Interiors

INTERIORS
28-29 July 2015
New York
Its easy to buy at Christies

Read this simple guide to buying at auction. If you still have questions, our terms and Conditions of Sale and
Limited Warranty, as well as much more information can be found in the All You Need To Know section at the
back of this catalogue. We strongly encourage you to read these sections as they set out the terms on which
property is bid for and bought at our sales.
BROWSING
CHRISTIES LIVE
PAYING & TAKING IT HOME
Browsing our catalogues is a great way to discover

more about whats coming up in future sales;
alternatively check the website at www.christies.com
where its possible to see all lots free of charge.
Of course, once the sale is on view, visit our
salerooms, open seven days a week except Bank
Holidays.
is our online bidding service that allows you to see

and hear the auction in progress and gives you a
real time link into the saleroom direct from your
PC. All you have to do is click to bid wherever you
are. Visit christies.com to find out more.
Once you have paid for your lot you can take it
home or arrange for it to be delivered. Please note
that many lots will be held at Redstone,
our new Long Island City facility. If you dont pick
up your property within 35 days of the sale, bear
in mind that handling and administration charges
will apply. For collection information, please refer
to the Lot Collection Notice, available from our
Bids Registration Staff, at Purchaser Payments or at
the Packing Desk. We do advise that you contact
Purchaser Payments to confirm your propertys
location on +1 212 636 2495 or +1 212 974 4500.
DESCRIPTIONS
cover basic catalogue information such as size, date

or age, medium, type, attribution, quantity and so on.
ESTIMATES
are given for all lots and can be based on prices

recently paid at auction for comparable property.
They can take into account rarity, condition, quality
and provenance.
THE RESERVE
is the price below which a lot will not sell. Since it
is confidential it is not published in the catalogue.
The reserve will never exceed the low estimate.
TALK TO OUR SPECIALISTS
who will always be happy to discuss the lot

in greater detail; their contact details are
listed opposite. Our Specialists are available
at viewings or by appointment.
CONDITION REPORTS
are available on our website accompanying

the lot descriptions. These supplement the
catalogue description and provide guidance
on a lots condition.
VIEW THE LOT PERSONALLY
We always recommend coming to the saleroom

and looking at a lot for yourself, especially in the
case of more valuable items. Our viewing rooms
are open to the public and are free of charge.
SYMBOLS
next to the lot number can indicate a variety

of things, such as whether the lot is being sold
without a reserve or if the lot has special export
requirements. There is a key to symbols in the
All You Need To Know section at the back of this
catalogue.
BIDDING
There are four ways to buy, offering you convenience and flexibility whether you are able to
attend the auction in person or not. All of the following services are free:
IN THE SALEROOM
you will experience the buzz, drama and fun of

bidding in a live auction. To bid in person just arrive
in time to register. For your convenience, we recommend that you arrive in good time in advance of
the auction. If you havent bid with us before youll
need to bring some form of identification such as a
drivers licence or passport and a bank reference.
TELEPHONE BIDDING
allows you to talk directly to a Christies member

of staff in the auction itself who will relay progress
back to you and, upon your instruction, bid on
your behalf. To arrange a telephone bid please contact the Bids Office at least 24 hours in advance of
the sale either on your visit to the saleroom or by
telephoning us on +1 212 636 2437. Please make
arrangements for bids in languages other than
English well in advance of the sale date. Telephone
bids may be recorded and by bidding on the
telephone, prospective purchasers consent to the
recording of their conversation.
WRITTEN BIDS
are great if you cannot attend the auction or are

not available to participate either online or on the
telephone. A written bid (also referred to as an
Absentee Bid) is simply your direction to the auctioneer to attempt to bid at the lowest possible
price, taking into account the reserve price. The
auctioneer will bid progressively up to your maximum bid. To find out more about written bids and
how to place them refer to the written bid form
at the back of this catalogue or just call our Bids
Office on +1212 636 2437.
BIDDER REGISTRATION
If you have not previously bid or consigned with

Christies, you should bring:
Individuals: government-issued photo identification
(such as a driving licence, national identity card, or
passport) and, if not shown on the ID document, proof
of current address, for example a utility bill or bank
statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies
Credit Department at +1 212 636 2492 for advice on
the information you should supply.
A financial reference in the form of a recent bank
statement, a reference from your bank, and/or your
bankers contact information. Christies can supply a
form of wording for the bank reference if necessary.
If you have registered to bid on behalf of someone who has not previously bid or consigned with
Christies, you should bring identification documents
not only for yourself but also for the party on whose
behalf you are bidding, together with a signed letter of
authorization from that party.
To allow sufficient time to process the information, you
are encouraged to register at least 48 hours in advance
of a sale.
You should register for a numbered bidding paddle at
least 30 minutes before the sale. Clients who have not
made a purchase from any Christies office within the
last two years and those wishing to spend more than
on previous occasions, will be asked to supply a new
bank reference to register.
For assistance with references, please contact Christies
Credit Department at +1 212 636 2490 or by fax at
+1 212 636 4943.
HOW MUCH YOU WILL PAY
If you are successful you will pay the hammer price

plus buyers premium on each lot (25% of the
first $100,000 of the hammer price, plus 20% of
the excess of the hammer price above $100,000
up to and including $2,000,000, plus 12% of
any amount in excess of $2,000,000), together
with any additional applicable charges, sales or
compensating tax or equivalent tax in the place
of sale which shall be applied on the hammer
price and premium at the applicable rate. There is
a PAYMENT AND SUCCESSFUL BIDS section at the
back of this catalogue. If you still have any questions
please call Purchaser Payments on +1212 636 2495.
POST-SALE CARE
All lots (including all furniture) will be held at

Rockefeller Center or Redstone handling facility.
Property may be transferred at Christies discretion following the sale and we advise that you
contact Purchaser Payments on +1 212 636 2495
to determine your propertys location at any given
time. Please also consult the Lot Collection Notice
for collection information for purchased lots. This
sheet is available from the Bidder Registration staff,
Purchaser Payments or the Packing Desk. Failure to
collect your property within 35 calendar days of the
auction date from any Christies location, will result
in handling and administration charges plus any
applicable taxes. For a simple map to Redstone and
contact telephone numbers, please see ALL YOU
NEED TO KNOW - TAKING IT HOME located in the
back of this catalogue.
DELIVERY
We can help you with all your transport requirements whether local deliveries or international
freight. For more details please refer to the All You
Need to Know section in this catalogue or call our
Art Transport Department on +1 212 636 2480.
INTERIORS
new york
28-29 JULY 2015
AUCTION CODE
AND NUMBER
AUCTION
Tuesday 28 July 2015

10 am (Lots 1-229)
2 pm (Lots 230-357)
In sending absentee bids or

making enquiries, this sale should
be referred to as FOXY-3758
Wednesday 29 July 2015

10 am (Lots 358-526)
2 pm (Lots 527-726)
AUCTIONEERS
SPECIALISTS
Friday
24 July
10 am5 pm
Saturday
25 July
1 pm5 pm
Sunday
26 July
1 pm5 pm
Monday
27 July
10 am5 pm
Tuesday
28 July
9.30 am5 pm
Wednesday
29 July
9.30 am5 pm
CONTACTS
Sima Jalili
EMAIL
First initial followed by last name @

christies.com (eg. Sabina Milbank =
smilbank@christies.com)
SALE COORDINATOR
Emily Gladstone
Fine Art
Megan Conroy
ADMINISTRATORS
Nick Dinerstein
Sabina Milbank
Shannon Ryan
ENQUIRIES
SALE ENQUIRIES
Tel: +1 212 636 2032

Fax: +1 212 492 5718
AUCTION RESULTS
www.christies.com
Richard Nelson
Furniture
Bliss Summers
Furniture
Victoria Tudor
Objects
This auction features
live online bidding

register at www.christies.com
VIEWING
BUSINESS MANAGER
Andrew Huber
Fine Art
This auction is subject to

Important Notices, Conditions of Sale
and to Reserves
tm
Gemma Sudlow (# 2016494)

Richard Nelson (#1184056)
Francis Wahlgren (# 0868229)
20 Rockefeller Plaza
New York, NY 10020
Please note lots marked with a square n

will be moved to Christies Redstone
Post-Sale Facility in Long Island City at 5pm
on the last day of the sale. These lots can be
collected from Christies Rockefeller until that
time, or they will be available at Redstone
on the following Monday. All other lots will
be kept at Christies Rockefeller for 21 days
following the sale, after which they will be
transferred to Redstone and available for
collection after 2 business days.
CONDITIONS OF SALE
For general enquiries about this

auction, email should be addressed
to the auction administrators.
View catalogues and leave bids

online at christies.com
Browse this auction and view

real-time results on your iPhone,
iPod Touch, iPad and Android
devices
TELEPHONE BIDS WILL BE ACCEPTED FOR LOTS WITH

LOW-END ESTIMATES OF $1,500 AND ABOVE, NO LATER
THAN 24 HOURS PRIOR TO THE SALE AND ONLY IF THE
CAPACITY OF OUR POOL OF STAFF PHONE BIDDERS
ALLOWS. ARRANGEMENTS TO BID IN LANGUAGES OTHER
THAN ENGLISH MUST BE MADE WELL IN ADVANCE OF
THE SALE DATE.
TELEPHONE BIDS MAY BE RECORDED. BY BIDDING ON
THE TELEPHONE, PROSPECTIVE PURCHASERS CONSENT
TO THE RECORDING OF THEIR CONVERSATIONS.
CHRISTIES OFFERS ALL ABSENTEE AND TELEPHONE
BIDDING SERVICES AS A CONVENIENCE TO OUR CLIENTS,
BUT WILL NOT BE RESPONSIBLE FOR ERRORS OR FAILURES
TO EXECUTE BIDS.
PLEASE NOTE THAT ALL LOTS HIGHLIGHTED WITH RED
TITLES ARE OFFERED WITHOUT A RESERVE. ALL LOTS
WITH AN ASTERISK MAY BE EXEMPT FROM SALES TAX,
AS SET FORTH IN THE SALES TAX NOTICE AT THE BACK
OF THE CATALOGUE.
PLEASE NOTE THAT THE MAJORITY OF FURNITURE LOTS
IN THE INTERIORS SALE ARE TRANSFERRED TO REDSTONE
ON THE DAY OF THE SALE. PLEASE SEE STORAGE AND
COLLECTION AT THE BACK OF THE CATALOGUE FOR
FURTHER DETAILS. PLEASE CHECK WITH CASHIERS
BEFORE PICKING UP PROPERTY.
Art Direction by Vladimir Golanov

Photography by Charles Kaufman and Nancy Scherl
[20]
Order
Of
Sale

at 10 am
1-229
Fine Art

at 2 pm
230-239
Silver and Silver Plate
240-270
Glass
271-277
Porcelain and Ceramics
278-288
Chinese Export Works of Art
289-352
Chinese Works of Art
353-357
Japanese and Southeast Asian Works of Art

at 10 am
358-526
Furniture and Decorative Works of Art

at 2 pm
527-726
Furniture, Decorative Works of Art and Rugs
The Collection of
Ann Arenberg Gips and Walter F. Gips, Jr.
(Lots 1-9)
During their lifetimes, art connoisseurs and patrons Ann Arenberg Gips and
her husband Walter F. Gips, Jr. expanded upon the collection of singular
quality and breadth assembled by her parents Albert L. and Claire S.
Arenberg, noted benefactors of the Art Institute of Chicago. This collection
celebrated the very best in 20th Century icons Pablo Picasso, Alberto
Giacometti, Joan Mir and Willem de Kooning along with masterpieces of
classic American artists like David Smith, Milton Avery, Ellsworth Kelly and
George Rickey. The Gips assemblage of fne art stands as a tangible legacy to
a vibrant family committed to beauty, visual intellect and trailblazing ideas in
all aspects of the arts and the world.
ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
Tuesday 28 July
at 10.00 am
Fine Art
6
RICHARD ANUSZKIEWICZ (B. 1930)
(Lots 1-229)
Untitled
THE COLLECTION OF ANN ARENBERG GIPS

AND WALTER F. GIPS, JR. (LOTS 1-9)
screenprint in colors, 1968, on wove paper,

signed and dated in pencil, numbered 20/35,
with margins
I. 13 x 12 in. (330 x 305 mm.)
1
EDMONDO BACCI (ITALIAN, B. 1913)
$1,000-1,500
Avvenimento (No. 257)

signed E. Bacci (lower right); signed
again, dated, titled and numbered
AVVENIMENTO/ N257/ Edmondo
BACCI/ 1957/ No. 3151 (on the stretcher bar)
oil on canvas
23 x 31 in. (59.7 x 79.4 cm.)
Painted in 1957.
$5,000-7,000
1
PROVENANCE:
with Galleria dArte del Cavallino, Venice.

with Peggy Guggenheim Gallery, Venice.
Acquired from the above by the present owner.
7
MARGO HOFF (AMERICAN, B. 1912)
Taxi Crash (Chicago)
EXHIBITED:
signed M. HOFF (lower right)

oil on canvasboard
30 x 20 in. (76.8 x 50.8 cm.)
Venice Biennale, 1958.
2
ARNALDO POMODORO (ITALIAN, B. 1926)
$800-1,200
Energia Meccanica
silver on canvas laid down on panel
15 x 9 in. (40 x 24.4 cm.)
Executed in 1955.
$5,000-7,000
7
PROVENANCE:
The Venice Biennale.

Acquired from the above by the present owners,
1956.
8
RED GROOMS (AMERICAN, B. 1937)
EXHIBITED:
Ruckus and More Ruckus
Venezia, Galleria del Cavallino, Gi e Arnaldo

Pomodoro, 28 August-6 September 1955.
Venezia, Galleria del Cavallino, I 3P: Giorgio
Perfetti, Gi e Arnaldo Pomodoro, 4-13 September
1955.
Venezia, Biennale, 1956.
signed and dated Red Grooms 84 (lower left)

collagepen, ink and gouache on paper on
paper
12 x 13 in. (31.7 x 34.2 cm.)
Executed in 1984.
$800-1,200
LITERATURE:
PROVENANCE:
AA.VV., Libro per le sculture di Arnaldo Pomodoro,

Milan, 1974, p. 85 (illustrated).
F. Gualdoni, Arnaldo Pomodoro, Catalogo
ragionato della scultura, Milan, 2007, vol. II, p.
380, no. 4 (illustrated).
with Marlborough Gallery, New York.

with Benjamin Mangel Gallery, Philadelphia,
1985.
9
JAMES ROSATI (AMERICAN, 1912-1988)
This work originally had a velvet background

which has since been replaced with canvas.
Untitled
3
LOUISE NEVELSON (1899-1988)
signed with artists monogram and dated JR 60

(on the underside)
bronze with brown patina
11 x 4 x 5 in. (27.9 x 11.4 x 12.7 cm.),
including base
Executed in 1960.
Sky Shadow from Lead Intaglio Series

3
intaglio collage, 1973, on Fabriano paper,

signed, titled and dated in pencil, numbered
78/150, published by Pace Editions, Inc., New
York
S. 29 x 24 in. (750 x 622 mm.)
$1,500-2,000
$2,000-3,000
PROVENANCE:
The Art Institute of Chicago, Chicago.

Acquired from the above by the present owner,
1962.
PROVENANCE:
The Museum of Modern Art, New York.

1973.
EXHIBITED:
4
BEVERLY PEPPER (AMERICAN, B. 1922)
Chicago, The Art Institute of Chicago, 65th

American Annual Exhibition, 5 January-18
February, 1962.
Quasi Possible
signed with initials BP (along the base)

polished steel and enamel
11 x 4 x 3 in. (27.9 x 11.4 x 8.9 cm.)
Executed in 1975.
$1,500-2,000
PROPERTY OF A GENTLEMAN
PROVENANCE:
10
MIRIAM CABESSA (MOROCCAN, B. 1966)
The artist.
with Marlborough Gallery, Rome.
Untitled
signed and dated MIRIAM CABESSA/ 2007
(on the reverse)
oil on canvas
28 x 48 in. (71.1 x 121.9 cm.), unframed
Painted in 2007.
5
VICTOR ANTON (BRITISH, 1909-1980)
Relief with ball bearings

collage-painted wood and ball bearing assemblage
41 x 27 in. (104.1 x 69.9 cm.)
Executed in 1975.
$1,000-1,500
PROVENANCE:
$1,000-1,500
PROVENANCE:
with Gimpel Fils Gallery Ltd., London.

1975.
10
Anonymous sale; Christies, New York, 18

December 2008, lot 144.
Acquired at the above sale by the present
owner.
All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.
PROPERTY OF THE DAVID WINTON BELL
GALLERY, BROWN UNIVERSITY (LOTS 11-30)
n11
ED MOSES (AMERICAN, B. 1926)
16
JAMES ROSENQUIST (AMERICAN, B. 1933)
Mac-Tesse
Bumper Sticker for John V. Lindsay
dated, titled and inscribed MAC.-TESSE Y

BRANCO 12/05 (on the overlap)
acrylic on canvas
66 x 54 in. (167.6 x 137.2 cm.), unframed
Painted in 2005.
signed, dated, titled and inscribed bumper

sticker for JOHN V. LINDSAY Jim
Rosenquist 1969 (throughout)
spray paint, acrylic and pencil on paper
19 x 22 in. (49.6 x 55.9 cm.)
Executed in 1969.
$8,000-12,000
$6,000-8,000
PROVENANCE:
with Bernard Jacobson Gallery, London.

2006.
11
16
17
JOE TILSON (BRITISH, B. 1928)
n12
TADAAKI KUWAYAMA (AMERICAN/
JAPANESE, B. 1932)
Vowels
signed and stamped with signature Joe Tilson
(lower right) and titled vowels (lower left)
acrylic and ink on graph paper
18 x 23 in. (45.7 x 58.4 cm.)
Executed in 1969.
Untitled
signed and dated 1960 Tadaaki Kuwayama (on
the stretcher bar)
oil and paper on canvas
86 x 72 in. (219.7 x 183.5 cm.), unframed
Executed in 1960.
$1,000-1,500
PROVENANCE:
$4,000-6,000
12
n13
BEVERLY PEPPER (AMERICAN, B. 1922)
Anonymous sale; Christies, London, 1 July

1980, lot 346.
Acquired from the above sale by the present
owner.
17
18
ANGELO IPPOLITO (AMERICAN, 1922-2001)
Near Possible
signed, dated and titled Beverly Pepper 72/
near possible (on the reverse)
acrylic on canvas
51 x 78 in. (130.1 x 200 cm.), unframed
Painted in 1972.
Untitled
$2,000-3,000
$1,000-1,500
signed and dated Ippolito 54 (lower left)

pastel, gouache, charcoal and pencil on board
30 x 42 in. (76.2 x 106.7 cm.)
Executed in 1954.
PROVENANCE:
with Marlborough Galleria dArte, Rome.
18
13
19
BOB THOMPSON (AMERICAN, 1937-1966)
Winter
n14
CARLOS BASALDUA (BASQUE) (20TH
CENTURY)
signed, dated and titled Winter/ B

Thompson/ 60 (on the reverse)
oil on wood
7 x 13 in. (19.1 x 34.3 cm.), unframed
Executed in 1960.
In Memoriam
signed and dated 65 C Basque (on the reverse)
collagefabric and oil on canvas
60 x 48 in. (152.4 x 121.9 cm.)
Painted in 1965.
$6,000-8,000
PROVENANCE:
with Vanderwoude Tannabaum Gallery, New

York.
$2,000-3,000
19
14
20
ROBERT BRACKMAN (AMERICAN/RUSSIAN,
1898-1980)
15
RUDOLPH DE HARAK (AMERICAN, 19242002)
At the Dusk of Day
Untitled
signed and dated Rudolph de Harak/ 62 (on
the reverse)
oil on canvas
30 x 30 in. (76.8 x 76.8 cm.), unframed
Painted in 1962.
signed Brackman (lower right); signed again,

titled and inscribed At the Dusk of Day/
Robert Brackman/ Noank, Conn. (on the
reverse)
oil on canvas
36 x 28 in. (92.1 x 71.8 cm.)
$1,000-1,500
$5,000-7,000
20
15
Handling fees commence 35 days after the frst day of the sale
26
ENGLISH SCHOOL, 18TH CENTURY
21
AFTER ANNIBALE CARRACCI
Portrait of a Gentleman, bust-length, in

a blue coat, in a painted oval
The Samaritan Woman at the Well

oil on copper
6 x 8 in. (16.8 x 21.3 cm.), unframed
oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)
$2,000-3,000
$2,000-3,000
The present lot is a copy in reverse after the

original in the Pinacoteca di Brera, Milan.
21
26
27
CIRCLE OF JACOPO VIGNALI (ITALIAN, 15921664)
22
ITALIAN SCHOOL, 18TH/19TH CENTURY
The Archangel Michael
St. Jerome
oil on canvas
30 x 24 in. (77.5 x 61 cm.)
oil on canvas
19 x 23 in. (48.3 x 60.3 cm.)
$2,500-3,500
$2,000-3,000
22
An autographed version in which the Archangel

Michael is wearing a helmet was sold at
Christies, South Kensington, 5 December 2007,
lot 85.
27
23
ITALIAN SCHOOL, 18TH CENTURY
28
NORTH ITALIAN SCHOOL, 17TH CENTURY
The Nurture of Jupiter
Mary Magdalene
oil on canvas
15 x 18 in. (38.1 x 47.6 cm.)
oil on canvas
24 x 20 in. (61 x 50.8 cm.)
$1,500-2,000
23
$1,500-2,000
28
24
AFTER FEDERICO BAROCCI
29
FOLLOWER OF JACOB VAN RUISDAEL
The Madonna of the Cat
Dune landscape with cottage and fgures

walking along a path
oil on canvas
44 x 37 in. (114 x 94.6 cm.)
oil on canvas
18 x 21 in. (46 x 55.2 cm.), unframed
$1,500-2,000
$2,000-3,000
The present work is a copy in reverse after the

original in The National Gallery, London.
29
24
30
DUTCH SCHOOL, 19TH CENTURY
25
AFTER GIOVANNI BATTISTA PIRANESI
Dune landscape with fgures resting next

to a cottage
Interior of the Temple of Neptune from

the Northeast
oil on canvas
16 x 23 in. (41.3 x 58.4 cm.), unframed
oil on canvas
27 x 35 in. (70.8 x 90.5 cm.), unframed
$800-1,200
$800-1,200
25
30
36
ALEXANDRE HYACINTHE DUNOUY (FRENCH,
1757-1841)
PROPERTY FROM A PRIVATE COLLECTION,

IOWA
A classical landscape with ruins and

a shepherd and shepherdess in the
foreground
31
FRANOIS LAFON (FRENCH, 1846-1945)
Mother and Daughter at the Spinning

Wheel
with signature A. dunouy (lower right)

oil on canvas, oval, the corners made up from
another painting
23 x 18 in. (58.4 x 48 cm.)
signed Francois Lafon (lower right)

oil on canvas
21 x 16 in. (53.3 x 42.5 cm.)
$8,000-12,000
$6,000-8,000
31
36
PROPERTY FROM THE GAIL-OXFORD

COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS
AND BOTANICAL GARDENS
37
AFTER JEAN-BAPTISTE LE PAON
PROPERTY FROM A PRIVATE COLLECTION

32
FRENCH SCHOOL, 19TH CENTURY
General LaFayette accompanied by his

orderly James Armistead
La danse au cafe turc
oil on canvas
33 x 28 in. (85.7 x 71.8 cm.)
oil on canvas
46 x 75 in. (118.7 x 190.5 cm.)
$1,000-5,000
$3,000-5,000
32
The present work is a copy after the original

in the collection of Lafayette College Museum,
Easton, Pennsylvania.
37
PROPERTY FROM A WEST COAST COLLECTOR
PROPERTY OF A PRIVATE ESTATE (LOTS 38-45)
33
MANNER OF BERNARDO POLO
38
ARTIST UNKNOWN, 19TH CENTURY
Still life of Flowers and Fruit on a Table
A Horse and two Greyhounds in a

landscape
oil on canvas
42 x 63 (106.7 x 160.7 cm.)
bears signature JAN MORTEL (lower right)

oil on panel
15 x 19 1 in. (40 x 50.2 cm.)
$3,000-5,000
33
$1,000-1,500
38

(LOTS 34 AND 35)
34
CHARLES-FRANOIS DAUBIGNY (FRENCH,
1817-1878)
39
ROBERT SCHEFFER (AUSTRIAN, 1859-1934)
Bords de lOise
signed and dated Daubigny 1872 (lower right)
oil on panel
9 x 14 in. (22.9 x 35.6 cm.)
Executed in 1872.
The Artist in his Studio

signed and dated Rob Scheffer 1931 (lower
right)
oil on canvas
32 x 25 in. (82 x 64.8 cm.)
Painted in 1931.
$6,000-8,000
PROVENANCE:
$1,000-1,500
with Arthur Tooth & Sons, Ltd., London.

Private Collection, London.
LITERATURE:
34
R. Hellebranth, Charles-Franois Daubigny,

Morges, 1976, p. 114, no. 337 (illustrated).
39
35
CHARLES FRANOIS DAUBIGNY (FRENCH,
1817-1878)
40
MAX PISTORIUS (AUSTRIAN, 1894-1960)
Bord de rivire
Nude Model in the Artists Studio
signed Daubigny (lower right)

oil on panel
8 x 19 in. (20.3 x 49.7 cm.)
signed and dated M. Pistorius 32 (lower right)

oil on canvas
31 x 23 in. (80 x 59.7 cm.)
Painted in 1932.
$7,000-9,000
$1,500-2,000
PROVENANCE:
with Marlborough Fine Art, London.

35
40
46
PABLO PICASSO (1881-1973)
41
POUL RNNE (DANISH, 1884-1964)
Les Saltimbanques, from Souvenirs

dun collectionneur (B. 855; M. 285)
Interior with bouquet of fowers
lithograph, 1958, on wove paper, signed in red

crayon (faded), numbered 28/100, published
by A. C. Mazo, Paris, with margins
L. 8 x 6 in. (216 x 162 mm.)
S. 17 x 12 in. (448 x 327 mm.)
signed Poul Rnne. (lower right)

oil on canvas
15 x 12 in. (40 x 30.5 cm.)
$700-900
$1,500-2,000
46
41
47
GEORGES ROUAULT (1871-1958)
Passion: three plates; Cirque de Ltoile

Filante: two plates
42
HAROLD JAMES YOUNGMAN (BRITISH,
1886-1968)
Ishmael
inscribed with artist signature and titled
H./.YOUNGMAN/ ISHMAEL (on the base)
bronze with brown patina
10 x 1 x 2 in. (25.4 x 4.8 x 5.4 cm.)
$1,000-1,500
42
47
Christ au faubourg (C. . 258; W. 338), aquatint

in colors, 1935, on Montval, from the edition
of 270, published by Vollard, Paris, printed by
Lacourire, Paris, with margins; Pecheur (C. &
R. 267), aquatint in colors, 1936, on Montval,
from the edition of 245, published by Vollard,
Paris, printed by Lacourire, Paris, with
margins; Chemineau (C. & R. 259), aquatint in
colors, 1935, from the edition of 270, published
by Vollard, Paris, printed by Lacourire,
Paris, with margins; Dors, Mon Amour (C. &
R. 256B), aquatint in colors, 1935, on wove
paper, from the edition of 280, published by
Vollard, Paris, printed by Lacourire, Paris,
with margins; Madame Louison (C. & R. 246),
aquatint in colors, 1935, on wove paper, from
the edition of 280, published by Vollard, Paris,
printed by Lacourire, Paris, with margins
each P. 12 x 8 in. (305 x 216 mm.)
(5)
$5,000-7,000
43
MERSAD BERBER (BOSNIAN, B. 1940)
PROPERTY OF A PRIVATE DUTCH COLLECTOR

(LOTS 48 AND 49)
Untitled (two fgures)
48
AFTER PABLO PICASSO
signed and inscribed 011 9/ Mersad/ BERBER

(lower right)
collagepastel on printed paper on gold leaf
on paper
22 x 16 in. (57.6 x 41.9 cm.)
10
Femme au chapeau a pompons et au

corsage imprim
$800-1,200
43
48
with woven signature and inscription pour

Sabarts/mon ami/Picasso (lower right);
numbered 129/500 (on a label attached to the
reverse)
wool pile tapestry
46 x 35 in. (118.1 x 90.2 cm.)
Published by Desso, Netherlands, under the
license of succession Picasso-Paris.
$2,000-3,000
49
AFTER PABLO PICASSO
44
PAUL CSAR HELLEU (1859-1927)
Le Visage de la paix, bleu
Portrait de femme
with woven signature (lower left center); dated

and numbered 372/500 1997 (on a label on
the reverse)
wool pile tapestry
76 x 67 in. (193 x 170.2 cm)
Published by Desso, Netherlands, under the
license of succession Picasso-Paris.
drypoint in colors, on wove paper, signed in

pencil, with margins
P. 21 x 13 in. (546 x 337 mm.)
$1,000-1,500
$2,000-3,000
49
44
PROPERTY FROM A PRIVATE NEW YORK

COLLECTION
50
ANTOINE PONCET (SWISS, B. 1928)
Fraimisemence
signed with initials and dated AP 3/6 (along
the lower edge)
bronze
10 x 8 x 6 in. (25.4 x 21.6 x 15.2 cm.)
Executed in 1967.This work is number two
from an edition of six.
45
PAUL CSAR HELLEU (1859-1927)
Portrait de femme
drypoint, on wove paper, signed in pencil, with
margins
P. 21 x 13 in. (546 x 337 mm.)
$2,000-3,000
$1,000-1,500
EXHIBITED:
New York, Charles E. Slatkin, Inc., 1973.

LITERATURE:
50
I. Jianou, Antoine Poncet, Paris, 1975, p. 79, no.

160 (another cast illustrated pl. 23).
45
PROPERTY FROM THE ESTATE OF MARILYN

JONES
56
VU CAO DAM (FRENCH, 1908-2000)
51
FRANOISE GILOT (FRENCH, B. 1921)
Le Rendez-Vous
Self Portrait of the Artist
signed and dated Vu caodam 72 (lower left);

signed and dated again, titled, numbered and
inscribed with characters 650 16/ Le rendezvous/ Vu caodam/ 1972 (on the reverse)
oil on canvas
36 x 28 in. (92.1 x 73 cm.)
Painted in 1972.
signed and dated F. Gilot 43 (lower right);

titled self portrait of the artist (on the reverse)
pencil on paper
6 x 6 in. (17.4 x 16.5 cm.)
Drawn in 1943.
$800-1,200
$15,000-20,000
51
PROVENANCE:
with Wally Findlay Galleries, New York.
56
52
Ariane
PROPERTY OF A PRIVATE COLLECTION, NORTH

CAROLINA
signed and dated F. Gilot 43 (lower right)

and titled ARIANE (upper right); inscribed
(throughout the reverse)
pencil on paper
7 x 4 in. (18.1 x 10.8 cm.), unframed
Drawn in 1943.
57
BLA KDR (HUNGARIAN, 1877-1955)
Bathers
signed KDR/ BLA (lower right)
oil on canvas
20 x 27 in. (50.8 x 69.5 cm.)
$1,200-1,800
$7,000-9,000
57
52
PROPERTY OF A PRIVATE COLLECTOR (LOTS

58 AND 59)
53
58
MARCEL GROMAIRE (FRENCH, 1892-1971)
Smiling Dover Sole and Flowers
Paysage au hron
signed F. Gilot- (lower right); dated, titled and

numbered Smiling Dover sole and fowersXX 23 Janvier 47 (on the reverse)
pencil on paper
19 x 25 in. (50.4 x 65.4 cm.), unframed
Drawn in 1947.
signed and dated Gromaire/ 1946 (lower right)

watercolor, India ink and gouache on paper
12 x 17 in. (32.4 x 43.5 cm.)
Executed in 1946.
11
$3,000-5,000
$3,000-5,000
PROVENANCE:
53
54
with Associated American Artist Galleries, New

York.
Franoise Chibret-Plaussu of Galerie de la
Prsidence has confrmed the authenticity of this
drawing.
58
59
MARCEL GROMAIRE (FRENCH, 1892-1971)
Joy
signed F. Gilot- (lower left); titled and dated
Joy VIII 31 Decembre 46 (on the reverse)
pencil on paper
19 x 25 in. (50.4 x 65.7 cm.), unframed
Drawn in 1946.
Paysage
$2,000-3,000
$1,000-1,500
signed and dated 1923/ Gromaire (lower right)

India ink and wash on paper laid down on paper
16 x 12 in. (40.6 x 32.4 cm.)
Executed in 1923.
Franoise Chibret-Plaussu of Galerie de la
Prsidence has confrmed the authenticity of this
drawing.
54
59
PROPERTY OF A TEXAS COLLECTOR

60
MAREK HALTER (GERMAN, B. 1936)
55
Untitled
The Tea
signed Marek Halter (lower left) and inscribed

no. 9 (on the reverse)
oil on canvas
24 x 19 in. (61.6 x 50.2 cm.)
signed and dated 1952 F. Gilot (lower right)

pen and ink on paper
19 x 25 in. (49.8 x 65.1 cm.), unframed
Executed in 1952.
$800-1,200
$2,000-3,000
PROVENANCE:
PROVENANCE:
with John Carter Galleries, Austin.
with Galerie Louis Leiris/ Galerie Simon, Paris.

