Omedy has always been about pushing boundaries and riding the line between what people find acceptable and unacceptable. Can our culture be negatively impacted by jokes about stereotypes or rape? can comedy perpetuate or justify an intolerant mindset?
Omedy has always been about pushing boundaries and riding the line between what people find acceptable and unacceptable. Can our culture be negatively impacted by jokes about stereotypes or rape? can comedy perpetuate or justify an intolerant mindset?
Omedy has always been about pushing boundaries and riding the line between what people find acceptable and unacceptable. Can our culture be negatively impacted by jokes about stereotypes or rape? can comedy perpetuate or justify an intolerant mindset?
line between what people find acceptable and unacceptable. Some have been more willing to cross that line than others and they have often been met with criticism. Is it harmful when a comedian tells a joke that some people find offensive? Can our culture be negatively impacted by jokes about stereotypes or rape? Racist and homophobic jokes are in many comedians sets. Do these jokes perpetuate or justify an intolerant mindset? Many consider the possibility of these jokes perpetuating or justifying and intolerant mindset. The Normative Window Theory of Prejudice says that we all put people or groups onto a scale of how justified we are in being prejudiced or discriminatory toward them. A study by Dr. Thomas Ford and his students was done conducted to determine the effect of hearing derogatory jokes towards a group. Subjects were tested on their preexisting levels of prejudice and then some were told jokes about groups such as racists and homosexuals. After this, the subjects were asked to allocate a schools budget for organizations that were related to the groups the jokes were told about. It was found that hearing jokes about a group that most people already justifiably discriminate against (such as racists) didnt cause more discrimination. However, jokes about a group for which public opinion is in the process of shifting (such as homosexuals) did causecaused the subjects to feel more justified in their
discrimination.1 For comedy, this
means that jokes targeting minority groups that are still discriminated against can actually strengthen those beliefs. The reasons for the creation of stereotypes and their effects are not always clear to understand. In the book Stereotypes and Stereotyping, it is explained that stereotypes are essentially schemas, a way for us to organize information, in this case about groups of people. Whether they are accurate or not, stereotypes require a group to have certain unchanging characteristics.2 This
creates a dangerous opportunity for
us to act based on these predisposed ideas about individuals that belong to certain groups. However, it is important to remember that stereotypes are not the only influence on human action. I think we can agree that stereotypes are not good, but is it true that comedy supports them? Roger Cohen and Ryan Richards, both writers for Humanity In Action, say no. Comedy is a platform that forces people to confront realities in society that they
Macrae, C. Neil, and Charles Stangor. "Stereotyping, Prejudice,
and Discrimination: Another Look." In Stereotypes and Stereotyping,
276-322. New York: Guilford Press, 1996.
want to ignore. They also claim that
it can actually help eliminate a stereotypes power over a minority group. Stephen Rosenfield, a comedy writer, describes a reoccurring pattern in comedy. It begins with a groups being subject to stereotype jokes. People within the group will begin to doperform jokes about the stereotype ironically, breaking down the stereotype in the process. Others have said that this process pattern is not entirely accurate. They point to examples such as members of white supremacist groups using jokes about black people in Chris Rocks act to justify their racism. This is obviously misconstruing the point of Rocks comedy, but it shows that jokes can have unintended consequences. Greg Giraldo, another comedian, says that jokes should teach to not bash minority groups, by making fun of things the audience knows not to be true.3 There is however a different view on comedys effect on stereotypes. In a study, people of different races were asked how they felt after viewing racial jokes in the movie Rush Hour 2. The results showed that almost nobody was offended, but this does not necessarily mean they were not harmful. These jokes can provide validity to the supposed racial differences of Black and Asian Americans by presenting them in a light-hearted way that most people would not resist indulging in. In the end, the effect that a joke has depends on the viewers interpretation. Minorities in the study
Cohen, Roger, and Ryan Richards. "When the Truth Hurts, Tell a
Joke: Why America Needs Its Comedians." Humanity In Action.
seemed to enjoy the comedy within
the racial ideology4, instead of rising above it as Rosenfield would suggest. This type of racial stereotype reinforcement could be dangerous because of how little resistance it faces. Perhaps one of the most controversial areas of comedy is jokes about rape or sexual assault. Is it true that these jokes normalize rape in our culture or actually influence peoples behavior? This normalization is one part of what many people call rape culture. Some examples of how this manifests itself this are victim blaming, denying the existence of widespread sexual harassment and its effects, and sexual objectification. Many people, such as journalist, Brendan ONeil, justify comedians jokes about sexual harassment by pointing to media theories in the 70s and 80s that were used to ban brash magazines and horror movies. They draw a line connecting the overreaction to these things and the current reaction to comedians like Dapper Laughs (Daniel OReilly) in the UK, who has been accused of contributing to rape culture. In response to this, OReilly said this at a show: If [my ITV show] was a f****** guide to rape, I would have done one five-minute episode, come on and go 'Oi oi, I'm Dapper Laughs, go down the shops, get some rope, bit of duct tape, rape the b****, well done, see you later. ONeil even goes on to say that this movement against Dapper translates to discrimination against working class white males as a whole.5 This is obviously an extreme point of view against the idea of rape culture. On the other side, we have people like Kelsey
Park, Ji Hoon, Nadine G. Gabbadon, and Ariel R. Chernin.
