save lre e|eprarls. wralever acl|or We
Wou|d la|e al lral po|rl Wou|d oe superl|uous ard devo|d ol rear|rg. Tral's Wry
lre erd ol lre alor|c age rusl oeg|r W|lrlre l|rsl ||r| |r lre cra|r ol ruc|ear
producl|or - Tre urar|ur V|r|rg.
0ur|rg ry researcr lve exper|erced lral desp|le |ls exp|os|ve ralure, urar|ur
r|r|rg se|dor ra|es |l |rlo puo||c aWareress. Tre l||r Ye||oW Ca|e |s ry
reacl|or lo lr|s uracceplao|e s|lual|or. For re |l Was qu|le c|ear lral uro|ased,
We|| researcred |rlorral|or aooul urar|ur r|r|rg |s aoso|ule|y recessary.
!"#$%&' )*$%&+,-+
3Z
Joacr|r Tscr|rrer
FlR3T lNTERNATl0NAL uRANluV FlLV FE3TlvAL Rl0 0E JANElR0 2011
7 PM - AUSTRALIAN FILMS
ATOMIC FOOTPRINTS
Australia, 2006, 14 min, Director: Pip Starr,
Australia is facing what could be the
largest expansion of our nuclear industry
ever, with the proposals for increased
uranium mining, nuclear power generation
and a radioactive waste dump. This film
looks at some of the reasons why we must
continue to oppose nuclear proliferation.
KINTYRE
Australia, 2012, 15 min, Director: Curtis
Taylor, Producer: Curtis Taylor and Eleonor
Winkler, Documentary, Martu and English,
English subtitles
Currently the international mining
company Cameco are conducting Uranium
exploration in Kintyre, a remote part of the
Western Desert in Western Australia. The
traditional owners of the land, the Martu
are currently in negotiation with Cameco
over the future of their traditional country
and are torn over issues of environmental
conservation and financial prosperity. In 2011, Cameco arranged for a delegation of Martu
community elders to travel to an established uranium mine at Rabbit Lake in Canada, which is
situated in 1st Nation territory. A cultural exchange occurs between the 1st Nation and the Martu
and as many questions as answers are sparked from the trip to Rabbit Lake.
MUCKATY VOICES
Australia, 2010, 10 min, Director: Natalie
Wasley. Documentary
Muckaty Voices is a short film capturing
Aboriginal community resistance to an
Australian government plan to dump low
and long lived intermediate level radio-
active waste at Muckaty Station, 120km
north of Tennant Creek in the Northern
Territory. The governments push for
Muckaty has sparked widespread criticism
from the targeted community, trade
unions, national health and environment groups and Indigenous organizations. A federal court
challenge has been launched to contest the Muckaty nomination. The film presents the country
and community affected by this proposal.
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AUSTRALIAN ATOMIC CONFESSIONS
Australia, 2005, 49 min, Director: Katherine Aigner,
Sacrificial lambs to the slaughter. Eyewitnesses tell the true
story of what happened during the 12 British atomic bomb
tests in Australia. The film is a chilling expose of nuclear
testing and the damaging legacy that continues these
days.
9 PM - ABOUT NUCLEAR BOMB TESTS
ATOMIC BOMBS ON THE PLANET EARTH
UK/The Netherlands, 2011, 13 min, Director: Peter
Greenaway, Producer: Video Design Irma de Vries,
Experimental documentary, no dialog
"Very surprisingly from 1945 to 1989 - there have
been 2201 atomic bombs dropped on the planet
Earth - an astonishing number of atomic bombs
implying huge destruction and fall-out. The film
shows evidence of every bomb explosion
documented with the nation responsible, the date
and location, the force and the height about earth
or sea level in a relentless build up of accumulating
destruction that is both awe-inspiring and dreadful in
the true biblical sense of the phrase - full of dread". SPECIAL ACHIEVEMENT AWARD 2012
NUCLEAR SAVAGE: THE ISLANDS OF SECRET
PROJECT 4.1
USA, 2012, 87 min, Director: Adam Jonas Horowitz,
Documentary, Marshallese & English.
The term "savage" is used to refer to people from
primitive cultures, but this documentary shows how
savagery reaches new levels with the advent of
advanced technology. In the 1950's, the U.S. conducted
67 nuclear tests in the Marshall Islands, vaporizing
islands and exposing entire populations to fallout. The
people of Rongelap received near fatal doses of
radiation from one of these tests, and were then moved
to a highly contaminated island to serve as guinea pigs
to test the affects of radiation on humans for almost 30
years, where they suffered from recurring cancers and
birth defects that have affected multiple generations. The film has won numerous awards in
international film festivals, including the JURY PRIZE in Paris at the Festivales Internationales des
Filmes Environmentales and received the YELLOW OSCAR 2013.
