Professional Documents
Culture Documents
Unit 23
Multi-Camera Techniques
Leaning Outcome 1 Understand Program Formats that use
Multi-Camera Techniques
08
Stage Layout
Cameras A, B and C are placed facing towards the stage from the
corners of the stage to give a view from behind the stage where the
audience can be seen in the shot. These cameras show the stage as
well as the audience and provide a different angle to provide a wider
variety of shots for the audience. Cameras D and E are only facing
the stage from in front of the audience to show close ups of the
events on the stage without showing any atmosphere around the
stage. Cameras F and G Will be facing the audience form the front
corners only focusing on the atmosphere without including any
stage rage. These cameras will be placed to capture the reaction
from the audience to show the viewers at home the excitement of
the audience.
Cameras H and I will be focusing on the stage from on top of the
poles to show the stage and a glimpse of the audience from a higher
angle. This camera will be used to capture the whole stage to allow
the audience top get a sense of scale. Camera J will be on a cable
from both poles over the audience that can move across the cable.
This camera issued to create a shot that isnt static but more
mobile; it is effective as it makes the viewers feel like there in the
events atmosphere and with a exciting point of view from where the
audiences are viewing from. And finally cameras K and J will be
facing the Stage from behind the audience for a point of view from
the back of the event expanding on the different angles.
B
F
A
Stage
C
E
i
Audience
Poles
Poles
J
K
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This can also be seen in the football match example as they require
this many to capture the full event in different perspectives and
make it more interesting for the viewers, most of these cameras will
be stationary to point and film a specific area whilst others will be
moving around and creating a more active shot.
The two main areas that need to be filmed are the stage and the
audiences, to capture a more realistic depiction of the crowds the
cameras will have to be facing the stage from t he audience, whilst
at the same time filming the overall mood of the audience from the
stages' point of view. This is different to other examples such as
sports events, often sports events require a wide camera that
captures mostly action on the pitch as appose to focusing on the
audience, however they will include audience shots to show the
viewers at home the atmosphere from the crowds.
Studio Set-up
I have placed the cameras in this position to capture every person
on the set both altogether and individually from both sofas. This way
I can edit them together and the audience can see the scene from
more than one angle making the show appear more dynamic and
the audience feeling as if they are closer.
Camera B is placed in the middle to film the all of the set both the
interviewer and the person getting interviewed, these types of shots
are usually used at the beginning and end of discussions as well as
to show the body language of the persons. Cameras A and C are
placed to focus on each person individually to be used when talking
on there own or to show a reaction.
With studio set recording there are usually fewer cameras as appose
to live events because there is a limited amount of action that the
cameras can capture when the subject is static. This is contrasted
with examples such as live concerts because the cameras will need
to cover a wider verity of angles and actions that are present, also it
is important that all needed footage is captured because the
concerts and sports matches are live and cannot be re-taken.
Sofa
Table
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With the studio set-up such as Goldenballs the cameras try and
communicate with the audience by using the camera to make the
viewers fell as if they are close to the action; this is important to
keep the audience interested in the programs.