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Chapter 24

SOUND

24.1 Properties of Sound


Like other waves, sound has frequency, wavelength, and speed. Because sound is part of your daily experience, you already know its propertiesbut by different names. For example, the loudness of sound it related to its amplitude. Read on to find out more about sounds properties.
pitch - the perception of high or low
that you hear at different frequencies of sound.

The frequency of sound


Frequency and Your ears are very sensitive to the frequency of sound. The pitch of a sound pitch is how you hear and interpret its frequency. A low-frequency sound has a

low pitch, like the rumble of a big truck or a bass guitar. A high-frequency sound has a high pitch, like the scream of a whistle or siren. Humans can generally hear frequencies between 20 Hz and 20,000 Hz. Animals may hear a wider range of frequencies, or higher or lower frequencies than humans.
Most sound has Almost all the sounds you hear contain many frequencies at the same time. In more than one fact, the sound of the human voice contains thousands of different frequency frequenciesall at once (Figure 24.1).

Loudness

Voice A

2.000 Frequency (Hz)

4.000

Loudness

Voice B

2.000 Frequency (Hz)

4.000

Loudness

Voice C

2.000 Frequency (Hz)

4.000

The frequency Why is it easy to recognize one persons voice from anothers, even when spectrum both are saying the same word? The reason is that people have different

Figure 24.1: The frequencies in three peoples voices as they say the word hello. Each persons voice is made up of a mixture of frequencies.

mixtures of frequencies in their voices. A frequency spectrum shows loudness on the vertical axis and frequency on the horizontal axis. Figure 24.1 shows the frequency spectrum for three people saying hello. Can you see any difference between the graphs?

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Intensity and loudness of sound


Decibels The unit for the intensity or strength of a sound is the decibel (dB). We can

measure sound intensity with scientific instruments just like we can measure mass with a balance. The decibel scale (shown below) is convenient to use because most sounds fall between 0 and 100. The amplitude of a sound increases 10 times for every 20-decibel increase (Figure 24.2).

decibel (dB) - a unit of measure


for the intensity or strength of a sound.

Figure 24.2: The decibel scale


measures amplitude (loudness).

Loudness When you experience a loud sound, you experience the effects of its intensity

and frequency. An equal loudness curve compares how loud you hear sounds of different frequencies (Figure 24.3). As you can see, the human ear responds differently to high and low frequencies. This curve shows that low frequency sounds (below 100 Hz) need to have higher decibel values for you to hear them than the same as sounds between 100 and 1,000 Hz. Notice that the numbers are not evenly spread out on the x-axis of this graph. This type of spacing is called a logarithmic scale. You read the graph in the same way that you would read an evenly spaced graph.
Acoustics Acoustics is the science and technology of sound. Knowledge of acoustics is

used to design facilities like libraries, recording studios, and concert halls. A design might address how to reduce sound intensity and/or whether sound needs to be absorbed, amplified, or even prevented from entering a room.

Figure 24.3: All points on an equal

loudness curve have the same loudness.

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The speed of sound

SOUND

Sound is slower than You have may have noticed that the sound of thunder often comes many light seconds after you see lightning. Lightning is what creates thunder so they

really happen at the same time. You hear a delay because sound travels much slower than light. The speed of sound is about 1,000 km/h (660 mph). Light travels at 300,000 km/s (186,000 mi/s).
Subsonic and Objects that move faster than sound are called supersonic. If you were on supersonic the ground watching a supersonic plane fly toward you, there would be

supersonic - a term to describe speeds faster than the speed of sound.

silence (Figure 24.4). The sound would be behind the plane, racing to catch up. Some military jets fly at supersonic speeds. Passenger jets are subsonic because they travel at speeds from 600 to 800 kilometers per hour. Figure 24.4: The boundary between

hearing and not hearing the plane is the shock wave. The person in the middle hears a sonic boom as the shock wave passes over him.

Sonic booms A supersonic jet compresses the sound waves that are created as its nose cuts

Material

Sound Speed (m/s)

through the air. A cone-shaped shock wave forms behind the point where the waves pile up at the nose of the plane. As a result, you only hear noise from a supersonic plane once it has passed overhead. At the boundary of hearing and not hearing the planethe shock wavethe amplitude changes abruptly causing a very loud sound called a sonic boom.
Sound in liquids and Sound travels through most liquids and solids faster than through air solids (Figure 24.5). Sound travels about 5 times faster in water, and about 18 times

Air Helium Water Wood (average) Gold Steel

330 965 1,530 2,000 3,240 5,940

faster in steel. This is because sound is a traveling oscillation. Like other oscillations, sound depends on restoring forces. The forces holding steel atoms together are much stronger than the forces between the molecules in air. Stronger restoring forces increase the speed of sound.

Figure 24.5: The speed of sound in


various materials (helium and air at 0C and 1 atmospheric pressure).

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The Doppler effect


The Doppler effect is The Doppler effect is a shift in the frequency of an oscillation caused by caused by motion motion of the source of the oscillation. If a stationary object is producing

Doppler effect - an increase or


decrease in frequency caused by the motion of the source of an oscillation (such as sound).

sound, listeners on all sides will hear the same frequency. However, when the object is in motion, the frequency will not be the same to all listeners. People moving with the object or to the side hear the frequency as if the object were at rest. People in front hear a higher frequency. People behind hear a lower frequency. The Doppler effect occurs at speeds below the speed of sound.

Doppler Radar Doppler radar is a way to measure the speed of a moving object at a distance. A transmitter sends a pulse of microwaves. The waves reflect from a moving object, such as a car. The frequency of the reflected wave is increased if the car is moving toward the oncoming microwaves and decreased if the car is moving away. The difference in frequency between the reflected and transmitted wave is proportional to speed.

