Professional Documents
Culture Documents
of English Literature
Language: English
BY JOHN W. COUSIN
LONDON: PUBLISHED
INTRODUCTION
Wherever practicable (and this includes all but a very few articles),
various authorities have been collated, and pains have been taken to
secure accuracy; but where so large a collection of facts and dates is
involved, it would be too sanguine to expect that success has invariably
been attained.
J.W.C.
January, 1910.
The following list gives some of the best known works of Biography:--
The best edition of the books is that in Bohn's British Classics (6 vols.,
1856); others are Tickell's (4 vols., 1721); Baskerville edit. (4 vols.,
1761); Hurd's (6 vols., 1811); Greene's (1856); Dent's Spectator (1907).
There are lives by A.T. Russell (1863), and R.L. Ottley (1894);
Devotions were edited by Rev. Dr. Whyte (1900).
ANSTEY, CHRISTOPHER (1724-1805).--Poet, s. of Dr. A., a wealthy
clergyman, rector of Brinkley, Cambridgeshire, was ed. at Eton and
Cambridge. He pub. in 1766 a satirical poem of considerable sparkle,
The New Bath Guide, from which Smollett is said to have drawn
largely in his Humphrey Clinker. He made many other excursions into
literature which are hardly remembered, and ended his days as a
country squire at the age of eighty.
The standard edition of B.'s works is that of Spedding, Ellis, and Heath
(14 vols. 1857-74), including Life and Letters by Spedding. See also
Macaulay's Essays; Dean Church in Men of Letters Series; Dr. Abbott's
Life (1885), etc. For philosophy Fowler's Novum Organum (1878).
The Bruce, edited by C. Innes for Spalding Club (1856), and for Early
Engl. Text Soc. by W.W. Skeat, 1870-77; and for Scott. Text Soc.
(1894); The Wallace and The Bruce re-studied, J.T.T. Brown, 1900; G.
Neilson in Chambers' Cyc. Eng. Lit. (1903).
The latest ed. is that of Mr. Bullen (11 vols., 1904), and A.R. Waller (7
vols., pub. C.U.P., 1909); Dyce (11 vols., 1843-46); _Francis
Beaumont, G.C. Macaulay (1883); Lyric Poems_ of B. and F., E. Rhys
(1897); Bibliography, A.C. Potter in _Harvard Bibliograph.
Contributions_, 1891.
The best ed. of B. is Prof. A.C. Fraser's, with Life (4 vols., 1871, and
new, 1902); there is also a small work by the same (1881).
BERNERS, BERNES, or BARNES, JULIANA (b. 1388?).--Writer on
heraldry and sports. Nothing of her real history is known, but
statements more or less mythical have gathered round her name. The
work attributed to her is _The Boke of St. Albans (1486). It consists of
four treatises on Hawking_, Hunting, The Lynage of Coote Armiris,
and The Blasynge of Armis. She was said to be the dau. of Sir James B.,
and to have been Prioress of Sopwell Nunnery, Herts.
Other works among novels are My Little Girl, With Harp and Crown,
This Son of Vulcan, The Monks of Thelema, By Celia's Arbour, and The
Chaplain of the Fleet, all with Rice; and The Ivory Gate, _Beyond the
Dreams of Avarice, The Master Craftsman, The Fourth Generation_,
etc., alone. London under the Stuarts, London under the Tudors are
historical.
B. was a man of brilliant and versatile talents, but selfish, insincere, and
intriguing, defects of character which led to his political ruin. His
writings, once so much admired, reflect his character in their glittering
artificiality, and his pretensions to the reputation of a philosopher have
long been exploded; the chief of them are Reflections upon Exile,
Letters on the Study of History (in which he attacked Christianity),
Letters on the Spirit of Patriotism, and Idea of a Patriot King. He left
his MSS. to David Mallet (q.v.), who pub. a complete ed. of his works
in 5 vols. (1753-54).
Other works are Coombe Ellen and St. Michael's Mount (1798), _The
Battle of the Nile (1799), The Sorrows of Switzerland (1801), St. John
in Patmos_ (1833), etc.
There are numerous Lives, the most complete being that by Dr. John
Brown of Bedford (1885 new 1888): others are Southey's (1830), on
which Macaulay's Essay is based, Offor (1862), Froude (1880). On
_The Pilgrim's Progress, The People of the Pilgrimage_, by J. Kerr
Bain, D.D.
There are Lives by Prior (1824 and 1854); J. Morley (1867), and
various ed. of his works have appeared. Select Works by Payne (3 vols.
1874-78).