55
61 No Lot
60
62
PABLO PICASSO (SPANISH, 1881-1973)
PROPERTY FROM A DISTINGUISHED PRIVATE

COLLECTION
Dedicated to Miguel Gaspar
66
ULISSE CAPUTO (ITALIAN, 1872-1948)
signed, dated and dedicated PARA Miguel/

Gaspar/ Picasso/ el 6.11.60. (throughout)
wax crayon on the frontispiece of Trozo de Piel
9 x 6 in. (22.9 x 15.9 cm.), overall
Executed in 1960.
Le jardin du Luxembourg
signed, dated and inscribed U. Caputo/ PARIS
-02- (lower left)
oil on canvas
13 x 18 in. (33.7 x 47.3 cm.), unframed
Painted in 1902.
$8,000-12,000
Claude Picasso has confrmed the authenticity
of this work.
$3,000-5,000
62
66
63
ANDRE MASSON (FRENCH, 1896-1987)
Arbre-Femme (femme luminaire)
67
MAXIMILIEN LUCE (FRENCH, 1858-1941)
signed and numbered Andr Masson (on the

right leg)
bronze with dark brown patina and mirror
elements
Height: 49 in. (124.7 cm.)
Conceived and cast in 1974.This work is
number fve from an edition of eight.
Paris sous la neige

signed and dated Luce 37 (lower right)
oil on paper laid down on canvas
18 x 15 in. (46.3 x 38 cm.)
Painted in 1937.
$7,000-9,000
$12,000-18,000
PROVENANCE:
PROVENANCE:
Anonymous sale; ric Pillon Enchres,

Versailles, 1 July 2007, lot 74.
owner.
Acquired by the present owner, March 2012.

LITERATURE:
R. Passeron, Andre Masson, General Catalogue of

the Sculptures, New York, 1988, pp. 130-131,
no. 26 (another cast illustrated in color; another
cast illustrated again, p. 132, fg. 107).
67
63
68 No Lot
12
64
ANTONIO GREDIAGA KIEFF (CANADIAN/
SPANISH, B. 1936)
Cabeza y Musa
signed and numbered Kieff 3/9 (along the
lower edge)
polished bronze
24 x 7 x 7 in. (62.9 x 17.8 x 17.8 cm.),
including base
This work is number three from an edition of
nine.
69
JOACHIM KARSCH (GERMAN, 1897-1945)
Sitzende mit Angezogenem

signed with initials and numbered JK/ II
(along the edge)
bronze with brown patina on a wooden base
22 x 7 x 8 in. (55.9 x 20 x 20.3 cm.)
$2,000-3,000
$5,000-7,000
64
69
65
ANTONIO GREDIAGA KIEFF (CANADIAN/
SPANISH, B. 1936)
Tete
70
REN SINICKI (FRENCH, B. 1910)
signed and numbered Kieff 1/9 (along the

lower edge)
polished bronze
16 x 9 x 4 in. (41.3 x 22.9 x 10.8 cm.),
including base
This work is number one from an edition of
nine.
Figures in a landscape
signed Sinicki (lower right)
oil on canvas
18 x 21 in. (45.7 x 55.2 cm.)
$1,000-1,500
$1,500-2,000
65
70
SOLD BY THE ORDER OF THE TRUSTEES OF

THE HIRSHHORN MUSEUM AND SCULPTURE
GARDEN TO BENEFIT ITS ACQUISITIONS
PROGRAM (LOTS 76-97)
71
PIERRE BOUDET (FRENCH, B. 1925)
La Plage de Trouville, Deauville
76
ROBERT DE NIRO, SR. (AMERICAN, 19221993)
signed -P Boudet- (lower left); signed again,

signed with initials, dated, titled and inscribed
P.B./ Pierre BOUDET/ Plage de Trouville,
Deauville/ Aot 60 no. 311 (on the reverse)
oil on masonite
10 x 13 in. (26.7 x 34.3 cm.)
Executed in 1960.
Faceless Reclining Nude

signed and dated De Niro 62 (upper right)
oil on paper
21 x 30 in. (55.2 x 76.2 cm.)
Executed in 1962.
$800-1,200
PROVENANCE:
$2,500-3,500
71
72
PAUL GAGNI (FRENCH, 1893-1962)
76
77
Boulevard des Italiens
Woman in an Armchair
signed Gagni (lower left)

oil on canvas
20 x 24 in. (50.8 x 61 cm.)
signed and dated De Niro/ Dec. 58 (lower

right)
oil and charcoal on paper
22 x 30 in. (57.2 x 77.5 cm.)
Executed in 1958.
$1,500-2,000
$1,500-2,000
77
72
78
73
PAUL GAGNI (FRENCH, 1893-1962)
La Bourse, Paris
Crucifxion
signed Gagni (lower right)

oil on canvas
20 x 24 in. (50.8 x 61 cm.)
13
signed and dated De Niro 61 (upper left)

watercolor on paper
21 x 17 in. (55.2 x 45.1 cm.)
Executed in 1961.
$1,500-2,000
$2,000-3,000
73
74
ANDR VIGNOLES (FRENCH, B. 1920)
78
79
Temps gris
Still Life
signed A. Vignoles (lower right); titled

TEMPS GRIS (on the stretcher bar)
oil on canvas
13 x 16 in. (33 x 40.6 cm.)
signed and dated De Niro 60 (lower center)

ink, charcoal and wash on paper
28 x 22 in. (72.4 x 57.2 cm.)
Executed in 1960.
$800-1,200
$2,000-3,000
PROVENANCE:
with David B. Findlay Galleries, New York.

74
75
BRUNO KRAUSKOPF (GERMAN, 1892-1960)
79
80
View from Central Park
Still Life with Pineapple
signed B. Krauskopf (lower center)

brown ink and wash on paper
16 x 13 in. (40.6 x 33 cm.)
signed and dated De Niro 60 (lower right)

ink on paper
14 x 21 in. (35.6 x 55.2 cm.)
Executed in 1960.
$1,000-1,500
$1,500-2,000
80
75
81
86
LOUIS MICHEL EILSHEMIUS (AMERICAN,
1864-1941)
Still Life with Flowers
Lake at Sunset
signed and dated De Niro 61 (upper left)

ink on paper
15 x 12 in. (40 x 30.5 cm.)
Executed in 1961.
signed Eilshemius. (lower left)

oil on paperboard laid down on masonite
8 x 17 in. (22.2 x 45.1 cm.)
Executed circa 1914.
$1,000-1,500
$1,500-2,000
86
81
82
87
1864-1941)
Crucifxion
Seascape with Sailboat and Lighthouse
signed and dated De Niro 61 (upper right)

watercolor on paper
21 x 17 in. (55.2 x 44.5 cm.)
Executed in 1961.
signed Eilshemius- (lower right) and dated

1918- (lower left)
oil on masonite
14 x 27 in. (36.2 x 68.6 cm.)
Executed in 1918.
$2,000-3,000
87
$2,500-3,500
82
14
83
1864-1941)
88
1864-1941)
Three Nudes on Seaside Cliffs
House with a Mountain View
signed Elshemus (lower right)

watercolor, pencil and wash on paper laid down
on masonite
20 x 14 in. (50.8 x 35.6 cm.)
signed Eilshemius (lower left)

oil on paperboard mounted on board and
aluminum
9 x 13 in. (22.9 x 33 cm.)
$800-1,200
$1,800-2,500
88
83
84
1864-1941)
89
1864-1941)
Two Nudes at the Seashore
Sailboat and Moon
signed and dated Eilshemius-/ 1889 (lower

left)
oil on canvas
16 x 20 in. (41.3 x 51.4 cm.)
Painted in 1889.
signed Eilshemius (lower right)

oil on board
8 x 9 in. (20.3 x 24.8 cm.)
$800-1,200
$2,500-3,500
89
84
85
1864-1941)
90
1864-1941)
Samoan Girl on Beach
Girls by Tree
signed Elshemus (lower right)

oil on paperboard laid down on board
8 x 5 in. (20.3 x 14.9 cm.)
Executed in 1907.
signed Eilshemius- (lower right)

oil on paper laid down on board
17 x 12 in. (44.5 x 32.4 cm.)
$1,800-2,500
$1,500-2,000
85
90
91
1864-1941)
96
MORRIS BRODERSON (AMERICAN, B. 1928)
Interior
Kabuki Dancer
signed Elshemus. (lower right)

oil on paper laid down on board
5 x 8 in. (12.7 x 22.2 cm.)
signed and dated Broderson 61 (lower left)

pastel and charcoal on paper
33 x 27 in. (84.5 x 69.9 cm.)
Executed in 1961.
$1,200-1,800
$1,000-1,500
91
n92
96
97
Home of Sanchez Mejas with View of

Bullring
Kneeling Woman III

signed and dated Broderson 61 (lower right)
pastel and charcoal on paper
39 x 27 in. (99 x 69.9 cm.)
Executed in 1961.
signed and dated Broderson 67 (lower right)

oil on canvas
50 x 90 in. (127.6 x 229.9 cm.)
Painted in 1967.
$1,000-1,500
$4,000-6,000
92
97
PROPERTY FROM AN IMPORTANT PRIVATE

COLLECTOR (LOTS 98 AND 99)
93
98
NATALIA NESTEROVA (RUSSIAN, B. 1944)
Angel with Harp
Balance
signed and dated twice Broderson 61 (lower

right and upper left)
pastel, charcoal, ink and printers ink on paper
36 x 27 in. (91.4 x 70.5 cm.)
Executed in 1961.
15
signed and titled in Cyrillic Nesterova N./

Balance (on the reverse)
oil on canvas
62 x 54 in. (157.5 x 137.2 cm.)
Painted in 1992.
$800-1,200
$8,000-12,000
98
93
94
99
OLGA BULGAKOVA (RUSSIAN, B. 1951)
Death of the Picador II
Dwarfs

charcoal, ink and serigraph on paper
36 x 28 in. (91.4 x 71.1 cm.)
Executed in 1961.
signed with initials O.B. (lower left); signed

again and titled O. Bulgakova/ Dwarfs (on the
reverse) and indistinctly inscribed in Cyrillic
(underneath the stretcher bar)
oil on canvas
65 x 67 in. (166.4 x 171.5 cm.)
Painted in 1992.
$800-1,200
$6,000-8,000
94
99
PROPERTY FROM A PRIVATE COLLECTOR

n100
GAJIN FUJITA (AMERICAN, B. 1972)
95
Letters of Damsel
signed and titled LETTERS OF DAMSEL
GAJIN (on the reverse)
spray enamel and graphite on paper collage
23 x 45 in. (58.4 x 115.5 cm.)
Executed in 2003.
Lizzie Aware
pastel, gouache and pencil on paper
38 x 26 in. (98.4 x 66 cm.)
Executed in 1967.
$2,000-3,000
$1,000-1,500
PROVENANCE:
with L.A. Louver Gallery, Los Angeles.

95
100
PROPERTY FROM A PRIVATE WEST COAST

COLLECTION (LOTS 101-103)
106
ANDR HAMBOURG (FRENCH, 1909-1999)
101
EMILIO GRAU SALA (SPANISH, 1911-1975)
Aprs midi sur la plage
Auto Portrait
signed a. hambourg (lower left); signed again

with initials and titled a.h./ apres midi/ sur la
plage (on the reverse)
oil on canvas
15 x 18 in. (38.4 x 46 cm.)
signed Grau/ sala (lower right)

oil on canvas
32 x 21 in. (81.3 x 54.6 cm.)
Painted circa 1938.
$3,000-5,000
$4,000-6,000
PROVENANCE:
Anonymous sale; Sothebys, New York, 13

September 2005, lot 80.
Julin Grau Santos has confrmed the
authenticity of this painting.
PROVENANCE:

106
101
102
FERDINAND DU PUIGAUDEAU (FRENCH,
1864-1930)
107
JOHANNES SCHIEFER (AMERICAN/DUTCH,
1896-1979)
Promenade en barque de nuit Brire

signed F. du Puigaudeau. (lower left)
oil on canvas
21 x 28 in. (54.6 x 73 cm.)
A Mediterranean coastal landscape

signed Johannes Schiefer. (lower left)
oil on canvas
22 x 30 in. (55.9 x 76.2 cm.)
$6,000-8,000
PROVENANCE:
$1,000-1,500
with Grosvenor Gallery Fine Arts Ltd., London.

February 2004, lot 52.
Antoine Laurentin has kindly confrmed the
authenticity of this painting.
107
102
103
WILLIAM ALEXANDER GRIFFITH (AMERICAN,
1866-1940)
Autumn Landscape
108
BERNARD LAMOTTE (FRENCH, 1903-1983)
signed and dated WILLIAM A. GRIFFITH

1928. (lower right)
oil on canvas
26 x 48 in. (66 x 121.9 cm.)
Painted in 1928.
16
Figures and Boats in the Harbor

signed Bernard Lamotte (lower right)
oil on canvas laid down on board
26 x 34 in. (68 x 86.4 cm.)
$3,000-5,000
$1,000-1,500
PROVENANCE:
103
Anonymous sale; Bonhams & Butterfelds, Los

Angeles, 8 December 2004, lot 302.
108
PROPERTY FROM A NEW YORK ESTATE (LOTS

104-118)
104
ANDR GISSON (AMERICAN, 1921-2003)
109
BERNARD LAMOTTE (FRENCH, 1903-1983)
Figures by a lake; together with Two

Women
Parisian Street Scene

signed Bernard Lamotte (lower right); with
artist stamp (twice on the reverse)
oil on canvas
24 x 18 in. (61 x 45.7 cm.)
the frst signed A Gisson (lower right); the

companion signed A Gisson (upper left)
each oil on canvas
each 9 x 12 in. (22.9 x 31.1 cm.)
(2)
$1,000-1,500
$1,000-1,500
104
109
105
ROGER-JOSEPH JOURDAIN (FRENCH, 18451918)
Laprs midi tranquille
110
JEAN MISCESLAS PESK (UKRAINIAN, 18701949)
signed Roger Jourdain (lower left)

oil on canvas
31 x 17 in. (80 x 45.1 cm.)
Painted circa 1885.
Fillette au Jardin
stamped ATELIER PESKE (lower right)
oil on canvas
22 x 18 in. (55.9 x 46.4 cm.)
Painted in 1919.
$2,000-3,000
PROVENANCE:
with Peter Matthews Ltd., London
$3,000-5,000
105
110
111
WILLIAM SKILLING (AMERICAN/BRITISH,
1862-1964)
Cheetah in a harness
signed Skilling (lower right)
oil on canvas
48 x 60 in. (122.8 x 153 cm.)
n117
VALERIE JAUDON (AMERICAN, 1945)
$2,000-3,000
Port Gibson
111
signed, dated and titled PORT GIBSON

Valerie Jaudon 1974 (on the overlap)
oil on canvas
72 x 72 in. (182.9 x 182.9 cm.)
Painted in 1974.
$7,000-9,000
117
112
WILLIAM SKILLING (AMERICAN/BRITISH,
1862-1964)
Zebra
signed Skilling (lower right)
oil on canvas
48 x 60 in. (122.8 x 152.4 cm.)
$2,000-3,000
118
JIMMY ERNST (AMERICAN/GERMAN, 19201984)
112
Untitled
signed and dated Jimmy Ernst 71 (lower right);
signed and dated again Jimmy Ernest 71 (on
the reverse)
oil on canvas
50 x 60 in. (127.6 x 152.4 cm.)
Painted in 1971.
$10,000-15,000
118
113
ROBERT STONE (BRITISH, (1820-1870)
At the Races (three works)

each signed R Stone (two lower right; one
lower left)
each oil on panel
each 6 x 12 in. (15.9 x 31.1 cm.)
(3)
17
$1,500-2,000
113
119
VICTOR VASARELY (1906-1997)
Vega-Pal
screenprint in colors, 1969, on smooth wove
paper, signed in pencil, numbered 54/267,
published by Editions Denise Ren, Paris, with
margins
I. 22 x 22 in. (578 x 578 mm.)
S. 30 x 26 in. (775 x 673 mm.)
114
ROBERT STONE (BRITISH, 1820-1870)
$1,000-1,500
Fox Hunting Scenes (a pair)
PROVENANCE:
each signed R Stone (lower right)

each oil on panel
each 6 x 12 in. (15.2 x 31.1 cm.)
Anonymous sale; Christies, New York, 31 July

2008, lot 338.
owner.
(2)
$1,000-1,500
119
114
120
CHRISTOPHER LE BRUN (BRITISH, B. 1951)
115
FERNANDO CIANCIANAINI (FERNAND CIAN)
(ITALIAN, (1889-1954)
Study for Helm

signed and dated Le Brun 85 (lower left)
acrylic and gouache on paper
26 x 34 in. (68 x 86.4 cm.)
Executed in 1985.
Bust of a boy
signed and inscribed Fernand Cian - Paris
(along the edge)
painted plaster
18 x 9 x 7 in. (45.7 x 24.8 x 17.8 cm.),
including base
$1,500-2,000
PROVENANCE:
with Nigel Greenwood Gallery, London.
$800-1,200
120
115
116 No Lot
121
WOLF KAHN (AMERICAN/GERMAN, B. 1927)
126
LEON KROLL (AMERICAN, 1884-1975)
Dark Middle
signed W Kahn (lower right); dated and
inscribed 2006/206 (on the reverse); dated
and inscribed again and titled 2006/206 Dark
Middle (on the stretcher bar)
oil on canvas
54 x 36 in. (137.2 x 91.4 cm.)
Painted in 2006.
Untitled (Portrait of a Woman)

signed Kroll (lower right)
oil on canvas laid down on masonite
21 x 14 in. (53.3 x 37.5 cm.)
$2,000-3,000
$15,000-20,000
121
126
122
WOLF KAHN (AMERICAN/GERMAN, B. 1927)
Off Pleasant Valley Road
127
signed W Kahn (lower left center); dated,

titled and numbered #40-1990 Off Pleasant
Valley Road (on the stretcher bar); dated and
numbered again #40.1990 (on the reverse)
oil on canvas
22 x 34 in. (55.9 x 87 cm.)
Painted in 1990.
Nanette
signed Leon Kroll (lower right); signed again
and titled L. Kroll/ Nanette (on the stretcher
bar)
oil on canvas
19 x 15 in. (48.3 x 38.1 cm.)
$8,000-12,000
$2,000-3,000
PROVENANCE:
122
with Marianne Friedland Gallery, Toronto.

127
PROPERTY FROM A MIDWESTERN COLLECTION
123
ALLEN TUCKER (AMERICAN, 1866-1939)
A Branch
signed Allen Tucker (lower right)
oil on canvas
30 x 36 in. (76.8 x 92.1 cm.)
Painted in 1930.
128
$5,000-7,000
Untitled (Head of a Woman)

oil on masonite
18 x 15 in. (45.7 x 38.1 cm.)
PROVENANCE:
with Douglas Kenyon, Inc., Chicago, Illinois.

Acquired by the present owner from the above,
1981.
18
$1,500-2,000
EXHIBITED:
New York, The Art Students League of New

York, The Allen Tucker Memorial, November
10-December 6, 1980, no. 28.
123
128
LITERATURE:
PROPERTY FROM A MIDWESTERN COLLECTION

(LOTS 129-131)
The Art Students League of New York, The

Allen Tucker Memorial, exhibition catalogue,
New York, 1980, n.p., no. 28, illustrated.
129
REGINALD MARSH (AMERICAN, 1898-1954)
Untitled (Nude in Hat)

oil on gessoed masonite
22 x 16 in. (55.9 x 40.6 cm.)
Painted in 1949.
$3,000-5,000
PROVENANCE:
124

1981.
Lakeside landscape; and a companion

landscape
each oil on canvasboard
the largest 13 x 16 in. (33 x 40.6 cm.); the
companion 9 x 12 in. (24.1 x 32.4 cm.) (2)
$1,000-1,500
LITERATURE:
129
124
W. Conger, Douglas Kenyon, Inc., Reginald

Marsh, Chicago, Illinois, 1985, p. 10, illustrated.
130
Untitled (Studies of Three Women)

oil on gessoed masonite
22 x 16 in. (55.9 x 40.6 cm.)
Painted in 1940.

COLLECTION
125
ALBERT KOTIN (AMERICAN, 1907-1980)
$4,000-6,000
Untitled
PROVENANCE:
signed and dated Albert/ Kotin 1961 (lower

left)
oil on canvasboard
27 x 20 in. (68.6 x 50.8 cm.)
Painted in 1961.

1981.
$2,000-3,000

LITERATURE:
130
125
131
136
ROBERT M. KULICKE (AMERICAN, B. 1924)
Untitled (Woman Walking)
Still life of two pears, a lemon and a mug

on a table
oil on gessoed board

20 x 16 in. (50.8 x 40.6 cm.)
Painted in 1943.
signed and dated Kulicke 56 (upper right)

oil on panel
8 x 10 in. (20.3 x 25.4 cm.)
Executed in 1956.
$5,000-7,000
PROVENANCE:
$4,000-6,000

1981.
PROVENANCE:
LITERATURE:

131

January 2008, lot 473.
owner.
136
137
BEN BENN (RUSSIAN/AMERICAN, 1884-1983)
132
Girl in Blue Dress
Still Life with Pears; together with Still

Life with Apples
signed and dated Reginald Marsh 43 (lower

left)
oil on masonite
18 x 23 in. (45.6 x 59.4 cm,)
Executed in 1943.
each signed and dated Ben/ 60 (lower right)

each oil on canvas
the largest 13 x 19 in. (33 x 48.3 cm.); the second
13 x 15 in. (33.7 x 38.7 cm.)
Each painted in 1960.
(2)
$7,000-10,000
$1,000-1,500
PROVENANCE:
Felicia Marsh Collection.

with Sheldon Ross Gallery, Birmingham,
Alabama.
Anonymous sale; Shannons, Milford,
Connecticut, 27 October 2011, lot 102.
Acquired by the present owner from the above.
137
132
138
LOUIS REMY MIGNOT (AMERICAN, 18311870)
Mountain Landscape with Ruins

signed and dated LR Mignot 53 (lower right)
oil on canvas
29 x 42 in. (75 x 106.7 cm.)
Painted in 1853.
$15,000-25,000
PROVENANCE:
133
JOHN HENRY WILDE (AMERICAN, 1919-2006)
Anton Rudert, Jr., New York.

Acquired by the late owner from the above,
1978.
Nude riding bird

dated 1965 (upper right); signed and dated
again John Wilde/ 1965 (on the reverse)
oil on board
7 x 11 in. (17.8 x 27.9 cm.)
Executed 1965.
$5,000-7,000
133
According to John W. Coffey, Curator of

American and Modern Art at the North
Carolina Museum of Art, the present work is
a European scene, most probably based on
sketches made in Germany. At the time Mignot
was based at The Hague and very much under
the infuence of contemporary Dutch landscape
painters, especially his teacher Andreas
Schelfhout. It relates in a general way to several
other landscapes from this early period in
Mignots career. (unpublished letter, 2014)
19
138
PROPERTY FROM THE SANTA BARBARA

MUSEUM OF ART, SOLD TO BENEFIT THE
ACQUISITIONS FUND (LOTS 139 AND 140)
134
LUDWIG BEMELMANS (AMERICAN, 18981962)
139
WILLIAM CHARLES ANTHONY FRERICHS
(AMERICAN, 1829-1905)
Sketch for Walkers Bourbon

signed Bemelmans (lower left)
collageink, pencil, gouache and paper on
paper
15 x 14 in. (39.3 x 35.6 cm.)
View from Staten Island

signed W Frerichs (lower right)
oil on canvas
18 x 32 in. (45.8 x 81.3 cm.)
$3,000-5,000
$5,000-7,000
134
PROVENANCE:
139
Mr. and Mrs. Julian Ganz.

Gift from the above to the present owner, 1971.
135
PHILIP GUSTON (AMERICAN, 1913-1980)
Portraits (Four Works)
140
WILLIAM CHARLES ANTHONY FRERICHS
(AMERICAN, 1829-1905)
the frst signed Phill Goldstein (lower center);

one signed Phill Goldstein (lower right) and
titled ALICE (lower center); one signed and
dated Phill/ Goldstein/ 1930 (upper left); one
titled Alice (right center)
three pencil on paper; one pencil, watercolor
and wash on paper
the largest 19 x 12 in. (48.3 x 30.5 cm.); one 15 x
10 in. (38.1 x 25.4 cm.); one 12 x 8 in. (30.5 x
21.6 cm.); one 10 x 7 in. (26 x 18.4 cm.)
Each executed circa 1930.
(4)
View from Staten Island

signed W Fririch T (lower left)
oil on canvas
16 x 30 in. (40.6 x 76.2 cm.)
$5,000-7,000
PROVENANCE:
Mr. and Mrs. Julian Ganz.

Gift from the above to the present owner, 1971.
$5,000-7,000
135
140
PROPERTY OF A TEXAS COLLECTOR (LOTS

141-149)
146
FRANCISCO ZIGA (1912-1998)
141
MEXICAN SCHOOL, 18TH CENTURY
Mujer con Naranja (B. 19)

screenprint in colors, 1974, on wove paper,
printed and published by Kyron, S.A., Mexico
City, with their blindstamp
S. 26 x 19 in. (680 x 486 mm.)
Virgin of Guadalupe
oil on canvas
42 x 33 in. (108.6 x 83.8 cm.), unframed
$2,000-3,000
$700-900
141
146
147
142
La fonda (B. 67)
Nia con trenzas
lithograph in colors, 1981, on wove paper,

signed and dated in pencil, numbered 63/100
(there were also 10 artists proofs), published by
Ediciones Poligrafa, S. A., Barcelona
S. 22 x 29 in. (559 x 759 mm.)
oil on board
31 x 26 in. (80 x 66 cm.), overall
$800-1,200
$800-1,200
147
142
148
La escalera (V. 335)
n143
20

printed by Mourlot, Paris, published by
Brewster Editions, New York
S. 29 x 21 in. (756 x 540 mm.)
Four Cardinals
oil on canvas
78 x 45 in. (198.1 x 116.2 cm.), unframed
$3,000-5,000
143
$800-1,200
148
144
149
Cuatro Figuras de Pie (B. 49)
Nias con Panes (V. 286)

printed by Kyron S.A., Mexico City, with their
blindstamp
S. 17 x 24 in. (438 x 610 mm.)

printed by Kyron, S.A., Mexico City, with their
blindstamp, published by Brewster Editions,
New York
S. 22 x 31 in. (559 x 800 mm.)
$1,000-1,500
$800-1,200
149
144
145
n150
BENITO REBOLLEDO CORREA (CHILEAN,
1881-1964)
Dos mujeres con ninos (B. 86)
Peace in the Country

printed by Kyron, S.A., Mexico City, with their
blindstamp, published by Brewster Editions,
New York
S. 23 x 35 in. (597 x 889 mm.)
signed Benito Rebolledo (lower left)

41 x 53 in. (104.1 x 134.6 cm.)
$6,000-8,000
$800-1,200
145
150
n151
GABRIELA ARVALO (MEXICAN, B. 1964)
n156
MING FAY (CHINESE, B. 1943)
Madre Tabasquena: a triptych

signed, indistinctly inscribed and dated
Gabriela Arvalo ***/Tab. 85 (upper center)
watercolor on paper
overall 37 x 83 in. (95.3 x 210.8 cm.)
Executed in 1985.
Cherrystone
signed and dated Ming Fay 1980 (on the
underside)
mixed media
33 x 44 x 20 in. (83.8 x 111.8 x 50.8 cm.)
Executed in 1980.
$1,000-1,500
PROVENANCE:
151
$5,000-7,000

March 2008, lot 197.
Acquired at the above sale by the present
owner.
156
n152
VICTOR RODRIGUEZ (MEXICAN, B. 1970)

COLLECTION
Visible woman
157
AFTER ALEXANDER CALDER
signed, dated, titled and inscribed VISIBLE

WOMAN/ July 8, 2005/ VICTOR
RODRIGUEZ/ NYC. (on the reverse)
acrylic on canvas
80 x 96 in. (203.2 x 243.8 cm.), unframed
Painted in 2005.
American Revolution Bicentennial

wool tapestry, with woven signature and
Pinton tapestry mark (lower center), Pinton
and Aubusson tapestry labels and woven edition
number 34 (on the reverse)
41 x 58 in. (104.8 x 148.6 cm.)
$10,000-15,000
$4,000-6,000
152
157

COLLECTION
n153
PHILIP JACKSON (BRITISH, B. 1944)

CALIFORNIA (LOTS 158-160)
Gale Force Nun

signed and inscribed Jackson O and stamped
with Morris Singer Foundry mark (along the
lower edge)
bronze with grey patina and polished bronze
70 x 59 x 46 in. (177.8 x 150 x 117 cm.)
This work is from an edition of eight.
158
RED GROOMS (AMERICAN, B. 1937)
21
Chinese palanquin
signed Red Grooms (along the edge)
painted plaster
11 x 15 x 7 in. (29.2 x 39.3 x 19.7 cm.)
$15,000-25,000
$2,000-3,000
153
158
PROPERTY FROM THE MILLER FAMILY

COLLECTION
154
ELIZABETH CATLETT (AMERICAN, 1915-2012)
Mother and Child

inscribed with initials EC (on the back)
bronze with dark brown patina
16 x 5 x 6 in. (40.9 x 14.9 x 16.5 cm.),
excluding base
Modeled circa 1975.
159
LOWELL NESBITT (AMERICAN, 1933-1993)
Pink Spotted Lily

signed, dated twice, titled and inscribed PINK
SPOTTED LILY -81/ L. NESBITT/
NEW YORK, 1981 (on the reverse)
oil on canvas
34 x 30 in. (86.4 x 76.2 cm.)
Painted in 1981.
$10,000-15,000
PROVENANCE:
The artist.
Private collection, acquired from the above.
By descent to the present owner.
$2,000-3,000
154
159
PROPERTY FROM THE GEORGIA OKEEFFE

MUSEUM, SOLD TO BENEFIT THE
ACQUISITIONS FUND
155
BRUCE WEBER (B. 1946)
160
CHAIM GROSS (AMERICAN, 1904-1991)
Georgia OKeeffe, Santa Fe, 1984
Acrobats
gelatin silver print

signed, titled, dated, numbered 6/15 and
notation 6928-67/12 in pencil (on the verso)
image: 13 x 10 in. (34.1 x 27.1 cm.)
sheet: 14 x 11 in. (36 x 28.4 cm.)
signed, dated and numbered CHAIM GROSS

1/5/ 1959 (along the lower edge)
bronze with brownish green patina
40 x 20 x 11 in. (101.6 x 52.1 x 28.6 cm.)
Executed in 1959.This work is number one
from an edition of fve.
$2,000-3,000
$5,000-7,000
PROVENANCE:
Anonymous sale; Christies, New York,

October 9, 1997, lot 426.
155
160
NEW YORK
(LOTS 161-164)
n166
WILL COTTON (AMERICAN, B. 1965)
161
ED GARMAN (AMERICAN, B. 1914)
Ethereal
signed, dated and titled WILLIAM
COTTON 1996/ ETHEREAL (on the
reverse)
oil on canvas
50 x 80 in. (127 x 203.2 cm.), unframed
Painted in 1996.
Untitled (No. 274)

signed, dated and titled CAT. NO. 274/ Ed.
Garman/ 1985 (on the reverse)
acrylic on masonite
30 x 22 in. (76.2 x 55.9 cm.)
Executed in 1985.
$4,000-6,000
$7,000-9,000
166
Private Collection, New York.
161
162

MISSOURI
Untitled (No. 712)
167
GEORGE J. MCNEIL (AMERICAN, 1908-1995)
signed Ed Garman (lower center); signed

again, dated and titled CAT. NO. 712/ Ed
Garman/ 1985 (on the reverse)
acrylic on masonite
30 x 22 in. (76.2 x 55.9 cm.), unframed
Executed in 1985.
Untitled
signed McNeil (lower right)
oil on board
14 x 8 in. (36.2 x 21.9 cm.)
$2,000-3,000
$4,000-6,000
162
167
163
168
NENDO (JAPANESE, 20TH CENTURY)
Untitled No. 507
Thin Black Lines (20200mm lamp)

again, dated and titled No. 507/ Ed Garman/
1985 (on the reverse)
acrylic on masonite
24 x 20 in. (61 x 50.8 cm.), unframed
Executed in 1985.
22
PROVENANCE:
enameled steel and electrical element

35 x 19 x 19 in. (88.9 x 50.2 x 50.2 cm.)
Executed in 2010.
$2,000-3,000
$4,000-6,000
163
168
164
169
Untitled No. 677
Thin Black Lines (12200mm lamp)

again, dated and titled No. 677/ Ed Garman/
1974 (on the reverse)
acrylic on masonite
20 x 24 in. (50.8 x 61 cm.), unframed
Executed in 1974.
enameled steel and electrical element

19 x 14 x 14 in. (50.2 x 36.8 x 36.8 cm.)
Executed in 2010.
$1,500-2,000
$4,000-6,000
164
169
PROPERTY FROM A DISTINGUISHED

SOUTHEAST COLLECTION
165
MICHAEL CRAIG-MARTIN (IRISH, B. 1941)
170
Mid-Atlantic
Thin Black Lines (3500mm mirror)
aluminum, painted steel and neon assemblage

84 x 104 x 2 in. (213.3 x 264.1 x 5.7 cm.)
Executed in 1987.
enameled steel and mirror assemblage

63 x 35 x 9 in. (160 x 88.9 x 22.9 cm.)
Executed in 2010.
$12,000-18,000
$2,000-3,000
PROVENANCE:
165
with Waddington Galleries, London.

