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Curriculum Vitae

Ron Silliman 262 Orchard Road Paoli, PA 19301 610.251.2214 home 484.410.6706 mobile silliman@gmail.com

BOOKS
Poetry Crow, Ithaca House, Ithaca, NY, 1971 Mohawk, Doones Press, Bowling Green, OH, 1973 Nox, Burning Deck, Providence, RI, 1974 Ketjak, This Press, San Francisco, CA, 1978 Sitting Up, Standing, Taking Steps, Tuumba, Berkeley, CA 1978; Walt Whitman Cultural Arts Center/Boog Literature, published as number two of the Whitman Notables series, Camden, NJ, 2002 Legend (collaboration with Bruce Andrews, Charles Bernstein, Ray Di Palma and Steve McCaffery), L=A=N=G=U=A=G=E/Segue, New York, NY, 1980 Tjanting, The Figures, Berkeley, CA, 1981; Salt, Cambridge, UK / Applecross, Western Australia, Australia, 2002 Bart, Potes & Poets Press, Hartford, CT, 1982 ABC, Tuumba, Berkeley, CA, 1983 Paradise, Burning Deck, Providence, RI, 1985 (1985 Poetry Center Book Award) The Age of Huts, Roof Books, New York, 1986 Lit, Potes & Poets Press, Hartford, CT, 1987 What, The Figures, Great Barrington, MA, 1988 Manifest, Zasterle Press, Tenerife, Canary Islands, Spain, 1990 Leningrad (collaboration with Michael Davidson, Lyn Hejinian, and Barrett Watten), Mercury House, San Francisco, CA, 1991 Demo to Ink, Chax Press, Tucson, AZ, 1992 Toner, Potes & Poets Press, E. Hartford, CT, 1992 Jones, Generator Press, Mentor, OH, 1993 N/O, Roof Press, New York, NY, 1994 (e-book edition, 2002) Xing, Meow Press, Buffalo, NY, 1996; Factory School Books, Ithaca, NY, 2004 MultiPlex, (includes two works by Karen Mac Cormack), Wild Honey Press, Bray, Co. Wicklow, Ireland, 1998 ,Drogue Press, New York, NY, 1999

Sunset Debris, Ubu Editions, New York, NY, 2002 (e-book) 2197, Ubu Editions, New York, NY, 2002 (e-book) The Chinese Notebook, Ubu Editions, New York, 2004 (e-book) Legend (collaboration with Bruce Andrews, Charles Bernstein, Ray Di Palma and Steve McCaffery), Eclipse, Princeton, NJ, 2004 Woundwood, Cuneiform Press, Buffalo, NY, 2004 (e-book) The Age of Huts (compleat), University of California Press, Berkeley, CA, 2007 The Alphabet, University of Alabama Press, Tuscaloosa, AL, 2008 Wharf Hypothesis, Lines Press, Red Hook, NY, 2011

Criticism The New Sentence, Roof Books, New York, NY, 1987

Anthology In the American Tree, National Poetry Foundation, University of Maine, Orono, ME, 1986; second edition, 2002

Memoirs Under Albany, Salt, Cambridge, UK / Applecross, Western Australia, Australia, 2004 The Grand Piano: An Experiment in Collective Autobiography (ten volumes), coauthored with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Kit Robinson, Lyn Hejinian, Rae Armantrout & Ted Pearson, Mode A, Detroit, MI, 20062010

WEBLOG
Sillimans Blog: A weblog focused on contemporary poetry and poetics, 2002-present (3,000,000 visit October 2010)
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EDITOR
Literary 15 Young Poets of the San FranciscoBay Area, (David Melnick, coeditor), Chicago Review, Vol. 21, No. 4, Summer, 1970, University of Chicago, Chicago, IL, pp. 71136 Tottels, Nos. 118, 197081, Oakland and San Francisco, CA The Dwelling Place: 9 Poets, Alcheringa, New Series, Vol. 1, No. 2, 1975, Boston University, Boston, MA, pp. 104120 A Symposium on Clark Coolidge: Stations 5, Winter, 1978, Milwaukee, WI Realism, Ironwood, No. 20, 1983, Tucson, AZ, pp. 61121 In the American Tree, National Poetry Foundation, University of Maine, Orono, ME, 1986

The Collected Poems of David Melnick (co-editor), Salt Publications, Cambridge, UK / Applecross, Western Australia, forthcoming The Collected Poems of David Bromige (co-editor), Reality Street Editions, Hastings, UK, forthcoming Non-Literary Labyrinth, Committee for Prisoner Humanity and Justice, San Rafael, CA, 19736 Tenderloin Times, Central City Hospitality House, San Francisco, CA, 197881 Socialist Review, Center for Social Research and Education, Berkeley, CA, 19861991 (executive editor 19861989) Unfinished Business: 20 Years of Socialist Review, Verso Press, London, 1991 (coeditor)

EDITORIAL BOARDS
Editorial Collective, Socialist Review (1986-91) Board of Advisory Editors, U. of Alabama Series on Contemporary Poetics (1998-present) Board of Directors, Chax Press (2000-2003)

HONORS
Joan Lee Yang Award for Poetry, UC Berkeley, 1970 and 1971 Pushcart Prize, Yonkers, NY, 1979 Artist in the Community Grant, California Arts Council, 1979 and 1980 Literary Fellowship, National Endowment for the Arts, 1979 and 2003 Poetry Center Book Award, Poetry Center, San Francisco State University, 1985 Pew Fellow in the Arts, Pew Charitable Trusts, Philadelphia, PA, 1998 BloggerForum.com Top Ten Weekly Blogs, Week of November 30, 2003 Best American Poetry, New York, NY, 2002, 2004 Fellowship, Pennsylvania Council on the Arts, 2002 Blog of the Day, December 6, 2002 Book of the Year, 2004, Small Press Traffic, 2005 2006 Poet Laureate of the Blogosphere Levinson Prize, Poetry Foundation, 2010 Top English Professor Blog Award, 2010 Kelly Writers House Fellow, University of Pennsylvania, 2012

TEACHING
Naropa University, 1994, 2006 One-week summer writing program courses in poetry

Brown University, February 2000 Writer in residence; one-week class in poetry New College of California, Fall 1982 Graduate course in the prose poem University of California at San Diego, Spring 1982 Visiting lecturer; two one-quarter undergraduate courses, one in poetry, one in fiction San Francisco State University, Fall 1981 Graduate course in contemporary poetry Kelly Writers House Fellow University of Pennsylvania, Spring 2012 Short-term fellow in a sponsored program with Karen Finley and John Barth

ACADEMIC ADMINISTRATION
California Institute of Integral Studies, 1982-86 San Francisco, CA Director, Public Relations and Development Responsible for marketing graduate school of psychology and liberal studies to prospective students enrollment doubled during tenure. Created development program, including annual fundraising campaigns and major donor development. Responsible for all media, community and government relations as the school located, acquired and moved to a new campus. Responsible for all college publications, including catalog, schedules and newsletters. Responsible for major public events. Worked closely with the academic dean and the vice-president for alumni affairs. Reported directly to the president of the institution. Participated in WASC accreditation review of other colleges.

OTHER PROFESSIONAL EXPERIENCE


Gartner, Inc., 2000-2011 Stamford, Connecticut Senior Analyst; Principal Analyst (retired) IBM / Technology Service Solutions, 1995-2000 Wayne and West Chester, PA Industry Market Planner; Senior Market Analyst; Service Marketing Specialist ComputerLand / Vanstar, 1989-95 Pleasanton, CA Services Marketing Manager; Manager, Sales Tools; Managing Editor, Service Publications; Services Marketing Specialist Central City Hospitality House, 1979-81 San Francisco, CA Director of Outreach; Writer in Residence; Editor, Tenderloin Times 4

Tenderloin Ethnographic Project, 1978-79 San Francisco, CA Researcher; Editor Committee for Prisoner Humanity and Justice, 1972-77 San Rafael, CA Director of Education; Caseworker

OTHER PUBLICATIONS
Poetry & criticism in anthologies Selected Poems from the Academy of American Poets Poetry Contest, 1968 and 1969, San Francisco State University, San Francisco, CA, 1969 Alphabet Anthology, edited by Joyce Holland, X Press, Iowa City, IA, 1973 None of the Above, edited by Michael Lally, Crossing Press, Trumansburg, NY, 1976 Omens from the Flight of Birds, edited by Stephen Vincent, Momos Press, San Francisco, CA, 1977 The Big House, edited by Michael Slater, Ailanthus Press, New York, NY, 1978 The Pushcart Prize: IV, edited by Bill Henderson, Pushcart Press, Yonkers, NY, 1979 The Poets Encyclopedia, edited by Michael Andre, Unmuzzled Ox, New York, NY, 1979 The Poetry Reading, edited by Stephen Vincent and Ellen Zweig, Momos Press, San Francisco, CA, 1981 A Century in Two Decades, edited by Keith and Rosmarie Waldrop, Burning Deck, Providence, RI, 1982 Claims for Poetry, edited by Donald Hall, University of Michigan Press, Ann Arbor, MI, 1983 The L=A=N=G=U=A=G=E Book, edited by Bruce Andrews and Charles Bernstein, Southern Illinois University Press, Carbondale, IL, 1984 Postmoderno E Letteratura, edited by Peter Carravetta and Paoloi Spedicato, Studi Bompiani, Milano, Italy, 1984 Writing/Talks, edited by Bob Perelman, Southern Illinois University Press, Carbondale, IL, 1985 Alles und Noch Viel Mehr: Das Poetische ABC, edited by G.J. Lischka, Bentelli, Bern, Switzerland, 1985 21 + 1: Poetes americains daujourdhui, edited by Emmanuel Hocquard and Claude RoyetJournoud, Delta, Universit Paul Valery, Montpellier, France, 1986 21 + 1: American Poets Today, edited by Emmanuel Hocquard and Claude RoyetJournoud, Delta, Universit Paul Valery, Montpellier, France, 1986 (English companion volume) In the American Tree, edited by Ron Silliman, National Poetry Foundation, Orono, ME, 1986 Postmodern Fiction: A BioBibliographic Guide, edited by Larry McCaffery, Greenwood Press, Westport, CT, 1986 Alive and Writing: Interviews with American Authors of the 1980s, conducted and edited by Larry McCaffery and Sinda Gregory, University of Illinois, Urbana, IL, 1987 The Line in PostModern Poetry, edited by Henry Sayre and Robert Frank, U. of Illinois Press, 1988 Contemporary American PoetCritics, edited by James McCorkle, Wayne State University Press, 1988

Festival de Tarascon: Cinquieme Recontres Internationales de Poesie Contemporaine, A.G.R.I.P.P.A., 1989 The Politics of Poetic Form: Poetry and Social Policy, edited by Charles Bernstein, Roof Books, New York, NY, 1990 Worlds Edge, edited by Sherry Reniker, Word Press/Open Meeting Books, Kawasaki, Japan and Kenosha, Wisconsin, 1991 Jean Baudrillard: The Disappearance of Art and Politics, edited by William Stearns and William Chaloupka, St. Martins Press, New York, NY, 1992 La Lengua Radical: Antologia de la poesia norteamericana contemporanea, edited and translated by Esteban Pujals Gesali, Gramma Poesia, Madrid, Spain, 1992 A Suite of Poetic Voices: Interviews with Contemporary American Poets, by Manuel Brito, Kadle Books, Santa Brigida, Spain, 1992 The Art of Practice, edited by Dennis Barone and Peter Ganick, Potes & Poets Press, Elmwood, CT, 1994 (afterword) Postmodern American Poetry: A Norton Anthology, edited by Paul Hoover, Norton, New York, NY, 1994 From the Other Side of the Century: A New American Poetry 19601990, edited by Douglas Messerli, Sun & Moon, Los Angeles, CA, 1994 American Poetologics/Amerikanische Poetolgie, edited by Helmut Breinig, Univ. of Bramberg Library, Bramberg Editions, Germany, 1996 The Gertrude Stein Awards in Innovative American Poetry 19941995, edited by Douglas Messerli, Sun & Moon, Los Angeles, CA, 1996 Close Listening: Poetry and the Performed Word, edited by Charles Bernstein, Oxford University Press, 1998 Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2, edited by Pierre Joris and Jerome Rothenberg, University of California Press, Berkeley, CA, 1998 From Artifice to Indeterminacy: An Anthology of Poetics from 1980 to the Present, edited by Christopher Beach, Tuscaloosa: University of Alabama Press, 1998 Poetics@, edited by Joel Kuszai, Roof Books, New York, NY, 1999 Anthology of Modern American Poetry, edited by Cary Nelson, Oxford University Press, Oxford, 2000 Poetry and the Year 2000, edited by Leslie Davis, Xurban Press, Westminster, CO, apparently unpublished The Form of Our Uncertainty: A Tribute to Gil Ott, edited by Kristen Gallagher, Chax & Handwritten Presses, Buffalo, NY & Tucson, AZ, 2001 The Best American Poetry 2002, edited by David Lehman and Robert Creeley, Scribners, New York, NY, 2002 Short Fuse: The Global Anthology of New Fusion Poetry, edited by Todd Swift and Phil Norton, Rattapallax Press, New York, NY, 2002 One Score More: The Second 20 years of Burning Deck, 19812001, edited by Alison Bundy, Keith & Rosmarie Waldrop, Burning Deck Press, Providence, RI, 2002 Twentieth-Century Poetics: Poets on the Art of Poetry, edited by Dana Gioia, Dave Mason, and Meg Shoercke, McGraw-Hill, New York, NY, 2004 Fellowship Recipients 2002: The Pennsylvania Council on the Arts, edited by Tina Calabro, The Pennsylvania Council on the Arts, Harrisburg, PA, 2004

The Best American Poetry 2004, edited by David Lehman and Lyn Hejinian, Scribners, New York, NY, 2004 The Addison Street Anthology: Berkeleys Poetry Walk, edited by Robert Hass and Jessica Fisher, Heyday Books, Berkeley, CA, 2004 Poets Bookshelf: Contemporary Poets on Books that Shaped their Art, edited by Peter Davis, Barnwood Press, 2005 Lneas conectadas: nueva poesa de los Estados Unidos, edited by April Lindner, translation editor Hernan Lara Zavala, Sarabande Books, Louisville, KY, 2006 COBPEMEHHA AMERKAHCKA O, edited by April Lindner, introduction by Dana Gioia, no publisher given, no location given (appears to be a Russian translation of Lineas conectadas), 2008 Berkeley Daze: Profiles of Poets in Berkeley in the 60s, edited by Rychard Denner, dPress, Sebastapol, CA, 2008 In the Criminals Cabinet: An Anthology of Poetry and Fiction, edited by Todd Swift & Val Stevenson, Nthposition, London, 2007 Poets on Teaching, A Sourcebook, edited by Joshua Marie Wilkinson, University of Iowa Press, Iowa City, IA, 2010 Against Expression: Anthology of Conceptual Writing, edited by Craig Dworkin & Kenneth Goldsmith, Northwestern University Press, 2011 The Penguin Anthology of 20 Century American Poetry, edited by Rita Dove, Penguin, New York & London, 2011
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PARTICIPATION IN CONFERENCES & PANELS


Untitled talk on postmodernism, New Writing Colloquium, Kootenay School of Writing, Vancouver, B.C., August, 1985 The Evolution of the Sentence in George Oppens Verse, The Pleasure of Being Heard: First Symposium on the Work of George Oppen, University of California at San Diego, La Jolla, CA, June, 1986 My Vocabulary Did This to Me, Jack Spicer/White Rabbit Conference, New College of California, August, 1986 Untitled talk on postmodernism, Conference of the International Association of Philosophy and Literature, University of Kansas, Lawrence, KS, May, 1987 Poets and Intellectuals, Panel on The Political Potential of Modern Poetry, Conference of the Modern Language Association, San Francisco, December, 1987 Negative Solidarity: Revisionism and New American Poetics, Panel on Ideology and Literary Change, Conference of the Modern Language Association, San Francisco, CA, December, 1987 When first I saw that form endearing: Joyces Choices and Our Own, James Joyce Symposium, University of California, Santa Cruz, April, 1988 Canons and Institutions: New Hope for the Disappeared, Poetry and Social Policy Series, New School for Social Research, New York, NY, November, 1988 Poet-Critics versus the Critical Tradition, 1989 Symposium, Reconstructing Cultural Criticism in America, Center for Twentieth Century Studies, University of Wisconsin at Milwaukee, Milwaukee, WI, April, 1989 [Rewritten in 1991 as The Dysfunction of Criticism] What Do Cyborgs Want? / (Paris, Suburb of the Twentieth Century), Respondent to Jean Baudrillards Transpolitics, Transexuality, Transaesthetics, Presidents Lecture, Conference on Modern 7