TRAILER http://www.nuclearsavage.com
SATURDAY FEBRUARY 15
11 AM - ABOUT NUCLEAR BOMB SURVIVERS
HIBAKUSHA, OUR LIFE TO LIVE
USA, 2010, 87 min, Documentary, Director:
David Rothauser, Memory Production,
www.memoryproduction.org
The stories of Japanese, Korean and
American Hibakusha: Survivers of the atomic
bombs. Their stories are linked to the
relationship between Eiji Nakanishi (one of
youngest survivors of Hiroshima) and his
little friend, Yoko, an eight year old girl he
teaches to play the guitar. Little by little she
learns about Eijis hibakusha experience. She
becomes intrigued by colorful pictures and drawings made by the survivors.
I tried to find the most honest and truthful way of telling the story of the atomic bomb attacks on
Hiroshima and Nagasaki. I had three dreams. One was to make the film. The second is to take the
film on a world tour where audiences will be engaged in discussions about nuclear war and the
abolition of nuclear weapons. The third dream in showing the film is to open up the possibility for
a global Article Nine to prevent not only nuclear wars, but all future wars beyond the defense of
ones homeland. David Rothauser
Director will be present at the showing
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1.15 PM ABOUT NUCLEAR BOMB SURVIVERS
THE ULTIMATE WISH: ENDING THE NUCLEAR AGE
USA, 2012, 40 min, Director: Robert
Richter, Co-Producer: Kathleen Sullivan.
Documentary, English/Japanese/French,
English subtitles
Moving, unforgettable living witnesses
who survived two of the world's most
momentous radiation crises: Nagasaki in
1945 and Fukushima in 2011. They are
interlaced with nuclear experts and
archival footage, some shocking,
illuminating the largely unrecognized
connection between nuclear weapons
and nuclear power, and the growing
global movements to abolish both. The
documentary is both a tragic and an
inspirational example of courageous
women in the face of environmental
catastrophes and an alert to everyone today about the dangers of continued nuclear proliferation
and nuclear power. http://richtervideos.com/TheUltimateWish/
Director will be present.
HIROSHIMA NAGASAKI DOWNLOAD
Mexico/Japan, 2010, 73
min, Director: Shinpei
Takeda, Producer: Shinpei
Takeda and Eiji
Wkamatsu, Documentary,
Japanese/English
For a younger generation
of Japanese, can their
experiences of atomic
bomb be truly
understood? How does
this memory stay alive for
the coming generation? As the two drove down the American west coast visiting 18 survivors of
atomic bomb as well as a holocaust survivor, they would hear the most intimate moments of their
lives and reveal the cruel nature of psychological scars. With the vast landscape of American west
in their background, the two reflects on their relationship to the contemporary history of Japan.
Director Shinpei Takeda has fallowed the atomic bomb survivors in both north and south Americas
for the last 5 years. http://www.shinpeitakeda.info/2012/01/23/hiroshima-nagasaki-download/
SPECIAL ACHIEVEMENT AWARD 2013
3.30 PM
MOAB
Israel, 2012, 3 min, Director: Keren Zaltz,
Experimental Film, no dialog
The film includes footages from authentic
shots of bombing, from popular American
movies and from propaganda movies that was
created by the American government during
the "cold war". The footages were edited in a
technique that reminds the Photomontage
that was used in photography in the end of
the 19th century and in the Filmmaking
between the two world-wars. The
Photomontage brings up questions of reality
and fiction and deals with the zone of ethics
and aesthetics.
THE LAST FLOWER
Iran, 2013, 6 min, Director: Sima Baghery, Fiction, Animation, no dialog.
Director Sima Baghery born in 1970 in city of Tehran. When she was 9 years old the Islamic
revolution happened in Iran. 2 years later the war between Iran and Iraq happened and she had
felt the terror of war for almost 8 years. She studied Animation in TMU University. She dedicated
her film The Last Flower to world peace.
Special Achievement Award 2013
ATOMIC MOM
Japan/USA, 2010, 80 min, Director: M. T.
Silvia; Documentary, English, English
subtitles
Atomic Mom weaves an intimate portrait of
a complex mother-daughter relationship
within an obscure moment in American
history. Pauline Silvia, the filmmaker's
mother, undergoes a crisis of conscience
about her work in the military during the
early 1950's Atomic Testing Program. The
film follows these mothers, each on a
different end of atomic warfare, as they
attempt to understand the other.
5.30 PM ATOMIC WAR
THE NUCLEAR FAMILY
USA/Singapore, 2010, 2 min, Director: Angela How, Producer: Angela How and Morgan Faye,
Fiction, English
A family sits down to a delicous dinner ... or do they? The film was made for the 2010
Swackhamer video contest. The contest topic is: Shortly after nuclear weapons were first invented,
Albert Einstein stated: "The unleashed power of the atom has changed everything save our modes
of thinking and we thus drift toward unparalleled catastrophe."