His principal works have been repeatedly printed. Clarendon Press ed.
of My Own Times by Routh (1823 and 1833).
The books about Burns, his life and writings, are innumerable. Among
the Lives are those by Currie (1800); Allan Cunningham (1834); J.G.
Lockhart (1828), on which is based Carlyle's memorable Essay (which
see). Among the famous ed. of the Poems may be mentioned the first
(Kilmarnock 1786), Edin. (1787), and the Centenary (1896), by W.E.
Henley and T.F. Henderson.
The best ed. is that of Rev. A.R. Shilleto, with introduction by A.H.
Bullen (3 vols. 1893).
Ed. of B.'s works have been issued by Bell (3 vols., 1813), and Johnson
(2 vols., 1893).
BUTLER, SAMUEL (1825-1902).--Miscellaneous writer, ed. at
Shrewsbury and Camb., wrote two satirical books, Erewhon (nowhere)
(1872), and Erewhon Revisited (1901). He translated the Iliad and
Odyssey in prose, and mooted the theory that the latter was written by a
woman. Other works were The Fair Haven, Life and Habit, _The Way
of all Flesh_ (a novel) (1903), etc., and some sonnets. He also wrote on
the Sonnets of Shakespeare.
Life and Letters, Beattie (1840); Poems, Aldine ed. (1875, new, 1890).
C. exercised a very powerful influence upon the thought of his age, not
only by his own writings and personality, but through the many men of
distinction both in literature and active life whom he imbued with his
doctrines; and perhaps no better proof of this exists than the fact that
much that was new and original when first propounded by him has
passed into the texture of the national ideas. His style is perhaps the
most remarkable and individual in our literature, intensely strong, vivid,
and picturesque, but utterly unconventional, and often whimsical or
explosive. He had in a high degree the poetic and imaginative faculty,
and also irresistible humour, pungent sarcasm, insight, tenderness, and
fierce indignation.
All the works of C. shed light on his personality, but Sartor Resartus
especially may be regarded as autobiographical. Froude's _Thomas
Carlyle ... First 40 Years of his Life (1882), Thomas Carlyle ... His Life
in London, by the same (1884), Letters and Memories of Jane Welsh
Carlyle_ (1883), various Lives and Reminiscences by Prof. Masson and
Nichol, etc.
SUMMARY.--B. 1795, ed. Edin., studies for Church but gives it up,
tries law, then tutor, takes to literature and writes for encyclopædias
and magazines, and translates, m. 1826 Jane Welsh, settles in Edin.,
writes essays in Edinburgh Review, goes to Craigenputtock 1828,
writes Sartor and corresponds with Goethe, Sartor appears in _Fraser's
Magazine 1833-4, settles in London 1834, pub. French Revolution_
1837, lectures, pub. Heroes, and Chartism and Sartor as a book 1839,
Past and Present 1843, Oliver Cromwell 1845, _Latter Day Pamphlets
1850, writes Frederick the Great_ 1851-65, Lord Rector of Edin. Univ.
1865, Mrs. C. d. 1865, writes Reminiscences 1866 (pub. 1881), d. 1881.
Among other plays are The Nonjuror (1717), Woman's Wit, _She
Would and She Would Not, The Provoked Husband_ (1728) (with
Vanbrugh).
The standard ed. of C.'s works is Southey's, with memoir (15 vols.
1834-37). Others are the Aldine (1865), the Globe (1870). There are
Lives by Hayley (2 vols., 1805), Goldwin Smith (Men of Letters Series),
and T. Wright.
Life prefixed to ed. of works by his son (1834), Ainger (Men of Letters,
1903). Works (Ward, 3 vols., 1906-7).
Life and Letters, by his son, F. Darwin, 3 vols., 1887; _C. Darwin and
the Theory of Natural Selection_. E.B. Poulton, 1896; various short
Lives by Grant Allen and others.
George Eliot will probably always retain a high place among writers of
fiction. Her great power lies in the minute painting of character, chiefly
among the lower middle classes, shopkeepers, tradesmen, and country
folk of the Midlands, into whose thoughts and feelings she had an
insight almost like divination, and of whose modes of expression she
was complete mistress. Her general view of life is pessimistic, relieved
by a power of seizing the humorous elements in human stupidity and
ill-doing. There is also, however, much seriousness in her treatment of
the phases of life upon which she touches, and few writers have
brought out with greater power the hardening and degrading effects of
continuance in evil courses, or the inevitable and irretrievable
consequences of a wrong act. Her descriptions of rural scenes have a
singular charm.
