The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse

Various

The Voice of Science in Nineteenth-Century Literature

Representative Prose and Verse

Published by Good Press, 2022

goodpress@okpublishing.info

EAN 4064066144456

Table of Contents

INTRODUCTION

By Henry Greenleaf Pearson

THE VOICE OF SCIENCE IN NINETEENTH-CENTURY LITERATURE

MATTHEW ARNOLD

THE FUNCTION OF CRITICISM

SIR MICHAEL FOSTER

THE GROWTH OF SCIENCE IN THE NINETEENTH CENTURY

THOMAS HENRY HUXLEY

THREE HYPOTHESES RESPECTING THE HISTORY OF NATURE

ON THE PHYSICAL BASIS OF LIFE

JOHN TYNDALL

SCOPE AND LIMIT OF SCIENTIFIC MATERIALISM

JOHN HENRY, CARDINAL NEWMAN

CHRISTIANITY AND PHYSICAL SCIENCE

ROBERT LOUIS STEVENSON

PULVIS ET UMBRA

JOHN RUSKIN

THE MYSTERY OF LIFE AND ITS ARTS

MATTHEW ARNOLD

MARCUS AURELIUS

DOVER BEACH

MORALITY

SELF-DEPENDENCE

ARTHUR HUGH CLOUGH

ALL IS WELL

TO SPEND UNCOUNTED YEARS OF PAIN

SAY NOT THE STRUGGLE NOUGHT AVAILETH

ALGERNON CHARLES SWINBURNE

THE GARDEN OF PROSERPINE

EDWARD FITZGERALD

RUBAIYAT OF OMAR KHAYYAM

ROBERT BROWNING

RABBI BEN EZRA

AN EPISTLE CONTAINING THE STRANGE MEDICAL EXPERIENCE OF KARSHISH, THE ARAB PHYSICIAN

CALIBAN UPON SETEBOS OR, NATURAL THEOLOGY IN THE ISLAND

A GRAMMARIAN’S FUNERAL

WHY I AM A LIBERAL

FEARS AND SCRUPLES

EPILOGUE TO ASOLANDO

PROSPICE

ALFRED, LORD TENNYSON

WAGES

THE HIGHER PANTHEISM

FLOWER IN THE CRANNIED WALL

IN MEMORIAM

CROSSING THE BAR

GEORGE MEREDITH

LUCIFER IN STARLIGHT

WILLIAM E. HENLEY

INVICTUS

THOMAS HARDY

NEW YEAR’S EVE

RALPH WALDO EMERSON

CIVILIZATION

ILLUSIONS

FATE [16]

WALT WHITMAN

SONG OF THE OPEN ROAD

CROSSING BROOKLYN FERRY

A SONG OF JOYS

THE ATLANTIC MONTHLY AND ITS VALUE TO TEACHERS OF ENGLISH

SOME FORTHCOMING PUBLICATIONS FROM THE ATLANTIC MONTHLY PRESS

ATLANTIC READINGS

INTRODUCTION

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By Henry Greenleaf Pearson

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The Voice of Science in Nineteenth-Century Literature is a volume of selections put together for use in the third term of a course in English and History offered to the second-year students at the Massachusetts Institute of Technology. The plan of the year’s work provides for a study of the record made in English literature by the great movements of thought that distinguished the nineteenth century. First John Stuart Mill’s essays on Liberty and Representative Government furnish an interpretation of the political currents of thought in the first half of the century. Carlyle’s Past and Present, which is read in the second third of the year, is an analysis of economic and social problems in the same period; in the third term the profound effect of science on the thought of the age receives illustration in the writings here brought together.

Broadly stated, the central theme of the book is man’s place in the universe, considered in the light of the new knowledge and speculation as to his origin and destiny which the study of science in the nineteenth century has invoked. Some of the selections are more closely related to this theme than are others. Between some of the selections the connection or contrast is obvious (Rabbi Ben Ezra and The Rubaiyat of Omar Khayyam); in others it is less immediately evident. In some cases the background is the group of ideas roughly classed under the word evolution; in others it is some characteristic phase of religious feeling or ethical or theological thought. The contrast in outlook between the American writers, Emerson and Whitman, and their English contemporaries is one of which particularly valuable use may be made. The discovery of these interrelations is what gives zest to the reading for both parties in the classroom; for neither teacher nor students should the work take the form of checking off selections on a minutely correlated syllabus. The course should be pursued on the assumption that the whole is greater than the sum of the parts: the total impression, the height gained at the end, the inspiration of the view there disclosed—these are the goals to be sought for. And the discerning teacher will not be surprised that the pupil presses him so closely up the ascent.