170
176
171
Thin Black Lines (6500mm hanger rack)

enameled steel
59 x 33 x 17 in. (149.9 x 85.1 x 43.2 cm.)
Executed in 2010.
Thin Black Lines (7400mm table)

enameled steel and glass assemblage
19 x 35 x 35 in. (50.2 x 88.9 x 89.5 cm.)
Executed in 2010.
$1,000-1,500
$2,000-3,000
171
176
177
172
Thin Black Lines (10300mm table)
enameled steel
58 x 45 x 19 in. (149.2 x 114.3 x 48.9 cm.)
Executed in 2010.
enameled steel and glass assemblage

25 x 23 x 23 in. (64.8 x 59.7 x 59.7 cm.)
Executed in 2010.
$1,000-1,500
$2,000-3,000
172
177
178
173
Thin Black Lines (6200mm bowl)
enameled steel
7 x 15 x 15 in. (19.7 x 40 x 40 cm.)
Executed in 2010.
enameled steel
56 x 33 x 30 in. (142.2 x 85.1 x 76.8 cm.)
Executed in 2010.
23
$800-1,200
$1,000-1,500
178
173
PROPERTY OF THE BASS MUSEUM OF ART,

SOLD TO BENEFIT THE ACQUISITIONS FUND
179
RICHARD TUTTLE (AMERICAN, B. 1941)
174
Choose, Chase
titled choose/ chase (center)

ink on paperboard
10 x 8 in. (27.3 x 21 cm.)
enameled steel
9 x 19 x 19 in. (24.8 x 49.6 x 49.6 cm.)
Executed in 2010.
$1,000-1,500
$800-1,200
PROVENANCE:
with Kent Fine Art, Inc., New York.

174
179

NEW JERSEY
180
AFTER ANDY WARHOL
175
Marilyn
a Rosenthal transfer-printed plaque in colors,

from the limited edition of 49, with label on the
reverse, manufactured by Rosenthal, Germany,
under a license from The Andy Warhol
Foundation for the Visual Arts, Inc., New
York, in original presentation box
20 x 20 in. (514 x 514 mm.), overall
enameled steel
5 x 11 x 11 in. (14.6 x 29.9 x 29.9 cm.)
Executed in 2010.
$800-1,200
$1,500-2,000
175
180
(Lots 181-183)
D186
MICHELE OKA DONER (AMERICAN, B. 1945)
181
RAYMOND MASON (BRITISH, 1922-2010)
A Faucet
Vegetable Carriers
cast bronze with brown patina

faucet: 5 x 15 x 5 in. (12.7 x 39 x 14 cm.)
one handle: 3 x 4 x 2 in. (7.6 x 12.1 x 5.1
cm.)
the other handle: 4 x 4 x 2 in. (10.1 x 10.1 x
5.1 cm.)
signed and dated Raymond Mason 1970

(lower right); inscribed Porteurs de bettes,
chou-feur etc. Jeune femme avec pommes;
vieille avec persil (along the lower edge)
collagewatercolor and pencil on paper laid
down on grey paper
19 x 25 in. (49.5 x 64.1 cm.)
Executed in 1970.
181
$1,000-1,500
186
$4,000-6,000
PROVENANCE:
with Pierre Matisse Gallery, New York.

1971.
EXHIBITED:
New York, Marlborough Gallery, Red Grooms

Recent Works, April-May, 1981, p. 12, no. 4
(illustrated).

(LOTS 187 AND 188)
187
RICHARD H. GARRETT (20TH CENTURY)
LITERATURE:
R. Mason, Le Depart des Fruits et Legumes au

Coeur de Paris le 28 fevrier 1969 (exh. cat.),
Pierre Matisse Gallery, New York, OctoberNovember 1971.
[Rosettes]: Twelve Plates

twelve archival Iris prints, on wove paper,
each signed in pencil, each numbered from an
edition of 150, with margins
each L. 29 x 27 in. (496 x 686 mm.)
(12)
182
JOHN DAVIES (BRITISH, B. 1946)
182
$1,500-2,000
Head (Room Background); together

with Part of a Crowd II
the frst pastel, ink and graphite on paper
the frst 10 x 8 in. (26.6 x 20.3 cm.)
The frst executed in 1983-1984.
187
(2)
$2,500-3,500
PROVENANCE:

188
R. GARRETT, 20TH CENTURY
EXHIBITED:
Still life with screen and jar
Hamburg, Kunstverein; Wilhelm-LehmbruckMuseum der Stadt Duisburg and Badischer

Kunstverein Karlsruhe, John Davies: Werke 19701980, August 1981-February 1982, no. 67 (only
Part of a Crowd II exhibited).
24
signed R. GARRETT (lower left)

oil on canvas
40 x 30 in. (101.6 x 76.2 cm.)
$1,000-1,500
183
JOHN DAVIES (BRITISH, B. 1946)
Part of a Crowd I; together with Head

183
the frst pastel and graphite on paper

the frst 10 x 10 in (26.6 x 26.6 cm.)
The frst executed in 1981.
188
(2)
$2,500-3,500
PROVENANCE:

189
CHINESE SCHOOL, CIRCA 1840
EXHIBITED:
MOONLIT SCENES (A PAIR)
Hamburg, Kunstverein; Wilhelm-LehmbruckMuseum der Stadt Duisburg and Badischer

Kunstverein Karlsruhe, John Davies: Werke 19701980, August 1981-February 1982, no. 66 (only
Part of a Crowd I exhibited).
184
DAVID LEVINE (AMERICAN, 1926-2009)
184
oil on canvas
the largest 18 x 23 in (45.7 x 59.3 cm.)
$2,000-3,000
189
Beach Chair
signed and dated D. Levine 65 (lower left)
charcoal, pencil and watercolor on paper
7 x 9 in. (19.7 x 24.8 cm.)
Executed in 1965.
$1,000-1,500
190
CHINESE SCHOOL, CIRCA 1860
185
JAMES GROVER THURBER (1894-1961)
A SHIP OF THE DEVITT AND MOORE LINE OFF

WHAMPOA
He doesnt know anything except facts
oil on canvas
17 x 22 in. (44.1 x 57.7 cm.)
lithograph, on wove paper, with margins

8 x 11 in. (21.6 x 29.9 cm.)
$2,000-3,000
$1,500-2,000
PROVENANCE:
185
R. Gwinn.
Gift from the above to the present owner.
190
(2)
PROPERTY FROM THE ESTATE OF DAPHNE
ARKUS-DUNTOV (LOTS 191-210)
191
FOLLOWER OF JAN BRUEGHEL THE ELDER
196
AUSTRIAN SCHOOL, 19TH CENTURY
Susannah and the Elders
A coastal landscape; together with

Fisherman with Nets
inscribed with initials BRF (lower left on the

fountains edge)
oil on copper
9 x 11 in. (23.5 x 28.6 cm.)
each bodycolor on paper

8 x 12 in. (22.2 x 31.8 cm.); the companion
work 8 x 12 in. (21.6 x 30.5 cm.)
(2)
$2,000-3,000
$800-1,200
PROVENANCE:
Anonymous sale; Doyle, New York, 18 May

1994, lot 56.
196
191
197
ATTRIBUTED TO PHILIPP JAKOB
LOUTHERBOURG THE ELDER (SWISS, 16981768)
192
FOLLOWER OF WILLEM VAN NIEULANDT II
(DUTCH, 1584-1635)
The rest on the fight into Egypt
Ships at harbor (recto) and St. George

and the Dragon (verso)
oil on panel
15 x 19 in. (38. 7 x 50.2 cm.)
watercolor, bodycolor and black ink on paper

(recto); pencil, wash and bodycolor on paper
(verso)
9 x 13 in. (23.5 x 33 cm.)
$1,000-1,500
$1,500-2,000
197
192
198
ATTRIBUTED TO ROBERT GRIFFIER (BRITISH,
1688-1750)
193
ITALIAN SCHOOL
St. Catherine
Boats in a harbor with a castle atop a hill
oil on panel
30 x 26 in. (76.8 x 68 cm.)
25
bodycolor and watercolor on paper

8 x 11 in. (22.2 x 29.9 cm.)
$1,000-1,500
$1,500-2,000
PROVENANCE:
with Herbert E. Feist Gallery, New York.
198
193
194
FLEMISH SCHOOL, 19TH CENTURY
Fisher folk bringing in their catch
199
ATTRIBUTED TO FRIEDRICH CHRISTIAN
REINERMANN (GERMAN, 1764-1835)
oil on canvas
28 x 39 in. (71.8 x 99 cm.)
Landscape with Frstenberg in the Rhine

Valley
$2,000-3,000
watercolor, bodycolor and black ink on paper

laid down on paper
6 x 9 in. (16.5 x 22.9 cm.)
$1,000-1,500
194
199
200
ITALIAN SCHOOL, 18TH CENTURY
195
FOLLOWER OF NICHOLAS LANCRET
Landscape with fgures alongside a river

with a castle in the distance; together
with a companion work Fisherman with
fgures traveling along a path
Elegant skaters on a frozen pond

oil on panel
11 x 13 in. (28.9 x 34 cm.)
the frst inscribed with artist initials and dated

DM/ 1786 (lower left); the companion work
signed with initials and dated CJW 1756
(lower right)
each bodycolor and watercolor on paper
each 16 x 12 in. (40.6 x 30.5 cm.)
(2)
$1,000-1,500
$800-1,200
195
200
201
AMERICAN SCHOOL, 19TH CENTURY
Figures skating on a frozen pond in a

Winter landscape
206

28 x 35 in. (71.8 x 88.9 cm.)
Christo Morto
$1,000-1,500
red chalk, black ink and bodycolor on paper

9 x 6 in. (22.9 x 15.2 cm.)
$1,000-1,500
201
206
202
Figures in a Northern landscape

brown and black ink and wash on paper
8 x 10 in. (22.2 x 27.3 cm.)
$1,000-1,500
207
202
A female nude at her bath

red chalk on paper
5 x 4 in. (12.7 x 10.2 cm.), oval
$1,000-1,500
203
FOLLOWER OF PIERRE ANTOINE PATEL
A pair of Wooded River Landscapes with

Figures and Castles in the Distance
each 9 x 13 in. (24.8 x 35 cm.)
26
207
(2)
208 No Lot
$800-1,200
PROVENANCE:

January 1981, lot 67.
203
209
ATTRIBUTED TO HERMAN VAN SWANEVELT
(DUTCH, 1603-1655)
204
CONTINENTAL SCHOOL, 19TH CENTURY
Landscape with tree

red chalk on laid paper
8 x 4 in. (21.6 x 11.4 cm.)
The Pirate Ship

oil on canvas
29 x 46 in. (75.6 x 117.5 cm.)
$1,000-1,500
$1,000-1,500
204
209
205
ATTRIBUTED TO JOHANN ECKHARD LFFLER
(GERMAN, 17TH CENTURY)
210
ATTRIBUTED TO PAUL VAN LIENDER (DUTCH,
1731-1797)
The Four Charities; together with

Joseph in Prison and Abraham visited by
Angels
Landscape with boats and a castle along

the shore; together with Landscape of
boats with a town in the distance

each 5 x 6 in. (12.7 x 16.5 cm.), oval
brown ink and wash on paper laid down on

paper
each 2 x 3 in. (5.1 x 7.6 cm.)
(2)
(2)
$800-1,200
205
$1,500-2,000
210

(LOTS 216-219)
PROPERTY FROM CREDIT SUISSES

AMERICANA COLLECTION (LOTS 211-215)
211
AFTER FRANOISE NICOLAS MARTINET
216
CARLTON ALFRED SMITH (BRITISH, 18531946)
[Exotic Birds]: Eight Plates
Going to the Well
eight engravings with hand coloring, on wove

paper, with margins
each P. 10 x 8 in. (254 x 203 mm.)
(8)
signed and dated Carlton A Smith 1902

(lower left)
watercolor, gouache and pencil on paper
15 x 10 in. (39.3 x 26.7 cm.)
Executed in 1902.
$1,500-2,000
$2,000-3,000
211
216
217
ATTRIBUTED TO WILLIAM HENRY HUNT
(BRITISH, 1790-1864)
212
AFTER JOHN ABBOT & SIR JAMES SMITH
[Insects and Plants]: Twelve Plates
A Child Reading
twelve lithographs in colors, on wove paper,

with margins
each 14 x 11 in. (362 x 279 mm.)
(12)
watercolor on paper
7 in. (19.7 cm.), diameter
$1,000-1,500
$1,000-1,500
212
217
218
ANTOON VAN WELIE (DUTCH, 1866-1956)
213
AFTER JOHN TORREY
Portrait of a Girl
[Botanicals]: Ten Plates
27
signed A VAN WELIE (lower right)

pastel and charcoal on blue paper
13 x 10 in. (34. x 25.4 cm.)
ten lithographs in colors, on wove paper, with

margins
the largest L. 9 x 8 in. (235 x 203 mm.)
(9)
$2,000-3,000
$1,000-1,500
213
218
214
AFTER JOSEPH EDMONDSON
219
JOHN STRICKLAND GOODALL (BRITISH,
1908-1996)
[Heraldic Crests]: Seven Plates
Skating; and four companion works
seven engravings, with hand coloring, on laid

paper, with margins
each P. 16 x 9 in. (419 x 241 mm.)
(7)
the frst signed John S. Goodall (lower right)

each gouache, pencil and watercolor on paper
the largest 7 x 9 in. (18.4 x 24.1 cm.)
(5)
$2,000-3,000
$1,500-2,000
219
214
220
ANDRE GIROUX (FRENCH, 1801-1879)
A bound collection containing about 539

drawings of landscapes and characters from
Lozre, Gard, of Vichy, Frouville, Var,
in the Hautes Alpes, Brittany, Niort
and its surroundings, Switzerland and
Germany
215
AFTER CHARLES BALTHAZAR JULIEN FEVRET
DE SAINT-MMIN
variously inscribed
pencil on paper
overall 13 x 22 x 4 in. (33.7 x 55.9 x 10.2 cm.)
[Profile Portraits]: Sixteen Plates

sixteen engravings, on wove paper, with
margins
each P. 2 x 2 in. (70 x 64 mm.)
$2,000-3,000
(16)
$1,000-1,500
PROVENANCE:
215
Anonymous sale; Christies, Paris, 15 December

2004, lot 119.
220
PROPERTY SOLD TO BENEFIT THE VIRGINIA
HISTORICAL SOCIETY
226
THOMAS ROWLANDSON (BRITISH, 17561827)
221
JOHN GEORGE BROWN (AMERICAN, 18311913)
A sailor, soldier and a fashionable lady

lounging at a quayside
Pleasant Hours of Childhood (Backyard

Playmates)
signed T. Rowlandson. (lower right)

watercolor and ink on paper
5 x 9 in. (14.6 x 24.1 cm.)
signed and inscribed J.G. Brown N.A. (lower

left)
oil on canvas
16 x 14 in. (40.6 x 35.6 cm.)
Painted circa 1864-65.
$6,000-8,000
$2,000-3,000
226
PROVENANCE:
221
(possibly) Artists studio sale, 1892.

with Kennedy Gallery, Inc., New York, before
1989.
Private Collection, Virginia.
227
PROPERTY SOLD TO BENEFIT THE ART

ACQUISITION FUND OF THE SEATTLE ART
MUSEUM
A portly gentleman bowing before a

slender gentleman
222
THOMAS WEBSTER, R. A. (BRITISH, 18801886)
signed T. Rowlandson. (lower right)

ink and wash on paper
11 x 13 in. (28.6 x 33 cm.)
Eatanswill Election
$1,000-1,500
oil on canvas
22 x 31 in. (57.1 x 80 cm.)
Painted in 1837.
$4,000-6,000
227
PROVENANCE:
222
Anonymous Sale; Christies, London, 27 July

1956, lot 262.
The Norman Davis Collection, Seattle.
228
GEORGE CRUIKSHANK (BRITISH, 1792-1878)

COLLECTION
The Dandies Coat of Arms

signed, titled and inscribed G Cruikshank/ The
Dandies Coat of Arms. (along the lower edge)
watercolor, wash, ink and pencil on paper
13 x 11 in. (33 x 28.6 cm.), unframed
223
CHARLES CHAPLIN (FRENCH, 1825-1891)
Putti Playing: Two works
28
the frst signed Ch. Chaplin. (Iower left)

each oil on canvas
each 18 x 44 in. (46.4 x 113 cm.)
$1,000-1,500
(2)
$4,000-6,000
223
228
229
AFTER GIOVANNI BATTISTA PIRANESI
Veduta dell Anfiteatro Flavio, detto il

Coloseo; and two companion works

(LOTS 224-229)
three etchings on wove paper

the frst 17 x 27 in. (432 x 686 mm.)
224
$1,000-1,500
Travelers retiring for the night

signed T. Rowlandson. (lower left)
watercolor, ink and pencil on paper
10 x 8 in. (26 x 21 cm.)
229
Tuesday 28 July
at 2.00 pm
$1,000-1,500
Silver and Silver Plate
224
(Lots 230-239)
230
A SET OF TWELVE GEORGE III SILVER SOUP
PLATES,
225
CIRCLE OF THOMAS ROWLANDSON
MARK OF PAUL STORR, LONDON, 1801,
each of shaped circular form, the border

gadrooned and engraved with a crest, marked
on reverses
10in. (25.5cm.) diameter; 236oz. 10dwt. (7,359
gr.) approximately
(12)
A gentleman lighting a pipe from a candle

ink and wash on paper
11 x 7 in. (28.6 x 19.1 cm.)
$1,000-1,500
$3,000-5,000
225
230
236
A FRENCH SILVER THREE-PIECE COFFEE
SERVICE AND SET OF FOUR TUMBLERS, AND
AN AMERICAN SILVER TRAY,
231
A PAIR OF ENGLISH SILVER PLATE AND
BLEACHED WALNUT BOTTLE COOLERS AND
LINERS,
THE FRENCH MARK OF CARTIER, THE AMERICAN

MARK OF TIFFANY & CO., 20TH CENTURY,
MARK OF ROYAL CASTLE, SHEFFIELD, LATE 20TH

CENTURY,
of cylindrical form, mounted with stags head

handles
14in. (37cm.) wide
(4)
$800-1,200
231
the French marked Sterling, the coffee service

comprising a coffee pot with composition
handle and hinged cover, a cream jug and
a two handled sugar bowl, marked 621-D
Paul Revere Reproduction, Circa 1776; the set
of tumblers with banded rims; the American
marked Sterling, comprising a circular tray;
together with two other silver tumblers, mark of
James Robinson, 114
The tray 11in. (28cm.) diameter; 81oz.
approximate gross weight
(10)
236
$1,000-1,500

237
AN AMERICAN SILVER FIVE-LIGHT
CANDELABRA,
232
A SET OF FOUR ENGLISH SILVER-MOUNTED
CLEAR GLASS BOTTLES AND STOPPERS,
MARK OF FISHER SILVERSMITHS, JERSEY CITY, NEW

JERSEY, 20TH CENTURY,
THE SILVER MARK OF BIRMINGHAM, 1907 AND

1908,
marked Sterling, the shaped circular base

supporting four acanthus covered scroll arms,
with fve removable nozzles (weighted)
17in. (43.8cm.) high, overall
marked on stoppers and collars, each bottle slightly

faceted and the bases cut with a star
13in. (33cm.) high, overall
(4)
$500-700
$800-1,200
232
237
PROPERTY OF A LADY
238
AN AMERICAN SILVER FLATWARE SERVICE,
MARK OF REED & BARTON, TAUNTON,
MASSACHUSETTS, 20TH CENTURY,
233
TWO SILVER-PLATE MOUNTED GLASS
RECTANGULAR VASES,
20TH CENTURY,
in sizes
The larger 18in. (47cm.) high
(2)
$700-900
233
in the Francis I pattern, comprising twelve

tablespoons, eighteen teaspoons, eight iced-tea
spoons, twelve dinner forks, ten dessert forks
with silver-gilt tines, twelve dinner knives with
stainless steel blades, twelve butter knives with
stainless steel blades, a pastry server, a small lifter
with serrated blade, two serving forks in sizes, a
tomato server, a butter knife, a jam spoon, a nut
spoon, a small server, a small serving spoon, and
a pair of sugar nips; together with an associated
pair of silver-plated grape shears and server
The dinner knives 9in. (24.1cm.) long; 102 oz.
approximate weighable silver
(97)
$2,000-3,000
29
238

COLLECTION
239
A DANISH SILVER CIGARETTE BOX WITH
HINGED COVER, AND AN AMERICAN SILVER
PLATE TRIANGULAR COCKTAIL DISH,

234
A GERMAN SILVER WEDDING BASKET,
LATE 19TH CENTURY,
THE DANISH POSSIBLY HANS JENSEN & CO.,

COPENHAGEN OR AARHUS, EARLY-MID 20TH
CENTURY; THE AMERICAN E&J BASS, NEW YORK,
U.S. PATENT #75939, CIRCA 1930,
marked 800, of oval form with swing overhead

handle, slatted openwork sides and base, the
shaped rim cast with scrolling borders, foral
festoons and fgural medallions
25in. (63.5cm.) high overall; 76oz.
approximately
the cigarette box with wood interior and leather

base; the dish part of a cocktail set by E.&J.Bass
The box 6in. (15.3cm.) square
(2)
$800-1,200
239
$1,000-1,500
234
Glass
(Lots 240-270)

235
A GROUP OF GERMAN, SPANISH AND
INDIAN SILVER TABLE ACCESSORIES,
240
A PAIR OF ENGLISH CUT GLASS
COMMEMORATIVE CORONATION GOBLETS
FOR QUEEN ELIZABETH II,
VARIOUSLY MARKED, LATE 19TH/20TH CENTURY,
the German comprising a rabbit-head stirrup

cup, marked 830, and with French import marks;
the Spanish comprising a pair of square dishes;
and the Indian comprising a pair of circular
spice boxes and covers with inserts, apparently
unmarked
The dishes 6in. (15.9cm.) square; 73oz.
approximate gross weight
(9)
$1,000-1,500
20TH CENTURY,
each goblet with central shield cartouche

enclosing E R II, Coronation June 2nd, 1953
fanked by four Union Jack fags, the reverse
with stylized blossoms
8in. (21.6cm.) high
(2)
$800-1,200
235
240
246
TWO FRENCH CAMEO GLASS ARTICLES,
PROPERTY FROM THE PINHAS COLLECTION,

LOS ANGELES (LOTS 241-259)
SIGNED IN CAMEO AND GILT DAUM NANCY AND

WITH CROSS OF LORRAINE, CIRCA 1900,
241
A FRENCH ETCHED AND ENAMELED GLASS
VASE,
the frst an enameled vitrifed pitcher decorated

with fowers and foliage; the second a gilttooled clear glass vase with a landscape en
grisaille; together with a miniature cameo glass
vase decorated with small berries on branches,
signed Weiss
The pitcher 4in. (10cm.) high
(3)
SIGNED IN ENAMEL GALLE, CIRCA 1900,
of elongated pear form, decorated with pendant

bleeding heart blossoms
15in. (38.8cm.) high
$3,500-4,500
$2,200-2,800
246
241
242
A FRENCH CAMEO GLASS EGG-SHAPED
VASE, JE CHANTE CLAIR,
247
TWO FRENCH GILT AND ENAMELED GLASS
TABLE ARTICLES,
SIGNED IN CAMEO DAUM NANCY AND WITH

CROSS OF LORRAINE, CIRCA 1900,
VARIOUSLY SIGNED DAUM NANCY AND WITH

carved with a rooster, grasses and a banner je

chante clair on a reddish orange ground
5in. (12.7cm.) high
each piece decorated with landscapes, the frst

a low circular dish with handles, signed in gilt;
the second a compressed circular bowl, signed
in etch
The dish 5in. (13.4cm.) wide over handles (2)
$800-1,200
$800-1,200
242
247
243
THREE FRENCH ENAMELED GLASS
MINIATURE TABLE ARTICLES,
248
A FRENCH CAMEO GLASS LANDSCAPE
VASE,
VARIOUSLY SIGNED DAUM NANCY AND WITH

30
SIGNED IN CAMEO GALLE, CIRCA 1900,
comprising two egg cups enameled en grisaille

with blossoms and landscapes, and a small shoe
decorated with palm trees in a landscape
The shoe 3in. (7.6cm.) long
(3)
cut in the foreground with Morning Glory

blossoms and vines
15in. (40cm.) high
$3,000-4,000
$1,500-2,000
248
243
244
A FRENCH GILT DECORATED ETCHED AND
ENAMELED GLASS BOX AND COVER,
249
TWO FRENCH CAMEO GLASS VASES,
THE FIRST SIGNED IN INTAGLIO, THE SECOND IN
CAMEO GALL, CIRCA 1910,
SIGNED IN GILT DAUM NANCY AND WITH CROSS

OF LORRAINE, CIRCA 1910,
the frst of clear pink color decorated with a

bee and leafy blossoms; the second with trailing
Morning Glory vines
The second 8in. (20.3cm.) high
(2)
the cover etched Plus fait doucer que violence

7in. (19cm.) diameter
(2)
$1,500-2,000
$1,200-1,800
244
249
245
A FRENCH ENAMELED CAMEO GLASS
RECTANGULAR BOX AND COVER,
250
A FRENCH CAMEO GLASS SQUARE INKWELL
AND COVER,
SIGNED IN CAMEO GALLE, CIRCA 1900,
SIGNED IN INTAGLIO DAUM NANCY AND WITH

with acid-etched sides colorfully enameled with

leafy blossoms, gilt enrichment, the fat cover
similarly decorated
(2)
the iridescent sides with purple overlay wheel

cut with a design of chrysanthemum stems
4in. (10.1cm.) square
(2)
$2,000-3,000
245
$1,700-2,200
250
251
A FRENCH CAMEO GLASS LANDSCAPE
VASE,
256
A FRENCH MOTTLED GLASS AND
WROUGHT-IRON VASE,
SIGNED IN CAMEO DAUM NANCY AND WITH

SIGNED IN INTAGLIO SCHNEIDER, CIRCA 1925,
the mottled reddish yellow ground overlaid in

brown and cut with a lake scene of sail boats
the clear glass vase mottled with white, orange

and red, ftting into a bronze mount with
strapwork panels
$1,800-2,500
$1,800-2,500
251
252
A FRENCH CAMEO GLASS FLATTENED VASE,
256
257
A FRENCH BLOWN GLASS AND WROUGHTIRON VASE,


CROSS OF LORRAINE, AND L. MAJORELLE, CIRCA
1915,
the sides acid-etched in deep purple with

Columbine vines and a butterfy, and with gilt
highlights
12in. (31cm.) high
the glass of mottled orange-red with metallic

gold inclusions
12in. (31cm.) high
$1,500-2,000
$3,000-5,000
257
252
258
A FRENCH GLASS AND WROUGHT-IRON
BOWL,
253
A FRENCH CAMEO GLASS GLOBULAR VASE,

CROSS OF LORRAINE AND L. MAJORELLE, CIRCA
1920,
SIGNED IN INTAGLIO C MULLER, CROISMARE, PRES

NANCY, CIRCA 1920,
the amber iridescent and frosted sides cut with

leafy tulips
4in. (11.5cm.) high
31
the glass with undulating reddish sides and

internal foil decoration
10in. (25.3cm.) diameter
$800-1,000
$800-1,200
258
253
259
A FRENCH BLOWN GLASS AND WROUGHT
IRON VASE,
254
A FRENCH CAMEO GLASS VASE,
SIGNED IN CAMEO LEGRAS, CIRCA 1920,
SIGNED IN ETCH DAUM NANCY AND WITH CROSS

OF LORRAINE, AND L. MAJORELLE, CIRCA 1920,
carved and etched with a continuous wooded

scene with a deer and bird
8in. (21.5cm.) high
the grayish-purple mottled glass set in a simple

iron frame with handles at the rim
6in. (17.5cm.) high
$800-1,000
$1,800-2,500
254
255
A FRENCH CAMEO GLASS VASE WITH
APPLIED SNAIL-FORM HANDLES,
259
SIGNED IN GILT INTAGLIO DAUM NANCY AND

WITH CROSS OF LORRAINE, CIRCA 1910,

GALLERY, BROWN UNIVERSITY
the cylinder body wheel-carved and vitrifed

with grapes and trailing foliage in mottled tones
of scarlet, green and purple
7 in. (19 cm.) high
SIGNED IN ETCH L.C. TIFFANY, INC. FOR TIFFANY

STUDIOS, FIRST QUARTER 20TH CENTURY,
260
AN AMERICAN FAVRILE GLASS VASE,
$5,000-7,000
cf. Runion des Muses Nationaux, LEcole de
Nancy, 1889-1909, Art nouveau et industries
dart, Paris, 1999, p. 249 for an illustration of
a similar vase and a period rendering of various
vessels with applied snail decoration.
of footed, ribbed cylindrical form with cupped

mouth and wavy rim, numbered IS56-4985N
12in. (31cm.) high
$1,200-1,800
255
260
PROPERTY FROM THE ALLAN STONE

266
TWO ITALIAN MURANO GLASS
SOMMERSO VASES, AND ANOTHER
MURANO BLUE GLASS CYLINDRICAL VASE,
261
A FRENCH ART DECO FROSTED GLASS
GLOBE TABLE LAMP,
ITALIAN, 20TH CENTURY,
SIGNED IN MOLD GENET ET MICHON, 20TH

CENTURY,
each blown, the frst of faring conical form in

purple and scarlet, the second of fattened form
with pinched rim, the glass emerald and pale
gray lavender; the third with applied iridescent
blue glass banded neck
The frst vase 15in. (38.5cm.) high
(3)
stylized with fora and fauna and French proper

names of the continents, on a stainless steel
dodecagon base
$1,000-1,500
$1,500-2,000
266
261
267
A FRENCH ART DECO INTERNALLY
DECORATED CLEAR GLASS VASE,
262
TWO IRIDESCENT GLASS TABLE ARTICLES,
AND AN IRIDESCENT GLAZED BUD VASE,
FIRST HALF 20TH CENTURY,
ETCHED MARK OF HENRI EDOUARD NAVARRE, 20TH

CENTURY,
the glass comprising a tall purple glass bud vase,

possibly Loetz; a large shallow serving dish,
possibly Tiffany Studios; the iridescent glazed
vase shaped conical, apparently unsigned
The tall bud vase 13in. (34.3cm.) high
(3)
the heavy blown vase of square form with

applied leaf blades at the corners, the glass
suffused with a dark gray skein of air bubbles,
signed H. Navarre on base
11in. (28cm.) high
$800-1,200
$1,000-1,500
262
267
263
FOUR LARGE COBALT GLASS APOTHECARY
JARS AND COVERS,
268
AN ITALIAN MURANO GLASS OVOID VASE,
LATE 19TH/20TH CENTURY,
PROBABLY BAROVIER, 20TH CENTURY,
each with gilt and black painted nameplate, one

with applied paper label for Brearey & Son,
Chemists, Prospect Hill, Douglas, Isle of Man
(4)
32
the glass suffused with bubbles and with two

decorative handles
$1,000-1,500
$800-1,200
263
268
269
TWO ITALIAN MURANO GLASS SHELL-FORM
VASES,
264
AN ITALIAN MURANO CRESPUSCULO
GLASS VASE,
ONE SIGNED BAROVIER E TOSO, 20TH CENTURY,
ERCOLE BAROVIER, CIRCA 1930,
the blown glass vase of baluster form, internally

decorated, white cased interior, paper label affxed
to base Verreries Artistiques, Barovier, Murano,
Made in Italy
15in. (38cm.) high
the frst a large shell suffused with gold leaf

supported on stylized tentacle and rocky base
applied with seashells; the second a fattened
shell on circular base with applied grape bunchform handles, signed
The frst, the larger, 15in. (39.3cm.) long (2)
$1,500-2,000
$1,000-1,500
269
264
265
AN ITALIAN MURANO GLASS SOMMERSO
VASE,
M. Heiremans, 20th Century Murano Glass:

From Craft to Design, Stuttgart, 1996, p. 38 for a
similar example.
270
A CONTEMPORARY AUSTRALIAN MURRINE
GLASS VASE,
ETCHED MARK OF FLAVIO POLI FOR SEGUSO, DATED

1951,
SIGNED IN ETCH FOR GILES BETTISON, LATE 20TH

CENTURY,
the gray and pale lavender transparent glass of

elongated asymmetrical design with an angled
mouth rim, signed on base
11in. (18cm.) high
of fattened and tapered form, decorated in a

geometric opaque mosaic pattern in tones of
cream and amber, signed Giles in panel on back
$1,500-2,000
265
LITERATURE:
$1,000-1,500
270
276
AN ASSEMBLED PORTUGUESE IRON-RED
DECORATED PORCELAIN DINNER SERVICE,
Porcelain and Ceramics

(Lots 271277)
VARIOUSLY MARKED FOR VISTA ALEGRE OR

MOTTAHEDEH, 20TH CENTURY,

AMERICANA COLLECTION
271
TWO PAIRS OF PARIS PORCELAIN GILT
GROUND URNS,
each of classically inspired amphora-form on

a pedestal plinth with swans or goats head
handles, the frst pair painted on one side with
profle portrait medallions, the second pair
with marine and Arcadian landscapes
Each pair 12in. (31cm.) high
(4)
271
each piece variously decorated in the Chinese

Export taste with stylized foliage and birds, the
Vista Alegre comprising twenty-two dinner
plates, twelve lunch plates, a pair of small
saucer tureens with stands and covers; and the
Mottahedeh comprising a pair of shaped shellform dishes, two oval dishes and covers, and
three salts
The dinner plates 10in. (25.5cm.) diameter
(49)
276
$1,000-1,500
$1,000-1,500
PROPERTY FROM THE ESTATE OF MARYLIN

JONES

COLLECTION
272
A GROUP OF GERMAN PORCELAIN BLUE
AND WHITE TABLE SERVICE WARES,
277
TWO LARGE GLAZED EARTHENWARE
STORAGE JARS,
VARIOUS BLUE CROSSED SWORDS AND IMPRESSED

AND PAINTED NUMERALS FOR MEISSEN, 19TH/20TH
CENTURY,
19TH/20TH CENTURY,
each with iridescent blue-green glaze and with

four applied decorative handles, one with metal
collar and cover
The larger 15in. (39.4cm.) high
(2)
in the Blue Onion pattern, comprising a pair

of candlesticks; a pair of metal mounted vases
and covers as lamps; a well-and-tree platter, a
shallow oval platter, and an oval fsh platter
The fsh platter 21 in. (55.2cm.) long
(7)
$1,500-2,000
$800-1,200
277
272
Chinese Export
Works of Art
(Lots 278-288)
GALLERY, BROWN UNIVERSITY
273
A PAIR OF GERMAN PAINTED PORCELAIN
POTPOURRI VASES AND COVERS,

ARKUS-DUNTOV
BLUE SCEPTER AND PRINTED RED KPM MARKS, NO.

