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STARTED: SCHEDULED FINISH: REVISED FINISH:

WEATHER: NUMBER OF DAYS SCHEDULED: NUMBER NUMBER OF OF ACTUAL ACTUAL DAYS: DAYS: DIRECTOR: SET:

DAILY PRODUCTION REPORT


"FILM'S TITTLE"
1ST UNIT 2ND UNIT REHEARSE TEST TRAVEL HOLIDAYS OTHER DAYS TOTAL

DAY NUMBER: DAY: DATE:


RETAKES ETC. SCHEDULE

AHEAD PRODUCER: LOCATION: BEHIND CREW CALL: SHOOTING CALL: FIRST SHOT: MEAL OUT: MEAL IN: FIRST SHOT: MEAL OUT: MEAL IN: CAM WRAP: CREW WRAP: MINUTES SET UPS PREV TODAY TOTAL ADDED SCNS PREV TODAY TOTAL
START INV ADL RECD SHOTT'DAY TDY 19150 SHOT END INV

SOUND ROLLS PREV TODAY TOTAL INVENTORY 1ST STOCK2ND 3RD

SCRIPT: SCRIPTED: ADDED:

SCENES

PAGES PREV TODAY TOTAL

TOTAL SCRIPT: TAKEN PREV: TAKEN TODAY: TTL TO DATE: TO BE TAKEN: KODAK STOCK-> 1ST STOCK FILM USE
PREVIOUS TODAY TO DATE GOOD NG

SC. NUMBERS SHOT TODAY: SC'S SCHEDULED BUT NOT SHOT: SC. NUMBERS ADDED TODAY: RETAKES: RETAKES: PICTURE NEGATIVE 2ND
WASTE GOOD NG WASTE GOOD

55260 11650 3RD


TOTAL

3RD
NG WASTE

1ST
TOTAL

2ND
TOTAL

CAST- WEEKLY AND DAY PLAYERSW H N


WORKED REHEARSAL R STARTED -S -W HOLD - H TEST -- T START - S FINISHED S- F F R T TRAVEL - TR

WORK TIME
M/U WARD CALL REPORT DISMISS ON SET ON SET

ME ALS
LUNCH OUT LUNCH IN LEAVE FOR

TRAVEL TIME
ARRIVE ON LEAVE LOCATION ARRIVE AT HOTEL

D B TR B

# 1 2 3 4

CAST

CHARACTER

LOCATION LOCATION

E X T R A
# OF XTRAS RATE CALL DISMISS OT

T A L E N T
CALL DISMISS OT MPV ADJUST

MPV ADJUST # OF XTRAS RATE

PRODUCTION REPORT
"Film's Tittle" NO. TITLE 1 1 1 1 2 1 1 1 1 1 1 1 1 DIRECTOR UPM 1ST A.D. 2ND A.D. PRODUCER'S ASST. SCRIPT SUPVR. PROD. COORD. ASST PROD. COORD OFFICE P.A. NAME IN PRODUCTION O/C OUT DATE: NO. 1 1 1 1 TITLE NAME IN PROPERTY DEPT. OUT

PROPMASTER ASST. PROPS MAKEUP/HAIR DEPT. MAKE-UP HAIR STYLIST ADD'L MU/HAIR COSTUME DES. COSTUME SUPER. SET COSTUMER COSTUME ASST. EDITOR ASST. EDITOR APPREN. EDITOR CRAFT SERVICE MEDIC EXTRAS CASTING POLICE FIRE SECURITY WARDROBE DEPT O/C

O/C PER MM

1 1 1 1 1 1 1 1 1 1

PROD. ACCOUNTANT O/C ASST. PROD. ACCT. PER BW LOCATIONS LOCATION MGR. O/C ASST. LOC. MGR.

EDITORIAL O/C O/C O/C MISCELLANEOUS

CAMERA 1 1 1 1 D.P. CAMERA OPR. 1ST A.C. 2ND A.C. ADD'L A.C. STILLS ADD'L CAMERA ART DEPT. 1 1 1 2 1 1 1 1 PROD. DESIGNER SET DECORATOR LEADMAN SWING GANG ADD'L SWING ART COORDINATOR ON SET DRESSER LAYOUT BOARD PA O/C O/C O/C PER DS PER DS PER DS

O/C Per Locations Per Locations Per Locations TRANSPORTATION O/C

1 1

TRANS. COORD. TRANS. CAPT. DRIVERS

GRIP DEPT. 1 1 1 KEY GRIP BEST BOY GRIP DOLLY GRIP GRIPS(s) ADD'L GRIP(s) ELECTRIC DEPT. GAFFER BEST BOY ELECT. ELECTRIC ELECTRIC ADD'L ELECTRIC(s) SOUND DEPT. SOUND MIXER BOOM SPECIAL EFFECTS/STUNTS SPECIAL FX. COORD. SPECIAL FX ASST(s) STUNT COORDINATOR OTHER CREW PLAYBACK OPR.

1 1 2

1 1

SPECIAL EQUIPMENT DOLLY(s) CRANE(s) CONDOR(s) RITTER FAN WALKIE-TALKIES BREAKFAST LUNCH DINNER

NOTES:

PRODUCTION REPORT

ASSISTANT DIRECTORS:

UPM:

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