Professional Documents
Culture Documents
on commons
and culture
Krytyka Polityczna
European Cultural
Foundation
Table ofContents
11
Introduction
14
19
32
38
44
48
54
60
63
76
80
Table ofContents
86
102
108
118
124
132
137
147
153
160
164
172
197
208
Table ofContents
218
230
240
245
252
258
264
270
272
276
279
295
305
Introduction
by the Editors
12
Thefreedom tomake
and remake our cities
and ourselves is one
ofthemost precious
yet most neglected
ofour human rights.
David Harvey, TheRight totheCity
Culture asaction
On alocal, neighbourhood
level, culture has become
alanguage for describing
reality, for making thehistorical past familiar, for exploring ones surroundings.
Arthas entered public space
not merely asdecoration but
ascommentary, inspiring
dialogue and reflection on
therole ofthat space (asin
thecase ofJoanna Rajkowskas
Oxygenator), or asaform
ofwarfare (best represented
inJulita Wjciks Rainbow, repeatedly burned by homophobic and nationalist hooligans
and renovated by volunteers).
Agnieszka
Winiewska
isamember of
Krytyka Polityczna
(krytykapolityczna.
pl), one ofthe
hubs in the
European Cultural Foundations
Networked ProgrammeCon
nected Action for
theCommons.
15
Culture asinclusion
Themost thrilling phenomena in culture in recent years have taken place
in thekey sphere where culture is no
longer made for an audience but is
instead more often perceived asdoing
something with theaudience asparticipants. This is where thepractice
ofcultural activists meets that ofsocial activists. It suddenly occurs that
both groups seek areas and modes that
welcome collaboration. They create
spaces where working together is more
important than thesuccess ofan individual. Theline between activities that
are clearly artistic and those that are
clearly social is fading away.
What about instances ofcultural
actions, new models ofoperating cultural institutions, where theviewer is
an active participant, not merely aconsumer ofafinished work? Have we
got any? ania Nowa Theatre, atthe
Nowa Huta post-industrial district of
Cracow, invites people toparatheatrical
meetings that deal with important social issues. Praska Biblioteka Ssiedzka
16
(Praga Neighbourhood
Library) in Warsaw is aplace
where thelocals come not
only todiscuss books, but also
tomeet and socialise.
Theemployees ofTeatro
Valle1 in Rome, wanting
toprevent theprivatisation
oftheir facility, started tooccupyit. They subsequently
opened thespace tothepublic,
turning it into asquat, initiating artistic and social activity
founded onnew principles
ofcollaboration between
thetheatre people and spectators. Thetheatre has ceased
tobe aplace that you frequent
all dressed up, accessible only
tothechosen few. It has become acommon space.
Culture ascommons
This kind oftheatre not
only for theeliteswas
fought for, onmore than one
occasion, by activists from
Kalisz in central Poland who
fought against theabsurd
pricing policy oftheKalisz
Theatre Meetings (KTM).
After thedirector ofthe local theatre said, in 2013,
that one can sacrifice ones
1 TheTeatro Valle
is atheatre built
in 1727 by theart
patron Marquise
Camillo Capranica
inside his spectacular Renaissance palace in
thehistoric centre
ofRome. Theoccupation, which
started in June
2011, was meant
toprevent themunicipality from privatising thetheatre.
InAugust 2014,
theoccupants left
theValle peacefully following
arelocation order
by themunicipality.
Over thecourse
ofthese three
years, theValle became alegally recognised commons
(Fondazione Teatro
Valle Beni Comune)
experimenting
with collective and
grassroots forms
ofcultural production, urban governance and civic activism, and sparking
anew wave ofcommoning across
Italy and Europe.
17
18
A
Rough Guide totheCommons:
W
ho Likes It and Who Doesnt
by Charlie Tims
Charlie Tims
is currently working
asaresearcher
with theDoc Next
Network (www.
docnextnetwork.
org) and is an associate ofthethink
tank Demos.
20
Investor-State Dispute
Settlements
Investor-State Dispute
Settlements (ISDSs) are mechanisms that indemnify aprivate corporation investing
across borders against future
losses, which can be recouped
attheInternational Centre
for Settlement ofInvestment
Disputes in Washington.
It is currently reviewing
501 cases. Originally these
agreements were designed
toencourage corporations
tomake long-term investments in new countries. But
according toarecent article in
TheEconomist,1 multinationals
have exploited woolly definitions ofexpropriation toclaim
compensation for changes
ingovernment policy that
happen tohave harmed
theirbusiness.
Campaigners and activists have come tosee ISDSs
asaway ofcementing corporate, private interests over
democratic will. TheSwedish
energy giant Vattenfall is
currently suing theGerman
government for $6 billion
because, after theFukushima
disaster in 2011, theGerman
government decided toshut
down its nuclear energy
industry; theCanadian government is being sued by
apharmaceutical company for
increasing drug prices; Egypt
has been successfully sued
bywaste disposal and maintenance constructor Veolia for
introducing aminimum wage;
and Argentina was successfully sued for more than abillion
1 TheArbitration
Game, TheEco
nomist, 11 October
2014. http://www.
economist.com/
news/finance-andeconomics/
21623756-governments-are-souringtreaties-protectforeign-investorsarbitration
21
22
Illiberalism
An openly illiberal authoritarianism that claims thesun has
2 See http://www.
ekumenopolis.
net/#/tr_TR
23
3 Alexander Christie-
Miller, Erdogans
grand construction projects are
tearing Istanbul
apart, Newsweek,
31 July 2014. http://
www.newsweek.
com/2014/08/08/
erdogans-grandconstructionprojects-aretearing-istanbulapart-262102.html
24
Gold mines
Thesimplest ofall commons is theair
that we breathe. It may not be possible
toenclose or privatise air, but it is possible tothreaten it.
Poor regulation ofheavy industry
and mining has left Romania with
alegacy ofsome ofEuropes most polluted towns and villages, for example.
Intheyear 2000, millions ofgallons
ofpoisonous metals and cyanide
poured out ofaholding pond into
theDanube and Tuzla rivers, killing
200 tons offish and spreading atoxic
tide across three countries. InCopsa
Micaatown dominated by smelting
works for several generations96%
ofchildren aged from 2 to14 have
chronic bronchitis and respiratory
problems.
Despite widespread poverty and
unemployment, new mining projects
in Romania are hugely controversial.
For thelast 15 years aCanadian-owned
company Gabriel Resources has
been trying toopen Europes largest
open cast mine in Rosia Montana
anarea ofWestern Transylvania in
Election fail
Democracy is themother ofall
commons. Democratic values and the
principle ofself-government may be
very much alive, but it is impossible
toavoid thefact that its procedural
momentselectionsare not.
Only five countries in theEU27
managed aturnout ofmore than 50%
in the2014 elections totheEuropean
Parliament, which saw thelowest
Monoculture
Perhaps thebiggest threat
tothecommons comes not
25
4 Flora S. Michaels,
Monoculture:
How One Story
Is Changing
Everything (Red
Clover, 2011).
26
For thecommons!
Across Europe there are hundreds
oforganisations, networks and individuals that are passionate about these
issues and campaign for thecommons.
What distinguishes these groups from
other civil society groups is that they
are arguing for and trying tocreate
27
28
representatives, is decided
online by theparty rank-andfile. Inpractice, what MrGrillo
and MrCasaleggio say goes,
and neither was chosen
byanyone. 5
Further afield theNet
Party in Buenos Aires recently contested municipal
elections onthepledge that
they would pass all their
voting decisions back directly
totheir members. Although
Argentina is far from Europe,
theNet Partys Democracy OS
operating system for liquid
democracy is proving popular
with social groups in Europe.
Ontheir Wikispace, they provide alist of20 affiliated parties from across theworld.
5 Beppe Grillo,
Falling Star,
TheEconomist,
9December 2014.
http://www.economist.com/news/
europe/21635792beppe-grillo-sayshe-tired-and-hismovement-tiredhis-autocraticleadershipfalling-star
29
Srecko Horavat,
TheNew Balkan
Revolts: from
Protests toplenums and beyond,
opendemocracy.
net, 12March 2014.
https://www.
opendemocra
cy.net/author/
igor-%C5%A0tiks
Reclaiming housing
Europe has agrowing housing movement that seeks todefend tenants
from landlords, campaigns tostop
people being priced out oftheir
homes and argues for housing atan
affordable price. Housing is acommons issue because people in precar
ious accommodation are restricted
from having aplace in thecommons.
Few in it would argue for all housing
everywhere tobe placed in common
ownership, but themovement is committed tostopping housing becoming
atradeable commodityensuring
that it can be accessed by all people
without fear ofbeing exploited.
Wemay not all want tolive in an intentional community, but that doesnt
mean that ahouse should be treated
asan exclusively private commodity.
30
31
Friendship is aCommons
(excerpt)
by Dougald Hine
an alternative totreating
theworld asif it is made
upofresources. InSilence
is aCommons,1 Ivan Illich
says that he wants tomake
thedistinction between
thecommons within which
peoples subsistence activities
are embedded, and resources
that serve for theeconomic
production ofthose commodities onwhich modern survival
depends. Instead ofthecommons being apool ofresources
and aparticular approach
tomanaging them, Illich defines thecommons astheopposite oftheresource.
He talks about thehistory
ofthecommons in Europe,
thecommons that were
enclosed: aspart oftheentry into modern industrial
capitalist society, theland
was taken away from people.
Hetalks about how these
commons were governed
Dougald Hine
isasocial thinker,
writer and former
BBC journalist. He
has been responsible for starting
aseries ofinnovative organisations,
including theweb
startup School
ofEverything,
theSpacemakers
urban regene
ration bureau and
TheDark Mountain
Project. He will act
asoverall facilitator
during theEuropean Cultural Foundations Idea Camp
2015Build
theCity.
33
Seeing Like
aState: How
Certain Schemes
toImprove the
Human Condi
tion Have Failed
(Yale University
Press, 1999).
34
3 Garret Hardin,
TheTragedy
oftheCommons,
originally published
in thejournal
Science, 1968.
See http://www.
mcleveland.org/
Class_reading/
Hardin_Tragedy_of_
the_Commons.pdf
35
We live in aheavily
enclosed world. Thecommons were taken away from
us. InEngland, it started in
thefifteenth century and
was more or less over by
thenineteenth century.
Lawswere passed that overwrote theunwritten laws
that had endured and evolved
for centuries, that granted
new, simple and total forms
ofownership tothefew, and
disenfranchised therest.
Like theindustrial revolution
that followed it, this process
spread from England, inone
form or another, tomost
corners oftheworld and it
continues today. Attheheight
oftheEnglish enclosures,
itwas known asimprovement; today it is more likely
tobe known asdevelopment.
Theresult is that what was
once seen asmisery is now
taken for granted. In1330,
arich merchant in Florence
died and left his wealth tobe
distributed amongst thedestitute, thepeople who had
fallen through thebottom
ofsociety. Thepeople towhom
the money was doled out were
drawn from five categories:
thewidows, theorphans,
4 James C. Scott,
op.cit.
36
than worth thedeal. Iam not wanting tomake theargument one way or
another, only tobe clear that this was
thenature ofthetrade-off, and that
itwas frequently made against thewill
oftheerstwhile commoner.
Yet therisk ofsuch stories is that
they erect agolden age, tobe mourned
or scorned, but irrelevant tothefallen
condition in which we find ourselves.
Inplace ofthis, Iwould rather we
remind ourselves that, even within
this heavily enclosed world, the
Silke
Helfrich
Gustavo
Soto
Gustavo, Buen Vivir (or Vivir Bien) is an expression that has made its way into theconstitutions ofEcuador and Bolivia, and has become an expression that would summarise an
alternative project for civilisation. Portuguese
sociologist Boaventura da Souza even took
uptheslogan, China or Sumaj Kuasay,1
which is not self-explanatory. Canyou
helpexplain it?
Suma Qamaa, Sumaj Kuasay and Sumak Kwasay
are Aymara and Quechua expressions that
translate into Spanish asBuen Vivir/Vivir Bien.
They are reused in theconstruction ofadiscourse that speaks ofahorizon ofpurposes alternative tothecurrent state ofaffairs, one that
is neither 21st century socialism 2 norAndeanAmazonian capitalism. 3 Ithink Buen Vivir
is aproposal aimed atmaking visible and expressible aspects ofreality that are ignored by
thedominant paradigm. It is aproposal from
aradical and spiritual perspective ofecology,
and is logically incompatible with development
and industrialisation. It speaks ofthepossibility ofliving in common, for which thevery
concept development 4 is not only insufficient
butmistaken.
Silke Helfrich
isawriter, activist
and thinker. She cofounded theCommons Strategies
Group with David
Bollier and Michel
Bauwens.
Gustavo Soto
Santiesteban
is awriter, semiotician and consultant
onindigenous
rights atvarious
universities in
Bolivia.
Gustavo
Soto
39
1 Boaventura da
Souza Santos, Di
versidades y cam
bios civilizatorios:
la utopa del siglo
XXI? (Belem: FEDAEPS, FSM, 2009).
2 Editors note: 21st
Linera, Interview
with Miguel Lora,
www.bolpress.
com, 10 May 2009.
4 See Vinod Rainas
Gustavo
Soto
5 See http://
lareciprocidad.
blogspot.com
40
Silke
Helfrich
Silke
Helfrich
41
Silke Helfrich
(eds.), TheWealth
oftheCommons:
AWorld Beyond
Market and
State (Levellers
Press, 2012).
7 Massimo De Ange-
lis, TheBeginning
ofHistory. Value
Struggles and Glo
bal Capital (London: Pluto, 2007).
42
This (re)surgence ofsocial theories and horizons that engage in dialogue with thealternative initiatives and quests
ofthefirst world is very interesting for Latin America.
Duringthe20thcentury, for example, thediscourse, organisational forms, strategies, and vision ofprogress or change
ifyou want tocall it thatdrew onthelessons ofEuropean
social and political processes. Now, onthis Amerindian side,
they drink from thecommunitarian fountains oftheAmericas,
which, we always forget, also inspired thefirst European utopians. Yet,asyou say, it is not just aquestion ofdiscourses but
ofpractices, which, for different reasons, have withstood centuries, andwhich are thecondition that makes it possible tobuild
another truly inclusive social order, one that is for everyone. Itis
not atall simply aquestion ofIndigenous Areas or Protected
Community Areas. What is needed is achange in paradigm.
TheState, theMarket
andSomePreliminary Questions
abouttheCommons (excerpts)
by Ugo Mattei
Ugo Mattei
is theAlfred and
Hanna Fromm
Professor
ofInternational
and Comparative
Law attheUniversity ofCalifornia,
Hastings College
oftheLaw in
San Francisco,
California and afull
Professor ofCivil
Law in theUniversity ofTurin, Italy.
45
dra, La cosiddetta
accumulazione
originaria, in
AA.VV., Lessico
marxiano, Mani
festolibri, Roma
(2008), pp.2352.