The cause of the The Doppler effect occurs because an observer hears the frequency at which Doppler effect wave crests arrive at his or her ears. For the moving sound source, observer

(A) in the graphic above hears a higher frequency. This is because the objects motion causes the crests in front to be closer together. The opposite is true behind a moving object, where the wave crests are farther apart. Observer (C) in back hears a lower frequency because the motion of the object makes more space between successive wave crests. The greater the speed of the object, the larger the difference in frequency between the front and back positions.
Hearing the Doppler You hear the Doppler effect when you hear a police or fire siren coming effect toward you, then going away from you. The frequency shifts up when the

siren is moving toward you. The frequency shifts down when the siren is moving away from you.

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Recording sound

SOUND

The microphone To record a sound, you must store the pattern of vibrations in a way that can

be replayed and be true to the original sound. A common way to record sound starts with a microphone. A microphone transforms a sound wave into an electrical signal with the same pattern of vibration (Figure 24.6, top).
Analog to digital In modern digital recording, a sensitive circuit called an analog to digital conversion converter measures the electrical signal 44,100 times per second. Each

measurement consists of a number between 0 and 65,536 corresponding to the amplitude of the signal. One second of compact-disc-quality sound is a list of 44,100 numbers. The numbers are recorded as data on the disc.
Playback of To play the sound back, the string of numbers on the CD is read by a laser and recorded sound converted into electrical signals again by a second circuit. This circuit is a

digital to analog converter, and it reverses the process of the first circuit. The playback circuit converts the string of numbers back into an electrical signal. The electrical signal is amplified until it is powerful enough to move the coil in a speaker and reproduce the sound (Figure 24.6, bottom).
Stereo sound Most of the music you listen to has been recorded in stereo. A stereo

recording is actually two recordings, one to be played from the left speaker, and the other from the right. Stereo sound seems almost live because it creates slight differences between when the sound reaches your left and right ears. Sound from all sources tends to reach you this way. The slight differences in how sound reaches your ears lets you know where sound is coming from. Another way to describe two sound waves that arrive at slightly different times is to say they are slightly out of phase.

Figure 24.6: The process of digital


sound reproduction.

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24.1 Section Review


1. What is the relationship between pitch and frequency? 2. If you looked at the frequency spectrums of two friends saying the word dog, would they look the same or different? Explain your answer. 3. Do two sound waves that seem equally loud always have the same amplitude? Explain. 4. What two variables affect how loud you hear sound? 5. How do the amplitudes of a 120-decibel sound and a 100-decibel sound compare? 6. Make a graph of the relationship between the amplitude (x-axis) and decibel level (y-axis) of sound. Describe this relationship. 7. Would an object moving at 750 km/h be supersonic or subsonic? 8. Would an object moving at 100 miles per hour be supersonic or subsonic? Use the conversion factor 1 mile = 1.6 kilometers. 9. Is it possible that a commercial passenger plane traveling at normal speeds could produce a shock wave or a sonic boom? Why or why not? 10. Why does sound travel faster through water than through air? 11. A paramedic in an ambulance does not experience the Doppler effect of the siren. Why? 12. You hear an ambulance in your neighborhood that is traveling a few blocks from where you are. The pitch of the siren seems to be getting lower and lower. Is the ambulance traveling toward you or away from you? How do you know? 13. Research: Find out how Doppler radar is used in weather forecasting. 14. What is the role of a microphone in recording sound? 15. The process of recording music involves converting between analog and digital information. Infer from the text what the terms analog and digital mean. Write a definition of these terms in your own words. 16. What about stereo sounds makes it seem like you are hearing the musicians play live?
Ultrasound

We cannot hear or see ultrasound waves, but they can pass through the human body. Doctors use ultrasound images to see inside patients, the same way they use X-rays. The ultrasound image pictured above is a heart. Research the answers to the following questions. What exactly is ultrasound? How do the frequency and wavelength of ultrasound compare to sounds you can hear?

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SOUND

24.2 Sound Waves


How do we know that sound is a wave? For starters, it has both frequency and wavelength. We also know sound is a wave because it does all the things other waves do. Sound can be reflected, refracted, and absorbed. Sound also shows diffraction and interference. Resonance occurs with sound waves and is especially important for understanding how musical instruments work.

Figure 24.7: Air is made of

What is a sound wave?


Sound in solids and Sound is a traveling oscillation of atoms. If you push on one atom, it pushes liquids on its neighbor. That atom pushes on the next atom, and so on. The push

molecules in constant random motion, bumping off each other and the walls of their container.

causes atoms to oscillate back and forth like tiny beads on springs. The oscillation spreads through the connections between atoms to make a sound wave. This is how sound moves through liquids and solids.
Sound in air and In air, the situation is different. Air molecules are spread far apart and gases interact by colliding with each other (Figure 24.7). The pressure is highest

where atoms are closest together and lowest where they are farthest apart (Figure 24.8). Imagine pushing the molecules on the left side of the picture below. Your push squeezes atoms together creating a layer of higher pressure. That layer pushes on the next group of atoms and causes those atoms to squeeze together. This pattern repeats. The result is a traveling oscillation in pressure, which is a sound wave. Sound is a longitudinal wave because the oscillations are along the same direction that the wave travels.

Figure 24.8: If temperature is

constant, high pressure means more molecules per unit volume. Low pressure means fewer molecules per unit volume.

What Can You Hear? Take a few minutes to sit quietly and listen to all the sounds around you. Make a list of what you hear. Be sure to record your perceived frequency of the soundswhether they are high or low frequency. When you are done, write down any observations that surprised you.

The frequency range Anything that vibrates creates sound waves, as long as there is contact with of sound waves other atoms. However, not all sounds can be heard. Humans can hear in

the range between 20 and 20,000 Hz. Bats can hear high-frequency sounds from 2,000 to 110,000 Hz and elephants hear lower-frequency sounds from 16 to 12,000 Hz.

