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ARTS 105 ART APPRECIATION


August 2012 Session (12-51) Monday, August 13, 2012 Saturday, October 6, 2012 Course Description
Introduction to the place of visual art in modern society, to the vocabulary used in discussing a work of art, and to a few of the studio techniques artists use to produce two and three-dimensional works. Prerequisite: -- none Proctored Exams: -- none

Instructor Information
Alicia Pigg, MFA, Fine Art, Southern Illinois University Edwardsville arpigg@cougars.ccis.edu

Textbooks
Prebles Artforms (with MyArtsLab Access). Frank. 10th Edition, 2011. Prentice Hall, Inc. ISBN: 978-0-205-02696-8 Textbooks for the course may be ordered from MBS Direct. You can order online at http://direct.mbsbooks.com/columbia.htm (be sure to select Online Education rather than your home campus before selecting your class) by phone at 800-325-3252 For additional information about the bookstore, visit http://www.mbsbooks.com. Please note that use of an eBook carries certain risks: information may be missing due to copyright restrictions, the book cannot be resold to MBS Direct, and an eBook purchase cannot be refunded.

Course Overview
Art Appreciation is an introduction to the principles and concepts used in the study and analysis of the fine arts, in order to achieve a basic understanding of art and artistic concerns. Art Appreciation studies the major cultural achievements and significant artistic works that have shaped Western culture. The approach to this course is to study the arts in an historical context beginning with the earliest artistic expressions of ancient societies and extending to twentieth century. The student will develop an understanding and appreciation of art by understanding its purpose, terminology, various disciplines, and its history. We will discuss the basic vocabulary of art and the different mediums used. The major concentration of this course will be the visual arts.

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A variety of learning methods will be used in order for students to become familiar with art, artists, and art making. Through reading, online discussions, and various related web sites, students will receive a broad introduction to the nature of art. It is my hope that in taking this course you will develop a greater understanding of art, heighten your awareness of what we respond to in a work of art, and to develop an appreciation of why what an artist has done is important. During this session you will see many diverse works of art. Some you will like others you may not. It is not my goal to try and convince you to like any work of art, but to share some of what is known about them so that a deeper understanding may begin. Then, when you look at a work of art you like or dislike, you may say "I love it" or "I hate it, but at least I understand it."

Technology Requirements
Participation in this course will require the basic technology for all online classes at Columbia College: A computer with reliable Internet access, a web browser, Acrobat Reader, Microsoft Office or another word processor such as Open Office. You can find more details about standard technical requirements for our courses on our site.

Course Objectives
To examine art from the viewpoint of the artist, the culture and the viewer. To explore the formal characteristics of 2-dimensional and 3-dimensional art. To examine the various media that artists use to express their concepts. To develop a vocabulary of artistic terms that can be utilized when discussing works of art.

Measurable Learning Outcomes


Analyze the form of a work of art, including ability to identify and describe artistic media, visual elements and the formal design elements. Analyze the content of a work of art, including style, conceptual and philosophical concerns, cultural and artistic influences and aesthetics. Identify the visual elements of line, space, light and color. Explain and describe the methods for using space and time in visual art. Explain and describe how visual elements are organized within a composition. Identify 2-dimensional art media including printmaking, drawing, painting, photography and graphic design. Identify 3-dimensional techniques and media, including sculpture and ceramics.

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Grading
Grading Scale
GRADE A B C D F POINTS 900-1000 800-899 700-799 600-699 0-599 PERCENT 90-100 80-89 70-79 60-69 0-59

Grade Weights
ASSIGNMENT Discussion Assignment Quizzes Midterm Paper Final Paper TOTAL POINTS 220 480 100 200 1000 PERCENT 22 48 10 20 100

Schedule of Due Dates


WEEK ASSIGNMENT Introduction 1 Discussion 1 Discussion Responses Assignment Quiz 1 Discussion 2 2 Discussion Responses Assignment Quiz 2 Discussion 3 3 Discussion Responses Assignment Quiz 3 Discussion 4 4 Discussion Responses Midterm Paper Assignment Quiz 4 Discussion 5 5 Discussion Responses Assignment Quiz 5 DUE DATE Wednesday Thursday Sunday Sunday Thursday Sunday Sunday Thursday Sunday Sunday Thursday Sunday Saturday Sunday Thursday Sunday Sunday POINTS 10 25 60