2 See Ugo Mattei
Political shift
Today we can see from examples
all around us, from global warming
totheeconomic collapse, that the
politically recessive but philosophically
more sophisticated holistic paradigm
offers us afundamental and necessary
shift in theperception ofreality. Inthis
context thecommons can offer an institutional setting reflexive oftheneed
toreject thefalse illusion ofmodern
liberalism and rationalism. This is
why we cannot settle tosee thecommons asamere third way between
private property and thestate asmost
ofthecurrent debate seems tosuggest.
To be sure, in thecurrent academic
resurgence ofinterest, thecommons
are reduced toan institutional setting proposed tomanage theleftovers
oftheWestern historical banquet that
occupies with States and private pro
perty (themythological market) almost
thetotality ofthepolitical scene.
On thecontrary, we believe
that thecommons must be promoted toaninstitutional structure that genuinely questions
46
47
Michel Bauwens
is atheorist, author
and researcher.
He is thecreator
oftheFoundation
for Peer-to-Peer
Alternatives, and
one ofthekeynote speakers
attheEuropean
Cultural Foundations Idea Camp
2015Build
theCity.
49
1 Yann Moulier
Boutang, Le capi
talisme cognitif, la
nouvelle grande
transformation
(Editions Amsterdams, 2007).
2 McKenzie Wark,
Hacker Manifesto
(Harvard University Press, 2004).
Warks class theory
based ontheconflict between
hackers and vectoralist is not entirely
adequate tounderstand peer production class dynamics,
but is nevertheless
auseful start.
50
51
tovoluntary contributors,
tosmall entrepreneurs (who
can sometimes themselves
become successful for-profit
enterprises). On theother side,
it is clear that there is asector
ofcapital that is interested in
investing in commons-based
peer production, and Icall
this sector that ofnetarchical
capitalism. Netarchical capital
is thesector that understands
that value creation is now
driven by social cooperation
outside oftheclassic wage relation, and aims toprofit from
it. Peer producers and netarchical capital have both congruent and divergent interests.
Convergent, tothedegree that
netarchical capital is funding
and facilitating social cooperation, through platforms that,
albeit under their control,
still allow peer topeer socialisation. To thedegree that
netarchical capital has tofight
against theold structures
that hold it back, it can often
be onthesame side aspeer
producers. However, tothe
degree that it needs tocapture exchange value from the
commons and thecommoners,
and seeks tomaximise profits
onthebasis ofit, it also creates
3 Michel Bauwens,
TheSocial Web
and its Social
Contracts (2009).
4 See http://www.
delicious.com/
mbauwens/P2PConflicts; other related tags are http://www.delicious.
com/mbauwens/
Netarchical-Capitalism; and http://
www.delicious.
com/mbauwens/
P2P-Class-Theory
52
Chisinau Civic
Centeropen
air cinema. Flat
Space extension, 2012. With
the participation
of studioBASAR,
Urban Reactor,
3*2*1*0, Oberliht
Association.
TheBoom ofCommons-based
PeerProduction (excerpts)
by Christian Siefkes
Today, GNU/Linux is
one ofthethree most
popular operating systems (next toWindows
and Mac OS), used by
millions ofpeople.
Linux is most popular
with companies that
need reliable servers.
Itis frequently used for
high-performance applicationsmore than
90% oftheworlds 500
fastest supercomputers
use Linux.1
Thesuccess
ofGNU/Linux is based
onthefact thatlike
all free softwareit is
acommons that everybody can use, improve
and share. Thefreedoms
that make free software
acommons were first
defined by Richard
Stallman in the1980s.
He designed theGNU
Christian Siefkes
is an author and computer scientist
who has written extensively about
peer-production, open source software development and commoning
55
1 See http://top500.org/
stats/list/37/osfam
2 Regarding alternative licenses
56
and by theSketchChair
project. TheOpen
Architecture Network
and theArchitecture
for Humanity project
design buildings whose
purpose is toserve
theneeds oftheir inhabitants, rather than
making building companies rich or architects
famous. OpenWear is
acollaborative clothing
platform that supports
people in becoming
producers and finding
collaborators. Wireless
community networks
organise freely accessible wireless networks inmany parts
oftheworld. TheOpen
Prosthetics Project
develops prosthetic
limbs. It was started by
aformer soldier who
had lost ahand in war
and was unable tofind
acommercially available prosthesis suiting
his needs. Aspecial
goal oftheproject is
toimprove themedical
treatment ofpeople who
cannot afford topay alot
(e.g., in theglobalsouth).
[]
Ofcourse, it is neither possible nor
reasonable for everyone tohave all
theequipment necessary for production in his or her own basement.
Itmakes more sense for productive
infrastructures tobe communitybased (i.e., jointly organised by theinhabitants ofavillage or neighbourhood). There are already examples
ofthis. Forexample, theinhabitants oftheSouth African town of
Scarborough set upadecentralised
mesh network thatallows them toaccess theinternet and thetelephone
network. Necessary equipment such
aswireless routers are bought by individual citizens. No single person
or entity owns thenetwork or large
parts ofit, and therefore nobody is in
aposition toshut it down or censor it.
Thenetworks run onfree software and
alarge part oftheequipment is developed asopen hardware.
Community-organised production places are emerging aswell.
Theglobal Fab Lab network spans over
50cities onfive continents. Fab Labs
are modern open workshops whose
goal is toproduce almost anything.
Thats not yet realistic, but they can
already produce furniture, clothing,
computer equipment (including circuit
boards) and other useful things. So far,
Fab Labs mostly employ proprietary
machines whose design is not open,
57
58
Prolegomena: Inaworld
turned upside down
(excerpts)
It is well documented
that cities are not only
spaces ofconcentrated
diversity reproducing
new and old types of
inequalities.1 They are
also spaces ofprecarityand-resistance that
constantly redefine the
notion ofrights through
theconstant struggles
about thecharacter,
themeaning and theuse
ofspaces; beautifully
painted by Georgiou
thecity is acanvas
for city dwellers who
constantly mark their
identities in their
struggles tofind aplace
in thecity and aplace in
theworld. 2 We explore
thepotentialities for
Nicos Trimikliniotis
is Associate Professor ofLaw and
Sociology and Director oftheCentre
oftheStudy ofMigration, Inter-ethnic
and Labour Relations attheUniversity ofNicosia.
Dimitris Parsanoglou
coordinates, asSenior researcher
oftheCentre for Gender Studies
ofthePanteion University ofSocial
and Political Sciences, theFP7
project MIG@NET: Transnational
Digital Networks, Migration and
Gender, and he teaches Sociology
attheDepartment ofPhilosophy
and Social Studies oftheUniversityofCrete.
Vassilis Tsianos
is lecturer attheDepartment
ofSociology attheUniversity
ofHamburg and Senior Researcher
with theEuropean project Mig@Net,
Transnational Digital Spaces, Migration and Gender.
61
theCity: Cosmopolitanism
and Difference (Cambridge:
Polity Press, 2013), p.66.
3 Ibid., p.24.
4 Clive Bloom, Riot City: Protest
62
7 November 2014
This essay is thefirst ofaseries ofreports from TheNor,
an investigation into paranoia, electromagnetism, and
infrastructure, commissioned by theHayward Gallery,
Londonin 2014/15 aspart ofMIRRORCITY.
On themorning ofThursday,
30 October 2014, Iset out
towalk theperimeter of
theLondon Congestion
Charge Zone, ajourney
ofsome 12 miles around
thecentre ofthecity. Ibegan
atKings Cross, and walked
James Bridle
is awriter, artist,
publisher and
technologist usually
based in London.
His work covers
theintersection
ofliterature, culture
and thenetwork.
64
65
66
67
68
69
On next pages:
All images:
James Bridle,
TheNor, Part One:
TheWall, courtesy
oftheartist https://
www.flickr.com/
photos/stml/
sets/7215764904
8658422/
70
71
72
Themetropolis is
afactory for theproduction ofthecommon.
Michael Hardt & Antonio Negri, Commonwealth
All Cameras are Police Cameras Michael Hardt & Antonio Negri
74
service-oriented economy
increasingly centred around
tourism. This transformation
has been accompanied by
amillenarian fascination with
emerging forms ofeconomic
production that has eclipsed
considerations ofchanges
in therelationship between
people and production. Thus,
asdiscourses regarding work
grew more abstract and immaterial, class discourse
became more absent and less
substantive.
Intheearly 2000s, urban
theorist Richard Florida
recognised this absence and
stepped into thegap with
his writings ontheimportance ofthecreative class
in economic development.
Hisargument that attracting
and retaining highly educated
professionals tourban centres
leads togrowth, urban regeneration and life-satisfaction
proved very convincing tocity
officials looking for anew progressive narrative for thepostindustrial scenario. Barcelona
was no exception tothis, and
his work became astandard
reference in thecitys bid
tobecome aSmart City, characterised by theuse ofdigital technologies toimprove
economic performance and
thewell-being ofresidents.
Insuch aframework, gentrification is thefocal point
ofclass tensions. But recently,
Florida and many like-minded
urban scholars have begun
tostrongly question thevalidity oftheterm, originally
coined by British sociologist
Ruth Glass todescribe thedisplacement oflow-income residents by more affluent ones.
Carlos Delcls
is asociologist and
writer and editor
ofROAR Magazine.
He is thecommunications coordinator
for theDoc Next
Networks Radical
Democracy project
(www.docnextnetwork.org/challenge).
77
1 Victor Lenore,
Indies, hipsters
y gafapastas:
Crnica de una
dominacin
cultural (Capitn
Swing, 2014).
2 Owen Jones,
Chavs: The
Demonization
oftheWorking
Class (Verso
Books, 2012).
78
79
Dan Hancox
is afreelance writer,
interested in radical
politics, protest,
and pop culture
in Britain, Spain
and beyond. He
notably writes for
TheGuardian, LRB,
VICE, New States
man, Frieze, Five
Dials, TheNational.
How toStop Gentrification inLondon: What We Can Learn fromSpainsNew Rebel Mayors Dan Hancox
81
El Pais, 25 May
2015. See http://
elpais.com/elpais/2015/05/25/
inenglish/14325
41816_126570.html
3 Bruno Garca Gallo,
El Pais, 25May
2015. See http://
elpais.com/elpais/2015/05/25/
inenglish/14325
41787_724673.html
4 Roarmag.org,
25May 2015.
Seehttp://roarmag.
org/2015/05/
barcelona-comuelection-victory/
5 See Twitter ht-
tps://twitter.com/
BueRubner/status/6024558
19041529857
6 David Harvey,
Rebel Cities:
From theRight
totheCity
totheUrban Revo
lution (Brooklyn,
NY: Verso, 2012).
How toStop Gentrification inLondon: What We Can Learn fromSpainsNew Rebel Mayors Dan Hancox
onwhich we organise
and fight for justice, equality and real democracy is no
longer thefactory shop floor,
but theactual places where
we live. London and Barcelona
share similar problems asthey
grow, gentrify and privatise.
Asmy hometown
ofLondon explodes in
sizewith 1.3 million
new Londoners expected
by 2030its chief subject,
theprecarious city dweller,
is also proliferating atarate
ofknots. While each new
glass skyscraper in theshape
ofakitchen appliance is anew
monument tosuccess for
some, there does not appear
tobe acorresponding reduction in inequality or suffering
in thecapital. On thecontrary, in thedecade leading
upto201112, thenumber
ofpeople in in-work poverty in London increased by
440,0007asreal wages
stagnated and house prices,
rents and living costs soared.
InLondon we are along
way off thejubilant scenes
onthestreets ofBarcelona
and Madrid in May 2015, but
there are promising signs that
thefight back is beginning.
82
27April 2015:
http://www.vice.
com/en_uk/read/
brixton-foxtonssmashed-reclaimdemonstration-388
How toStop Gentrification inLondon: What We Can Learn fromSpainsNew Rebel Mayors Dan Hancox
83
London housing
and gentrification
campaigns.
See https://www.
google.com/
maps/d/u/0/
viewer?mid=
zFuqvrQCgNdM.
kVkO1xRLk01I
9 Dan Hancox,
TheGuardian,
9 February
2015. See http://
www.theguardian.com/commentisfree/2015/
feb/09/ernestolaclau-intellectualfigurehead-syrizapodemos
10 See YouTube:
https://www.
youtube.com/
watch?v=ca
D17RKJfbc
How toStop Gentrification inLondon: What We Can Learn fromSpainsNew Rebel Mayors Dan Hancox
by thetax-payer tothetune
of26.7 billion ayear, via tax
breaks and housing benefit.11
So how do we follow
Spains example and make
theleap from those 45 localised campaigns toCity Hall
itself? TheLondon Mayoral
elections in 2016 will see
afew interesting candidates
ontheballotLindsey
Garrett from theNew Era
Estate, for one; Sian Berry
from theGreens, for another. Anew non-partisan
organisation ontheSpanish
model, Take Back theCity,12
was launched in London recently, with thenotion that
they might find and support apeoples candidate for
Mayor in 2016. Hopefully this
goal will only be aone sideproduct ofamuch wider effort
toempower thecitys marginalised communities. Take
Back TheCity is formed from
thesame mindset asthenew
wave ofhousing campaigns,
84
11 Hilary Osborne,
TheGuardian,
9February 2015.
See http://www.
theguardian.com/
money/2015/
feb/09/privatelandlords-gain-267-billion-uk-taxpayer-generation-rent
12 See http://take-
backthecity.org/
13 Buenaventura
Durruti. See
https://libcom.org/
history/durrutibuenaventura18961936
Thefight for
thecommons in
cities is essentially
afight toreclaim
democracyand
tore-imagine how
city life is organized.
David Bollier, TheCommons, Political Transformation and Cities
Initiated by theEuropean
Cultural Foundation in 2010,
Doc Next Network (DNN) is
aplatform ofmedia-interested
organisations from across
Europe that collaborate with
one another onprojects that
use film and media toexplore
social issues. DNN believes in
using media in collaborative
ways, often working directly
with citizens and social agents.
Their hope is that this approach
will result in powerful new
stories about life in Europe.
Ihave been working with
DNN for thelast year digging
around in its media archive,
looking for stories, connections and associations.
This article is thestory
ofRadical Democracy
aeighteen-month project
byDNN co-funded by
theOpen Society Initiative
forEurope that used media
making asaway ofresearching, celebrating and supporting people across Europe who
are calling for better forms
ofdemocracy.
Intherun uptothe
elections totheEuropean
Parliament last year, we announced amedia challenge inviting film and media makers
from across Europe tocraft
videos that proposed ways
toimprove democracy. More
than 200 videos were submitted. They came from campaigners, amateur film makers
and hobby media makers.
Much dissatisfaction with
democracy was expressed.
Here are some examples.
Charlie Tims
is currently working
asaresearcher
with theDoc Next
Network (http://
www.docnextnetwork.org/) and
is an associate
ofthethink tank
Demos.