"Naturalizing Racial Differences Through Comedy: Asian, Black, And
White Views On Racial Stereotypes In Rush Hour 2." Journal of Communication, 2006, 157-77.
O'Neill, Brendan. "Death to Dapper: Behold the New
Intolerance." Death to Dapper: Behold the New Intolerance.
November 10, 2014.
Wallace, a contributor to bitchmedia.
She strongly believes that rape can never be funny and that it is not a good subject for a comedian. In an edition of the Douchebag Decree, Wallace talks about Daniel Toshs standup incident where he was joking about rape. A woman in the audience stoop up and said, actually, rape jokes are never funny. Tosh responded by saying, Wouldnt it be funny if that girl got raped by like, 5 guys right now? The woman left because she felt threatened. Tosh later apologized on twitter, but also stated that there are awful things in the world but you can still make jokes about them. Others, such as Jessica Valenti, a feminist blogger, say that making light of rape is part of what maintains the status quo of violence against women.6 Now is there any evidence that rape jokes do contribute to rape culture? Studies have shown that hearing sexist jokes does lead to an increase in the acceptance of peoples desire to rape and in victim blaming and a decrease in the view that rape is a serious problem and in the desire to punish rapists.7 While this is evidence for an effect on attitude, it is not indicative of an effect on actionbehavior. There are other studies however, such as one involving the Buss aggression machine, a machine that tests a subjects level of aggression by how much they are willing to electrically shock another person, that show that action is affected by whether or not a subject had heard disparaging humor. Another study showed that hearing offensive humor caused women to more aggressively reject female applicants than when they heard inoffensive humor.8 Lets return to the incident during Daniel Toshs show. It was
Wallace, Kelsey. "Douchebag Decree: Daniel Tosh and the
calculated by Kelsey Wallace that out
of the 280 person audience at Toshs show, around 39 of them had been raped, and many others had lived in fear of it.9 Hearing someone mention rape could be a traumatic trigger for some people. This brings the question of if comedians should be responsible for recognizing this possible effect of their comedy or if they should even have to provide some sort of trigger warning like other forms of entertainment do. Molliey Hemingway, a senior editor at the Federalist, argues that trigger warnings are bad and soften us. She also asks, Shouldnt all art provoke in some way?10 This is a little questionable because I doubt the provocation that Hemingway had in mind was a panic attack and flashbacks from a traumatic event. On the other hand, in a post on reddit, jnethery defended the use of a trigger warning by a group that makes gaming videos. He said that comedians do not need to feel obligated to avoid off-color humor, but the fact that the group made an attempt to prevent a traumatic flashback for someone was honorable.11 I think it is difficult to say how much of an effect offensive comedy has on our culture and peoples thoughts and actions. There is scientific evidence that there can be negative effects, such as perpetuating stereotypes. However, something also tells me that if one goes in to a comedy show knowing that nothing is serious, then
Sivaraman, Raj. "A Scientific Case Against Rape Jokes." Raj
Sivaraman. June 5, 2013.
Wallace, Kelsey. "Douchebag Decree: Daniel Tosh and the
"Comedy" of Rape Culture." Bitchmedia. July 12, 2012.
10
Hemingay, Mollie. "Tom And Jerry Now Has A Trigger
"Comedy" of Rape Culture." Bitchmedia. July 12, 2012.
Warning. Must Comedy Have Disclaimers?" The Federalist. October 6,
2014.
11
Sivaraman, Raj. "A Scientific Case Against Rape Jokes." Raj
Sivaraman. June 5, 2013.
"The "Trigger Warning" Was Justified, and Here's Why.
/r/gamegrumps." Reddit.
why should anything the comedian
says have an effect on what people actually think. In the end, I think it is important to find a happy medium. We should recognize the consequences that jokes can have, while also making sure that the freedom to express ourselves is not stifled. We should continue to ridicule those who make a fool of themselves by making a backward comment about a minority group, but also not be completely dominated by the ideals of political correctness. At its core, comedy is simply about being funny. As Louis C.K. said, To me the goal of comedy is to just laugh, which is a really high hearted thing, visceral connection and reaction.12
Kenneth L. Varlack, in No. 76-1143 v. SWC Caribbean, Inc., D/B/A Orange Julius Restaurant and Bernette Cannings, An Employee of Orange Julius Restaurant, in No. 76-1142, 550 F.2d 171, 3rd Cir. (1977)