Both brothers, but especially Giles, had a genuine poetic gift, but alike
in the allegorical treatment of their subjects and the metre they adopted,
they followed a style which was passing away, and thus missed
popularity. They were cousins of John F., the dramatist.
The place of G. among historians is in the first rank, and if the vast
scale of his work and the enormous mass of detail involved in it are
considered along with the learning and research employed in
accumulating the material, and the breadth of view, lucidity of
arrangement, and sense of proportion which have fused them into a
distinct and splendid picture, his claims to the first place cannot be
lightly dismissed. His style, though not pure, being tinged with
Gallicisms, is one of the most noble in our literature, rich, harmonious,
and stately; and though sources of information not accessible to him
have added to our knowledge, and have shown some of his conclusions
to be mistaken, his historical accuracy has been comparatively little
shaken, and his work is sure of permanence. As a man G. seems to have
been somewhat calm and cool in his feelings, though capable of steady
and affectionate friendships, such as those with Deyverdun and the
Sheffields, which were warmly reciprocated, and he appears to have
been liked in society, where his brilliant conversational powers made
him shine. He was vain, and affected the manners of the fine gentleman,
which his unattractive countenance and awkward figure, and latterly his
extreme corpulence, rendered somewhat ridiculous. He left an
interesting Autobiography.
Decline and Fall (Sir W. Smith, 8 vols., 1854-55), another (J.B. Bury,
7 vols., 1896-1900). Autobiography (Lord Sheffield, 1796), often
reprinted.
There are many ed. of G.'s works by Prior, 1837, Cunningham, 1854,
Prof. Masson (Globe), 1869, Gibb (Bohn's Standard Library), 1885.
Biographies by Prior, 1837, Foster, 1848-71, Washington Irving, and
others. See also Boswell's Johnson, and Thackeray's English
Humorists.
Plays ed. by Dyce (2 vols., 1831, new ed., 1861). His works are
included in Grosart's "Huth Library."
There are several ed. of the Works, e.g. Little Classics, 25 vols.;
Riverside, 15 vols.; Standard Library, 15 vols.; the two last have
biographies. Lives by his son Julian, H. James (English Men of Letters,
1850), M.D. Conway (Great Writers, 1890), etc.
Life by his s. and dau. Ed. of Works by same (7 vols. 1862). Selections,
with Biography, by Ainger, 1897.
The mind of H. was one of the most original and operative of his age.
His philosophy was largely a questioning of the views of previous
metaphysicians, and he occupied towards mind, considered as a
self-subsisting entity, a position analogous to that assumed by Berkeley
towards matter similarly considered. He profoundly influenced
European thought, and by indirectly calling into being the philosophy
of Kant on the one hand, and that of the Scottish School on the other,
created a new era of thought. As a historian he showed the same
originality. He introduced a new and higher method of writing history
than had previously been practised. Until his time chronicles and
contemporary memoirs had, generally speaking, been all that had been
produced; and though his great work cannot, from its frequent
inaccuracies and the fact that it is not based upon original documents,
claim the character of an authority, its clear, graceful, and spirited
narrative style, and its reflection of the individuality of the writer,
constitute it a classic, and it must always retain a place among the
masterpieces of historical literature. In character H. was kindly, candid,
and good-humoured, and he was beloved as a man even by many who
held his views in what was little short of abhorrence.
Life by Hill Burton (2 vols., 1846), shorter ones by Huxley, Knight, and
Calderwood. Works ed. by Green and Grose (4 vols., 1874). History
often reprinted with Smollett's continuations.
SUMMARY.--B. 1709, ed. Oxf., usher and hack writer, starts academy
at Ediol, goes to London 1737, reports parliamentary debates, pub.
London 1738, Life of Savage 1744, began Dictionary 1747, pub. Vanity
of Human Wishes and Irene 1749, conducts Rambler 1750-52, pub.
Dictionary 1755, Idler appears 1758-60, pub. Rasselas 1759, receives
pension 1762, became acquainted with Boswell 1763, pub. ed. of
Shakespeare 1765, and Lives of Poets 1779-81, d. 1784.
Among the ed. of J.'s works may be mentioned those of Gifford (9 vols.,
1816), re-issued (1875), selected plays Mermaid Series (3 vols.,
1893-5), Morley (1884), and Symonds (1886). Lives and studies by
Symonds (English Worthies), and Swinburne (1890).
Life, Letters, etc., by R.M. Milnes (1848), Poems and Letters (Forman,
5 vols., 1900). Keats (Men of Letters Series, Colvin, 1887), etc. Poems
(1817), Endymion (1818), Lamia and Other Poems (1820).