87
Censorship
Here are two frames from an animated film Backward Run by
Turkish animator Ayce Kartal. Theanimation shows how control
oftelevision and newspapers kept the2013 Gezi Park protests
from public view.
Backward Run
by Ayce Kartal,
2013, courtesy
ofDNN Media
Collection (CC BYNC-ND 3.0).
Repression
These two frames are taken from Grayscale by theNinotchka Art
Project, which questions how much Spains policing ofpublic
protest has changed since Francos dictatorship.
Grayscale by
Ninotchka Art
Project, 2013,
courtesy ofDNN
Media Collection
(CC BY-SA 3.0).
88
IBelieve by
ZEMOS98, 2013,
courtesy ofDNN
Media Collection
(CC BY-SA 3.0).
Venal politics
Many videos submitted tothevideo challenge poked fun atvain
and power-hungry politicians. These frames are taken from
IBelieve, made by theSpanish collective ZEMOS98.
89
Hungarian
Two-Tailed Dog
Party by ron
Halsz, 2013,
courtesy ofDNN
Media Collection
(CC BY-NCSA 3.0).
Big business
Fear ofpowerful corporations and oligarchs bending democratic
institutions totheir will featured in many videos. TheHungarian
Two-Tailed Dog Party submitted by ron Halsz shows an ironic
protest in support ofbankers and oligarchs.
Excluded groups
If measured in video minutes alone, thegreatest problem with
democracy in Europe, according totheRadical Democracy Video
Challenge, was thelow status ofindividuals and groups suffering discrimination, exploitation and criminalisation. This list
included homeless people criminalised for living onthestreets
in Hungary, asylum seekers, sex workers, disabled people, gay
people, transsexuals and women. This frame is taken from Alittle
piece ofland made by Marjolein Busstra. It shows urban nomads
struggling for theright tolive onastrip ofwasteland ontheedge
ofAmsterdam.
90
ALittle Piece
ofLand by
Marjolein Busstra,
2014, courtesy
ofDNN Media
Collection (CC BYNC-ND 3.0).
Alternatives
Aswell asall this dissatisfaction and frustration, alternative
systems ofdemocratic representation were proposed in some
videos. Ican be there too argues for ademocracy featuring theidea
ofrandom citizen representation in governments. An election
by lottery rather than vote. Inthefilm, Emese Jerne sees her
number selected onnational television. Later we see her arriving
attheparliament totakeoffice.
In2014 theBelgian Youth Parliament dissolved itself calling
for elective democracy tobe replaced with acitizen lottery.
91
ICan Be
There Too? by
Emese Jerne, 2014,
courtesy ofDNN
Media Collection
(CC BY 3.0).
92
Meet Two
ofThem by Inga
Hajdarowicz, 2014,
courtesy ofDNN
Media Collection
(CC BY-SCNA 3.0).
93
Hope Area #2 by
Jeanne Dressen,
2012, courtesy
ofDNN Media Collection (CC BY-SCNA 3.0).
AWinters
Tale ofSpring by
Ermni Kadic, 2014,
courtesy ofDNN
Media Collection
(CC BY 3.0).
94
Merrygoround
(2012), Enlightenment (2013), Urbania Jones (2012)
by Vladimir Turner,
courtesy ofDNN
Media Collection
(CC BY-NC 3.0).
Grand Mansion
ofel Pumarejo by
Emeko Fil Gullarie,
2014, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
95
Reclaiming thecommons
Films like this showed campaigners and artists symbolically,
literally and legally trying toclaim space in cities, disrupt its
rules and replace thedominating influence ofone group with
ademocratic spirit. Inthesecond phase ofRadical Democracy,
we referred tothis action asreclaiming thecommons
because for these struggles, protests and campaigns tobe
successful, they would need toestablish new common spaces,
goods and resources in cities. These spaces would need tobe
accessible and influenced by thepeople who used them.
Inthis second phase, after theoriginal Media Challenge,
thefour media making hubs ofDoc Next Network in Spain,
Poland, Turkey and theUK worked with local campaigning orga
nisations. They aimed tohelp these campaigns with videos and
other forms ofmedia. Thecampaigners worked in three related
areasreclaiming home, public space and political parties.
Homes
Here are some frames taken from two videos made in
London that aimed tosupport people campaigning toimprove the conditions oftenants who rent privately in London.
The firstofthetwo videos aimed toinform theviewer about
the d
iminished status ofproperty guardianseffectively legal
squatters who waive what few rights tenants have in London
for cheap rents in buildings that are awaiting development.
Theguardian isin thebottom left hand corner oftheshot.
This next frame is taken from amocumentary that illustrates
thesocially destructive nature ofLondons rental market.
Inthis scene, alandlord explores his tenants underwear
draweran act that, although illegal, would be hard for
atenant tochallengegiven thefact that landlords need no
96
Who Guards
theGuardians?
by DNN UK Media
Lab, 2015, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
97
Londonville by
DNN UK Media
Lab, 2015, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
Londonville by
DNN London Media
Lab, 2015, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
98
Autonomy
onTwo wheels by
Attila EndrdiMike, 2014,
courtesy ofDNN
Media Collection
(CC BY-SA3.0).
Public spaces
Videos that celebrate new urban community culture
bicycle fixing workshops, people who act, play and educate
inpublic spaces & social centresfeatured strongly in the
original challenge.
Autonomy ontwo wheels is abeguiling portrait oftwo young
Hungarians who dream ofmaking Budapest into acooperative
city and have started abicycle fixing workshop and community.
Inthesame city, Valyo shows thework oftheValyo Group, which
is trying tobring thelife oftheDanube closer tothecity.
Valyo
MeettheRiver by
theValyo Group,
2014, courtesy
ofDNN Media Collection Valyo
Group.
99
Here are some frames from Open Jazdowacampaign topreserve some under-appreciated but unique wooden houses and
support thegrowth ofapublic space around them.
Open Jazdow by
DNN Polish Media
Lab 2015, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
100
Open Jazdow by
DNN Polish Media
Lab 2015, courtesy
ofDNN Media Collection (CC BY-NCSA 3.0).
Political parties
InSpain, new parties have formed in cities with theaim
ofclaiming politics with thesame principles they have used
toclaim spaces and buildings during protests and occupations
ofrecent years. Attheend ofMay, candidates from new municipal partieskeen oncollective decision-making processes,
openness and mistrustful offree-market economicsstood in
elections all over thecountry.
101
Municipal
Recipes by
DNN Spanish
Media Lab 2015,
courtesy ofDNN
Media C
ollection
(CC BY-SA 3.0).
Commoning in theCity
by Dougald Hine
oftheevent: Home-cooking
is killing therestaurant
industry.
Iam thenight watchman onthis team, sent in
toreplace theSwiss author,
P.M., theman responsible for
theanarchist utopia bolobolo,
who has had topull out for
family reasons. Taking his
place in theopen conference
that is thecentrepiece ofthe
two days, Irealise that this
is thefirst time Ihave spoken in public onthesubject
ofthecommons. For most
oftheothers, this is aterm
that has been attheheart
oftheir work for years or decades. Meanwhile, this event
itself is evidence ofthenew
importance that it is taking
on: commons is becoming
acharged word, following
apath similar tothose taken
by words such assustainability and resilience, raised
asabanner under which an
increasing variety ofpeople
Dougald Hine
is asocial thinker,
writer and former
BBC journalist.
Hehas been
responsible for
starting aseries
ofinnovative
organisations,
including theweb
startup School
ofEverything,
theSpacemakers
urban regeneration
bureau and The
Dark Mountain
Project. He will
act asoverall
facilitator during
theEuropean
Cultural Foundations Idea Camp
2015Build
theCity.
103
104
105
thenew social spaces that have accompanied it, people have had powerful
experiences ofwhat it means tocome
together, work and build communities
under conditions other than those that
dominate thereal-world communities
and workplaces we have inherited from
industrial society.
Whatever else, these ambiguities
imply thepolitical nature ofsuch
spaces: thenew forms ofcollaboration easily turn into new forms
ofexploitationtheline between
crowdsourcing and unpaid labour is
poorly markedand hence our conversations in Stockholm also touch
ontheneed for new forms ofcollective
organisation.
Thehistorical commons might suggest another element within theresistance toexploitation and theformation
ofanew politics. AsIvan Illich and
Anthony McCann have argued, historically, thecommons was not simply
apool ofresources tobe managed,
but an alternative toseeing theworld
asmade ofresources. Specifically,
thecommons was not something to
beexploited for theproduction ofcommodities, but something that people
could draw onwithin customary limits
toprovide for their own subsistence.
During thegenerations ofenclosure and industrialisation, themeaning
oftheterm subsistence was turned
upside down: aword which, in its
106
atthemercy ofthemarket
or thestatemay be an important piece in thejigsaw
ofa21st century politics.
IfthePirate Party marks
one end ofthenew politics
ofthecommons, perhaps
theother end looks something like theLandless
PeasantParty.
How do we handle it,
when words that have mattered tous gather anew
momentum and get raised
asbanners? Ofcourse, Ihope
that good things will flourish
in thename ofthecommons
in theyears ahead. Atthesame
time, theexperience ofmany
who have worked for thegoal
ofsustainability suggests how
disorientating such ajourney
can become. Subsistence
is hardly theonly example
ofaword that has come
tomean theopposite ofwhat
it once did.
That words fail us is not
amistake, it is in thevery nature oflanguage. Intheplenary session that brings our time
onSkeppsholmen toaclose,
Ifind myself again quoting
that passage from Illich about
areality much too complex
tofit into paragraphs. If what
107
Adrien Krauz
is an architect
and urban planner
who is currently
preparing aPhD
attheUniversite
Paris-Ouest
Nanterre La
Defense aspart
oftheMosaiques
team within
themixed research
unit LAVUE
(Laboratory for
Architecture, Cities, Urban Planning
and theEnvironment). His thesis
questions thevisions oftheworld
underpinned
by therhetoric
ontransition and
thestakeholders
that adopt such
positions.
109
onthecontext (ecological
transition, energy transition, post-carbon transition,
sustainability transitions,
citizen-led transition, transition towns, etc.). Furthermore,
it is gradually being incorporated into thelinguistic register ofpublic action in France
andEurope.
Ofthese approaches, itis
transition towns that are
garnering growing interest
through thespatialised dimension ofthenotion that
they underpin. Since 2006,
this unidentified political
object 2 is made upoflocal
and citizen-led initiatives
and experiments that seek
todevelop lifestyles that
are less oil-dependent.
Thetowns that have joined
this movement have apractical guide onwhich tobase
their actionstheTransition
Handbook, 3 drawn upby one
ofthemovements initiators,
Rob Hopkinsand are certified and structured by an
NGO, theTransition Network.
Transition towns can now
be found in over 40 different
countries, forming what
observers call theTransition
Movement.4 Thecombination
1 Permacul-
tureaform
ofenvironmental
design inspired by
natural ecosystemswas developed in the1970s
in Australia.
2 See Simon Cottin-
Marx, Fabrice
Flipo and Antoine
Lagneau, La
transition, une
utopie concrete?,
Mouvements, 75
(2013): pp.712.
3 Rob Hopkins,
TheTransition
Handbook: From
Oil Depend
ency toLocal
Resilience (Green
Books, 2008).
4 See Luc Semal,
Politiques locales
de decroissance,
in Sinai, A.
(dir.), Penser la
decroissance.
Politiques
delAnthropocene
(Paris: Presses de
Sciences Po, 2013).
5 See Franoise
Choay, LUrbanisme,
utopies et realites
(Paris: Seuil, 1965).
110
111
7 For abroader
analysis, see
Anneleen Kenis
and Eric Mathijs,
(De)politicising
the local: thecase
oftheTransition
Towns movement in
Flanders (Belgium),
Journal ofRural
Studies, 34 (2014):
pp.172183.
Christian Jonet
and Pablo Servigne,
Initiatives de
transition: la question politique,
Mouvements, 75
(2013): pp.7076.
Paul Chatterton
and Alice Cutler,
Un ecologisme
apolitique. Debat
autour de la transi
tion (Montreal:
Ecosociete, 2013).
8 Rob Hopkins,
op.cit., p.137.
112
9 See David
10 David Holmgren
Pezres, La perma
culture ausein
delagriculture urbaine: du jardin au
projet de societe,
VertigOla revue electronique
en sciences
delenvironnement,
10(2) (2010).
Accessed 14 May
2015, see http://
vertigo.revues.
org/9941
13 David Holmgren,
Permaculture:
Principles and
Pathways Beyond
Sustainability (East
Meon: Permanent
Publications, 2011).
14 Interview with Rob
Hopkins by Sami
Grover, 27 March
2007, available
online atthefollowing address:
www.treehugger.
113
From adevelopment
standpoint, this means creating asymbiotic relationship between thetown and
thecountry, with theproduction offood within
thecity and theproduction
offibres, fuel[] and proteins
in nearby rural areas, and an
exchange ofservices, assistance and skills.15 Intown,
this means converting potentially productive spaces
(Allcities have unused vacant land; roadside verges[],
conservatories, concrete
roofs, balconies, glass walls
and south-facing windows. 16
These spaces are used torecover energy and produce
food, leading toarchitectural
adaptations relating totheposition ofwindows, thelayout
ofbalconies and roofs, and
theinstallation oftrellis systems, for example.
Inhis Transition Handbook,
Hopkins proposes avision
for England in 2030. He
imagines urban agriculture
asapriority for urban planners and for communities
(we have redesigned cities
in order tomake them productive places.17 He sees
thereturn ofmarket gardens
com/culture/
rob-hopkins-oftransition-towntotnes-and-transition-culture.html
15 David Holmgren
op.cit., p.110.
18 Thenotion ofbi-
oregions was
influenced by
thework ofPatrick
Geddes and, later,
Lewis Mumford
onregionalism.
It was conceptualised in order
todefine ascale
ofdevelopment
capable oftaking
environmental
problems into
consideration (see
Kirkpatrick
Sale, Dwellers in
theLand: TheBi
oregional Vision
(San Francisco:
Sierra Club, 1985);
Robert L. Thayer,
Jr., LifePlace: Bi
oregional Thought
and Practice
(Oakland: University ofCalifornia
Press, 2003); Peter Berg and Raymond Dasmann,
Reinhabiting
114
California,
TheEcologist,
7(10) (1977):
pp.3994 01).
Currently, theconcept oftheurban
bioregion lies
attheheart
ofthework
oftheItalian territorialist school, led
by Alberto Magnaghi (see Alberto
Magnaghi, La
Bioregion urbaine.
Petit traite sur
le territoire bien
commun (Paris:
Eterotopia, 2014).
19 See Franoise
115
20 David Harvey,
Spaces ofHope
(Edinburgh: Edinburgh University
Press, 2000).
21 Karl Mannheim,
Ideologie et Utopie
(Paris: Librairie
Marcel Riviere
et Cie, 1956).
Chisinau Civic
Centeropen air
cinema, 2012.
Chisinau Civic
Centerpeoples
park, 2014.
Dance performance by contact
improvisation group
in Zaikin Park.