AFTER THE DAY AFTER
USA, 2011, 6 min, Director and
Producer: Nathan Meltz. Animation/
Experimental, English.
The film remakes a section of the 1983
post-nuclear made-for- TV movie 'The
Day After', retelling the story of atomic
devastation in a Dada collage-meets-
stop-animation style. The film showed
atomic bombs reducing humans and
animals to skeletons, and a city was
blown to rubble.
Director will be present.
THE RED BUTTON (CZERWONY GUZIK)
Poland/USA, 2011, 52 min, Director: Ewa Pieta,
Miroslaw Grubek, Documentary, Russian, English
subtitles.
The Red Button tells the dramatic story of Stanislav
Petrov, the Russian officer who, in 1983, saved the
world from atomic war. On September 26, 1983,
Stanislaw Petrov was in charge of monitoring
American missiles that could potentially be sent to
Russia to start a nuclear war. Shortly after midnight,
Petrov noticed a missile on his screen. Several
minutes later, things became much more serious:
four more missiles appeared and a flashing red
warning sign began asking him to confirm an
incoming attack. Petrov knew he only had about
fifteen minutes to decide what he would do before
the missiles would reach the Soviet Union. The future
of the world was in the 44-year-old Russian officers
hands as he wrestled with the decision of whether or
not to use Russias atomic button.
7.30 PM - NUCLEAR WEAPON INDUSTRY
DEADLY DECEPTION
USA, 1991, 29 min, Director: Debra Chasnoff.
Documentary, www.groundspark.org
The documentary uncovers the disastrous health and
environmental side effects caused by the Production
of nuclear materials by the General Electric
Corporation. The film juxtaposes GEs rosy "We Bring
Good Things to Life" commercials with the true stories
of people whose lives were devastated by the
companys involvement in testing and making nuclear
weapons. Driven by intensely personal testimony and painstaking research, Deadly Deception
exposes what GE never wanted its customers to know: a shocking pattern of negligence and
misinformation spanning several decades.
BEATING THE BOMB
United Kingdom, 2010, 71 min,
Directors: Meera Patel and Wolfgang
Matt, Documentary, English,
Maddmovies Production,
www.beatingthebomb.com
A story about the biggest weapons of
mass destruction ever created, the
people who use them and, more
importantly, the people who fight
them. 'Beating the Bomb' charts the
history of the British peace movement
against the backdrop of the atomic age. The film also frames the nuclear weapons issue within the
wider context of global justice.

Beating the Bomb is a grassroots production and a labour of love
project, made on a micro micro budget. It is an independent
production in the truest sense of the word; everybody who worked
on this film provided their time and talent for free, the end product
would not have been possible without the help and cooperation of
all the people involved. The film was borne out the frustration of
two individuals with the current state of affairs; which we believe is
endorsed and propagated by the Corporatised media. We consider
the making of this film as an exercise in democracy. It is also a
tribute to peace campaigners around the world and an attempt to
mediate their spirit and commitment to the viewer and thus inspire
and empower the audience. Power to the people! Meera Patel
and Wolfgang Matt
SUNDAY FEBRUARY 16
11 AM - CHERNOBYL NUCLEAR ACCIDENT
EXCLUSION ZONE
Spain, 2011, 13 min, Director: Omar
Kardoudi, Fiction movie, English
A man breaks into an apartment
carrying a big black backpack. He is
wearing an anti radiation suit. The
place looks abandoned the
radiation levels are crazy high. Then
he looks around and starts
searching for things to steal. Soon
he will realize he is not alone. What
happens inside an exclusion zone
where no one is supposed to be? Is there any people left? If that's the case, are they suffering?
This short is meant to answer all those questions
YURI'S OMEN
Spain, 2012, 14 min, Director: Jordi Montorns, Fiction movie, English subtitles
25 years passed since the disaster in Chernobyl. Since then, the exclusion zone stays closed to the
outer world, uninhabited except for a few indomitables. A centenarian secret still stays asleep
there and, in each search, a young Ukrainian will travel to the zone, finding along the way the
answers he has looked for all his entire life.
COFFEE BREAK
Sweden, 2011, 15 min,
Director and Producer:
Marko Kattilakoski, Comedy
Thriller, Swedish, English
subtitles
During a coffee break two
men, wearing protective
suits, are having a
conversation about
Chernobyl, Harrisburg,
Forsmark and nuclear
meltdowns. Back at work, their lack of empathy makes them true professionals. And, someone else
becomes a victim.