25 60

25 60

25 100 60

25 60

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Discussion 6 6 Discussion Responses Assignment Quiz 6 Discussion 7 7 Discussion Responses Final Paper Assignment Quiz 7 Discussion 8 8 Discussion Responses Discussion: Final Comments Assignment Quiz 8

Thursday Sunday Sunday Thursday Sunday Saturday Sunday Thursday Saturday Saturday Saturday

25 60

25 200 60

25 10 60

Assignment Overview
Each student is responsible for: Weekly Reading assignment. Weekly Discussion. 8 Assignment Quizzes. Midterm Paper and Final Paper. Readings and Virtual Tours should be completed prior to submitting assignments for the week. Quizzes will each be worth 60 points. They will consist of multiple-choice questions relating to each weeks readings. Quizzes should be completed by Sunday midnight. The weekly Quizzes are selfgrading. Your score will be posted once you submit your quiz. The correct answers are released on Monday, after the quiz availability period has ended. Discussions: Each discussion topic is worth 25 points. Discussion topics can be found in the Discussions area of the course. Posting thoughtful, stimulating responses is encouraged. Discussions should be completed by Thursday of the assigned week. You are also required to read your classmates postings and respond to a minimum of two of your classmates comments. Peer discussion responses should be posted by Sunday of the assigned week. Responses are also graded, so give your responses thought. Your grade will be based on the level of thought you gave the topic and your responses to other students remarks. Discussion postings will be graded according to the Discussion grade criteria table below (see Grading Criteria). Discussion responses should be posted as text, not document attachments. Papers: The Midterm Paper is worth 100 points. It will consist of a one - two page written description of a work of art using terminology from Chapters 3 and 4. The Final Paper is worth 200 points. Your grade will be based on the depth of your analysis of the subject. Specific guidelines for each paper will be posted in the Content area of the course, under Course Paper Assignments. Please Note: Any work submitted to any other course will not be accepted for credit.

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Course Schedule
Part One: The Language of Visual Experience Week 1: The Nature of Art and Creativity
Readings Read Chapter 1 Tour MyArtsLab site: http://www.myartslab.com/ Log in and register for MyArtsLab. Familiarize yourself with the site. View Plagiarism Tutorial and complete Plagiarism Quiz. Click on Links in course. View websites listed. Links is located on the top right of the course home page. Introductions: Introduce yourself to the class in the "Introductions" topic in the Discussions area of the course. Topic 1: This week I would like you to respond to the question "What is Art?" After reading Chapter One and looking at other sources for a definition of art, compile a list of different definitions of art to share with the class. Include all citations. Then, in your own words, devise a definition of art that has meaning for you. What purpose do you feel the visual arts serve? Share your thoughts with the class. Peer discussion response Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT. Activities

Discussion

Assignment Quiz: 1

Week 2: Visual Communication, How An Art Work Is Built


Readings Read Chapters 2 and 3 Activities Visit websites: Artists tool Kit: this site is designed for kids, but its still useful: http://www.artsconnected.org/toolkit/explore.cfm What is Sculpture? You are the Viewer: http://stlouis.art.museum/sfysculpture/viewer.html (See how the Visual Elements and Design Principles apply to 3-Dimensional Art.) Discussion Topic 2: I would like to discuss the relationship between form, content, and subject matter this week. As we discovered last week, two sculptures of a kiss can have quite different meanings. Take a look at the sculpture by Giacometti on page 26 and Moore on page 394. Both pieces are good examples of the relationship between form, content, and subject matter. How do you feel the form of the sculptures expresses the content? What specific characteristics provide clues to the viewer as to the meaning of each piece? Select a 3rd work of art from the text and discuss how the form and content relate. Identify at least 5 visual

Columbia College Online Campus elements and/or principles of design in your analysis. Peer discussion response Assignment Quiz: 2

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Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT.