116
117
[]
Thecombination ofpeerto-peer and urbanism
TheP2P-Urbanism movement
is quite recent, and it is
drawing in urban d
esigners
and planners who have been
working independently
for years, mostly unaware
ofsimilar efforts being made
in other regions oftheworld
or even close by. (Some reasons for this isolation will be
explored in thelater section
Potential detractors ofP2PUrbanism). People who join
P2P-Urbanism represent
aheterogeneous group consisting ofindividuals championing collaborative design
and user participation in
planning; New Urbanists tied
tothecommercial US movement ofthat name; followers
ofChristopher Alexander;
urban activists; and others.
Gradually, practitioners in
other fields will learn about
P2P-Urbanism and bring in
their knowledge where appropriate. Candidates include
Permaculturists (who design
Nikos
A. Salingaros
is Professor
ofMathematics
attheUniversity
ofTexas atSan
Antonio, urbanist
and architectural
theorist.
Federico
Mena-Quintero
is asoftware
programmer and
one ofthefounders oftheGnome
project, awidelyused, free graphical
environment mainly
for GNU/Linux
systems.
ABrief History ofP2P Urbanism (excerpts) Nikos A. Salingaros and Federico Mena-Quintero
119
1 Permaculture,
http://www.permaculture.org.au
2 TheSmartCode is
ABrief History ofP2P Urbanism (excerpts) Nikos A. Salingaros and Federico Mena-Quintero
120
3 John F. C. Turner,
Housing by People
(London: Marion
Boyars, 1976) http://
www.amazon.com/
Housing-PeopleAutonomy-BuildingEnvironments/
dp/0714525693/
ref=ntt_at_ep_dpi_1
4 Christopher
lexander, Sara
A
Ishikawa, Murray
Silverstein, Max
Jacobson, Ingrid
Fiksdahl-King
&Shlomo Angel,
APattern Language
(New York: Oxford
University Press,
1977) http://www.
amazon.com/
Pattern-LanguageBuildings-Construction-Environmental/
dp/0195019199/
ref=ntt_at_ep_dpi_1
5 Christopher Alex-
ander, TheNature
ofOrder: Books
One toFour (Berkeley, California:
Center for Environmental Structure,
20012005)
http://www.amazon.
com/PhenomenonLife-Nature-Building-Universe/dp/
0972652914/ref=
ntt_at_ep_dpi_3
6 Agatino Rizzos
CityLeft,
http://cityleft.
blogspot.com/
ABrief History ofP2P Urbanism (excerpts) Nikos A. Salingaros and Federico Mena-Quintero
ofthefinished p
roduct. Incontrast
tothis, P2P-Urbanism has just asmuch
tosay about theprocess ofplanning
asthefinal, adaptive, human-scale
outcome. It represents aset ofqualities and goals that are widely sharable,
and which go far beyond architecture
and urban design. Principles ofgood
urbanism and architecture are widely
shareable and acceptable by everyday people, but they are not entirely
obvious. For example, it takes careful
explaining toconvince people that
apedestrian network can be woven
into car-centric cities, and that rather
than making traffic chaotic, this will
in fact reduce traffic, which is something that everyone would appreciate.
Interms ofevolutionary design, astepby-step design process that re-adjusts
according toreal-time constraints and
human needs leads tothedesired final
result, something impossible toachieve
from apre-conceived or formal design.
Let us consider briefly thekinds
ofparticipation that can be open todifferent people. Architects ofcourse deal
with thedesign ofbuildings. An architect familiar with theneeds ofacertain
region may know, for example, that
an 80cm eave is enough toprotect
three-metre tall storeys from rainfall,
in aparticular region with acertain
average ofwind and rain. Abuilder
may be well versed in theactual craft
ofconstruction, that tobuild this kind
121
ABrief History ofP2P Urbanism (excerpts) Nikos A. Salingaros and Federico Mena-Quintero
Consequences for
marginalised people
Some proponents ofthe
movement view P2P-Urba
nism asaway togive power
tomarginalised people,
122
7 Nikos Salingaros,
ABrief History ofP2P Urbanism (excerpts) Nikos A. Salingaros and Federico Mena-Quintero
123
Stimulating Dissonances
by Richard Sennett
Inthespirit ofEphraim
Lessing, most ofus would like
tobelieve that it is possible
for all thedifferent people
who live in Europe toenjoy
alife ofpeaceful c oexistence.
Inlight ofthis, Iwould like
toshare some thoughts
ontheissue oftolerance,
asIbelieve agreat deal
ofnonsense has been spoken
onthis particular subject.
Nonsense in thesense that
many people seem tobelieve
tolerance is apeaceful state
in which people live together
in harmony. Inmy view, this
is an illusion. It is an illusion
that coexistence means living
your life in apeaceful state.
Itis more acase ofliving your
life in astate ofupheaval,
not in thesense ofunrest or
violence, but in thesense that
coexisting with people who
are different toyou may be
something ofaroller coaster
ride. We need tofind away
ofcoming toterms with
Richard Sennett
is theCentennial
Professor ofSociology atthe
London School
ofEconomics
and University
Professor ofthe
Humanities atNew
York University.
125
Theopen city
Theproblem that we have today is that
we tend tocreate more boundaries
126
127
128
129
adistance. Cosmopolitans
still felt athome no matter how far from home
they might be. Inthewords
oftheFrench sociologist
Henri Lefebvre, they felt they
had aright tothewhole city.
Theadvantage ofthis kind
ofattitude is that it stops
people living lives full offantasies about other people, asis
thecase with thesupporters
Chisinau Civic
Centrepeoples
park, 2014, Park
Fanfare on the
stage, by studioBASAR.
Chisinau Civic
Centrepeoples
park, 2014, stage
in the park, by
studioBASAR.
130
Thecommons is not
amagic wand. Its
simply an opening,
apathway, ascaffolding
tobuild anew. Indeed,
acommons works only
if there are commoners
participating in it.
David Bollier, TheCommons, Political Transformation and Cities
Tessy Britton
is co-founder
oftheCivic
Systems Lab,
and Director
ofZero Zero,
acollaborative
studio ofarchitects,
strategic designers,
programmers,
social scientists,
economists and
urban designers
practising design
beyond its tradi
tional borders
(www.project00.cc).
133
134
1 See http://www.civ-
icsystemslab.org
2 See http://www.
communityloversguide.org
135
136
Acommons-based economy
cannot thrive without appropriate institutions, especially those that represent
apartner state approach.
Professor Christian Iaione
ofLUISS University (Guido
Carli Free International
University for Social Studies)
in Rome is apioneer ofsuch
institutional innovation
in Italian cities. Hiswork
with thecity ofBologna
onBolognas Regulation for
theCare and Regeneration
ofUrban Commons is abreakthrough. This regulation allows citizen coalitions topropose improvements totheir
neighbourhoods, and thecity
tocontract with citizens
for key assistance. Inother
words, themunicipality
Professor
Christian Iaione
is the coordinator
ofLabGov.it (LAboratory for theGOVernance ofCommons), Associate
Professor ofPublic
Law atGuglielmo
Marconi University ofRome and
Visiting Professor
ofGovernance
oftheCommons
atLUISS University
ofRome.
Michel Bauwens
is atheorist, author
and researcher.
He is thecreator
oftheFoundation
for Peer-to-Peer
Alternatives, and
one ofthekeynote speakers
attheEuropean
Cultural Foundations Idea Camp
2015Build
theCity.
138
Michel
Bauwens
Christian
Iaione
Igrew upin Southern Italy, but with an Anglo-Saxon imprinting. My parents lived in theUS in thesixties. They eventually
decided togo back. My father told me they made this choice
because they wanted togive back totheir country. Inthe1970s,
they were both Vice-Mayors in their respective hometowns
(Contrada and Atripalda, near Avellino). Thefirst time Iwent
totheUS was 1980. Iwas five years old and running away
from acatastrophic earthquake that hit my city and its county
(Avellino). Schools and other public services were shut down.
My mother, my brothers and Ifled toNew York andNewJersey
tostay with friends and relatives. My father decided tostay
inItaly totake care ofhis city and his citizens.
These were thefirst lessons Ilearned about life and theUS.
Thesense ofduty that my father taught me with his example,
and that theUS can be awelcoming land for those in need.
Almost 20 years later in 1999, Ienrolled in theUniversity of
California Berkeley Extension Program. InBerkeley Ilearned
theimportance ofbecoming aunique human able tocollaborate
with other unique human beings, rather than competing tobe
thefirst ofmy class. Icame back totheStates for athird time
tointern attheInternational Law Institute in [Washington]
D.C.acity where you can feel theimmanent presence of power
and how distant institutions can be from theneeds of citizens
and how reluctant they are toinnovate, but also how you
can find innovators within government. Lessons learned: ifyou
want tochange something you have tochange it from theinside by finding those who are willing towork with you. Ithen
had theopportunity towork and develop my academic studies
asaresearch fellow atNew York University School ofLaw. It was
there that Ideveloped thetheoretical framework for local public
entrepreneurship, which is thebasis oftheCO-Mantova project
and theidea ofthecity asacommons. My study onthetragedy
ofurban roads and experiments in Bologna led tothis.
139
Michel
Bauwens
Christian
Iaione
Christian
Iaione
140
1 Nudge regulations
focus onpreventing
people from making so-called bad
decisions that may
harm themselves,
like over-eating or
buying less energy
efficient appliances.
Thesubjective nature ofwhat can be
labelled asabad
decision means
that thepotential
scope ofnudge
regulations is unlimited.
See https://
en.wikipedia.org/
wiki/Nudge_%
28book%29
Christian
Iaione
141
2 Paper presented
aedon.mulino.it/
archivio/2013/1/
iaione.htm
142
rurban innovators, etc.), public authorities, businesses, civil society organisations, knowledge institutions (i.e., schools, universities, cultural academies, etc.)through an institutionalised
public-private-citizen partnership. This partnership will give
birth toalocal peer-to-peer physical, digital and institutional
platform with three main aims: living together (collaborative
services); growing together (co-ventures); making together
(co-production).
Theproject is supported by thelocal Chamber ofCommerce,
theCity, theProvince, local NGOs (non-governmental organisations), young entrepreneurs, SMEs (small and medium-sized
enterprises) and knowledge institutions, such astheMantua
University Foundation, and some very forward-looking
localschools.
Thefirst step was seeding social innovation through
acollaborative call for Culture asaCommons tobring forth
social innovators in Mantua. Second step was theco-design
laboratory Enterprises for theCommons, an idea camp where
theseven projects from thecall were cultivated and synergies
created between projects and with thecity. Thethird phase was
theGovernance camp, acollaborative governance prototyping
stage that led tothedrafting oftheCollaborative Governance
Pact, theCollaboration Toolkit and theSustainability Plan,
which was presented tothepublic during theFestival
ofCooperation on27 November 2014.
Thenext step is thefourth and final phase: thegovernance
testing and modelling through thelaunch ofapublic consultation in thecity onthetext ofthePact and aroadshow generating
interest in CO-Mantova among possible signatories belonging
tothefive categories ofcollaborative governance actors. Wealso
may have CO-Mantova opening upaCommons School.
Michel
Bauwens
What are theprospects for public collaboration and commonsoriented local governance schemes? What do you see happening elsewhere and what do you want tosee change in
thenearfuture?
143
Christian
Iaione
Michel
Bauwens
What else are you working on? What are your long-term
goals?
Christian
Iaione
144
thetrash ends up, this is all part ofa21st century way ofliving:
away ofsharing things, sharing services, sharing spaces, sharing
production and sharing responsibilities.
You need anudging class instead ofaruling class, aclass
that has thedrive toconvince and nudge society and institutions
towards asharing and collaborative paradigm. But you cannot
force change, you have tonudge people toshare and collaborate.
For this reason, since 2012, Ive suggested thecreation
ofafederalised network oflocal hubs ofexpertise gathering
bestpractices, starting upexperimentations in different territories, spreading governance culture and disseminating knowledge
among Italian territories. This National Collaboration Network
could become ahub that provides collaboration toolkits, regulations and governance schemes, aswell astraining programmes
and day-by-day assistance for local administrators tohelp them
drive change toward sharing and governance ofthecommons.
This could accelerate theshift towards a21st century paradigm
ofpublic administration.
Michel
Bauwens
What other cities are you allied with or are learning from?
IsCO-Mantova part ofany networks or associations that support
commons-based urban development?
Christian
Iaione
Many other cities are taking theroute synthesised by COMantova and opened by Bologna with its regulation oncollaboration for urban commons. Milan, Florence, Rome, Naples,
Battipaglia and Palermo have decided or are deciding toinvest
energy, skills and other resources onthechallenge ofcollaboration. They increasingly believe that only through co-design and
bottom-upprocesses ofcivic and economic empowerment is it
possible toface thechallenges that congestion, agglomeration
and density that cities will face in thefuture.
Michel
Bauwens
145
Christian
Iaione
Michel
Bauwens
Inconclusion, how do you see theinter-relationship ofthecommons, city governments, citizens, market players and market
institutions?
Christian
Iaione
146
attheawe-inspiring MAST
Gallery for theopening
ceremony ofBolognas Civic
Collaboration Fest celebrating theone-year anniversary
oftheBologna Regulation for
theCare and Regeneration
oftheUrban Commons,
ahistory-making institutional innovation that enables
Bologna tooperate asacollaborative commons. Now
Bolognas citizens have alegal
way tocontribute tothecity.
Since theregulation passed
one year ago, more than
100projects have signed collaboration pacts with thecity
under theregulation tocontribute urban improvements
with 100 more in thepipeline.
Itwas an impevent filled with
ceremony, emotion, historical
significance all in acontext
oftough political realities.
Neal Gorenflo
is theco-founder
ofShareable, an
award-winning
news, action,
connection hub
for thesharing
transformation.
Inaddition tohis
work atShareable,
Neal is an adviser
totheUS Solidarity
Economy Network,
OuiShare, Peers,
Mayor Park ofSeoul
in South Korea
and is aformer Innovation Fellow for
Mayor Lee ofSan
Francisco.
Bologna Celebrates One Year of aBold Experiment in Urban Commoning Neal Gorenflo
148
Bologna Celebrates One Year of aBold Experiment in Urban Commoning Neal Gorenflo
149
1 Robert D. Putman,
Making Democra
cy Work: Civic Tra
ditions in Modern
Italy (Princeton University Press, 1993).
Bologna Celebrates One Year of aBold Experiment in Urban Commoning Neal Gorenflo
150
Bologna Celebrates One Year of aBold Experiment in Urban Commoning Neal Gorenflo
151
RECYCLAB
ECOHAB
RECYCLING
AND ECO-CONSTRUCTION
0%
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RINT RE
CTION
R-URBAN
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acilities.
Credit: atelier
darchitecture
autogr
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10
13
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CIAL JO
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CIVIV AGRICULTURE
CULTURE AND PEDAGOGY
AGROCIT
ECOLOGICAL
COOPERATIVE HOUSING
-en5erg0ym%
ption
consu
Theright toresilience
Resilience is akey term
in thecontext ofthecurrent economic crisis
and lack ofresources.
