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ClaireDubas

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ReadandRespond1
Iverymuchenjoyedreadingthesediscussionsofhowtheartscanrelatetoliteracy,
andideasforincorporatingthisconceptintheclassroom.Inadditiontothefirsttwolinks,I
selectedanarticleentitled,100SecondsofSolitudefromtheliteracyheadwebsite.This
articleinparticularresonatedwithme,initsreflectionsonhowchildreninstinctivelyknowhow
tobepresentinthemoment.Theauthorspeaksofhowamomentofsolitudecanstimulate
consciousmindfulness,whichissomethingIthinkmanyofusareforgettinghowtodointhe
increasinglyrapidpaceoftheworldwelivein.Itbecomestooeasytofillourcalendarsand
ourhourswithconstantactivity,lestweappearuninvolvedorapathetic.Ithinktheartsgiveus
thattimeinwhichwecantakemomentstobeconsciouslymindfulofwhatwearedoing,but
alsojusttopausefromthefranticnessandbeawareofoursurroundingsforamoment.
Whileitistruethatmanychildreninstinctivelydothis,Iworrythatwearetakingthis
opportunityfromthem,intheexampleofconstantactivitythatweset,andinbuildingtheir
scheduleslikeourown.Inanincreasinglytechnologicalandconnectedworld,itbecomes
easiertoparticipateinmorechildrenmaygofromtheirafterschoollanguageclassstraight
togymnastics,thenhomefordinnerandacouplehoursofhomeworkbeforebed.Onanother
daytheymighthaveswimlessonsandyes,bandorartordrama,andsoonandsoforth.But
witheveryminuteoftheirdaystructuredandscheduled,whendotheyhavetimetobekids,to
playandlearnontheirowntermsandoftheirownvolition?Whensomeadultistellingthem
tofocusatanygivenpointintheday,whetherontheirmathexercisesortheirbasketballdrills
ortheirscales,whenwilltheylearnhowtothink?Awanderingmindengenderscreative
thinking,butalsoallowstimeforreflectionandemotionaladjustment,astheauthorpointsout,
andinthiswecouldstandtofollowtheexamplechildrenwillsetifweletthem.Aseducators,
itisourresponsibilitytoallowandengenderthiskindofmindfulnessthroughstillness,not
scoldthestudentfortheirlackofattentionandfocus,andwecanfollowtheirexample.
ThelessonplanforExploringArtThroughDescriptiveWritingandtheRedefining
Literacyarticlebothtalkedabouttheconnectionsbetweenlanguageandthearts,andhow
wecanengagestudentsincriticalthinkingbyteachingthemthevocabularytoengagein
meaningfuldiscussionofthearts.Modelingthiskindofthinking,asinthelessonplan,isa
greatwaytogetstudentsstartedtalkingandthinkingintelligentlyaboutart.Inthemusic
classroom,listeningtoexcerptsanddiscussingelementssuchastone,timbre,melody,and
harmony,teachesstudentsthevocabularytolistenandthinkcriticallyaboutmusic.Ithoughtit
wasinterestingthattheRedefiningLiteracyarticleinparticularpointedoutthatwhenguided
inthisway,studentsbegintomakeconnectionsbetweentheirexperiencesintheartsandin
otherareasoftheirlives.Theseconnectionsarewhatwerefertoastransferinsomeofmy
musicandmusiceducationclasses,andteachingstudentstothinkinthiswayiscrucialto
theirdevelopmentofcriticalthinkingskillsandtheabilitytomakecognitiveleaps.Botharticles
pointedoutthatwhenstudentsbegintodiscussandthinkthisway,theybegintocritiquetheir
ownworkandtheworkofothers.Thisisthebeginningpointofstudentslearningto
selfevaluateandtherebycontinuallyimprovetheirworkandunderstandingskillsthatwill
carrythemthroughtherestoftheirlives.

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