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University| Graduate School of Design| Masters Thesis Reviews| May 16, 2011
+ Chris De Vries (SMArchS, MIT) + Daniel Kumnick (March II) + Iddo Ginat (MDesS) + Robert De Miguel (MAUD) + Jonathan Linkus (MAUD) + Christopher Roach (MAUD) + Jonathan Scelsa (MAUD)
The New Geographies Lab studies how architecture could impact the larger scale. Increasingly architects are being compelled to address and transform larger contexts and to give these contexts more legible and expressive form. New problems are being placed on the tables of designers (e.g.: infrastructure, urban systems, regional and rural questions). Problems that had been confined to the domains of engineering, ecology, or regional planning are now looking for articulation by design. This situation has opened up a range of technical and formal possibilities that had been out of reach for designers. The need to address these 'geographic' aspects has also encouraged designers to re-examine their tools and to develop means to link together attributes that had been understood to be either separate from each other or external to their disciplines. Yet engaging the geographic does not only mean a shift in scale. This has also come to affect the formal repertoire of architecture, even at a smaller scale, with more architects becoming interested in forms that reflect the geographic connectedness of architecture, be it to bridge between the very large and the very small (networks and frameworks) or to provide forms that embody geographic references (continuous surfaces, environmentally integrated buildings, mountains). Curiously, while research around these different attributes has intensified during the past decade, the parallel tracks of inquiry have remained disconnected. This makes the need to articulate the geographic paradigm all the more urgent. The role of synthesis that geography aspired to play between the physical, the economic, and the social is now being increasingly relegated to design. One of the main aims of the lab is to expose the workings of this latent paradigm and to articulate and guide them towards a more productive synthesis. Even though the term geographic is used primarily in a metaphorical way, designating a connection to the larger physical context, the paradigm does relate to the discipline of geography. Some clarification is necessary in this respect in order to benefit from the overlap while avoiding confusion. The history of geography is strongly linked to the history of discovery and colonization. The instruments for the discovery of territory were extended into its documentation and then, in turn, were extended into its appropriation and transformation. And yet the discipline has evolved to become more diverse and broad, to become institutionalized around geographic societies; to split into human and physical geography producing very different approaches and even subject matters; then to disintegrate (as in the case of Harvard) and migrate into other disciplines (sociology, public health, information systems); and then to be revived around central contemporary issues such as globalization. In this lab the geographic means at once the study of the relationship between the social and the physical at a larger territorial scale, a synthesis along the lines of high geography by design, and a new aesthetic posture. It may be an exaggeration to propose that something like a geographic attitude is guiding the different projects in this lab towards a coherent convergence, or that a geographic aesthetic dominates all their formal pursuits. However, the main drive to understand the implications of scalar and attitude shifts on architecture, and, vice versa, the impact of architecture on the larger scale, were strong motivations for this group to work together despite the differences in background, disciplines, sites, and approaches.
CHRIS DE VRIES
JONATHAN C. LINKUS
IDDO GINAT
CHRISTOPHER ROACH
DANIEL KUMNICK
Refiguring
Istanbul
This design thesis explores how the multi-layered and fragmented nature of the contemporary city can become a formal and perceptual problem for architecture through the lens of Istanbul, the former capital of Turkey. At a key intersection of the new and old cities of Istanbul, the collection of sites, objects, and infrastructural layers that exist in Taksim Square are brought together through a market program and a series of formal rearticulations which seek to reconnect the site and the city. Thus the idea of the sociability of infrastructure, as once represented by Istanbuls fountains and squares in the eighteenth century, as well as more broadly the relationship between the individual and the collective, is central to the thesis. The design seeks a position which avoids the tendency towards the seamless formal integration of much of contemporary architecture as well as the collage of objects given to us by postmodernism by employing strategies for bringing figures into relationships which maintain both their discrete nature while maintaining a certain continuity. Such strategies share an affinity with the attentions of abstract art, including the sharing of contours and the ambiguity between figure and ground, and are in each case concerned with highlighting an awareness of where one is in relation to somewhere elseperception as the connection between the immediate and larger contexts of architecture.
ROBERT W. DE MIGUEL
JONATHAN SCELSA
Morphing
Manhattanism
Manhattanism has run its course in the history of urbanism; the eponymous city within which it was founded is ready to breed a new paradigm. This new "Morphed Manhattanism" promotes an inter-regionalism whereas Manhattanism promoted isolationism. It subverts the center-periphery relationship established in that old order in light of a dispersed model. As Manhattanism reaches its grave so too does its verticalized architecture; new archetypes are spawned on a regional order based in infrastructural connectivity and large scale agendas. The transfiguration of the city pulls the worlds from the captivity of the grid and creates a new understanding of worldliness in architecture, bridging between continental divide while simultaneously maintaining the old interiority. The island is broken its shores have been breached.