In reading pursued on this plan what should be emphasized on the side of history is not the marshaling of fact, of things done, but the war of thought in one field or another. Without being embroiled in the controversy for this or that belief, the student examines the battleground to learn how the battle was fought. He discovers what befell truths, half-truths, and falsehoods, and under what circumstances of glory or shame. He sees the period with the unity that genius always gives to a subject; at the same time he learns how to make the correction that a piece of contemporary interpretation inevitably requires. On the side of literature, the student’s approach is no less special and with its appropriate reward. He sees the man of genius primarily in the setting of his age. The personal adventures and idiosyncracies that often form so large and so unedifying a portion of the treatment afforded in the traditional historical survey course here fill a modest space in the background; the attention is concentrated on what this leader did for the men of his own day. These writers lived intensely in the life of their own generation; conscious of a clearer perception of the truth and possessing a voice that men could hear, they sought to lead their companions out of the wilderness. It is the man of genius speaking with authority to those of his own time who is here presented. In such a setting his voice has still its ancient power.

THE VOICE OF SCIENCE IN

NINETEENTH-CENTURY LITERATURE

MATTHEW ARNOLD

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THE FUNCTION OF CRITICISM[1]

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The critical power is of lower rank than the creative. True; but in assenting to this proposition, one or two things are to be kept in mind. It is undeniable that the exercise of a creative power, that a free creative activity, is the true function of man; it is proved to be so by man’s finding in it his true happiness. But it is undeniable, also, that men may have the sense of exercising this free creative activity in other ways than in producing great works of literature or art; if it were not so, all but a very few men would be shut out from the true happiness of all men; they may have it in well-doing, they may have it in learning, they may have it even in criticizing. This is one thing to be kept in mind. Another is, that the exercise of the creative power in the production of great works of literature or art, however high this exercise of it may rank, is not, at all epochs, and under all conditions, possible; and that, therefore, labor may be vainly spent in attempting it, and may with more fruit be used in preparing for it, in rendering it possible. This creative power works with elements, with materials; what if it has not those materials, those elements, ready for its use? In that case it must surely wait till they are ready. Now, in literature,—I will limit myself to literature, for it is about literature that the question arises,—the elements with which the creative power works are ideas; the best ideas on every matter which literature touches, current at the time; at any rate, we may lay it down as certain that in modern literature no manifestation of the creative power not working with these can be very important or fruitful. And I say current at the time, not merely accessible at the time; for creative literary genius does not principally show itself in discovering new ideas—that is rather the business of the philosopher; the grand work of literary genius is a work of synthesis and exposition, not of analysis and discovery; its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them; of dealing divinely with these ideas, presenting them in the most effective and attractive combinations, making beautiful works with them, in short. But it must have the atmosphere, it must find itself amidst the order of ideas, in order to work freely; and these it is not so easy to command. This is why great creative epochs in literature are so rare; this is why there is so much that is unsatisfactory in the productions of many men of real genius; because, for the creation of a master-work of literature, two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment; the creative power has, for its happy exercise, appointed elements, and those elements are not in its own control.

Nay, they are more within the control of the critical power. It is the business of the critical power, as I said in the words already quoted, in all branches of knowledge, theology, philosophy, history, art, science, to see the object as in itself it really is. Thus it tends, at last, to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces; to make the best ideas prevail. Presently these new ideas reach society, the touch of truth is the touch of life, and there is a stir and growth everywhere; out of this stir and growth come the creative epochs of literature.

Or, to narrow our range, and quit these considerations of the general march of genius and of society,—considerations which are apt to become too abstract and impalpable,—everyone can see that a poet, for instance, ought to know life and the world before dealing with them in poetry; and life and the world being, in modern times, very complex things, the creation of a modern poet, to be worth much, implies a great critical effort behind it; else it would be a comparatively poor, barren, and short-lived affair. This is why Byron’s poetry had so little endurance in it, and Goethe’s so much; both had a great productive power, but Goethe’s was nourished by a great critical effort providing the true materials for it, and Byron’s was not; Goethe knew life and the world, the poet’s necessary subjects, much more comprehensively and thoroughly than Byron. He knew a great deal more of them, and he knew them much more as they really are.