Communication and The Disappearance of Art and Politics, University of Montana, Missoula, MT, May, 1989 The New Sentence, (translated by Viktor Mazin), 1989 International Summer SchoolLanguage, Poetry, Consciousness, Poetic Function and the Soviet Culture Foundation, Leningrad, USSR, August, 1989 Who Speaks? Ventriloquism and the Self in Contemporary Poetry, VIII Tucson Poetry Festival, Tucson, AZ, March, 1990; revised versions given in the California Writers Series, Diverseworks Arts Space, Houston, TX, March, 1991, and in the Southwest Symposium, University of New Mexico, Albuquerque, April 1991 I Wanted to Write Sentences: Decision Making in the American Longpoem, Conference of the Modern Language Association, San Francisco, CA, December, 1991 The Dysfunction of Criticism: Poets and the Critical Tradition of the AntiAcademy, Conference of the Modern Language Association, San Francisco, December, 1991 Reference and Resistance: Poetry and the Metaphors of Conduction, Summer Program of the Jack Kerouac School of Disembodied Poetics, Naropa Institute, Boulder, CO, July, 1994 Wild Form, Fourth Annual Poetry Conference: Exploring Form and Narrative, West Chester University, West Chester, PA, June, 1998 The Desert Modernism, Annual Conference of the Modernist Studies Association, University of Pennsylvania, Philadelphia, PA, October, 2000 Plotless Prose: Robert Duncans H.D. Book, presented at the University of Kansas Poetics Seminar, October, 2000; at the Poetry Center of San Francisco State University, October, 2000; at Lannan Series at Georgetown University, March; 2003; and at the Theorizing Series at the University of Pennsylvania, March, 2003 The Dangerfield Conundrum: A Roundtable on Humor in Poetry, edited by Rachel Loden & K. Silem Mohammad from the HumPo Listserv, published in Jacket 33, July, 2007 Text Festival, keynote presenter, Bury, Lancashire, UK, May, 2009 What Is the State of American Poetry? Leading American Poets Speak, Huffington Post, September 11, 2010 The Alphabet: A Symposium on Ron Sillimans Long Poem, University of Windsor, Windsor, Ontario, March 25-26, 2011 Text Festival, Bury, Lancashire, UK, April 30-May 1, 2011, presenter and exhibitor Un-scene, Ur-new: Time, History & Ambition in The Collage Poems of Drafts, A Celebration of the Poetry and Criticism of Rachel Blau DuPlessis, Temple University, October 21, 2011

CURATORIAL PROJECTS
Cocurator, The Grand Piano, with Tom Mandel, San Francisco, CA, reading series, 1977 Cocurator, Verbal Eyes, The Farm, with Jill Scott, reading series with performance art, 1978 Cocurator, The Tassajara Bakery, with Bob Perelman and David Schneider, San Francisco, reading series, 197980 Curator, Cynthia Miller: Paintings, CUE Art Foundation, New York, New York, 2008

PERIODICAL PUBLICATIONS OF POETRY


1965 Community Libertarian, No. 1, May 1, three poems, no pagination

1966 Avalanche, No. 1, Berkeley, CA, One, Two, Three Hands Clapping, no pagination Avalanche, No. 2, Berkeley, CA, three poems, no pagination Kauri, No. 14, New York, NY, The Gangster Piano, p. 19 Loveletter, Triple No. 4, 5, 6, Palo Alto, CA, The Dead Man Metaphor, no pagination Poetry Northwest, Vol. 7, No. 3, University of Washington, Seattle, WA, Music Minus One: The Lover, p. 35

1967 Arts in Society, University of Wisconsin, Madison, WI, Two hands, one calloused, p. 525 Avalanche, No. 3, Berkeley, CA, The Grateful Dead, no pagination Hollow Orange, No. 4, San Francisco, CA, Elegy for a Grey Rose, Here. Now., A Sunset Shore near Carmel, no pagination New, No. 4, September, Trumansberg, NY, The morning dishes are undone again..., pp. 22 Poetry Northwest, Vol. 8, No. 4, University of Washington, Seattle, Children, The Snake, pp. 256 University of Tampa Poetry Review, No. 11, Tampa, Florida, title and pagination unknown

1968 Chicago Review, Vol. 20, No. 1, University of Chicago, Chicago, IL, The Tree Speaks, Age Thirty, With Neither Wife Nor Trade, Umbrellas, pp. 5860 Chicago Review, Vol. 20, No. 3, November, University of Chicago, Chicago, IL, Anarchy, Belief, A Song of Buildings, of Berkeley, pp. 4749 The South Florida Poetry Journal, No. 1, Relevance, p. 29 Trace, No. 68, London, UK, When Honesty Is Policy, p. 246 TriQuarterly, No. 12, Spring, Northwestern University, Evanston, IL, Youra, p. 193 Work, No. 5, Detroit, MI, two poems, p. 75

1969 Arts in Society, Vol. 6, No. 3, University of Wisconsin, Madison, WI, two poems, p. 431 Caterpillar 8/9, October, New York, NY, From an Abandoned Text, pp. 205206 Gods and Heroes: A Modern American Writer Looks at the Greece of Yesterday and Today (New York: Doubleday), by Herbert Kubly, Youra, frontispiece

Occident, Vol. 3, New Series, Spring/Summer, University of California, Berkeley, CA, After the Pastoral..., p. 69 Poetry, Vol. 113, No. 4, January, Chicago, IL, He Was A Visitor, p. 255 The South Florida Poetry Journal, Vol. 1, No. 3, five poems, p. 335

1970 Occident, Vol. 4, New Series, Spring/Summer, University of California, Berkeley, CA, pp. 3436, Tabitha Tottels, No. 1, Oakland, CA, Overall/s on a fence, p. 3

1971 Amphora 6, Headstone Press, San Francisco, CA, wine sun, see / cull, I made my bike work, no pagination Chicago Review, Vol. 22, No. 4, Spring, University of Chicago, Chicago, IL, Text I, Text VII, pp. 26 28 Occident, Vol. 5, New Series, Fall, University of California, Berkeley, CA, Poem, p. 9 Rain, Nos. 1 & 2, Willamette, IL, A street, p. 116 This 1, Winter, Iowa City, IA and Gloucester, MA, 4 untitled poems, no pagination This 2, Fall, Iowa City, IA and Franconia, NH, 5 untitled poems, no pagination Tottels, No. 6, Oakland, CA, 4 untitled poems, p. 11 Tuatara, No. 5, July, Victoria, British Columbia, Canada, 8 untitled poems, pp. 1 4

1972 Baloney Street, No. 3/4, Ventura, CA, 13 untitled poems, no pagination Dianas Bimonthly, Vol 1., No. 3, Providence, RI, 5 short & untitled things Dianas Bimonthly, Vol. 1, No. 4, August, Providence, RI, 7 untitled poems, pp. 41 47 Salt Lick, Vol. 2, Nos. 1 & 2, Quincy, IL, Legend, rue whelm, pp. 2628 Shelter, February, Bowling Green, OH, untitled poem, no pagination Silver, Moorpark, CA, the gray, mudflats, browns, pp. 17, 18, 60 Third Assembling, Brooklyn, NY, untitled poem, no pagination Toothpick, Lisbon and the Orcas Islands, Seattle, WA, which watch what, no pagination Tottels, No. 8, Oakland, CA, 11 untitled poems, p. 9 Tottels, No. 10, San Francisco, CA, untitled poem and Bohor, pp. 2027

1973 Big Deal, No. 1, Spring, Berkeley, CA, 2 untitled poems from Ott, Petaluma, Positron, no pagination Gum, No. 9, Iowa City, IA, My Heart, no pagination

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L, Vol. 1, No. 23, Spring, Berkeley, CA, tendon, no pagination Shirt, April, Bowling Green, OH, Nickelodeon, no pagination This 4, Spring, San Francisco, CA and Franconia, NH, Ammo, Considerations, Poem, Presidio Heights, no pagination Toothpick, Lisbon & the Orcas Islands, Andrews/Wiater Issue, Fall, Allures, Song No. 1, no pagination

1974 Baloney Street, No. 7, Ventura, CA, untitled poem, no pagination Big Deal, No. 2, Spring, New York, NY, Radiator, pp. 1116 Fifth Assembling, Brooklyn, NY, Hercules, no pagination Gegenschein Quarterly, No. 78, Bowling Green, OH, from Songs for Bruce Andrews, Lips, from Ott, no pagination L, Vol. 1, No. 45, Spring, Berkeley, CA, ACTH, Pavilions, Popeye, Hot Occident, Vol. viii, New Series, Spring, University of California, Berkeley, CA, Aud, p. 183 Roy Rogers, Winter, New York, NY, what high lurking hornets..., p. 112 This 5, Winter, San Francisco, CA and Franconia, NH, Berkeley, Modulo Z, no pagination

1975 Alcheringa, New Series, Vol. 1, No. 2, Boston University, Boston, MA, Tri, pp. 114116 Big Deal, No. 3, Spring, New York, NY, Kensington, pp. 9294 Clown War 11, Brooklyn, NY, Emeryville, pp. 1720 Eureka Review, No. 1, Willows, CA, Typing, from Bourbaki, pp. 115120 Telephone, No. 10, New York, NY, Apple Pie, the high rose, Allures, no pagination The 13, Boulder, CO, Hayward This 6, Spring, San Francisco, CA, from Ketjak, no pagination

1976 A Hundred Posters, No. 8, August, Dorchester, MA, Private Parts, no pagination Bezoar, Vol. 4, No. 2, November, Gloucester, MA, BART, no pagination Bondage & Discipline, Vol. 1, No. 3, Chicago, IL, nine poems, no pagination Eureka Review, No. 1, Willows, CA, Typing, from Bourbaki, pp. 11520 Flora Danica, No. 2, September, Ann Arbor, MI, Ponziani, Alekhine, The Marquis de la Place, The Enormous Tragedy of the Dream in the Peasants Bent Shoulders, no pagination Occulist Witnesses, No. 3, Fall, Boston, MA, Of, untitled poem This 7, Spring, San Francisco, CA, from Sailboat, no pagination Tottels, No. 16, San Francisco, CA, Sailboat V, p. 42

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1977 Boundary 2, Vol. 5, No. 2, Winter, State University of New York, Binghampton, NY, from The Chinese Notebook, pp. 539551 Hills 4, May, San Francisco, CA, I Am Marion Delgado, no pagination Miam, No. 3, August, San Francisco, CA, I Meet Osip Brik, San Francisco Destroyed by Fire, entire issue Roof III, New York, NY, Invasion of the Stalinoids, from Legend, pp. 66100

1978 Abracadabra, No. 3, Luxembourg, Ponzioni, no pagination Bezoar, Vol. 13, No. 3, Summer, Gloucester, MA, Definition and the Double Life, no pagination Epod, No. 2, September, Baltimore, MD, from Legend, no pagination LasBas, No. 10, JanuaryFebruary, College Park, MD, Turk Street News, pp. 4349 Paper Air, Vol. 1, No. 3, Blue Bell, PA, The Four Protozoas, pp. 59 Roof V, New York, NY, Do We Know Ella Cheese?, pp. 7885 Roof VII, New York, NY, Sunset Debris, pp. 5782 Tottels, No. 17, San Francisco, CA, from Legend, Allied Gardens, pp. 294 Wet, No. 21, Venice, CA, excerpts from Sunset Debris, pp. 1925 This 9, Winter, San Francisco, CA, from Tjanting, no pagination

1979 Bezoar, Vol. 15, No. 3, supplement to the Spring Issue of Winter, April, Gloucester, MA, a paragraph from Tjanting, no pagination (entire issue) Gnome Baker IV, Great River, NY, from Tjanting, no pagination Interstate, Vol. 3, No. 4, Austin, TX, Winter Landscape with Skaters and a Bird Trap, The Swans, pp. 248, 1368 Sun & Moon, No. 8, Fall, College Park, MD, from Legend, pp. 162169 Wet, No. 21, November/December, Venice, CA, from Sunset Debris, pp. 1925

1980 The Difficulties, Vol. 1, No. 2, Winter, Kent, OH, from Bourbaki, no pagination

1981 O.ars, No. 1, Cambridge, MA, Rhizome, pp. 165ff. Tamarisk, Vol. III, No. 4, Summer, Philadelphia, PA, from Bourbaki, pp. 434 This 11, Spring, Oakland, CA, Skies III, no pagination

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Change, No. 41, March, Paris, France, Sasseyant, debout, marchant, (Sitting, Standing, Taking Steps), translated by Jean Pierre Faye, pp. 178179 Paris Review 86, Winter, New York, NY and Paris, France, Blue, pp. 84 8 Sulfur 3, California Institute of Technology, Pasadena, CA, Skies I, pp. 68 Sulfur 4, California Institute of Technology, Pasadena, CA, Skies II, pp. 138149

1983 Boxcar, No. 1, Los Angeles, CA, Garfield, pp. 2225 Conjunctions 4, New York, NY, Engines (Rae Armantrout, coauthor), pp. 120124 Hills 9, Berkeley, CA, Force, pp. 106110 Ironwood 20, Tucson, AZ, Albany, pp. 112113 So & So, Vol. II, No. 2, Spring, Berkeley, CA, Skies IV, no pagination This 12, Oakland, CA, Carbon, no pagination 1984 Bluefish, Vol. 1, No. 2, Spring, Southampton, NY, from Lit, pp. 55 56 Pavement, No. 4, Spring, Iowa City, IA, from Lit, pp. 1722 1985 Abacus, Ron Silliman issue, Elmwood, CT, from Paradise, entire issue Carte Segrete, Nuova Serie, No. 1, Rome, Italy, Porta girevole (Opening sequence of Ketjak) translated by Franco La Polla, pp. 133135 The Difficulties: Ron Silliman Issue, Vol. 2, No. 2, Kent, OH, from Lit, pp. 133 Fiction International, 15:2, San Diego, CA, from Lit, pp. 9395 Five Fingers Review, No. 2, San Francisco, CA, from Lit, pp. 3032 Moving Letters, Paris, France, Manifest, no pagination Origin, Fifth Series, No. 6, Kyoto, Japan & Orono, ME, from Paradise, pp. 92 100 Writing 11, Vancouver, B.C., Canada, from Paradise, pp. 1823

1986 Bulletin A.R.C. Litterature, Muse dArt Moderne de la Ville de Paris, France, No. 162, Trace, (translation of opening section of Tjanting), translated by Philippe Jaworski, pp. 659660 Caliban, No. 1, Ann Arbor, MI, from Oz, pp. 8082 Mandorla: The Minetta Review, New York, NY, from Lit, pp. 6264 Notes, Malakoff, France, soft you about yester, p. 7 Sink 1, San Francisco, CA, from Lit Southpaw, Vol. 2, No. 1, Winter, Detroit, MI, from Lit, pp. 53ff. Sulfur 16, Los Angeles, CA, from Oz, pp. 124129

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Temblor, No. 3, North Hollywood, CA, Demo, pp. 140148 Tramen, No. 5, San Francisco, CA, from Lit, no pagination Zyzzyva, San Francisco, CA, from Oz, pp. 146149