In 1986, Gvle, Sweden, I was riding my bike in the rain. A week later I learned the rain came
from a cloud that had traveled straight from Ukraine and the Chernobyl disaster. Due to radiation
we still, 25 years later, cant eat mushroom or berries from the forests around Gvle. In 2006 it was
pure luck that prevented a nuclear meltdown in Forsmark, a nuclear power plant only 70 km from
my home. Marko Kattilakoski - YELLOW OSCAR WINNER 2012.
CHERNOBYL: THE
INVISIBLE THIEF
Germany, 2006, 59 min,
Chistoph Boekel.
Documentary, German and
Russian, English subtitles.
April 26 1986. The day a
nightmare scenario became
horrific reality: the day
reactor block 4 of the Chernobyl atomic power station exploded. While researching and filming
this project filmmaker Christoph Boekel met numerous victims of the atomic catastrophe. His own
wife was one them and she, too, died of cancer. A moving film told from the personal perspective
of the Director:, it is a requiem for the often forgotten victims of the disaster and a caveat against
putting blind trust in technological advancement.
1.30 PM - FUKUSHIMA NUCLEAR ACCIDENT
ABITA. CHILDREN FROM FUKUSHIMA
Germany, 2012, 4 min, Directors: Shoko Hara and Paul Brenner, Animation, English subtitles
Animated short film about Fukushima children who can't play anymore outside, because the nature
is contaminated with radioactive elements of Fukushima. To play outside is only a dream.
YELLOW OSCAR WINNER 2013 - BEST ANIMATION
WOMEN OF FUKUSHIMA
Japan, 2012, 27 min, Director: Paul Johannessen, Documentary, English subtitles
Six Japanese women offer brutally honest views on the state of the clean-up, the cover-ups and
untruths since the nuclear accident in Fukushima, and how it has affected their lives, homes and
families.
FOOD AND RADIATION
USA, 2012, 18 min , Director and
Producer: Yoko Kumano, Documentary,
Japanese/English, English subtitles
The Film addresses the issue of radiation
in food after the March 11, 2011,
Fukushima disaster. The film features
interviews with food producers, restaurant
owners and parents about the food
consumption have changed after the
nuclear accident and the contamination of
the food chain with radioactive elements.
TOKYO'S BELLY
Germany, 2013, 70 min,
Director: Reinhild Dettmer-
Finke, Producer:: Defi-
Filmproduktion, Documentary,
Japanese/German, English
subtitles
A film guide to understanding
Japan before and after the
atomic catastrophe of
Fukushima. A film about how
Tokyo is serviced and supplied,
which is also a study in
mentality, must necessarily make
reference to a triple disaster.
"I lived in Tokyo for two years. Every day, I looked out the window of my high-rise apartment onto
an endless sea of buildings. I was living in the world's largest city together with 36 million
people. Since the 11th of March 2011, the perspective has shifted. In July 2012, I went back to
visit the same fishmongers, bio-farmers, and sanitation workers in Tokyo and in northeast Japan,
and I asked them how things had changed. They talked about the spread of false information
about Fukushima, about withheld reports of water and sewage contamination, and about
manipulated media coverage of demonstrations and other acts of civil disobedience." Reinhild
Dettmer-Finke. SPECIAL ACHIEVEMENT AWARD 2013
3.30 PM - NUCLEAR POWER PLANT RISKS
FORBIDDEN GROUND
FUKUSHIMA
Japan, 2012, 57 min,
Kazunori Kurimoto.
Documentary, Japanese,
English subtitles
It is a documentary on the
aftermath of the disaster in
Fukushima. Someone said
"Fukushima, it's like a
parallel world". It's another
world. Apparently, from the
outside, everything looks normal. Outside the exclusion zone of 20km, life continues as before, but
not quite, this is only an appearance. The danger is invisible. My challenge is: how to make visible
what is invisible.
ROTTEN ROCK (PEDRA PODRE)
Brazil, 1990, 26 min, Directors:
Eve Lise Silva, Ligia Giro, Stela
Grisotti and Walter Behr.
Documentary, Portuguese with
English Subtitles
It is the first Documentary made
about Brazil's nuclear power
plants, Angra 1 and Angra 2,
build by US-Company
Westinghouse (Type Three Mile
Island) and the German Nuclear
Company Siemens/
Kraftwerksunion in the Atlantic Rainforest region in the South of Rio de Janeiro. With ironic humor,
it shows that the official safety and evacuation plans to protect the local population and tourists in
case of a nuclear meltdown are just a joke. Worse: Angra 1 and 2 are constructed on a beach,
which the indigenous population (Guarani-Mby) called once Itaorna: Rotten Rock.
INDIAN POINT NOWHERE
TO RUN
USA, 2003, 29 min, Director:
Tobe Carey, Documentary,
English
Shows the impossibility of
evacuation at Indian Point
nuclear power plant outside NY
City. Produced after the 9/11
terror attack on New York City
and the terrorists announced
they had targeted the Indian
Point Nuclear Power station but
decided to fly by it to the Twin
Towers instead.