It has long seemed to me that the burst of creative activity in our literature, through the first quarter of this century, had about it, in fact, something premature; and that from this cause its productions are doomed, most of them, in spite of the sanguine hopes which accompanied and do still accompany them, to prove hardly more lasting than the productions of far less splendid epochs. And this prematureness comes from its having proceeded without having its proper data, without sufficient materials to work with. In other words, the English poetry of the first quarter of this century, with plenty of energy, plenty of creative force, did not know enough. This makes Byron so empty of matter, Shelley so incoherent, Wordsworth, even, profound as he is, yet so wanting in completeness and variety. Wordsworth cared little for books, and disparaged Goethe. I admire Wordsworth, as he is, so much that I cannot wish him different; and it is vain, no doubt, to imagine such a man different from what he is, to suppose that he could have been different; but surely the one thing wanting to make Wordsworth an even greater poet than he is,—his thought richer, and his influence of wider application,—was that he should have read more books—among them, no doubt, those of that Goethe whom he disparaged without reading him.

But to speak of books and reading may easily lead to a misunderstanding here. It was not really books and reading that lacked to our poetry at this epoch; Shelley had plenty of reading, Coleridge had immense reading. Pindar and Sophocles—as we all say so glibly, and often with so little discernment of the real import of what we are saying—had not many books; Shakespeare was no deep reader. True; but in the Greece of Pindar and Sophocles, in the England of Shakespeare, the poet lived in a current of ideas in the highest degree animating and nourishing to the creative power; society was, in the fullest measure, permeated by fresh thought, intelligent and alive; and this state of things is the true basis for the creative power’s exercise; in this it finds its data, its materials, truly ready for its hand; all the books and reading in the world are only valuable as they are helps to this. Even when this does not actually exist, books and reading may enable a man to construct a kind of semblance of it in his own mind, a world of knowledge and intelligence in which he may live and work. This is by no means an equivalent to the artist for the nationally diffused life and thought of the epochs of Sophocles or Shakespeare; but, besides that, it may be a means of preparation for such epochs, it does really constitute, if many share in it, a quickening and sustaining atmosphere of great value. Such an atmosphere the many-sided learning and the long and widely combined critical effort of Germany formed for Goethe, when he lived and worked. There was no national glow of life and thought there, as in the Athens of Pericles or the England of Elizabeth. That was the poet’s weakness. But there was a sort of equivalent for it in the complete culture and unfettered thinking of a large body of Germans. That was his strength. In the England of the first quarter of this century there was neither a national glow of life and thought, such as we had in the age of Elizabeth, nor yet a culture and a force of learning and criticism such as were to be found in Germany. Therefore the creative power of poetry wanted, for success in the highest sense, materials and a basis; a thorough interpretation of the world was necessarily denied to it.

At first sight it seems strange that out of the immense stir of the French Revolution and its age should not have come a crop of works of genius equal to that which came out of the stir of the great productive time of Greece, or out of that of the Renaissance, with its powerful episode, the Reformation. But the truth is that the stir of the French Revolution took a character which essentially distinguished it from such movements as these. These were, in the main, disinterestedly intellectual and spiritual movements; movements in which the human spirit looked for its satisfaction in itself and in the increased play of its own activity; the French Revolution took a political, practical character. This Revolution—the object of so much blind love and so much blind hatred—found, indeed, its motive-power in the intelligence of men, and not in their practical sense. This is what distinguishes it from the English Revolution of Charles the First’s time; this is what makes it a more spiritual event than our Revolution, an event of much more powerful and world-wide interest, though practically less successful—it appeals to an order of ideas which are universal, certain, permanent. 1789 asked of a thing, Is it rational? 1642 asked of a thing, Is it legal? or, when it went furthest, Is it according to conscience? This is the English fashion, a fashion to be treated, within its own sphere, with the highest respect; for its success, within its own sphere, has been prodigious.