145/32, 20TH CENTURY,
278
A GROUP OF CHINESE EXPORT IMARI AND
BLUE AND WHITE PORCELAIN TABLE WARES,
each bulbous shaped supported on a circular

pedestal foot, molded with foliate form handles
and applied with fower heads, painted with
botanical specimens, the domed covers further
applied with fowers
(4)
33
18TH CENTURY,
$1,000-1,500
273
the Imari wares comprising an octagonal platter,

a shallow circular dish, a small bowl and two
plates; the blue and white wears comprising an
octagonal soup stand; a large dish, underglaze
blue four-character Kangxi mark to base; a
bowl, a cafe-au-lait glazed dish and two small
plates; together with two famille rose soup plates
and one puce painted soup plate
The stand 15in. (38cm.) long
(14)
278
$1,000-1,500

JONES (LOT 279)
274
A GROUP OF FRENCH AND GERMAN
PORCELAIN PLATES,
279
A PAIR OF CHINESE EXPORT BLUE AND
WHITE OCTAGONAL PLATTERS,
VARIOUSLY MARKED, 20TH CENTURY,
comprising a set of seven blue-ground dinner

plates and a matching bowl, retailed by Sam
Child & Co., Baltimore; a set of eight L.
Bernardaud & Co. dinner plates and seven side
plates in the Vieux Rouen pattern; a set of ten
A Raynaud & Co. lunch plates in the Ceralene
pattern; and a set of eleven Meissen Blue
Onion soup plates
The bowl 10in. (27.5cm.) diameter
(44)
$1,000-1,500
CIRCA 1775,
each rectangular with canted corners, decorated

with a harbor scene to feld, the borders with
small blossoms and fruit sprigs
12 in. (32.3cm.) wide
(2)
$1,000-1,500
PROVENANCE:
274
275
AN ASSEMBLED HUNGARIAN PORCELAIN
PART TEA SERVICE,
279
With H. Moog, Atlanta.
280
A PAIR OF CHINESE EXPORT FAMILLE ROSE
FIGURAL CANDLEHOLDERS,
BLUE PRINTED MARK FOR HEREND, 20TH CENTURY,
each fgure holding a large lotus blossom-form

candle holder
(2)
each piece in the Meissen taste painted with

insects, fruit and foliate clusters within ozier
molded borders, comprising a teapot and
cover, a creamer, a sugar bow and cover, two
graduated circular bowls, a circular platter, four
oval dishes, six plates, and seven teacups and
eight saucers
The largest bowl 10in. (27cm.) diameter (33)
$4,000-6,000
$800-1,200
275
280

286
A PAIR OF CHINESE EXPORT REVERSEPAINTED GLASS PICTURES,
281
A PAIR OF CHINESE EXPORT REVERSE
PAINTINGS ON GLASS OF LADIES,
CIRCA 1800,
18TH/19TH CENTURY,
each depicting a Buddhist deity riding either a

qilin or Buddhist lion
20in. (50.8cm.) high, 14in. (35.5cm.) wide,
including frame
(2)
each rectangular, depicting a lady holding

a foral basket and seated beneath a tree in a
landscape, framed
The image 12in. (31cm.) high, framed
(2)
$2,000-3,000
$1,000-1,500
281
PROVENANCE:
John Sparks, 128 Mount Street, London
286
287
TWO CHINESE REVERSE PAINTINGS ON
GLASS OF COURT SCENES,
282
TWO CHINESE EXPORT REVERSE PAINTINGS
ON GLASS OF COURT SCENES,
LATE 18TH CENTURY,
each rectangular, painted with court ladies and

children at leisure in an interior, framed
The larger image 18in. (46.5cm.) high
(2)
depicting either a European elder with three

children or a Chinese family in a pavilion, each
in gilt wood frame
The frst, the larger, 16in. (42.5cm.), excluding
frame
(2)
$1,000-1,500
$1,500-2,000
LATE 18TH/EARLY 19TH CENTURY,
287
282
288
A PAIR OF CHINESE SCHOOL PAINTINGS OF
BAMBOO FURNITURE,
GOUACHE ON PAPER, CIRCA 1805,
each in black lacquered and gilt decorated frame

The image 14 x 18in. (35.5 x 46.3cm.)
(2)
283
A SET OF FOUR CHINESE PAINTINGS OF
SCHOLARS OBJECTS,
34
$1,500-2,000
19TH CENTURY,
each painted in gouache and colors on paper

depicting precious objects and books on a shelf,
framed
Each image 24in. (61.8cm.) high
(4)
288
Chinese Works of Art
$1,000-1,500
(Lots 289-352)
283
PROPERTY FROM THE COLLECTION OF JAMES
E. BREECE III (LOTS 289-306)
289
A PAIR OF CHINESE GRAY POTTERY MODELS
OF RECUMBENT BOARS,
284
THREE CHINESE EXPORT REVERSE
PAINTINGS ON GLASS OF LADIES,
SIX DYNASTIES PERIOD/ EARLY TANG DYNASTY,

6TH/7TH CENTURY,
LATE 19TH CENTURY,
each hollow-molded and realistically modeled

in a recumbent position atop a shaped base,
with fnely detailed features and gently rounded
bodies
6in. (16.5cm.) long
(2)
each rectangular, depicting an elegantly robed

lady holding a Pekinese dog, a lady with a
strand of beads, and a lady with a spray of
orchids, each framed
The largest image 23in. (58.5cm.) high
(3)
$3,000-5,000
$1,500-2,000
284
289
PROVENANCE:
Purchased, Sothebys, London, Mid-1990s.

In the collection in the USA prior to 1997.
285
A CHINESE EXPORT PAINTING OF A LADY,
290
A CHINESE STRAW-GLAZED POTTERY FIGURE
OF A MALE ATTENDANT,
OIL ON CANVAS, MID 19TH CENTURY,
depicting a three-quarter portrait of a lady in a

blue robe holding a spray of orchids, her hair
adorned with seed pearl jewelry, framed; together
with a framed picture mounted with six leaves,
each painted in gouache and colors with fgures
of Mandarins, 19th Century
The portrait 23in. (60cm.) high
(2)
TANG DYNASTY (618-907 AD),
modeled standing wearing loose trousers and a

sashed jacket
$1,000-1,500
$1,000-1,500
PROVENANCE:
Purchased, Sothebys, New York, Early-Mid1990s.

285
290
296
A CHINESE AMBER-GLAZED POTTERY
DOUBLE GOURD EWER,
291
FIGURE OF LADY,
LIAO DYNASTY (907-1124),
the body set with short angled spout and

molded loop handle, the transparent glaze
irregularly splashed short of the foot rim
8in. (21cm.) high
TANG DYNASTY (618-906 AD),
modeled standing in a long robe with hands

clasp beneath the folds of the sleeves
$3,000-5,000
$3,000-5,000
PROVENANCE:
Purchased, James Godfrey, 1980-1982.

In the collection in the USA prior to 1997.
291
292
A CHINESE QINGBAI COSMETIC BOX AND
COVER,
296
297
A CHINESE HARDWOOD MOUNTED CARVED
BAMBOO BRUSH POT,
NORTHERN SONG DYNASTY, 10TH/12TH CENTURY,
LATE QING DYNASTY (19TH CENTURY),
of circular form ftted with an interior dish

applied with three miniature pots and separated
by three foral branches, the white clay body
covered in a fnely crackled clear glaze
(3)
octagonal, the sides carved in shallow relief with

a continuous scene of fgures in a pavilion near
a mountain lake, carved with inscription and
signed Ting Xiao fu
6in. (16.8cm.) high
$2,000-3,000
$3,000-5,000
292
293
A CHINESE CIZHOU TYPE CREAM-GLAZED
POTTERY EWER,
297
298
A CHINESE CARVED BAMBOO LIBATION CUP,
SONG/JIN DYNASTY, 12TH-13TH CENTURY,
the globular body with a faceted spout and

double-strap handle, glazed irregularly towards
the foot exposing the gray ware fred in areas to
brick red
7in. (19.7cm.) high
19TH CENTURY,
with elliptical rim, the sides carved in high relief

with a continuous scene of scholars beneath
pine in a craggy, mountainous landscape
5in. (14cm.) across
$3,000-5,000
35
$1,000-1,500
293
298
PROPERTY FROM THE COLLECTION OF JAMES

E. BREECE III
299
A CHINESE BLUE AND WHITE DRAGON
BOWL,
294
A CHINESE CIZHOU CREAM-GLAZED
POTTERY LAMP,
KANGXI PERIOD (1662-1722),
SONG DYNASTY (12TH/13TH CENTURY),
decorated with three chilong striding amidst

clouds and scrolling lingzhi tendrils above a
band of lingzhi scroll, the interior decorated
with a related medallion
on circular dish with waisted mid-section

supporting a faring cupped mouth
6in. (15.3cm.) high
$3,000-5,000
$3,000-5,000
299
294
295
BALUSTER VASE,
300
A CHINESE PORCELAIN BOWL,
LIAO DYNASTY (907-1124),
of slender form applied with a stylized phoenix

beak, wings and tail below the horizontally
ringed neck and cupped mouth rim
14in. (37cm.) high
17TH CENTURY,
$3,000-4,000
$3,000-5,000
of plain circular form, covered in a cream-toned

glaze, apocryphal impressed mark
300
295
301
A CHINESE BLUE AND WHITE PORCELAIN
BOTTLE VASE,
306
A CHINESE WHITE SCHOLARS STONE,
irregularly formed with jagged and veined

surfaces, the stone a creamy tone, with wood
stand
14 in. (35.5cm.) long
19TH CENTURY,
painted in the Kangxi-style with panels of

landscape and butterfies amongst fowering
shrubs below a cylindrical neck molded with
a horizontal band and further painted with
ribboned emblems, underglaze blue double
circles to base
17in. (43cm.) high
$2,000-3,000
$3,000-5,000
306
301
302
A CHINESE CARVED RED CINNABAR
LACQUER CIRCULAR BOX AND COVER,
PROPERTY FROM THE COLLECTION OF ANN

AND GRAHAM GUND
307
A CHINESE GREY YING STONE SCHOLARS
ROCK,
19TH CENTURY,
the cover carved in relief with a roundel panel

of scholars at a table in a rock garden beneath
pine, within foral foliate borders repeated on
the box, black lacquered interior
(2)
the upright rock, fnely textured with numerous

crevices, and with ftted wood base
19 in. (50 cm.) high, on wood base
$3,000-5,000
$2,000-4,000
302
307

JONES (LOTS 308-314)
308
A CHINESE DARK GREEN-GLAZED RED
POTTERY JAR, HU,
303
A CHINESE BLUE GLASS BOWL,
HAN DYNASTY (206 BC-AD 220),
LATE QING DYNASTY (19TH CENTURY),
36
globular, fanked by applied mask and ring

handles
of plain quatrefoil-shape, the glass an opaque

turquoise-blue tone
13in. (34.3cm.) long
$800-1,200
$2,000-4,000
PROVENANCE:
Applied paper label for Warren E. Cox

Collection (1969), New York.
303
308
304
A CHINESE ENAMELED PORCELAIN
MINIATURE GROUP OF LYCHEE FRUIT,
309
TWO CHINESE CELADON-GLAZED VESSELS,
MING DYNASTY AND LATER,
18TH/19TH CENTURY,
comprising a shallow bowl with everted rim,

molded with geometric bands; and a large lobed
globular vase
The bowl 14in. (36.2cm.) diameter
(2)
realistically modeled as a cluster of three pods

borne on a leafy stem, the larger pods partially
opened to reveal the red fruit
2in. (11cm.) long
$1,000-1,500
$2,000-4,000
309
304
305
A CHINESE FAMILLE ROSE PORCELAIN
BOWL,
310
TWO CHINESE LARGE MONOCHROME
GLAZED VASES,
MARK OF TONGZHI AND OF THE PERIOD (1862-1874

AD),
18TH/19TH CENTURY,
the frst a fambe-glazed bottle vase, mounted

as a lamp (drilled); the second a white-glazed
baluster vase with applied mask and rink handles
The second, the larger, 21in. (54.6cm.) high (2)
circular, one side enameled with a basket

brimming with foral stems, iron-red sixcharacter mark to base
$1,000-1,500
$2,000-3,000
305
310
311
TWO CHINESE CELADON-GLAZED VESSELS,
316
A CHINESE BLUE, GREEN AND YELLOWGLAZED PORCELAIN DRAGON BOWL,
19TH/20TH CENTURY,
with a dragon medallion at the center, the

sides with two writhing dragons amongst lotus
scrolls, apocryphal Qianlong seal to base
comprising a rectangular footed jardiniere

molded and incised with scrolling lotus
blossom, underglaze blue Qianlong seal to
base; and a circular charger molded and incised
with bands and large blossoms on interior
The jardinIere 18in. (45.7cm.) long
(2)
$800-1,200
$1,500-2,000
316
311
312
TWO CHINESE BLUE AND WHITE BOWLS,

AMERICANA COLLECTION (LOT 317)
317
TWO CHINESE BLUE AND WHITE GLOBULAR
JARS,
the larger decorated with two phoenix and

peony on branches, the interior with a butterfy
and pond; the smaller decorated with a
continuous landscape beneath geometric band,
the interior with a mountainscape, underglaze
blue four-character Xuantong mark to base
The larger 14 in. (37.4cm.) diameter
(2)
$1,000-1,500
19TH CENTURY,
decorated with shaped panels of precious

emblems on a prunus and cracked ice ground
8in. (21.5cm.) high
(2)
312
$800-1,200
317
313
A CHINESE BLUE AND WHITE LOTUS
FOOTED BOWL,
20TH CENTURY,
318
A PAIR OF CHINESE FAMILLE VERTE
PHOENIX TAIL VASES,
the interior decorated with large lotus blossoms

on scrolling stems with curling leaves, within a
band of ruyi head border
decorated with a continuous scene of court

fgures in a fenced rock garden or seated at a
table
(2)
37
$2,000-3,000
$1,000-1,500
313
314
A PAIR OF CHINESE BLUE AND WHITE
CYLINDRICAL VASES, MOUNTED AS LAMPS,
318
319
A LARGE PAIR OF CHINESE FAMILLE ROSE
BALUSTER JARS AND COVERS,
20TH CENTURY,
each enameled with shaped panels enclosing

birds amongst blossoming branches reserved on
a dense foliate black ground, with domed covers
surmounted by bud fnials
(4)
each decorated with alternating panels of fgures

in landscapes and birds on branches, between
borders of small stylized blossoms(drilled)
The porcelain 13in. (35cm.) high
(2)
$1,000-1,500
$3,000-5,000
319
314
PROPERTY FROM THE ESTATE OF ALFRED E.

GUNTERMAN (LOTS 320-344)
315
A CHINESE TURQUOISE AND AUBERGINE
SPLASHED-GLAZED BOTTLE VASE
320
FOUR CHINESE MING-STYLE GREEN AND
OCHRE-GLAZED STONEWARE TILES,
19TH CENTURY,
$2,000-3,000
comprising two rectangular pairs each impressed

with a panel of stylized lotus design
The larger pair 13in. (35cm.) wide
(4)
$1,500-2,000
320
315
321
A CHINESE BLUE AND WHITE RECTANGULAR
BASIN AND A FOOTED RECTANGULAR
STAND,
326
A CHINESE BLUE AND WHITE BALUSTER
JAR,
MING DYNASTY (1368-1644),
painted underglaze with a stylized kylin beast

and a fenced garden with rocks and plantain,
underglaze blue artemisia leaf within double
circle to base
13in. (33cm.) high
19TH CENTURY,
the basin painted with scrolling lotus and

cloud bands on the fat rim; the stand of slab
construction open at the center, set on four
bracket feet, painted with scenes of fgures
beneath willow and with lotus scroll
The stand 16in. (42.5cm.) long
(2)
321
$4,000-6,000
$1,200-1,800
326
322
A CHINESE PORCELAIN WUCAI BALUSTER
JAR AND A COVER,
327
A CHINESE FAMILLE NOIR LARGE HU-FORM
VASE,
17TH CENTURY,
LATE 19TH CENTURY,
the sides decorated with a continuous scene of

immortals and attendants in a rocky landscape,
the domed cover with fgures of boys
(2)
painted with a continuous scene of ladies and

children at leisure in a fenced garden terrace or
in interiors, the neck with mask and fxed ring
handles, apocryphal six character Kangxi seal
to base
$1,000-1,500
$2,000-3,000
322
327
323
A CHINESE FAMILLE VERTE PORCELAIN
CHARGER,
328
A CHINESE TURQUOISE-GLAZED BOTTLE
VASE, MOUNTED AS A LAMP,
20TH CENTURY,
19TH CENTURY,
the interior and sides enameled with dragons

amongst cloud scrolls picked out in tones
of aubergine and yellow on a green ground,
underglaze blue apocryphal six-character Jiajing
mark to base
38
incised with stylized Buddhist lions amongst

frothy waves and trailing clouds
The porcelain 16in. (40.5cm.) high
$700-900
$800-1,200
323
328
324
TWO CHINESE WUCAI PORCELAIN BALUSTER
JARS,
329
TWO CHINESE FAMILLE VERTE PORCELAIN
BALUSTER JARS,
17TH CENTURY,
19TH CENTURY,
each similarly decorated in underglaze blue

and overglaze enamels with medallions and
emblems between peony or lappet borders
The taller jar 11in. (29.8cm.) high
(2)
the frst with facetted sides, enameled with

scenes of fgures in landscapes; the second with
panels of seasonal fowers chrysanthemum,
lotus, peony and prunus reserved on an iron-red
scale ground
The frst, the larger, 13in. (33cm.) high
(2)
$3,000-5,000
$1,500-2,000
329
324
325
TWO CHINESE BLUE AND WHITE JARS,
330
A CHINESE FAMILLE VERTE POWDER BLUEGROUND GLOBULAR JARDINIERE,
THE FIRST KANGXI PERIOD; THE SECOND 19TH

CENTURY,
19TH CENTURY,
the frst a globular ginger jar decorated with

panels enclosing landscapes and animals,
underglaze blue double circle to base; the
second a baluster jar decorated with stylized
squirrels and foliate grape vines, underglaze blue
double circle to base
The baluster jar 14in. (35.5cm.) high
(2)
the exterior enameled with shaped panels of

foral baskets and smaller panels of insects and
animals among rocks and foliage, the rim with
a diaper band
$1,000-1,500
$1,500-2,000
330
325
336
A CHINESE BLUE AND WHITE LARGE JAR
AND COVER, AND ANOTHER BLUE AND
WHITE LARGE TWO HANDLED VASE,
331
THREE CHINESE COPPER-RED OR FLAMBEGLAZED VASES, MOUNTED AS LAMPS,
19TH CENTURY,
20TH CENTURY,
the frst and second of faceted archaistic form

with chilong or elephant head handles; the third
a fambe-glazed bottle form vase
The frst, the largest, 15in. (38cm.) high
(3)
the frst baluster form with a domed cover,

painted underglaze with allover scrolling
foliage and chrysanthemum heads below stiff
leaves at the short neck; the second similarly
decorated and with the eight auspicious
emblems, mask and stationary ring handles,
underglaze blue apocryphal six-character
Qianlong mark to base
The jar and cover 20in. (52cm.) high, overall
(3)
$1,000-1,900
331
$1,500-2,000
337
TWO CHINESE TEADUST-GLAZED VASES,
332
A CHINESE PORCELAIN FAMILLE ROSE
SMALL DISH, AND A BOWL AND COVER,
19TH/20TH CENTURY,
the frst bottle form, with two slatted apertures,

impressed Daoguang seal to base; the second
pear form with faring rim and incised with
stylized foliage and bats
The frst, the larger, 7in. (20cm.) high
(2)
19TH/20TH CENTURY,
the dish decorated with blossoming branches,

iron-red apocryphal Qianlong seal to base; the
bowl and cover decorated with iron-red and gilt
Shou characters, iron-red Tongzhi seal to bases
The dish 4in. (10.1cm.) diameter
(3)
$3,000-5,000
336
$1,000-1,500
332
337
333
A CHINESE FAMILLE VERTE BALUSTER VASE,
338
A CHINESE FAMILLE ROSE GLOBULAR
JARDINIERE,
19TH CENTURY,
19TH/20TH CENTURY,
decorated with eight immortals beneath gnarled

pine, between lappet and honeycomb diaper
borders
the exterior enameled with four shaped or

circular panels of birds and fowering branches
reserved on a dense foliate ground enriched
with blossoms all beneath an elaborate ruyi
border at the fat rim
$800-1,200
39
$1,500-2,000
333
338
339
TWO SIMILAR CHINESE FAMILLE ROSE
BOTTLE VASES,
334
A CHINESE BLUE AND WHITE PHOENIX
DISH,
20TH CENTURY,
each enameled with a continuous scene of

children at play in a court garden amongst
plantain, and peaches or peony and bamboo,
the neck with upright leaf blades and stylized
foliate bands, iron-red apocryphal Qianlong
seal to bases
Each 16in. (40.5cm.) high
(2)
the interior decorated with two confronting

phoenix and blossoms, the rim with a hand of
ribboned scholars objects, the exterior with six
foral roundels
$3,000-5,000
$1,200-1,800
339
334
340
A CHINESE YELLOW GROUND FAMILLE ROSE
LARGE VASE,
335
A CHINESE WHITE SLIP DECORATED BLUEGLAZED HEXAGONAL GARDEN SEAT,
20TH CENTURY,
19TH/20TH CENTURY,
baluster form, enameled with shaped panels of

fgures and attendants in landscapes and smaller
panels of birds amongst foliage, all on a dense
foral foliate ground, apocryphal Qianlong seal
to base
the sides and top pierced and decorated with

seasonal fowers and trailing foliage between
rows of raised bosses
19in. (48cm.) high
$1,500-2,000
$2,000-3,000
335
340
346
A CHINESE YELLOW-GLAZED BALUSTER
VASE, AND TWO CHINESE VESSELS,
MOUNTED AS A LAMPS,
341
A CHINESE BLUE AND WHITE LARGE BOTTLE
VASE,
20TH CENTURY,
20TH CENTURY,
enameled with green stylized peony issuing

from rocks; the second globular, decorated
with boys at plan in a landscape; the last
cylindrical, with enameled birds and butterfies
amongst foliage
17in. (44.5cm.) high, the porcelain (the tallest)
(3)
the body and neck painted underglaze with

scrolling peony, apocryphal Qianlong seal to
base
$1,500-2,000
$1,000-1,500
341
346
PROPERTY FROM A PRIVATE ESTATE (LOT

347-348)
347
THREE PAIRS OF CHINESE PORCELAIN VASES,
MOUNTED AS TABLE LAMPS,
342
TWO CHINESE REVERSE PAINTED GLASS
PANELS,
all baluster shaped, comprising a famille rose

pair with covers, painted with birds and fowers;
another famille rose pair with fgures and
inscriptions; and a celadon pair
The second pair, the largest, 24in. (61cm.) high,
the porcelain
(6)
LATE 19TH CENUTRY,
the frst depicting fgures in a mountaincape

(framed); the second fgures in a pavilion scene
(framed)
The frst, the glass, 39in. (99.1cm.) high
(2)
$1,500-2,000
342
$2,000-3,000
347
348
THREE CHINESE PORCELAIN VASES,
MOUNTED AS LAMPS,
343
A CHINESE GILT AND POLYCHROME
DECORATED COROMANDEL FOUR-PANEL
FLOOR SCREEN,
40
20TH CENTURY,
comprising a famille verte baluster jar and cover,

a gilt decorated ox-blood glazed baluster vase,
and a gilt decorated cobalt-glazed globular jar
The famille verte jar 19in. (48cm.) high, the
porcelain
(3)
19TH/20TH CENTURY,
carved with an elaborate pavilion scene, potted

jardinieres and mythical beasts to reverse
Each panel 73in. x 22in. (185.4cm x 55.8cm.)
$1,500-2,000
343
$1,000-1,500
348
349
A PAIR OF CHINESE FAMILLE ROSE SQUARE
BALUSTER VASES,
344
A CHINESE FAMILLE ROSE BALUSTER VASE,
enameled with foral sprigs, fruit and shou

characters between keyfret and lappet borders
24in. (61cm.) high
each decorated with panels of scholars and

attendants by a table reserved on a turquoise
ground with fowers, fruit and emblems, lions
mask handles
(2)
$1,200-1,800
$1,800-2,200
344
349
345
A CHINESE GILT AND IRON-RED DECORATED
PORCELAIN VASE, AND A GILT-DECORATED
BLACK GLAZED BOTTLE VASE, EACH
MOUNTED AS A LAMP,
350
A CHINESE FAMILLE ROSE LARGE PEARFORM VASE,
20TH CENTURY,
decorated with bird and fower roundels on a

gilt-enriched cobalt ground with zodiac animals
in relief and gilt mask and tongue handles,
impressed apocryphal Qianlong seal to base
17in. (43cm.) high
the lamp cylindrical, painted with a writhing

dragon amongst cloud bands; the vase decorated
with a stylized dragon, impressed apocryphal
Qianlong seal to base
15in. (39.5cm.) high, the porcelain
(2)
$2,500-3,500
$1,000-1,500
345
350

351
A PAIR OF CHINESE FAMILLE ROSE
GU-FORM VASES,
356
A JAPANESE IMARI PORCELAIN BOWL,
each colorfully enameled with baskets of

peonies and chrysanthemums between lappet
and ruyi honeycomb borders
19in. (48cm.) high
(2)
19TH CENTURY,
circular, the exterior painted with prunus

on a red ground, the interior with a central
chrysanthemum within stylized and shaped
panels of diaper pattern and blossoms
$2,000-3,000
$800-1,200
356
351
357
FOUR INDIAN MINIATURE PAINTINGS,
GOUACHE ON PAPER, 19TH/20TH CENTURY,
comprising a boar hunt, a kneeling fgure with

peafowl beneath a tree, and two similar standing
fgures of Shri Nathgi; together with two framed
Modern Persian reproduction pictures and a
Kashmiri illustrated folio
The largest 15in. (40cm.) high, framed
(7)
352
A CHINESE-STYLE FAMILLE VERTE
HEXAGONAL VASE,
20TH CENTURY,
$1,500-2,000
the sides enameled with insects among stylized

fowering shrubs between diaper and lappet
borders
16in. (42cm.) high
357
$1,200-1,800
Wednesday 29 July
at 10.00 am
352
Japanese and Southeast

Asian Works of Art
Furniture and Decorative

Works of Art
(Lots 358-526)
(Lots 353-357)
n358
A PAIR OF LOUIS XV GILTWOOD FAUTEUILS,
353
SIX JAPANESE BRONZE VASES,
MID 18TH CENTURY,
41
covered in brown leather

37in. (95.3cm.) high, 28in. (71cm.) wide, 21in.
(53.2cm.) deep
(2)
MEIJI/SHOWA PERIOD, EARLY 20TH CENTURY,
each of plain design with reddish patinated

surfaces, comprising four of faring cylindrical
form, a globular vase and a two-handled vase,
three signed on bases
The largest 12in. (32.5cm.) high
(6)
$4,000-6,000
PROVENANCE:
Sothebys New York, 03 June 2008, lot 186.
$1,500-2,000
353
358
n359
A LATE LOUIS XVI ORMOLU-MOUNTED BOIS
CITRONNIER MARBLE-TOP COMMODE,
354
A JAPANESE BROWN AND RED LACQUER
CIRCULAR TRAY,
EDO PERIOD, 17TH/EARLY 18TH CENTURY,
BY CHARLES JOSEPH LEMARCHAND, LATE 18TH

CENTURY,
painted at the center with a design of a kimono

rack and a cube of honeycomb pattern
stamped C LEMARCHAND twice

37in. (94cm.) high, 52in. (132cm.) wide, 24in.
(62cm.) deep
$3,000-5,000
$4,000-6,000
Charles Joseph Lemarchand, matre in 1789
359
354
n360
A NORTH EUROPEAN PARCEL EBONIZED
SATINBIRCH TILT-TOP CENTER TABLE,
355
A JAPANESE SIX PANEL FLOOR SCREEN,
FRAMED,
SECOND QUARTER 19TH CENTURY, POSSIBLY

AUSTRAIN
INK, COLOR AND GOLD LEAF ON PAPER, EDO

PERIOD, (19TH/20TH CENTURY),
30in. (77.5cm.) high, 50in. (128.2cm.)

diameter
depicting three fgures along a stream against a

gold-leaf background
128 x 55 in. (325.12 x 142.24cm) frame
$2,500-3,500
$1,500-2,000
355
PROVENANCE:
Sothebys New York, 09 June 2014, lot 50.

360
n361
A LATE LOUIS XVI ORMOLU-MOUNTED
MAHOGANY-INLAID BOIS DE CITRONNIER
MARBLE TOP SECRETAIRE A ABBATTANT,
n366
A FRENCH BRASS-MOUNTED MAHOGANY
BIBLIOTHEQUE,
LATE 19TH CENTURY
BY CHARLES JOSEPH LEMARCHAND, LATE 18TH

CENTURY,
94in. (238.5cm.) high, 50in. (129cm.) wide,

17in. (44.5cm.) deep
stamped LEMARCHAND front left corner of

top, the fall front revealing an arrangement of
twelve small drawers, the lower doors revealing
six larger drawers
50in. (128cm.) high, 39in. (99cm.) wide,
16in. (43cm.) deep
$4,000-6,000
$1,500-2,000
366
Charles Joseph Lemarchand, matre in 1789
361
n367
A PAIR OF GEORGE III STYLE GILTWOOD
MIRRORS
68in. (174cm.) high, 47in. (119cm.) wide
(2)
$4,000-6,000
n362
A PATINATED ALUMINUM-MOUNTED
LAMINATED WOOD TRESTLE DESK,
DESIGNED BY ALESSANDRO ALBRIZZI, LATE 20TH
CENTURY,
Albrizzi/New York stamped to central drawer

367
$2,000-3,000
362
n368
A NORTH EUROPEAN BRASS-MOUNTED
MAHOGANY CENTER TABLE,
363 No Lot
EARLY 19TH CENTURY
42
30in. (76cm.) high, 41in. (104cm.) diameter
$2,000-3,000
n364
A MAHOGANY JUPE STYLE EXTENDING
DINING TABLE,
368
MODERN,
with fve leaves

30in. (76cm.) high, 90in. (228.5cm.) diameter
$3,000-5,000
n369
A SET OF THREE NEOCLASSICAL STYLE
PARCEL-GILT WHITE-PAINTED SIDE CHAIRS,
364
20TH CENTURY

20in. (52cm.) deep
(3)
$800-1,200
369
365
A SET OF TWELVE DINNING UPHOLSTERYCOVERED CHAIRS,
20TH CENTURY

(65cm.) deep
(12)
370
A REGENCY GILTWOOD, EBONIZED AND
MAHOGANY SERVING TABLE,
$1,000-1,500
EARLY 19TH CENTURY, THE TOP PROBABLY

REPLACED
38in. (98.5cm.), 90in (229.5cm.) wide,

365
$3,000-5,000
370
n371
A GEORGE III GILTWOOD AND GREENPAINTED MIRROR,
376
A GEORGE III INLAID MAHOGANY
SERPENTINE CHEST-OF-DRAWERS,
LATE 18TH/EARLY 19TH CENTURY
THIRD QUARTER 18TH CENTURY
59in. (151.8cm.) high, 38in. (97cm.) wide
34in. (87.5cm.) high, 43 in. (109cm.) wide,

21in. (54cm.) deep
$1,000-1,500
$2,000-3,000
376
371
372
A PAIR OF LOUIS XVI GILTWOOD AND
CREAM-PAINTED FAUTEUILS,
377
A NORH EUROPEAN WALNUT AND
FRUITWOOD CIRCULAR CENTER TABLE,
STAMPED G. JACOB, CIRCA 1785
20TH CENTURY, PROBABLY INCORPORATING

EARLIER ELEMENTS
34 in. (87.5cm.) high, 22 in. (57cm.) wide,

20in. (51cm.) deep
(2)
$1,500-2,000
28in. (71.5cm.) high, 26in. (169cm.)

diameter
Georges Jacob, matre in 1765.
$800-1,200
372
n373
A GEORGE III MAHOGANY BACHELORS
CHEST-OF-DRAWERS,
377
378
A PAIR OF FRENCH PATINATED BRONZE AND
BRASS TORCHERES MOUNTED AS TABLE
LAMPS,
THIRD QUARTER 18TH CENTURY,
31in. (80cm.) high, 31in. (79.5cm.) wide,

43
30in. (76cm.) high
$1,000-1,500
(2)
$1,000-1,500
378
373
n374
A PAIR OF FAUX PORPHYRY PEDESTALS,
379
A VENETIAN GILTWOOD AND POLYCHROME
PAINTED LOW TABLE,
LATE 19TH/20TH CENTURY

(2)
LATE 19TH CENTURY
28in.(71cm.) high, 19in. (49cm.) wide, 13in.

