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MOVEMENT~ ~ood movement 15 ~h~ rj unrlMtion of H.U penmarn~hil skll]. Y~JU rnusl, pn~clil' · lh~· 8~lJ\-C eN~reises until. the action of. the arm ~s H~h =-lnd under f e rfeet eon raL Th ' A\HDV ' movement ~.x' -rcises con k.iU~n the 'kl'\I' '-Ia'" lln'~ unrl ~r shades m hndr~nst' lJ1le princ'Lpics of ~H shaded strokes. A thorough mu-sh ry u1 lln~ above prinC'ipl,rs will b • a J!Q~ rl (()UC1l1aLiu.m fur till sha led capitals. If yon nave ma!itef~d lite Ino", "men ex@~"C:i~]i in the business lnll'lrlwri Linjl" the shaded ~'f"ork will lH~: much leit.~~er· te alR'!ompil +IJ. In nnlk~ng th~ Bbi'}\Te rnovement exercises. Y(')!UT first ten~1erley will l~e to make thlP"rol slowly. and resultingly h['a\~· and ltfeless. You must overeom this Hl nn~e. Th- shades require tbe same free action as the Hght lines in hlUilness W~" ling. 1i'hpy are made wi tb fit tiv~hF yet ule1.ih~tate mevernent, ,'Ij hold ~PJlngr nressure of Ute p~n, ;in. ~ a !,[ulck. release. wlthout S;tol)pi:ng 0'· ~'''e[!kini the nw~l1tl]l'l. Apl"~lr Uu! ftl\1n!l~t~on rrineiples ali outtincd above, which ts thC' onl~' way lhat al1ynh llR:5 ever HUjlifl'~~i a l'ii'~h ~h~~r~c ,Ii skin in p~nU1RllS;~1~P-

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