As I was reading the latest news on nuclear power and the ongoing radiation accident in Japan, I
was reminded of when we produced the documentary, Indian Point Nowhere to Run. Shortly
after the attacks on the Twin Towers, we learned that the terrorists had considered crashing a
jetliner into the Indian Point power plant 35 miles north of New York City. Concerned scientists
and environmental groups began to study the possibility of a terrorist attack or a jetliner crashing
into the reactor building or the highly radioactive fuel pools on the plant site. We completed
Indian Point - Nowhere to Run in 2003. Since the March 11, 2011 start of the Fukishima nuclear
disasters, radiation safety at nuclear plants has gained renewed urgency. The film draws attention
to the untested plans for evacuating a 10-30 mile radius around the Indian Point plant in case of a
serious radiation release. Tobe Carey - He will attend the screening.
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1 FE3TlvAL lNTERNACl0NAL 0E FlLVE3 308RE ENER0lA NuCLEAR Rl0 0E JANElR0 2011
5.45 PM - NUCLEAR FILMS FROM INDIA
HIGH POWER
India, 2013, 27 min, Director: Pradeep Indulkar,
Documentary Marathi/English, English subtitles.
TRAILER http://www.youtube.com/watch?
v=msxq0UifZlE
Tarapur Nuclear Power Project is India's first civil
nuclear establishment came in existance around
50 years ago, displacing some villages near town
Tarapur. Once a protagonist visits those villages
Dandi, Pofaran, Ghivali, Unbhat and Tarapur after
40 long years. He observes the situation of
thousands of displaced people. He finds that
they lost their traditional jobs and they did not get any new jobs, they lost their lands, homes and
sea and they didn't get proper compensation neither they got the promised services and
infrastructures like roads, water, electricity, medical facilities, schools etc. Instead they got illness
and unknown deceases. Kidney failure and miscarriages and still births and complicated delivery
cases increased. The kids below 5 years are suffering by mental disorders. The real cost of power is
paid by those unknown and innocent people. YELLOW OSCAR WINNER 2013.
BUDDHA WEEPS IN JADUGODA
India, 1999, 52 mins, Director: Shriprakash,
The film is an attempt to record the tragedy that
has played havoc with the lives of the people of
Jadugoda. Jadugoda is an area in the state of
Bihar populated by the native Adivasi. And there
is India's only underground uranium mine. For the
last thirty years, the radioactive wastes have been
just dumped into the rice fields of the Adivasis.
The unsafe mining of uranium has resulted in
excessive radiation which has led to genetic
mutations and slow deaths. Medical reports reveal
that the impact of radiation on the health of tribal
peoples has already been devastating.
FOR THE SUPREME FIGHT (GERE DAN)
India, 2014, 48 min, director: Shriprakash, French/English with English subtitle.
Niger, Gabon, Congo and other African countries had been going through the experience of
Uranium mining since decades. But now more and more Uranium mining companies are going to
Africa more aggressively. Poverty, lack of governance and political instability has made this area as
heaven for these mining companies. This film is trying to looking from inside of a tiny village
'Falea' in Mali where drilling for prospecting of uranium is going on, and same time also try to see
the multiple dimensions of the uranium mining and vested interests of world powers in that same
sub-Sahara region. World premier in NewYork City. Both filmmakers are present.
7.45 PM - NEW NUCLEAR COMEDIES
CURIOSITY KILLS
Estonia, 2012, 14 min, Director: Sander Maran, Tallinn
University Baltic Film and Media School; Estonian
Academy of Arts, Comedy Thriller, no dialog
"What would happen if I gave some of my dad's nuclear
liquids to my pet rat?" the kid thought as he poured
some uranium into his rat's bowl. BANG!! Curiosity Kills
is a splatter comedy about a radioactive killer rat.
YELLOW OSCAR AWARD 2013.
ATOMIC IVAN (ATOMNY IVAN)
Russia, 2012, 91 min, Director: Vasily Barkhatov,
Producer: Telesto Film Company Romantic Comedy,
Russian, English subtitles
Most of the films about nuclear power and radioactive
risks are documentaries. But more and more filmmakers
are using other film genres to reach a wider public. That
is the case of Atomic Ivan. The 2012 produced romantic
comedy Atomic Ivan is the debut film of famous theatre director Vasiliy Barkhatov from Moscow.
The film - based on the script of world-known playwright Maxim Kurochkin - is the worlds first ever
movie shot with real actors in nuclear power plants. The Shooting of the film took place at the
Kalinin Nuclear Power Plant, about 200 km North West of Moscow, and at the Leningrad Power
Plant 70 km close to St Petersburg. The story takes place in the town where the nuclear engineer
may live in one apartment with his mother, the nuclear engineer and his grand-mother the
pioneer of nuclear industry.