1987 BCity, No. 4, Spring, Chicago, IL, from Hidden, pp. 424 boundary 2, Vol. XIV, Nos. 1 & 2, Fall 1985/Winter 1986 (sic), SUNY Binghamton, Binghamton, NY, from Paradise, pp. 1314 Central Park, No. 11, Spring, New York, NY, from Hidden, pp. 3944 The New American Writing, No. 1, Chicago, IL, from Oz, pp. 849

1988 Archive Newsletter, Archive for New Poetry, UCSD Library, La Jolla, CA, Spring, from Hidden, pp. 20 23 Conjunctions 12, New York, NY, from Hidden, pp. 248251 Gendaishi Techo, January, Japan, from I am Marion Delgado, (translated by Shuri Kido), pp. 381382 Generator 2, Mentor, OH, from Hidden, pp. 5357 O.blek, No. 3, Stockbridge, MA & New York, NY, from Hidden, pp. 7378 Temblor 8, North Hollywood, CA, Ink, pp. 1124 West Coast Review, Vol. 22, No. 1, Summer 1987 (sic), Burnaby, BC, Canada, from Hidden, pp. 3741

1989 Broadway 2, New York, NY, from Toner, pp. 109112 Chax Press Broadside, Tucson, AZ, Albany Delo, Vol. XXXV, No. 8, Belgrade, Yugoslavia, from Tjanting, translated into Serbocroation by Dubravka Djuric and Elena Lacok, pp. 345347 minnesota review, Storrs, CT, from Toner O.blek, No. 6, Stockbridge, MA, from `Toner, pp. 137142 Screens and Tasted Parallels, Palo Alto, CA, from Oz, pp. 106109 Sulfur 24, Spring, 1989, Ypsilanti, MI, from Toner, pp. 13 35 Talisman, No. 3, Fall, 1989, Hoboken, NJ, from Toner, pp. 7679 Zyzzyva, Vol. V, No. 1, San Francisco, from Toner, pp. 7385

1990 Archive for New Poetry Newsletter, No. 46, UC San Diego, La Jolla, CA, from Jones, pp. 1718 Avec, No. 3, Rohnert Park, CA, from Toner, pp. 136140

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Brief 7, Canyon, CA, from Jones, no pagination Edge, Tokyo, Japan, from Toner, p. 31 La Pagina, No. 2, FebruaryMay, Tenerife, Canary Islands, from Ketjak, in English with facing Spanish translation by Estaban Pujals Gesali, pp. 132135 Raddle Moon, No. 9, Vancouver, BC, Canada, from Jones, pp. 356 Verse, Vol. 7, No. 1, Fife, Scotland, Salford, England, and Williamsburg, VA, from Toner, pp. 6465 Writing No. 25, Vancouver, BC, Canada, from Jones, pp. 2023

1991 Blue Mesa Review, No. 3, Spring, 1991, Albuquerque, NM, from Jones, pp. 256259 Generator 5, Mentor, OH, from Jones, pp. 5966 Meanjin, Vol. 50, No. 1, Autumn, 1991, Melbourne, Australia, from Jones, pp. 164165 O.ars, No. 8, Cambridge, MA, from Jones, pp. 6970 Socialist Review, Vol. 91, No. 2, AprilJune 1991, from Leningrad, pp. 1523 Zyzzyva 25, Vol. VII, No. 1, San Francisco, CA, from Jones, pp. 7681

1992 Ovdia, No. 286, October, 1992, Podgoritsa, Serbia, Skies, II, translated by Dubravka Djuric, p. 18 Rusky Almanac, No. 2, Belgrade, Serbia, Leningrad, excerpts translated by Dubravka Djuric, pp. 232 ff. Stifled Yawn, Minneapolis, MN, From Non Talisman, Hoboken, NJ, from Non, pp. 110114 Tyuonyi, Santa Fe, NM, from Non, pp. 115121

1993 Columbia Poetry Review, No. 6, Chicago, IL, from Non, pp. 1617 Grist OnLine, No. 1, New York, NY, from Non Hot Bird Mfg, Vol. II, No. 5, July, 1993, New York, NY, from Non Mirage #4/Period(ical) #17, June 1993, from Non, no pagination The Redneck Review of Literature, No. XXIV, Spring, 1993, Milwaukee, WI, From Jones, p. 89

1994 BCity, Dekalb, IL, from Under, pp. 16 Conjunctions No. 21, AnnandaleonHudson, NY, , pp. 16618 Croton Bug 3, Milwaukee, WI, from Non, pp. 59 New American Writing, No. 12, Chicago, IL, from Non

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No Roses Review, No. 3, Spring, 1994, Chicago, IL, from Under, pp. 7278 Object No. 2, Winter 1993/1994, New York, NY, from Non, pp. 2831 Object Permanence, Issue One, January, Glasgow, Scotland, from Non, pp. 545 Situation No. 7, Buffalo, NY, from Under, no pagination

1995 Den Bl Port: Tidsskrift for Literature, 33/95, Kbenhavn (Copenhagen), Denmark, Uddrag af Tjanting, pp. 3334, translated as Mssende, by Claus SchatzJakobsen, pp. 3435 Cream City Review, Vol. 19, No. 1, Spring 1995, from Under, pp. 8993 Grist OnLine, No. 6, New York, NY, from Under, no pagination Proliferation No. 2, November 1994 (sic), from Under, pp. 1317 6ix, Vol. 4, No. 1, from Under, pp. 811 TO, Vol. 3, No. 5, Summer 1995, from Under, pp. 6972

1996 CrossConnect, Vol. 1, No. 3, February 1996, Philadelphia, PA, from Under, (no pagination) (Ezine) CrossConnect, Vol. 1, 1996, Philadelphia, PA, from Under, pp. 143149 (print version of above item) Iowa Review, Vol. 26, No. 2, Summer, 1996, Iowa City, Iowa, from Under, pp. 174178 New Orleans Review, Vol. 22, No. 1, Spring 1996, New Orleans, LA, from Under, pp. 3336 Object Permanence, Issue Six, January, 1996, Glasgow, Scotland, from Under, pp. 2630 Salt, No. 8, Applecross, Western Australia, Australia, from Under, pp. 7983 Subdream, Vol. 1, No. 1, Vienna, Austria, from Under, pp. 1920 Tinfish 3, Honolulu, Hawaii, You I, II, III, pp. 4749

1997 Chicago Review, Vol. 42, Nos. 3 & 4, Fifty Years: A Retrospective Issue, Chicago, IL, Text VII, (cf. 1971 above), pp. 115118 From Toner, Lit, Paradise and Manifest with English facing, translated by Manual Brito, in Cuadernos del Ateneo de La Laguna, No. 2, 1997, La Laguna, Tenerife, Canary Islands, pp. 3135 Potepoetzine Two, Elmwood, CT, You VII, IX, X, no pagination

1998 1998 Pew Fellowships in the Arts, Pew Charitable Trusts, University of the Arts, Philadelphia, PA, You XVIII, XXVI, XXVII, pp. 3031 Abacus, No. 114, May 15, 1998, E. Hartford, CT, Quindecagon Black Ice, You XIV, XV, XVI, XVII, XVIII CrossConnect, Vol. 4, No. 2, You XXIX, XXX, XXXI

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Fourteen Hills, San Francisco State University, San Franciso, CA, You XI, XII, XIII, pp 8587 Kenning, No. 2, Iowa City, IA, You XXVI, XXVII, XXVIII (misnumbered as XXVII), pp.1214 Non, No. 2, From Tjanting Philly Talks, No. 3, Philadelphia, PA, You V, VI, VII, XIX, XXII, XXIII, plus email correspondence with Jeff Derksen, no pagination (entire issue) Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, Santa Cruz, CA, October, 1998, bookmark inserted into the issue: Albany Sycamore Review, Vol. 10, No. 2, Summer/Fall, 1998, W. Lafayette, IN, You XX, XXI, XXIV, XXV, pp. 7478

1999 5_trope No. 6, from You, XLV, XLVI, XLVII (link no longer active, but see 2002) APR Philly Edition 99 (American Poetry Review), Philadelphia, PA, from You XLI, XLII, XLIII, XLIV, published as an insert to the Philadelphia Weekly, September 29, p. 16 Chain 6 (Letters), Honolulu, HI and Collegeville, PA, from Ketjak2: Caravan of Affect, pp. 2224 Jacket, No. 6, January, 1999, Balmain, Australia, from You, XXXVI, XXXVII, XXXVIII, XXXIX, XL PoetryEtc, Featured Poet #18, edited by John Kinsella, Cambridge, UK, e-list publication from poetryetc@listbot.com, from Hidden, Oz and What Stand, New Series Vol. 1, No. 4, Cambridge, UK, from Under Albany, pp. 4146 Veer, Dallas, TX, from You, XXXII and XXXIII

2000 Chain, No. 7 (memoir/antimemoir,) Honolulu, HI, and Philadelphia, PA, from Under Albany pp. 176 192 Conjunctions 35, New York, NY and Annandale, NY, Fubar Clus, from VOG, pp. 256260 CrossConnect, Vol. 5, No. 2, Philadelphia, PA, Silence of the Looms and The Nose of Kim Darbys Double, from VOG Xconnect: Writers of the Information Age, Vol. 4, Philadelphia, PA, pp. 143147 Dandelion, Vol. 26, No. 1, Spring 2000, Calgary, Canada, from You, XXXV, pp. 119120 Ixnay, No. 4, SpringSummer 2000, Philadelphia, PA, from You, XIX, XXXIV, no pagination ReadMe, No. 3, Spring 2000, from Ketjak2: Caravan of Affect Slope, No. 5, July, 2000, That which is merely eternal soon rots, from VOG, Shiny, No. 11, Denver, CO, from You, XLVIII, XLIX, L, LI, LII

2001 Crow, Edge Books, Washington, DC, from Under Albany, no pagination Facture 2, Grass Valley, CA, For Larry Eigner, Silent, from VOG, pp. 1517 DC Poetry, Anthology 2001, Washington, DC, It Takes a Village, from VOG

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Journal of Literature and Aesthetic, Vol. 1, No. 1, JulyDecember 2001, Kerala, India, from Demo, pp. 9092 POeP! 1, Rattapallax Press, New York, NY, Boptivity, from VOG, pp. 121128 Sal Mimeo, No. 2, Fall, 2001, New York, NY, Torsion Dystonia, from VOG, no pagination

2002 5_trope No. 13, anthology issue, from You, XLV, XLVI, XLVII 88, Hollyridge Press, Venice, CA, Storming Waumbec Mountain by Golf Cart, and Toward an Anniversary of a Drowning in the Senses, from VOG, pp. 112116 Jacket, No. 16, Balmain, Australia, The Satellite, from VOG Matrix, No. 61, Montreal, Quebec, Canada, Landscape with Chairs, from VOG, pp. 4344 muse apprentice guild, Vol. 1, No. 1, August, 2002, San Diego, CA, from Ketjak2 near south, Chicago, IL, Rooms, from VOG, pp. 1517 nthposition, August, 2002, Task Me with a Do It, and Dadaquest, from VOG overland 166, Melbourne, Australia, from The Satellite, from VOG, p. 60. Realpoetik, Seattle, WA & Iowa City, IA, Sitting Up, Standing, Taking Steps, (email publication, September 25, 2002) Salt Hill 12, Syracuse University, Syracuse, NY, Finland Silence, from Ketjak2, pp. 8489 Washington Square 10, Summer, 2002, The Barefoot Waldo, and Antipoem to the Barefoot Waldo, from VOG, pp. 4952

2003 antennae 4, Chicago, IL, Pigeons in the Grasp Alas, and Compliance Engineering, from VOG, pp. 58 63 Call, No. 1, Eleutherian Mills, and Seven Sad Forests, from VOG, pp. 5054 Double Room, Issue 3, Winter 2003, Final For Electronic Poetry Review, No. 5, February, 2003, On Brier Island and Trouble Ticket, from VOG Filling Station, No. 25, Calgary, Alberta, Canada, Dogs Love Trucks and Viral, from VOG, pp. 3639 Lit, No. 8, Winter, 20032004, New York, NY, The Rope Factory, from VOG, pp. 4244 NWS, November 6, Orono, ME, Seven Sad Forests, from VOG, (chaplet for reading at U. of Maine) Secret Swan No. 14, Oakland, CA, Seven Sad Forests, from VOG, (broadside for reading at 21 Grand, Oakland) Van Goghs Ear, 2, Spring 2003, SaintMand, France, Spiderduck, from VOG, pp. 151168

2004 Mute: Culture and Politics After the Net, issue 27, London, UK, Hippoheimer the King, from VOG, pp. 112113 The Agents of Impurity, July, 2004, Sonic Arts Network, London, UK, from Sunset Debris

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Considerations of Representability from The Age of Huts, translated as Consideraciones de Representabildad, translated by Manuel Brito in La Pagina 58 (Ao XVI, numero 4, 2004), Santa Cruz de Tenerife, Canary Islands, Spain, pp. 4461 (with the original English on facing pages) Poezie Pamflet, October, 2004, Holland, Final For, from VOG, translated as Net Voor, by Ton van t Hof

2005 Big Bridge, No. 10, At the end of the day, from Zyxt Cue, Vol. 2, No. 2, Summer, 2005, Im still not convinced, from Zyxt, pp. 2728 Drunken Boat, Giant framed photograph, from Zyxt Latchkey.Net [link dead as of 9/09], Flyers have been taped, from Zyxt; Protomallie: the flaneur, from Non; The word as ground, from Under MiPoesias: Revista Literaria, Vol. 19, No. 3, To confuse dream with sleep, from Zyxt Poems from Others, email zine, Albany RealPoetik, email zine, Im in a warm, even hot bath, from Zyxt Shampoo, The hand without its palm, from Zyxt 2006 mark(s), Detroit, MI, six sections from Zyxt, including: A young woman bicycles past a field of corn, Domain poisoning, Elk or ilk, which one, In the dream Im always in the same drab green room, Just out of the bath, like a typo but is not O Poss, No. 1, 2006, (G)hosts, from VOG, pp. 1516 Xconnect / CrossConnect, Vol. 8, Philadelphia, PA, two sections from Zyxt, including: I step into Pangaea, and Sweat stains the joggers tanktop, pp. 118120

2007 Jacket 33, Flush hard, from Zyxt, as part of The Dangerfield Conundrum: A Roundtable on Humor in Poetry, edited by Rachel Loden and K. Silem Mohammad Milk 8, Chicago, What I notice..., from Zyxt The Pulchritudinous Review, issue one, Ann Arbor, MI, Air this humid, from Zyxt, p. 17

2008 Room to Move No. 1, A giant, domesticated and most benevolent sea lion, from Zyxt, no location given, no pagination EOAGH, A Dream Before Dawn, from Zyxt

2010 Poetry, June 2010, Chicago, IL, from Revelator, pp. 191205 The Nation, Vol. 291, No. 11, September 13, 2010, from Revelator, p. 32

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The Huffington Post website, from Revelator, September 11, 2010 Dublin Poetry Review, from Revelator Fact-Simile Trading Card Series, No. 9, September, Ron Silliman feature, from "Revelator"