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Sound and air pressure


Speakers If you touch the surface of a speaker, you can feel the vibration that creates

a sound wave. Figure 24.9 shows an illustration of a speaker as well as an exaggerated sound wave and the oscillation of pressure. When music is playing, the surface of the speaker moves back and forth at the same frequencies as the sound waves. The back-and-forth motion of the speaker creates a traveling sound wave of alternating high and low pressure.
Air pressure The change in air pressure created by a sound wave is incredibly small. An

80 dB sound, equivalent to a loud stereo, changes the air pressure by only one part in a million. Our ears are very well structured to detect the small changes in pressure created by sound waves.
Frequency and The frequency of sound indicates how fast air pressure oscillates back and pressure change forth. The purr of a cat, for example, might have a frequency of 50 hertz. This

means the air pressure alternates 50 times per second. The frequency of a fire truck siren may be 3,000 hertz. This corresponds to 3,000 vibrations per second in the pressure of the air.
Sound speed In air, the energy of a sound wave is carried by moving atoms and molecules depends on bumping into each other. Anything that affects the motion of atoms affects the temperature speed of sound. Molecules move more slowly in cold air and the speed of

sound decreases. For example, at 0C, the speed of sound is 330 meters per second, but at 21C, the speed of sound is 344 meters per second.
Sound speed and At higher air pressures, molecules become more crowded. The speed of sound pressure increases because collisions between atoms increase. Therefore, if the

Figure 24.9: This is what a sound

wave might look like if you could see the atoms. The effect of sound on air molecules is exaggerated.

pressure goes down, the speed of sound decreases. This phenomenon affects airplanes. A plane that is subsonic at low altitudes may become supersonic at higher altitudes where the temperature and pressure are lower.
Sound speed and Lighter atoms and molecules move faster than heavier ones at the same molecular weight temperature. The speed of sound is higher in helium gas because helium
How many vibrations of air pressure occur per second when the note A (440 Hz), is played?

atoms are lighter (and faster) than either the oxygen (O2) or nitrogen (N2) molecules that make up air.

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The wavelength of sound


Range of The wavelengths of sound in air can be compared to the size of everyday wavelengths of objects (Table 24.1). As with other waves, the wavelength of a sound is sound inversely related to its frequency (Figure 24.10). A low-frequency, 20-hertz

sound has a wavelength the size of a large classroom. At the upper range of hearing, a 20,000-hertz sound has a wavelength about the width of a finger.
Table 24.1: Frequency and Wavelength for Some Typical Sounds
Frequency (Hz) Wavelength Typical Source

20 100 500 1,000 2,000 5,000 10,000 20,000


Wavelengths of sounds are important

17 m 3.4 m 70 cm (27) 34 cm (13) 17 cm (6.7) 7 cm (2.7) 3.4 cm (1.3) 1.7 cm (0.67)

rumble of thunder bass guitar average male voice female soprano voice fire truck siren highest note on a piano whine of a jet turbine highest-pitched sound you can hear

Differences in sound are due to differences in both frequency and wavelength. If you want to make a sound of a certain wavelength (or frequency), you need to have a vibrating object that is similar in size to the wavelength of that sound. So, how is a French horn able to produce so many different sounds? A French horn makes sound by vibrating the air trapped in a long coiled tube. Short tubes only fit short wavelengths and make higher-frequency sounds. Long tubes fit longer wavelengths and make lower-frequency sounds (Figure 24.10). Opening and closing the valves on a French horn allows the player to add and subtract different-length tubes, changing the frequency of the sound.

Figure 24.10: The frequency and

wavelength of sound are inversely related. When the frequency goes up, the wavelength goes down proportionally.

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Standing waves
What is a You just learned that a French horn makes sounds by confining waves within standing wave? tubes of different lengths. A wave that is confined in a space is called a standing wave. It is possible to make standing waves of almost any kind,

standing wave - a wave that is confined in a space. fundamental - the lowest natural
frequency of an oscillator.

including sound, water, and even light. You can experiment with standing waves using a vibrating string. Vibrating strings create sound on a guitar or piano.
Harmonics

harmonic - one of many natural frequencies of an oscillator.

A string with a standing wave is a kind of oscillator. Like all oscillators, a string has natural frequencies. The lowest natural frequency is called the fundamental. A vibrating string also has other natural frequencies called harmonics. The diagram at the left shows the first three harmonics. You can find the harmonic number by counting the number of bumps or places of greatest amplitude. The first harmonic has one bump, the second has two, the third has three, and so on. The place of highest amplitude on a string is the antinode. The place where the string does not move is called a node.

Resonance

of Spaces enclosed by boundaries can create resonance with sound waves. Like a sound French horn, a panpipe makes music when sound resonates in tubes of

different lengths (Figure 24.11). One end of each tube is closed and the other end is open. Blowing across the open end of a tube creates a standing wave inside the tube. The closed end of a pipe is a closed boundary and it makes a node in the standing wave. The open end of a pipe is an open boundary to a standing wave and makes an antinode. The pipe resonates to a certain frequency when its length is one-fourth the wavelength of that frequency. If the pipe resonates at the fundamental frequency, then the wavelength of the fundamental is four times the length of the pipe.

Figure 24.11: A panpipe is made

from tubes of different lengths. The diagram shows the fundamental for a standing wave of sound in a panpipe.

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Interaction between sound waves and boundaries


Interactions of Like other waves, sound waves can be reflected by hard surfaces and sound and materials refracted as they pass from one material to another. Diffraction causes sound

reverberation - multiple echoes of


sound caused by reflections of sound building up and blending together.

waves to spread out through small openings. Carpet and soft materials can absorb sound waves. Figure 24.12 illustrates these four sound interactions.
Reverberation In a good concert hall, the reflected sound and direct sound from the

musicians, along with sound reflected from the walls, creates a multiple echo called reverberation. The right amount of reverberation makes the sound seem livelier and richer. Too much reverberation and the sound gets muddy. Concert hall designers choose the shape and surface of the walls and ceiling to provide the best reverberation. Some concert halls have movable panels that can be raised or lowered from the ceiling to help shape the sound.
Constructing a good Direct sound (A) reaches the concert hall listener along with reflected

sound (B, C) from the walls. The shape of the room and the surfaces of its walls must be designed and constructed so that there is some reflected sound, but not too much.
Interference can Reverberation also causes also affect sound interference of sound waves. When two waves interfere, the total can be quality louder or softer than either wave alone. The diagram above shows a musician

Figure 24.12: Sound displays all


the properties of waves in its interactions with materials and boundaries.

