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poem.

Meaning the students had to pick a famous


contemporary poet and model a poem after our
favorite. The poems turned out great. It taught us all
a lot of the basic do’s and don’ts of poetry.
Everyday I am impressed with the work that
is presented. Western has a decent name in writing
competitions. We also have a magazine that publish-
es student’s work called Zephyrus, as well as campus
writing competitions.
To show off some great work from my own
writing class I’ve pulled the class favorites of the
modeling poems. The directions we were given
on these poems were very mild. We simply had to
Professor Mary Miller of Western Kentucky University model something off the professional. That could
have been the form, the rhyme, the rhythm, even
the subject matter could be mimicked. The style was
the most widely used model. Whether it was the
Sharing one’s writing with complete strangers droll sarcasm of Billy Collins, the diva terseness of
is a nerve-racking task. However, in Ms. Miller’s cre- Lucielle Clifton, or the tight reporting of E.E. Cum-
ative writing class at Western Kentucky University, mings, the style was mocked.
it has become completely natural. The class gathers Writing classes are a very interesting experi-
into a big circle, just like preschool, before class even ence. Not only do they drastically improve your
starts, and they pass out their work to every student. writing, they also introduce you to an entirely new
Then Ms. Miller casually demands that her students world.A class throws you into the rough of being a
impress her. One by one poems and short stories are writer: Deadlines, writing for an audience, critiques,
read aloud, and their deepest emotions are poured and praise.
out into the circle. They are always graciously accept- Here are some examples of what a basic intro to
ed and lovingly critiqued. creative writing class can produce here at Western.
Our class’s first assignment was a modeling

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