2011 Blackbox Manifold, No. 6, from "Revelator," March, 2011

PERIODICAL PUBLICATIONS OF CRITICAL WRITING


The Soft Hello, Salt Lick, Vol. 2, Nos. 1 & 2, 1972, Quincy, IL, pp. 5062 Untitled review of Tom Clarks Neil Young, in Rolling Stone, No. 113, July 20, 1972, San Francisco, CA, p. 60 Opening, Maps 6, Robert Duncan Issue, 1974, Shippensburg, PA, pp. 7280 Surprised by Sign, in The Dwelling Place: 9 Poets, Alcheringa, New Series, Vol. 1, No. 2, 1975, Boston University, Boston, MA, pp. 118120 Untitled review of Tom Marionis Vision, San Francisco Review of Books, Vol. 3, No. 2, June, 1977, pp. 1718 Untitled review of seven volumes of poetry and poetics, San Francisco Review of Books, Vol. 3, Nos. 3/4, July/August, 1977, pp. 3637 Art with No Name, State of the Arts, Cultural News & Services (publication of the California Arts Council), Vol. 1, No. 10, November, 1997; republished in The Poetry Reading: A Contemporary Compendium on Language & Performance, edited by Steven Vincent and Ellen Zweig (published simultaneously as a Momos Press book and as Shocks 7, 8, 9, San Francisco, CA, 1981), pp. 160 65 For Open Letter, in The Politics of the Referent, Open Letter, Third Series, No. 7, Summer, 1977, Toronto, Ontario, Canada, pp. 8993, reprinted in L=A=N=G=U=A=G=E, Supplement No. 1, June, 1980, New York, NY, no pagination Disappearance of the Word, Appearance of the World, A Hundred Posters, No. 14, February, 1977, Boston, MA, entire issue, reprinted in Art Contemporary, Vol. 2, No. 2/3, 1977, San Francisco, CA, pp. 1011, 5053; also reprinted in The Dumb Ox, No. 5, 1977, Northridge, CA, pp. 2730; in The Politics of Poetry A Supplement, L=A=N=G=U=A=G=E, Supplement No. 3, October, 1981, New York, NY, no pagination; in The L=A=N=G=U=A=G=E Book, edited by Bruce Andrews and Charles Bernstein, Southern Illinois University Press, Carbondale, IL, 1984, pp. 121132; in Jean Baudrillard: The Disappearance of Art and Politics, edited by William Stearns and William Chaloupka, St. Martins Press, New York, NY, 1992, p. 2737; translated into Croatian as Iscezavanje Reci, Pojavljivanje Sveta by Adrijana Marcetic in Delo, Vol. XXXV, No. 8, 1989, Belgrade, Yugoslavia, pp. 275290; translated into German (and printed bilingually as Verschwinden des Wortes, Erscheinen der Welt) in Amerikanische Poetologie: Lyriker and Lyrikerinnen der USA in Selbstaussagen und Gedichten Eine Zweisprachige Auswahl, edited by Helmbrecht Breinig, (Bamberg: University of Bamberg Library, Bamberger Editionen, Harald WentzlaffEggebert, general editor, 1996); translated into Dutch as De verdwijning van het word, De verschijning van de wereld by Sascha Bru in Yang No. 191, November 2000, pp. 385393 Ubeity, A Symposium on Clark Coolidge: Stations 5, Winter, 1978, Milwaukee, WI, pp. 1922 Nice, L=A=N=G=U=A=G=E, Vol 1. No. 1, February, 1978, New York, NY, no pagination, reprinted in The L=A=N=G=U=A=G=E Book, op. cit., p. 250 Space May Produce New Wor(l)ds, Montemora 4, 1978, New York, NY, pp. 289290 20

The Williams Influence, San Francisco Review of Books, Vol. 4, No. 1, May, 1978, pp. 4244 Louis Zukofsky, L=A=N=G=U=A=G=E, No. 4, August, 1978, New York, NY, no pagination, reprinted in Paideuma, Vol. 7, No. 3, Louis Zukofsky Issue, Winter, 1978, National Poetry Foundation, Orono, ME, pp. 405406 Breastwork, L=A=N=G=U=A=G=E, Vol. 1, No. 2, April, 1978, New York, NY, no pagination For L=A=N=G=U=A=G=E, L=A=N=G=U=A=G=E, Vol. 1, No. 4, August, 1978, no pagination From Language Writing, L=A=N=G=U=A=G=E, Vol. 1, No. 5, October, 1978, no pagination Benjamin Obscura, Renegade, No. 1, no date given, New York, NY, pp. 3570, excerpted in L=A=N=G=U=A=G=E, Vol. 1, No. 6, New York, NY, 1979, no pagination, and in The L=A=N=G=U=A=G=E Book, op. cit., pp. 6365 Untitled review of Curtis Favilles Stanzas for an Evening Out, in San Francisco Review of Books, Vol. 4, No. 7, March, 1979, pp. 2425 Untitled review of Robert Greniers Sentences, in American Book Review, Vol. 2, No. 1, Summer, 1979, New York, NY, p. 12 Notes on the Relation of Theory to Practice, Paper Air, Vol. 2, No. 2, 1979, Blue Bell, PA, pp. 613 If by Writing We Mean Literature, L=A=N=G=U=A=G=E, Vol. 2, Nos. 9/10, October, 1979, no pagination; reprinted in The L=A=N=G=U=A=G=E Book, op. cit., pp. 167168; translated into Spanish as Si por Escritura Queremos Decir Literatura by Margarita Mele, in Nerter, No. 1, Otoo Invierno, 1999, pp. 3839 Zyxt, The Poets Encyclopedia, Unmuzzled Ox, New York, NY, 1979, pp. 296297, reprinted in The L=A=N=G=U=A=G=E Book, op. cit., p. 207 The New Sentence, Talks: Hills 6/7, 1980, San Francisco, CA, pp. 190217; abridged in Claims for Poetry, op. cit., pp. 377398; and in In the American Tree, op. cit. An abridged version translated into Danish by Line Brandt as Den Ny Stning in Nye Stninger, Legenda No. 2, 2001, Kbenhavn (Copenhagen), Denmark, pp. 4559 Rewriting Marx, L=A=N=G=U=A=G=E, Vol. 3, No. 13, December, 1980, no pagination; reprinted as Re Writing: Marx, in The L=A=N=G=U=A=G=E Book, op. cit., p. 174; reprinted in Money: A Poets Symposium, edited by David Lehman, in Epoch, Vol. 38, No. 2, 1989, p. 166 Introduction Collective au Movement de Language Poetry, coauthored with Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, and Bob Perelman, translated by JeanPierre Faye, in Change, No. 41, March, 1981; published in English original as For Change in In the American Tree, National Poetry Foundation, Orono, ME, 1986, pp. 484490 (dated here correctly as 1982); translated into Serbocroation as Za Promenu by Dubravka Djuric, in Delo, Vol. XXXV, No. 8, Belgrade, Yugoslavia, pp. 251257 Third Phase Objectivism, Paideuma, Vol. 10, No. 1, George Oppen Issue, Spring, 1981, National Poetry Foundation, Orono, ME, pp. 8589 The Political Economy of Poetry, L=A=N=G=U=A=G=E, Vol. 4, 1981, New York, NY; simultaneously published as Open Letter, Fifth Series, No. 1, Winter, 1982, Toronto, Ontario, Canada, pp. 5265; reprinted in From Artifice to Indeterminacy: An Anthology of Poetics from 1980 to the Present, edited by Christopher Beach (Tuscaloosa: University of Alabama Press, 1998), pp 190200; reprinted in Twentieth Century Poetics: Poets on the Art of Poetry, edited by Dana Gioia, Dave Mason, and Meg Shoercke, McGrawHill, 2004 Reading Ketjak, The Poetry Reading: A Contemporary Compendium on Language & Performance, edited by Steven Vincent and Ellen Zweig (published simultaneously as a Momos Press book and as Shocks 7, 8, 9, San Francisco, CA, 1981), pp. 194199; republished in Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, Santa Cruz, CA, October, 1998, pp. 4651.

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Untitled review of David Ignatows Open Between Us, in American Book Review, Vol. 3, No. 6, SeptemberOctober, 1981, p. 8 Untitled review of Bruce Andrews Wobbling, in Sagetrieb, Vol. 1, No. 1, Spring, 1982, National Poetry Foundation, pp. 155158 Identification, Reference, Mode, O.ars, No. 2, 1982, Cambridge, MA, pp. 132134 For Charles Bernstein has such a Spirit..., The Difficulties: Charles Bernstein Issue, Fall, 1982, Kent, OH, pp. 98114 Migratory Meaning: The Parsimony Principle in the Poem, Poetics Journal, No. 2, September, 1982, Oakland and Berkeley, CA, pp. 2741; Translated as Nomadisk Betydning by Line Brandt in Nye Stninger, Legenda No. 2, 2001, Kbenhavn (Copenhagen), Denmark, pp. pp. 6183 Untitled review of Hannah Weiners Little Books/Indians and Nijoles House, in Sulfur 5, 1982, op. cit., pp. 138141 Untitled review of William Bronks Life Supports, in American Book Review, Vol. 5, No. 1, op. cit., pp. 18 19 Realism, in Realism, Ironwood, No. 20, 1983, Tucson, AZ, pp. 6270, reprinted in a corrected version, No. 21, 1983, pp. 142149 Composition as Action, Poetics Journal, No. 3, May, 1983, Oakland and Berkeley, CA, pp. 7376 Untitled review of Kenneth Irbys Orexis, in American Book Review, Vol. 5, No. 5, JulyAugust, 1983, op. cit., p. 12 Untitled review of Beverly Dahlens The Egyptian Poems, in Sulfur 11, 1984, Los Angeles, CA, pp. 184 185 Untitled review of Philip Dows 19 New American Poets of the Golden Gate, in San Francisco Chronicle, Review Magazine, May 13, 1984, pp. 46 Untitled review of Ted Hughes River, in San Francisco Chronicle, Review Magazine, June, 17, 1984, p. 8 Spicers Language, in Writing/Talks, edited by Bob Perelman, Southern Illinois University Press, Carbondale, IL, 1985, pp. 166191 Statement for New Poetics Colloquium, in untitled collection published in conjunction with colloquium, Vancouver, B.C., Canada, August 1985; reprinted in Jimmy and Lucys House of K, No. 5, November, 1985, pp. 1719 Different Languages, American Book Review, Vol. 7, No. 3, March/April, 1985, pp. 1213 Waves of Meaning, American Book Review, Vol. 7, No. 6, September/October, 1985, pp. 1012, 23 Steve McCaffery, Ron Silliman, Charles Bernstein: Correspondence: May, 1976December, 1977, edited by Steve McCaffery, Lines, pp. 5990 Untitled review of Barrett Wattens Progress, in San Francisco Chronicle, Review Magazine, Nov. 17, 1985, p. 12 Stanzas in Meditation, Tramen, No. 4, 1986, no pagination New Prose, New Prose Poem, in Postmodern Fiction: A Bio Bibliographical Guide, edited by Larry McCaffery, Greenwood Press, New York, NY, pp. 157174 Charles Bernstein, in Postmodern Fiction: A Bio Bibliographical Guide, edited by Larry McCaffery, Greenwood Press, New York, NY, pp. 157174 pp. 280282 Lyn Hejinian, in Postmodern Fiction: A Bio Bibliographical Guide, edited by Larry McCaffery, Greenwood Press, New York, NY, pp. 157174, pp. 400403

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Barrett Watten, in Postmodern Fiction: A Bio Bibliographical Guide, edited by Larry McCaffery, Greenwood Press, New York, NY, pp. 157174, pp. 539542 The Shipwreck of the Singular: The Evolution of the Sentence in George Oppens Verse, Temblor, No. 5, 1987, pp. 11719 My Vocabulary Did This to Me, Acts, No. 6, 1987, pp. 6771 Tight Corners, The Difficulties: David Bromige issue, Vol. 3, No. 1, 1987, pp. 4753 Pete Seeger and the Avant-Garde, Socialist Review, No. 92, Vol. 17, No. 2, MarchApril, 1987, pp. 12028 Postmodernism: Sign for a Struggle, the Struggle for the Sign, Poetics Journal, No. 7, September, 1987, pp. 1839; reprinted in Contemporary American Poet-Critics, op. cit.; translated into Serbian by Dubravka Djuric and published in Gradina, Vol. 26, No. 23, 1991, Nis, Yugoslavia, pp. 162179 Negative Solidarity: Revisionism and New American Poetics, Sulfur, No. 22, Spring, 1988, pp. 169176 Poetry and the Politics of the Subject, Socialist Review, 88/3, JulySeptember, 1988, pp. 6168 Terms of Enjambment, The Line in Postmodern Poetry, edited by Robert Frank and Henry Sayre (Urbana and Chicago: University of Illinois Press), pp. 183184 Untitled note on Robert Duncan, American Poetry, Vol. 6, No. 1, Fall, 1988, p. 74 Aesthetic Tendency and the Politics of Poetry, (coauthored by Barrett Watten, Lyn Hejinian, Carla Harryman, Steve Benson, and Kit Robinson), Social Text, No. 19/20, Fall, 1988, pp. 261275 Poets and Intellectuals, Temblor, No. 9, 1989, pp. 122124 Indeterminacy, Autonomy, Determination, Ottotole, No. 3, Spring, 1989, pp. 203206 Poetry and the Politics of Everyday Life, Margin, No. 10, 1989, pp. 8488 Untitled contribution to a symposium on Language Poetry, edited by Andrew Ross, Minnesota Review Response to the Cream City Review (High vs. Low Art), Cream City Review, date and pagination unknown Canons and Institutions: New Hope for the Disappeared, in The Politics of Poetic Form: Poetry and Social Policy, edited by Charles Bernstein (New York: Roof Books, 1990), pp. 149174 Unfinished Business: SR at 20, in program for 20th anniversary party of Socialist Review, November 17, 1990 What/Person: From an Exchange, co-written with Leslie Scalapino, in Poetics Journal, No. 9, June, 1991, pp. 5168 What Do Cyborgs Want? / (Paris, Suburb of the Twentieth Century), in Jean Baudrillard: The Disappearance of Art and Politics, edited by William Stearns and William Chaloupka (St. Martins Press, New York, NY, 1992) p. 2737 I Wanted to Write Sentences: Decision Making in the American Longpoem, in Sagetrieb, Orono, Maine, Vol. 11, Nos. 1 & 2, Spring & Fall, 1992, pp. 1120 RSVP: David Hart and others, (responses to a survey on poetry by David Hart,) in Verse, Fife, Scotland etc, Vol. 10, No. 1, Spring, 1993, pp. 110112 After Dark, in lower limit speech: a newsletter in poetics, No. 6, July, 1993, San Jose, CA, no pagination Positioning Theory, in lower limit speech: a newsletter in poetics, No. 6, July, 1993, San Jose, CA, no pagination The Practice of Art, afterward to The Art of Practice: 45 Contemporary Poets, edited by Dennis Barone and Peter Ganick, Potes & Poets Press, 1994, pp. 371379