Using Your Ears Go to a concert hall, an auditorium, or even a smaller space. Make a map of the place. Play music from one location. While the music is playing, walk around and identify where you hear the music well and where you hear dead spots. Add these details to your sketch.

and an audience of one person. The sound reflected from each wall interferes as it reaches the listener. If the distances are just right, one reflected wave might be out of phase with the other. The result is that the sound is quieter at that spot. An acoustic engineer would call it a dead spot in the hall. Dead spots are areas where destructive interference causes some of the sound to cancel with its own reflections. It is also possible to make very loud spots where sound interferes constructively. The best concert halls are designed to minimize both dead spots and loud spots.

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24.2 Section Review


1. How could you increase the air pressure inside a bag containing a group of air molecules? 2. Is sound a longitudinal or transverse wave? Justify your answer. 3. A 200-hertz sound has a wavelength about equal to the height of an adult. Would a sound with a wavelength equal to the height of a two-year-old child have a higher or lower frequency than 200 Hz? 4. For each situation, identify when sound would travel faster and why. a. Outside on a winter day or outside on a summer day? b. Through water or air? c. When air pressure is high or low? d. Through a piece of wood that floats in water or through a piece of steel that sinks in water? e. Through a gas that is 90% nitrogen (N2) and 10% helium (He) or through a gas that is 90% helium (He) and 10% nitrogen (N2)? 5. The first five harmonics for a vibrating string are shown in Figure 24.13. a. For each harmonic, identify the number of wavelengths represented. b. For each harmonic, identify the number of nodes and antinodes that are present (include the ends of the string in your count). c. Which of the five harmonics has the highest natural frequency? d. Make a drawing that shows what the 6th harmonic would look like. 6. A panpipe is made of five pipes. The longest pipe is 25 centimeters long and the shortest is 5 centimeters long. Which of these pipe produces the highest-frequency sound and why? 7. Would a full concert hall have different reverberation from an empty hall? Explain. 8. It is extremely difficult to play, record, and hear live music in a park or other open space. Explain why this is so. Use the word reverberation in your answer. 9. You and your band want to record a CD in your basement. What might you need to do to make your basement a good place for recording music?

Figure 24.13: Question 5.

How Long Does a Pipe Have to Be to Play the Note E? You wish to make a pipe that makes a sound with a frequency of 660 hertz (the note E). Use the relationship between wave speed and frequency to determine the wavelength of this note. The pipe length needs to be one-fourth the wavelength to make a resonance in the fundamental mode. Assume the speed of the sound is 340 m/s
.

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24.3 Sound, Perception, and Music


Sound is everywhere in our environment. We use sound to communicate and we listen to sound for information about what is going on around us. Our ears and brain are constantly receiving and processing sound. In this section, you will learn about how we hear a sound wave and how the ear and brain construct meaning from sound. This section will also introduce some of the science behind music. Musical sound is a rich language of rhythm and frequency, developed over thousands of years of human culture.

The perception and interpretation of sound


Constructing As you read this paragraph, you subconsciously recognize individual letters. meaning from However, the meaning of the paragraph is not in the letters themselves. The patterns meaning is in the patterns of how the letters make words and the words make

sentences. The brain does a similar thing with sound. A single frequency of sound is like one letter. It does not have much meaning. The meaning in sound comes from patterns of many frequencies changing together.
Ears hear many When you hear a sound, the nerves in your ear respond to more than 15,000 frequencies different frequencies at once. This is like having an alphabet with 15,000 at once letters! The brain interprets all 15,000 different frequency signals from the

Figure 24.14: The recorded wave


form from 0.02 seconds of music.

ear and creates a sonic image of the sound.


Complex sound Imagine listening to live music from a singer and a band. Your ears can easily waves distinguish the voice from the instruments. How does this occur? The

microphone records a single wave form of how pressure varies with time. The recorded wave form is very complex, but it contains all the sound from the instruments and voice (Figure 24.14).
How the brain finds The brain makes sense of this sound because the ears separate the sound into meaning different frequencies. Your brain, receiving signals from your ears, has

learned to recognize certain patterns of how each frequency changes and gets louder and softer over time. One pattern might be a sung word. Another might be a musical note from a guitar. Inside your brain is a dictionary that associates a meaning with a pattern of frequency the same way an ordinary dictionary associates a meaning from a pattern of letters (a word).

You have probably heard of Johann Sebastian Bach. He is considered one of the greatest western composers. He was known for writing contrapuntal, or counterpoint, music. An example of this style occurs when you sing Row, Row, Row Your Boat as a round. Find out more about counterpoint and Bachs music. Then, listen to Bachs The Art of Fugue. Write about your impressions of this music.

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The frequency spectrum and the sonogram


Frequency spectrum A frequency spectrum is a graph that shows the amplitudes of different

frequencies present in a sound. Amplitude, or loudness, is represented on the y-axis, and frequency is shown on the x-axis. Sound containing many frequencies has a wave form that is jagged and complicated. The wave form in the Figure 24.15 is from an acoustic guitar playing the note E. The frequency spectrum shows that the complex sound of the guitar is made from many frequencies, ranging up to 10,000 Hz and beyond.
What is a More information about a sound is available when a graph combines the sonogram? variablesfrequency, amplitude, and time. A sonogram shows frequency

frequency spectrum - a graph


that shows the amplitudes of different frequencies present in a sound.

sonogram - a graph that shows the


frequency, amplitude, and time length for a sound.

on the vertical axis and time on the horizontal axis. The loudness (amplitude) is shown by a color range.
Reading a sonogram The sonogram below (left) shows the word hello lasting from 1.4 to

2.2 seconds. A sonogram of your voice (or anyone elses) saying hello would look different because every voice is unique. In this example, you can see that there are many frequencies almost filling up the space between 0 and 5,000 Hz. The sonogram on the right is a simpler version of this type of graph. Which bar represents a loud sound of 100 Hz lasting from 1 to 3 seconds (A, B, C, or D)?
Complex sonogram of the word hello
Frequency (Hz) Frequency (Hz)

A simple version of a sonogram

Figure 24.15: Each peak in the

spectrum represents the frequency and amplitude of a wave that makes up the wave form.