Part Two: The Media of Art Week 3: Drawing, Painting, Printmaking, Photography, Moving Images: Film and Digital Arts, Graphic Design
Readings Read Chapters 4, 5, 6, 7, 8, and 9 Activities Visit web sites: The Drawings of Leonardo: http://www.drawingsofleonardo.org/ George Eastman House (http://www.eastmanhouse.org/): http://education.eastmanhouse.org/discover/kits/ (Choose kits and view slideshow: Thumbnails. Click on each image for information.) http://licensing.eastmanhouse.org/GEH/C.aspx?VP3=HRender_VPage (Browse the collections to see various photographs and images of photography technology.) My Arts Lab: Log in, Click on Multimedia Library tab, scroll down to Videos and Podcasts. View the following: Studio Technique Video: Intaglio: Etching with Acid and Drypoint Etching Studio Technique Video: Egg Tempera Studio Technique Video: Oil Painting Studio Technique Video: Lithography Studio Technique Video: Silkscreen Video: The Printmaking Process of Woodcut View Videos: Bill Viola, The Reflecting Pool: http://videos.sapo.pt/FjheIkW3r6K2UPlNZSjD Stan Brakhage: Mothlight: http://www.dailymotion.com/video/xe94g_mothlight_shortfilms Discussion Topic 3: -Part 1 Respond to the following: What do you think the world would be like without photography? How much of what we see in a photograph is real? What do you feel are the truthful qualities of photography? Please include specific examples from your readings to support your discussion. Share some of your experiences with photography and how it has impacted your life. -Part II - View the Bill Viola and Stan Brakhage videos under this weeks Activities and

Columbia College Online Campus share your thoughts with the class. Peer discussion response Assignment Quiz: 3

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Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT.

Week 4: Sculpture, Flirting with Function, Architecture, Evaluating Art


Readings Chapters 10, 11, 12 and 13 Activities Visit websites: Faith Ringgold: http://www.faithringgold.com History of Architecture in 2:16 minutes: http://www.youtube.com/watch?v=bRpL9_-FncU (A History in 'web-pictures' mostly from 19th to the middle of 20th c.) My Arts Lab: Log in, Click on Multimedia Library tab, click on Videos and Podcasts. View: Studio Technique Video: Lost-Wax Bronze Casting Studio Technique Video: Sculpture Carving (relief) Studio Technique Video: Ceramics Video: Fallingwater In Multimedia Library click on Architectural Simulations. View chapters 10 and 12. Discussion Topic 4: How does the scale of a sculpture affect how we respond to it? Does a large sculpture seem more important than a small one? How is our experience viewing a sculpture affected by its size? Please include specific examples from your readings to support your discussion. Peer discussion response Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT. Submit your Midterm Paper to the appropriate folder in the Dropbox area of the course. Assignment: 4 Midterm

Part Three: Art as Cultural Heritage Week 5: From The Earliest Art to the Bronze Age, The Classical and Medieval West, Renaissance and Baroque Europe
Readings Read Chapters 14, 15, and 16 Activities Visit web sites: Rome: http://www.italyguides.it/us/roma/rome_italy_travel.htm

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Click on each of the five boxes: The Coliseum, Inside the gladiators, Arch of Constantine, Arch and Coliseum. Click to Play and scroll around. Read text. Lascaux, San Vitale, and Book of Kells - Links are also listed in Weekly Activities. St. Peters basilica: http://www.sacred-destinations.com/italy/rome-st-peters-basilica.htm Florence: http://www.italyguides.it/us/florence/florence_italy.htm Click on all 6 boxes, Click to Play and scroll around with your mouse. Discussion Topic 5: Idealism refers to behavior or thought that is based on a conception of things as they should be or as one would like them to be. Realism is sometimes described as "warts and all," existing in fact rather than something imagined. What are some contemporary examples that utilize idealism? Are the purposes the same as those of the Classical Greeks? Why do you think Romans developed realistic portraiture? What are some contemporary examples that utilize realism? Which do you prefer, realism or idealism? Please include specific examples from your readings to support your discussion. Peer discussion response Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT.

Assignment Quiz: 5 Final Paper: Make sure you are working on your Museum Visit Final Paper. Dont wait until Week 7 to start.

Week 6: Traditional Arts of Asia, The Islamic World, Africa, Oceania, and the Americas
Readings Read Chapters 17, 18, and 19 Activities Visit websites: View videos listed in course Content section for Week 6. View websites listed in Weekly Activities. There are several sites to visit, but just choose a few works to view from each. There are a lot of great works to see! Topic 6: In our study of art history thus far, how do you feel Non-Western art differs from art created in Western European culture? Why is it important to study non-western art? In addition to responding to the previous questions, select one of the questions below and share your findings with the class: 1-Compare and contrast Non-Western and European painting. For example, explain the attitude of traditional Chinese painters towards space, the picture surface, ambiguity and inscriptions. How does this differ from paintings done by Western European painters? Select two works of art as examples in your response. 2-Compare and contrast Non-Western and European architecture. Select a building/Cathedral from Week 5s readings and one from this week. For example, consider differences in Buddhist, Hindu, and Islamic religious art (select at least one) with that of Western European art and architecture. Use examples in your response. Peer discussion response

Discussion

Columbia College Online Campus Assignment Quiz: 6

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Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT.