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Wild Form, in lower limit speech: a newsletter in poetics, No. 9, June, 1994, Los Angeles, CA, npd; republished in Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, Santa Cruz, CA, October, 1998, pp. 134139 The Task of the Translator: Wattens Leningrad, in Aerial 8, Barrett Watten issue, 1995, Washington, DC, pp. 141168 Oh my, Devon MillerDuggan... in an untitled email exchange between Devon Miller-Duggan, Ron Silliman, and Chris Semansky from the CAPL (Contemporary American Poetry) discussion group, reprinted in Famous Reporter, No. 13, Tasmania, Australia, 1996, p. 14 On The Marginalization of Poetry by Bob Perelman, in The Impercipient Lecture Series, Vol. 1, No. 4, May 1997 (special issue devoted to Perelmans book, The Marginalization of Poetry), pp. 113; reprinted in Jacket, No. 2, December, 1997 (see Electronic Journals) Silent Teacher, a memoir of Hannah Weiner, in On Hannah Weiner: 19281997, Poetry Project Newsletter, No. 167, December 1997January 1998, pp. 1314 Who Speaks: Ventriloquism and the Self in the Poetry Reading, in Close Listening: Poetry and the Performed Word, edited by Charles Bernstein, Oxford University Press, pp. 360378 Untitled email correspondence with Jeff Derksen in Philly Talks 3, Philadelphia, PA, January 21, 1998, no pagination The Dysfunction of Criticism: Poets and the Critical Tradition of the AntiAcademy, in Poetics Journal, No. 10, Detroit, MI and Berkeley, CA, 1998, pp. 179194 PostReading Discussion, in Responses to (mostly) PhillyTalks 3 (Derksen/Silliman) & PostReading Discussion, PhillyTalks 6, edited by Louis Cabris, Kelly Writers House, University of Pennsylvania, Philadelphia, PA, October 11, 1998, pp. 917 thought or feeling forming, (on the work of Robert Grenier) in Verdure No. 34 September 2000 February 2001, SUNY Buffalo, Buffalo, NY, pp. 5760 What is to be done, published as Progressiveness Now, in Masthead 2, issue 4, (originally an email posted to the Buffalo Poetics List listserve), September, 2001 Asterisk: Separation at the Threshold of Meaning in the Poetry of Rae Armantrout, in We Who Love to Be Astonished, edited by Laura Hinton and Cynthia Hogue (Tuscaloosa and London: University of Alabama Press, 2001), pp. 2840 Melnicks Pin, in Logopoiea, 2002 Sillimans Blog, 2002 present The Desert Modernism and A Forest For in Electronic Poetry Review, No. 4, 2002 in Abacus, Special Issue: The War, April 1, 2003, no pagination Politics and Speed, in Removed for Further Study: The Poetry of Tom Raworth, edited by Nate Dorward, published as The Gig 13/14, Toronto, Ontario, Canada, May, 2003, pp. 233241 My Twentieth Century, (written for in Poetry and the Year 2000, edited by Leslie Davis, Xurban Press, Westminster, CO, apparently unpublished), PLR: Prague Literary Review, Vol. 1, No. 4, Prague, the Czech Republic, pp. 1 & 4, 2003 Stein at her Word, in Talisman: A Journal of Contemporary Poetry and Poetics, No. 27, Winter, 2004, Jersey City, NJ, pp. 6165 A Study: Ron Silliman on Eileen Tabios and Her Poem Helen, (from Sillimans Blog) in Crucial Bliss Epilogues, by Eileen Tabios, Tamafyhr Mountain Poetry, 2004, pp. 4043 As to Violin Music: Time in the Longpoem, Jacket 27, Balmain, Australia, April, 2005 Some Thoughts on No Direction Home, The Bridge, No. 23, Winter, 2005, pp. 7781 24

Interview with Geof Huth, cowritten with Crag Hill, ExchangeValues, July, 2005 Shapiros A Man Holding an Acoustic Panel, in Burning Interiors: David Shapiros Poetry and Poetics, edited by Thomas Fink and Joseph Lease, Farleigh Dickenson University Press, Madison & Teaneck, NJ, 2007, pp. 117122 Curators Statement, in Cynthia Miller, CUE Art Foundation, New York, NY, 2008 Unlearning to Write, in Poets on Teaching: A Sourcebook, ed. Joshua Marie Wilkenson, University of Iowa Press, Iowa City, IA, September, 2010, pp. 4042; republished on Academy of American Poets website, Poets.org, September, 2010 "Sentences About a Loved Sentence," on Big Other website, November 10, 2010

"On Robert Duncan, 'The Opening of the Field'," publication of paper given at "Poetry of the 1960s: a Symposium" at Kelly Writers House, Dec., 2010, in Jacket 2, Philadelphia PA, 2011. See also "Robert Duncan's notes on Ron Silliman's 'Opening'."

FOREWORDS
The Text, the Beloved? Introduction to The Sophist, by Charles Bernstein, reprint by Salt Publishing, 2004 Introduction to Veil: New and Selected Poems, by Rae Armantrout, Wesleyan Poetry Series, 2001

BROADSIDES & MISCELLANY


Albany, printed by Charles Alexander of Chax Press in Tucson for a reading at Woodland Pattern, Milwaukee, WI, April 22, 1989 Daniel Bouchard, The Fancy Memory, Ron Silliman, J is for Juvenile, printed by Anchorite Press for poets reading at Wordsworth Books, Cambridge, MA, June 22, 2004 From Revelator, Wrinkle Press, printed for The Alphabet Symposium, March 25-26, 2011, Windsor, Ontario, an edition of 100

TRANSLATIONS OF SILLIMAN WORKS


Croatian For Change (coauthored with Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, and Bob Perelman) translated as Za Promenu by Dubravka Djuric, in Delo, Vol. XXXV, No. 8, 1989, Belgrade, Yugoslavia, pp. 251257 Disappearance of the Word, Appearance of the World, translated as Iscezavanje Reci, Pojavljivanje Sveta by Adrijana Marcetic in Delo, Vol. XXXV, No. 8, 1989, Belgrade, Yugoslavia, pp. 275290 From Tjanting, translated by Dubravka Djuric and Elena Lacok in Delo, Vol. XXXV, No. 8, 1989, Belgrade, Yugoslavia, pp. 345347

Danish From Tjanting, translated as Mssende by Claus SchatzJakobsen in Den Bl Port: Tidsskrift for Literature, 33/95, Kbenhavn (Copenhagen), Denmark, pp. 3435; English version published as Uddrag af Tjanting, pp. 3334 25

An abridged version of The New Sentence, translated as Den Ny Stning by Line Brandt in Nye Stninger, Legenda No. 2, 2001, Kbenhavn (Copenhagen), Denmark, pp. 4559 Migratory Meaning translated as Nomadisk Betydning by Line Brandt in Nye Stninger, Legenda No. 2, 2001, Kbenhavn (Copenhagen), Denmark, pp. 6183 From Hidden translated as Af: Skjult by Allan Milter Jakobsen in Krydsord, Legenda No. 3, 2001, Kbenhavn (Copenhagen), Denmark, pp. 5559 From Tjanting translated as Af: Mssende by Allan Milter Jakobsen in Krydsord, Legenda No. 3, 2001, Kbenhavn (Copenhagen), Denmark, pp. 99102 From Ketjak translated as Af: Ketjak by Allan Milter Jakobsen in Krydsord, Legenda No. 3, 2001, Kbenhavn (Copenhagen), Denmark, pp. 153155

Dutch Disappearance of the Word, Appearance of the World, translated as De verdwijning van het word, De verschijning van de wereld by Sascha Bru in Yang, No. 191, November 2000, pp. 385393 Final For, from VOG, translated as Net Voor by Ton Vanthof in Poezie Pamflet, October, 2004 From Sunset Debris, translated as Zonsondergangspuin, by Han van der Vegty and Arnoud van Adrichem in Parmentier, Vol. 17, No. 2, June, 2008, pp. 115120 The Chinese Notebook, translated as Het Chinese notitieboek, by Han van der Vegt and Arnoud van Adrichem in DW B, December, 2008, pp. 787812

Estonian From What, translated by Julius Urt in Paevaleht, February 3, 1991, Tallin, Estonia, USSR, p. 2

Finnish From Sunset Debris, translated as Auringonlaskun roinaa by Aki Salmela, in Tuli&Savu, Helsinki, Finland, 2003, run on top border of pages 160

French Introduction Collective au Movement de Language Poetry, coauthored with Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, and Bob Perelman, translated by JeanPierre Faye, in Change, No. 41, March, 1982 From Sitting Up, Standing, Taking Steps, translated as Sasseyant, debout, marchant, by Jean Pierre Faye, in Change, No. 41, March, 1982, Paris, France, pp. 178179 From Tjanting, translated as Trace, by Philippe Jaworski in Bulletin A.R.C. Litterature, Muse dArt Moderne de la Ville de Paris, France, No. 162, 1986, pp. 659660; reprinted in 21 + 1: Poetes americains daujourdhui, edited by Emmanuel Hocquard and Claude RoyetJournoud, Delta, Universit Paul Valery, Montpellier, France, 1986, pp. 205207 From 2197, Winter Landscape with Skaters and a Bird Trap, translated as Dhiver aux Patineurs et au Pige oiseau, by Martin Richet, in 25 Potes amricains traduits, pp. 65-70

German 26

Disappearance of the Word, Appearance of the World, translated by Peter Tischert and printed bilingually as Verschwinden des Wortes, Erscheinen der Welt, in Amerikanische Poetologie: Lyriker and Lyrikerinnen der USA in Selbstaussagen und GedichtenEine Zweisprachige Auswahl, edited by Helmbrecht Breinig, Bamberg: University of Bamberg Library, Bamberger Editionen, Harald Wentzlaff-Eggebert general editor, 1996, pp. 506533

Italian From Ketjak, translated as Porta girevole, by Franco La Polla, in Carte Segrete, Nuova Serie, No. 1, 1984, Rome, Italy, pp. 133135 From The Chinese Notebook, translated as da Il Quaderno Cinese, by William Pagnotta in Postmoderno E Letteratura, edited by Peter Carravetta and Paoloi Spedicato, Studi Bompiani, Milano, Italy, 1984, pp. 318325 From Tjanting, translated without title by Gianlucca Rizzo, in Nuova Poesia Americana: San Francisco, edited by Luigi Ballerini & Paul Vangelisti, Oscar Mondadori, Milano, 2006 From Sunset Debris, translated as da Sunset Debris by Gherardo Bortolotti, on Gamm.org website, Milano, July, 2007 From The New Sentence, translated by Gherardo Bortolotti in LUlisse Rivista di Poesia, Arti e Scritture, April 25, 2010, N. 13, pp. 22-43 Japanese From I Am Marion Delgado, translated by Shuri Kido in Gendaishi Techo, Japan, January, 1988, pp. 381382

Russian From The Chinese Notebook, translated by Viktor Mazin, published in a samizdat magazine, Leningrad, circa 1987 The New Sentence, translated by Viktor Mazin, said to have appeared in a magazine in Riga, Latvia From The Chinese Notebook, sections 125, translated by Aleskii Prokopeva, in COBPEMEHHA AMERKAHCKA O, edited by April Lindner, introduction by Dana Gioia, no publisher given, no location given, 2008, pp. 5663 You, (Part XXXVI,) translated by Aleskii Prokopeva, in COBPEMEHHA AMERKAHCKA O, edited by April Lindner, introduction by Dana Gioia, no publisher given, no location given, 2008, pp. 6467

Serbian Postmodernism: Sign for a Struggle, Struggle for the Sign, translated into Serbian by Dubravka Djuric and published in Gradina, Vol. 26, No. 23, 1991, Nis, Yugoslavia, pp. 162179 Leningrad, excerpts translated by Dubravka Djuric and published in Rusky Almanac, No. 2, Belgrade, Serbia, pp. 232241 Skies, II, translated by Dubravka Djuric and published in Ovdia, No. 286, October, 1992, Podgoritsa, Serbia, p. 18; reprinted as Neba II in Jezik, Poezija, Postmodernizam: Jezika Poeizija U Kontekstu Moderne / Postmoderne Amerike Poezije, by Dubravka uri (Oktoih 2002, Belgrade, Serbia), pp. 206207

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From The Chinese Notebook, translated by Dubravka Djuric as Kinseka Belenica, in Antologija novije amerike poezije: Novi Presniki Poredak, October 2001, edited by Dubravka juric and Vladimir Kopicl, pp. 221235 Serbocroatian For Change, (coauthored with Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, and Bob Perelman,) translated as Za Promenu by Dubravka Djuric in Delo, Vol. XXXV, No. 8, 1989, Belgrade, Yugoslavia, pp. 251257

Spanish From Ketjak, translated by Estaban Pujals Gesali in La Pagina, No. 2, FebruaryMay, 1990, Tenerife, Canary Islands, pp. 132135 From The Age of Huts: Sunset Debris, (a fragment); from ABC: Blue; from Ketjak (a fragment), La Lengua Radical: Antologia de la poesia norteamericana contemporanea, edited and translated by Esteban Pujals Gesali, 1992, Gramma Poesia, Madrid, Spain, pp. 313331 From Toner, Lit, Paradise and Manifest with English facing, translated by Manual Brito, in Cuadernos del Ateneo de La Laguna, No. 2, 1997, La Laguna, Tenerife, Canary Islands, pp. 3135 If by Writing We Mean Literature, translated into Spanish as Si por Escritura Queremos Decir Literatura by Margarita Mele, in Nerter, No. 1, La Laguna, Tenerife, Canary Islands, OtooInvierno, 1999, pp. 3839 Considerations of Representability from The Age of Huts, translated as Consideraciones de Representabildad, translated by Manuel Brito in la Pagina 58 (Ao XVI, numero 4, 2004), Santa Cruz de Tenerife, Canary Islands, Spain, pp. 4461 (with the original English on facing pages) From The Chinese Notebook (125), in Lneas conectadas: nueva poesa de los Estados Unidos, edited by April Lindner, translation editor Hernan Lara Zavala, Sarabande Books, Louisville, KY, 2006, pp. 3239 "," translated by Paul Alvarez, on his weblog Revista Ping Pong: Traduciendo, December, 2007 Considerations of Representability from The Age of Huts, translated as Consideraciones de Representabildad, excerpts from opening and closing of Tjanting translated as Esto no...., section XI of Toner translated as XI, excerpt from Paradise translated as El gato ronronea que tiene la lengua escondida...., excerpt from Toner translated as Toner, From Theory to Practice, translated as De la Teoria a la Practica, unpublished letters to Lyn Hejinian (dated 12.6.76) and Bruce Andrews (dated 7.30.79), all translated by Manuel Brito, in an anthology of language poetry as yet untitled, forthcoming

WORKS ABOUT SILLIMAN


Journal Features The Difficulties: Ron Silliman Issue, Vol. 2, No. 2, edited by Tom Beckett, Kent, OH, 1985 Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, 1998 Jacket 39: Ron Silliman Feature, includes Poems from Crow; Questioning the Limits of Language: The New Sentence in Ron Sillimans Poetry & Poetics, by Manuel Brito; What, by Jordan Davis; Pay More Attention: Sillimans BART and Contemporary Everyday Life Projects, by Andrew Epstein; The Residual Work: Tjanting and the Poetics of Experience, by Andy Gricevich; No Content Left: Sillimans Transit, by Ian Keenan; From Practice, to Reading, by T.C. Marshall; The Labor of 28

Repetition: Sillimans Quips and the Politics of Intertextuality, by Lytle Shaw; Closer Readers, by Dale Smith; Projective Recursion: The Structure of Ron Sillimans Tjanting, by William Watkin; Ron Silliman and the Ethnicization of the Avant-Garde, by Timothy Yu, January, 2010, 170 printed pages Ron Sillimans This: The Selected Concordance, edited by Joe Milutis, Triple Canopy, Brooklyn, 2011. Published as a component of Milutis The Quiddities, a multimedia essay in Triple Canopy no. 11

