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Sacred Songs: Religion, Spirituality and the Divine in Popular Music Culture
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Mike Dines + 1

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Sacred Songs: Religion, Spirituality and the Divine in Popular Music Culture
The University of Central Lancashire, the Institute of Conteporary Music Perforance
and the University of Chichester are pleased to invite su!issions of proposals for the
syposiu The Sacred in Popular Music that "ill ta#e place at The Institute of
Conteporary Music Perforance on Thursday $%th&uly '%()*
Report Work

The conference coittee invites all acadeics and university professionals, coposers,
usicologists and practitioners "ith a special interest in the relationship !et"een the
sacred and popular usic to su!it proposals related specifically to this issue*
+e are especially interested in the variety of approaches to the su!ect, and these ay
include, !ut not restricted !y:

Role of religion in lives of artists "ithin the popular usic genre

The incorporation of popular usic in sacred cereonies

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The incorporation of popular usic in sacred cereonies

Religious etaphor in popular usic
Incorporation of religion "ithin popular usic practice
-ando as a for of "orship
Divinity and roc# stardo .roc# stars/ hoes as sites of pilgriage, etc0
Pop eora!ilia as holy relics

Presentations ay consist of individual papers .'% inutes0 and lecture1recitals .2%

inutes0*
Those interested are encouraged to send proposals up to )%% "ords .e3cluding usical
e3aples0 via eail to 4eorgina 4regory or Mi#e Dines at 44regory5uclan*ac*u#and
i#e*dines5icp*co*u#* Please include one page of !iography*
In addition, proposals should also include the follo"ing details:

66
6

-ull
of the
paper details .eail address, telephone nu!er, postal address0, and
-ull title
nae,
contact
institutional affiliation .if any0
7udio8visual re9uireents
The coittee/s decision "ill !e announced !y the !eginning of &uly at the latest*