(33.7cm.) deep
$800-1,200
$800-1,200
374
n375
AN EARLY GEORGE III STYLE MAHOGANY
ARMCHAIR,
379
n380
A PAIR OF LOUIS XIV STYLE STAINED WOOD
SIDE CHAIRS,
covered in blue and grey silk damask

39 in. (100cm.) high, 25in. (63.5cm.) wide,
20TH CENTURY
$800-1,200
$700-900
43in (110cm.) high, 18in. (46cm.) wide, 21in.

(53cm.) deep
(2)
375
380
n386
MARBLE TOP SECRETAIRE A ABATTANT,
n381
A PAIR OF ENGLISH GILT-GESSO SIDE
TABLES,
POSSIBLY EARLY 18TH CENTURY AND RE-GESSOED,

THE TOPS LATER
modeled as a semanier

20 in. (52cm.) deep
(2)
$800-1,200
$4,000-6,000
381
386
n387
TWO SIMILAR BLUE GROUND VASES
MOUNTED AS LAMPS,
n382
A PAIR OF GILT AND PATINATED BRONZE
TABLE LAMPS,
20TH CENTURY,
drilled
30in. (78cm.) high
20TH CENTURY
34in. (86cm.) high
(2)
$800-1,200
(2)
$1,000-1,500
387
382
44
n383
AN ANGLO-INDIAN SPECIMEN EXOTIC
WOOD TABLE,
n388
A LOUIS XVI STYLE BRASS-MOUNTED
MAHOGANY BIBLIOTHEQUE,
20TH CENTURY,
29in. (75cm.) high, 31in (80cm.) wide,

22in. (56cm.) deep

16in. (12cm.) deep
$1,500-2,000
383
$2,000-3,000
388
n384
A GILT-BRONZE AND STEEL GLASS TOP LOW
TABLE,
n389
A PAIR OF REGENCE BEECHWOOD
FAUTEUILS,
LATE 20TH CENTURY
CIRCA 1720,

(66cm.) deep

(51cm.) deep
(2)
$1,000-1,500
$1,000-1,500
384
389
n385
A NORTH EUROPEAN CUT-GLASS SIX-LIGHT
CHANDELIER,
390
A DIRECTOIRE ORMOLU-MOUNTED
MAHOGANY BUREAU PLAT,
LATE 18TH/EARLY 19TH CENTURY, POSSIBLY

NORTHERN EUROPEAN, PREVIOUSLY A BUREAU A
CYLINDRE
$1,000-1,500
31in. high, 65in. wide, 35in. deep
$1,500-2,000
385
390
n391
A GEORGE III SATINWOOD CIRCULAR SIDE
TABLE,
n396
A LOUIS XV STYLE GILTWOOD CANAPE,
LATE 18TH CENTURY
covered in green and yellow silk damask

37in. (94cm.) high, 60in. (152.5cm.) wide, 28in.
(71cm.) deep
28in. (71.6cm.) high, 21in. (55.3cm.)

diameter
$1,000-1,500
$1,500-2,000
391
n392
A LATE LOUIS XVI BRASS MOUNTED
MAHOGANY TABLE A LA TRONCHIN,
396
n397
AN ENGLISH ORMOLU-MOUNTED
KINGWOOD BUREAU PLAT,
LATE 18TH CENTURY


(86.5cm.) deep
$1,500-2,000
$2,000-3,000
397
392
n398
A PAIR OF LOUIS XVI STYLE BERGERES,
n393
A PAIR OF LOUIS XVI STYLE BEECHWOOD
BERGERES,
covered in pale yellow silk

(73.5cm.) deep
20TH CENTURY

(2)
45
$1,000-1,500
$1,500-2,000
393
398
n394
A GILTWOOD AND EBONIZED CIRCULAR
MIRROR,
n399
A LOUIS XV STYLE MAHOGANY PORTFOLIO
TABLE,
20TH CENTURY

$1,500-2,000
$1,500-2,000
394
399
n395
A LOUIS XV GREEN PAINTED CONSOLE,
n400
A BRASS AND LUCITE CONSOLE TABLE,
CIRCA 1740
BY KARL SPRINGER, LAST QUARTER 20TH CENTURY,

one stretcher with impressed script signature

Karl Springer, with glass top
18in. (46cm.) deep
$1,500-2,000
$1,000-1,500
395
400
PROPERTY FROM A NEW YORK ESTATE ( LOTS

401-420)
n406
A LOUIS XVI BRASS-MOUNTED MAHOGANY
EXTENSION DINING TABLE,
n401
A LATE LOUIS XV ORMOLU-MOUNTED
KINGWOOD, TULIPWOOD AND AMARANTH
PARQUETRY MARBLE TOP SECRETAIRE A
ABATTANT,
LATE 18TH CENTURY WITH SOME LATER

REPLACEMENTS,
together with six later leaves

29in. (74cm.) high, 48in. (122cm.) wide closed,
144in. (365.5cm.) wide fully extended, 63in.
(161cm.) deep, 16in. (40.5cm.) deep, each leaf
the fall front revealing two shelves divided into

six compartments, the lower doors locked
$3,000-5,000
$5,000-7,000
406
401
n407
A LOUIS XV CREAM AND BLUE-PAINTED
DUCHESSE-BRISEE,
n402
A LOUIS XV STYLE CREAM-PAINTED
BERGERE, AND A FOOT STOOL,
MID 18TH CENTURY,
both covered in close-nailed pale brown leather,

the bergre with a a bolster cushion
(61cm.) deep, the bergere; 9in. (23cm.) high,
15in. (38cm.) wide, 12in. (30.5cm) deep, the foot
stool
(2)
covered in pale blue and white checked twill

26in. (66cm.) deep overall
$3,000-5,000
$800-1,200
402
407
n408
A REGENCY SATINWOOD-INLAID EXOTIC
HARDWOOD PEMBROKE TABLE,
n403
A VENETIAN ETCHED AND CUT GLASS
MIRROR,
CIRCA 1810
SECOND HALF 20TH CENTURY
46

closed, 36in. (92cm.) wide open, 32in.
(83cm.) deep
61in. (155cm.) high, 36in. (91.5cm.) wide
$1,000-1,500
$1,000-1,500
408
403
n409
A PAIR OF LEAD MODELS OF SEATED
GREYHOUNDS,
n404
A PAIR OF LOUIS XVI STYLE GILT-METAL
TWO-LIGHT WALL LIGHTS,
20TH CENTURY
19TH CENTURY
20in. (51cm.) high, 49cm. (148cm.) wide, 8in.

(20cm.) deep
(2)
18 in. (46cm.) high, 11 in. (28cm.) wide, 6in.

(15cm.) deep
(2)
$1,000-1,500
$1,000-1,500
409
404
410
A NAPOLEON III INLAID MAHOGANY
TANTALUS,
405
A LOUIS XVI ORMOLU AND WHITE MARBLE
ALLEGORICAL MANTEL CLOCK,
LATE 18TH CENTURY,

(25.5cm.) deep
the dial signed Merra A Paris

15in. (38cm.) high, 13in. (33cm.) wide, 5.1.4in.
deep (13.3cm.) deep
$800-1,200
$1,500-2,000
410
405
n411
A CONTINENTAL GREEN-PAINTED AND
PARCEL GILT MIRROR,
n416
A SET OF FOUR LOUIS XVI STYLE GILTBRONZE THREE-LIGHT WALL SCONCES,
19TH CENTURY
24in. (61cm.) high, 14 in. (37cm.) wide, 8 in.

(22cm.) deep
(4)
$1,000-1,500
$2,000-3,000
411
416
n417
A LATE LOUIS XVI BRASS-MOUNTED
KINGWOOD MARBLE TOP BONHEUR DU
JOUR,
n412
MARBLE TOP OCCASIONAL TABLE,
BY LOUIS MOREAU, LATE 18TH CENTURY, THE

MOUNTS LATER,

13in. (33cm.) deep
stamped on underside of the front rail L

MOREAU
$1,000-1,500
$1,000-1,500
412
n418
A PAIR OF LOUIS XV STYLE GILT-BRONZE
SINGLE-LIGHT CANDLESTICK LAMPS,
n413
A PAIR OF LOUIS XVI STYLE ORMOLU
CHENETS,
19TH CENTURY
AFTER THE MODEL BY JACQUES CAFFIERI,

15in. (38cm.) high
417
22 in. (57cm.) high overall
47
(2)
$800-1,200
(2)
$3,000-5,000
413
418
419
A PAIR OF LOUIS XV STYLE ORMOLU TWOLIGHT WALL-LIGHTS,
n414
A LOUIS XVI TULIPWOOD, AMARANTH AND
FRUITWOOD PARQUETRY MARBLE-TOP
COMMODE,
17in. (43cm.) high
LATE 18TH CENTURY
(2)
$800-1,200

21in. (55cm.) deep
$2,000-3,000
419
414
n415
A PAIR OF LOUIS XVI STYLE GILT-BRONZE
AND CUT GLASS FIVE-LIGHT CANDELABRA,
n420
MARQUETRY MARBLE TOP TABLE,
19TH/EARLY 20TH CENTURY
27 in. (67cm.) high

(40.5cm.) deep
(2)
$1,500-2,000
$1,000-1,500
415
420

(LOTS 421-458)
n426
AN EMPIRE STYLE PATINATED GILT-METAL
FIVE-LIGHT CHANDELIER,
n421
A QUEEN ANNE JAPANNED COFFER ON
STAND,
20TH CENTURY
36in. (92cm.) high, 17 in. (45cm.) diameter
EARLY 18TH CENTURY, LARGELY REDECORATED
$1,500-2,000
29in. (74.5cm.), 53in. (136cm.) wide, 23in.

(58.5cm.) deep
$3,000-5,000
421
426
n427
A LOUIS XV STYLE GILTWOOD TABOURET,
n422
A LOUIS XV STYLE GILTWOOD MIRROR AND
BRACKET CLOCK,
covered in leopard plush

20in. (52cm.) deep
20TH CENTURY
82in. (209cm.) high, 48 in. (123cm.) wide
$1,000-1,500
$5,000-7,000
422
427
n423
A CIRCULAR GILTWOOD STARBURST
MIRROR,
428
A PAIR OF GILT-METAL MOUNTED AND
PAINTED CANOPIES,
MODERN
20TH CENTURY,
48in. (122cm.) widest diameter, 1in. (4.4cm.)

deep
48
covered in leather, together with seven cushions

34in. (87.5cm.) high, 82in. (208cm.) high,
(2)
$1,500-2,000
$4,000-6,000
428
423
n424
A LARGE CREAM PAINTED AND GILTWOOD
JARDINIERE,
429
A PAIR OF LOUIS XVI STYLE INLAID
MAHOGANY COMMODE,
MODERN,
with a faux basket weave and a metal insert

22in. (57cm.) deep
20TH CENTURY
$1,500-2,000
$3,000-5,000

20in. (51cm.) deep
(2)
424
429
n425
A PAIR OF NEOCLASSICAL STYLE PAINTED
PEDESTALS,
n430
A PAIR OF ITALIAN GILTWOOD SHIELD-FORM
MIRRORS,
20TH CENTURY
45in. (114cm.) high
(2)
$1,000-1,500
$2,000-3,000
425
430
(2)
n436
A PAIR OF EMPIRE STYLE GILTWOOD AND
FRUITWOOD ARMCHAIRS,
n431
A PAIR OF ITALIAN NEOCLASSICAL STYLE
STRIPPED WOOD LOW TABLES,
20TH CENTURY,
20TH CENTURY
together with two cushions

22in. (56cm.) deep
(2)

12 in(32cm.) deep.
(2)
$1,000-1,500
$2,000-3,000
436
431
n432
A LOUIS XV STYLE GILTWOOD BERGERE,
n437
AN ITALIAN GILTWOOD MIRROR,
20TH CENTURY,
LATE 18TH CENTURY
covered in yellow damask, together with a

throw cushion
(78.8cm.) deep
$1,000-1,500
$1,000-1,500
432
437
n433
A PAIR OF GILTWOOD CHAIRS,
n438
A LOUIS XV STYLE GILTWOOD AND FAUXPAINTED TABLE,
20TH CENTURY

(48cm.) deep
(2)

21in. (54cm.) deep
$1,000-1,500
49
$1,000-1,500
433
438
n439
A PAIR OF METAL AXE BLADES ON STANDS,
n434
A GEORGE II STYLE GILTWOOD MIRROR,
MODERN
PROBABLY 20TH CENTURY
65in. (165cm.) high, including base, 12in.

(30.5cm) wide
43 in (109cm.) high, 25 in. (65cm.) wide
$1,500-2,000
(2)
$1,000-1,500
434
n435
A LOUIS XV STYLE PAINTED BERGERE AND
OTTOMAN,
439
440
A PAIR OF EBONIZED AND FAUX-MARBLE
TILT-TOP TRIPOD TABLE,
20TH CENTURY,
20TH CENTURY
covered in linen
(84cm.) deep; the ottoman: 19in. (49.5cm.)
high, 32in. (81.3cm.) wide, 23in. (60cm.) deep,
the bergere
(2)
27in. (70.5cm.) high, 21in. (53.5cm.) diameter

(2)
$1,500-2,000
$3,000-5,000
435
440
n446
A DUTCH BAROQUE CREAM PAINTED SIDE
TABLE,
n441
A GEORGE III STYLE GILTWOOD MIRROR,
20TH CENTURY
THE STAND BASICALLY EARLY 18TH CENTURY, THE

TOP LATER
$4,000-6,000
34in. (86cm.) high, 47in. (119cm.) wide, 20 in.

(51.5cm.) deep
$2,500-3,500
446
441
447
A PAIR OF EBONIZED AND PARCEL GILT
DECORATED TERRACOTTA VASES,
n442
A PAIR OF WROUGHT IRON ATHENIENNE
STANDS,
20TH CENTURY,
20TH CENTURY
47in. (119cm.) high, 14in. (36.5cm.) diameter

(2)
together with a pair of ebonized and parcel gilt

decorated terracotta jardinieres
17 in. (44cm.) high (of vases)
(4)
$1,500-2,000
$1,000-1,500
447
442
n448
A PAIR OF ROCOCO STYLE GILT-BRONZE
THREE-LIGHT WALL-LIGHTS,
n443
A BAROQUE STYLE PAINTED AND PARCEL
GILT MIRROR,
50
20TH CENTURY
37in. (94cm.) high
79 in. (202cm.) high, 61in. (155cm.) wide
$2,000-3,000
448
443
n449
A PAIR OF CARVED GILTWOOD WALL
BRACKETS,
n444
A GEORGE III STYLE GILTWOOD WINDOW
SEAT,
20TH CENTURY
20TH CENTURY
20 in. (52cm.) high, 13 in. (34.5cm.) wide, 8

in. (21.5cm.) deep
(2)

$1,000-1,500
$1,000-1,100
449
444
450
A PAIR OF ITALIAN NEOCLASSICAL STYLE
STRIPPED WOOD LOW TABLES WITH PORTER
MARBLE TOPS,
n445
A PAIR OF LOUIS XVI STYLE STAINED WOOD
FAUTEUILS,
20TH CENTURY
LATE 20TH CENTURY INCORPORATING SOME 18TH

CENTURY ELEMENTS

(2)
20 in. (52.5cm.) high, 13in. (33cm.) wide, 13in.

(13cm.) deep
(2)
$3,000-5,000
$1,000-1,500
445
(2)
$2,500-3,500
450
456
A FOSSILIZED MOLLUSK GROUP

n451
A NEOCLASSICAL STYLE GILTWOOD
MIRROR
$1,000-1,500
63in. (160cm.) high, 26 in. (66.5cm.) wide
$2,000-3,000
456
451
n457
A GROUP OF THIRTY-SIX CONCRETE FIRING
POTS,
20TH CENTURY,
n452
A CHINOISERIE STYLE POLYCHROMEPAINTED AND PARCEL GILT FIVE PANEL
FLOOR SCREEN,
comprising twelve sets of three pots in three

sizes
4 in. (12cm.) high, the largest
(12)
$1,000-1,500
MODERN,
signed R GARRETT MCMXCII on the bottom

right corner
87in. (221cm.) high, 100in. (254cm.) width
completely extended
457
$1,500-2,000
452
n458
A PAIR OF PATINATED METAL EXTERIOR
WALL MOUNT LANTERNS,
MODERN
31in. (80cm.), overall
n453
A PAIR OF GILTWOOD BERGERE FRAMES,
(2)
$800-1,200
51
20TH CENTURY
41 in. (105cm.) high, 29 in. (74cm.) wide, 26

in. (68cm.) deep
(2)
$1,000-1,500
458
453
PROPERTY FROM THE ESTATE OF ROSALYND C.

PFLAUM ( LOTS 459-474)
n454
A PAIR OF TWO-HANDLED TERRACOTTA
URNS,
n459
A GEORGE III MAHOGANY CHEST-OFDRAWERS,
20TH CENTURY
25 in. (65cm.) high, 31in. (79cm.) wide, 18in.

(46cm.) deep
(2)
the handles replaced

31in. (80.7m.) high, 31in. (79.4cm.) wide,
$800-1,200
$1,000-1,500
454
455
A SET OF FOUR NORTH ITALIAN CREAM
PAINTED AND PARCEL GILT ARMCHAIRS,
459
n460
A CONTINENTAL TILEWORK STOVE,
LATE 18TH CENTURY
18TH CENTURY
39in. (99cm.) high, 23in. (58.5cm.) wide, 18

in. (46.5cm.) deep
(4)

$5,000-7,000
$3,000-5,000
460
455
461 No Lot
n466
AN ENGLISH MAHOGANY TRIPLE PEDESTAL
DINNING TABLE,
THE BASE LATE 18TH/EARLY 19TH CENTURY, THE
TOP LATER
with one additional leaf

28in. (73cm.) high, 122in. (310cm.) long,
45in. (114cm.) deep, overall
(2)
$2,500-3,500
n462
AN ENGLISH MAHOGANY GOTHIC REVIVAL
SECRETAIRE CABINET,
466
SECOND QUARTER 19TH CENTURY

13in. (35cm.) deep
$1,500-2,000
n467
AN ASSEMBLED SET OF TEN REGENCY
MAHOGANY DINNING CHAIRS,
together with two mahogany side chairs

(12)
$1,500-2,000
462
467
463
A CHINESE EXPORT BLACK AND
POLYCHROMED LACQUER TABLE CABINET,

n468
AN INLAID WALNUT COLLECTOR CABINET,
$700-900
LATE 19TH CENTURY,
together with one mahogany chest-of-drawers

and a miniature chest-of-drawers
(3)
52
463
$1,000-1,500
468
464
AN ENGLISH MAHOGANY CAMPAIGN LAP
DESK ON STAND,
469
TWO ENGLISH MAHOGANY CHEESE
COASTERS,
LATE 19TH CENTURY, THE STAND LATER

18in. (47cm.) deep
FIRST HALF 19TH CENTURY
$700-900
$700-900
17in. (43.2cm.) long, approximately
(2)
469
464
465
A GEORGE IV MAHOGANY TRESTLE LIBRARY
TABLE,
n470
TWO LATE GEORGE III ENGLISH MAHOGANY
CHEST-OF-DRAWERS,
CIRCA 1830
28in. (73cm.), 55in. (139.7 cm.) wide, 32in.

(82.5cm.) deep

17in. (44.5cm.) deep; 33in. (85cm.) high,
34in. (86.5cm.) high, 17in. (44cm.) deep (2)
$2,000-3,000
$1,000-1,500
465
470

AMERICANA COLLECTION (LOTS 476-492)
n471
AN ENGLISH MAHOGANY DIMINUTIVE
SLANT-FRONT BUREAU,
n476
A GEORGE III INLAID MAHOGANY
SERPENTINE CHEST OF DRAWERS,
EARLY 20TH CENTURY
30in. (76.2cm.) high, 20in. (51cm.) wide, 17

in. (45cm.) deep
LATE 18TH CENTURY, THE REPAIRS AND

REPLACEMENTS TO FEET
$800-1,200

(58cm.) deep
$1,500-2,000
476
471
472
TWO ENGLISH MAHOGANY BED STEPS,
n477
AN ENGLISH MAHOGANY TALL CASE CLOCK,
MID-19TH CENTURY,
together with an English inlaid mahogany

chamber chair, late 18th/early 19th century
The red leather lined bed steps 27in. (70cm.)
high, 20in. (52.7cm.) wide, 23in. (60.3cm.)
wide; the green leather lined bed steps 26in.
(66.5cm.) high, 18in. (46.3cm.) wide, 29in.
(73.7cm.) deep
(3)
$1,500-2,000
the steel-faced dial with Roman numerals

etched JAMES GRAY EDINBURGH
9in. (23.5cm.) deep
$1,000-1,500
472
477
n473
AN ENGLISH MAHOGANY DROP-LEAF SOFA
TABLE,
n478
AN AMERICAN CLASSICAL GILT-STENCILED
MAHOGANY MARBLE-TOP CONSOLE TABLE,
19TH CENTURY
28in. (71cm.) high, 52in.(132cm.) wide, 23in.

(58.5cm.) deep
53
19TH CENTURY
36 in. (93cm.) high, 45 in. (115cm.) wide, 20

in, (52cm.) deep
$1,000-1,500
$1,500-2,000
473
478
n474
A RESTAURATION MAHOGANY LIT-ENBATEAU,
n479
TWO RESTAURATION MAHOGANY
FAUTEUILS,
CIRCA 1820
CIRCA 1825
43in. (110cm.) high, 85in. (216cm.) long, 40in.

(103cm.) deep

22in. (57cm.) deep; the other: 36in. (91cm.)
high, 23in. (59cm.) wide, 22in. (56cm.) deep
(2)
$1,500-2,000
$1,500-2,000
474
479
475
A GERMAN MAHOGANY TALL CASE CLOCK,
n480
A PAIR OF MAHOGANY DEMILUNE SIDE
TABLES,
MID 20TH CENTURY,
printed TREND/WESTERN GERMANY

on the dial
(35.5cm.) deep
20TH CENTURY, THE TOPS LATER,
on casters
25in. (64cm.) deep
(2)
$1,000-1,500
$3,000-5,000
475
480
n481
A CAST IRON ARCHITECTURAL MEDALLION,
n486
AN AMERICAN CLASSICAL GILTWOOD AND
REVERSE DECORATED GLASS MIRROR,
CIRCA 1858,
depicting George Washington in profle,with

molded signature A.H. Jones Sculp NY/
Patented 1858
$1,000-1,500
$1,000-1,500
481
486
n482
A LATE REGENCY INLAID MAHOGANY
SIDEBOARD,
n487
AN ENGLISH MAHOGANY CAMPAIGN DESK,
20TH CENTURY
CIRCA 1820

(76cm.) deep
(3)

22in. (56cm.) deep
$1,500-2,000
$1,500-2,000
487
482
n483
A PAIR OF ENGLISH MAHOGANY
UPHOLSTERED WINDOW BENCHES,
488
A FRENCH BRASS 25IN. TELESCOPE,
BY E. VION, PARIS, 20TH CENTURY,
LATE 19TH CENTURY
54
with an additional lens 2in. high, on tripod

base, incised E. VION PARIS and SELSI
18in. (46cm.) high, 25in. (64.7cm.) wide (2)

(43cm.) deep
(2)
$2,000-3,000
483
$800-1,200
488
n484
AN ENGLISH CARVED MAHOGANY SOFA,
489
A PAIR OF BRASS AND CAST IRON MODELS
OF FIELD CANONS,
close-nailed and covered in black horsehair

(71cm.) deep
20TH CENTURY,
each with a staged barrel on a later painted

carriage bearing a coat-of-arms
14in. (37cm.) long
$1,000-1,500
(2)
$1,000-1,500
489
484
485
A GEORGE III INLAID-MAHOGANY
SIDEBOARD,
LATE 18TH CENTURY
n490
AN ENGLISH GILT-BRONZE AND CUT GLASS
TWELVE-LIGHT CHANDELIER,

MID-19TH CENTURY, ADAPTED IN SIZE
$5,000-7,000
$1,500-2,000
485
490
n491
AN ASSEMBLED SET OF SIX FRAMED SCENIC
WALLPAPER PANELS FROM VIEWS OF
NORTH AMERICA,
n496
A CHINESE GILT AND RED-PAINTED CHEST,
BY ZUBER ET CIE., LATE 19TH/20TH CENTURY,
LATE 19TH/EARLY 20TH CENTURY CENTURY,
all cropped and framed

78in. (198.2cm.) high, 104in. (285cm.), the
largest
(6)
on a later stained oak stand

21in. (53cm.) deep overall
$3,000-5,000
$800-1,200
496
491
n492
A CARVED GREEN MARBLE PEDESTAL,
20TH CENTURY
n497
A SET OF FOUR MAHOGANY ARMCHAIRS,
$1,000-1,500
in the George I style

(53.3cm.) deep
(4)
$1,000-1,500
492
497
n493
A CHIPPENDALE STYLE MAHOGANY BLOCKFRONT SLANT-FRONT DESK,
43in. (109cm.) high, 36in. (91.5cm.) wide, 19

in. (50cm.) deep
55
$1,500-2,000
493
n498
A VENETIAN STYLE POLYCHROME-PAINTED
AND PARCEL GILT VITRINE CABINET,
20TH CENTURY,
electrifed, with two glass shelves

(53cm.) deep
$1,000-1,500
n494
A SET OF FIVE BIRCH AND LEATHER
KLISMOS CHAIRS,
DESIGNED BY T.H. ROBSJOHN-GIBBINGS CIRCA
1937, RETAILED BY SARIDIS ATHENS, MID 20TH
CENTURY,
with plaques for Saridis Athens as well as serial

number 19091 stamped to seat rails
18in. (47cm.) deep
(5)
498
$1,000-1,500
494
n495
A GEORGE III STYLE INLAID MAHOGANY
LIBRARY TABLE,
499 No Lot
n500
A GLASS AND CHROMED METAL SQUARE
TABLE,
MANUFACTURED BY KITTINGER, SECOND HALF

20TH CENTURY
AFTER THE DESIGN BY LUDWIG MIES VAN DER ROHE

CIRCA 1929, OF RECENT MANUFACTURE

(91.5cm.) deep

(101cm.) deep
$1,000-1,500
$500-700
495
500
n501
A BRASS, TOOLED LEATHER AND
MAHOGANY CAMPAIGN CHAIR,
n506
AN OCCASIONAL TABLE,
OF RECENT MANUFACTURE

20in. (51cm.) deep
with maple frame and Vitrolite panels

$1,000-1,500
$1,000-1,500
501
ATTRIBUTED TO LOUIS SOGNOT, C. 1940,
506
n502
A PAIR OF PARCHMENT AND MAHOGANY
CHESTS-OF-DRAWERS,

(LOTS 507-508)
n507
A GILT METAL-MOUNTED WROUGHT IRON
MARBLE TOP DIMINUTIVE CONSOLE TABLE,
BY RALPH LAUREN, OF RECENT MANUFACTURE,
with stamped metal labels to the interior of the

upper right drawers
21in. (53cm.) deep
(2)
LATE 20TH CENTURY

(31.5cm.) deep
$2,000-3,000
$1,000-1,500
507
502
n503
A BLACK-PAINTED METAL AND GLASS
DINING TABLE,
n508
A SILVERED WROUGHT IRON MIRROR,
OF RECENT MANUFACTURE, AFTER THE DESIGN

BY LE CORBUSIER, PIERRE JEANNERET AND
CHARLOTTER PERRIAND FOR SALON DAUTUMNE,
1929
56
20TH CENTURY
$1,000-1,500

$1,000-1,500
503
508
PROPERTY FROM AN IMPORTANT PRIVATE

COLLECTOR
n504
A SET OF SIX FRENCH BLEACHED
MAHOGANY FAUTEUILS COVERED IN GREEN
LEATHER,
509
A SET OF FOUR CHAIRS AND A GAMES
TABLE
POSSIBLY BY JEAN ROYERE (1902-1981),
MID-20TH CENTURY
MID 20TH CENTURY

(51cm.) deep
(6)

17in. (44.5cm.) deep, the chairs; 26in.
(66.7cm.) high, 29in. (74.9cm.) deep, 29in.
(74.9cm.) wide, the table
(5)
$2,500-3,500
$1,000-1,500
509
504
PROPERTY FROM THE HASCOE FAMILY

COLLECTION
505
AN ITALIAN GLASS PENDANT LIGHT,
n510
AN ART DECO STYLE MAHOGANY AND
SILVERED METAL LOW TABLE,
ATTRIBUTED TO BAROVIER & TOSO, MID 20TH

CENTURY,
505
together with a hanging chain

17in. (43cm.) high, the pendant light
20TH CENTURY
$1,000-1,500
$1,000-1,500
510
n511
A PAIR OF METAL TABLE LAMPS,
ATTRIBUTED TO TOMMI PARZINGER, CIRCA 1970
n516
A GEORGE II WALNUT AND PARCEL-GILT
MIRROR,
28 in. (72cm.) high overall
MID-18TH CENTURY
(2)
37 in.(95.5cm.) high, 19 in. (50cm.) wide (2)
$1,000-1,500
$1,500-2,000
511
516
512
A FRENCH GILTWOOD CENTER TABLE,
19TH CENTURY,
the rectangular campan ruban marble top above

a pierced frieze centered with a mask, on
cabriole legs ending in hoof feet
n517
A LATE GEORGE III BRASS-MOUNTED PARCEL
EBONIZED, INLAID MAHOGANY SECRETAIRE,
$6,000-8,000
PROVENANCE:

With Joseph Rondina, New York.

November 2008, lot 42.
$3,000-5,000
512
517

(LOTS 513-514)
n518
AN ITALIAN BROWN, GILT AND
POLYCHROME OVERMANTEL MIRROR,
n513
A PAIR OF FRENCH BRASS-MOUNTED
STAINED OAK MARBLE-TOP SIDE CABINETS,
LATE 19TH/EARY 20TH CENTURY,
57
LATE 18TH CENTURY, PROBABLY PART OF A LARGER

MIRROR,
with two drawers over a pair of faux drawerfronted doors enclosing storage compartments
with three shelves
20in. (51cm.) deep
(2)
Together with a George II style mahogany

mirror
35 in. (90cm.) high, 34 in. (88.5cm.) wide
$2,000-3,000
$4,000-6,000
518
513
514
A CREAM AND BLUE-PAINTED COMPOSITION
AND WROUGHT-IRON SIX-LIGHT
CHANDELIER,
n519
A LATE FEDERAL MAHOGANY AND
EGLOMISE BANJO CLOCK,
19TH CENTURY,
20TH CENTURY,
Dial signed Aaron Willard, Boston

(10cm.) deep
the cream ground of craquelure fnish

40in. (101.5cm.) high, 39in. (99cm.) diameter,
approximately
$1,000-1,500
$800-1,200
519
514
n515
A PAIR OF STAINED OAK SIDE TABLES,
520
A PAIR OF GEORGE III INLAID MAHOGANY
KNIFE BOXES,
ATTRIBUTED TO PAUL FRANKL, MID 20TH CENTURY
LATE 18TH CENTURY

(40.5cm.) deep
(2)
14in. (37cm.) high, 9in. (22.9cm) wide, 10in.