Time (s) Key Soft

Time (s)

Loud

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How we hear sound

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The cochlea The cochlea provides us with our ability to interpret soundin other words,

our sense of hearing. However, the cochlea is in the inner ear (Figure 24.16). Sound has to reach the cochlea by first entering the ear canal where it encounters the eardrum. Here, the sound waves cause the eardrum to vibrate. Then, three delicate bones of the inner ear transmit these vibrations to the side of the cochlea. In turn, fluid in the spiral channel of the cochlea vibrates and creates waves. Nerves along the channel have tiny hairs that shake when the fluid vibrates. Near the entrance, the channel is relatively large so the nerves respond to longer-wavelength, lower-frequency sound. The nerves at the small end of the channel respond to shorter-wavelength, higherfrequency sound.
The semi-circular As you know, the function of our ears is hearing. But did you know that your canals ears also provide you with your sense of balance? Near the cochlea in the

inner ear are three semicircular canals. Like the cochlea, each canal contains fluid. The movement of this fluid in the canals indicates how the body is moving (leftright, updown, or forwardbackward).
Human hearing In general, the combination of the eardrum, bones, and the cochlea limit the

range of human hearing to between 20 hertz and 20,000 hertz. However, hearing varies greatly among different people and changes with age. Some people can hear sounds above 15,000 Hz and other people cant. On average, people gradually lose high-frequency hearing with age. Most adults cannot hear frequencies above 15,000 hertz, while children can often hear to 20,000 hertz.
Hearing can be Hearing is affected by exposure to loud or high-frequency damaged by loud noise. Listening to loud sounds for a long time can cause noise the hairs on the nerves in the cochlea to weaken or break

Figure 24.16: The structure of the

off, causing permanent damage. Therefore, it is important to always protect your ears by keeping the volume of noise at a low or reasonable level. It is also important to wear ear protection if you have to stay in a loud place. In concerts, many musicians wear earplugs on-stage to protect their hearing.

inner ear. When the eardrum vibrates, three small bones transmit the vibrations to the cochlea. The vibrations make waves inside the cochlea, which shake hairs attached to nerves in the spiral. Each part of the spiral is sensitive to a different frequency.

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Music
Pitch The pitch of a sound describes how high or low we hear its frequency. A

higher frequency sound is heard as a higher pitch. However, because pitch depends on the human ear and brain, the way we hear a sound can be affected by the sounds we heard before and after.
Rhythm Rhythm is a regular time pattern in a series of sounds. Here is a rhythm you

rhythm - a regular time pattern in a series of sounds. musical scale - a pattern of


frequencies.

can play on your desk: TAP-TAP-tap-tap-TAP-TAP-tap-tap. Play TAP louder than you play tap. Rhythm can be made with sound and silence or with different pitches. People respond naturally to rhythm. Cultures are distinguished by their music and the special rhythms used in music.
The musical scale Music is a combination of sound and rhythm. Styles of music are vastly

note - one frequency in a musical


scale.

different but all music is created from carefully chosen frequencies of sound. Most of the music you listen to is created from a pattern of frequencies called a musical scale. Each frequency in the scale is called a note. The C major musical scale that starts on the note C (262 Hz) is shown in the diagram below. The approximate frequencies of the notes in this scale are listed. Notice that this scale begins and ends with C and that the higher C is twice the frequency of the lower C. These two Cs are an octave apart. An octave is the range between any given frequency and twice that frequency. Notes that are an octave apart in frequency share the same name because they sound similar to the ear.

octave - a range defined as being between a single frequency value and twice that frequency value. On a musical scale, these two notes would have the same name.

Getting to Know Octaves


1. What is the frequency and name of the note that is one octave lower than C-262 Hz? 2. What is the name and frequency of the note that is two octaves higher than A-440 Hz?

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SOUND

Consonance, dissonance, and beats


Harmony Harmony is the study of how sounds work together to create effects desired

by the composer. From experience, you know that music can have a profound effect on peoples moods. For example, the tense, dramatic sound track of a horror movie is a vital part of the audiences experience. Harmony is based on the frequency relationships of the musical scale.
Beats When two frequencies of sound are not exactly equal in value, the loudness of the total sound seems to oscillate or beat. The diagram below illustrates how

beat - the oscillation between two sounds that are close in frequency. consonance - a combination of frequencies that sound pleasant. dissonance - a combination of
frequencies that sound unpleasant.

beats occur for two waves occurring simultaneously. The superposition principle states that when sound waves occur at the same time, they combine to make a complex wave. The sound (amplitude) of this wave is louder than either wave separately when the waves are in phase due to constructive interference. When the waves are out of phase, the sound is quieter due to destructive interference. We hear the alternation in amplitude as beats.

Bats and Beats


Bats use echolocation to navigate and find insects for food. Like a sonic flashlight, the bats voice shines ultrasound waves into the night. The sound occurs as chirps, short bursts of sound that rise in frequency. When the sound reflects off an insect, the bats ears receive the echo. Since the frequency of the chirp is always changing, the echo comes back with a slightly different frequency. The difference between the echo and the chirp makes beats that the bat can hear. The beat frequency is proportional to how far the insect is from the bat. A bat can even determine where the insect is by comparing the echo it hears in the left ear with what it hears in the right ear.