Incontrast tosustainability, which is focused
onmaintaining thestatus quo ofasystem by
controlling thebalance
between its inputs
and outputs, without
necessarily addressing
thefactors ofchange
and disequilibrium, resilience addresses how
systems can adapt and
thrive in changing circumstances. Resilience is
adynamic concept with
no stable definition or
identity outside thecircumstances producing
it. Incontrast tosustainability, which tends
tofocus onmaintaining
Doina Petrescu
is Professor ofArchitecture and
Design Activism attheUniversity
ofSheffield.
Constantin Petcou
is aParis-based architect whose
work stresses theintersections
between architecture, urbanism
andsemiotics.
They are both co-founders ofatelier
darchitecture autogre (aaa),
aprofessional organisation that
conducts actions and research
onparticipatory urbanism and
architecture involving local residents
in self-managing projects in their
neighbourhoods, engaging in social
and ecological practices, andinitiating resilient networks (www.
urbantactcs.org).
creates theconditions
for this right tosustainability tobe exercised,
not only asaright torely
onand consume sustainability (provided by
theremains ofthewelfare state or bought
from private providers),
but asaright toproduce
it (allowing citizens
involvement in decisionmaking and action).
Although sustainability
is ontheagenda ofmany
urban projects today, this
does not necessarily imply that all these projects
are political in their
approach totheissue.
Apolitico-ecological approach like that
ofR-URBAN will not just
positively and uncritically propose improved
development dynamics,
but also question the
processes that bring
about social injustice and
inequitable urban environments.4 Some voices
such asDavid Harvey5
argue that thetransformation ofurban spaces
is acollective rather
than an individual right,
154
155
156
perspective, R-URBAN
advocates ageneral
change ofculture,
understood asachange
in how we do things,
in order tochange
ourfuture.
R-URBAN proposes
new collective practices, which, in addition
toreducing theecological footprint, also contribute toreinventing
near-at-hand relationships based onsolidarities (i.e., ways ofbeing
involved and deciding
collectively, sharing
spaces and grouping
facilities, rules and
principles ofcohabitation). Thetransformation needs totake place
onthemicro-scale
ofeach individual, each
subjectivity, tobuild
aculture ofresilience.
AsRob Hopkins puts
it, resilience is not just
an outer process: it is
also an inner one, ofbecoming more flexible,
robust and skilled.10
Theculture ofresilience
includes processes ofreskilling, skill sharing,
social networking
and mutual learning.
These micro-social and
micro-cultural practices, usually related
toindividual lifestyles
and activities (e.g., food
cultivation and waste
collection, car-sharing,
exchanging tools and
skills with neighbours),
elicit attention todetails, singularities, and
thecreative and innovatory potentials found
onthelevel ofeveryday
life. R-URBAN maps this
local capacity toinvent
and transform in detail,
but also, in parallel,
theadministrative constraints that block it,
proposing ways ofbypassing them by way
ofrestated policies and
structures.
Commons and
commoning
Theissue ofcommons
lies attheheart ofdiscussions revolving
around co-produced
democracy. Michael
157
According toRavel
and Negri,14 therevolutionary project ofour
time is all about this
capturing, diverting,
appropriating and reclaiming ofcommons
asaconstitutive process.
This is areappropriation
and reinvention atone
and thesame time.
Theundertaking needs
new categories and institutions, new forms
ofmanagement and
governance, spaces and
actorsan entire infrastructure both material
and virtual.
R-URBAN endea
vours toco-produce
this new infrastructure
that is simultaneously
areappropriation and
areinvention ofnew
forms ofcommons,
ranging from collective,
self-managed facilities
and collective knowledge and skills tonew
forms ofgroups and
networks. Thefacilities
and uses proposed by
R-URBAN will be shared
and propagated onvarious scales, progressively
158
159
Noel Hatch
is therecipient
ofa2014 Research
and Development
grant from ECF
for his idea: Hack
Your Borders.
He is atrustee
ofEuropean Alternatives (http://www.
euroalter.com/).
161
From Lamp Posts toPhoneBooths: Using Technology tocreate CivicSpaces Noel Hatch
eiu.com/public/
topical_report.
aspx?campaignid=
liveability2014
3 See http://monocle.
com/film/affairs/
quality-of-lifesurvey-2014/
4 See http://
mrdanthompson.wordpress.
com/2014/09/01/
folkestones-onthe-edge-ofsomething/
From Lamp Posts toPhoneBooths: Using Technology tocreate CivicSpaces Noel Hatch
162
TheCivic
Public asaConstellation
by Pelin Tan
Thecreation ofinstituting
society, asinstituted society,
is each time acommon world
(kosmos koinos), thepositing
ofindividuals, oftheir types,
relations and activities; but also thepositing ofthings, their
types, relations and significationall ofwhich are caught
upeach time in receptacles
and frames ofreference instituted ascommon, which make
them exist together.1
Cornelius Castoriadis
Embodiment
Does one particular physical place in our cities ensure
thenotion ofacivic public?
Inwhat moment and specific
urban staging does thecivic
perform tobe able toembody
itself aspublic? Urban squares
in cities are often described
asthepublic space where,
when confronted with hegemony, agroup ofindividuals
Pelin Tan
is involved in
research-based
artistic and architectural projects
that focus onurban
conflict andterri
torial politics, gift
economy, thecondition oflabour and
mixed methods in
research.
165
Event
According toFrench philosopher Alain Badiou, an event
is political if its material is
collective, or if theevent can
only be attributed toacollective multiplicity. 3 Within
this framework, how can
theevent ofurban resistance
transform itself asacollective
civic embodiment? Why did
Gezi Park and Taksim Square
become theurban spaces
toexperience citizenship,
and what is their relationship toother sites ofurban
resistance such asSyntagma
Square, Tahrir Square, Zuccotti
Park or movements such
astheStuttgart 21 protest?
And how, after its invasion
by thepolice, did theGezi
Park resistance transform
1 Cornelius Casto-
riadis, TheImagi
nary Institution of
S ociety. Translated
by K. Blamey (Cambridge, Massachusetts: theMIT Press
Cambridge, 1998).
2 Uur Tanyeli,
Genileyen Dny
ada Sanat, Kent ve
Siyaset: 9th Inter
national Istanbul
Biennale (Istanbul:
IKSV, 2005).
166
politics (London:
Verso, 2005) p.142.
4 David Harvey,
Rebel Cities:
From theRight
totheCity
totheUrban
Revolution (London: Verso, 2012).
5 David Harvey, ibid.
167
be seen in theanti-nuclear
protests in Turkey, protests
by theIstanbul Chamber
ofArchitects, theIstanbul
Chamber ofUrban Planners
against urban destruction and
thecentralised upside-down
projects such as3.Bridge for
Istanbul, theTaksim Square
construction and other related
movements.
Aside from calling authorities toparticipatory, grassroots urban decision-making
strategies directly in thesites
where this radical democracy
is taking place, these parks
and squares ofurban resistance also foster theformation
ofaradical form ofcitizenship. Theproject Decolonizing
Architecture by architects
Alessandro Petti and Sandra
Hilal is areference onpractices ofcommoning and
radical citizenship in spaces
ofconflict urbanism, asseen
in their study oftheformation ofarefugee camp where
acitizen is stripped ofhis or
her political rights, reduced
tobare life. Conflict urbanism and urban uprising are
still ahope against forceful
urbanisation, asthey introduce an instance ofirruption
Crisis
How can self-organised,
self-regulating networks
and collective structures
such astheoccupy movements in urban space inspire
economic models, especially
where thegeneration and
re-distribution ofwealth are
concerned?
And how can these spaces,
under exceptional conditions,
serve ascommon knowledge based onthepractice
ofcommoning? Nowadays,
we discuss precarious working conditions and their
effects onimmaterial labour.
Immaterial industries, according toBifo: asks instead
toplace our very souls atits
disposal: intelligence, sensibility, creativity and language.7
Currently, our understanding ofthenature ofprecarious labour is mostly based
onatime/work frame that
leads tolabour exploitation
6 David Harvey,
ibid, p.XVII.
7 Franco Berardi
Bifo, TheSoul
atWorkFrom
Alienation To Au
tonomy. Translated
by F. Cadel and
G. Mecchia (Los
Angeles, London:
Semiotext (E) Foreign Agents Series,
2009) p.192193.
168
169
170
Commons:
APublic Interview
with Massimo De
Angelis and Stavros
Stavrides, e-flux
Journal, 17 June
2010, New York.
R. Patel, The
Hungry ofEarth,
Radical Philosophy,
No.151, Sept/Oct.
2008, London.
An Architektur,
2010. On theCommons: APublic
Interview with
Massimo De Angelis and Stavros
Stavrides, e-flux
Journal, 17 June
2010, New York.
171
Introduction
AttheChisinau City Council
meeting on5 September
2013, ascandalous, unusual
informal alliance sprang
upbetween representatives oftheLiberal Party
(PLtheparty oftheMayor
Dorin Chirtoaca) and those
oftheCommunist Party.
Together they decided togive
allotments, green areas and
other city property totherepresentatives ofthese parties
and certain affiliated groups.1
TheLiberal Democratic Party
(PLDM) boycotted themeeting, accusing PL and PCRM
(Party ofCommunists
oftheRepublic ofMoldova)
ofmaking dubious deals under thetable todivide city
grounds and spaces between
themselves. 2 TheMayor
ofChisinau, in turn, accused
thePLDM ofthievery ofpublic
Vitalie Sprinceana
is aMoldovan
sociologist, philosopher, activist
and journalist, and
amember ofOberliht Association in
Chisinau, Moldova
(oberliht.com),
one ofthehubs in
theEuropean Cultural Foundations
networked programmeCon
nected Action for
theCommons.
173
1 See http://unimedia.
info/stiri/doc-edina-CMC-loc-pentru-tranzaii-frauduloase-65204.html
2 See http://www.
inprofunzime.
md/stiri/politic/
pldm-a-boicotatsedinta-consiliuluimunicipal-pl-sipcrm-au-facut.html
3 See https://
www.adevarul.ro/
moldova/politica/
haos-sedinta-cmcnu-vorba-desprealianta-pldm-trebuivina-munca-nuarunce-acuzatii1_52286987
c7b855ff564b98ab/
index.html
174
4 Construction
in theRepublic
ofMoldova.
National Statistics
Bureau, Chisinau,
2011, p.58 (see
http://www.statistica.md/public/files/
publicatii_electronice/Costructii/
2011/Constructii_
2011.pdf).
5 TheBlack Book
oftheCultural
Patrimony ofChisi
nau, 2010.
ofadecent city, such ashomeless people, beggars, prostitutes, people with alcohol or
drug addictions, etc.
Such transformations are
not unique toChisinau. Most
post-Socialist cities have undergone similar processes related tothepolitical-economic
context. They have encountered accelerated reforms for
theintroduction ofthemarket
economy, thede-industrialisation ofurban economies and
thegrowth oftheservices sector, therise ofconsumption,
thegradual dismantlement
ofthesocial state, therise
ofsocial inequality, political
and religious populism, and
theconsolidation ofsome
political-economic oligarchies
atlocal and nationallevels.6
175
176
8 Marian Pinsky,
From Reactive
toProactive:
TheWorld Social
Forum and theAnti/
Alter-Globalization
Movement, McGill
Sociological
Review, VolumeI,
January 2010,
pp.328; Gary
Marks and Doug
McAdam, Social Movements
and theChanging Structure
ofPolitical Opportunity in the
European Union1.
West European
Politics 19:2 (1996),
pp.249278; Steven M. Buechler,
New Social Movement Theories,
Sociological Quar
terly 36:3 (1995);
pp.4414 64.
9 See especially
inaugurated by theDelegation
oftheEuropean Union (EU)
totheRepublic ofMoldova
and theCity Council of Chi
sinau in 2008. Apresentation
oftheEU logo redesigned with
177
Theformer
construction site
oftheSbarro
Pizzeria, Chisinau,
after thefence
was dismantled,
January 2013.
178
10 IntheRepublic
ofMoldova,
theprocess ofadherence totheEU
represents more
than atechnical
process, ofnegotiation ofpolicies:
it was conceived
asanational
project ofmodernisation and asacivilising choice.
11 See http://curaj.
tv/local/chisinau/
constructie-nouala-intrarea-inparcul-central/
12 Vitalie Spranceana,
National Culture
asaDrinking
House. About
theStefan cel Mare
si Sfant Public
Garden (see http://
voxreport.unimedia.info/2012/12/15/
cultura-nationalaca-o-carciumadespre-gradinapublica-stefan-celmare-si-sfant/).
13 See http://www.
privesc.eu/
Arhiva/14079/Sedinta-saptamanalaa-serviciilor-primariei-Chisinau-din17-decembrie-2012
179
180
181
17 Margaret E. Keck,
Activists Beyond
Borders: Advo
cacy Networks
in International
Politics (Cornell
University Press,
1998) pp.2223.
18
acommercial pizzeria right
bythemonument!
Thetechnological moment:
Much has been written about
therole ofinformation technology in protest movements,
both positive and negative.18
TheTwitter revolution from
Moldova on7 April 2009
put thecountry onthemap,
making it aprominent focus in studying theimpact
oftechnology onthepolitical
process.19 TheEurope Square
19
protest certainly benefitted
from effective use oftheinternet. One might even say
that theprotest would have
been less successful if theparticipants had not used it. They
created several discussions
groups onFacebook, aswell
asablog onwhich topost
daily updates, explanations,
scanned copies ofofficial documents, protest resolutions,
etc. Theblog was also auseful
place tocompile feedback from
thepressincluding links
tonews sites, television channels and other media presentations. Theuse ofFacebook also
led toconnection via mobile
phones, which has continued
past theend oftheprotest.
Other blogs and discussion
182
For enthusiastic
opinions see especially Howard
Rheingold, Smart
Mobs: TheNext
Social Revolu
tion (Basic Books,
2007). For acri
tical view over
theliberating
potential oftheinternet, see Evgeny
Morozov, TheNet
Delusion: TheDark
Side ofInternet
Freedom (Public
Affairs, 2012).
Twitter Revolution.
Episode 1: Repu
blic ofMoldova
(Chisinau: ARC,
Stiina Publishing
Houses, 2010).
183
20 Theconflict related
organisations ofartists,
Russian-speaking activists,
Romanian-speaking activists,
left-wing activists and rightwing activists.
184
185
21 Virgil Pslariuc.
info/stiri/-1212.html
186
Mapping ofPublic
Space in Chisinau
workshop
(201213) (see
http://chisineu.
wordpress.com/
proiecte/ateliercartografiere/).
See http://chisineu.
wordpress.com/
biblioteca
187
26 TheChisinau Civic
Centre: Recovered
Spaces. Urban
Interventions
Workshop with studioBASAR (Cristi
BORCAN) and
Tudor ELIAN [RO],
711 September
2013 (see http://
chisineu.wordpress.
com/2013/08/23/
spatii-recuperate/).