Atomic Ivan was the best fiction film of the Third International Uranium Film Festival 2013. On
Sunday 26th, the 2012 produced film Atomic Ivan by Vasily Barkhatov from Russia won the Yellow
Oscar in Rio de Janeiro. "Atomic Ivan is a combination of Visual Art, Comedy, Love Story and pure
Nuclear Science." YELLOW OSCAR WINNER 2013
MONDAY FEBRUARY 17
3.30 PM - NEW NUCLEAR SCIENCE FICTION
HALF LIFE (HALBWERTSZEIT)
Germany, 2012, 20 min, Directors: Anne-Katrin Kiewitt
and Alice von Gwinner, Production: Bauhaus-University
Weimar, Science fiction, English subtitles
In the year 2022: After a serious meltdown in a German
nuclear power plant the soil is contaminated and people
live in constant threat of radioactive fallout. Low radiation
vegetables are so precious that they can be proffered
only in fine restaurants. Those can be ordered by the
mysterious "Black Card". So imagine how satirically: A
story of a future where the food comes before morality.
DOUBLE HAPPINESS URANIUM
Australia, 2012, 87 min, Director Cole Larsen, Production:
Tom Young, Science fiction.
In the not too distant future, the newly formed
Independent Republic of South Australia is the phoenix
that rises from the ashes of a decaying and corrupt
Australian Commonwealth, becoming wealthy beyond
imagination on the back of uranium. However, the real power lies with Double Happiness Uranium,
a massive global energy corporation secretly developing the ultimate weapon, a neutron bomb
that targets the biological cells of select individuals. www.doublehappinessuranium.com
5.30 PM - INVESTIGATIVE FILMS ABOUT URANIUM MINING IN AFRICA
URANIUM: A POISONED
LEGACY
France, 2009, 52 min, Director:
Dominique Hennequin,
Production: Nomades TV,
Charlotte Hennequin,
A shocking investigation into
uranium mining in Africa. We
visit three areas affected by the
uranium industry; Mounana
where activity has now ceased,
Arlit, where the mines have
been active for 40 years, and
Imouraren, a future site. French energy giant Areva pulled out of Mounana, Gabon, in 1999. The
uranium mine, Comuf, was closed down and covered over. In fact, at a glance, its almost as if the
mine never existed. However, Mounana suffers from extremely dangerous levels of radioactive
pollution. The soil and the rivers are toxic; even the houses have a Geiger count as much as 8
times the safe limit. They were built using radioactive material. In Arlit, North Niger, we encounter
similar problems, including an abnormally high incidence of lung cancer. Now that Areva has left,
the former miners are left to pay for their own health care. In spite of the horrific damage to local
populations at previous sites, another mine is being constructed, in Imouraren. The result of a
colossal deal between the governments of France and Niger, this will be their biggest open mine
yet. Areva claims that the new mine will not poison the land, but local people are sceptical.
http://www.javafilms.fr/spip.php?article311
URANIUM - TO DIE FOR
(HAZMAN HATZAHOV)
Israel, 2012, 54 min, Director:
Shanny Haziza, Producer: Sasha
Klein Production
Documentary, English/Hebrew,
English subtitles - With
unparalleled bravery, journalist
Shanny Hazzia goes behind the
scenes of one of the most
dangerous black markets in the
world. In an attempt to unravel
some of the mystery behind the
uranium trade, she travels to Congo where her rare documentation allows a peak into the shady
dealings of the yellow market. Congo is a conflict ridden country where many regions are
controlled by militias. With little or no supervision the main victims become the villagers who live
near the uranium mines. A powerful piece of journalism.
7.30 PM - DIRTY WARS: ABOUT THE USE OF URANIUM WEAPONS
BLOWIN IN THE WIND
Australia, 2005, 62 min, Director: David Bradbury,
Blowin' in the Wind examines the secret treaty that
allows the US military to train and test its weaponry on
Australian soil. It looks at the impact of recycled uranium
weapons and the far-reaching physical and moral effects
on every Australian. The film's release has been timely as
the government currently moves to approve more
uranium mines while arguing the contrary - that by going
nuclear we are being both 'safe' and 'green'. The film
reveals that Iraqi babies are now being born with major
birth defects. Bradbury wonders whether Australians
living downwind from the military testing ranges will be
next. He argues that we were lied to by the British over
the Woomera and Maralinga atomic tests. Can we trust
another equally powerful partner in our 'war on terror'?
