Professional Documents
Culture Documents
periods of weather. In particular, building berms, which are large mounds of earth
that rest against the exterior, can protect low-lying buildings against the extremes
of temperature.
PABLO S. ANTONIO
Born at the turn of the century, National Artist in Architecture Pablo S. Antoniopioneered modern Philippine
architecture. His basic design is grounded on simplicity, no clutter. The lines are clean and smooth, and
where there are curves, these are made integral to the structure. Pablo Jr. points out, "For our father, every
line must have a meaning, a purpose. For him, function comes first before elegance or form". The other
thing that characterizes an Antonio structure is the maximum use of natural light and cross ventilation.
Antonio believes that buildings "should be planned with austerity in mind and its stability forever as the aim
of true architecture, that buildings must be progressive, simple in design but dignified, true to a purpose
without resorting to an applied set of aesthetics and should eternally recreate truth".
Leandro V. Locsin
Architecture (1990)
Leandro V. Locsin, architect, has reshaped the urban landscape with a distinctive architecture reflective of
Philippine Art and Culture. He believes that the true Philippine Architecture is "the product of two great
streams of culture, the oriental and the occidental... to produce a new object of profound harmony." It is this
synthesis that underlies all his works, with his achievements in concrete reflecting his mastery of space and
scale. Every Locsin Building is an original, and identifiable as a Locsin with themes of floating volume, the
duality of light and heavy, buoyant and massive running in his major works. From 1955 to 1994, Locsin has
produced 75 residences and 88 buildings, including 11 churches and chapels, 23 public buildings, 48
commercial buildings, six major hotels, and an airport terminal building.
The PICC was also the home of the office of the Vice President of the Philippines until 2005. It also
previously housed the Philippine Charity Sweepstakes Office.
Cultural Center of the Philippines
The Cultural Center of the Philippines (Filipino: Sentrong Pangkultura ng Pilipinas, or CCP) is a government
owned and controlled corporation established to preserve, develop and promote arts and culture in the
Philippines.[1][2] The CCP was established through Executive Order No. 30 s. 1966 by President Ferdinand
Marcos. Although an independent corporation of the Philippine government, it receives an annual subsidy
and is placed under the National Commission for Culture and the Arts for purposes of policy coordination.[1]
[3] The CCP is headed by an 11-member Board of Trustees, currently headed by Chairperson Emily Abrera.
Its current president is Raul Sunico.
The CCP provides performance and exhibition venues for various local and international productions at its
eponymous 62-hectare (150-acre) complex located in the Cities of Pasay and Manila. Its artistic programs
include the production of performances, festivals, exhibitions, cultural research, outreach, preservation, and
publication of materials on Philippine art and culture. It holds its headquarters at the Tanghalang Pambansa
(English: National Theatre), a structure designed by National Artist for Architecture, Leandro V. Locsin.
Locsin would later design many of the other buildings in the CCP Complex.[4]
Juan F. Nakpil
Architecture (1973)
Juan F. Nakpil, architect, teacher and civic leader, is a pioneer and innovator in Philippine architecture. In
essence, Nakpil's greatest contribution is his belief that there is such a thing as Philippine Architecture,
espousing architecture reflective of Philippine traditions and culture. It is also largely due to his zealous
representation and efforts that private Filipino architects and engineers, by law, are now able to participate
in the design and execution of government projects. He has integrated strength, function, and beauty in the
buildings that are the country's heritage today. He designed the 1937 International Eucharistic Congress
altar and rebuilt and enlarged the Quiapo Church in 1930 adding a dome and a second belfry to the original
design.
Meralco Building
The Meralco Building , a.k.a. Lopez Building, is located at Ortigas Avenue in the City ofPasig, Metro Manila. It
is a fourteen-storey building designed by Architect Jose Maria Zaragoza and built by Engr. Eduardo A.
Santiago. The building houses the offices of major electric enterprise of the Lopez Clan, the Manila Electric
Company or Meralco. Located at the basement of the building is the Meralco Theater, that has a 1000 sitting
capacity. During the June 16, 1990 earthquake that registered 7.7 on the Richter scale that hit Metro Manila,
the building did not suffer any damage.
Architecture
In the building, the architect used the the 1960 architectural medium of brise-soleil. A series of vertical concrete
elements were bordered by monolithic concrete towers. There was the phalanx of twenty-nine curved vertical
members which were installed as a concave curtain between solid rectangular masses. The sun baffles which
functions as a screen to the sunlight and deflect the torrential rain also creates brightness in the architecture of
the building. The two towers were designed like two people supporting each other with a bridge that connects
elevators in the service core of the structure, as their hands.