Lives by M'Crie (1812), and Prof. Hume Brown (1895). Works ed. by D.
Laing.
The place of L. as an essayist and critic is the very highest. His only
rival in the former department is Addison, but in depth and tenderness
of feeling, and richness of fancy L. is the superior. In the realms of
criticism there can be no comparison between the two. L. is here at
once profound and subtle, and his work led as much as any other
influence to the revival of interest in and appreciation of our older
poetry. His own writings, which are self-revealing in a quite unusual
and always charming way, and the recollections of his friends, have
made the personality of Lamb more familiar to us than any other in our
literature, except that of Johnson. His weaknesses, his oddities, his
charm, his humour, his stutter, are all as familiar to his readers as if
they had known him, and the tragedy and noble self-sacrifice of his life
add a feeling of reverence for a character we already love.
Lives by Lord King (1829), and Bourne (1876). Works ed. by Prof. A.C.
Fraser (1894). See also T.H. Green's Introduction to Hume (1874).
Life by his nephew, Sir G.O. Trevelyan. See also J.C. Monson's Life
(English Men of Letters).
Life and Works by Cooke, 1726, reprinted 1772; Thomson, 1726; Dove,
1832; and specially Grosart (4 vols., 1872-74).
SUMMARY.--B. 1608, ed. at St. Paul's School and Camb., and while at
the latter wrote earlier poems including The Nativity and Sonnets, lived
for 6 years at Horton and wrote L'Allegro, Il Penseroso, Arcades,
Comus, and Lycidas, travelled in France and Italy 1638, settled in
London, entered on his political and controversial labours, and wrote
inter alia on Reform of Discipline 1641, Divorce 1643-45, Education
1644, Areopagitica 1644, and the two Defences 1650 and 1654,
appointed Latin Sec. 1649, this period closed by Restoration 1660,
Paradise Lost written 1658-64, pub. 1667, Paradise Regained and
Samson Agonistes 1671, d. 1674, m. first 1643 Mary Powell, second
1652 Katharine Woodcock, third 1663 Eliz. Minshull, who survived till
1727.
P. is one of the greatest modern masters of style, and one of the subtlest
and most penetrating of critics. Though not a philosopher in the
technical sense, he deeply pondered the subjects with which philosophy
sets itself to deal; but art was the dominating influence in his
intellectual life, and it was said of him that "he was a philosopher who
had gone to Italy by mistake instead of to Germany." He may also be
called the prophet of the modern æsthetic school. His attitude to
Christianity, though deeply sceptical, was not unsympathetic. As a boy
he came under the influence of Keble, and at one time thought of taking
orders, but his gradual change of view led him to relinquish the idea.
Among his works may be mentioned an article on Coleridge, and others
on Winckelmann, Leonardo da Vinci, Michelangelo, Botticelli, etc.,
which were coll. and pub. as Studies in the History of the Renaissance
(1873); Appreciations (1889) contained his great essays on _Æsthetic
Poetry and Style_, various Shakespearian studies and papers on Lamb
and Sir T. Browne; Imaginary Portraits, and Greek Studies (1894);
_Plato and Platonism (1893). His masterpiece, however, is Marius the
Epicurean_ (1885), a philosophical romance of the time of Marcus
Aurelius. The style of P. is characterised by a subdued richness, and
complicated, but perfect structure of sentences. In character he was
gentle, refined, and retiring, with a remarkable suavity of manner and
dislike of controversy.
His position as a poet has been the subject of much contention among
critics, and on the whole is lower than that assigned him by his
contemporaries and immediate successors. Of the higher poetic
qualities, imagination, sympathy, insight, and pathos, he had no great
share; but for the work which in his original writings, as distinguished
from translations, he set himself to do, his equipment was supreme, and
the medium which he used--the heroic couplet--he brought to the
highest technical perfection of which it is capable. He wrote for his
own age, and in temper and intellectual and spiritual outlook, such as it
was, he exactly reflected and interpreted it. In the forging of condensed,
pointed, and sparkling maxims of life and criticism he has no equal,
and in painting a portrait Dryden alone is his rival; while in the _Rape
of the Lock_ he has produced the best mock-heroic poem in existence.
Almost no author except Shakespeare is so often quoted. His extreme
vanity and sensitiveness to criticism made him often vindictive, unjust,
and venomous. They led him also into frequent quarrels, and lost him
many friends, including Lady M. Wortley Montagu, and along with a
strong tendency to finesse and stratagem, of which the circumstances
attending the publication of his literary correspondence is the chief
instance, make his character on the whole an unamiable one. On the
other hand, he was often generous; he retained the friendship of such
men as Swift and Arbuthnot, and he was a most dutiful and affectionate
son.