Conferences & Panels Contemporary Poetry, Alternate Routes: Reading Ron Silliman, MLA. 111th Convention, Chicago, December, 1995. Chaired by Charles Bernstein; included, Do Tell: Ketjak and Steins Narration, by Tom Marshall; Composing the Social: Poetic Form and Social Formation in the Work of Ron Silliman, by Steve Evans; and What the El: Lit and Other Word Wiggles, by Tom Vogler "The Alphabet: A Symposium on Ron Silliman's Long Poem," papers by Jed Rasula, "A Telephone from the Beyond: Ipod Wagnerism," and "Panorama Sentence by Sentence: The Poetry of Ron Silliman," Marianne lholm: "Formal Multiplicity in The Alphabet," Brian Jansen: "Roland Barthes, the New Sentence, and Word as Commodity: The Alphabet as Contemporary Mytholography," Joshua Schuster: "Our Whole Archive Has Prepared Us for This," Christopher Kerr: "Watch Your Step! 'Pataphysics and the Pun of Engines in 'Engines'," Hillary Clark: "Trash Collection in The Alphabet," Burt Kimmelman: "The Alphabet, Post Objectivist Poetics, and American Writing since The New American Poetry," Michael Hessel-Mial: "Earth and Sky: Eco-Phenomenology and The Alphabet," Braydon Beaulieu: "Between sentences, something hides," Elisabeth Joyce: "Looking up and Looking Down: Ron Silliman's Poetry of Accretion," Barrett Watten: "Radical Particularity; or, The Whole is the Untrue," Andrew Klobucar: "Technical Difficulties: Informational Discourse and Poetics," Jeff Derksen: "Urban What," Pierre Beaumier: "The Reader's Encounter and the Difficulty of Form as Social Struggle," Jasmine Elliott: "the map is not / built about the city': metapoetics and the narrative struggle in The Alphabet," Timothy Yu: "Yet His Best Friend Was Hispanic': Race, Contradiction, and Autobiography in (and Under) Albany," Brian Ang: "Quindecagon,' Literary History, and Strict Constructionism," Ashley Girty: "The Most Beautiful of All Carpenter's Tools is the Level': On Seriality and Parataxis in The Alphabet," Louis Cabri: "Play-drive Station (on aestheticizing The Alphabet). Panel hosted by Steve McCaffery: "The Long Poem in the Age of Twitter." Readings & talks by Rae Armantrout, Jeff Derksen, Carla Harryman, Steve McCaffery, Ron Silliman, & Barrett Watten. University of Windsor, Windsor, Ontario, March 2526, 2011 Critical writing about the work of Ron Silliman Signification (On Ron Sillimans The Chinese Notebook), by Bruce Andrews, Margins, Milwaukee, 1975; republished in Paradise & Method: Poetics & Praxis (Evanston: Northwestern University Press, 1996), pp. 173175 Mohawk and Ketjak, by Barrett Watten, in Ron Silliman Feature, L=A=N=G=U=A=G=E, Vol. 1, No. 4, August, 1978, op. cit., no pagination Ketjak, by Bob Perelman, San Francisco Review of Books, Vol. 4, No. 4, October, 1978, pp. 2223 The Tenderloin Times, by Dwight Chapin, San Francisco Examiner, Jan. 7, 1979, Section B, p. 1 Ketjak in San Francisco, by Steve Benson, L=A=N=G=U=A=G=E, Vol. 2, No. 8, June, 1979, no pagination; reprinted in The L=A=N=G=U=A=G=E Book, op. cit., pp. 272273 Sitting Up, Standing, Taking Steps, by John Yau, The Downtown Review, Vol. 1, No. 1, 1979, p. 25 Sitting Up, Standing, Taking Steps, by Henry Hills, L=A=N=G=U=A=G=E, Vol. 3, No. 11, January, 1980, no pagination; reprinted in The L=A=N=G=U=A=G=E Book, op. cit., pp. 273274 On the Bus, by Evelyn Pine, Artbeat, May/June, 1981, San Francisco, CA, p. 31

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What Does This Do With You Reading? by Jed Rasula, Poetics Journal, No. 1, January, 1982, Oakland and Berkeley, CA, pp. 6667 After Sentence, Sentence, by Michael Davidson, American Book Review, SeptemberOctober, 1982, op. cit., p. 3 The Crisis at Present: Talk Poems and the New Poets Prose, Poets Prose: the Crisis in American Verse, by Stephen Fredman, Cambridge University Press, Cambridge UK, 1983, pp. 134169 Untitled review of ABC and 4 other books, by Geoffrey OBrien, VLS 25 (Voice Literary Supplement), The Village Voice, April, 1984, pp. 89 The Word as Such, by Marjorie Perloff, American Poetry Review, Philadelphia, PA, Vol. 13, No. 3, May/June, 1984, pp. 1522; reprinted in Dance of the Intellect, Cambridge University Press, Cambridge, UK, 1986 Letter, Word, Sentence, by Fred Moramarco, San Diego Reader, pagination and date not known (probably 1984 or 1985) Total Syntax, by Barrett Watten, Southern Illinois University Press, Carbondale, IL, 1984, throughout The Fourth Wave by Wilbur Wood, Bay Guardian, April 3, 1985, pp. 1422 The Difficulties: Ron Silliman Issue, op. cit., edited by Tom Beckett; includes untitled interview by Tom Beckett, Places in Hayward by Larry Eigner, Ron Silliman by Hannah Weiner, Corpses that Devour Their Own Flesh by Bruce Andrews, The Community of Sound by Rae Armantrout, Exorcise Your Monkey: Reading Ketjak by Jerry Estrin, Silent Tjanting: Notations for Translation, by Chris Domingo and David Martin, A Note on Tjanting, by David Bromige, Plus + Mysterious / Life Like Labor by Robert Grenier, Taking a Stand by James Sherry, ?s to .s by Alan Davies, Narrating Narration: The Shapes of Ron Sillimans Work, by Charles Bernstein, Ron Silliman: A Bibliography, by Tom Beckett All That Heaven Allows: Paradise in the Trenches, by Joel Lewis, Poetry Project Newsletter, No. 117, December, 1985, pp. 1, 8 Untitled review of Paradise, unsigned (but by Brad Morrow) in Conjunctions, No. 8, 1986, p. 256 Looming on/in Paradise, by Bill Luoma, The Archive Newsletter, UCSD Libraries, Winter, 1986, pp. 14 17 Tenderloin Poets Publish Two Volumes of Verse, by Emily Cutler, Tenderloin Times, February, 1986, p. 10 New Language of the Muses, by David Melnick, San Francisco Chronicle, Review Section, April 6, 1986, p. 5 Untitled review of The Difficulties: by Sylvester Pollet, Sagetrieb, 1986, p. 154 Untitled review of The Difficulties: Ron Silliman Issue, by John Byrum, PLGC NWSLTR: The Poets League of Greater Cleveland Newsletter, Vol. 12, No. 1, Spring, 1986, pp. 56 What I See in the Silliman Project, by Thomas White (Stephen Rodefer), Jimmy & Lucys House of K, No. 6, May, 1986, pp. 137145; republished in Chicago Review, Vol. 54, No. 3, Winter 2009, Chicago, pp. 5359 Sillimans Paradise, by Fanny Howe, Poetics Journal, No. 6, 1986, pp. 133134 What is Language Poetry? by Lee Bartlett, Critical Inquiry No. 12, Summer, 1986, pp. 741752 From the Language Poets, by Robert Creeley, San Francisco Chronicle, Review Section, September 28, 1986, p. 8 Sillimans Phoenix: A Bird of Paris dyes, by Steve Abbott, Poetry Flash, No. 163, October, 1986, pp. 1, 9, 20

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Another Look at The Tree, by Tom Clark, San Francisco Chronicle, Review Section, October 12, 1986, pp. 1415 Ron Silliman, by Rae Armantrout, Postmodern Fiction: A Bio Bibliographical Guide, edited by Larry McCaffery, Greenwood Press, New York, NY, 1986, pp. 503505 Life in Poetry City, by Ken Edwards, City Limits, London, UK, January 18, 1987, no pagination Untitled review of The Difficulties: Ron Silliman Issue, by John Bryum, Small Press, JanuaryFebruary, 1987, pp. 6970 Untitled review of In the American Tree, in Small Press Book Review, MarchApril, 1987, pp. 910 Untitled review of In the American Tree by Chuck Cody, The Archive Newsletter, Spring 1987, pp. 3235 Reading the Words, review of In the American Tree, by StephenPaul Martin, American Book Review, Vol. 9, No. 4, 1987, p. 20 Contemporary Poetry, Alternate Routes, by Jerome J. McGann, Critical Inquiry, Vol. 13, No. 3, Spring, 1987, pp. 624647; reprinted in Social Values and Poetic Acts: The Historical Judgment of Literary Work, Harvard University Press, Cambridge and London, UK, 1988 Stalin as Linguist, by Tom Clark, Partisan Review, Vol. LIV, No. 2, 1987, pp. 299304 Untitled commentary by Jim Hartz and Sam Moorman, The American Poetry Archive News, Vol. 4, No. 2, Spring, 1987, p. 5 Untitled review of In The American Tree (in Serbian) by David Albanari, Pismo, No. 10, Yugoslavia, Summer, 1987, pp. 243244 Untitled review of Paradise by Dan Beaver, Gargoyle, 32/33, 1987, p. 323 Language Writing, by Jerome J. McGann, London Review of Books, October 15, 1987, pp. 68 Untitled review of In the American Tree by Michael Duff, Small Press, October, 1987, pp. 7273 Language Poetry, 19711986, by Don Byrd, Sulfur 20, 1987, pp. 149157 The Words Are Never Our Own, by George Hartley, Temblor, No. 6, 1987, pp. 137138 The New Sentence and the Commodity Form: Recent American Writing, by Andrew Ross in Marxism and the Interpretation of Culture, ed. by Cary Nelson and Lawrence Grossberg, University of Illinois Press, Urbana and Chicago, 1987, pp. 361380 Untitled review of The New Sentence, unsigned (but by Kevin Killian or Dodie Bellamy), in Traffic No. 7, OctoberDecember, 1987, p.2 Untitled review of In the American Tree, by Ken Edwards in Reality Studios, Vol. 9, 1987, pp. 8790 The Science of Writing, by Richard Silberg, Poetry Flash, No. 178, January, 1988, pp. 1, 47 My First Try at the Tree, by David I. Sheidlower, Jimmy & Lucys House of K, No. 8, January, 1988, pp. 3136 Ett f_rnyat intresse f_r spraket, by Gunnar Harding, Dagenns Nyhetter, Sweden, January 27, 1988 Reading Ron Sillimans BART on Bart: Serial Syntax and Paradise, by Rob Wilson, American Poetry, Vol. 5, No. 3, Winter ,1988, pp. 3341 Untitled review of In the American Tree, by Bill Mohr, Aerial, No. 4, 1988, pp. 92101 Untitled review of In the American Tree by Alan Golding, American Poetry, Vol. 5, No. 3, Spring, 1988, pp. 9396 Radical Collages, by Hank Lazer, The Nation, July 29, 1988, pp. 2426; reworked slightly as Outlaw to Classic: The Poetry of Charles Bernstein and Ron Silliman, Chapter 1 of Opposing Poetries, Vol. Two: Readings (Evanston, IL: Northwestern University Press, 1996) pp. 618

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Sentences in Space, by George Hartley, Temblor, No. 7, 1988, pp. 8991; reprinted on the Electronic Poetry Center website. Many Messages, Complex Rhythms, by Dawn Kolokithas, San Francisco Chronicle, Review Section, p. 7, October 30, 1988 Ron Silliman: NonHierarchical Perception, in Open Form and the Feminine Imagination: The Politics of Reading in TwentiethCentury Innovative Writing, by StephenPaul Martin, Maissoneuve Press, Washington, 1988, pp. 173185 Notes sur Quelques Poetes Americains, by Joseph Simas, Action Poetique, Nos. 113114, 1988, pp. 131134 Deficit Writing, by Bruce Campbell, Temblor, No. 8, 1988, pp. 910 Skewed by Design: From Act to Speech Act in LanguageWriting, by Michael Davidson, paper presented at the MLA, December, 1988 Opposing Poetry, by Hank Lazer, Contemporary Literature, Vol. 30, No. 1, Spring, 1989, pp. 142150; republished under the same title as chapter 2 of Opposing Poetries: Vol. One: Issues & Institutions (Evanston, IL: Northwestern University Press, 1996), pp. 3746 Indifference: Mike Bidlo and Ron Silliman, by Thad Ziolkowski, Sulfur 24, Spring, 1989, pp. 204210 Academic arglebargle in Montana, by Cyra McFadden, San Francisco Examiner, Sunday, May 21, 1989, p. E-1, E-4 Negative Solidarity Revisited an editorial assemblage, Temblor, No. 9, 1989, p. 118 A Compliment to Ron Sillimans Negative Solidarity in Sulfur 22 & A Note on Lyrical Contention, by Benjamin Hollander, Temblor, No. 9, 1989, pp. 119120 A Note on Sillimans Negative Solidarity in Sulfur 22, by David Levi Strauss, Temblor, No. 9, p. 121 Untitled review of What, unsigned (by Kevin Killian and/or Dodie Bellamy), Traffic, No. 11, JuneAugust, 1989, p. 6 Textual Politics and the Language Poets, by George Hartley, University of Indiana Press, 1989, throughout Untitled review of What, by Linda A. Frost, Minnesota Review, 1989, pp. 154157 The New Sentence review (in Spanish with English translation) by Carmen Africa Vidal, Arena: International Art, Madrid, Spain, December, 1989, pp. 110111 The Lightweight Contenders New Clothes, by William Harmon, Parnassus, Vol. 15, No. 1, pp. 99124 A Paradigm Lost: Ron Sillimans Paradise and the Archaeology of Language, by Stephen-Paul Martin, Sagetrieb, Vol. 8, Nos. 1 & 2, Spring and Fall, 1989, pp. 201208 Ideology and Theory in Recent Experimental Writing, or, The Naming of Language Poetry, by Michael Greer, boundary 2, Vol 16, Nos. 2/3. pp. 335355 The Seduction of Mimi: Language Maligned, by Robert Buckeye, Contact II, Spring, 1990, pp. 5658 Wittgensteiniana, by Charles Bernstein (review of The Age of Huts and several other books), Fiction International, 1990, Vol. 18, No. 2, pp. 7284 The Genealogy of Postmodernism: Contemporary American Poetry, by Albert Gelpi, The Southern Review, Summer, 1990, pp. 517541 The Alphabet, Spelt from Sillimans Leaves (A Heideggerian Dialogue), by Anne Mack and J.J. Rome (pseudonym for Jerome McGann), South Atlantic Quarterly, Vol. 89, No. 4, Fall, 1990, pp. 737759 The Body of Politics and the Politics of Form, by Don Wellman, O.ars, No. 8, Winter, 1990/91, pp. 9295

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Ron Silliman: una poeta L=A=N=G=U=A=G=E, by Manuel Brito, Syntaxis 25, Tenerife, Canary Islands, Spring, 1991, pp. 101106 Regarding the Issue of New Forms, by Nathaniel Tarn, in Views from the Weaving Mountain: Selected Essays in Poetics & Anthropology, American Poetry, College of Arts and Sciences, University of New Mexico, Albuquerque, 1991 (apparently first published in Tyuoni), reprinted in Jacket, No. 6, 1998 Untitled review of Leningrad by Marjorie Perloff, Sulfur 29, Fall, 1991, pp. 216221 Language Poetry: Writing as Rescue, by Linda Reinfeld, Louisiana State University Press, 1992, throughout Toward a Wittgensteinian Poetics, by Marjorie Perloff, Contemporary Literature, Vol. XXXIII, No. 2, Summer, 1992, pp. 191213; reprinted in a revised format as Running Against the Walls of Our Cage, in Wittgensteins Ladder: Poetic Language and the Strangeness of the Ordinary, University of Chicago Press, 1996, (see especially pp. 200205) Textured Information: Politics, Pleasure, and Poetry in the Eighties, by Roger Gilbert, Contemporary Literature, Vol. XXXIII, No. 2, Summer, 1992, pp. 243274 Appearance of a World, by Ray Davis, 1992. Published on his website: Pseudopodium Parataxis and Narrative: The New Sentence in Theory and Practice, by Bob Perelman, American Literature, Vol. 65, No. 2, June, 1993, pp. 313324; published as chapter four of The Marginalization of Poetry (Princeton: Princeton University Press, 1996), pp. 5978; republished in From Artifice to Indeterminacy: An Anthology of Poetics from 1980 to the Present, edited by Christopher Beach (Tuscaloosa: University of Alabama Press, 1998), pp. 2448 Reading & Writing Ron Sillimans Demo to Ink, by Hank Lazer, and Paratactics and Hypostrategies (a response to Ron Sillimans Positioning Theory), by Tyrus Miller, lower limit speech, No. 7, Fall, 1993, no pagination Language Poetry, by Michael Davidson, The New Princeton Encyclopedia of Poetry and Poetics, edited by Alex Preminger and T.V.F. Brogan, Princeton University Press, 1993, pp. 675676 (see also American Poetry, pp. 4766) A Poetics of Its Own Occasion, by Paul Mann, Contemporary Literature, Vol. XXXV, No. 1, pp. 171181 A Silly Corpse?: The L=A=N=G=U=A=G=E Poets, Stein, and the Nonsense of Reference, in Touch Monkeys: Nonsense Strategies for Reading TwentiethCentury Poetry, by Marnie Parsons, University of Toronto Press, 1994, pp. 170205 Save Silliman from The Alphabet, by Gary Sullivan, Exile, Vol. 2, No. 3, Summer, 1994, p. 2 Untitled review of N/O, by Peter Ganick, Poetic Briefs, No. 19, August, 1995, pp. 1314 Fra Stein til Waldrop: sprogdigtningen og de nye prosadigtere, by Michel Delville, translated from the French into Danish by Claus SchatzJakobsen in Den Bl Port: Tidsskrift for Literature, 33/95, Kbenhavn (Copenhagen), Denmark, pp. 1730 Do Tell: Ketjak and Steins Narration, by Tom Marshall, in Contemporary Poetry, Alternate Routes: Reading Ron Silliman, MLA 111th Convention, Chicago, December, 1995 Composing the Social: Poetic Form and Social Formation in the Work of Ron Silliman, by Steve Evans, in Contemporary Poetry, Alternate Routes: Reading Ron Silliman, MLA. 111th Convention, Chicago, December, 1995 What the El: Lit and Other Word Wiggles, by Tom Vogler, in Contemporary Poetry, Alternate Routes: Reading Ron Silliman, MLA. 111th Convention, Chicago, December, 1995 Listed in Contemporary Poets, sixth edition, St. James Press, 1995 Literary Voice: The Calling of the Jonah, by Donald Wesling and Tadeusz Slawek, State University of New York Press, 1995