Consonance and When we hear more than one frequency of sound and the combination sounds dissonance pleasant, we call it consonance. When the combination sounds unsettling, we call it dissonance. Consonance and dissonance are related to beats.

When frequencies are far enough apart that there are no beats, we get consonance. When frequencies are too close together, we hear beats that are the cause of dissonance. In music, dissonance is often used to create tension or drama. Consonance can be used to create feelings of balance and comfort.

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Making sounds
Voices The human voice is a complex sound that starts in the larynx, a small, hollow

chamber at the top of your windpipe. The term vocal cords is a little misleading because the sound-producing structures are not really cords but folds of expandable tissue that extend across the larynx. The sound that starts in the larynx is changed by passing through openings in the throat and mouth (Figure 24.17). Different sounds are made by changing both the vibrations in the larynx and the shape of the openings.
The guitar

The guitar has become a central instrument in popular music. Guitars come in many types but share the common feature of making sound from vibrating strings. A standard guitar has six strings that are stretched along the neck and body of the guitar. The strings have different weights and therefore different natural frequencies. For a guitar in standard tuning, the heaviest string has a natural frequency of 82 hertz and the lightest a frequency of 330 hertz. Each string is stretched by a tension force of about 125 newtons (28 pounds). The combined force from six strings on a folk guitar is more than 750 newtons (170 pounds). The guitar is tuned by changing the tension in each string. Tightening a string raises its natural frequency and loosening lowers it.

Figure 24.17: Notice how the shape


of the structures in the throat and mouth change as the human voice creates the sounds AH, EE, EH, and OH.

Each string can A typical guitar string is 63 centimeters long. To make different notes, the make many notes vibrating length of a single string can be shortened by holding it down against

one of many metal bars across the guitars neck called frets (Figure 24.18). The frequency goes up as the vibrating length of the string gets shorter. A guitar with 20 frets and six strings can play 126 different notes, some of which are duplicates.

Figure 24.18: A guitarist can play a


note by playing an open string or he can shorten the length of a string by pressing down on a fret.

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Harmonics and the sound of instruments


Same note, different The same note sounds different when played on different instruments. As an sound example, suppose you listen to the note C (262 Hz) played on a guitar and the

same C (262 Hz) played on a piano. A musician would recognize both notes as being C because they have the same frequency and pitch. However, as you know, a guitar sounds like a guitar and a piano sounds like a piano. If the frequency of the note is the same, what gives each instrument its characteristic sound?
Instruments make A guitar and a piano have recognizable sounds because each note played mixtures of is not a single pure frequency. The most important frequency is still the frequencies fundamental note (C-262 Hz, for example). The variation comes from the

harmonics. Remember, harmonics are frequencies that are multiples of the fundamental note. We have already learned that a string can vibrate at many harmonics. This is true for all instruments. A single C note from a grand piano might include 20 or more different harmonics.
Recipes for sound Consider that every instrument has its own recipe for the frequency content

of its sound. Another word for recipe in this context is timbre. In Figure 24.19, you can see how the mix of harmonics for a guitar compares to the mix for a piano when both instruments play the note C (262 Hz). Here, you can see that the timbre of a guitar is different from that of a piano.
Tuning and beats A tuning fork is a useful tool for tuning an instrument because it produces a

Figure 24.19: The sound of the note


C (262 Hz) played on a piano and on a guitar. Notice that the fundamental frequencies are the same but the harmonics have different amplitudes.

single frequency (Figure 24.20). Heres how a tuning fork is used. Lets say the A string on a guitar is out of tune and its natural frequency is 445 hertz. The correct frequency for A is 440 hertz. To tune the guitar, you need an A tuning fork which will produce vibrations at 440 hertz when it is struck. When you play the guitar string and listen to the tuning fork, you will hear a beat frequency of 5 beats per second, or 5 hertz. The beat frequency becomes zero when the string is tuned to the tuning fork so that both it and the guitar string have a natural frequency of 440 hertz. The beats go away when the string is in tune.

Figure 24.20: A tuning fork


produces a single frequency.

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24.3 Section Review


1. Do you hear sounds around you as one frequency at a time or as many frequencies at once? 2. Which of the frequencies in Figure 24.21 is a soft sound that lasts five seconds? What is the frequency of this sound? 3. What is the difference between a sonogram and a frequency spectrum? 4. If sound B has twice the amplitude of sound A, sound A is: a. louder b. softer c. higher pitched d. lower pitched 5. How does the cochlea allow us to hear both low-frequency and highfrequency sound? 6. What is the range of frequencies for human hearing? 7. If you were talking to an elderly person who was having trouble hearing you, would it be better to talk in a deeper voice (low-frequency sound) or a higher voice (high-frequency sound)? 8. What is one way that your body knows if it is upside down or not? 9. If two sound waves have exactly the same frequency, will you hear beats? Why or why not? 10. A musician in a group plays a wrong note. Would this note disrupt the harmony or the rhythm of the song being played? Explain your answer. 11. The note G is 392 Hz. What is the frequency of this note one octave higher? 12. Explain the appearance of the complex wave in Figure 24.22. In particular, explain the areas of higher amplitude and lower amplitude. 13. Why does an A played on a violin sound different from the same note played on a guitar? 14. How is the length of a string on a stringed instrument related to the length of a pipe on panpipe? Use the words frequency and wavelength in your answer.

Figure 24.21: Question 2.

Figure 24.22: Question 12.