(26cm.) deep
(2)
$1,000-1,500
$2,000-3,000
515
520
n521
A FEDERAL GILTWOOD AND EGLOMISE
BANJO CLOCK,
PROPERTY FROM THE SABET FAMILY

COLLECTION
526
A MARBLE TORSO OF A WOMAN,
FIRST QUARTER OF THE 19TH CENTURY,
Dial signed Aaron Willard, Boston

43in.(109cm.) high, 10in. (27cm.) wide, 4
in. (11cm.) deep
20TH CENTURY,
$1,000-1,500
$1,500-2,000
on a faux-painted pedestal
521
526
Wednesday 29 July
at 2.00 pm
Furniture, Decorative
Works of Art and Rugs
(Lots 527-726)
n522
A PAIR OF GEORGE III STYLE POLYCHROME
PAINTED SHIELD-BACK SIDE CHAIRS,
36 in. (92.7cm.) high, 20in. (50.8cm.) wide, 17

in. (45.1cm.) deep
(2)
PROPERTY OF A PRIVATE COLLECTOR

n527
AN INDIAN POLYCHROME-PAINTED AND
PARCEL GILT PAPIER MACHE ELEPHANT,
$1,000-1,500
mounted on a red-painted wheeled platform

(60cm.) deep, the elephant; 15in. (38cm.) high,
27in. (68.5cm.) wide, 14in. (35.5cm.) deep, the
saddle, houdah
522
$3,000-5,000
527
n523
AN ENGLISH MAHOGANY TWIN PEDESTAL
DINING TABLE,
THE TOP AND BASE ASSOCIATED, 19TH CENTURY,

with two leaves; together with eight risers

(56cm.) wide, each leaf, 47in. (120.5cm.) deep
58
528
AN ART DECO SILVERED MANTEL CLOCK,
$2,500-3,500
AFTER A DESIGN BY LOUIS SUE AND ANDRE MARE,

CIRCA 1925
11in. (28cm.) high
$1,000-1,500
523
528
n524
A SET OF TWELVE GEORGE II STYLE
MAHOGANY DINING CHAIRS,
EARLY 20TH CENTURY,
n529
A CAST IRON EAGLE-FORM ARCHITECTURAL
ELEMENT,
comprising two armchairs and ten side chairs

37in. (94.5cm.) high, 22in. (56cm.) wide (12)
$3,000-5,000
EARLY 20TH CENTURY

(15cm.) wide
$2,000-3,000
524
529
PROPERTY FROM THE SABET FAMILY

n530
AN AMERICAN FOLK ART LOCOMOTIVE,
n525
A MARBLE TORSO OF A MAN,
20TH CENTURY
20TH CENTURY,

(81.5cm.) long
on a faux-painted pedestal
$2,000-3,000
$1,500-2,000
530
525
n536
AN AMERICAN FOLK ART WOOD AND
METAL PIG BARREL,
531
AN AMERICAN POLYCHROME PAINTED BUST
OF HENRY CLAY,
FIRST QUARTER OF THE 20TH CENTURY

10in. (26cm.) deep
19TH CENTURY

10in. (26.5cm) deep
$1,000-1,500
$800-1,200
531
536
n532
AN AMERICAN FOLK ART PAINTED FEMALE
FIGURE HEAD,
537
AN AMERICAN STONEWARE DR SWETTS
ORIGINAL ROOT BEER TRADE SIGN,
27in. (68.6cm.) high, 22in. (55.9cm.) wide, 33in.

(83.8cm.) deep
in the form of a large root beer bottle, with

metal spout
(2)
$1,500-2,000
$1,000-1,500
532
537
n533
A GILT METAL MOLDED BULL
WEATHERVANE,
n538
AN AMERICAN FOLK ART CARVED AND
GILTWOOD BUTCHERS TRADE SIGN,
PROBABLY 20TH CENTURY, RE-GILT

(14cm.) deep, on a stained wood base
Depicting a horses head

14in. (35.6cm.) high, 24in. (61cm.) wide, 17 in.
(44.5cm.) deep
$1,500-2,000
59
$1,000-1,500
538
533
n534
AN AMERICAN FOLK ART CAST IRON HEAD,
n539
A METAL AND LEATHER HIGH WHEEL
BICYCLE,
LATE 19TH/ EARLY 20TH CENTURY
20TH CENTURY,

(21.5cm.) deep

68in. (173cm.) deep
$800-1,200
$1,500-2,000
539
534
535
AN AMERICAN FOLK ART POLYCHROME
PAINTED PINE BUST,
n540
AN AMERICAN FOLK ART FAIRY BALL
BEARING AUTO GASTER TOY CAR/CART,
25 in. (65cm.) high, 16 in. (42.4cm.) wide,

40in. (101.3cm.) deep
$800-1,200
$700-900
535
540
n541
AN AMERICAN FOLK ART ENAMELED
METAL, GLASS, IRON, NICKEL AND PAPER
COIN OPERATED FLOOR MODEL SCALE,
546
A PAIR OF CARVED GILTWOOD ALTAR
STICKS,
20TH CENTURY
43 in. (111cm.) high, 9in.(23cm.) diameter (2)

12 in. (32.5cm.) deep
$800-1,200
$800-1,200
541
546
PROPERTY OF A TEXAS COLLECTOR (LOTS

542-585)
n547
A PAIR OF WROUGHT-IRON ALTAR STICKS,
542
AN ELIZABETHAN STYLE OAK COURT
CUPBOARD,
20TH CENTURY,
together with two wrought-iron altar sticks,

20th century
24in. (61cm.) high, 13in. (33.5cm.) wide (for
the pair)
(4)
LATE 19TH/EARLY 20TH CENTURY, INCORPORATING

OLDER ELEMENTS
$1,500-2,000

22in. (56cm.) deep
$2,000-3,000
547
542
n548
A SPANISH COLONIAL STYLE POLYCHROME
AND FAUX-PAINTED PINE PEW,
n543
A RENAISSANCE STYLE LEATHER AND
METAL-BOUND TRAVELING TRUNK,
60
36in. (91.5cm.) high, 110in. (280.5cm.) long,

23in. (58cm.) deep
PROBABLY SPANISH, 19TH/EARLY 20TH CENTURY
22in. (56cm.) high, 44 in. (113cm.) wide, 21

in. (55cm.) deep
$1,000-1,500
$1,500-2,000
548
543
n544
A MATCHED PAIR OF SPANISH COLONIAL
STYLE POLYCHROME-PAINTED PINE PEWS,
549
AN ITALIAN WALNUT CASSONE,

20in. (52cm.) deep

(316cm.) long; the other: 28in. (71cm.) high,
17in. (43cm.) wide, 119in. (302cm.) long
(2)
$4,000-6,000
$2,000-3,000
549
544
545
A POLYCHROME ARTICULATED FIGURE ON
STAND,
n550
A PAIR OF ITALIAN WALNUT ARMCHAIRS,
20TH CENTURY

(51cm.) deep
(2)

(46cm.) deep
$2,000-3,000
$1,500-2,000
545
550
n551
A SPANISH WALNUT LIBRARY TABLE,
n556
TWO PAIRS OF METAL ALTAR STICKS,
POSSIBLY COLONIAL, 18TH CENTURY

(82cm.) deep
comprising a silvered metal pair and a bronzed

pair
42in. (106.5cm.) high, the silvered pair; 39in.
(100cm.) high, the bronzed pair
(4)
$4,000-6,000
$1,000-1,500
551
556
552
THREE CARVED WOOD SANTOS FIGURES,
n557
A SPANISH COLONIAL STYLE RED-PAINTED
ARMCHAIR,
19TH/20TH CENTURY
24in. (62cm.) high; 15in. (40cm.) high, 15in.

(38cm.) high
(3)
48 in. (123cm.) high, 28 in. (72cm.) wide,

21in (53cm.) deep
$1,000-1,500
$1,000-1,500
552
n553
A CARVED GILTWOOD URN,
557
n558
A PAIR OF SOUTH EUROPEAN CARVED
GILTWOOD SMALL COLUMNS,
20TH CENTURY,
together with two heart-form metal candelabra,

20th century
18 in.(46cm.) high, 10 in. (26cm.) wide (for
the urn)
(3)
61
19TH CENTURY
(2)
$1,500-2,000
$700-900
553
558
n554
A SPANISH COLONIAL SILVER REPOUSSE
MIRROR
n559
A SINGLE AND A PAIR OF GILT METAL AND
OPALINE GLASS CANDELABRA,
$3,000-5,000
LATE 19TH/EARLY 20TH CENTURY, POSSIBLY SPANISH
44in. (112cm.) high, the pair
(3)
$1,500-2,000
554
559
n555
A PAIR OF BAROQUE STYLE STAINED WOOD
ARMCHAIRS,
n560
A POLYCHROME PAINTED OCTAGONAL LEGS
FORM LOW TABLE,

(68.5cm.) deep
(2)
20TH CENTURY
$1,500-2,000
26in. (66.5 cm) high, 25in. (65cm.) diameter
$800-1,200
555
560
n561
TWO CARVED WALNUT AND LEATHER
ARMCHAIRS,
566
A JACOBEAN STYLE OAK SETTLE,
17TH CENTURY AND LATER
POSSIBLY SPANISH, 19TH/EARLY 20TH CENTURY

20in. (52cm.) deep
Together with a stained wood side chair and an

oak side armchair
One armchair; 46 in. (117.7cm.) high, 22in.
(57cm.) wide, 19 in. (49cm.) deep; the
other armchair 45in. (114.5cm.) high, 25 in.
(65.5.cm.) wide, 20 in. (53cm.) deep
(4)
$1,500-2,000
$1,500-2,000
561
566
n567
A WILLIAM AND MARY WALNUT ENCLOSED
CHEST-OF-DRAWERS,
n562
A CONTINENTAL WALNUT REFECTORY
TABLE,
LATE 17TH CENTURY
29in. (75cm.) high, 88 in. (224cm.) wide, 37

in. (69cm.) deep

24in. (62cm.) deep
$4,000-6,000
$3,000-5,000
562
567
n563
A PAIR OF CONTINENTAL TOLE PEINT AND
WROUGHT IRON TORCHERES
568
A PAIR OF GILT-PAINTED COMPOSITION
WALL-LIGHTS,
EARLY 20TH CENTURY
62
59in. (150.5cm.) high
20TH CENTURY
(2)
26in. (66cm.) high
$1,500-2,000
(2)
$1,000-1,500
568
565
569
A GROUP OF FOUR CHAIRS
n564
A GILTWOOD HOST CABINET,
ONE CHAIR PROBABLY 18TH CENTURY, THE OTHERS

LATER
19TH/EARLY 20TH CENTURY,
48in. (123 cm.), 25in. (63.5cm.) wide, 23in.

(58.5cm.) deep, the armchair with gilt fnials;
23in. (60cm.) deep, the armchair with brass
fnals; 26in. (66cm.) high, 23in. (60cm.) wide,
23in. (58.5cm.) deep, the armchair with wood
fnals; 43in. (111cm.) high, 18in. (47cm.)
wide, 17cm. (43cm.) deep, the side chair
(4)
together with a polychrome-painted Christ

Child in a giltwood cradle with a metallicembroiled red velvet cushion
13in. (34cm.) deep
(4)
$2,000-3,000
$1,500-2,000
564
569
n565
A PAIR ITALIAN WALNUT AND PARCEL-GILT
ARMCHAIRS,
n570
A WALNUT AND METAL-BOUND COFFER,
PARTS POSSIBLY 17TH CENTURY,

(53cm.) deep
(2)

(59cm.) deep
$2,000-3,000
$2,000-3,000
570
565
571
TWO POLYCHROME-PAINTED CHRISTOS
FIGURES,
24in. (62cm.) high, the one accompanied

with two fgures: 19in. (48.5cm.) high
(2)
$800-1,200
n577
A PAIR OF SPANISH COLONIAL STYLE
POLYCHROME-PAINTED PINE PEWS,
27in. (68.6cm.) high, 122 in. (310.5cm.) wide,

(2)
571
$2,000-3,000
577
572
A GROUP OF FOUR POLYCHROME-PAINTED
SANTOS FIGURES,
18in. (47cm.) the fgure with blue dress; 11in.

(29cm.) high, the fgure with green dress; 16in.
(40.5cm.) high, the fgure of Christ Child;
11in. (28.5cm.) high, the fgure of Christ (4)
n578
A SPANISH COLONIAL STYLE BRASS, COPPER
AND WHITE METAL-MOUNTED WALNUT
CASKET
$1,000-1,500

(29cm.) deep
$800-1,200
572
578
n573
A PAIR OF BRASS TORCHERES,
previously electrifed, the columnar supports

covered in silk
66in. (167.5cm.) high
(2)
63
$1,000-1,500
n579
TWO PAIRS OF GILT-METAL FLORAL-FORM
CANDELABRAS,
573
33in. (84cm.) high, the other pair: 29in.

(75cm.) high
(4)
$800-1,200
n574
A MATCHED PAIR OF SPANISH COLONIAL
STYLE POLYCHROME-PAINTED PINE PEWS,
579
26in. (67.5cm.) high, 122 in. (310cm.) long,

17in. (44.5cm.) deep; 27in. (68.5cm.) high,
118in. (300cm.) long, 17in. (43cm.) deep
(2)
$2,000-3,000
574
n580
A GROUP OF THREE YELLOW AND GILT SILK
BROCADE CHAUSABLE VESTMENTS AND A
YELLOW SILK BROCADE CAPE,
575
A GLASS AND POLYCHROME-PAINTED
CARVED WOOD SANTO HEAD,
the largest cape mounted with three gilt metal

hooks
52in. (132cm.) high, (104in. (265.5cm.) wide,
the largest
(4)
$800-1,200
$3,000-5,000
575
576 No Lot
580
PROPERTY SOLD TO BENEFIT THE ART
ACQUISITION FUND OF THE SEATTLE ART
MUSEUM
586
A CARVED FRUITWOOD FIGURE OF SAINT
MATTHEW,
n581
A PAIR OF GILT-EMBROIDERED RED VELVET
PANELS,
GERMAN, LATE 17TH CENTURY,
depicted standing with a putto supporting the

Gospel, on a later circular marble base
(7cm.) deep
THE RED VELVET PANELS 20TH CENTURY
panels mounted with silk brocade and red

velvet chasable panels, possibly of an earlier
date
100in. (254.cm) high, 45in (115.5cm.) wide (2)
$2,000-3,000
$2,000-3,000
581
PROVENANCE:
586
with R. Stora, New York, 15 March 1957

Norman and Amelia Davis Collection

(LOT 587-630)
n582
A GROUP OF FIVE EMBROIDERED TEXTILES,
n587
A NEOCLASSICAL STYLE FRUITWOOD,
EBONIZED AND PARCEL GILT STONE TOP
CIRCULAR TABLE,
three mounted for hanging

73in. (186cm.) high, 32in. (82.5cm.) wide, the
largest
(5)
$2,000-3,000
20TH CENTURY,
26 in. (67cm.) high, 38in. (97cm.) diameter
$2,000-3,000
582
587
n583
A PAINTED, DAMASK, AND METALLIC
BANNER,
64
20TH CENTURY
n588
A PAIR OF FRUITWOOD ARMCHAIRS
COVERED IN BROWN LEATHER,
20TH CENTURY
$2,000-3,000

(58.5cm.) deep
(2)
$2,000-3,000
583
588
n584
TWO SILK BROCADE VESTMENTS,
n589
A PAIR OF WROUGHT-IRON LANTERNS,
83in. (211cm.) long, 27in. (69cm.) wide, the

larger
(2)
20TH CENTURY
$2,000-3,000
$3,000-5,000
584
35in. (89cm.) high
(2)
589
n585
A GROUP OF THREE RED SILK BROCADE
VESTMENTS
n590
GROUP OF THREE EBONIZED AND PARCEL
GILT TABLE LAMPS,
20TH CENTURY
78in. (198cm.) long, 25in. (63.5cm.) wide, the

largest
(3)
20TH CENTURY
$1,500-2,000
$1,000-1,500
22in. (56cm.) high, the tallest
585
590
(3)
n596
A MATCHED PAIR OF LEATHER
UPHOLSTERED CLUB CHAIRS,
591
A BLACK-PAINTED AND PARCEL GILT
DOUBLE-PEDESTAL DESK,
20TH CENTURY
LATE 20TH CENTURY, DECORATED BY RICHARD

GARRETT,

(96.5cm.) deep; the other: 30 in. (77.5cm.)
high, 30 in. (77cm.) wide, 30 in. (77.5cm.)
deep
(2)
signed R. GARRETT 1978

(58.5cm.) deep
$1,500-2,000
$1,500-2,000
596
591
n592
AN EMPIRE STYLE GILTWOOD SIX-LIGHT
CHANDELIER,
597
A LATE REGENCY MAHOGANY WINE
TASTING TABLE,
$1,500-2,000

40in. (101.5cm.) deep, overall
$3,000-5,000
597
592
n593
A PAIR OF LEATHER UPHOLSTERED
WINGBACK CHAIRS,
n598
A LOUIS XVI ORMOLU CARTEL CLOCK,
20TH CENTURY,
LATE 18TH CENTURY,
together with a stool

39in. (99cm.) high, 29 in. (75cm.) wide, 26in.
(66cm.) deep, the pair
(3)
the dial signed Robin

4in. (10cm.) deep
$1,000-1,500
$5,000-7,000
593
598
n599
A JAPANNED AND FAUX-PAINTED LOW
TABLE,
n594
A PAIR OF COLUMNULAR FORM EBONIZED
AND PARCEL GILT FLOOR LAMPS,
LATE 20TH CENTURY
20TH CENTURY,
together with three table lamps

45 in. (115.5cm.) high overall, the pair
65

(51cm.) deep
(5)
$800-1,500
$1,000-1,500
599
594
n595
AN OAK AND WROUGHT-IRON REFECTORY
TABLE,
n600
A PAIR OF ROCOCO STYLE GILTWOOD
THREE-LIGHT WALL-LIGHTS
20TH CENTURY
30 in. (77cm.) high, 78in.(198cm.) wide, 31

in. (78cm.) deep
38in. (96.5cm.) high, excluding ftments
(2)
$1,500-2,000
$2,500-3,500
595
600
n601
A PAINTED AND PARCEL-GILT CHEST-OFDRAWERS, AND A JAPANNED SCREEN,
n606
A LOUIS XVI STYLE GILTWOOD WINDOW
BENCH,
LATE 20TH CENTURY, THE DECORATION BY

RICHARD GARRETT,
the seat covered in leopard plush

(51cm.) deep
the commode signed: R. GARRETT 1992, the

screen signed: R.GARRETT 1983
24in. (61.5cm.) deep, the commode; 48in.
(122cm.) high, 56in. (142.5cm.) wide, the screen
(2)
$3,000-5,000
$1,000-1,500
606
601
607
A PAIR OF GILTWOOD AND RED JAPANNED
JARDINIERES,
20TH CENTURY
n602
A PAIR OF CARVED GILTWOOD WALL
BRACKETS,
(2)
$800-1,200
20TH CENTURY
18 in. (47.5cm.) high, 10in. (25.5cm.) wide, 7

in.(19cm.) deep
(2)
$1,500-2,000
607
602
n608
A SET OF SIX CHINOISERIE STYLE PAINTED
CANVAS SCREENS,
n603
A PAIR OF SILVERED, BRONZED AND
LEATHER UPHOLSTERED TABOURETS,
LATE 20TH CENTURY
20TH CENTURY
66
96in. (244cm.) hgih, 30in. (76.5cm.) wide
(2)
$1,500-2,000
603
608
n609
A LOUIS XVI BRASS-MOUNTED MAHOGANY
DROP-LEAF EXTENSION DINING TABLE,
n604
A CHARLES X GILT-BRONZE STRIKING
PORTICO CLOCK,
LATE 18TH CENTURY,
EARLY 19TH CENTURY
lacking extension leaves, on casters

(73.5cm.) deep closed, 57in. (145cm.) deep open
25in. (63.5cm.) high, 12in. (31cm.) wide, 6 in.

(17cm.) deep
$2,000-3,000
$2,000-3,000
609
604
n610
A PAIR OF BRONZE KLISMOS CHAIRS,
n605
A PAIR OF CHINESE CARVED WOOD OVAL
PEDESTALS,
LATE 20TH CENTURY
27in. (68.5cm.) high, 21in. (53cm. wide, 18in.

(45.5cm.) deep
(2)
LATE19TH/EARLY 20TH CENTURY
36 in. (92.5cm.) high, 23in. (58.5cm.) diameter

(2)
$1,500-2,000
$2,000-3,000
605
(6)
$2,500-3,500
610
n611
A LOUIS XV WALNUT FAUTEIL,
MID 18TH CENTURY,
covered in tapestry
24in. (61cm.) deep
n616
A ROCOCO-STYLE SILVERED WOOD AND
ROCK CRYSTAL NINE-LIGHT CHANDELIER,
$1,500-2,000
20TH CENTURY
41in. (104.1cm.) long, 41in. (104.1cm.) widest

diameter
$5,000-7,000
611
616
n612
A PAIR OF NEOCLASSICAL STYLE EBONIZED
AND PARCEL-GILT PEDESTALS WITH MARBLE
TOP,
20TH CENTURY
43in. (109cm.) high, 13in. (33cm.) diameter (2)
$1,000-1,500
612
n617
A PAIR OF MODERN WHITE-PAINTED
RUSTICATED SQUARE PEDESTALS,
20TH CENTURY,
Together with a smaller modern white-painted

rusticated square pedestal
65 in. (165.5cm.) high, 23in. (59cm.) wide,
23in. (59cm.) deep
(2)
$2,000-3,000
n613
A MATCHED PAIR OF ITALIAN CREAMPAINTED AND PARCEL GILT CONSOLES,
617
ONE LATE 18TH CENTURY, THE OTHER A MATCHING

LATER COPY

(2)
$8,000-12,000
613
618
AN ITALIAN NEOCLASSICAL GILT-VARNISHED
SILVERED (MECCA) SIDE TABLE,
LATE 18TH CENTURY,

n614
A PAIR OF LOUIS XVI STYLE WALNUT
FAUTEUILS,
$5,000-7,000
19TH CENTURY

(2)
618
$1,500-2,000
614
n615
AN ITALIAN NEOCLASSICAL STYLE FAUX
MARBLE TRIANGULAR-FORM PEDESTAL
WITH MARBLE TOP,
619 No Lot
n620
AN EMPIRE STYLE GILTWOOD SIX-LIGHT
CHANDELIER,
MODERN
20TH CENTURY
47in. (119.4cm.) high, 19in. (48.3cm.) largest

diameter
The measurements, excluding the suspension,

32in. (81cm.) high, 45 in. (115.5cm.) diameter
$1,000-1,500
$5,000-7,000
620
615
67
n621
A LOUIS XVI CREAM-PAINTED DAYBED,
626
A PAIR OF CAST-IRON WALL BRACKETS,
LATE 18TH CENTURY, REDUCED IN SIZE. SOME

RAILS LATER,
19TH/20TH CENTURY
upholstered in grey silk; together with a grey silkupholstered cushion and seven various throw
cushions
82in. (209cm.) deep

10in. (26cm.) deep
(2)
$1,000-1,500
$3,000-5,000
621
626
n627
A GEORGE II BURR WALNUT AND OAK
CHEST OF DRAWERS,
n622
A GEORGE I BLACK GILT AND
POLYCHROMED JAPANNED CABINET-ONCHEST,
18TH CENTURY, THE TOP LATER AND ORIGINALLY A

CHEST-ON-CHEST
with compass design inlay to bottom drawer,

brushing slide, and original hardware
ENGLISH, 18TH CENTURY,
decorated overall with chinoiserie vignettes, the

cabinet doors enclosing ten drawers
20in. (52cm.) deep
(2)
$2,000-3,000
$4,000-6,000
627
622
68
n623
A CONTINENTAL NEOCLASSICAL STYLE
FRUITWOOD BERGERE COVERED IN BROWN
LEATHER,
n628
A PAIR OF ALUMINUM ART DECO STYLE
VASES,
25in. (65cm.) high

$800-1,200
20TH CENTURY
(2)
$1,000-1,500
628
623
n629
PAINTED NEOCLASSICAL THREE-PANEL
FLOOR SCREEN,
n624
A PAIR OF WALNUT AND PARCEL GILT
CANED TABOURETS,
MODERN,
decorated on canvas and mounted on wood

104in. (264cm.) high, 66in. (167cm.) width
completely extended, 1in. (2.5cm.) deep
MODERN
with tasseled leather cushions, one with original

inscribed in pencil,
17in (44.5cm.) wide, 17in. (44.5cm.) deep (2)
$800-1,200
$1,000-1,500
624
629
630
A SET OF FOUR LATE LOUIS XV STYLE
CARVED WOOD THREE-LIGHT WALL-LIGHTS,
n625
REGENCY GRAINED AND PARCEL GILT
BULLET MIRROR,
MODERN
MODERN
$1,000-1,500
38in. (96cm.) diameter, 5in. (13.3cm.) deep
$1,500-2,000
630
625
(4)
PROPERTY FROM A DISTINGUISHED

SOUTHEAST COLLECTION (LOTS 631-636)
n631
AN INLAID MAHOGANY TWIN-PEDESTAL
DINING TABLE,
n636
A PAIR OF CUT GLASS TWO-LIGHT WALL
LIGHTS,
20TH CENTURY,
with three leaves

30in. (76cm.) high, 72in. (183cm.) wide closed,
138in. (350.5cm.) wide fully extended, 47in.
(119cm.) deep
26in. (66cm.) high, 16in. (40.5cm.) excluding

ftments
(2)
$4,000-6,000
$3,000-5,000
631
636
n632
A SET OF TWELVE MAHOGANY DINING
CHAIRS,

n637
A NEAR PAIR OF ENGLISH GILTWOOD WALL
BRACKETS,
20TH CENTURY

16in. (42cm.) deep
(12)
ONE PROBABLY 18TH CENTURY, THE OTHER

POSSIBLY LATER
$3,000-5,000

(20.3cm.) deep
(2)
$1,000-1,500
632
637
n633
A PAIR OF ENGLISH GILT METAL AND CUT
GLASS TWO-LIGHT CANDELABRA,
638
AN IRISH GEORGE II MAHOGANY
ARMCHAIR,
69
CIRCA 1750
(2)
38in. (97cm.) high, 23 in. (58.6cm.) wide,

17in. (43cm.) deep
$1,000-1,500
$1,500-2,000
633
638
639
A GEORGE II WALNUT AND MAHOGANY
WING ARMCHAIR,
CIRCA 1740,
634
A PAIR OF VENETIAN EBONIZED, PARCELGILT AND POLYCHROME-DECORATED
FIGURES OF AFRICANS,
replaced front and back rails, the back legs

replaced in mahogany
(53cm.) deep, the seat
LATE 19TH/EARLY 20TH CENTURY, THE DECORATION

REFRESHED
75in. (190cm.) high
$2,000-3,000
(2)
PROVENANCE:
$6,000-8,000
Anonymous sale; Sothebys, London, 12

February 1988, lot 33.
634
639
D640
A PAIR OF ITALIAN GILTWOOD AND MIRROR
GLASS TWO-LIGHT WALL LIGHTS,
n635
A ROCK CRYSTAL, CUT GLASS AND SILVERED
METAL TWELVE LIGHT CHANDELIER,
20TH CENTURY
20TH CENTURY
38in. (96.5cm.) high, 33in. (84cm.) diameter
$500-700
(2)
$6,000-8,000
635
640
PROPERTY FROM A DISTINGUISHED NEW

YORK COLLECTION

641
A PAIR OF ENGLISH MAHOGANY LIBRARY
ARMCHAIRS,
n646
AN ENGLISH OAK SIDE TABLE,

(57 cm.) deep
$3,000-5,000
$800-1,200
641
646
642
A COLLECTION OF PLASTER CASTS,
647
THREE ILLUMINATED MANUSCRIPT
FRAGMENTS
LATE 19TH/EARLY 20TH CENTURY, AFTER THE

ANTIQUE,
the plaster various sizes, mounted in six bookform boxes

(5cm.) deep
(6)
The historiated capital: 10x10in. (25.5x25.5cm.)

wide; the Maesta: 9x8in. (24x22cm.); the
Saint with a lily: 6x4in. (16.5x12cm.), overall
(3)
$2,000-3,000
$1,000-1,500
642
647
70
n643
A PAIR OF AMERICAN PATINATED METAL
MIRRORS,
n648
A PAINTED SANTOS FIGURE,
ATTRIBUTED TO OSCAR B. BACH, FIRST HALF OF THE

20TH CENTURY
44in.(112cm.) high
20TH CENTURY
$1,000-1,500
51 in. (131cm.) high, 34 in. (87cm.) wide (2)
$3,000-5,000
648
643
644
AN AMERICAN CHROMED METAL, PLASTIC
AND STAINED WOOD MOTHER OF PLASTIC
COIN OPERATED JUKEBOX,
649
AN ENGLISH OAK DRESSING TABLE, AND A
CONTINENTAL WALNUT DRESSING TABLE,
BOTH 18TH CENTURY, THE CONTINENTAL DRESSING
TABLES LEGS LATER
MANUFACTURED BY THE AUTOMATIC MUSICAL

INSTRUMENT COMPANY (AMI), MID 20TH CENTURY,
together with a quantity of records and books

(58.4cm.) deep

17in. (44.5cm.) deep, the English example;
16in. (42m.) deep, the continental example (2)
$1,000-1,500
$1,000-1,500
644
649
n645
A LATE GEORGE III BRASS-INLAID EBONIZED
AND FRUITWOOD-INLAID MAHOGANY
FITTED BOX,
650
TWO PAIRS OF BRASS CANDLESTICKS,
MOUNTED AS LAMPS,
EARLY 19TH CENTURY,
14in. (36.8cm.) high, the other 14in.

(36.2cm.) high, excluding ftments
19TH/20TH CENTURY
with lift top and lower drawer

(38cm.) deep
$1,000-1,500
$800-1,200
645
650
(4)
n655A
A CHARLES II OAK CHEST-OF-DRAWERS,
n651
A NORTH EUROPEAN WALNUT REFECTORY
TABLE
17TH CENTURY, THE SIDES AND FEET LATER
20TH CENTURY, INCORPORATING OLDER ELEMENTS


$800-1,200
$3,000-5,000
651
655A
652
A PAIR OF METAL FIGURES OF LOBSTERS,
n656
A WILLIAM AND MARY STYLE OYSTER
VENEER WALNUT AND WALNUT SIDE TABLE,
20TH CENTURY,
together with two cold painted fgures of

Boston terriers and a pig
19in. (48.5cm.) long
20TH CENTURY

15in. (40cm.) deep
(5)
$1,000-1,500
$1,000-1,500
652
656
653
A MAHOGANY CAMPAIGN BOX,
n657
AN ENGLISH STAINED YEW AND OAK CHESTOF-DRAWERS,
19TH/20TH CENTURY,
together with a japanned box, a lacquered

mirror, and two Chinese gilt metal-mounted
leather trunks in two sizes
12in. (32cm.) deep
(5)
71
LATE 17TH/EARLY 18TH CENTURY AND LATER,
the feet and drawer liners replaced

(40.5cm.) deep
$1,000-1,500
$1,500-2,000
653
657
n654
AN ENGLISH OAK DROP-LEAF DINNING
TABLE,
n658
A PAIR OF FRANCO-FLEMISH WALNUT
ARMCHAIRS,
PARTS 17TH CENTURY
together with a pair of English hall chairs

(81.3cm.) deep
(3)

(50.8cm.) deep
(2)
$1,500-2,000
$1,000-1,500
654
658
n655
A LOUIS-PHILIPPE GILT METAL MOUNTED
MAHOGANY FAUTEUIL,
n659
A PORTUGUESE WALNUT SIDE TABLE,
together with a neoclassical inlaid mahogany,

marquetry and ebony side chair, and an Italian
commodino of a later date
The armchair 36in. (93cm.) high, 23in.
(58.5cm.) wide, 19in. (48.3cm.) deep; the side
chair 34in. (87.6cm.) high, 18in. (47.6cm.)
wide, 16in. (41.3cm.) deep, the commode 31
in. (80cm.) high, 23in. (58.5cm.) wide, 14in.
(37cm.) deep
(3)
$1,500-2,000

$1,000-1,500
655
659
n660
THREE ENGLISH STOOLS,
n665
AN ENGLISH OAK WELSH DRESSER,
the larger stool covered with later tapestry

The stool with tapestry 21in. (54.6cm.) high,
20in. (51cm.) wide, 15in. (38.8cm.) deep;
11in. (28cm.) deep; 18in. (46.4cm.) high, 17in,
(43.2cm.) wide, 10in. (26.7cm.) deep
(3)

(45.8cm.) deep
$1,500-2,000
$800-1,200
660
665
n661
AN ENGLISH PROVINCIAL OAK SIDE
CABINET,
n666
AN ITALIAN WALNUT SIDE TABLE,
PARTS POSSIBLY 18TH CENTURY


24in. (63cm.) deep
$1,500-2,000
$2,000-3,000
666
661
n662
AN ASSEMBLED SET OF NINE WELSH OAK,
ASH, FRUITWOOD AND RUSH SEAT DINNING
CHAIRS,
n667
A SET OF EIGHT FRANCO-FLEMISH WALNUT
DINING CHAIRS,
19TH CENTURY,
20TH CENTURY, POSSIBLY INCORPORATING EARLIER

ELEMENTS
each with a spindle back, comprising two

armchairs and seven side chairs
(48.3cm.) deep; the armchairs
(38cm.) deep, approximately; the side chairs (9)
72

17in. (44cm.) deep
(8)
$1,000-1,500
$1,000-1,500
662
667
n663
AN ENGLISH OAK COFFER AND A WELSH
CHILDS CHAIR
PROPERTY FROM THE COLLECTION OF ALFRED

E GUNTERMANN
668
A CHINESE HARDWOOD CHAIR

13in. (35cm.) deep, the coffer
13in. (33cm.) deep; the childs chair
(2)

21in (54.6cm.) deep
$1,000-1,500
$800-1,200
663
668
n669
AN ENGLISH MAHOGANY TWIN PEDESTAL
DINING TABLE,
664
A GROUP OF TWELVE PRINTS
19TH CENTURY,
(12)
in the George III style, one leaf

closed, 19in. (48cm.) wide the leaf, 42in.
(107cm.) deep
$1,000-1,500
$1,500-2,000
664
669
675
THREE PAIRS OF FLORAL SILK CURTAINS,
SECOND HALF 20TH CENTURY,
n670
A PAIR OF BLACK AND GILT PAINTED
WROUGHT-IRON CHANDELIERS,
together with three valances

Four panels 35in. (89cm.) wide, 100in. (254cm.)
long;Two panels 85in. (215cm.) wide, 104in.
(264cm.) long;The larger valance 15in. (38cm.)
high, 166in. (421.5cm.) wide;The other two
valances 15in. (39cm.) high, 56in. (143cm.)
wide (9)
(6)
20TH CENTURY
40in. (101.5cm.) high
(2)
$1,500-2,000
$700-900
670
n671
A PAIR OF GILT-BRONZE MOUNTED STAINED
FRUITWOOD AND INLAID MAHOGANY
BENCHES,
676
A LEADED GLASS DRAGONFLY SHADE,
20TH CENTURY
28in. (71cm.) high, 31in.(80.5cm.) wide,

16in. (42cm.) deep
675
LATE 20TH CENTURY
(2)
$800-1,200
$700-900
671
676
n672
A PAIR OF LOUIS XV STYLE ROCK-CRISTAL
AND SILVERED METAL FIVE-LIGHT WALLLIGHTS,
677
A GILT-METAL AND ALABASTER CONSOLE
TABLE,
19in. (48cm.) high, 18in, (46cm.) wide, 11in.