27 See http://chisineu.
wordpress.
com/2013/09/21/
daca-nu-vatrebuie-film/
28 SPACES: Intersec-
tions, an installation
by Karl Hallberg, 20
September 2013,
17:00 (see http://
chisineu.wordpress.
com/2013/09/20/
intersectii/).
188
189
TheRotonda
before (left) and
after (right) the
reconstruction
(20132015).
Chisinau: an ency
clopedia (Chisinau:
A. I. Timush, 1984).
190
surrounding theRotonda,
especially thesteps and pavilion. Theresponse was
positive: asmall but slowly
growing community consolidated ontheFacebook
group, Vosstanovim Kishinev
(Russian) or Sa restabilim
orasul Chisinau (Romanian),
which translates asLets recover Chisinau in English. 30
After further deliberations,
thegroup decided toorganise acleanup for Sunday,
3February 2013.
Despite thecold weather
and thesnow, several dozen
people went tothepark,
where they set towork cleaning thearea. They gathered
thewithered leaves and
branches, theplastic and metal trash, and other garbage.
Thecleanup attracted theattention ofseveral politicians,
including aformer mayoral
candidate, aswell asseveral
television stars, journalists,
bloggers and activists. This
civic action, all themore
admirable considering the
weather conditions, was
widely presented in themedia
later, both through traditional media (some ofwhich
were present atthecleanup)
30 See https://
www.facebook.
com/groups/
vosstanovim.
kishinev/
191
31 Inhabitants of
192
193
ofthecommunity, declared
would succeed in integrating
countless times, is torestore
thedifferent architectural and
theRotonda asan object of
historic heritages ofthecity.
local and national importance,
This is why, even if theiniasit was before the1980s.
tiative oftheRotonda is an
However, thelogic ofresto
excellent and successful one,
ration ofacertain past hides
too few Romanian-speaking
several traps. First, doing
activists find themselves
so anchors themovement
within aproject ofrestoring
in aspecific, pre-conceived
aSoviet architectural monunotion ofpublic space, one
ment. Many ofthem would
controlled and accessible
prefer adifferent form ofre
only tocertain social groups
storation that would include
(theso-called good people,
thedestruction ofpre-Soviet
thegood rest and good
era monuments. Therefore
music type). This definition
activism confronts avariety
explicitly excludes those
ofseemingly incompatible
ofunwanted social groups,
restoration discourses,
like homeless people, but
afact that thecommunity
also those ofalternative soof activists has not yet
cial groupsgraffiti a rtists,
overcome.
rockers, punks, hipsters.
Another challenge for
Another equally complex
theRotonda initiative is
trap is in thedifferent Soviet
acultural one. Thecultural
architecture and monuments
actions for revitalisation
and their interpretations.
ofthezone consisted until
For example, there are many
now ofevents oftraditional
Romanian-speaking activists
or mainstream culture: fanwho consider Chisinau overfare music, dance, poetry
loaded with traces ofthe
readings. During aconference
Russian and Soviet presdedicated tothepublic spaces
ence and believe that some
ofChisinau, one ofthe organofthese should disappear
isers said that thespace was
32
completely. Thecity has not
still spared ofthe intervenyet established along-term
tions ofinformal and alternaidentity strategyone that
tive groups such asrockers,
32 See http://www.
publika.md/
editie/_371_
2576111.html
194
communicative means in
thearts, such asperformance,
toexpress an important message. These elements will help
195
B68free
zone//art space,
2012 drawing by
George Marinescu,
studioBASAR.
Vladimir Us
is aMoldovan artist
and curator, and
theco-founder
ofOberliht
Association in
Chisinau, Moldova
(oberliht.com),
one ofthehubs
in theEuropean
Cultural Foundations networked
programme
Connected Action
for theCommons.
Chisinau Civic
CenterBeyond
the Red Lines,
IfYou Dont
Need It by Public
Pedestal (Michal
Moravcik and Jana
Kapelova), 2013.
Photo: Oberliht.
Chisinau Civic
Center, Alternative
Network of Public
Spaces forChi
sinau, mapdesigned by Diana
Draganova.
198
199
200
Theproject consisted
ofatwo-week residency for
several collectives ofarchitects and focused ontwo different spaces in theMoldovan
capital ofChisinau: apublic
square onBucuresti str. 68
(that in themeantime had
become aparking lot) and an
abandoned fountain in front
ofChekhov Theatre, next
toaluxury hotel and ashopping mall. Both spaces provided evidence ofthestates failure tomaintain open public
spaces in thecity and provide
thenecessary public services
(for example, lighting, security
for pedestrians and proper
cleaning). Inthesquare there
was also theissue ofillegally parked cars in front
oftheCultural Department
ofChisinau. Several art collectives that used Flat Space
(an open structure installed in
thesquare in 2009 that serves
asaplatform for artistic
events) gradually expanded
their activities and moved
Chisinau Civic
Centeropen air
cinema. Flat Space
extension, 2012
With theparti
cipation of
studioBASAR,
Urban Reactor,
3*2*1*0, Oberliht
Association.
201
202
Beyond theconsequences
that themajor infrastructure projects could have for
thelife ofthecity, thefate
ofsome smaller spaces in
thedistricts ofthehistorical centre also worried the
curatorial team. Thethird
Chisinau Civic Center
Chisinau Civic
Centerbeyond
thered lines. If you
dont need it, 2013.
Installation by Public Pedestal (Michal
MORAVCIK and
Jana KAPELOVA).
Chisinau Civic
Centerbeyond
thered lines.
Intersection, 2013.
Installation by Karl
Halberg.
On next pages:
Chisinau Civic
Centerpeoples
park. Consultations
with Zaikin Parks
neighbourhood,
2014. Chisinau
Civic Center
peoplespark.
Defensive Fruit
Tree, 2014. Installation by Angela
Candu.
Chisinau Civic
Centerpeoples
park. Picnic in
thePark, 2014.
Daniela Palimariu in
collaboration with
studioBASAR.
203
204
205
206
Aqua-park,
2014 by URBalance.
207
Tense times
Iwrite these words atatime
ofgreat tension across
theworld. Inthecountries
oftheEuropean Union,
theechoes ofeuro-parliamentary elections from May
2014 continue toresound,
along with thecampaigns
preceding them, in which
either themeaning ofunion
is undermined and national
interests put forward ahead
ofthose ofthecontinent,
or there is wrangling over
theshape ofEurope, where
political ambitions directed
towards thetightening ofcooperation between members
and concomitant international solidarity are presented
ascontradicting economic
activity that has anegative
effect onthetrust and bonds
between countries. Or we see
thedefence ofan obligatory
Igor
Stokfiszewski
is aPolish artist
and activist,
member ofKrytyka
Polityczna, one
ofthehubs in
theEuropean Cultural Foundations
networked programmeCon
nected Action for
theCommons.
209
Thepost-Communist landscape
Where in thecrucible ofall these tendencies are we tolocate thecountries
ofthecentral-European belt, beginning with theBaltic countries, down
through Poland, theCzech Republic,
Slovakia, Hungary, Romania, Moldova,
Bulgaria, asfar astheBalkans?
They seem tohave accumulated all
thetendencies listed abovesocial
stratification, combativeness, aloofness towards others, disintegration
ofthecollective, individual passivity.
Inthecountries ofCentral Europe,
webemoan, too, how theprivate is advantaged over what is public and common, theunderinvestment ofcitizens
210
przejcia. Okocu
postkomu
nizmu, tr. Micha
Sutowski (Warsaw:
Wydawnictwo
Krytyki Politycznej, 2012).
211
2 Ibid., p.63.
3 Ibid., p.61.
212
between theindividual,
thesocial and thepolitical.
What, then, are thechallenges facing thedemocracies ofCentral Europe? Let
us list again those that we
seem toshare with other
parts ofthecontinent: greater
empowerment ofcitizens,
raising levels ofparticipation, building community
bonds and social integration.
Theleading slogans here might
be empathy, solidarity and
reciprocity. Further: thebattle
toreform concepts ofproperty,
theestablishment ofcommon
goods, theretrieval ofpublic
space by citizens. Inanother
area: efforts toweaken
eruptions ofviolence; and
looking atyet another area:
relegitimising emancipatory
traditionsfrom workers
disputes tofeminism and
therights ofimmigrants.
And finally, thechallengesof:
neutralising theinfluence
ofthechurch in thedomain of
language and in public spaces;
absorbing thecultural h
eritage
oflabour into theprocess
ofcreating asense ofidentity;
nurturing links between individual lives, social impact
andpolitics.
4 Ibid., p.18.
5 Piotr Piotrowski,
Agorafilia. Sz
tuka Idemokracja
wpostkomunisty
cznej Europie
(Pozna: Dom
Wydawniczy REBIS, 2010), p.7.
213
214
Inconclusion
Thefield ofculture can positively and effectively promote
democratic processes in
Central Europe if its institutional and organisational
framework is reformed. This
can be done ontheone hand
by democratising artistic institutions, and ontheother
through more investment
inautonomous organisations
that act socially through culture. Inboth cases, particular awareness ofthelabour
law asit applies toartists
is indispensible, asis neutralising thesocial impact
ofthegrowth ofinstability
among theart precariat. Itis
also crucial toappreciate
cultural activities asforming
anatural component in
215
TheLaboratory
ofInsurrection
ary Imagination
onTour with
theClown Army.
Free performance
announcing operation HaHaHa
against theG8
summit.
Spring 2005.
Photo:IanTeh.
216
217
Isabelle
Frmeaux
John
Jordan
Rob Hopkins
is an a ctivist
and writer.
Heisthefounder
oftheTransition
Towns network.
Isabelle
Frmeaux and
John Jordan
aretheco-founders
oftheLaboratory
ofInsurrectionary
Imagination.
Its acollective
that, according
toIsabelle, aims
atopening spaces,
real or virtual, and
bringing artists and
activists together
towork onand
co-create more
creative forms
ofresistance and
civil disobedience.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
219
1 See http://
labofii.net/
experiments/grrr/
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
220
Isabelle
Frmeaux
Theimagination has thepotential and is afundamental ingredient for insurrection. We wanted toreclaim theoffensive and
thedefiance that is often lacking in art. Calling it alaboratory
would call ontheidea ofimagination without having what we
feel can be quite abland understanding and bland connotation
oftheword imaginationwhich is very often seen assomething lovely and creative and child-likeby actually reclaiming theexistence ofthedefiance ofwhat we wanted todo. This
is why we put theword insurrectionary in thename ofour
collective.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
John
Jordan
221
2 See https://
labofii.wordpress.
com/about/
Policemen
encircle theCIRCA
(Clandestine
Insurgent Rebel
Clown Army) during theday
ofaction against
theG8Gleneagles, Scotland,
July 2005. Photo:
Ian Teh.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
thenotion ofart asaseparate action in everyday life is avery recent phenomenon within
theWestern tradition. Inmost cultures there
isnt aseparation ofart and everyday life.
We think that activismthis idea
that activists have this monopoly onsocial
changeis exactly thesame asart having
amonopoly oncreativity. Actually everyone can
and has thecapacity and does change theworld
in some way, all thetime. So in away its akind
ofdialectical relationship, because we wanted
toget rid ofboth those notions. For us, creating an insurrection or some kind ofrevolutionary change (which we think is absolutely
necessary), we have toprovide thealternatives
tocapitalism and theclimate catastrophe and
resist theproblems that are happening that we
cant divide.
222
Arebel clown
puts lip stick
onand repeatedly
kisses riot shields.
Resistance against
theG8 summit, Edinburgh, Scotland,
July 2005. Photo:
Labofii.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
223
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
224
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
225
Put theFun
Between Your Legs:
Become theBike
BlocInstallation
before thegallery
was transformed
into an open bike
workshop, Arnolfini
Gallery, Bristol. Autumn 2009. Photo:
Labofii.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
Isabelle
Frmeaux
226
Put theFun
Between Your Legs:
Become theBike
BlocTheDDT
(Double Double
Trouble) one
ofthemachines
ofdisobedience
built and used during thedirect actions attheCOP15
Climate Summit,
Copenhagen,
December 2009.
Photo: Kristian
Buus.
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
227
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
228
Permaculture is abig part ofyour work. Could you say abit about
that? Why is permaculture important towhat you do?
Isabelle
Frmeaux
John
Jordan
And we have this ten-day training called Think like aForest, which
we have done four or five times over thepast years. Its actually
very inspiredits atraining in art, activism and permaculture
and it really looks atwhat does art bring toactivism, what does
activism bring toart, what does art bring topermaculture, what
does permaculture bring toart and activism and so forth, tolook
atit asasystem ofthree worlds. That training was actually very
Rise oftheInsurrectionary Imagination I sabelle Frmeaux and John Jordan with Rob Hopkins
229
Think Like
aForest workshop
in art activism and
permaculture.
Laboratory
ofInsurrectionary Imagination,
lar.O.n.c.e, Brittany,
Autumn 2011. Photo:
John Jordan.
by Nataa Petrein-Bachelez
Developed societies
oftheglobal north, buffeted by financial crises
and crises ofvalues,
theacceleration oftime
and unrelenting technological progress, now
talk ofsocio-ecological
systems. This new way
oflooking atthings
stems not only from
theurgent necessity
tostart implementing
ecological policies and
raise civic awareness, but
also from growing financial and economic
instability, local and international forms ofterrorism, natural disasters
and crucial new developments in thehumanities,
most notably anthropology and sociology. Socioecological systems are
networks or interconnected systems between
Nataa Petrein-Bachelez
is an art critic and independent
curator based in Paris, France.
She was thecurator ofthe7th
Triennial ofContemporary Art in
SloveniaResilience.
international financial
and economic politics,
logistics ofcrisis
management, terrorism
and natural disasters
management, corporate
risk analysis, thepsychology oftrauma, urban
planning, healthcare and
asaproposed upgrading oftheglobal trend
ofdeveloping sustainability in thesocieties
oftheglobal north.
