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Conception of planning: Town planning as physical planning. Design as central to town planning. The assumption that town planning necessarily involved the production of 'master' plans or 'blueprint' plans showing the same degree of precision in the spatial configuration of land uses and urban form as the 'endstate blueprint plans produced by architects or engineers when designing buildings and other humanmade structures.
Books written specifically about urban design, such as Frederick Gibberd's Town Design ( published in1953) , were regarded as standard texts on town planning
Shops Offices Government Entertainment Education Dwellings Centres and sub-centres Industry Open space
A design for the centre of a theoretical new town Source: Keeble, 1952, Figure 78
conclusion
The plan was not just an approach to town planning as an exercise in physical planning and urban design but also a normative concept of the ideal urban environment. In other words, the tracts and textbooks published at the time not only advanced an extended definition of planning but they also embodied certain values about the kinds of environment which, it was believed, should be realised through town planning.
radical Utopianism:
Robert Owen the creator of the famous model settlement of New Lanark - was both a pioneer of the model village movement, which aimed to improve the living and working conditions of working-class people, and an early socialist. Ebenezer Howard's ideas for the creation of completely new 'garden cities', in which land would be collectively owned, came to represent at the end of the century the distillation and most complete expression of this radical Utopian socialism
Howard combined radical socialist proposals for the collective ownership of land in his garden cities with very traditional and, in this respect conservative, notions of urban size and form (the socalled 'social
democratic)
The deep values we hold often take the form of takenfor-granted assumptions and norms and, because of this, our values are often not explicitly articulated or analysed. These values become apparent when we examine the kind of urban environments that were judged by planners at the time to be of high quality or 'ideal'.
Utopian comprehensiveness
Three aspects of the post-war 'Utopian comprehensive' approach to planning: typical expressions of modernist 'functional' design and aesthetics (e.g. Antonio Sant'Elia's La Citta Nuova, Tony Garnier's La Cite Industrielle and Le Corbusier's Ville Radieuse). In appearance, the form of the modern city was one of plain, geometrical, 'functional buildings standing at regular intervals in a sea of 'free-flowing' space.
To be continued