(29cm.) deep, excluding ftments
(2)
$800-1,200
73
20TH CENTURY

12in. (32cm.) deep
$1,500-2,000
672
677
673
AN EBONIZED AND WHITE LINENUPHOLSTERED TWO-PIECE SECTIONAL
SOFA,
n678
AN ALABASTER FIGURAL LAMP,
LATE 20TH CENTURY
EARLY 20TH CENTURY,

(97.8cm.) deep, each section
(2)
on a associated pedestal
$1,000-1,500
$800-1,200
673
678
674
A PAIR OF CONTEMPORARY CHROMEDMETAL LOW TABLE BASES,
679
A GILT METAL DRESSING MIRROR,
LATE 20TH CENTURY,
lacking glass tops

(2)
20TH CENTURY,
re-gilt
$600-800
674
$2,000-3,000
679
685
A GILT-BRONZE FIGURAL GROUP OF CHICKS
CHASING A FROG,
n680
A GILT-BRONZE EIGHT-LIGHT CIRCULAR
CHANDELIER,
20TH CENTURY,
signed Saint Yros, on a black marble plinth

(37cm.) long
20TH CENTURY
$2,000-3,000
$700-900
685
680
n681
A GILT METAL AND RED MARBLE CENTER
TABLE,
686
A FRENCH GILT METAL AND PORCELAINMOUNTED ENCRIER,
20TH CENTURY
33in. (84.5cm.) high, 39in. (100cm.)

diameter
the central porcelain plaque with spurious

Sevres blue interlaced Ls mark
(29.3cm.) deep
$2,000-3,000
$800-1,200
686
681
74
682
A PAIR OF PATINATED GILT-METAL TWOLIGHT WALL SCONCES,
687
A FRENCH PATINATED-BRONZE FIGURE OF A
CHAINED BULL DOG,
19TH/20TH CENTURY
EARLY 20TH CENTURY,
13in.(34cm.) high, 9 in.(24cm.) wide, 6 in.

(16cm.) deep
(2)
stamped EXPOSITION PARIS 1900 M.D

MLLE DOR H.V.
13in. (35cm.) high
$800-1,200
$800-1,200
682
687
n683
A GILT-BRONZE DRESSING CABINET,
n688
A PAINTED-METAL CAT FORM DUMB
WAITER,
20TH CENTURY,
surmounted with a gothic style mirror

20TH CENTURY
$1,500-2,000
$600-800
683

18in. (47cm.) deep
688
684
A VARIEGATED MARBLE MASK FOUNTAIN,
n689
A GROUP OF THIRTEEN OVERSIZED SCENT
BOTTLES,
20TH CENTURY
15in. (39.5cm.) high, 14in. (37cm.), 8in.

(20.5cm.) deep
20TH CENTURY
$1,000-1,500
$1,000-1,500
14in. (35.5cm.) high, the largest
689
684
(12)
690
AN EMPIRE ORMOLU AND BRASSMOUNTED MAHOGANY SEMAINIER,
n696
A PAIR OF CAST IRON AND MARBLE SIDE
TABLES,
EARLY 19TH CENTURY,
20TH CENTURY
on later feet

(56cm.) deep
(2)
$700-900
$800-1,200
696
690
n697
A SET OF FOUR PUTTI STATUES EMBLEMATIC
OF THE SEASONS,
n691
A GEORGE I BLACK AND GILT JAPANNED
BUREAU,
20TH CENTURY
25in. (64.5cm.) high, approximately
FIRST QUARTER 18TH CENTURY, AND LATER

JAPANNED DECORATION
(4)
$700-900

23in. (59cm.) deep
$1,000-1,500
697
691
698
AN ENGLISH BURR WALNUT ONE-DOOR
CABINET,
19TH/20TH CENTURY,
Together with a mahogany hanging wall clock

and a mahogany cylindrical-form foor lamp
Of cabinet; 31 in. (79.5cm.) high, 19 in.
(45cm.) wide, 16 in. (41.5cm.) deep
(3)
n692
A LATE GEORGE III MAHOGANY BOW FRONT
CHEST-OF-DRAWERS,
$700-900

$800-1,200
698
75
692
PROPERTY FROM A DISTINGUISHED NEW YORK
COLLECTION ( LOTS 699-708)
n693
TWO ENGLISH WING CHAIRS,
n699
A FRENCH VARIEGATED MARBLE AND IRON
TABLE,
together with a foot stool

27in. (68.6cm.) deep, the velvet-covered chair;
43in. (110cm.) high, 30 in. (77.5cm.) wide,
30in. (76cm.) deep, the leather-covered chair
20TH CENTURY
$600-800
$800-1,200
699
693
n700
A PAIR OF CYLINDRICAL WOOD LAMPS,
20TH CENTURY,
n694
A PAIR OF WHITE MARBLE URNS,
metal rim and base, with plastic shades

31in. (79.4cm.) high, 6in. (15.2cm.) widest
diameter, with shade
(2)
20TH CENTURY,

(2)
$800-1,200
$700-900
700
694
n701
A PAIR OF FRENCH OAK FAUTEILS,
n695
A GEORGE III STYLE INLAID MAHOGANY
DRUM TABLE,
MID 20TH CENTURY,
with two green and cream wool-covered loose

cushions
29in. (79cm.) deep
(2)
together with an English mahogany tea table,

and a pair of mahogany side chairs
30in. (76.5cm.) high, 24in. (61cm.) diameter
(4)
$700-900
$700-900
695
701
n702
A FRENCH MODERNE STAINED WOOD LOW
TABLE WITH DARK COMPOSITE TOP,
n708
AN OAK TILT-TOP TEA TABLE,
MODERN
20TH CENTURY
16 in. (42cm.) high, 22in. (55.9cm.) wide, 15

1/5in. (39.3cm.) deep
27 in. (67cm.) high, 34in. (86.4cm.) diameter
$700-900
$600-800
702
708
n703
A SCANDINAVIAN OAK AND SLATE
CIRCULAR LOW TABLE,
n709
A SE OF TWELVE REGENCY STYLE
MAHOGANY OPEN ARMCHAIRS,
MODERN
BY SMITH & WATSON, NEW YORK,

LATE 20TH CENTURY
$1,000-1,500
35in. (91cm.) high, 25in.(63cm.) wide, 21in.

(53.5cm.) deep
(12)
$1,500-2,000
703
709
n704
A SCANDINAVIAN BLOND SYCAMORE AND
LEATHER CHEST-OF-DRAWERS,
MODERN

n710
A SET OF FIVE MAHOGANY BERGERES,
$1,000-1,500
LATE 20TH CENTURY

(56cm.) deep
(5)
$2,000-3,000
704
76
705
AN OAK LATTICEWORK SIDE TABLE,
710
1940S

20in. (51cm.) deep
nD711
A PAIR OF GEORGE III STYLE GILT METAL
AND MIRRORED GLASS FIVE-LIGHT WALL
LIGHTS
$600-800

(18cm.) deep
(2)
$1,500-2,000
705
711
706
A WOOD AND METAL LAMP,

(LOTS 712-713)
1950S
n712
A PAIR OF COPPER LANTERNS,
$700-900
20TH CENTURY
(2)
$1,000-1,500
706
712
n707
A PAIR OF MODERN EBONIZED AND BRASS
TWO-LIGHT WALL SCONCES,
713
AN ENGLISH MAHOGANY LINEN PRESS,
MODERN
19TH CENTURY
33 in. (85cm.) high, 4 in. (11.5cm.) wide (2)

24in. (61cm.) deep
$800-1,200
$1,200-1,800
707
713
Due to changes in US law, a permit will be required for the export of any carpet of Iranian origin.
While Christies will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit. Please see the Conditions of Sale paragraphs 4(c) titled Export license for further details.
JONES (LOTS 714-716)
n714
A GEORGE III MAHOGANY AND BRASSBOUND OCTAGONAL-FORM CELLARET ON
LATER STAND,
n720
A FLEMISH MYTHOLOGICAL TAPESTRY,
LATE 17TH CENTURY,
depicting a courting couple

9ft. 4in. (284.5cm.) high, 5ft. 7in. (170cm.) wide
THE CELLARET LATE 18TH CENTURY
14in. (36cm.) high, 25 in (65cm.) wide, 18 in.

(47.5cm.) deep
$6,000-9,000
$2,000-3,000
714
n715
AN ASIAN LACQUERED RECTANGULAR
TABLE,
720
721
A FLEMISH HISTORICAL TAPESTRY,
MID-17TH CENTURY,
19TH/20TH CENTURY
depicting the Triumph of David

9ft. (274cm.) high, 13ft. (396cm.) wide

32 in. (83.3cm.) deep
$7,000-10,000
$5,000-7,000
715
721
n722
A FLEMISH TAPESTRY FRAGMENT,
n716
A PAIR OF CHINESE SIDE CHAIRS,
EARLY 17TH CENTURY
20TH CENTURY
Approximately 12ft. x 7ft. 9in. (366cm. x

236cm.)

(40.5cm.) deep
$5,000-7,000
$1,000-1,500
722
716
n723
A SOUTH PERSIAN KILIM,
nD717
A BRASS AND WOOD-MOUNTED STAMPED
LEATHER TWO-PIECE LUGGAGE SET,
20TH CENTURY
Approximately 7ft. 9in. x 4ft. 6in. (236cm. x

137cm.)
77
$600-800
The larger 12in. (31cm.) high, 43in. (110cm.)

wide, 23in. (57cm.) deep, the smaller 10in.
(25cm.) high, 38in. (96.5cm.) wide, 21in.
(53cm.) deep
(2)
723
$400-600
717
D718
A PLASTER CAST RELIEF FRAGMENT FROM
THE EAST FRIEZE OF THE PERGAMON ALTAR,
n724
A SILK AND METAL THREAD CHINESE RUG,
20TH CENTURY
Approximately 9 ft. 3 in. x 6 ft. (282 cm. x 183

cm.)
LATE 19TH CENTURY, AFTER THE ANTIQUE,
$4,000-6,000
from the section of the east frieze of the

Gigantomachy that depicts Athena battling
Alkyoneus and his mother Gaia
71in. (180.2cm.) high; 36in. (92.5cm.) wide
724
$2,000-3,000
Please note that all lots made of plaster
and described as such in this catalogue are
purchased at the buyers own risk. Potential
buyers of plaster lots should be aware that they
are fragile and susceptible to damage when
moved.
Christies will not be providing individual
condition reports for this lot.
The absence of a condition report or of
reference to damage in the catalogue
description does not imply the plaster casts are
in good condition or are free from restoration,
repair or replacement.

JONES
n725
A KARABAGH GALLERY CARPET,
SOUTH CAUCASUS, CIRCA 1900
Reduced in length
216cnm.)
718
$2,000-3,000
725
PROPERTY FROM A PRIVATE CANADIAN

PROPERTY OF A PRIVATE ESTATE
n719
A BRUSSELS HUNTING TAPESTRY,
n726
AN AUBUSSON STYLE CARPET,
EARLY 18TH CENTURY,
CHINA, MODERN
woven in silks and wools, borders lacking

9ft. 11in. (302cm.) high, 12ft. 11in. (394cm.)
wide

437cm.)
$1,000-1,500
$6,000-9,000
719
726
Fine Art Index

A
Abbot, J. & Smith, J., 212

American School, 19th Century, 201
Anton, V., 5
Anuszkiewicz, R., 6
Arevalo, G., 151
Artist Unknown, 38
Austrian School, 196
Gagni, P., 72, 73

Garman, E., 161, 162, 163,
164
Garrett, R., 188
Garrett, R. H., 187
Gilot, F., 51, 52, 53, 54, 55
Giroux, A., 220
Gisson, A., 104
Goodall, J.S., 219
Grau Sala, E., 101
Griffier, R., 198
Griffith, W.A., 103
Gromaire, M., 58, 59
Grooms, R., 8, 158
Gross, C., 160
Guston, P., 135
Marsh, R., 129, 130, 131, 132

Martinet, F.N., 211
Mason, R., 181
Masson, A., 63
McNeil, G., 167
Mexican School, 141, 142,
143
Mignot, L.R., 138
Moses, E., 11
van Liender, P., 210

van Nieulandt II, W., 192
van Ruisdael, J., 29
van Swanevelt, H., 209
van Welie, A., 218
Vasarely, V., 119
Vignali, J., 27
Vignoles, A., 74
Warhol, A., 180

Weber, B., 155
Webster, T., 222
Wile, J., 133
B
Bacci, E., 1
Barocci, F., 24
Basaldua, C., 14
Bemelmans, L., 134
Benn, B., 137
Berber, M., 43
Boudet, P., 71
Brackman, R., 20
Broderson, M., 92, 93, 94, 95,
96, 97
Brown, J.G., 221
Brueghel the Elder, J., 191
Bulgakova, O., 99
H
Halter, M., 60
Hambourg, A., 106
Helleu, P.C., 44, 45
Hoff, M., 7
Hunt, W.H., 217
Cabessa, M., 10
Calder, A., 157
Caputo, U., 66
Carracci, A., 21
Catlett, E., 154
Chaplin, C., 223
Ciancianaini, F., 115
Continental School, 204
Correa, B.R., 150
Cotton, W., 166
Craig-Martin, M., 165
Cruikshank, G., 228
Ippolito, A., 18
Italian School, 22, 23, 193,
200
D
Dam, V. C., 56
Daubigny, C., 34, 35
Davies, J., 182, 183
de Harak, R., 15
De Niro, Sr., R., 76, 77, 78,
79, 80, 81, 82
du Puigaudeau, F., 102
Dunouy, 36
Dutch School, 30
E
Edmondson, J., 214
Eilshemius, L., 83
Eilshemius, L.M., 84, 85, 86,
87, 88, 89, 90, 91
English School, 26
Ernst, J., 118
F
Fay, M., 156
Flemish School, 194
French School, 32, 202, 206,
207
Frerichs, W.C.A., 139, 140
Fujita, G., 100
J
Jackson, P., 153
Jaudon, V., 117
Jourdain, R., 105
K
Kdr, Bla, 57
Kahn, W, 122
Kahn, W., 121
Karsch, J., 69
Kieff, A. G., 65
Kieff, A.G., 64
Kotin, A., 125
Krauskopf, B., 75
Kroll, L., 124, 126, 127, 128
Kulicke, R., 136
Kuwayama, T., 12
L
Lafon, F., 31
Lamotte, B., 108, 109
Lancret, N., 195
Le Brun, C., 120
Le Paon, J., 37
Levine, D., 184
Lffler, J., 205
Loutherbourg, P.J., 197
Luce, M., 67
Nendo, 168, 169, 170, 171,

172, 173, 174, 175, 176, 177,
178
Nesbitt, L., 159
Nesterova, N., 98
Nevelson, L., 3
Y
Youngman, H.J., 42
Oka Doner, M., 186
Ziga , F., 145

Ziga, F., 144, 146, 147,
148, 149
P
Patel, P.A., 203
Pepper, B., 4, 13
Pesk, J.M., 110
Picasso, P., 46, 48, 49, 61, 62
Piranesi, G., 25
Pistorius, M., 40
Polo, B., 33
Pomodoro, A., 2
Poncet, A., 50
R
Reinermann, F. C., 199
Reni, G., 28
Rodriguez, V., 152
Rnne, P., 41
Rosati, J., 9
Rosenquist, J., 16
Rouault, G., 47
Rowlandson, T., 225, 226,
227
Royre, J., 509
S
Saint-Mmin, C.B.J.F., 215
Scheffer, R., 39
Schiefer, J., 107
Sinici, R., 70
Skilling, W., 111, 112
Smith, C.A., 216
Stone, R., 113, 114
T
Thompson, B., 19
Thurber, J.G., 185
Tilson, J., 17
Torrey, J., 213
Towlandson, T., 224
Tucker, A., 123
Tuttle, R., 179
Auction Calendar Interiors 2015
NEW YORK
Tuesday-Wednesday
25 -26 AUGUST
Rockefeller Center
Absentee Bids
FREQUENTLY ASKED QUESTIONS
Is it like a Sealed Bid?

A little. The key difference is that a sealed bid
is a fixed sum which, if you are successful,
you will end up paying regardless, whilst
a written bid is your maximum level (plus
buyers premium and applicable taxes)
and you may end up paying less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final
bid and a buyers premium of 25% on each
lot up to and including $100,000, plus 20%
of the excess above $100,000 up to and
including $2,000,000, plus 12% of any sum
in excess of $2,000,000, together with any
additional applicable charges, such as sales
or compensating taxes.
Can I change my mind?

Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
possible on +1 212 636 2437
If Im successful, what happens next?
To find out if your bid was successful you can
view auction results at christies.com.
Can I have my items delivered?

Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +1 212 636 2480
We will send you an invoice and payment

information sheet to the address provided,
you can then make payment and collect
your lots. Please check with our cashiers
about lot locations prior to picking up your
purchases. Their telephone number is
+1 212 636 2495. Remember, lots can be
subject to handling and administration
charges after the sale, always check the
catalogue for precise details on when charges
begin.
IMPORTANT INFORMATION
1
All written bids are subject to the Conditions
of Sale and Notices printed in the catalogue.
2
Although to be certain of buying a lot you
should attend the auction, Christies will use
reasonable efforts to carry out written bids
delivered to us prior to the sale. A maximum
price should be given against each lot and the
auctioneer will bid on your behalf. Written
bids should be consistent with the normal
increment in bidding at the relevant level.
3
If your bid is successful, the purchase price
payable will be the aggregate of the final
bid and a buyers premium of 25% on each
lot up to and including $100,000 plus 20%
of the excess above $100,000 up to and
including $2,000,000 plus 12% of any sum
in excess of $2,000,000, together with any
additional applicable charges, such as sales
or compensating taxes.
4
Please ensure you have left bids on the
correct lots and that your written bids are
received by no later than the day before the
sale begins. In certain circumstances it may
not be possible to execute bids received after
the start of the sale.
5
If we receive written bids on a particular lot
for identical amounts, and at the auction
these are the highest bids for the lot, it will
be sold to the person whose written bid
was received and accepted first. Written
bids submitted on no reserve lots will, in
the absence of a higher bid, be executed
at approximately 50% of the low pre-sale
estimate or at the amount of the bid if it is
less than 50% of the low pre-sale estimate.
The auctioneer may execute absentee bids
directly from the rostrum clearly identifying
these as absentee bids, book bids,order
bids or commission bids. Absentee Bids
Forms are available in this catalogue, at any
Christies location or online at christies.com.
6
Please note that we do not accept
responsibility for notifying you of the result of
your bid and request that you contact us after
the sale for your result.
7
Purchases must be paid for and picked
up within 35 days of the sale, after which
handling and administration fees may accrue
in accordance with notices in salerooms
and as set forth in the POST-SALE CARE
section in this catalogue.
8
To ensure that bids will be accepted and that
delivery of lots is not delayed, new clients
or existing clients planning to spend sums
inconsistent with their buying history may be
asked to supply written bank or other suitable
references to Christies. The references should
be supplied in good time before the sale.
Collection orders for purchased lots will not
be posted. Please enquire with Cashiers
+1 212 636 2480.
9
At the time of making payment for successful
bids, please inform us if you wish to contact
Christies Art Transport Department for
shipping or removal.
10
Export Licences: Overseas buyers, please
ensure that you are aware of any restriction
or licence requirements for your intended
purchase. If you are unsure, please contact
your local customs authority, an international
shipper or Christies Art Transport Department
on +1 212 636 2480.
11
Execution of written bids is a free service
undertaken subject to other commitments
at the time of the sale. The volume of goods
is such that we cannot accept liability in any
individual instance for failing to execute a
written bid or for errors and omissions in
connection with it arising from circumstances
beyond our reasonable control.
Absentee Bids
ABSENTEE BIDS MUST BE RECEIVED AT LEAST 24 HOURS BEFORE THE AUCTION BEGINS
If you cant attend an auction in person,

dont miss out, leave a written bid and well
do the rest BID NOW its quick, convenient
and confidential.
CHRISTIES WILL CONFIRM ALL BIDS RECEIVED BY FAX BY RETURN FAX. IF YOU HAVE
NOT RECEIVED CONFIRMATION WITHIN ONE BUSINESS DAY, PLEASE CONTACT THE
BID DEPARTMENT.
TEL: +1 212 636 2437 FAX: +1 212 636 4938 ON-LINE WWW.CHRISTIES.COM
LOT NUMBER
MAXIMUM BID (US$) (EXCLUDING BUYERS PREMIUM)
SALE DETAILS
to fax this form, please trim here.
Sale title:
CHRISTIES INTERIORS
Sale date/time: Tuesday 28 July at 10 am
Tuesday 28 July at 2 pm
Wednesday 29 July at 10 am
Wednesday 29 July at 2 pm
Sale number: FOXY-3758
TO BID NOW
ONE
DECIDE ON YOUR MAXIMUM BID
You might not end up paying this much. We will bid on your behalf
up to your limit in order to buy the lot for you at auction. Of course,
written bids always remain totally confidential. Dont forget that your
final invoice will also include buyers premium and any additional
applicable charges, such as sales or compensating taxes where
applicable.
TWO
PLACE YOUR BID
Form
Complete this form by filling in the lot numbers and your maximum
bids together with your contact details.
Hand this form into the Bids Department or fax it to us on
+1 212 636 4938. Please remember this form should only be used
for the sale detailed above. Please write in clear, BLOCK CAPITALS.
Online
Please log onto christies.com and follow the simple instructions.
YOUR CLIENT ACCOUNT NUMBER
NAME
INVOICE ADDRESS
Telephone
Please call the Bids Department on +1 212 636 2437.
ZIP/POSTCODE
Written Bids must be received the day before the sale.

If you have not previously bid or consigned with Christies,
please attach copies of the following documents. Individuals:
government-issued photo identification (such as a driving
licence, national identity card, or passport) and, if not shown
on the ID document, proof of current address, for example a
utility bill or bank statement. Corporate clients: a certificate
of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit
Department at +1 212 636 2490 for advice on the information
you should supply. If you are registering to bid on behalf
of someone who has not previously bid or consigned with
Christies, please attach identification documents for yourself
as well as the party on whose behalf you are bidding, together
with a signed letter of authorization from that party.
New clients, clients who have not made a purchase from any
Christies office within the last two years, and those wishing
to spend more than on previous occasions will be asked to
supply a bank reference.
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
BIDDERS NOT YET KNOWN TO CHRISTIES SHOULD SUPPLY A BANK REFERENCE
NAME OF BANK(S)
ADDRESS OF BANK(S)
ACCOUNT NUMBER(S)
NAME OF ACCOUNT OFFICER(S)
BANK TELEPHONE NUMBER(S)
THREE
CHECK THE RESULTS
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
To find out if you have been successful please log onto christies.com
SIGNED
Remember, lots can be subject to

storage charges after the sale.
Please ensure your details are correct as we cannot change the
invoice name once the invoice has been issued.
DATED
Please check if you would like to receive an email with the results of your bid(s) and if successful,
a link to your invoice on Christies.com
Please see reverse for Important Information

81
All you need to know

EXPLANATION OF
CATALOGUING PRACTICE
Some of the terms we use in catalogue descriptions
might be unfamiliar to you. Weve outlined below
these expressions and their explanations.
FOR PICTURES, DRAWINGS, PRINTS AND MINIATURES
Terms used in this catalogue have the meanings ascribed to
them below. Please note that all statements in this catalogue
as to Authorship are made subject to the provisions of the
CONDITIONS OF SALE and LIMITED WARRANTY. Buyers are
advised to inspect the property themselves. Written condition
reports are usually available on request.
Name(s) or Recognised Designation of an Artist
without any Qualification
In our opinion a work by the artist.
*Attributed to
In our opinion probably a work by the artist
in whole or in part.
*Studio of / Workshop of
In our opinion a work executed in the studio or workshop of the
artist, possibly under his supervision.
*Circle of
In our opinion a work of the period of the artist and showing
his influence.
*Follower of
In our opinion a work executed in the artists style
but not necessarily by a pupil.
*Manner of
In our opinion a work executed in the artists style
but of a later date.
*After
In our opinion a copy (of any date) of a work of the artist.
Signed /Dated / Inscribed
In our opinion the work has been signed/dated/inscribed
by the artist.
With signature / bears signature.../With date /
bears date.../With inscription /bears inscription...
In our opinion the signature/date/inscription appears to be by a
hand other than that of the artist.
The date given for Old Master, Modern and Contemporary
Prints is the date (or approximate date when prefixed with
circa) on which the matrix was worked and not necessarily the
date when the impression was printed or published.
*This term and its definition in this Explanation of cataloguing
practice are a qualified statement as to Authorship. While the
use of this term is based upon careful study and represents
the opinion of specialists, Christies and the consignor assume
no risk, liability and responsibility for the authenticity of
authorship of any lot in this catalogue described by this term,
and the Limited Warranty shall not be available with respect
to lots described using this term.
EUROPEAN CERAMICS
Buyers are recommended to inspect the property themselves.
Written condition reports are usually available on request.
A German cup and saucer
Meissen, Blue crossed swords, mark, date
In our opinion both were made at the factory
named and match.
A German cup and a saucer
The cup Meissen, Blue crossed swords
In our opinion both pieces were made at the factory
named but do not necessarily match.
A Worcester style plate
In our opinion not made in the factory, place or region named
but using decor-ation inspired by pieces made therein.
A Svres-pattern plate
but using decor-ation inspired by pieces made therein.
A Pratt-ware plate
but near in the style or period to pieces made therein.
82
Modelled by
In our opinion made from the original master mould made
by the modeller and under his supervision.
After the model by
In our opinion made from the original master mould made
by that modeller but from a later mould based on the original.
Painted by
In our opinion can properly be attributed to that decorator
on stylistic grounds.
FOR FURNITURE AND OBJECTS OF ART
A LOUIS XV KINGWOOD COMMODE
MID-18TH CENTURY
This heading printed in capital letters, with the inclusion
of the date in capital letters, means that in Christies opinion
the piece is essentially of the period.
A LOUIS XV KINGWOOD COMMODE
This heading printed in capital letters, without the date included,
means that in Christies qualified opinion the piece is essentially
of the period.
A LOUIS XV STYLE KINGWOOD COMMODE
This heading printed in capital letters, with the word STYLE
included in capital letters, means that in Christies qualified
opinion the piece is an intentional copy of an earlier design.
FOR SILVER
A GEORGE II SILVER CUP AND COVER
Mark of Paul de Lamerie,
London, 1735
In Christies opinion either made in the workshop of the
master or struck with his sponsors mark prior to retailing and
hallmarked at the London Assay Office between May 29, 1735
and May 29, 1736. The date letter has usually, but not always,
changed since the early 18th century on, or around, May 29.
Prior to the 18th century, the date letter changed on various
dates ranging from May 8 to August 3. Since 1975, the date
letter has run from January 2 to January 1 of the subsequent
year. Other countries and English, Irish and Scottish provincial
offices have varying dating systems.
circa 1735
In Christies opinion made during the specified monarchs reign
and unmarked or struck with illegible marks.
Bearing marks for London, 1735,
with the mark of Paul De Lamerie
In Christies opinion made during the specified monarchs reign
and, in all probability, in the workshop of, or sponsored by,
the maker cited, but with marks transposed from a previously
hall marked object. In some instances the catalogue may note
that these transposed hall marks have been cancelled to bring
them into conformity with modern English hallmaking laws.
Please note that the ounce weights given in this catalogue
are troy ounces.
OTHER
None of the electrical goods offered in this catalogue
have been tested. We strongly advise that all electrical items
be inspected by a certified electrician and any intended
re-commissioning is undertaken by an appropriately qualified
electrician.
In respect of mechanical pieces such as clocks, no
representation is made or warranty given that any such item is in
working order and nothing in the catalogue description should
be taken as such.
The date given for Old Master, Modern and Contemporary
Prints is the date (or approximate date when prefixed with
circa) on which the matrix was worked and not necessarily the
date when the impression was printed or published.
Measurements of Prints are taken where possible from the
platemark (P), otherwise they record the size of the sheet (S)
or the borderline of the subject (L). All measurements are in
centimeters to the nearest centimeter and are approximate.
ALL DIMENSIONS ARE APPROXIMATE
IMPORTANT NOTICES
CONDITION
All property is sold as is. It is yours or your agents
specific responsibility to inspect the property and to read the
Conditions of Sale section contained in this catalogue before
bidding upon it. The existence or absence of a condition report
relating to the property does not imply that the lot is limited to
any defects referred to nor free from any defects not referred to
in that condition report. A condition report is given for guidance
only and the extent of any damage or restoration must be
confirmed by your examination of that lot prior to the sale.
A GUIDE TO SYMBOLS
NO RESERVE (the title line of the lot description

and the symbol are printed in red)
In these cases the lot is sold without reserve.
CHRISTIES INTEREST
From time to time, Christies may offer a lot which it owns in
whole or in part. Such property is identified in the catalogue
with the symbol next to its lot number.
On occasion, Christies has a direct financial interest in lots
consigned for sale, which may include guaranteeing a minimum
price or making an advance to the consignor that is secured
solely by consigned property. Where Christies holds such
financial interest on its own we identify such lots with the
symbol next to the lot number.
Where Christies has financed all or part of such interest through
a third party the lots are identified in the catalogue with the
symbol u. When a third party agrees to finance all or part of
Christies interest in a lot, it takes on all or part of the risk of
the lot not being sold, and will be remunerated in exchange
for accepting this risk based on a fixed fee if the third party is
the successful bidder or on the final hammer price in the event
that the third party is not the successful bidder. The third party
may also bid for the lot. Where it does so, and is the successful
bidder, the remuneration may be netted against the final
purchase price. If the lot is not sold, the third party may incur a
loss. Please see http://www.christies.com/ financial-interest/ for
a more detailed explanation of minimum price guarantees and
third party financing arrangements.
Where Christies has an ownership or financial interest in every
lot in the catalogue, Christies will not designate each lot with a
symbol, but will state its interest in the front of the catalogue.
~
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER PROTECTED SPECIES
Property made of or incorporating (irrespective of percentage)
endangered and other protected species of wildlife are marked
with the symbol ~ in the catalogue. Such material includes,
among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together
with Brazilian rosewood. Prospective purchasers are advised that
several countries prohibit altogether the importation of property
containing such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarize themselves with the relevant
customs laws and regulations prior to bidding on any property
with wildlife material if they intend to import the property into
another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as
endangered or threatened if those articles are less than 100 years
old. Please note that it is the clients responsibility to determine
and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing
endangered and other protected wildlife material. The inability of
a client to export or import property containing endangered and
other protected wildlife material is not a basis for cancellation or
rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to
our clients, but Christies does not accept liability for errors or for
failing to mark lots containing protected or regulated species.
NOTICE REGARDING BURMESE STONES
Items which are made of, or contain, rubies or jadeite originating
in Burma (Myanmar) may not be imported into the U.S. As a
convenience to our bidders, lots which contain rubies or jadeite
of Burmese origin or of indeterminate origin have been marked
with . Please be advised that a purchasers inability to import
any such item into the U.S. or any other country shall not
constitute grounds for nonpayment or cancellation of the sale.
Please note that with respect to items that contain any other
types of gemstones originating in Burma (e.g., sapphires),
such items may be imported into the U.S., provided that the
gemstones have been mounted or incorporated into jewelry
outside of Burma and provided that the setting is not of a
temporary nature (e.g., a string).
All you need to know

