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The Octave
Fundamental "distance" between tones Frequency doubles One wave is contained within the other Two notes sound similar
Semitones
Semitones are the steps within an octave Western system uses 12 A A# B C C# D D# E F F# G Each step is the same distance apart Distance is measured as a ratio of frequencies Next semitone has frequency 21/12 times the previous one
Note
A A# B
C C# D D# E
F# G G# A
Freq (Hz)
440 466 494 523 554 587 622 659 698 740 784 831 880
Intervals
Intervals are generated by frequency ratios Small low number ratios sound best
Interval Perfect 5th Perfect 4th Major 3rd Minor 3rd Frequency Ratio 3/2 or 1.500 4/3 or 1.333 5/4 or 1.250 6/5 or 1.200 7 5 4 3 Semitones Note from A (440) E D C# C Frequency 659 587 554 523
Our perception of consonance derives from the leaky integrate-and-fire mechanism of our neural networks
Chords
A justly tuned chord can be defined as a sequence of ratios a1:a2:a3....ak such that a1,a2,...ak are small integers Small ratios produce more harmonious sounds Ratios of some common chords: major- 4:5:6 minor-10:12:15 dominant seventh: 4:5:6:7 major seventh: 8:10:12:15 minor seventh: 10:12:15:18 half-diminished seventh: 5:6:7:9 http://www.iwasdoingallright. com/tools/ear_training/main/
http://dmitri.tymoczko.com/chopin3.mov Chopin's E minor prelude voice-leading, depicted as line segments, maps one chord to the other Inversion of a chord corresponds to reflection in this geometrical space. That is, all inverted chords project to one point
Dissonance
Dissonance is the degree to which an interval sounds unresolved
Beats
Dissonance can produce beats when the frequencies of the interval interfere
Beats occur at a frequency equal to the difference of the two frequencies in the interval.
Beats are heard when they do NOT overlap with the frequency of the original frequencies Beats are most prominent for beat frequencies between 10 & 60 Hz
Beats
Critical Band The critical band is a band of frequencies which has a central frequency and a bandwidth
Dissonance Function
d(f,g,Af,Ag)=
AfAg[e^(-.8(g-f)/s(g) )-e^(-1.38(g-f)/s(g))] s(g)= .021g+19
For musical tones with harmonics, we can compute the total dissonance by summing dissonance of each pair of harmonics
http://jjensen.org/DissonanceCurve.
FIN