Theterm is used
widely, with avariety ofconnotations:
in natural sciences or
physics, aresilient body
is described asflexible,
durable, and capable
ofspringing back toits
original form and transforming theenergy
received into its own
reconstruction (agood
example ofthis is
thesponge). Inpsychology, resilience refers
tothesubjects ability
torecover its original
state relatively quickly
after some significant
stress or shock and continuing with theprocesses ofself-realisation
231
232
233
becomes visibility,
which must be linked
tothesame material
and embodied processes
that enable this visibility
ofwork. Oftentimes, this
visibility is possible due
totheprecariousness,
flexibility and uncertainty ofwork, duetofetishising theimmaterial and
speculative e xperience
astheprincipal social
and communicative
experience that artistic work can make
possible Asthedividing line between life and
work in late-capitalist
working processes fades,
also thepossibilities for
an emancipatory alliance between work and
life dwindle, an alliance
born out oftheincessant politicising ofthis
difference, which makes
apparent theparadoxes
ofcontemporary autonomy, theillusory option
ofchoice, and oforganising ones life9
Despite these inevitable facts, young artists
enter into dialogue with
biotechnology, critical
9
theory and political
activism, underscor10
ing ontheother hand
thecyclical nature
oftime by reviving traditional knowledge and
techniques. Searching
for strategies towork
and also survive, strategies that become
atthesame time away
ofcollaborating and coproducing, coupled with
thecontents oftheir
work have become one
ofthemany inspirations
in structuring thetriennial. New approaches
tosecuring financial resources for survival have
led tonew ways ofcollaboration, in which
theisolation ofbeing
stationed in front
ofones computer is no
longer enough; it must
be upgraded with socialising and discussions,
which also means sharing theresponsibility for
(co-)financing theplace
hosting thesocialising.10
Thetriennial gave
prominence topractices
that can be seen asanalogous totheconcept
234
11
theBunker Institute,
which has been managing theOld Power
Station for years now,
animating thespace
with projects exploring
various principles ofcoliving and co-working.
Considering therelations and collaborations
set upat, by, and for
thetriennial, thecomplexity of, and contrasts
in thenature of, the
spaces and theinitiatives involved cannot be
ignored, contributing
toantagonisms and
disagreements b
efore,
during, and after
thetriennial. Bratko
Bibi dedicated asubdivision ofachapter
in his contribution
Improvizacije na temo
93/13 (Improvisations
onTheme 93/13) for
theMetelkova anthology,
published in honour
ofthe20 years ofwork
ofAutonomous Cultural
Zone Metelkova City,
tothese relations,
w riting about thecomplexity oftheproblems
ofcoexistence between
235
theACZ Metelkova
and theMuseum
square and its institutions: Atthemeeting
oftheForum oftheACZ
Metelkova City, which
serves asthedecisionmaking instance
apropos ofthecommon issues oftheACZ
Metelkova City, held in
June 2013, thefollowing
conclusion was adopted
[regarding theinvitation
issued by theDirector
oftheMSUM and thecurator ofthe7th Triennial
u3 toMetelkova City
topresent its activities and participate in
theTriennial: that there
is no consensus toparticipate in theexhibition,
although thediscussion
clearly left open theoption for every individual
toparticipate individually. Among other things,
themembers oftheACZ
Metelkova City wrote
in their conclusion that
theinvitation from
the+MSUM was gentrification pure and simple,
theyre trying tocreate areserve in which
12
Indians play themselves.12
Thetriennial was
processual by nature.
Most works exhibited
attheMSUM+, thekuc
Gallery, theSCCA Project
Room, and theperformative projects in
theMuseum square were
more than just art works,
they were also documentary pieces, fragments
ofnarratives, witnesses
oflong-term or lasting processes in which
they activated or altered
subsequent gestures and
activities. Thetriennial
gave prominence totime
and space, unfolding
atseveral locations
in thedesire togive
theyoung generation an
opportunity toexpress
their potential through
addressing urgent local
and global socio-political
problems and tocontribute tothedebate in and
over existing Slovenian
cultural policy. There
was aprogramme ofperformative projects and
debates that highlighted
thesymptoms and
236
237
One ofthepotentials ofcontemporary art is that it can lead tosustainable (co)living by enhancing social cohesiveness and providing possibilities
for agency, for addressing conflicts,
and translating knowledge beyond
theborders ofindividual communities or disciplines. Itgives everyone
238
Migration is not
theevacuation
ofaplace and the
occupation ofadifferent
one, it is themaking
and remaking ofones
own life onthescenery
oftheworld.
Dimitris Papadopoulos and Vassilis Tsianos,
TheAutonomy ofMigration: TheAnimals ofUndocumented Mobility
Madjigune Ciss
is thefounder
oftheNetwork
ofWomen for
Sustainable
Development in
Africa (REFDAF),
which works tohelp
women access
resources so that
they can adopt
more sustainable agricultural
methods and enjoy
more autonomy
and greater food
security.
241
242
society have thus reunited and organised themselves in order totake their
destiny into their own hands.
InSenegal, REFDAF (Rseau des
femmes pour le dveloppement en
Afrique) was born in 2000 by thewill
ofwomen who were victims ofausterity policies and ofthelack ofpolitical will among our leaders toget
out ofthediabolical circle ofpoverty.
Bycombining womens networks and
their grassroots associations, REFDAF
wishes topromote anew vision
ofeconomic and social development in
Africa and toreflect therole ofwomen
in thecreation ofconditions for sustainable development.
Themajority ofwomen live in unacceptable conditions: without running
water or electricity, without rewarding
outlets for their produce, sometimes
without aroof. Their most fundamental
rights are plainly ignored: theright
tohealth, toeducation, totraining,
theright toentertainment
To redress this situation, REFDAF
has created Local Product Exchange
Platforms (Espace dchanges). This
is aproject whose first step has been
tobuy market stalls and shops for
women in thebig markets ofDakar
in order toallow women tosell their
local products atjust prices. Achain
develops from thewoman who cultivates land, raises birds or processes her
products, uptothemarketing spaces
243
244
Doina Petrescu
is Professor
ofArchitecture and
Design Activism
attheUniversity
ofSheffield.
Constantin
Petcou
is aParis-based
architect whose
work stresses
theintersections
between architecture, urbanism and
semiotics.
246
1 Flix Guattari,
TheThree Ecolo
gies (London: Continuum F., 2008).
R-URBAN in Colombes
After three years ofresearch,
we proposed theproject
tovarious local authorities
and grassroots organisations
in cities and towns ofFrance.
Weconceived ofit asaparticipative strategy based onlocal
circuits that activate material
(e.g., water, energy, waste and
food) and immaterial (e.g., local
know-how, socio-economic,
247
R-URBAN
in Colombes:
Agrocit.
Photo credit: atelier
darchitecture
autogr.
248
formation, see
http://r-urban.net
facilitiesAgrocite, Recyclab
and Ecohabare collectively
run hubs that catalyse existing
activities with theaim of
introducing and propagating
resilient routines and lifestyles
that residents can adopt and
practise onindividual and
domestic levels, such asretro
fitting properties toaccommodate food cultivation and
energy generation.
Agrocite is an agricultural unit comprising an
experimental micro-farm,
249
R-URBAN in
Colombes: Inauguration ofthe
Agrocit, 2013.
Photo credit: atelier
darchitecture
autogr.
250
R-URBAN
in Colombes:
Recyclab, 2015.
Photo credit: atelier
darchitecture
autogr.
for fabrication
laboratory, asmallscale workshop
equipped with
various fabrication machines
and tools enabling
users toproduce
almost anything.
251
tion is supported
by theLife+
programme in
apartnership between aaa, theCity
ofColombes and
public works.
6 Andr Gorz,
Ecologica (Paris:
ditions Galile,
2008), p.13.
Carmen
Lozano-Bright
is therecipient
ofan R&D grant
from theEuropean
Cultural Foundation
for her research
into Southern
European commoning practices.
She moderates
thep2pSquare! Lab
onECFLabs, ECFs
online community space (https://
ecflabs.org/lab/
p2p-square).
She is amember
ofPlatoniq in
Barcelona, Spain
(www.youcoop.org),
one ofthehubs in
theEuropean Cultural Foundations
Networked ProgrammeCon
nected Action for
theCommons.
Kicking Off aYear ofP2P Plazas Research and Cartography Carmen Lozano-Bright
Istanbul. Movements that emerged rapidly and seemed ephemeral from outside reveal themselves tobe widespread
over local contexts. What once was underground has become commonplace,
accepted: urban gardens, self-managed
social centres, open schools, fablabs,
squats, active urban squares, hacklabs,
medialabs, makerspaces, connected by
scores ofnetworks.
Were calling this Southern
European phenomenon P2P Plazas:
places where bottom-upinitiatives
connect actions among peers (citizens).
Peers decide for themselves what todo
toinvent and participate in new forms
ofcultural production and consumption, far from theestablished so-called
Cultural Industries.
Frontiers that were strictly demarcated today merge and interact. Each
local area contains its own unique
context for its open spaces; community
relationships tothat context determine
theeventual re-use and re-invigoration
ofthose places. Abandoned factories
become new types ofwork spaces
253
(fablabs, makerspaces, worker cooperatives), open lots may become community commercial spaces (artisan
and local food markets). Theneighbourhoods cultural associations with
theoriginal space guide its rebirth, not
only its original use or legal zoning.
These places host practices steeped
insite-specific knowledge and learning, giving adeeply expanded, personal
significance tocommons-managed
publicspace.
Although these practices surround
us, there is no big picture toexplain
thedeep significance ofthese transformations onour societies.
Each space finds its way through
different legal (and illegal) formats,
agreements and contracts with private
and public owners. If we could affect
aclearer view by mapping these experiences throughout Southern Europe,
including themanagement and legal
aspects ofhow theyre (re)signifying their environments, we would
provide acatalogue ofprototypes
tobereplicated.
Kicking Off aYear ofP2P Plazas Research and Cartography Carmen Lozano-Bright
254
Kicking Off aYear ofP2P Plazas Research and Cartography Carmen Lozano-Bright
255
Kicking Off aYear ofP2P Plazas Research and Cartography Carmen Lozano-Bright
256
Urban garden
in an abandoned
lot. Vallcarca,
Barcelona. Winter
2015, photo credit:
Carmen LozanoBright.
Navarinou Park,
Athens, May 2015,
photo credit: Carmen Lozano-Bright.
Kicking Off aYear ofP2P Plazas Research and Cartography Carmen Lozano-Bright
257
Carmen
Lozano-Bright
is therecipient
ofan R&D grant
from theEuropean
Cultural Foundation
for her research
into Southern European commoning
practices.
Between Random and Democratic Practices: TheCommons Board Game Carmen Lozano-Bright
259
Between Random and Democratic Practices: TheCommons Board Game Carmen Lozano-Bright
260
Between Random and Democratic Practices: TheCommons Board Game Carmen Lozano-Bright
261
Original drawing
of Commons
poly board by
Carla Boserman.
Board designed
and developed
by members of
Table 5, Reclaim
the Commons
hackcamp
17th Edition of
the ZEMOS98
festival. Photo:
JulioAlbarrn.
Claudia Ciobanu
is aRomanian
journalist based
in Warsaw. Her
articles have been
published notably
in TheGuardian,
Al-Jazeera,
openDemocracy
and Inter Press
Service.
From Public Space toCommon Good: Polands Urban Political Activism Claudia Ciobanu
265
From Public Space toCommon Good: Polands Urban Political Activism Claudia Ciobanu
266
From Public Space toCommon Good: Polands Urban Political Activism Claudia Ciobanu
issues toroot causes ofcity life problems while building broad alliances
ontheway.
According toJakub Zaczek, the
reprivatisation ofpublic buildings in
Poland, which has been taking place
since 1989, is ahighly abusive process,
not only because those claiming buildings often falsify their rights tothe
property with authorities turning
ablind eye, but also because Polish authorities are not forced by law tooffer
alternative housing tothose kicked out.
Interestingly, reprivatisations in
Warsaw in particular offer an occasion toquestion what is often adogma
in post-Socialist Central and Eastern
Europe, that private property is
thecore building block ofafair, free
and democratic society. Notoriously,
Warsaw was virtually effaced
attheend ofWorld War II, and thereconstruction ofits building stock was
done with huge reliance onvolunteer
efforts by citizens. These same people
were then given theright tolive astenants ofthecity in thenew buildings,
which became property oftheSocialist
state. And they (or their heirs) are being evicted today in thename ofaprewar order.
Thelack ofany protection for
theevicted tenants adds insult toinjury. Social and communal housing
(these are two categories ofhousing
offered by thestate for less privileged
267
From Public Space toCommon Good: Polands Urban Political Activism Claudia Ciobanu
268
From Public Space toCommon Good: Polands Urban Political Activism Claudia Ciobanu
269
Sophie Bloemen
is acivil society
activist and policy
advisor based in
Berlin. She coordinates TheCommons Network,
together with David
Hammerstein
(http://commonsnetwork.eu/).
271
Julie Ward
is aMember
oftheEuropean
Parliament (MEP)
and amember
oftheIntergroup
for Common
Goods and Public
Services.
273
more inclusive and promote innovative economic models that are fairer,
more cooperative and put people
andplanet first.
Drawing oninspiration from existing original and dynamic projects,
we can re-shape public discourse, and
mobilise progressives across societies,
from thealternative and critical left,
into themainstream. Initiatives aiming atreclaiming thepublic spaces,
thecommons and thecities, illustrate what we all must assert loudly
and proudlythat Thatcher was
wrongsociety does exist, it is all
around us, and our fight for social
justice and democracy goes on.
Reclaimed spaces
workshop, 2013
coordinated by:
studioBASAR;
drawing by:
CristiStoian.
274
Since theurban
process is amajor
channel ofsurplus
use, establishing
democratic manage
ment over its urban
deployment constitutes
theright tothecity.
David Harvey, TheRight totheCity
Culture hunters
by Tinni Ernsjoo Rappe
Tinni
Ernsjoo Rappe
is aSwedish journalist and writer.
277
1 Founded in 2006,
278
Philippe Eynaud
is Associate
Professor, IAE
Paris, PanthonSorbonne. Winner
oftheRobert Reix
prize 2008, his
research focuses
oninformation
technology systems and how they
contribute tonew
governance models
in thenon-profit
sector.
Sam Khebizi
is thefounder
ofLes Ttes delArt
association in Marseille, France (www.
lestetesdelart.fr),
one ofthehubs in
theEuropean Cultural Foundations
Networked ProgrammeCon
nected Action for
theCommons.
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
280
1 Juan-Louis Klein
Lassociation: Soci
ologie et conomie
(Paris: Pluriel, 2013).
3 Jean-Louis Laville
& C. Hoarau,
LaGouvernance
des associations
(Paris diffusion:
Cairn.info, 2010).
4 Juan-Louis Klein,
Jean-Louis Laville
& Frank Moulaert,
L innovation so
ciale (Toulouse:
res editions, 2014).
5 Louise Dandurand,
281
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
pooling/sharing ofresources.
dedicated toexchanges and
Fromthestart, we have
servicessuch asguidance,
always meant tomake art
networking, our technical reaccessible toall, standing
source platform, our cultural
atthecrossroads between culproject management cooperature, informal education and
tivecomplete and contri
social economy. Our vision
bute toproject management
ofculture is one ofmaking
and enable our members tobe
with rather than for people,
part ofaproject which is comand our action can be divided
mon and shared beyond their
into three types oftransverown, respective actions. 9
Asearly as1996, thememsal ones: amultidisciplinary
bers oftheassociation set out
approach, atrans-sector
aproject taking into account:
action and one from thelocal
thedifficult reconciliation betotheinternational level. 7
We can see TDAs project
tween thelogics ofterritorial
atthecrossroads between difattractiveness through culture
ferent worlds: informal educaand that ofproximity cultural
tion and culture, economy and
action involving theresidents;
solidarity, project management thenecessary coordination
and networking and thelocal
ofamyriad ofmicro-cultural
and international dimensions.
organisations throughout
Theassociations ambitions are
theterritory;
thus transversal. It must find ahyper-density ofcultural
abalance between representorganisations in thecity cen8
ing and mobilising theactors.
tre ofMarseille, which leads
Which leads tothedifficult
topoor visibility, legibility and,
question ofhow it solves
paradoxically enough isolatheinherent contradictions
tion. These organisations are
oftheproject. How can colboth in cooperation and comlective action be coherent:
petition with each other.