Week 7: Late Eighteenth and Nineteenth Centuries, Early Twentieth Century, Between World Wars
Readings Read Chapters 20, 21 and 22 Activities Visit websites listed in Content area, along with the following: http://artchive.com/ftp_site.htm and look at images by artists Delacroix, Manet, Eakins, and the Impressionists. Also look at Matisse, Derain, Nolde, Kandinsky. Links are listed in Weekly Activities and under the Links section of the course. Degenerate Art: http://fcit.coedu.usf.edu/holocaust/arts/artDegen.htm Discussion Topic 7: Select an abstract work of art from this weeks readings. Is it necessary to know the title of the piece to fully appreciate the work, or any other non-representational work? Why or why not? Defend your position, providing examples of works from your readings and using references to the visual elements and principles of art as needed. Peer discussion response Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT. Submit Museum Visit Final Paper to the appropriate folder in the Dropbox area of the course. If you have not already done so, please Log in to eServices and go to the course evaluation to provide feedback on the course. It will be available from Monday of Week 7 through Wednesday of Week 8. Be assured that I will not see your evaluations until after grades are submitted. Please make every effort to complete the evaluation as your responses act as a guide for me to improve the course.

Assignment Quiz: 7 Final Paper Course Evaluation

Week 8: Post Modernism Movements in the West, Modern Art Beyond the West, Postmodernity and Global Art
Readings Read Chapter 23, 24 and 25 Activities Visit websites: Jackson Pollock http://www.youtube.com/watch?v=7bICqvmKL5s (Watch Jackson Pollock paint while he talks about his work.) Create your own Pollock!

Columbia College Online Campus http://www.jacksonpollock.org/ James Turrell http://www.pbs.org/art21/artists/turrell/index.html Discussion Topic 8: In the appropriate topic, respond to the following.

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-Part I - If subject matter is what is being depicted in a work of art, what is the subject of nonrepresentational works such as Blue, Orange, Red by Mark Rothko (p. 424) and Autumn Rhythm by Jackson Pollock (p.423)? What do you think the content is? How does the form help the artist express the content? Identify visual elements and principles of design in your analysis. -Part II Create your own Pollock Drip Painting and share your experience with the class. Peer discussion response Final Comments: Why do people create? We have studied a lot of art this session! As we have seen in the cave paintings of Lascaux through the art of the current day, humans have been creating art for tens of thousands of years. What have you learned about the meaning and purpose of art in the lives of all human beings? What have you learned about why people create? Give specific examples from the readings. One last question -- If you had unlimited money and wanted to collect art, what sort of art would you buy? Please complete the quiz, located in the Quizzes area of the course, before 11:59 p.m. CT. If you have not already done so, please Log in to eServices and go to the course evaluation to provide feedback on the course. It will be available from Monday of Week 7 through Wednesday of Week 8. Be assured that I will not see your evaluations until after grades are submitted. Please make every effort to complete the evaluation as your responses act as a guide for me to improve the course.

Assignment Quiz: 8 Course Evaluation

Course Policies
Student Conduct
All Columbia College students, whether enrolled in a land-based or online course, are responsible for behaving in a manner consistent with Columbia College's Code of Student Conduct and Ethics Code for Computer Users. Students violating these codes will be referred to the Campus Life Office for possible disciplinary action. The Code for Student Conduct and the Ethics Code for Computer Users can be found in the Columbia College Student Handbook. The Handbook is available online; you can also obtain a copy by calling the Campus Life Office at 573-875-7400. The teacher maintains the right to manage a positive learning environment and all students must adhere to the conventions of online etiquette.

Plagiarism
Your grade will be based in large part on the originality of your ideas and your written presentation of these ideas. Presenting the words, ideas, or expression of another in any form as your own is plagiarism. Students who fail to properly give credit for information contained in their written work (papers, journals, exams, etc.) are violating the intellectual property rights of the original author. For proper citation of the original authors, you should reference the appropriate publication manual for your degree program or course (APA, MLA, etc.). Violations are taken seriously in higher education

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and may result in a failing grade on the assignment, a grade of "F" for the course, or dismissal from the College. Collaboration conducted between students without prior permission from the instructor is considered plagiarism and will be treated as such. Spouses and roommates taking the same course should be particularly careful. All required papers may be submitted for textual similarity review to Turnitin.com for the detection of plagiarism. All submitted papers may be included in the Turnitin.com reference database for the purpose of detecting plagiarism. This service is subject to the Terms and Conditions of Use posted on the Turnitin.com site.