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Self/Ideology: Corpses that Devour Their Own Flesh, by Bruce Andrews (reworked from The Difficulties, 1985) in Paradise & Method: Poetics & Praxis (Evanston: Northwestern University Press, 1996), pp. 208214 Reading & Writing Ron Sillimans Demo to Ink, by Hank Lazer (republished from lower limit speech, 1993) in Opposing Poetries: Vol. Two: Readings (Evanston: Northwestern University Press, 1996), pp. 168176 Untitled Review of Demo to Ink by Tom Vogler, Traffic, No. 17, Spring 1996, pp. 45 Disappearance of Theory, Appearance of Praxis: Ron Silliman, L=A=N=G=U=A=G=E, and the Essay, by William Lavender, in Poetics Today, Vol. 17, No. 2, Summer, 1996, pp. 181202 Shadow and Ash, by Samuel R. Delaney, in Longer Views: Extended Essays (Hanover, NH: Wesleyan University Press, 1996), pp. 144173 Ron Silliman, by Thomas Marshall, in Dictionary of Literary Biography, Volume 169: American Poets since World War II, Fifth Series edited by Joseph Conte (Detroit: Bruccoli Clark Layman, Gale Research, 1996), pp. 253266 Mr. Silliman Sale del Campus y Escribe Poesa Contempornea, by Manuel Brito (in Spanish), Cauderno del Ateneo de La Laguna, No. 2, 1997, pp. 2730 This L=A=N=G=U=A=G=E, by Kate Lilley, Jacket No. 2, 1997 New, Newer, and Newest American Poetries, by Alan Golding, Chicago Review, Vol. 43, No. 4, 1997, pp. 721; reprinted in The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, edited by Edward Foster and Joseph Donahue, Talisman House Publishers, Jersey City, New Jersey, 2002, pp. 684694 A Chance to Write: Paoli Residents Pew Grant Leaves Time for Poetry, by Aileen E. Gallagher, in Arcade, Vol. 5, No. 20, arts supplement to Suburban Publications newspapers, July 16, 1998, p. 9 (Photos by John Welsh) Market analystpoet Ron Silliman receives Pew Trust artistic grant, unsigned (but written by Michael Globetti), TSS Access, Vol. 4, No. 3, July/August, 1998, West Chester, PA, p. 13 (internal newsletter of IBM) Language Poetry and the New Prose Poem, in The American Prose Poem: Poetic Form and the Boundaries of Genre, by Michel Delville, University Press of Florida, Gainesville, FL, 1998, pagination unknown Poetics, Polemics and the Question of Intelligibility, by Ben Friedlander, Postmodern Culture, September, 1998 Responses to (mostly) PhillyTalks 3 (Derksen/Silliman) & PostReading Discussion, PhillyTalks 6, edited by Louis Cabris, Kelly Writers House, University of Pennsylvania, Oct. 11, 1998 (entire issue), including (among other works), I Used to Be Amused. Now, Im just Disgusted, by Andrew Klobucar, untitled, by Michael Magee, PhillyTalks #3 (Notes After Reading), by Ben Friedlander, A Response to Ron Silliman and Jeff Derksen, by Peter Jaeger Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, includes E-mail Interview with Ron Silliman, by Thomas C. Marshall and Thomas A. Vogler; Nevermore than: Form, Content and Gesture in Ketjak, by Thomas C. Marshall; Education, Equality and Ethnography in The Alphabet, by Hank Lazer; Public Poetry: Ron Silliman and the Value of Writing, by Tyrus Miller; The Labor of Repetition, by Lytle Shaw; Reading Silliman Writing, by Thomas A. Vogler; The Language Poet as Autobiographer, by Marjorie Perloff, October, 1998 Tottels, entry in A Secret Location on the Lower East Side: Adventures in Writing, 19601980, written and edited by Steven Clay and Rodney Phillips in conjunction with the show by the same name at the New York Public Library (New York: NY Public Library/Granary Books, 1998), pp. 242244

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Language Poetry and the Lyric Subject: Ron Sillimans Albany, Susan Howes Buffalo, in Critical Inquiry, Vol. 25, No. 3, Spring, 1999, pp. 405434, reprinted in a revised form as Language Poetry and the Lyric Subject: Ron Sillimans Albany, Susan Howes Buffalo, by Marjorie Perloff, in Differentials: Poetry, Poetics, Pedagogy, University of Alabama Press, 2004, pp. 129154 The Secret History of the Equal Sign: L=A=N=G=U=A=G=E between Discourse and Text, Barrett Watten, Poetics Today, Vol. 20, No. 4, Winter 1999, pp. 581627 Poetry of Play, Poetry of Purpose: The Continuity of American Language Poetry, John R. Woznicki, Moria: A Poetry Journal, Vol. 2, No. 4, Spring, 2000 Paper on Legend given by Estaban Pujals at Transgressing Boundaries and Strategies of Renewal in American Poetry, May 1820, 2000, Universidad de Salamanca, Salamanca, Spain Verse vs. Verse: The Language Poets are taking over the academy but will success destroy their integrity, by Andrew Epstein, Lingua Franca, Vol. 10, No. 6, September, 2000, pp. 4554 Poets reflect through modernist mirror, by Lauren Bialystok, The Daily Pennsylvanian, October 18, 2000 Opgelet. Hier spreekt het kapitalisme, by Geert Buelens (in Dutch), in Yang, No. 191, November 2000, pp. 394395 Untitled review of , in Pouch Notes, by Dale Smith, in The Possum Pouch, April, 2001 Stninger, by Per Aage Brandt, in Nye Stninger, Legenda No. 2, 2001, Kbenhavn (Copenhagen), Denmark, pp. 129132 (in Danish) Language Poetry: Dissident Practices and the Makings of a Movement, by Eleana Kim, in Readme No. 4, May, 2001 Canadian Feminist Writing and American Poetry, by Eugenia Sojka in CLCWeb: Comparative Literature and Culture: A WWWeb Journal, Vol. 3, No. 2, 2001 A Short History of Language Poetry / According to Hecuba Whimsy, by Ben Friedlander, in Qui Parle, Vol. 12, No. 2, Spring/Summer, 2001, pp. 107142; reprinted in Friedlanders Simulcast: Four Experiments in Criticism, University of Alabama Press, 2004 Ron Silliman, by Robert Miltner, in Encyclopedia of American Poetry, edited by Eric Haralson, Fitzroy Dearborn Publishers, New York, NY, pagination unknown The Political World of the Language Poets, in Ideological Content and Political Significance of Twentieth-Century American Poetry, by John R. Woznicki, Edwin Mellen Press, Lewiston, NY, Queenston, Ontario, Canada and Lampeter, Ceredigion, Wales, UK, 2002, pp. 151214 ZSited Path: Late Zukofsky and His Tradition, by Mark Scroggins, in The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, ed. by Edward Foster and Joseph Donahue, Talisman House Publishers, Jersey City, NJ, 2002, pp. 147160 If This Were the Place to Begin: Little Magazines and the Early Language Poetry Scene, by Susan Venderborg, in The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, ed. by Edward Foster and Joseph Donahue, Talisman House Publishers, Jersey City, NJ, 2002, pp. 298320 (see especially Transforming the Image: A Modern Tottels, pp. 303304) Language Writing, by Susan M. Schultz, in The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, ed. by Edward Foster and Joseph Donahue, Talisman House Publishers, Jersey City, New Jersey, 2002, pp. 321332 A Complex Realism: Reading Spring and All as Seminal for Postmodern Poetry, by Donald Wellman, in William Carlos Williams and the Language of Poetry, ed. by Burton Hatlen and Demetres Tryphonopoulos, National Poetry Foundation, Orono, Maine, 2002, pp. 297317 The Days of Our Blogs, by Brian Kim Stefans, in The Poetry Project Newsletter, No. 192, December 2002January 2003, pp. 56

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Jezik, Poezija, Postmodernizam: Jezika Poeizija U Kontekstu Moderne / Postmoderne Amerike Poezije, by Dubravka uri (Oktoih 2002, Belgrade, Serbia) "'Isn't the avant-garde always pedagogical': Experimental Poetics and/as Pedagogy," by Alan Golding, in The Iowa Review, Vol. 36, No. 1, 2002, pp. 6470; subsequently published in Poetry and Pedagogy, eds. Joan Retallack and Juliana Spahr, Palgrave Macmillan, 2006, pp. 1329 Ron Sillimans Language Poetry, by S.F. Danckaert, Hillsdale Collegian, April 24, 2003, Hillsdale, MI El autor al poder: Internet weblogs o la muerte del editor, by Sergio Coddou, El Mercurio, 8 June, 2003, Santiago, Chile, Language Poetry and Collective Life, by Oren Izenberg, Critical Inquiry, Vol. 29, No. 4, Autumn, 2003, Chicago, IL, pp. 132159 No Other Sentence Could Have Followed But This: Ron Sillimans Tjanting, by Thomas Fink, in Titanic Operas, 2004 The (Writers) Workshop, by Kathryn Mingione, photographs by Luigi Ciuffetelli, Main Line Today, March 2004, pp. 5057 (esp. pp. 52, 5455) Simulcast: Four Experiments in Criticism, by Benjamin Friedlander, University of Alabama Press, 2004, throughout "'Isn't the avant-garde always pedagogical': Experimental Poetics and/as Pedagogy," by Alan Golding, in Poetry and Pedagogy, eds. Joan Retallack and Juliana Spahr, Palgrave Macmillan, February, 2006, pp. 1329; previously published in a shorter form in The Iowa Review, Vol. 36, No. 1, 2002, pp. 64 70 What about all this writing? Williams and Alternative Poetics, by Alan Golding in Textual Practice, Vol. 18, No. 2, 2004, pp. 265282 Line and Rhythm, by Dale Smith, in House Organ, No. 48, Fall, 2004, no pagination Untitled review of Under Albany, by Mark Tursi, in Rain Taxi Online Edition, Spring, 2005 Poetry Off the Books: The Internet is where poetry proliferates, by Craig Morgan Teicher, Publishers Weekly, April 10, 2006, pp. 2225 Publishers Covet the WellPlaced Blog, by Cheri Hanson, Vancouver Sun, Weekend Review section, September 30, 2006, p. C10 Silliman Commentaries, by Brian Kim Stefans, Before Starting Over, Salt Publishing, Cambridge, UK, 2006, pp. 214237 (includes July 02, 2003: Silliman on Lowell, pp. 214221; July 04, 2003: The Third Way, Etc., pp. 222224; July 07, 2003: Bells & Whistles, pp. 225228; July 08, 2003: More CPR for Silliman and Lowell, pp. 229233; and July 09, 2003: Further Notes from the Underground, pp. 234237) The Poetry of Questions, by Thomas Fink, Jacket 34, Balmain, Australia, 2007 N/O by Ron Silliman, review by Eric Hoffman in galatea resurrects No. 8, November 29, 2007 Untitled review of The Age of Huts (compleat) by Alan Davies, Poetry Project Newsletter, New York, NY, February/March 2008, pp. 1921 There is No Content Here, Only Dailiness: Poetry as Critique of Everyday Life in Ron Sillimans The Age of Huts, talk by Andrew Epstein given at Poetry of the 1970s conference sponsored by the National Poetry Foundation at the University of Maine, Orono, June, 2008 Ron Sillimans The Chinese Notebook and the Materialities of Communication, talk given by Scott Pound at Poetry of the 1970s conference sponsored by the National Poetry Foundation at the University of Maine, Orono, June, 2008

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HypnotistCollectors: The New Sentence in Cage and Silliman, talk given by Stan Apps at Poetry of the 1970s conference sponsored by the National Poetry Foundation at the University of Maine, Orono, June, 2008 Contestatory Writing Practices in the San Francisco Bay Area in the SeventiesNew Sentence, New NarrativeWhat Subject(s)? What Bodies? What Politics?, by Robin TremblayMcGaw, paper for Poetry of the 1970s conference sponsored by the National Poetry Foundation at the University of Maine, Orono, June, 2008 The Small Press Traffic School of Dissimulation, by Kaplan P. Harris, part of New NarrativeNew SentenceNew Left panel at Poetry of the 1970s conference sponsored by the National Poetry Foundation, University of Maine, Orono, June, 2008 Sunset Debris by Ron Silliman: Interrogation as a Form of Poetry, by Luminita Suse. LuminitaSuse.com, 2007 Untitled review of The Age of Huts (Compleat), by William Christopher Purdom. Philadelphia Public Art website, undated Considering the Long Poem: Genre Problems, by Rachel Blau DuPlessis, paper for A Conference on the Long Poem, University of Sussex, Brighton, UK, May, 2008 Untitled Review of The Alphabet, by Peter Skinner, ForeWord Magazine, Jan/Feb, 2009 Untitled Review of The Alphabet, by John Herbert Cunningham, in The Quarterly Conversation, 2009 Language Poetry? Its All Words, review of The Alphabet, by Andrew Ervin, Philadelphia Inquirer, 2008 Reading Ron Sillimans The Alphabet, review by C.A. Conrad, on his weblog PhillySound: New Poetry, November 30, 2008 The Stakes of Narrative in the Poetries of David Antin, Ron Silliman and Lyn Hejinian: New Forms, New Constraints, by Hlne Aji, in Revue Franaise dtudes Amricaines, 2005 Systematic rulegoverned violations of convention: Ron Sillimans Poetic Procedures, by William Watkin, forthcoming Sentence and Reference in Ron Silliman, by Manuel Brito, unpublished Naming the Unnameable: giving [gap] voice in the face of New [ ] sentence, by Jeroenn Nieuwland, on his weblog Transversalinflections, February, 2009 American poet will bring the A to Z of modernism to the festival, by Katie Popperwell, Manchester Evening News: CityLife, May 1, 2009, p. 18 Untitled review of The Age of Huts (Compleat), by Rob Schlegel. Boston Review, July/August, 2009 Alcheringa, The Dwelling Place and Structuralist Tendencies, by Danny Snelson, Mimeo Mimeo, No. 3, Brooklyn, NY, Autumn, 2009 As It Stands: Innovation, the Post-Avant, and Current Publishing Practices, by Amy DeAth on her blog, Amy DeAth, November, 2009 Garfield by Ron Silliman: An Analysis, by Rudy Burkhardt, at Princemyshkins.com, no date specified. Ron Silliman: The Ethnicization of the Avant-Garde, in Race and the Avant-Garde, by Timothy Yu, Stanford University Press, 2009, pp. 3872 Untitled Review of The Alphabet, by Tom Bourguignon, Pleiades Vol. 29 No. 2, 2009 Untitled review of The Alphabet, by Bill Mohr, in Or: A Literary Tabloid, Seismicity Editions, October, 2009 Poetry as Reality. Over The Alphabet, (in Dutch) by Samuel Vriezen, in Rekto:Verso 28, Nov/Dec, 2009 The Residual Work: Tjanting and the Poetics of Experience, by Andy Gricevich, in Ron Silliman Feature, Jacket 39, 2010 37