Ouroriginality lies in that our
TDA sees in thesocial
cultural mediation approach is
economy sector an opportudependent neither onthedisnity tobring together cultural
cipline itself, nor onthevenue
actors despite their differen
or type ofaudience. Times
ces. This is one ofthereasons
7 Excerpt from
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
282
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
13
for 17 years. He still is
thefounder.
Attheend of2008, he
started working onparticipatory governance. He had
toovercome thecultural actors reluctance. TDAs Director:
Our members and partners
did not want tobe part ofit.
They often said: Why did you
ask for our opinion onfigures
or planned activities? It was
no easy trick and they misunderstood our intentions.
Ittook us three or four years
toget there. Inorder toconvince them, he put forward
thefollowing argument:
theassociation has grown so
that its needs have changed.
According toTDAs
Director, it was high time
tomove from acomplacent
Board ofDirectors toaqualified one[] thePresident, for
example, was my wife. It could
not go onlike this. What rules
could we find, which would
give more power totheBoard
ofDirectors and, atthesame
time, recognise my specific
role and my engagement?
To do so, he pushed forward
thecreation ofan artists committee, in order toinvolve
theartists in thegovernance.
283
SMart, Socit
Mutuelle pour
artistesmutual
society for artists,
was set upin 1998
in Belgium. It aims
togive guidance
toperformers,
technicians and
temporary workers who face
thecomplex
administrative realities oftheartistic
sector. Its French
counterpart was
created in 2008.
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
One must add that theassociation had about 10 member artists when it was first created,
but there were 120 in 2008
and some ofthem wanted
tomove forward.
TDAs Director commented: Our social purpose
was participatory art. How
could we move forward
without participatory governance? Participatory art
was our starting point. And
we have acollective artistic
participatory practice, i.e., we
seek debates and confrontations between individuals.
Participatory governance is
aprocess that goes beyond
statutory, legal frameworks
and intends toinvolve stakeholders in acommon project
in both vision and decisionmaking processes. It leads
toacollective project where
each and everyone finds their
place and personal development in thelong run.
Aresearcher, participating in areflection workshop
atTDA, said thesame thing:
Asfar asIam concerned,
Ithink thebest possible
framework is human rights.
Because it is rational enough
tolegitimise these practices
284
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
15
we could put forward concrete initiatives that we have
already tested. It is with this
balance between what we can
offer and what we expect from
other experiences that we apply, because it is well in line
with our current preoccupations and thespirit ofyour
project[] Besides, we have
an engineering and mutualisation platform, which enables
us toparticipate in adissemination phase towards operators onour territory so that all
can benefit from this project. 16
Basta acts asatrigger for
theTDA team. We realised
that, most ofthetime, peoples opinions are solicited
along theprocess, but nothing
follows really after that.
Bastas case is an exemplary
one in this respect, because
this cooperative works with
populations who are apriori
not rehabilitable. What Ifind 16
fascinating is that these people working there have full
access toall sorts ofpositions
within their governance.
Indeed, Bastas leaders are exdrug addicts who have been
employed, (TDAs Director).
Asaresult, Bastas example
motivates TDA even more
285
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
286
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
guidanceaswas thecase
with La Claiebut rather
pushing for directions for
others. For us, thefact that
ECF chose us is very important. They expect that WE carry out objectives. We said we
wished that all stakeholders
ofTDA, aswell asall cultural
organisations ontheterritory
be part ofit onthis theme.
Inso doing, theprogramme
will be abasis for reflection
onour relationship with
theterritory, (TDAsDirector).
Then everything progressed quicklyfinancial
help tohost and co-organise
an international meeting in
Marseille: theIdea Camp.18
InOctober 2014, TDA welcomed 50 project leaders from
23 countries. It gave theassociation theopportunity atlast
togather together agreat
number ofpartners around
its project. ECFs programme
is stretching over athreeyear period, which gives TDA
time tovalorise theactivities launched atalocal level,
after this meeting. Over 60
local organisations attended
tocollect information onthis
programme. After being recognised asamediator by ECF,
287
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
complement toapre-existing
artistic work. 20
This major idea is atthe
heart ofTDAs innovation
20
approach. Indeed, social innovation comes from theconnection made between two
issuesparticipatory art and
its supportive cultural action.
Reflexivity onand around this
idea only strengthens this
initial intuition. Interestingly
enough, thethree steps
oftheformalisation process we have described were
not planned by TDA, but each
ofthese steps made it possible for thenext. When TDAs
Director chose tobe trained
attheCNAM, he had no prior,
well-defined purpose in mind
except todevelop his theoretical and technical competences
in thefield ofassociations.
Yet he felt aneed tostructure
his action through knowledge
ofsomething larger than
his initial field ofactivity
culture. This first collaboration with academics opened
theway for areflexivity that
he never ceased todevelop and
expand. During thesecond
phase, two TDA employees
met and shared with other associations onexperimentation
288
Lucas is Lecturer
at Rennes 2 Universityaka Doc
Kasimir Bisou.
Philippe Henri,
Dmarches artis
tiques partages
# 1: des processus
culturels plus d
mocratiques? (under Creative Commons), 2011 (http://
www.editionsattribut.fr/IMG/pdf/
No56_Demarches_
artistiques_
partagees_1_Philippe_
Henry.pdf).
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
289
Participatory Art asaVector ofInnovative Governance Philippe Eynaud and Sam Khebizi
290
2012
Place lArt 2012
(Belsunce district,
Marseille): Hall
Puget square.
Photo credit:
LesTtes delart.
2014
Place lArt
2014 (Noailles
district, Marseille):
thepublic listening
tothetown crier.
Photo credit: Les
Ttes delart.
2015
Place lArt
2015 (Belsunce
district, Marseille):
construction:
example ofa of
urban furniture with
theinhabitant and
kids ofthedistrict,
construction by
local inhabitants.
Photo credit: Les
Ttes de together
with thecollective
ETC.
292
293
294
Thedemocratic deficit
is amatter ofculture
Thecrisis has had numerous
negative effects in many vital
sectors ofEuropean societies,
but it has simultaneously
revealed theexistence ofaserious democratic deficit in
todays European societies.
This deficit is not acompletely
new discovery, but therecent
developments in thepolitical
arena and their repercussions
onthestreets ofvarious
European cities point toreal
reasons tofear that thegap between thedecision-makers and
thecitizens is liable togrow
even wider in thenear future.
Katarina Pavi
is amember ofCulture 2 Commons
(Alliance Operation
City: operacijagrad.
net; Clubture Network: clubture.org;
Right tothecity:
pravonagrad.org),
one ofthehubs in
theEuropean Cultural Foundations
Networked ProgrammeCon
nected Action for
theCommons.
296
Theregional view
Where cultural policy-
making in theformer
1 Sources: http://
www.publiclibrariesnews.com/,
http://www.
cilip.org.uk/
2 For further read-
ing onthecultural
public sphere and
thechallenges determining relationships in this field,
see Jim McGuigan,
Rethinking
Cultural Policy
(Open University
Press, 2004).
Most oftheorganisations
forming todays independent cultural scene emerged
attheend ofthe1990s
ontheback ofthedemocratisation movements that were
sweeping across theregion,
perpetuating thetradition
ofthealternative cultural
and artistic movements in
theprevious decades. Very
broadly, this scene includes
anumber ofdifferent organisations and initiatives operating across all contemporary
artistic and cultural forms
ofexpression. Their work is
based ontheinterdisciplinary
approach and experimentation
attheintersection ofcontemporary art and popular culture,
and onactive engagement
in thelocal communities.
Attheturn ofthemillennium, independent cultural
organisations began tospring
upall over theregion. They
multiplied not only in quantity
but also asregards thediversity oftheir activities and
geographical dispersion, especially after most oftheregions
countries adopted new laws
or significantly liberalised
existing legislation oncitizens associations. This was
297
3 Thesituation varies
significantly among
thedifferent countries oftheregion,
with instruments
ofcultural policies
being most highly
developed in Slovenia and Croatia.
All thecountries
offormer Yugoslavia still have many
similarities in their
main characteristics, including
theoverall organisation ofcultural
policy systems.
Independents united
Inaddition todemanding
new cultural policy reforms,
theindependent cultural scene
initiated anumber ofmeasures geared towards bridging
thegap between independent and institutional cultural
production, aswell asthat
between theperceptions
ofproducers and consumers
ofarts and culture. Thefoundation oftheClubture network5 in Croatia was one
ofthemajor steps in this
direction. Established in 2002
asaplatform for direct cooperation between organisations
and theformulation ofjoint
programmes, Clubture has
achieved significant results
in terms ofdemocratising
culture and decentralising
298
4 Further reading:
Emina Vini,
Abottom-upap
proach tocultural
policy-making, In
dependent culture
and new collabora
tion practices in
Croatia (Ecumest/
ECF/TheClubture
Network, 2008).
5 www.clubture.org
6 Further reading:
299
7 Further reading:
POGON
Zagreb Center for
Independent Culture and Youth
www.upogoni.org
Exhibition: Sybille
Neumeyer: past
presence, present
absence
urban aspects.
PogonJedinstvo
factory, February
16, 2013.
Photos by:
Damirii
&Barbara ari.
300
301
8 In2006, independ-
centar.wordpress.
com/english/
11 Further reading:
Celakoski et al.,
Open Institu
tionsInstitu
tional imagination
and Cultural
Public Sphere
(Alliance Operation City, 2011) and
http://openinstitutions.net/
302
Another cultural
policy reform measure
initiated by theindepen
dent cultural actors has
been thenewly established
Foundation Kultura Nova,12
anovel institutional format
geared towards promoting
thedevelopment ofcultural civil society in Croatia.
TheFoundation will support cooperation projects
between organisations in
Croatia, atthenational level
and ontheregional front,
itwill help develop cooperation between different sectors and provide operational
support tofoster organisational development.
Conclusions and
recommendations:
thedeficit is not just
aproblem for others
Thecooperation and mutual
advocacy practices developed
by theindependent cultural
scene in theformer Yugoslav
countries have shown that
reforming policy measures
via bottom-upprocesses can
achieve positive results in
terms ofnarrowing thegap
12 TheCroatian
Parliament
adopted thelaw
ontheFoundation
Kultura Nova in
July 2011; theFoundation is currently
making thefinal
arrangements
tobegin operations.
303
POGON
Zagreb Center for
Independent Culture and Youth
www.upogoni.org
Jedinstveno Jedinstvo/Unique Jedinstvo: Celebration
on the occasion of
painting the facade
of Jedinstvo factory, September21,
2013. Photo by
POGON Zagreb.
304
POGON
Zagreb Center
forIndependent
Culture and Youth
www.upogoni.org
Corners of Europe
Project.
http://www.cornersofeurope.org
Performance:
Chassis by: Ivana
Ivkovi and Rita
Marcalo, incollaboration with Stewart
Gibb-Lodge, Andy
Plant, and Lucy
Barker. Zagreb,
Savica Market.
Arthur
de Grave
Michel
Bauwens
Arthur de Grave
is Editor-in-Chief
atOuiShare
magazine.
Michel Bauwens
is atheorist, author
and researcher.
He is thecreator
oftheFoundation
for Peer-to-Peer
Alternatives, and
one ofthekeynote speakers
attheEuropean
Cultural Foundations Idea Camp
2015Build
theCity.
Michel
Bauwens
306
1 Michel Bauwens,
Sauver le monde:
Vers une socit
post-capitaliste
avec le peerto-peer [Saving
theWorld: Towards
apost-capitalist
society with apeerto-peer approach]
(Paris: ditions
Les Liens Qui
Librent, 2015).
2 Marjorie Kelly, Own
307
Michel
Bauwens
Arthur
de Grave
Will that be enough? Those in whose hands capital is concentrated today have no interest in theemergence ofadistributed
and fair model
Michel
Bauwens
308
Michel
Bauwens
309
Arthur
de Grave
Occupy Wall Street and theIndignados eventually lost momentum. TheArab Spring was, for themost part, led astray. InSpain,
thePodemos movement attempts tomaintain abalance between
bottom-upand vertical power, but attheexpense ofpermanent
tensions. How can one overcome thecontradiction between
theinstitutional logic intertwined with political practices and
horizontality, aconcept cherished by social movements?
Michel
Bauwens
Arthur
de Grave
Michel
Bauwens
310
Michel
Bauwens
313
314
315
Think Like a
Forest workshop
in art activism and
permaculture.
Laboratory
of Insurrectionary
Imagination, la
r.O.n.c.e, Brittany,
Autumn 2011. Photo:
John Jorda
316
317
Further Reading
and other interesting links
TheDigital Library oftheCommonsincluding
anumber ofessays onthecity and towns:
http://dlc.dlib.indiana.edu/dlc/
browse?value=cities+and+
+towns&type=subject
Library oftheCentre de Cultura
Contempornia de Barcelona
http://www.publicspace.org/en/library
TheCreation oftheUrban
Commons by David Harvey:
https://mappingthecommons.wordpress.
com/2012/11/13/the-creation-of-the-urbancommons-by-david-harvey/
Project for Public Spaces
Barcelona, Market Cities
http://www.pps.org/reference/market-citiesbarcelona-offers-a-hopeful-glimpse-of-the-future/
Introduction: Open Source Public
Space DevicesPaco Gonzalez
(recipientofan ECF R&D grant, 2014)
http://ecflabs.org/lab/public-space-makers/image/
introduction-open-source-public-space-devices
TheCity Belongs toAll ofUsPhillip Cryan
http://www.onthecommons.org/city-belongs-all-us
Quiet Innovationinterview with Christian Iaione
http://www.sharitories.net/quiet-innovation-interviewwith-christian-iaione/#more-382
Center for Research Architecture
http://roundtable.kein.org/
Volume journal/Archis:
http://volumeproject.org/
Ephemera JournalVol 15, issue 1
Saving thecity: collective low budget
organizing and urban practice
http://www.ephemerajournal.org/issue/saving-citycollective-low-budget-organizing-and-urban-practice
Paisaje Transversal (Spanish):
reflexin urbana para la imaginacin colectiva
http://www.paisajetransversal.org/2015/05/
DebatesUrbanos-Institucionalizar-practicasemergentes-urbanismo-tactico-bottom-up-estrategiaciudad-nuevo-urbanismo.html
Commons Bibliographyproposed by David Bollier
http://bollier.org/commons-resources/commonsbibliography
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