But what is law in one place is not law in another; what is law here to-day is not law even here to-morrow; and as for conscience, what is binding on one man’s conscience is not binding on another’s; the old woman who threw her stool at the head of the surpliced minister in the Tron Church at Edinburgh obeyed an impulse to which millions of the human race may be permitted to remain strangers. But the prescriptions of reason are absolute, unchanging, of universal validity; to count by tens is the easiest way of counting—that is a proposition of which everyone, from here to the Antipodes, feels the force; at least, I should say so if we did not live in a country where it is not impossible that any morning we may find a letter in the Times declaring that a decimal coinage is an absurdity. That a whole nation should have been penetrated with an enthusiasm for pure reason, and with an ardent zeal for making its prescriptions triumph, is a very remarkable thing, when we consider how little of mind, or anything so worthy and quickening as mind, comes into the motives which alone, in general, impel great masses of men. In spite of the extravagant direction given to this enthusiasm, in spite of the crimes and follies in which it lost itself, the French Revolution derives from the force, truth, and universality of the ideas which it took for its law, and from the passion with which it could inspire a multitude for these ideas, a unique and still living power; it is—it will probably long remain—the greatest, the most animating event in history. And as no sincere passion for the things of the mind, even though it turn out in many respects an unfortunate passion, is ever quite thrown away and quite barren of good, France has reaped from hers one fruit, the natural and legitimate fruit, though not precisely the grand fruit she expected: she is the country in Europe where the people is most alive.

But the mania for giving an immediate political and practical application to all these fine ideas of the reason was fatal. Here an Englishman is in his element: on this theme we can all go for hours. And all we are in the habit of saying on it has undoubtedly a great deal of truth. Ideas cannot be too much prized in and for themselves, cannot be too much lived with; but to transport them abruptly into the world of politics and practice, violently to revolutionize this world to their bidding—that is quite another thing. There is the world of ideas and there is the world of practice; the French are often for suppressing the one and the English the other; but neither is to be suppressed. A member of the House of Commons said to me the other day: That a thing is an anomaly, I consider to be no objection to it whatever. I venture to think he was wrong; that a thing is an anomaly is an objection to it, but absolutely and in the sphere of ideas; it is not necessarily, under such and such circumstances, or at such and such a moment, an objection to it in the sphere of politics and practice. Joubert has said beautifully: C’est la force et le droit qui réglent toutes choses dans le monde; la force en attendant le droit. Force and right are the governors of this world; force till right is ready. Force till right is ready; and till right is ready, force, the existing order of things, is justified, is the legitimate ruler. But right is something moral, and implies inward recognition, free assent of the will; we are not ready for right,—right, so far as we are concerned, is not ready,—until we have attained this sense of seeing it and willing it. The way in which for us it may change and transform force, the existing order of things, and become, in its turn, the legitimate ruler of the world, will depend on the way in which, when our time comes, we see it and will it. Therefore, for other people enamored of their own newly discerned right, to attempt to impose it upon us as ours, and violently to substitute their right for our force, is an act of tyranny, and to be resisted. It sets at nought the second great half of our maxim, force till right is ready. This was the grand error of the French Revolution; and its movement of ideas, by quitting the intellectual sphere and rushing furiously into the political sphere, ran, indeed, a prodigious and memorable course, but produced no such intellectual fruit as the movement of ideas of the Renaissance, and created, in opposition to itself, what I may call an epoch of concentration.

The great force of that epoch of concentration was England; and the great voice of that epoch of concentration was Burke. It is the fashion to treat Burke’s writings on the French Revolution as superannuated and conquered by the event; as the eloquent but unphilosophical tirades of bigotry and prejudice. I will not deny that they are often disfigured by the violence and passion of the moment, and that in some directions Burke’s view was bounded, and his observation therefore at fault; but on the whole, and for those who can make the needful corrections, what distinguishes these writings is their profound, permanent, fruitful, philosophical truth; they contain the true philosophy of an epoch of concentration, dissipate the heavy atmosphere which its own nature is apt to engender round it, and make its resistance rational instead of mechanical.

