Documentation on the video scopes used by Final Cut Pro X, which is intended for use with a blog posting at demonicactivity.blogspot.com/ that shows all the obscure properties that can be measured in video files—a fact that may not be known to most readers, but is essential to know in order to follow the concepts behind developing a demon detector with your cellphone, as explained in the post.
Documentation on the video scopes used by Final Cut Pro X, which is intended for use with a blog posting at demonicactivity.blogspot.com/ that shows all the obscure properties that can be measured in video files—a fact that may not be known to most readers, but is essential to know in order to follow the concepts behind developing a demon detector with your cellphone, as explained in the post.
Documentation on the video scopes used by Final Cut Pro X, which is intended for use with a blog posting at demonicactivity.blogspot.com/ that shows all the obscure properties that can be measured in video files—a fact that may not be known to most readers, but is essential to know in order to follow the concepts behind developing a demon detector with your cellphone, as explained in the post.
The video scopes appear in the Viewer, to the left of the video image. Only one scope appears at a time. Open a scope 1 Do one of the following: Choose Window > Show Video Scopes (or press Command-7). Choose Show Video Scopes from the Viewer Options pop-up menu. Choose the scope you want to use from the Settings pop-up menu. Viewer Options pop-up menu You can use the same commands to close the video scope. 2 Choose the scope to display from the top section of the Settings pop-up menu. 3 After you have chosen a scope, choose the display options from the bottom section of the Settings pop-up menu. Waveform Monitor display options lhe waveform Vonitor shows the relative levels of luma and chroma in the clip currently being examined. These values are displayed from left to right, mirroring the relative distribution of luma and chroma levels from left to right in the image. Spikes and dips in the displayed waveforms correspond to light and dark areas in your picture. The waveforms are also tinted to match the color of items in the video. Chapter 13 Color correction 338 lhe Settings pop-up menu in the upper-right corner of the waveform Vonitor provides a variety of display options: kC8 |otoJe. Presents three side-by-side waveform displays that display your video as three separate red, green, and blue components. The waveforms are tinted red, green, and blue so that you can easily identify them. The RGB Parade view is useful for comparing the relative levels of red, green, and blue between two clips. lf one clip has more blue than another, the waveform Vonitor displays an elevated blue waveform for the clip with more blue and a depressed blue waveform for the other clip. kC8 Ovet|oy. Combines waveforms for the red, green, and blue color components in one display. Red: Shows only the red color channel. Green: Shows only the green color channel. 8|ue. Shows only the blue color channel. Luma: Shows only the luma component of the video. Chapter 13 Color correction 339 cltomo. Shows only the chroma component of the video, and is tinted to match the videos colors. 'cbct |otoJe. Presents three side-by-side waveform displays for the separate luma, Cb (the blue color di1erence channel), and Cr (the red color di1erence channel) components. lhe waveforms are tinted white (for luma), magenta (for Cb), and yellow (for Cr) so that you can easily identify the waveform for each component. IRE: Displays the video range in IRE units. /||||vo|ts. Displays the video range in millivolts. Guides: lurns the waveform Vonitor's grid and numeric values on or o1. /ooocltome. Dims and desaturates the scope display to prevent visual distractions and color perception issues in your color-6nishing suite. 8t|qltoess. Sets the relative lightness or darkness of the scope display. Chapter 13 Color correction 340 Vectorscope display options The Vectorscope shows the distribution of color in your image on a circular scale. The color in your video is represented by a series of connected points that fall somewhere within this scale. The angle around the scale represents the hue displayed, with targets indicating the primary colors of red, green, and blue and the secondary colors of yellow, cyan, and magenta. The distance from the center of the scale to the outer ring represents the saturation of the color being displayed. The center of the scale represents zero saturation, and the outer ring represents maximum saturation. The Vectorscope shows you, at a glance, the hue and intensity of the various colors in your image. Once you learn to identify the colors in your clips using the Vectorscope, you can more easily see where two images di1er and correct them so that they match as closely as possible. The Settings pop-up menu in the upper-right corner of the Vectorscope provides a variety of display options: 100/. Sets the reference chroma level for the color bar targets (the squares representing each color in a standard color bar test signal) at 100 percent saturated chroma. Use this when your source media uses 100 percent color bars as its reference. 133/. Sets the reference chroma level for the color bar targets at 75 percent saturated chroma. Use this when your source media uses 75 percent color bars as its reference. Vector: Uses a normal chroma hue reference, with red near the top. /ot|3. Uses a 90-degree rotated chroma hue reference, with red on the right side. 5low/||Je 5||o !ooe |oJ|cotot. Shows or hides the diagonal line that represents the human skin tone chroma phase, which is between the yellow and red color bar targets. /ooocltome. Dims and desaturates the scope display to prevent visual distractions and color perception issues in your color-6nishing suite. 8t|qltoess. Sets the relative lightness or darkness of the scope display. Chapter 13 Color correction 341 Histogram display options lhe listogram provides a statistical analysis of the image by calculating the total number of pixels of each color or luma level and creating a graph that shows the number of pixels at each percentage of luma or color. Each increment of the scale from left to right represents a percentage of luma or color, and the height of each segment of the listogram graph shows the number of pixels that correspond to that percentage. lhe Settings pop-up menu in the upper-right corner of the listogram provides a variety of display options: Luma: Shows only the luma component of the video. The height of the graph at each step on the scale represents the number of pixels in the image at that percentage of luma, relative to all the other values. lor example, if an image has few highlights, the listogram shows a large cluster of values in the midtones. Using the luma listogram view, you can quickly compare the luma of two shots so that you can adjust their shadows, midtones, and highlights to match more closely. The shape of the graph also helps you determine the amount of contrast in an image. A low-contrast image has a concentrated clump of values nearer to the center of the graph. By comparison, a high-contrast image has a wider distribution of values across the entire width of the graph. kC8 Ovet|oy. Combines waveforms for the red, green, and blue color components in one display. If the image being examined has equal levels of two or more colors, you see the combined color: Equal levels of green and blue appear as cyan. Equal levels of green and red appear as yellow. Equal levels of red and blue appear as magenta. Chapter 13 Color correction 342 Equal levels of red, green, and blue appear as gray. kC8 |otoJe. Presents three graphs that display your video as separate red, green, and blue components. The waveforms are tinted red, green, and blue so that you can easily identify them. You can use the RGB Parade view to compare the relative distribution of each color channel across the tonal range of the image. For example, images with a red color cast have either a signi6cantly stronger red graph or weaker green and blue graphs. Red: Shows only the red color channel. Green: Shows only the green color channel. 8|ue. Shows only the blue color channel. 8t|qltoess. Sets the relative lightness or darkness of the scope display.