With a cash budget of just $12,000 the film raises
pertinent questions which cannot be ignored by the Australian public. The film shocked, angered
and surprised large audiences when shown at the Sydney and Brisbane Film Festivals. http://
www.frontlinefilms.com.au/videos/blowin.htm
This is a film that very much wanted to find me. I tried to fend it off, exhausted from making
environmental and political films on shoestring budgets that told hard truths to my fellow
Australians that they needed to hear but preferred to ignore. In today's climate of self censorship,
and public broadcasters who fear that their political masters in Canberra will still further cut their
budgets if they support these sorts of films, fellow filmmaker Peter Scott and I pushed on
regardless. With a hard cash budget of $12,000 and a beg, borrow or make do philosophy...and a
lot of favours, we've pulled together this doco I know you'll never see on 'your ABC'. The picture it
paints and the consequences for us all if we don't raise our protest loud and long to this new
military alliance with the United States is too devastating to ignore. David Bradbury
FALLUJAH: A LOST GENERATION?
Irak / France, 2011, 48 min, Director:
Feurat Alani, Documentary, English
In 2004, Fallujah in Iraq became the
theater of a major showdown
between american army and iraq
insurgents. But what the american
used in this war is secret. What kind
of weapons did they drop? For now
and since 2005, deformed babies are born. What really happened in Fallujah? Is the uranium the
cause of health problem? http://www.baoziprod.com/New/?p=3440
TUESDAY FEBRUARY 18
3.30 - PM NUCLEAR POLLUTION ON NAVAJO LAND
GROUND ZERO - SACRED GROUND
USA, 1997, 9 min. Director: Karen Aqua,
Animation
In the southwestern United States lies
Three Rivers, an ancient Native American
rock art site where over 10,000
petroglyphs were created by the Jornada
Mogollon people between 900 and 1400
A.D. Thirty-five miles away, on the White
Sands Missile Range, the world's first
atomic bomb was detonated at the Trinity
Site in 1945. The juxtaposition of these
sites points to the striking contrast
between the two worlds which created them: one which reveres and lives in harmony with the
natural world, and one which, in striving to control the forces of nature, has created a means for its
destruction. This animated film explores these opposing forces and their relationship and effect on
one another.
DIIGO TO BAAHAANE: FOUR
STORIES ABOUT WATER
USA, 2012, 37 minutes, Produced by
Deborah Begel. Co-Directed by
Deborah Begel and David Lindblom,
Navajo with English subtitles.
This documentary is a four part
meditation on the Navajo peoples
problems with contaminated drinking
water. Nearly one out of three
people in the Navajo Nation struggle
with this issue. Four Stories About
Water opens with a waterfall of
people who reveal the scope of
water contamination problems on
Navajo lands, from the health
problems that were likely caused by
uranium tailings left uncovered to the
view of water as a spiritual element
to the fact that 30% of the Navajo people dont have access to safe water.
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THE RETURN OF NAVAJO BOY
USA, 2000, 57 min. Director Jeff Spitz,
co-produced by Jeff Spitz and Bennie
Klain. Contact: www.navajoboy.com
The Return of Navajo Boy, an official
selection of the Sundance Film Festival
and PBS, is an internationally acclaimed
documentary that reunited a Navajo
family and triggered a federal
investigation into uranium
contamination. It tells the story of Elsie
Mae Begay, whose history in pictures
reveals an incredible and ongoing
struggle for environmental justice. When an old 1950s film called Navaho Boy is brought back to
the same native people who participated in it as children their family memories unfold in surprising
directions. The documentary emboldens a Navajo family to share remarkable memories involving
Hollywood picture making, uranium mining and the mystery of a long lost boy who was taken away
by white missionaries. His name was John Wayne Cly.
I entered the world of indigenous film suddenly without any previous contact with Native
Americans. I just tried to find the people in an old film from the 1950s called Navajo Boy. My
search for them took me into Monument Valley and into an astonishing Navajo family history
involving Hollywood, uranium mining, and a missing baby. The Cly family accepted me. We had no
idea where the documentary process was going to lead us. I learned how to see things from the
inside out and not like a reporter looking in from outside. Together we made the film from the
Navajo point of view. The Return of Navajo Boy has stunned people all over the world. It triggered
a federal investigation of Navajo uranium houses. Jeff Spitz
5.30 PM - RADIOACTIVE LEGACY IN USA
YELLOWCAKE
USA, 2009,10 min, Director: Brock Williams.
www.boxcarfilms.com, Film info:
www.downtheyellowcakeroad.org
From Exploration to fuel production, this
documentary relates the contamination, water
consumption, waste generation, costs to the
American taxpayer through government
subsidies, health impacts,and the CO2
emissions that are caused by the front end of the nuclear fuel cycle. Each phase has its own
devastating impact on the environment and the surrounding population, from socioeconomic to
health and safety. This film takes a deeper look into the facts that are, all too often, left unsaid.
America is going "Down the Yellowcake Road," but given this information, shouldn't we ask the
necessary question: Is this what we really want? This short documentary was created by Boxcar
Films in 2009 to explore the frontend of the nuclear fuel production cycle.