HOW DOES THE AUCTION WORK?
Bidding generally opens below the low estimate
and advances in increments of up to 10%, subject
to the auctioneers discretion. Written bids that
do not conform to the increments set below may
be lowered to the next increment.
$0 to $2,000 by $100s
$2,000$3,000 by $200s
$3,000$5,000 by $200, 500, 800 (i.e $4,200, 4,500, 4,800)
$5,000$10,000 by $500s
$10,000$20,000 by $1,000s
$20,00030,000 by $2,000s
$30,000$50,000 by $2,000, 5,000, 8,000
(i.e. $32,000, 35,000, 38,000)
$50,000$100,000 by $5,000s
$100,000$200,000 by $10,000s
above $200,000 at auctioneers discretion
The auctioneer may vary the increments during the course
of the auction at his or her own discretion.Note that published
estimates do not include buyers premium or applicable
sales taxes. Buyers should not rely upon estimates as a
representation or a prediction of actual selling prices.
CONDITION REPORTS
Condition reports for most lots in the Interior Sales are
available online at www.christies.com. Condition reports are
provided as a service to interested clients. Prospective buyers
should note that descriptions of property are not warranties
and that each lot is sold as is.
SALEROOM NOTICES
Details in this catalogue can be subject to change after it
has been printed. For example, some extra provenance or
information might have come to light over a particular lot, or
the lot itself might have been withdrawn from the sale, or the
estimate might have changed.
These details will appear in the saleroom notice for that
particular sale and is available at the Bids Office,
+1 212 636 2437.
Please check with the Bids Office for last minute changes
prior to the sale.
PAYMENT & SUCCESSFUL BIDS

All you need to know on how, when and where to pay
New clients or existing clients planning to spend sums
inconsistent with their buying history may be asked to supply
written bank or other suitable references.
PAYMENT
Under normal circumstances, buyers are expected to pay for
purchases within seven calendar days after the auction and
to remove the property that they have bought by that date.
Payment can be made by personal check, bank wire transfers,
cash (in US currency up to $7,500), Travellers checks (in US
currency up to $7,500), and money orders (in US currency up
to $7,500).
If you are planning on paying in person, our Cashiers will
accept payment for collection Monday through Friday from
9:30 am until 5:00 pm at both Christies Rockefeller Plaza and
Redstone in Long Island City. Purchased property can only
be picked up on those days up to 4:30 pm at both Christies
Rockefeller Plaza and Redstone in Long Island City.
Checks and money orders should be made payable to
Christies Inc.. Bank transfers should be made to: JP Morgan
Chase Bank, N.A., 270 Park Avenue, New York, NY 10017,
ABA# 021000021, FBO: Christies Inc., Account # 957107978. For international transfers, SWIFT: CHASUS33. Please
be sure to specify your name, invoice number, sale and lot
numbers to ensure proper credit to your account.
Please note that Christies will not accept payments for
purchased Lots from any party other than the buyer, unless
otherwise agreed in writing between the buyer and Christies
prior to the sale.
SUCCESSFUL ABSENTEE BIDS
Christies is not able to notify successful absentee bidders.
While invoices are sent out by mail after the auction we do
not accept responsibility for notifying you of the result of
your bid. Buyers are requested to contact us by telephone or
in person as soon as possible after the sale to obtain details
of the outcome of their bids to avoid incurring unnecessary
handling charges.
Auction Results: www.christies.com
SALES TAX AT CHRISTIES NEW YORK
Purchases picked up in New York or delivered to locations
in California, Florida, Illinois, Massachusetts, New York,
Pennsylvania, Rhode Island or Texas may be subject to sales or
compensating use tax of such jurisdiction.
It is the buyers responsibility to ascertain and pay all taxes
due. Buyers claiming exemption from sales tax must have the
appropriate documentation on file with Christies prior to the
release of the property. For more information, please contact
Purchaser Payments at +1 212 636 2495.
83
All you need to know Taking it Home

Every year we sell tens of thousands of lots of all shapes
and sizes. Lots from Interiors Sales marked with a square
n will go to Christies Redstone in Long Island City
following the sale. All other lots will be kept at Christies
Rockefeller until they are transferred to Redstone 21
days after the sale
WHERE TO COLLECT
You can pay for and collect all sold lots from Christies
Rockefeller only until 5.00 pm on the last day of the sale.
Items marked with a square n in the catalogue are transferred
to Christies Redstone Post-Sale Facility in Long Island City at
that time. They will be available at Redstone on the following
Monday. All other lots will be kept at Christies Rockefeller for
21 days, after which they will be transferred to Redstone and
available for collection after two business days. Property
may be transferred at Christies discretion following the sale
and we advise that you contact Purchaser Payments on
+1 212 636 2495 to confirm your propertys location at
any given time.
Failure to collect your property within 35 calendar days
of the auction date from any Christies location, will
result in handling and administration charges plus any
applicable taxes.
Please see information below which contains a location map,
contact details for Christies and Redstone, days and times
when property is available for pick-up, and rate information
related to handling, loss and liability coverage, administration
and transfer of your property.
CHARGES
ALL PROPERTY
Administration (per lot, due on Day 36)

Handling (per lot/day beginning Day 36)
$150.00
$12.00
HOW TO COLLECT
All lots must be paid for at Christies prior to collection.
Please ensure that you bring your invoice as well as some form
of identification such as a drivers licence or passport to obtain
a Collection Order that will allow your lot to be released to
you directly, your agent or via Art Transport.
If you are collecting from Redstone you will need your invoice
and proof of identification. In order to ensure
this, please schedule a collection time in advance, and bring
a copy of your Collection Order with you. Please note that
payment for lots will be accepted at the Redstone.
SHIPPING
A shipping form is enclosed with each invoice. It is the buyers
responsibility to pick up purchases or make all shipping
arrangements. After payment has been made in full, Christies
can arrange property packing and shipping at the buyers
request and expense. Where Christies arranges and bills for
such services via invoice or credit card, an administration
charge will apply. We recommend that buyers request an
estimate for any large items or property of high value that
require professional packing. For more information, please
contact Christies Art Transport Department on +1 212 636
2480.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export and/or import
licence is required before exporting to a foreign country. It is
the buyers sole responsibility to obtain any relevant export or
import licences.
The denial of any licence or any delay in obtaining licences
shall neither justify the rescission of any sale nor any delay in
making full payment for the lot.
Christies can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. If a license is obtained
on a buyers behalf, a minimum fee of $150 per item will be
charged. However, Christies cannot ensure that a licence
will be obtained. Local laws may prohibit the import of some
property and/or may prohibit the resale of some property
in the country of importation. For more information, please
contact Christies Art Transport Department on
+1 212 636 2480.
If you are arranging with your own carrier, please ask your
carrier to call Christies at least 24 hours in advance to book a
collection appointment to ensure your purchases/lots will be
ready for collection.
Please ensure your carrier arrives with:
1. Written authority to collect
2. Proof of their own identification
3. A copy of your invoice or accurate detail of sale
and lot numbers
Property can be transferred to Christies Fine Art Storage Services (CFASS) New York
at any time for environmentally controlled long term storage, per client request.
CFASS is a separate subsidiary of Christies and clients enjoy complete confidentiality. Contact
CFASS New York for details: Tel: + 1 212 974 4570, newyork@cfass.com
CHRISTIES ROCKEFELLER CENTER

20 Rockefeller Plaza,
New York, NY 10020
+1 212 636 2000
Main Entrance on 49th Street
Receiving/Shipping Entrance on 48th Street
Hours: 9.30 am to 5.00 pm
Monday-Friday except Public Holidays
84
CHRISTIES REDSTONE
POST-SALE
32-23 48th Avenue
Long Island City, NY 11101
+1 212 974 4500
Main Entrance on 48th Avenue
Receiving/Shipping Entrance on 48th Avenue
Hours: 9.30 am to 5.00 pm
Monday-Friday except Public Holidays
Conditions of Sale
These Conditions of Sale and the Important Notices and
Explanation of Cataloguing Practice contain all the terms on
which Christies and the seller contract with the buyer. They
may be amended by posted notices or oral announcements
made during the sale. By bidding at auction you agree to be
bound by these terms.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for the
seller. The contract for the sale of the property is therefore
made between the seller and the buyer.
2. BEFORE THE SALE
(a) Examination of property
Prospective buyers are strongly advised to examine personally
any property in which they are interested, before the auction
takes place. Condition reports are usually available on request.
Neither Christies nor the seller provides any guarantee in
relation to
the nature of the property apart from the Limited Warranty in
paragraph 6 below. The property is otherwise sold as is.
(b) Catalogue and other descriptions
Our cataloguing practice is explained in the Important Notices
and Explanation of Cataloguing Practice after the catalogue
entries. All statements by us in the catalogue entry for the
property or in the condition report, or made orally or in writing
elsewhere, are statements of opinion and are not to be relied
on as statements of fact. Such statements do not constitute
a representation, warranty or assumption of liability by us of
any kind. References in the catalogue entry or the condition
report to damage or restoration are for guidance only and
should be evaluated by personal inspection by the bidder or a
knowledgeable representative. The absence of such a reference
does not imply that an item is free from defects or restoration,
nor does a reference to particular defects imply the absence of
any others. Estimates of the selling price should not be relied on
as a statement that this is the price at which the item will sell or
its value for any other purpose. Except as set forth in paragraph
6 below, neither Christies nor the seller is responsible in any way
for errors and omissions in the catalogue or any supplemental
material.
(c) Buyers responsibility
Except as stated in the Limited Warranty in paragraph 6
below, all property is sold as is without any representation
or warranty of any kind by Christies or the seller. Buyers are
responsible for satisfying themselves concerning the condition
of the property and the matters referred to in the catalogue
entry.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion, to refuse
admission to the premises or participation in any auction and
to reject any bid.
(b) Registration before bidding
Prospective buyers who wish to bid in the saleroom can
register online in advance of the sale, or can come to the
saleroom on the day of the sale approximately 30 minutes
before the start of the sale to register in person. A prospective
buyer must complete and sign a registration form and provide
identification before bidding. We may require the production
of bank or other financial references.
(c) Bidding as principal
When making a bid, a bidder is accepting personal liability to
pay the purchase price, including the buyers premium and
all applicable taxes, plus all other applicable charges, unless it
has been explicitly agreed in writing with Christies before the
commencement of the sale that the bidder is acting as agent
on behalf of an identified third party acceptable to Christies,
and that Christies will only look to the principal for payment.
(d) Absentee bids

We will use reasonable efforts to carry out written bids
delivered to us prior to the sale for the convenience of clients
who are not present at the auction in person, by an agent or
by telephone. Bids must be placed in the currency of the place
of the sale. Please refer to the catalogue for the Absentee Bids
Form. If we receive written bids on a particular lot for identical
amounts, and at the auction these are the highest bids on
the lot, it will be sold to the person whose written bid was
received and accepted first. Execution of written bids is a free
service undertaken subject to other commitments at the time
of the sale and we do not accept liability for failing to execute
a written bid or for errors and omissions in connection with it.
(e) Telephone bids
If a prospective buyer makes arrangements with us prior to the
commencement of the sale we will use reasonable efforts to
contact them to enable them to participate in the bidding by
telephone but we do not accept liability for failure to do so or
for errors and omissions in connection with telephone bidding.
(f) Currency converter
At some auctions a currency converter may be operated. Errors
may occur in the operation of the currency converter and we
do not accept liability to bidders who
follow the currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital screen. Errors
may occur in its operation and in the quality of the image and
we do not accept liability for such errors.
(h) Reserves
Unless otherwise indicated, all lots are offered subject to a
reserve, which is the confidential minimum price below which
the lot will not be sold. The reserve will not exceed the low
estimate printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol next to
the lot number. The auctioneer may open the bidding on any
lot below the reserve by placing a bid on behalf of the seller.
The auctioneer may continue to bid on behalf of the seller up
to the amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders. With
respect to lots that are offered without reserve, unless there
are already competing bids, the auctioneer, in his or her
discretion, will generally open the bidding at 50% of the low
pre-sale estimate for the lot. In the absence of a bid at that
level, the auctioneer will proceed backwards in his or her
discretion until a bid is recognized, and then continue up from
that amount. Absentee bids will, in the absence of a higher
bid, be executed at approximately 50% of the low pre-sale
estimate or at the amount of the bid if it is less than 50% of
the low pre-sale estimate. In the event that there is no bid on
a lot, the auctioneer may deem such lot unsold.
(i) Auctioneers discretion
The auctioneer has the right at his absolute and sole discretion
to refuse any bid, to advance the bidding in such a manner
as he may decide, to withdraw or divide any lot, to combine
any two or more lots and, in the case of error or dispute, and
whether during or after the sale, to determine the successful
bidder, to continue the bidding, to cancel the sale or to reoffer
and resell the item in dispute. If any dispute arises after the
sale, our sale record is conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers discretion, the highest bidder
accepted by the auctioneer will be the buyer and the striking
of his hammer marks the acceptance of the highest bid and
the conclusion of a contract for sale between the seller and
the buyer. Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.
4. AFTER THE SALE

(a) Buyers premium
In addition to the hammer price, the buyer agrees to pay to
us the buyers premium together with any applicable value
added tax, sales or compensating use tax or equivalent tax in
the place of sale. The buyers premium is 25% of the final bid
price of each lot up to and including $100,000, 20% of the
excess of the hammer price above $100,000 and up to and
including $2,000,000 and 12% of the excess of the hammer
price above $2,000,000.
(b) Payment and passing of title
Immediately following the sale, the buyer must provide us with
his or her name and permanent address and, if so requested,
details of the bank from which payment will be made. The
buyer must pay the full amount due (comprising the hammer
price, buyers premium and any applicable taxes) not later
than 4:30pm on the seventh calendar day following the sale.
This applies even if the buyer wishes to export the lot and
an export license is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us from the
buyer have been received by us in good cleared funds even in
circumstances where we have released the lot to the buyer.
(c) Collection of purchases
We shall be entitled to retain items sold until all amounts due
to us, or to Christies International plc, or to any of its affiliates,
subsidiaries or parent companies worldwide, have been received
in full in good cleared funds or until the buyer has satisfied such
other terms as we, in our sole discretion, shall require, including,
for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to
our satisfaction. In the event a buyer fails to complete any antimoney laundering or anti-terrorism financing checks to our
satisfaction, Christies shall be entitled to cancel the sale and
to take any other actions that are required or permitted under
applicable law. Subject to this, the buyer shall collect purchased
lots within seven calendar days from the date of the sale unless
otherwise agreed between us and the buyer.
(d) Packing, handling and shipping
Although we shall use reasonable efforts to take care when
handling, packing and shipping a purchased lot, we are not
responsible for the acts or omissions of third parties whom
we might retain for these purposes. Similarly, where we may
suggest other handlers, packers or carriers if so requested,
we do not accept responsibility or liability for their acts or
omissions.
(e) Export licence
Unless otherwise agreed by us in writing, the fact that the
buyer wishes to apply for an export license does not affect his
or her obligation to make payment within seven days nor our
right to charge interest or storage charges on late payment.
If the buyer requests us to apply for an export license on his
or her behalf, we shall be entitled to make a charge for this
service. We shall not be obliged to rescind a sale nor to refund
any interest or other expenses incurred by the buyer where
payment is made by the buyer in circumstances where an
export license is required.
(f) Remedies for non payment
If the buyer fails to make payment in full in good cleared
funds within the time required by paragraph 4(b) above, we
shall be entitled in our absolute discretion to exercise one
or more of the following rights or remedies (in addition to
asserting any other rights or remedies available to us by law):
(i) to charge interest at such rate as we shall reasonably
decide;
(ii) to hold the defaulting buyer liable for the total amount
due and to commence legal proceedings for its recovery
together with interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on such terms
as we shall think fit;
(v) to pay the seller an amount up to the net proceeds
payable in respect of the amount bid by the defaulting buyer;
(vi) to set off against any amounts which we, or Christies
International plc, or any of its affiliates, subsidiaries or parent
companies worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining unpaid by the
buyer;
85
(vii) where several amounts are owed by the buyer to us,

or to Christies International plc, or to any of its affiliates,
subsidiaries or parent companies worldwide, in respect of
different transactions, to apply any amount paid to discharge
any amount owed in respect of any particular transaction,
whether or not the buyer so directs;
(viii) to reject at any future auction any bids made by or on
behalf of the buyer or to obtain a deposit from the buyer
before accepting any bids;
(ix) to exercise all the rights and remedies of a person
holding security over any property in our possession owned
by the buyer, whether by way of pledge, security interest or
in any other way, to the fullest extent permitted by the law
of the place where such property is located. The buyer will
be deemed to have granted such security to us and we may
retain such property as collateral security for such buyers
obligations to us;
(x) to take such other action as we deem necessary or appropriate.
If we resell the property under paragraph (iv) above, the
defaulting buyer shall be liable for payment of any deficiency
between the total amount originally due to us and the
price obtained upon resale as well as for all costs, expenses,
damages, legal fees and commissions and premiums of
whatever kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller under
paragraph (v) above, the buyer acknowledges that Christies
shall have all of the rights of the seller, however arising, to
pursue the buyer for such amount.
(xi) Failure to collect purchases
Where purchases are not collected within 35 calendar days
from the date of the sale, whether or not payment has
been made, we shall be permitted to transfer the property
to our Long Island City facility at the buyers expense, and
only release the items after payment in full has been made
of transportation, administration, handling, insurance and
any other costs incurred, together with payment of all other
amounts due to us or our affiliates.
(xii) Selling Property at Christies
In addition to expenses such as transport and insurance, all
consignors pay a commission according to a fixed scale of
charges based upon the value of the property sold by the
consignor at Christies in a calendar year. Commissions are
charged on a sale by sale basis.
5. EXTENT OF CHRISTIES LIABILITY
We agree to refund the purchase price in the circumstances
of the Limited Warranty set out in paragraph 6 below. Apart
from that, neither the seller nor we, nor any of our officers,
employees or agents, are responsible for the correctness of
any statement of whatever kind concerning any lot, whether
written or oral, nor for any other errors or omissions in
description or for any faults or defects in any lot. Except as
stated in paragraph (vi) below, neither the seller, ourselves,
our officers, employees or agents, give any representation,
warranty or guarantee or assume any liability of any kind
in respect of any lot with regard to merchantability, fitness
for a particular purpose, description, size, quality, condition,
attribution, authenticity, rarity, importance, medium,
provenance, exhibition history, literature or historical
relevance. Except as required by local law any warranty of any
kind whatsoever is excluded by this paragraph.
6. LIMITED WARRANTY
Subject to the terms and conditions of this paragraph,
Christies warrants for a period of five years from the date
of the sale that any property described in headings printed
in UPPER CASE TYPE (i.e. headings having all capital-letter
type) in this catalogue (as such description may be amended
by any saleroom notice or announcement) which is stated
without qualification to be the work of a named author or
authorship, is authentic and not a forgery. The term author
or authorship refers to the creator of the property or to
the period, culture, source or origin, as the case may be, with
which the creation of such property is identified in the UPPER
CASE description of the property in this catalogue. Only UPPER
CASE TYPE headings of lots in this catalogue indicate what
is being warranted by Christies. Christies warranty does not
apply to supplemental material which appears below the
UPPER CASE TYPE headings of each lot and Christies is not
responsible for any errors or omissions in such material. The
terms used in the headings are further explained in Important
Notices and Explanation of Cataloguing Practice. The warranty
does not apply to any heading which is stated to represent a
qualified opinion. The warranty is subject to the following:
(i) It does not apply where (a) the catalogue description
or saleroom notice corresponded to the generally accepted
opinion of scholars or experts at the date of the sale or fairly
indicated that there was a conflict of opinions; or (b) correct
identification of a lot can be demonstrated only by means
of either a scientific process not generally accepted for use
until after publication of the catalogue or a process which at
the date of publication of the catalogue was unreasonably
expensive or impractical or likely to have caused damage to
the property.
(ii) The benefits of the warranty are not assignable and shall
apply only to the original buyer of the lot as shown on the
invoice originally issued by Christies when the lot was sold at
auction.
(iii) The original buyer must have remained the owner of the
lot without disposing of any interest in it to any third party.
(iv) The buyers sole and exclusive remedy against Christies
and the seller, in place of any other remedy which might be
available, is the cancellation of the sale and the refund of
the original purchase price paid for the lot. Neither Christies
nor the seller will be liable for any special, incidental or
consequential damages including, without limitation, loss of
profits nor for interest.
(v) The buyer must give written notice of claim to us within
five years from the date of the auction. It is Christies general
policy, and Christies shall have the right, to require the buyer
to obtain the written opinions of two recognized experts in
the field, mutually acceptable to Christies and the buyer,
before Christies decides whether or not to cancel the sale
under the warranty.
(vi) The buyer must return the lot to the Christies saleroom
at which it was purchased in the same condition as at the time
of the sale.
7. COPYRIGHT
The copyright in all images, illustrations and written material
produced by or for Christies relating to a lot including the
contents of this catalogue, is and shall remain at all times the
property of Christies and shall not be used by the buyer, nor
by anyone else, without our prior written consent. Christies
and the seller make no representation or warranty that
the buyer of a property will acquire any copyright or other
reproduction rights in it.
8. TITLE INSURANCE
For certain specified lots in this sale, the seller has arranged to
purchase for the benefit of and at no cost to the buyers an
art title insurance policy (ATPI) issued by ARIS Title Insurance
Corporation. Policies insure against defective title and provide
indemnity for full value of the work (hammer price plus
buyers premium) plus outside the limit of liability defense
costs. Detailed information about how to obtain your art title
insurance policies for certain designated lots will be provided
upon request to successful bidders and other interested
parties. Policies will be dated and provide coverage from the
date that title transfers pursuant to paragraph 4(b) herein
and the buyer provides ARIS with their name and contact
details. Christies hereby disclaims any and all responsibility
and/or liability associated with said title insurance and the
provision thereof. For specific inquiries about coverage and
inception of coverage for purchased lots please contact ARIS
at 303.773.7300, 212.563.3600 or aris@aristitle.com. For
general information about art title insurance please visit the
ARIS website www.aristitle.com.
9. SEVERABILITY
If any part of these Conditions of Sale is found by any court
to be invalid, illegal or unenforceable, that part shall be
discounted and the rest of the conditions shall continue to be
valid to the fullest extent permitted by law.
10. LAW AND JURISDICTION
The rights and obligations of the parties with respect to
these Conditions of Sale, the conduct of the auction and
any matters connected with any of the foregoing shall be
governed and interpreted by the laws of the jurisdiction in
which the auction is held. By bidding at auction, whether
present in person or by agent, by written bid, telephone or
other means, the buyer shall be deemed to have submitted,
for the benefit of Christies, to the exclusive jurisdiction of
the courts of that country, state, county or province, and (if
applicable) of the federal courts sitting in such state.
Worldwide Salerooms and American Ofces

ARGENTINA
BUENOS AIRES
CHILE
SANTIAGO
Tel: +54 11 43 93 42 22
+56 2 2 2631642
Cristina Carlisle
Denise Ratinoff de Lira
BERMUDA
BERMUDA
COLOMBIA
BOGOTA
+1 401 849 9222

Betsy Ray
+571 635 54 00
Juanita Madrinan
BRAZIL
RIO DE JANEIRO
+5521 2225 6553

Candida Sodre
SO PAULO
+55 11 3061 2576

Nathalie Lenci
ITALY
MILAN
+39 02 303 2831

JAPAN
TOKYO
+81 (0)3 6267 1766

Ryutaro Katayama
MEXICO
MEXICO CITY
FRANCE
PARIS
+33 (0)1 40 76 85 85
INDIA
MUMBAI
+52 55 5281 5503

Gabriela Lobo
THE NETHERLANDS
AMSTERDAM
+91 (22) 2280 7905

Sonal Singh
CANADA
TORONTO
+31 (0)20 57 55 255

PEOPLES REPUBLIC
OF CHINA
HONG KONG
SWITZERLAND
GENEVA
+41 (0)22 319 1766

Eveline de Proyart
ZURICH
+41 (0)44 268 1010

Dr. Bertold Mueller
UNITED ARAB EMIRATES
DUBAI
+971 (0)4 425 5647

UNITED KINGDOM
LONDON, KING STREET
+44 (0)20 7839 9060

LONDON,
SOUTH KENSINGTON
+44 (0)20 7930 6074
+1 617 536 6000

Elizabeth M. Chapin
CHICAGO
+1 312 787 2765

Lisa Cavanaugh
DALLAS
+1 214 599 0735

Capera Ryan
HOUSTON
NEW YORK
+1 212 636 2000

PALM BEACH
+1 561 833 6952

Maura Smith
PHILADELPHIA
+1 610 520 1590

Christie Lebano
SAN FRANCISCO
+1 415 982 0982

Ellanor Notides
+1 713 802 0191

Jessica Phifer
LOS ANGELES
+1 310 385 2600

Rita Boyle
MIAMI
+852 2521 5396
+1 416 960 2063

Brett Sherlock
UNITED STATES
BOSTON
+1 305 445 1487

Jessica Katz
NEWPORT
Denotes Saleroom
ENQUIRIES? Call the Saleroom or Office
+1 401 849 9222

Betsy D. Ray
EMAIL info@christies.com
Christies Specialist Departments and Services

DEPARTMENTS
AFRICAN AND
OCEANIC ART
PAR: +33 (0)140 768 386
NY: +1 212 484 4898
AMERICAN
DECORATIVE ARTS
NY: +1 212 636 2230
AMERICAN FURNITURE
NY: +1 212 636 2230
AMERICAN ART
NY: +1 212 636 2140
ANGLO-INDIAN ART
KS: +44 (0)20 7389 2570
ANTIQUITIES
NY: +1 212 636 2245
ASIAN 20TH CENTURY
AND CONTEMPORARY
ART
NY: +1 212 468 7133
AUSTRALIAN PICTURES
KS: +44 (0)20 7389 2040
BOOKS AND
MANUSCRIPTS
NY: +1 212 636 2665
BRITISH & IRISH ART
KS: +44 (0)20 7389 2682
NY: +1 212 636 2120
SK: +44 (0)20 7752 3257
BRITISH ART ON PAPER
KS: +44 (0)20 7389 2278
SK: +44 (0)20 7752 3293
NY: +1 212 636 2120
BRITISH PICTURES
1500-1850
KS: +44 (0)20 7389 2945
CARPETS
NY: +1 212 636 2217
CERAMICS AND GLASS
NY: +1 212 636 2215
CHINESE PAINTINGS
NY: +1 212 636 2195
CHINESE
WORKS OF ART
NY: +1 212 636 2180
CLOCKS
KS: +44 (0)20 7389 2357
CORKSCREWS
SK: +44 (0)20 7752 3263
COSTUME, TEXTILES
AND FANS
SK: +44 (0)20 7752 3215
ENTERTAINMENT
MEMORABILIA
SK: +44 (0)20 7752 3281
FOLK ART
NY: +1 212 636 2230
FURNITURE
NY: +1 212 636 2200
HOUSE SALES
SK: +44 (0)20 7752 3260
ICONS
SK: +44 (0)20 7752 3261
IMPRESSIONIST AND
MODERN ART
NY: +1 212 636 2050
INDIAN AND
SOUTHEAST ASIAN ART
NY: +1 212 636 2190
INDIAN
CONTEMPORARY ART
NY: +1 212 636 2190
KS: +44 (0)20 7389 2700
INTERIORS
NY: +1 212 636 2032
SK: +44 (0)20 7389 2236
ISLAMIC WORKS OF
ART
KS: +44 (0)20 7389 2370
SK: +44 (0)20 7752 3239
JAPANESE ART
NY: +1 212 636 2160
KS: +44 (0)20 7389 2595
JEWELLERY
NY: +1 212 636 2300
KOREAN ART
NY: +1 212 636 2165
LATIN AMERICAN ART
NY: +1 212 636 2150
MINIATURES
NY: +1 212 636 2250
MODERN DESIGN
SK: +44 (0)20 7389 2142
MUSICAL INSTRUMENTS
NY: +1 212 636 2000
NINETEENTH CENTURY
FURNITURE AND
SCULPTURE
NY: +1 212 707 5910
OBJECTS OF VERTU
NY: +1 212 636 2250
OLD MASTER
DRAWINGS
NY: +1 212 636 2120
OLD MASTER
PAINTINGS AND
19TH CENTURY
EUROPEAN ART
NY: +1 212 636 2120
PHOTOGRAPHS
NY: +1 212 636 2330
PICTURE FRAMES
SK: +44 (0)20 7389 2763
POST WAR AND
CONTEMPORARY ART
NY: +1 212 636 2100
POSTERS
SK: +44 (0)20 7752 3208
PRINTS
NY: +1 212 636 2290
RUSSIAN
WORKS OF ART
NY: +1 212 636 2260
SCIENTIFIC
INSTRUMENTS
SK: +44 (0)20 7752 3286
SCULPTURE
KS: +44 (0)20 7389 2331
SK: +44 (0)20 7389 2794
SILVER
NY: +1 212 636 2250
TOPOGRAPHICAL
PICTURES
KS: +44 (0)20 7389 2040
SK: +44 (0)20 7752 3291
TWENTIETH CENTURY
DECORATIVE ART
AND DESIGN
NY: +1 212 636 2240
VICTORIAN PICTURES
KS: +44 (0)20 7389 2468
SK: +44 (0)20 7752 3257
WATCHES
NY: +1 212 636 2320
WINE
NY: +1 212 636 2270
AUCTION SERVICES
CHRISTIES AUCTION
ESTIMATES
Tel: +1 212 492 5485
Fax: +1 212 636 4930
www.christies.com
CORPORATE
COLLECTIONS
Tel: +1 212 636 2901
Fax: +1 212 636 4929
Email: celkies@christies.com
ESTATES AND
APPRAISALS
Tel: +1 212 636 2400
Fax: +1 212 636 2370
Email: info@christies.com
MUSEUM SERVICES
Tel: +1 212 636 2620
Fax: +1 212 636 4931
Email: awhiting@christies.
com
PRIVATE SALES
US: +1 212 636 2557
Fax: +1 212 636 2035
Email: vpfeiffer@christies.
com
OTHER SERVICES
CHRISTIES EDUCATION
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu
Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@christies.
com
London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email:
education@christies.com
CHRISTIES FINE ART

STORAGE SERVICES
London
+44 (0)20 7622 0609
london@cfass.com
New York
+1 212 974 4579
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.com
CHRISTIES REDSTONE
Tel: +1 212 974 4500
Paris
Tel: +33 (0)1 42 25 10 90
Fax: +33 (0)1 42 25 10 91
Email: ChristiesEducationParis@ christies.com
CHRISTIES
INTERNATIONAL
REAL ESTATE
New York
Tel: +1 212 468 7182
Fax: +1 212 468 7141
Email:
info@christiesrealestate.com
London
Tel: +44 (0)20 7389 2551
Fax: +44 (0)20 7389 2168
Email:
Hong Kong
Tel: +852 2978 6788
Fax: +852 2845 2646
Email:
KEY TO ABBREVIATIONS:
KS: London, King Street

NY: New York,
Rockefeller Plaza
PAR: Paris
SK: London,
South Kensington
06/12/13
For a complete salerooms & offices listing go to christies.com
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INTERIORS

28-29 July 2015

Its easy to buy at Christies

PAYING & TAKING IT HOME

Browsing our catalogues is a great way to discover

is our online bidding service that allows you to see

cover basic catalogue information such as size, date

are given for all lots and can be based on prices

who will always be happy to discuss the lot

are available on our website accompanying

We always recommend coming to the saleroom

next to the lot number can indicate a variety

you will experience the buzz, drama and fun of

allows you to talk directly to a Christies member

are great if you cannot attend the auction or are

If you have not previously bid or consigned with

HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer price

All lots (including all furniture) will be held at

28-29 JULY 2015

Tuesday 28 July 2015

In sending absentee bids or

Wednesday 29 July 2015

First initial followed by last name @

Tel: +1 212 636 2032

This auction features

live online bidding

This auction is subject to

Gemma Sudlow (# 2016494)

Please note lots marked with a square n

For general enquiries about this

View catalogues and leave bids

Browse this auction and view

TELEPHONE BIDS WILL BE ACCEPTED FOR LOTS WITH

Art Direction by Vladimir Golanov

Tuesday 28 July 2015

Tuesday 28 July 2015

Silver and Silver Plate

Porcelain and Ceramics

Chinese Export Works of Art

Chinese Works of Art

Japanese and Southeast Asian Works of Art

Wednesday 29 July 2015

Furniture and Decorative Works of Art

Wednesday 29 July 2015

Furniture, Decorative Works of Art and Rugs

THE COLLECTION OF ANN ARENBERG GIPS

screenprint in colors, 1968, on wove paper,

Avvenimento (No. 257)

with Galleria dArte del Cavallino, Venice.

Taxi Crash (Chicago)

signed M. HOFF (lower right)

Venice Biennale, 1958.

The Venice Biennale.

Ruckus and More Ruckus

Venezia, Galleria del Cavallino, Gi e Arnaldo

signed and dated Red Grooms 84 (lower left)

AA.VV., Libro per le sculture di Arnaldo Pomodoro,

with Marlborough Gallery, New York.

This work originally had a velvet background

signed with artists monogram and dated JR 60

Sky Shadow from Lead Intaglio Series

intaglio collage, 1973, on Fabriano paper,

The Art Institute of Chicago, Chicago.