Non-Discrimination
There will be no discrimination on the basis of sex, race, color, national origin, sexual orientation, religion, ideology, political affiliation, veteran status, age, physical handicap, or marital status.

Disability Services
Students with documented disabilities who may need academic services for this course are required to register with the Coordinator for Disability Services at (573) 875-7626. Until the student has been cleared through the disability services office, accommodations do not have to be granted. If you are a student who has a documented disability, it is important for you to read the entire syllabus before enrolling in the course. The structure or the content of the course may make an accommodation not feasible.

Online Participation
You are expected to read the assigned texts and participate in the discussions and other course activities each week. Assignments should be posted by the due dates stated on the grading schedule in your syllabus. If an emergency arises that prevents you from participating in class, please let your instructor know as soon as possible.

Attendance Policy
Attendance for a week will be counted as having submitted a course assignment during that week of the session. A class week is defined as the period of time between Monday and Sunday (except for Week 8, when the week and the course will end on Saturday at midnight). The course and system deadlines are all based on the Central Time Zone.

Cougar E-mail
All students are provided a CougarMail account when they enroll in classes at Columbia College. You are responsible for monitoring e-mail from that account for important messages from the College and from your instructor. You may forward your Cougar e-mail account to another account; however, the College cannot be held responsible for breaches in security or service interruptions with other e-mail providers. Students should use e-mail for private messages to the instructor and other students. The class discussions are for public messages so the class members can each see what others have to say about any given topic and respond.

Late Assignment Policy


An online class requires regular participation and a commitment to your instructor and your classmates to regularly engage in the reading, discussion and writing assignments. Although most of the online communication for this course is asynchronous, you must be able to commit to the schedule of work for the class for the next eight weeks. You must keep up with the schedule of reading and writing to successfully complete the class.

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Assignments will not be accepted after one week late, and there are no make-up quizzes unless there are special circumstances. Five points per day will be deducted for late discussion posts and/or comments to classmates during the week they are due, but no credit will be awarded for posts made after the week they are due. Five points per day will be deducted for late Midterm submissions. Ten points per day will be deducted for late Final Paper assignments. No assignments are accepted after the last day of the course.

Course Evaluation
You will have an opportunity to evaluate the course near the end of the session. Course evaluations will open on Monday of the Week 7 and remain open until 5 pm Wednesday of the Week 8. You will be able to access the link from your eServices page. Be assured that the evaluations are anonymous and that your instructor will not be able to see them until after final grades are submitted.

Additional Resources
Orientation for New Students
This course is offered online, using course management software provided by Desire2Learn and Columbia College. The Student Manual provides details about taking an online course at Columbia College. You may also want to visit the course demonstration to view a sample course before this one opens.

Technical Support
If you have problems accessing the course or posting your assignments, contact your instructor, the Columbia College Helpdesk, or the D2L Helpdesk for assistance. Contact information is also available within the online course environment. CCHelpDesk@ccis.edu 800-231-2391 ex. 4357 helpdesk@desire2learn.com 877-325-7778

Grading Criteria
Discussion
23 - 25 = A Response is on time, answers given are complete and concise showing superior analysis of the topic, outstanding use of related terminology. Clear evidence of critical thinking is evident. Examples used where applicable. Comments are constructive and add to the discussion of the topic. At least two responses to classmates postings are posted. Responses are posted on time. 20 - 22 = B Response is on time, showing above average analysis of the topic, relevant use of related terminology. Response contributes to the discussion, and there are at least 2 responses to classmates. Comments contribute to the discussion. 18 - 19 = C Answer shows acceptable understanding and analysis of topic. Meets minimum requirements, more general or brief. Only 1 comment to classmates, or B level answers are late. 15 - 17 = D Response shows limited understanding of topic, or assignment is late, or on time, but incomplete. Comments to classmates are late or only 1 response to classmates is posted. Responses do not add much to the discussion, and/or does not exhibit critical thinking. 0-14 = F Response or comments are late, or posted on time & show minimal effort.

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