Republic of the Philippines BOHOL ISLAND STATE UNIVERSITY Main Campus CPG North Avenue, Tagbilaran City

Vision: A premier S&T university for the formation of a world class and virtuous human resource for sustainable development in Bohol and the country. Mission: Committed to provide quality and innovative education in strategic sectors for the development of Bohol and the world.

COLLEGE OF ENGINEERING, ARCHITECTURE & INDUSTRIAL DESIGN

First Semester- AY 2010-2011

Subject Code Nomenclature Units Credit Prerequisite Subject

: Humanities 1 : Introduction to Arts Appreciation :3 : None

I. Course Description This course on the appreciation of art is based upon looking at artworks for arts sake to broaden and enlighten the cultural background of the student. It introduces the creative expressions in their various forms and functions which includes a critical evaluation of selected works of painting, sculpture, and architecture. The categories of these artistic expressions are analyzed. Whether these be in the fine and the folk arts, or as space, temporal, and the combined arts, or as specialist and communal art, these creations and their process, appreciation, and function fosters a deeper understanding and appreciation of Man vis--vis his milieu. II. Course Objectives: At the end of the course, the student should be able to: Cognitive: 1. To understand and value the intuitive and affective areas of human experiences in relation to the arts; 2. To broaden the understanding of the movement of life and thought as these are revealed in the various art images and expressions of a community or society. Psychomotor: 1. To expose to the various art mediums and techniques and arts expressive elements; 2. To disclose the personal, cultural and social meanings and significance of the works of art; 3. To develop skills and confidence in articulating their perceptions and reactions to a work of art; 4. To provide opportunity in a group process to create a work in any genre. Affective: 1. To appreciate the distinctiveness and universality of human values and experiences; and compare these with those of other cultures; 2. To appreciate the richness of Philippine art and the countrys artistic heritage while understanding the Filipino point of view in these creative resources. III. Methodologies/Strategies/Techniques Lecture Brainstorming Inductive Method Group Activity Class Reporting Research Paper Deductive Method Demonstration Group Discussion Interactive Discussion Exercises Method Critical Reading

IV. Course Content CONTENT/TOPICS I. Introduction to Humanities 1. Setting Class Expectations 2. How Art Will Be Studied (Conceptual Paradigm) a. Historic (diachronic) b. Structural (synchronic or aesthetic-critical judgment approach) II. Defining the Humanities: Situating in the 21st Century 1. Meaning and importance of art amidst globalization 2. Art vis--vis Science: The Chicken and Egg Story 3. Humanity and Culture
III. The Creative Process: Man the measure of all things 1. Man, Society, and Nature: The Basic Assumptions of Art 2. Creating Expressions: An overview of the Arts (nature and theories) 3. Classifications: genre creating

TIMEFRAME (hrs) 3 3

Remarks

3 3

3 3

IV. The Different Classification Art Genre 1. Visual vs. Auditory 2. Space vs. Time vs. Space-Time 3. Representational/Objective vs. Presentational/Nonobjective 4. Specialist (Fine) vs. Folk/Mass/Traditional 5. Western vs. Non-Western 6. Mimetic Vs. Affective vs. Expressive V. Synchronic Study 1. Subject 2. Function 3. Medium, Elements and Technique a. The artist and his medium b. The artist and his technique 4. Style VI. Aesthetics and Judgment 1. Critical Judgment Approach 2. Formal qualities, Mediums, Elements 3. Organizing in space and time 4. Principles of Design (harmony, unity, balance, proportion, rhythm, emphasis, subordination) 5. Expressive content VII. The Major Art Genre 1. Visual (Painting, sculpture, architecture, photography, graphic arts, computer image processing, animation, animatronics) 2. Temporal (Music, Literature, Poetry, digital music) 3. Performance (Theater, Dance, Film, video, performance art) 4. Mixed media (performance art, installations) VIII. The Diachronic Study 1. Art Frame: Man, Art and Society 2. Creative Expressions vis--vis Temperaments vis--vis Styles vis--vis Milieu 3. Western Art History: General Survey (from hunting primitive slave society the age of the information highway) 4. Pre-history (ancient river civilizations) 5.Classical (Greco-Roman) 6.Medieval (Early Christian, Byzantine, Romanesque, Gothic) 7. Renaissance, Mannerist, Baroque, Rococo, Neoclassical, Romantic, Realistism

2 2

2 3

3 3 1

8. Modern eclecticism, Post-Modern IX. Philippine Art History 1. Defining Specialist vs. Traditional 2. Evolution and Revolution 3. Pre-colonial, Spanish colonial, seditious art, American colonial, Post 1946, Contemporary, Post Modern and other explorations 4. Form, function and value

1 Total (54 hrs)

V. Course Requirements A. Regular Attendance 1) All students are required to regularly and promptly attend all class sessions. 2) Midterm: Written Report, Research Paper, 3) Final term: Portfolio VI. Grading System Class participation, quizzes, activities, recitation, attendance 33.33% Major Exams 33.33% Projects 33.33% VII. Integration A. Suggested Topics 1. Basic Intellectual Competencies 2. Perspectives B. Suggested Activities 1. Class Debate VIII. References Dudley, Louise and Austin Faricy (1995). The Humanities. 5th ed. New York: Mcgraw-Hill. Ortiz, Ma. Aurora, et. al. (1996). Art: Perception and Appreciation. Manila: University of the East, 1976. Van de Bogart, Doris. (1990). Introduction to the Humanities. Massachusetts: Barnes and Noble, 1970. Internet Sources Humanities Mindanao State University - Iligan Institute of Technology. Article online. < www.msuiit.edu.ph/ipag/studies/humanities > 13 July 2011. Arts Appreciation Texarkana College. Article online. < http://old.texarkanacollege.edu/> 11 January 2012. Introduction to Arts Lee College. Article Online. <http://www.lee.edu> 29 June 2011.

Designed by: MENELITO P. MANSUETO Instructor

Checked by: ZINA D. SAYSON, Ph.D. Dean, CEA