NOT FOR PUBLIC RELEASE: A NUCLEAR INCIDENT IN LOCK HAVEN
USA, 2010, 73 min, Director:
Bill Keisling, Documentary
For much of the twentieth
century the United States
Department of Defense was
a major production of
radioactive waste. The
Pentagon not only produced
its own nuclear waste. For
years, the Pentagon
depended on an unknown
number of private defense
contractors to supply
countless radioactive parts
and equipment. In the mid-
twentieth century, the U.S.
government actually gave
some of these defense contractors permission to dump radioactive waste on their private
properties. The Pentagon seldom, if ever, disclosed the whereabouts of these dangerous nuclear
dumps. The problem becomes one for the ages: many of these radioactive isotopes remain
dangerous and "hot" for thousands of years, even as the radiation is invisible to unsuspecting
victims. YELLOW OSCAR WINNER 2011 - Director Bill Keisling will be present.
7.30 PM - BRAZILIAN FILMS ABOUT ITS WORST RADIOACTIVE ACCIDENT
THE NIGHTMARE IS BLUE (O PESADELO AZUL)
Brazil, 2008, 30 min, Director: ngelo Lima, English
Subtitles
In 1987 in Goinia took place one of the biggest
radioactive accidents of the world. Twenty years later
the survivors are telling what happened and about their
live after the accident. The short film won the Award as
best documentary of the 6th ABD Cine Gois Festival 2008.
AMARELINHA
Brazil, 2002, 4 min, Director Angelo Lima, Fiction,
Portuguese.
One of the first victims of the radioactive accident of Goinia
with Cesium-137 in September 1987 was the 6 year old child
Leide das Neves. She had no time to play.
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CAESIUM 137: THE NIGHTMARE OF GOINIA
(CSIO 137. O PESADELO DE GOINIA)
Brazil, 1989, 95 min, Director Roberto Pires,
Production Laura Pires, Doc Fiction,
Portuguese, English subtitles
In the ruins of a demolished hospital for cancer
treatment in the centre of the Brazilian city
Goinia, two young men found an old
forgotten Teletherapy Unit, which contained
a highly radioactive Caesium 137 bomb.
They sold it to a local scrap metal dealer, who
opened that Pandora's box. People were
fascinated by the dazzling blue light of the
caesium crystals. But they did not know, that it
was the shine of the death. Hundreds if not
thousands of the citizens and visitors of Goinia
became victims of Caesium 137. The script of
the movie is based on statements by the
victims and medical personal attending the
victims, taken by Roberto Pires at the time of
the accident.
Filmmaker Roberto Pires was born
1934 in Salvador da Bahia. Living in
Rio de Janeiro, he was interested in
ecological issues and especially in
the question of nuclear energy.
While the military government was
signing an agreement with
Germany for the construction of
nuclear power plants in the state of
Rio, he was trying to make a
documentary to expose the danger
of nuclear energy. In 1987 the
nuclear accident in Goinia with
Caesium 137 called his attention.
Pires investigated the terrible
accident, interviewed the survivors
and became contaminated with the deadly radioactive Element. After a long period of suffering,
Roberto Pires died June 27, 2001, from cancer. "Cesium 137: The Nightmare of Goinia" received
six awards at the Brasilia Film Festival 1990 and now the Audience Award of the 1st Uranium Film
Festival of Rio de Janeiro.
"Csio 137. O pesadelo de Goinia" won the Audience Award of the festival for the best movie
and feature. It was produced by Laura Pires. YELLOW OSCAR WINNER Audience Award 2011.
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6AE8|UH 137:
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w|nner of the Aud|ence Award for the est 8hort 0ocumentary "6s|o 137. 0
br||ho da morte", that a|so was se|ected by the Uran|um F||m Fest|va| Jury as
one of the e|ght best documentar|es of the fest|va| 2011.
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INTERNATIONAL URANIUM FILM FESTIVAL (IUFF)
ORGANIZER
Norbert G. Suchanek
Uranium Film Festival General Director
Marcia Gomes de Oliveira
Uranium Film Festival Executive Director
Yuko Tonohira
New York Uranium Film Festival Volunteer
Email: yukoyukoyukoyuko@gmail.com
Ofce / Film Entry Address
URANIUM FILM FESTIVAL & YELLOW ARCHIVES
Rua Monte Alegre 356 / 301
Santa Teresa - Rio de Janeiro / RJ
CEP 20240-190 / Brazil
info@uraniumfilmfestival.org
www.uraniumfilmfestival.org
Support
The International Uranium Film Festival is an independent festival and needs your support. Help to bring
uranium & nuclear films to the wide screen throughout the world. Make a donation or become one of our
festival partners.
NEW YORK URANIUM FILM FESTIVAL PARTNERS 2014

New York Uranium Film Festival 2014 Program

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