But Burke is so great because, almost alone in England, he brings thought to bear upon politics, he saturates politics with thought; it is his accident that his ideas were at the service of an epoch of concentration, not of an epoch of expansion; it is his characteristic that he so lived by ideas, and had such a source of them welling up within him, that he could float even an epoch of concentration and English Tory politics with them. It does not hurt him that Dr. Price and the Liberals were displeased with him; it does not hurt him, even, that George the Third and the Tories were enchanted with him. His greatness is that he lived in a world which neither English Liberalism nor English Toryism is apt to enter—the world of ideas, not the world of catchwords and party habits. So far is it from being really true of him that he to party gave up what was meant for mankind, that at the very end of his fierce struggle with the French Revolution, after all his invectives against its false pretensions, hollowness, and madness, with his sincere conviction of its mischievousness, he can close a memorandum on the best means of combating it,—some of the last pages he ever wrote: the Thoughts on French Affairs, in December, 1791,—with these striking words:—

"The evil is stated, in my opinion, as it exists. The remedy must be where power, wisdom, and information, I hope, are more united with good intentions than they can be with me. I have done with this subject, I believe, for ever. It has given me many anxious moments for the last two years. If a great change is to be made in human affairs, the minds of men will be fitted to it; the general opinions and feelings will draw that way. Every fear, every hope will forward it; and then they who persist in opposing this mighty current in human affairs will appear rather to resist the decrees of Providence itself, than the mere designs of men. They will not be resolute and firm, but perverse and obstinate."

That return of Burke upon himself has always seemed to me one of the finest things in English literature, or indeed, in any literature. That is what I call living by ideas: when one side of a question has long had your earnest support, when all your feelings are engaged, when you hear all round you no language but one, when your party talks this language like a steam-engine and can imagine no other—still to be able to think, still to be irresistibly carried, if so it be, by the current of thought to the opposite side of the question, and, like Balaam, to be unable to speak anything but what the Lord has put in your mouth. I know nothing more striking, and I must add that I know nothing more un-English.

For the Englishman in general is like my friend the Member of Parliament, and believes, point-blank, that for a thing to be an anomaly is absolutely no objection to it whatever. He is like the Lord Auckland of Burke’s day, who, in a memorandum on the French Revolution, talks of certain miscreants, assuming the name of philosophers, who have presumed themselves capable of establishing a new system of society. The Englishman has been called a political animal, and he values what is political and practical so much that ideas easily become objects of dislike in his eyes, and thinkers miscreants, because ideas and thinkers have rashly meddled with politics and practice. This would be all very well if the dislike and neglect confined themselves to ideas transported out of their own sphere, and meddling rashly with practice; but they are inevitably extended to ideas as such, and to the whole life of intelligence; practice is everything, a free play of the mind is nothing. The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation’s spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman’s thoughts. It is noticeable that the word curiosity, which in other languages is used in a good sense, to mean, as a high and fine quality of man’s nature, just this disinterested love of a free play of the mind on all subjects, for its own sake—it is noticeable, I say, that this word has in our language no sense of the kind, no sense but a rather bad and disparaging one. But criticism, real criticism, is essentially the exercise of this very quality; it obeys an instinct prompting it to try to know the best that is known and thought in the world, irrespectively of practice, politics, and everything of the kind; and to value knowledge and thought as they approach this best, without the intrusion of any other considerations whatever. This is an instinct for which there is, I think, little original sympathy in the practical English nature, and what there was of it has undergone a long, benumbing period of check and suppression in the epoch of concentration which followed the French Revolution.

But epochs of concentration cannot well endure forever; epochs of expansion, in the due course of things, follow them. Such an epoch of expansion seems to be open here in England. In the first place, all danger of a hostile forcible pressure of foreign ideas upon our practice has long disappeared; like the traveler in the fable, therefore, we begin to wear our cloak a little more loosely. Then, with a long peace, the ideas of Europe steal gradually and amicably in, and mingle, though in infinitesimally small quantities at a time, with our own notions. Then, too, in spite of all that is said about the absorbing and brutalizing influence of our passionate material progress, it seems to me indisputable that this progress is likely, though not certain, to lead in the end to an apparition of intellectual life; and that man, after he has made himself perfectly comfortable and has now to determine what to do with himself next, may begin to remember that he has a mind, and that the mind may be made the source of great pleasure. I grant it is mainly the privilege of faith, at present, to discern this end to our railways, our business, and our fortune-making; but we shall see if, here as elsewhere, faith is not in the end the true prophet. Our ease, our traveling, and our unbounded liberty to hold just as hard and securely as we please to the practice to which our notions have given birth, all tend to beget an inclination to deal a little more freely with these notions themselves, to canvass them a little, to penetrate a little into their real nature. Flutterings of curiosity, in the foreign sense of the word, appear amongst us, and it is in