Ubax Cristina Ali Farah

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7").2&$"*:$"*$;)",'"*$80).2&<$9.2$,'=2:$'*$>0?":'(.@$7&08$345A$)0$3443B$
/.2*$(.2$/"($70&C2:$)0$D22$/').$).2$0@)!&2"E$07 $C'=',$/"&<$9.2$80=2:$
70&$"$72/$F2"&($)0$GHC(B$'*$I@*?"&FB$"*:$*2#)$)0$12&0*"<$-&08$3445$(.2$
remained in Rome, where she teaches Somalian Language and literature
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She writes for The Black Blog of !"#$%&'()*( and collaborates with
&+'$,-(.*!+()$. She has published short stories and poetry in the journals
/#!0*%1,"!-$+'*2%3#(4$,+*%4$)%5662%7("*+$2%8("(,(+(!+)*+$2%9)%:;*<)*2%=(>>?, and
in several anthologies, among which 1*%@!+A+*%4$)%0$,B!C%7!$B*(%4$))(%-*",(.*!+$%
*+%*'()*(+! (On the Boundaries of Verse. Migrant Poetry in Italian, edited
!F$>'"$L2C08)2B$-,0&2*C2B$L2$L2))2&2$MNNAO<$;*$MNN5$(.2$P@!,'(.2:$).2$
novel D(4,$%E*@@!)($QL')),2$80).2&B$>',"*B$-&"(('*2,,'$MNN5<$G&28'0$1'))0&'*'$
MNNRO<$9.2$'($"$828!2&$07 $).2$S;*)2&*")'0*$%08P"*F$07 $T082*$G02)(U$
Q%08P"?*'"$:2,,2$P02)2V$///<C08P"?*'":2,,2P02)2<C08W
&+%D!"(4*B;#%&%(''$+4$4%';$%&'()*(+%B@;!!)%(+4%*'B%$+0*,!+-$+'C%1)-!B'%())%!> %#B%
F$,$%&'()*(+G8!-()*(+%B'#4$+'B%(+4%#B$4%-(*+)H%&'()*(+%'!%@!--#+*@('$2%()';!#";%F$%
())%BE!I$%8!-()*(+%'!%0(,*!#B%4$",$$BC%J;$%@!+'$K'%F(B%,(';$,%)*-*'$4%(+4%';$%BE!I$+%
)(+"#("$%)$K*@())H%E!!,2%!>'$+%,*@;%F*';%+$!)!"*B-B%(+4%@!+B',#@'*!+B%,$-*+*B@$+'%!> %';$%
!';$,%)(+"#("$C%&%,$())H%)!0$4%'!%,$(42%&%4$0!#,$4%())%';$%<!!IB%F,*''$+%*+%&'()*(+%';('%
&%F(B%(<)$%'!%A+4%*+%';$%E!!,)H%B'!@I$4%)*<,(,*$BC%
&%$KE$,*$+@$4%(%B$+B('*!+%!> %$B',(+"$-$+'%'!F(,4%';$%F!,)4%(,!#+4%';$%B@;!!)2%
F;*@;%@!+'*+#$4%F;$+%&%-$'%8!-()*(+%>,*$+4B%(+4%,$)('*0$B%'!%F;!B$%",!#E%&%',*$4%-H%
<$B'%'!%<$)!+"C%&%)*B'$+$4%'!%B'!,*$B%(+4%B!+"%*+%';$%4$BE$,('$%(''$-E'%'!%<$@!-$%>(-*)*(,%
F*';%';$-C%L*';%';$%F(,%(+4%';$%B#44$+%4$E(,'#,$2%&%;(0$%',*$4%'!%)!!I%('%';$%H$(,B%
!> %-H%@;*)4;!!4%(+4%(4!)$B@$+@$%*+%(%4*>>$,$+'%E$,BE$@'*0$2%(+4%E$,;(EB%&%;(0$%*4$()*.$4%
';$%$+0*,!+-$+'%*+%F;*@;%&%",$F%#E%*+%!,4$,%'!%!0$,@!-$%';$%;(,4B;*EB%(+4%4*>A@#)'*$B%
@,$('$4%<H%-H%*+B$,'*!+C%&'%B$$-$4%';('%+!%E)(@$%F(B%,$())H%-*+$C%
L,*'*+"%(+4%#B*+"%&'()*(+%*+%';$%F(H%*+%F;*@;%&%;(4%*+'$,*!,*.$4%*'2%*+%';$%(''$-E'%
'!%,$@!+@*)$%(%)(+"#("$%&%;(4%!+)H%,$(4%F*';%';$%B!#+4B%(+4%B',#@'#,$B%!> %8!-()*(+2%F(B%
B!-$;!F%(%F(H%'!%,$*+0$+'%(%F!,)4%'!%F;*@;%&%A+())H%>$)'%&%<$)!+"$42%'!%'(I$%<(@I%$0$,H';*+"%
';('%@!#)4%+!'%@!$K*B'%*+%,$()*'H.
Translated by Gil Fagiani

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