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Today’s Tabbloid
PERSONAL NEWS FOR riorio2@rogue-games.net
ROGUE FEED That’s how Glorantha strikes me at the moment. It may well be a
caricature of the truth or merely an artifact of the products Chaosium
Amusing was able to publish back in the day, but that’s how things seem
APR 29, 2010 02:50P.M. nonetheless.
Today, I discovered that the French idiom for “it’s raining cats and dogs” I certainly don’t object to it and, honestly, I find it a nice change of pace
is « il pleut des hallebardes, » which literally means “it’s raining from D&D, which, despite the intentions of at least Gary Gygax, became
halberds.” annoyingly less humanocentric as the years wore on. Speaking as an
admirer of pulp fantasy stories, these old Gloranthan products strike me
Somewhere, Gary Gygax is smiling. as often more in line with their sensibilities than does Dungeons &
Dragons. Whereas non-humans in Glorantha are clearly alien “others,”
elves, dwarves, and halflings in D&D are (generally) just “guys at the
office.” They may look a little different and have special abilities you
ROGUE FEED don’t, but, fundamentally, they’re no different than you or I — little
wonder, then, that so few D&D players ever batted an eye about choosing
Gloranthan Humanocentrism? to be an elf over a human, especially once the game’s already-weak
APR 29, 2010 10:23A.M. disincentives for doing so were eliminated.
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Today’s Tabbloid PERSONAL NEWS FOR riorio2@rogue-games.net 30 April 2010
ROGUE FEED fidelity to its source material. How the heck is this even possible?
Lovecraftian Serendipity Anyway, enjoy the trailer to The Whisperer in Darkness and imagine a
APR 29, 2010 08:34A.M. world in which a Robert E. Howard Historical Society produced an
adaptation of, well, any Howard story that was even half as faithful to its
origins as this fan-made film looks like it’ll be.
Had Miguel Martins’s post at The Cimmerian only been about the latest
trailer to the upcoming black and white film adaptation of HPL’s The
Whisperer in Darkness (by the H.P. Lovecraft Historical Society), I’d
probably not have given it much thought. After all, the new trailer was
just released, so it makes sense that aficionados of pulp authors would all
take notice and start chattering about it. That’s what we do.
What’s odd is that, just two days ago, I re-watched my copy of the
Historical Society’s earlier film, the silent movie version of The Call of
Cthulhu, inspired in part by the comments to my post on August Derleth
and optimism in the face of the Mythos. I’d watched the movie a couple
of times when I first bought it shortly after its release and was impressed
by it, but I hadn’t seen it since. In doing so, I found myself not only
deeply impressed by it as a film in its own right but also by how it is quite
likely the best (the only?) direct cinematic adaptation of a story written
by H.P. Lovecraft, which is a real feather in the cap for the Historical
Society as well as yet another black mark against Hollywood.
This in turn got me to thinking not just about the paucity of faithful
Lovecraft adaptations but about the even shabbier way that Robert E.
Howard has been treated in film. Like Martins, I can’t help but be
amazed, in a dark sort of way, at the fact that, to date, no one has
managed to produce a film based on a Howard story as faithful as what
the H.P. Lovecraft Historical Society did with The Call of Cthulhu. All the
more amazing is that, in the same year when a new Conan movie is
currently being filmed in Bulgaria, the Historical Society is scheduled to
release yet another adaptation of Lovecraft, which, if the trailer is any
indication, will beat the tar out of Hollywood’s Conan when it comes to