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CHAPTER 24

Hearing
An Essay by Dame Evelyn Glennie
Reprinted from www.evelyn.co.uk

Deafness is poorly understood in general. For instance, there is a common misconception that deaf people live in a world of silence. To understand the nature of deafness, first one has to understand the nature of hearing. Hearing is basically a specialized form of touch. Sound is simply vibrating air which the ear picks up and converts to electrical signals, which are then interpreted by the brain. The sense of hearing is not the only sense that can do this, touch can do this too. If you are standing by the road and a large truck goes by, do you hear or feel the vibration? The answer is both. With very low frequency vibration the ear starts becoming inefficient and the rest of the body's sense of touch starts to take over. For some reason we tend to make a distinction between hearing a sound and feeling a vibration, in reality they are the same thing. It is interesting to note that in the Italian language this distinction does not exist. The verb 'sentire' means to hear and the same verb in the reflexive form 'sentirsi' means to feel. Deafness does not mean that you can't hear, only that there is something wrong with the ears. Even someone who is totally deaf can still hear/feel sounds. If we can all feel low frequency vibrations why can't we feel higher vibrations? It is my belief that we can, it's just that as the frequency gets higher and our ears become more efficient they drown out the more subtle sense of 'feeling' the vibrations. I spent a lot of time in my youth (with the help of my school Percussion teacher Ron Forbes) refining my ability to detect vibrations. I would stand with my hands against the classroom wall while Ron played notes on the timpani (timpani produce a lot of vibrations). Eventually I managed to distinguish the rough pitch of notes by associating where on my body I felt the sound with the sense of perfect pitch I had before losing my hearing. The low sounds I feel mainly in my legs and feet and high sounds might be particular places on my face, neck and chest.

Music represents life. A particular piece of music may describe a real, fictional or abstract scene from almost any area of human experience or imagination. It is the musicians job to paint a picture which communicates to the audience the scene the composer is trying to describe. I hope that the audience will be stimulated by what I have to say (through the language of music) and will therefore leave the concert hall feeling entertained. If the audience is instead only wondering how a deaf musician can play percussion then I have failed as a musician. For this reason my deafness is not mentioned in any of the information supplied by my office to the press or concert promoters. Unfortunately, my deafness makes good headlines. I have learnt from childhood that if I refuse to discuss my deafness with the media they will just make it up. The several hundred articles and reviews written about me J.Wilson/EG Images every year add up to a total of many thousands, only a handful accurately describe my hearing impairment. More than 90% are so inaccurate that it would seem impossible that I could be a musician. This essay is designed to set the record straight and allow people to enjoy the experience of being entertained by an ever evolving musician rather than some freak or miracle of nature.

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It is worth pointing out at this stage that I am not totally deaf, I am profoundly deaf. Profound deafness covers a wide range of symptoms, although it is commonly taken to mean that the quality of the sound heard is not sufficient to be able to J.Wilson/EG Images understand the spoken word from sound alone. With no other sound interfering, I can usually hear someone speaking although I cannot understand them without the additional input of lip-reading. In my case the amount of volume is reduced compared with normal hearing but more importantly the quality of the sound is very poor. For instance when a phone rings I hear a kind of crackle. However, it is a distinctive type of crackle that I associate with a phone so I know when the phone rings. This is basically the same as how normally hearing people detect a phone, the phone has a distinctive type of ring which we associate with a phone. I can in fact communicate over the phone. I do most of the talking whilst the other person can say a few words by striking the transmitter with a pen, I hear this as clicks. I have a code that depends on the number of strikes or the rhythm that I can use to communicate a handful of words. So far we have the hearing of sounds and the feeling of vibrations. There is one other element to the equation, sight. We can also see items move and vibrate. If I see a drum head or cymbal vibrate or even see the leaves of a tree moving in the wind then subconsciously my brain creates a corresponding sound. A common and ill informed question from interviewers is 'How can you be a musician when you can't hear what you are doing?' The answer is of course that I couldn't be a musician if I were not able to hear. Another often asked question is 'How do you hear what you are playing?' The logical answer to this is; how does anyone hear?. An electrical signal is generated in the ear and various bits of other information from our other senses all get sent to the brain which then processes the data to create a sound picture. The various processes involved in

hearing a sound are very complex but we all do it subconsciously so we group all these processes together and call it simply listening. The same is true for me. Some of the processes or original information may be different but to hear sound all I do is to listen. I have no more idea of how I hear than you do. You will notice that more and more the answers are heading towards areas of philosophy. Who can say that when two normally hearing people hear a sound they hear the same sound? I would suggest that everyone's hearing is different. All we can say is that the sound picture built up by their brain is the same, so that outwardly there is no difference. For me, as for all of us, I am better at certain things with my hearing than others. I need to lip-read to understand speech but my awareness of the acoustics in a concert venue is excellent. For instance, I will sometimes describe an acoustic in terms of how thick the air feels. To summarize, my hearing is something that bothers other people far more than it bothers me. There are a couple of inconveniences but in general it doesn't affect my life much. For me, my deafness is no more important than the fact I am female with brown eyes. Sure, I sometimes have to find solutions to problems related to my hearing and music but so do all musicians. Most of us know very little about hearing, even though we do it all the time. Likewise, I don't know very much about deafness, what's more I'm not particularly interested. I remember one occasion when uncharacteristically I became upset with a reporter for constantly asking questions only about my deafness. I said: 'If you want to know about deafness, you should interview an audiologist. My speciality is music.' In this essay I have tried to explain something which I find very difficult to explain. Even so, no one really understands how I do what I do. Please enjoy the music and forget the rest.

Questions:
1. Which two of your senses can convert sound waves to electrical signals? Which do you use more frequently? 2. How did Evelyn Glennies percussion teacher help her refine her ability to distinguish pitch? 3. Describe an occasion when you have been able to see vibration caused by a sound wave.

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Chapter 24 Assessment
Vocabulary
Select the correct term to complete the sentences.
consonance decibel standing wave octave fundamental sonogram Section 24.1 frequency spectrum Doppler effect musical scale supersonic rhythm dissonance note beat reverberation pitch harmonic

11. ____ is a regular time pattern in a series of sounds. 12. A(n) ____ is a pattern of frequencies used by musicians. 13. The range between a frequency on a musical scale and a frequency that is twice as great is called a(n)____. 14. A graph that shows the frequency, amplitude, and time of a sound such as a person saying a word is called a(n) ____. 15. A combination of sounds of different frequencies that sound pleasant is called ____. 16. A combination of sounds of different frequencies that sound unpleasant is called ____. 17. Each frequency on a musical scale is called a(n) ____.

