Professional Documents
Culture Documents
making your aperture & shutter speed work together to get a well exposed photo
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
aperture setting
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
aperture setting
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
Film Exposure ?
what contributes to
shutter speed out how long are you film speed is your how sensitive
skin? do you burn easily or tan easily?
2 2.8 4 5.6 8 11 16 22
most light
least light
1000
Think about a water faucet and a bucket. The faucet will act as the aperture and a timer for the shutter speed. The bucket is a properly exposed photograph. When you open the faucet all the way (f/2), water rushes out so you ll the bucket in a very short time (1/1000 sec). This would let in a lot of light for a short time. When you open the faucet just a little bit (f/16), water barely trickles out and takes much more time (1/15 sec) to ll the same bucket. It doesnt matter which combination you choose, the bucket is lled the same amount, just like a photo can be exposed the same amount by various aperture and shutter speed combinations while also controlling motion and depth of eld.
/16
/16
1/30
correctly exposed
/16
1/30
/8
correctly exposed
/16
1/30
/8
1/125
correctly exposed
correctly exposed
/16
1/30
/8
1/125
underexposed
underexposed
underexposed
overexposed
2 2.8 4 5.6 8 11 16 22
most light
least light
1000
2 2.8 4 5.6 8 11 16 22
most light
least light
1000
2 2.8 4 5.6 8 11 16 22
most light
least light
1000
2 2.8 4 5.6 8 11 16 22
most light
least light
2 2.8 4 5.6 8 11 16 22
most light
least light
Equivalent Exposures
/2.8 1/250
/16 1/8
/2.8 1/250
/16 1/8
These images make use of equivalent exposures - using different settings, they accomplish the same exposure - but with different creative effects!
16 @ 1/8 sec.
Equivalent Exposures
Equivalent Exposures
Equivalent Exposures
125 60
30
2.8 4 5.6 8 11 16 22
Equivalent Exposures
125 60
30
15
2.8 4 5.6 8 11 16 22
Equivalent Exposures
250 125 60
30
15
2.8 4 5.6 8 11 16 22
Equivalent Exposures
30
15
2.8 4 5.6 8 11 16 22
Equivalent Exposures
30
15
2.8 4 5.6 8 11 16 22
Equivalent Exposures
2.8 4 5.6 8 11 16 22
Equivalent Exposures
30
15
2.8 4 5.6 8 11 16 22
bracketing:
Equivalent Exposures
30
15
bracketing:
Equivalent Exposures
bracketing:
/8 & 125
/8 & 125
/8 & 125
/8 & 125
/8 & 125
LIGHT
/8 & 125
LIGHT
(thats a light meteor)
+
f/4 60 properly exposed Correct exposure when needle is in the middle
f/8 500
f/8 250
correct exposure
f/8 250
correct exposure
60
30
M
1000 500 250 125 60 30 15 8 4 2 1
M
1000 500 250 125 60 30 15 8 4 2 1
M
1000 500 250 125 60 30 15 8 4 2 1
properly exposed
M
22 16 11 8 5.6 4 2.8 1.4
M
22 16 11 8 5.6 4 2.8 1.4
M
22 16 11 8 5.6 4 2.8 1.4
Correct Exposure
Not enough light
Manual Metering
-2 1 0 1 2 +
Correct exposure when in middle
Manual Metering
-2 1 0 1 2 +
Correct exposure when in middle
Manual Metering
-2 1 0 1 2 +
Correct exposure when in middle
Manual Metering
-2 1 0 1 2 +
Correct exposure when in middle
Rule of Thirds
Rule of Thirds
M
1000 500 250 125 60 30 15 8 4 2 1
M
1000 500 250 125 60 30 15 8 4 2 1
Rule of Thirds
Your camera always measures REFLECTED light (light reflecting off a subject and into the camera lens) It cannot measure the light ON something
Your camera always measures REFLECTED light (light reflecting off a subject and into the camera lens) It cannot measure the light ON something
REMEMBER:
REMEMBER:
Point of departure - /8 & 125
REMEMBER:
Point of departure - /8 & 125 but you may have to DEPART from this!
REMEMBER:
Point of departure - /8 & 125 but you may have to DEPART from this! What do the settings CONTROL? Use this knowledge!
REMEMBER:
Point of departure - /8 & 125 but you may have to DEPART from this! What do the settings CONTROL? Use this knowledge! Once you start getting close to finishing your roll, be careful! If it is hard to advance, DONT ADVANCE IT
REMEMBER:
Point of departure - /8 & 125 but you may have to DEPART from this! What do the settings CONTROL? Use this knowledge! Once you start getting close to finishing your roll, be careful! If it is hard to advance, DONT ADVANCE IT REWIND your roll BEFORE opening the camera. Ask me for help if you need to!
Movement:
move the subject, move the camera, freeze the action
1/30
Point of View:
get low, look down, turn sideways, get underneath, crop, zoom
Focus:
blur the foreground, blur the background, have great depth of eld, shallow d. of eld
f 5.6
Portrait:
make a gure stand out in the environment, have them lost in it, zoom in on their face, take a portrait not of their face.
Light Metering
In your group load a camera with lm, focus your camera, compose a photograph. Find the correct exposure, take a photo, advance the lm, and write down your settings. You have 24 exposures so take turns photographing and posing. You may start wherever just number the photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
front
back
Light Metering
In your group load a camera with lm, focus your camera, compose a photograph. Find the correct exposure, take a photo, advance the lm, and write down your settings. You have 24 exposures so take turns photographing and posing. You may start wherever just number the photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
there are 24 shots on a roll of film: try to have 6 for each category. each person in your group should take 6-8 photos. back
front
Light Metering
In your group load a camera with lm, focus your camera, compose a photograph. Find the correct exposure, take a photo, advance the lm, and write down your settings. You have 24 exposures so take turns photographing and posing. You may start wherever just number the photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
Light Metering
In your group load a camera with lm, focus your camera, compose a photograph. Find the correct exposure, take a photo, advance the lm, and write down your settings. You have 24 exposures so take turns photographing and posing. You may start wherever just number the photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
30
16
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
1 2
30 125
16 Berk running, camera panning (Sonia) 22 Emma waving her arms (DeAndre)
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
1 2
30 125
16 Berk running, camera panning (Sonia) 22 Emma waving her arms (DeAndre)
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
125
5.6
1000
4 1000 5 125
2 16
Sonias hand, shallow depth of field (Emma) By tennis court fence, great d.o.f. (Berk)
4 1000 5 125
2 16
Sonias hand, shallow depth of field (Emma) By tennis court fence, great d.o.f. (Berk)
250
5.6
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
1 2
30 125
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
125
5.6
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
1 2
30 125
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
3 125 7 500
5.6 4
everyones feet, bugs eye view (Berk) inside the tree looking out (Sonia)
Movement: move the subject, move the camera, freeze the action, blur the action # shutter speed f/stop description of photo
1 30 2 125 8 1000
16 Berk running, panning (Sonia) 22 Emma waving her arms (DeAndre) 4 Sonia doing a cartwheel (Emma)
Point of View: get low, look down, turn sideways, get underneath, crop, zoom # shutter speed f/stop description of photo
3 125 7 500
5.6 4
everyones feet, bugs eye view (Berk) inside the tree looking out (Sonia)