Professional Documents
Culture Documents
Topical Scope and Sequence: Unit # 1 2 3 4 1st Nine Weeks Introduction to Sculpture: Origins, Fundamentals and Concepts Clay: Process and Technique Observation from nature and Clay Application Studio: Abstract Natural Object Art History: A Look At Henry Moore 2nd Nine Weeks Modeling: Models and Modeling Studio: An Expressive Self Portrait Bust Casting Cements and Plaster Studio: Plaster Relief Carving Art History: George Segal
Unit # 5 6 7 8 9
Page 1 of 11
10 10 11 6 10 11
NA NA NA
Int
NA
Int Int
6 6
NA NA
Mas
10
NA
Unit 3- Studio
Unit Goal: The student will learn the difference between realism and nonobjective art through the observation of nature while at the same time discover the medium of clay and how to use it. Outcome-Based Objectives: # 1 2 3 Unit 3 Objectives define the types of art. interpret a natural form through drawing. create an abstract sculpture based from a observations of a natural object.
Mastery Level (Int, Rev, Mas) COS Alignment Accountability Alignment
10 1, 7 9 1-4
NA NA NA
Int Int
10 9
NA NA
3 6 3 6 7
NA NA NA
Unit 6- Studio
Unit Goal: The student will create a self-portrait bust. Outcome-Based Objectives: # 1 2 Unit 6 Objectives create a portrait bust of themselves. demonstrate an ability to use clay within its various drying stages and with various methods of carving and adding
Mastery Level (Int, Rev, Mas) COS Alignment Accountability Alignment
Mas Mas
1-4 1 3
NA NA
Unit 7- Casting
Unit Goal: The student will understand the casting process of materials such as concrete, plaster and bronze. Outcome-Based Objectives: # 1 2 3 Unit 7 Objectives identify the techniques of casting and about casting material. summarize the history of bronze casting. demonstrate an understanding of patina.
Mastery Level (Int, Rev, Mas) COS Alignment Accountability Alignment
6 10 10 10
NA NA NA
Page 4 of 11
1-4 10 10
NA NA NA
Mas Mas
11 10 9
NA NA
6 6 10
NA NA NA NA
10
HCS Curriculum: Arts, Visual 6 - 12 Sculpture (High School) Unit 11- Studio
Unit Goal: The student will collaborate on an installation work of art that will be installed on the school campus. Outcome-Based Objectives: # 1 2 Unit 11 Objectives create collaborative installation piece of art participate in working together with other young artists to create a large scale work of art demonstrate an understanding of various media and its limitations within certain environments
Mastery Level (Int, Rev, Mas) COS Alignment Accountability Alignment
Mas Mas
1-4 6 7 10 11
NA NA
Mas
NA
6 6 10 10 10
NA NA NA NA NA
Page 6 of 11
10 11 5 8 9 8
NA NA NA
Mas
1, 2 3 10
NA
Mas
NA
Int Int
10 6
NA NA
Int
10
NA
10 11 9 10
NA NA NA
Mas
Mas
1, 2 1, 2, 3 10
NA
NA
Page 8 of 11
1,2,3 10 10 1,3
NA NA NA NA
Bulletin 2006, No. xx HCS UnitObjective 3.2 14.1 6.1 17.1-2 6.2 18.13 8.1 11.1
Create original works of art using reflective ideas, personal experiences, and imaginary content.
Apply steps artists use in the production of art, including conceptualizing ideas and forms, refining ideas and forms, and reflecting on and evaluating both the process of production and the product.
6.1 8.1 11.1 14.1 17.1 3.1-4 5.1-2 6.1-2 8.1 11.1 14.1 18.1 6.1 8.1 11.1 3.2 17.1-2 14.1 18.1
Apply the elements of art and principles of design to the production of two- and three-dimensional artwork.
Page 9 of 11
Demonstrate the use of traditional, digital, and multimedia techniques to create works of art.
13.2
Demonstrate safe and responsible handling of art materials, including cleanup, storage, and replenishment of supplies where applicable.
Identifying safety and environmental regulations
Describe personal, sensory, emotional, and intellectual responses to the visual qualities of a work of art.
Evaluate selected works of art to determine the effectiveness of their organization.
Describing the subject matter, elements of art, principles of design, media, technique, and style used in selected works of art Analyzing the formal organization of subject matter, elements of art, and principles of design in selected works of art to determine structural relationships Interpreting expressive intentions and purposes in selected works of art Describing the effectiveness of expressive and meaningful communication in selected works of art
13.2 13.3
Compare works of art with functional and natural objects, aesthetic components, and formal qualities. Examples: stylized lines in automobiles; shapes and forms of
appliances; shape, line, form, volume, and color of a tree
Identifying aesthetic components and formal qualities in man-made and natural objects Examples: comparing a Henry Moore sculpture with bones, comparing David Hockneys Grand Canyon series to rock formations
10
Utilize specialized terminology from art history, aesthetics, criticism, and production in discussions of works of art.
1.1-3 2.4
Page 10 of 11
Describe historical themes, symbols, and styles associated with works of art from various cultures, times, and places, including major periods and movements.
Identifying the style associated with selected works of major artists Examples: Richard Estesphotorealism, Helen Frankenthalercolor field, Vincent van Goghpost-Impressionism Describing the extrinsic context qualities of a work of art Example: optical color mixing theory as depicted in works by Berthe Morisot such as Jeune Fille au chien (Young Girl with a Dog) Using digital processes or media to identify symbols and styles associated with works of art from various periods Example: using the Internet to view, collect, or find examples of Renaissance art and architecture
11
Page 11 of 11