1.

A moving object that makes a sound will sound differently if the object is moving toward or away from you due to the ____. The unit for measuring the loudness of a sound is the ____. How your ears hear and interpret a sound of a certain frequency is called the ____. ____ objects move faster than the speed of sound waves. You can tell which ____ a vibrating string is experiencing by counting the nodes and antinodes. A(n) ____ is a wave confined or trapped in a certain space. The ____ is the lowest natural frequency of an oscillator. A multiple echo in a concert hall or other room is called a(n) ____. A(n) ____ is a graph that shows the amplitudes of different frequencies that make up a sound.

2. 3. 4. 5. 6. 7. 8.

Concepts
Section 24.1

1. 2. 3.

Give an example of a sound with a high pitch and example of a sound with a low pitch. Explain how you can tell the difference between the voices of two people if they are saying the same word. Approximately how many decibels is each of the following sounds. a. the cafeteria at your school at lunch b. an alarm clock c. a running sink faucet Do all frequencies of sounds at 40 decibels seem equally loud to your ears? Explain. How fast do sound waves travel in air? How does this compare to the speed of light waves? What is a sonic boom?

Section 24.2

4. 5. 6.

Section 24.3

9.

10. As two sounds of slightly different frequencies go in and out of phase, ____ can be heard.

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7. 8.

Why do sound waves travel faster in steel than in air or water? A car honking its horn moves toward you. Does the horns pitch sound higher or lower than it would if the car were parked? Explain. What does it mean to say a recording is in stereo?

9.

Section 24.2

18. The diagram to the right shows a harmonic of a vibrating string. a. Which harmonic is shown? b. How many wavelengths does the standing wave contain? c. What is the wavelength of the standing wave? 19. List the four ways sound waves can interact with materials and boundaries.
Section 24.3

10. Draw a diagram that shows what air molecules look like when a sound wave is traveling through the air. 11. Does sound travel faster in warm or cold air? Why? 12. Does a persons voice sound higher or lower after inhaling helium gas? Why? 13. How is the wavelength of a sound wave related to its frequency? 14. Which would create sound waves with longer wavelengths, a cat meowing or a bear growling? 15. Why does a flute produce higher-pitched sounds than a tuba? 16. What is the difference between a node and an antinode on a standing wave? 17. Draw a standing wave on a string with 6 nodes and 5 antinodes. Which harmonic did you draw?

20. How many different frequencies do nerves in your ear sense at the same time when you hear a sound? 21. Which type of graph gives more information, a frequency spectrum or a sonogram? Explain. 22. What do your ears sense in addition to sounds? 23. Does the outer, larger part of the cochlea hear higher or lower frequencies? 24. What can happen if a person listens to loud sounds for a long time? 25. What causes the alternation of loud and soft sounds that occur when similar frequencies are played together? 26. Which of the following guitar strings would have the highest natural frequency? a. A thick string that is very loose b. A thick string that is tight c. A thin string that is very loose d. A thin string that is tight 27. What is the purpose of frets on a guitar? 28. How is the sound created by a tuning fork different from the sound created by plucking a guitar string?

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Problems
Section 24.1

SOUND

Applying Your Knowledge


Section 24.1

1.

While you are at home, you hear the dishwasher with a loudness of 40 dB and a siren outside with a loudness of 60 dB. How much greater is the amplitude of the sirens sound than the amplitude of the dishwashers sound? A 100-hertz sound and a 10,000-hertz sound are heard at an equal loudness. If the 100 Hz sound is at 40 decibels, what is the intensity of the 10,000 Hz sound? A sound wave takes 0.2 seconds to travel 306 meters. What is the speed of sound in this material? Through which of the materials in Figure 24.5 is the wave traveling? Suppose you stand in front of a tall rock wall that is 170 meters away. If you yell, how long does it take for the echo to get back to your ears if the speed of sound is 340 m/s? A sound wave has a speed of 340 m/s and a wavelength of 10 meters. What is its frequency? Would you be able to hear this sound? The range of human hearing is between 20 Hz and 20,000 Hz. If the speed of sound is 340 m/s, what is the longest wavelength you can hear? What is the shortest? The note E has a frequency of 330 hertz. What is the frequency of the E note one octave higher? A note has a frequency of 988 hertz. What is the frequency of the note one octave lower? What note is this?

1.

People can usually hear sounds with frequencies between 20 and 20,000 hertz. Some animals can hear higher or lower frequencies than people can. Research to find out the hearing ranges of several different animals. The Doppler effect is used to figure out whether stars are moving toward or away from Earth. Red light has a lower frequency than blue light. If the color of a stars light shifts to red, is it moving toward or away from Earth? Light waves travel at 300,000 km/s. Sound waves in warm air travel at approximately 0.34 km/s. During a thunderstorm, a lightning bolt strikes 2 kilometers away from you. How long does it take you to see the lightning? How long does it take you to hear the thunder? Science fiction movies sometimes show explosions in outer space that make loud sounds. Explain why this is not scientifically correct. The beat frequency is the frequency of the loud and soft sounds heard when two sounds create beats. It is calculated by subtracting the frequencies of the two different sound waves. For example, playing 322 Hz and 324 Hz sounds will result in a beat frequency of 2 Hz. Suppose you strike two tuning forks and hear a beat frequency of 4 Hz. One tuning fork has a frequency of 440 Hz. Can you determine the frequency of the other fork? Explain. How do noise cancelling headphones work? Do they work equally well for all types of sounds? Review Chapter 23 and do research to find the answers to these questions.

2.

2.

3.

3.

Section 24.2

4.

Section 24.2

5.

4.

6.

Section 24.3

5.

Section 24.3

7. 8.

6.

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