Questioning the Limits of Language: The New Sentence in Ron Sillimans Poetry and Poetics, by Manuel Brito, in Ron Silliman Feature, Jacket 39, 2010 From Practice, To Reading, by T.C. Marshall, in Ron Silliman Feature, Jacket 39, 2010 Projective Recursion: The Structure of Ron Sillimans Tjanting, by William Watkin, in Ron Silliman Feature, Jacket 39, 2010 What, by Jordan Davis, in Ron Silliman Feature, Jacket 39, 2010 Pay More Attention: Sillimans BART and Contemporary Everyday Life Projects, by Andrew Epstein, Ron Silliman Feature, Jacket 39, 2010 No Content Left, by Ian Keenan, in Ron Silliman Feature, Jacket 39, 2010 The Labor of Repetition: Sillimans Quips and the Politics of Intertextuality, by Lytle Shaw, in Ron Silliman Feature, Jacket 39, 2010 Close Readers, by Dale Smith, in Ron Silliman Feature, Jacket 39, 2010 Procedural Form in Postmodern American Poetry: Berrigan, Antin, Silliman, and Hejinian, by David W. Huntsperger. Palgrave Macmillan, March, 2010 Articulating a Poetics, by Jacob Russell, on his weblog, The Reading Experience, August 16, 2010 Untitled micro-review of The Alphabet, by Andrew Schelling in "Attention Span 2010," on Third Factory/Notes to Poetry website, September 18, 2010 Means Matter: Market Fructification of Innovative American Poetry in the Late 20th Century, by Manuel Brito, Peter Lang Publishers, Bern, Switzerland, 2010 "What's So New about the New Sentence?" by A. D. Jameson, on his weblog, Big Other, December 19, 2010 "Vanishing Points: Language Poetry Remembered," by Barry Schwabsky, in The Nation, January 31, 2011, pp. 3336 "Tangibility of the Word," by Daniel Green, in berfrois, electronic journal, August 29, 2011

DISSERTATIONS CONCERNING THE WORK OF RON SILLIMAN


Present Tenses in American Poetry, by Suzanne Marie Matson, University of Washington, 1987 For Those Who Love to be Astonished: The Prose Longpoem as Genre, by Robert Grotjohn, University of Wisconsin, 1991 Loose Talk and Literary History: Language Poetry, New Formalism and the Construction of Taste in Contemporary American Poetry, by William Francis Walsh, Miami University, 1994 Poetic Knowledge as Process: Postmodern Poetics, Ron Sillimans Language Poetry and Processional Reading, by David Benedetti, University of New Mexico, Albuquerque, New Mexico, 1995 Modern Poetic Prose: Lyricism, Narrative and the Social Implications of Generic Form, by John A. Parras, Columbia University, 1996 Ugly Beauty: Modern Experiments Crossing Poetry and Prose, by Thomas Christopher Marshall, University of California at Santa Cruz, Santa Cruz, CA, 1997 The New Sentence et Paradise de Ron Silliman, de la thorie la pratique dune criture, by Natacha Lallemand, Paris III Sorbonne Nouvelle, 1997

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Language Poetry and the New Prose Poem, in The American Prose Poem: Poetic Form and the Law of Genre, by Michel Delville, Universit de Liege, Liege, Belgium, published by the University Press of Florida, 1998 Poetics, Politics and Totalitarianism: Ezra Pound, Charles Olson and the Language Poets, by John Raymond Woznicki, Lehigh University, 1998 To Make Something Happen: Activist Impulses in Contemporary American Poetry, by Nicholas Arnold Yasinksi, Rutgers University, 1998 The Sociology of the AvantGarde: Politics and Form in Language Poetry and Asian American Poetry, Timothy Yu, Stanford University, 2005 Parataxis and Possibility: Ron Sillimans Alphabet, by Carl Boon, Ohio University at Athens, 2007 Reading on the Bus: Ron Sillimans Tjanting, by Fredrika Van Elburg, University of Aukland, New Zealand, 2008

ELECTRONIC MEDIA
Multimedia A Multimedia Companion to Anthology of Modern American Poetry (Oxford University Press, 2000), edited by Cary Nelson. The Ron Silliman section, compiled & edited by Cary Nelson, includes:

About Ron Silliman: excerpts from The Difficulties: Ron Silliman Issue interview by Tom
Beckett, and articles by Charles Bernstein and James Sherry

On Ketjak: includes reedited excerpt from The Marginalization of Poetry by Bob Perelman,
excerpt from Ron Silliman from Dictionary of Literary Biography by T.C. Marshall, excerpt from Jerry Estrins Exorcise Your Monkey article from The Difficulties Ron Silliman Issue

On Sunset Debris: excerpt from Wittgensteins Ladder by Marjorie Perloff, and excerpt from
Tom Becketts interview in The Difficulties

On The Chinese Notebook: excerpt from For Ron Silliman and The Chinese Notebook from
The Difficulties: Ron Silliman Issue by Allen (sic!) Davies, excerpt from Textual Politics and The Language Poets by George Hartley

Bibliography of books through 1996

Archived Readings & Talks Audio PENNSOUND, extensive collection of readings and talks dating from 1981 to the present Factory School Library of Recorded Sounds (NOTE: Website states Archives coming soon, as of 3/2010) Poetry Reading, San Diego, 1998 Poetry Reading with Rae Armantrout, San Diego 1998 Poetry Reading, La Jolla, 1999 39

Modernisms II: 9 contemporary poets read themselves through modernism Reading through Williams New Poetics Colloquium, Kootenay School of Writing, Vancouver, 1985 Reading from Demo, August 22, 1985 Untitled talk on postmodernism, August 23, 1985 Pog Sound Collaboration with pianist Marilyn Crispell at University of Arizona Poetry Center, Pima College West Campus, Tucson, January 30, 2010 Silliman Reading, and Introduction to Reading by Charles Alexander, at University of Arizona Poetry Center, Pima College West Campus, Tucson, January 30, 2010

Video From Tjanting, 1/1/78, 60 minutes, #307/256, Archive for Poetry, San Francisco State University From Paradise 10/6/84, 41 minutes, #598/506, Archive for Poetry, San Francisco State University Postmodernism: Sign for a Struggle, Struggle for the Sign, 5/21/85, 110 minutes, #716/576, Archive for Poetry, San Francisco State University Poetry and the Politics of Everyday Life, in The Lectures, Volume One: Ron Silliman, Bernadette Mayer, Ron Padgett, Alice Notley, Thin Air Videos, NYC, NY Reading from the Bowery Poetry Club on The Jim Behrle Show, 11/19/2005, 24 minutes (Link no longer active). Reading from The Alphabet, followed by Q&A, Birkbeck Poetics Centre, University of London, UK, May 5, 2009 Reading from Albany, part of Text Festival in Bury, England, May 2, 2009 Poetry Is: Speaking Portraits, Vol. 1, edited by George Quasha, 2009 Rachel Blau DuPlessis, on Ron Sillimans The Alphabet, Kelly Writers House, Philadelphia, PA, 2009 "On The Opening of the Field, by Robert Duncan," paper presented at "Poetry in 1960A Symposium," Kelly Writers House, University of Pennsylvania, December 6, 2010

Audio Cassettes From Tjanting, 1/1/78, 60 minutes, #307/256, Archive for Poetry, San Francisco State University From Paradise 10/6/84, 41 minutes, #598/506, Archive for Poetry, San Francisco State University Postmodernism: Sign for a Struggle, Struggle for the Sign, 5/21/85, 110 minutes, #716/576, Archive for Poetry, San Francisco State University

CDs

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From Oz, in Live at the Ear, Vol. 1, 1994, CD, compiled and edited by Charles Bernstein, Oracular Laboratory Recordings, Pittsburgh, PA 15222

Radio & Podcasts Linebreak, NPR interview by Charles Bernstein, with reading of Albany and a selection from Xing, Buffalo, NY, 1996 Live at the Writers House, reading from Oz, November 8, 1997, broadcast on WXPN, Philadelphia, PA Jane Crown Show: Joe Milford Hosts Ron Silliman, Blog Talk Radio, 1 hr., 30 min. August 16, 2008 The Strand, with Rajan Datar. BBC World Service, May 6, 2009 Cross-Cultural Poetics, interview with Leonard Schwartz, broadcast on KAOS-MM Olympia, WA, June 7, 2009 Poetry Written With an Eraser, discussion of erasure poetry & texts, Yedda Morrisons Darkness, and Janet Holmes The MS of My Kin, part of Poetry Foundations Poetry Off the Shelf audio series, 8 min., 12 sec., January 18, 2010 Iamb What Iamb, Christian Wiman and Don Share discuss Revelator, Poetry Foundation Podcast, June, 2010

Electronic Journals 5_trope No. 6, from You, XLV, XLVI, XLVII 5_trope No. 13, anthology issue, from You, XLV, XLVI, XLVII Black Ice, You, XIV, XV, XVI, XVII, XVIII Conjunctions, selection of works from the magazine, CrossConnect, Vol.1, No. 3, February, 1996, Philadelphia, PA, from Under CrossConnect, Vol. 4, No. 2, Fall, 1998, You XXIX, XXX, XXXI CrossConnect, Vol. 5, No. 2, 2000, The Silence of the Looms, from VOG CrossConnect, Vol. 5, No. 2, 2000, The Nose of Kim Darbys Double, from VOG DC Poetry, Anthology 2001, Washington, DC, It Takes a Village, from VOG Electronic Poetry Review, No. 4, 2002, Cambridge, MA, The Desert Modernism and A Forest For, (the latter published as a poem) Electronic Poetry Review, No. 5, 2003, On Brier Island and Trouble Ticket, from VOG Grist On-Line, No. 1, New York, NY, from Non, no pagination. [Note: journal discontinued] Grist On-Line, No. 6, 1995, New York, NY, from Under, no pagination. [Note: journal discontinued] Jacket, No. 2, January, 1998, Balmain, Australia, The Marginalization of Poetry by Bob Perelman. Jacket, No. 6, January, 1999, Balmain, Australia, from You, XXXVI, XXXVII, XXXVIII, XXXIX, XL Jacket, No. 16, March, 2002, Balmain, Australia, The Satellite, from VOG

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Jacket, No. 39, January, 2010, Poems from Crow Logopoeia, 2002, Melnicks Pin Masthead 2, No. 4, September 2001, Progressiveness Now muse apprentice guild, Vol. 1, No. 1, August 2002, San Diego, CA, from Ketjak2 Non, No. 2, February, 1998, From Tjanting POeP! 1, Rattapallax Press, New York, NY, Boptivity, from VOG, pp. 121128, distributed in Adobe Acrobat and other ebook formats. Poetry Daily, excerpt from Revelator, June, 2010 Poets for Living Waters, from Ketjak, June 6, 2010 Slope, No. 5, July 2000, That which is merely eternal soon rots, from VOG Realpoetik, Seattle, WA & Iowa City, IA, Sitting Up, Standing, Taking Steps, (email publication, September 25, 2002) Veer, Dallas, TX, from You, XXXII and XXXIII

Films Money, by Henry Hills (appeared as self along with John Zorn, Sally Silvers, Diane Ward, Carmen Vigil, Bruce Andrews, Susie Timmons, and Peter Hall), 1984

INTERVIEWS
Interview with Ron Silliman, conducted by Vicki Hudspith, The Poetry Project Newsletter, No. 72, February, 1980, no pagination Interview, conducted by Tom Beckett, The Difficulties: Ron Silliman Issue, Vol. 2, No. 2, 1985, pp. 34 46 An Interview with Ron Silliman, conducted by Larry McCaffery and Sinda Gregory, Alive and Writing: Interviews with American Authors of the 1980s, University of Illinois Press, Urbana, Il, 1987, pp. 240 56 Ron Silliman interviewed by Julia Blumenreich and Don Marks, Paper Air, Vol. 4, No. 2, 1989, pp. 8693 Ron Silliman interviewed by Michael Amnasan, Ottotole, No. 3, Spring, 1989, pp. 207228 The Politics of Poetry: An Interview with Ron Silliman, by Ron Tanner and Valerie Ross, Cream City Review, Vol. 13, No. 2, Fall, 1989, pp. 75105 Untitled interview by Manuel Brito in A Suite of Poetic Voices: Interviews with Contemporary American Poets, Kadle Books, Santa Brigida, Spain, 1992, pp. 145166 Untitled interview by Charles Bernstein for NPR radio series LINEbreak, Buffalo, NY, 1996 E-mail Interview with Ron Silliman, by Thomas C. Marshall and Thomas A. Vogler, in Quarry West 34: Ron Silliman and The Alphabet, edited by Thomas A. Vogler, University of California at Santa Cruz, Santa Cruz, CA, October, 1998, pp. 1044 Q&A: American Poetry, Interview with Ron Silliman, on Poetry Society of America website, 1999 Ron Silliman Interview, by Gary Sullivan, in ReadMe, No. 3, Spring, 2000

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Chicago Postmodern Poetry Interview, by Ray Bianchi, on Chicago Postmodern Poetry website, June 2004 Here Comes Everybody Interview, by Lance Phillips, on Here Comes Everybody website, August 2004 MiPoesias interview, by Shane Allison, MiPoesias: Revista Literaria, Vol. 19, No. 3 Ron Silliman Interview, by Thomas A. Vogler, The Argotist Ron Silliman Interview, by Amy King, MiPOradio, November, 2005 An Interview with Ron Silliman, by Mark Tursi, Double Room No. 6. Ten Questions: Ron Silliman, by Nic Sebastian, on his weblog, Very Like a Whale, May, 2008 12 or 20 Questions: with Ron Silliman, by Rob McLennan, rob mclennans blog, May 2, 2008 Jane Crown Show: Joe Milford Hosts Ron Silliman, Blog Talk Radio, August 16, 2008 An Interview With Ron Silliman, by David F. Hoenigman, Word Riot, 2008 Grace Notes: Grace Cavalieri Interviews Ron Silliman, by Grace Cavalieri, Oranges & Sardines, ed. Didi Menendez, 2008, pp. 3843 A Chat with Ron Silliman, by Didi Menendez, Best American Poetry, February, 2009 On Reviewing: Ron Silliman, by Sina Queyras on Lemonhound weblog, December 26, 2009 10 Questions on Poets & Technology, interview by Nic Sebastian on his Very Like a Whale weblog, June 15, 2010 "An Interview with Ron Silliman," by Stephen Ross on Wave Composition website, September 10, 2011 "Yo-Yo's with Celery," interview of Ron Silliman while watching a minor league baseball game, by Jim Behrle, Poetry Foundation website, September, 2011

INSTALLATIONS
The Addison Street Anthology, curated by Robert Hass, tile by David Goines, Addison Street & environs, Berkeley, CA (a collection of sidewalk tiles commemorating Berkeleys poets), installed 2003, from Ink POETRY HAS BEEN BURY, BURY GOOD TO ME, neon installation at Text Festival 2011, in Spring 2011, Bury, UK; permanent installation in Bury transit center, October 2011

SILLIMAN WEBSITES
Academy of American Poets. Includes audio recordings from What, Albany, & Quindecagon Deep Oakland, Includes Tottels 118 Electronic Poetry Center. Includes bibliography, Demo, Wild Form, LINEbreak radio show Facebook Goodreads Modern American Poetry Pennsound

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Pew Arts Includes materials from Pew Fellowship, You XVIII, XIX, XX, XXI, XXII, XXIII, XXIV, XXVI, XXVII, XXVIII, XXIX, XXX, XXXII Poetry Foundation Small Press Distribution Tottels Twitter Ubuweb UC San Diego Archives Sillimans Blog Wikipedia

EDUCATION
Merritt College 1965-66; 1969 Oakland, CA English Major San Francisco State University 1966-69 San Francisco, CA Creative Writing Major University of California, Berkeley 1970-71 Berkeley, CA English Major

April 6, 2012

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