SUMMARY.--B. 1688, ed. at various Romanist schools, introduced to
Wycherley 1704, pub. Pastorals 1709, Essay on Criticism 1711, _Rape
of the Lock 1714, Windsor Forest and Temple of Fame_ 1713,
translation of Iliad 1715-20, Odyssey 1725-26, coll. Works 1717, buys
villa at Twickenham 1718, pub. ed. of Shakespeare 1725, Miscellanies
1727-28, Dunciad 1728 (fourth book 1742), Epistles 1731-35, Essay on
Man 1733, Imitations of Horace 1733-39, d. 1744.
The best ed. of the Works is that of Elwin and Courthope, with Life by
Courthope (10 vols., 1871-89).
The most recent Lives are by Stebbing (1892), and Hume (1898).
Works (1829), with Lives by Oldys and Birch.
Works ed. by Sir W. Hamilton and H.L. Mansel. Sketch by Prof. A.C.
Fraser (1898).
For his Life see his own works, especially Præterita. _Life and Works
by Collingwood (2 vols., 1893). Bibliography_, T.J. Wise (1889-93).
Shorter works by Mrs. Meynell, J.A. Hobson, F. Harrison, etc.
Other plays are Epsom Wells (1673), The Virtuoso (1676), _Lancashire
Witches (1681), The Volunteers_ (1693), etc.
Immense research has been spent upon the writings of S., with the
result of substantial agreement as to the order of their production and
the sources from which their subjects were drawn; for S. rarely troubled
himself with the construction of a story, but adopting one already
existing reared upon it as a foundation one of those marvellous
superstructures which make him the greatest painter and interpreter of
human character the world has ever seen. His period of literary
production extends from about 1588 to 1613, and falls naturally into
four divisions, which Prof. Dowden has named, "In the Workshop"
ending in 1596; "In the World" 1596-1601; "Out of the Depths"
1601-1608; and "On the Heights" 1608-1613. Of the 37 plays usually
attributed to him, 16 only were pub. during his lifetime, so that the
exact order in which they were produced cannot always be determined
with certainty. Recent authorities are agreed to the extent that while
they do not invariably place the individual plays in the same order, they
are almost entirely at one as to which belong to the four periods
respectively. The following list shows in a condensed form the order
according to Mr. Sidney Lee (Dictionary of National Biography) with
the most probable dates and the original sources on which the plays are
founded.
The best ed. of the Works is that of Buxton Forman (4 vols.). There are
ed. of the Poems by W.M. Rossetti (1894), Dowden (1891), etc. Lives
by Medwin (1847), J.A. Symonds (1887), W.M. Rossetti, Prof.
Dowden, T. Jefferson Hogg, and others.
Other plays are The Ball (1632), The Maid's Revenge (1626), _The
Grateful Servant (1629), Bird in a Cage (1633), The Example_ (1634).
The Constant Maid (c. 1640), Doubtful Heir, or Rosania (1640), Court
Secret (1653), Contention of Ajax and Ulysses (1659), etc.
There have been very numerous ed. of the works, among which may be
mentioned the Globe (1899), and Dr. Grosart's (10 vols., 1882-84).
There is an excellent biography by Dean Church (1879).
Lives by Austin Dobson (1886) and G.A. Aitken (1889). Ed., Plays by
Aitken (1893), Essays (selected) Clarendon Press (1885), Tatler,
Aitken (1898), Spectator, H. Morley (1868), Gregory Smith (1897-8),
Aitken (1898).
S. was tall and powerfully made. His eyes, blue and flashing under
excitement, were the most remarkable part of his appearance.
There are numerous good ed. of the poems, including his own by
Moxon (1836, 1845, and 1850), and those by Knight (1882-86), Morley
(1888), Dowden (1893), Smith (1908). Another by Knight in 16 vols.
includes the prose writings and the Journal by Dorothy (1896-97).
Lives by Christopher Wordsworth (1857), Myers (1880), and others.
See also criticism by W. Raleign (1903).
BURY, JOHN B., LL.D., etc. (1861).--Historian. History _of the Later
Roman Empire from Arcadius to Irene (1889), History of Greece to
Death of Alexander the Great (1900), Life of St. Patrick_ (1905); has
ed. Pindar's Nemean Odes and Isthmian Odes, Gibbon's Decline and
Fall, and part of E.A. Freeman's works.
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