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Shall I say, I have gone at dusk through narrow streets
And seen the smoke which rises from the pipes
Of lonely men in shirtsleeves, leaning out of windows.
And when the evening woke and stared into its blidness
I heard the children whimpering in corners
Where women took the air, standing in entries
Women, spilling out of corsets, stood in entries
Where the draughty gas-jet flickered
And the oil cloth curled up stairs.
And when the evening fought itself awake
And the world was peeling oranges and reading evening papers
And boys were smoking cigarettes, drifted helplessly together
In the fan of light spread out by the drugstore on the corner
Then I have gone at night through narrow streets,
Where evil houses leaning all together
Pointed a ribald finger at me in the darkness
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403
And when the midnight turned and writhed in fever
I tossed the blankets back, to watch the darkness
Crawling among the papers on the table
It leapt to the floor and made a sudden hiss
And darted stealthily across the wall
Flattened itself upon the ceiling overhead
Stretched out its tentacles, prepared to leap
And when the dawn at length had realized itself
And turned with a sense of nausea, to see what it had stirred:
The eyes and feet of men
I fumbled to the window to experience the world
And to hear my Madness singing, sitting on the kerbstone
[A blind old drunken man who sings and mutters,
With broken boot heels stained in many gutters]
And as he sang the world began to fall apart...
I should have been a pair of ragged claws
Scuttling across the floors of silent seas...
I have seen the darkness creep along the wall
I have heard my Madness chatter before day
I have seen the world roll up into a ball
Then suddenly dissolve and fall away. (Eliot 1996: 4344)

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Eliot, T. S. Prufrocks Pervigilium. Inventions of the March Hare, Poems 19091917. Mi

lena Vladi Jovanov (prev.). New York: Harcourt Brace & Company, 1996, 4344.
Eliot, T. S. The Love Song of J. Alfred Prufrock. The Complete Poems and Plays 1909
1950. New York: Harcourt & Company, 1952, 5.
Eliot, T. S. Ljubavni jadi D. Alfred Pruforka. Pesme. Ivan V. Lali (prev.). Beograd: SKZ,
1998, 67.

414
Dante. Pakao. Komedija. Kolja Mievi (prev.). Beograd: Rad, 2007, 257.
Eliot, T. S. Pusta zemlja. Pesme. Jovan Hristi (prev.). Beograd: SKZ, 1998, 69.
Eliot, T. S. The Waste Land. The Complete Poems and Plays 19091950. New York: Harcourt Brace & Company, 1952, 40.
Eliot, T. S. Metafiziki pesnici. Izabrani tekstovi. Milica Mihailovi (prev.). Beograd:
Prosveta, 1963.

Altieri, Charles. Early Eliot. <http://socrates.berkeley.edu/~altieri/lectures/127lectures.htm>
3.10.2005.
Brown, Dennis. The Modernist Self in Twentieth-Century English Literture: A Study in
Self-Fragmentation. London: Macmillan, 1989, 93.
Brooker, Jewel Spears. Mastery and Escape: T. S. Eliot and the Dialectic of Modernism.
Amherst: University of Massachusetts Press, 1994, 140.
Bush, Ronald. T. S. Eliot, A Study in Character and Style. Oxford: Oxford University Press,
1983.
Derrida, Jacques. Semiology and Grammatology: Interview with Julia Kristeva. Positions.
Translated by Alan Bass. Chicago: The University of Chicago Press, 1972, 2627.
Derrida, Jacques. Of Grammatology. Translated by Gayatri Chakravorty Spivak. Baltimore
and London: The John Hopkins University Press, 1976, 158.
Derida, ak. O gramatologiji. Ljerka ifler-Premec (prev.). Sarajevo: IP ,,Veselin Masle
a, 1976, 207.
Derrida, Jacques. Structure, Sign and Play in the Discourse of the Human Sciences. Writing
and Difference. Translated by Alan Bass. Chicago: The University of Chicago Press,
1978, 279.
Diepeveen, Leonard. Changing Voices: The Modern Quoting Poem. Ann Arbour: The
University of Michigan Press, 1993, 97100.
Kaler, Donatan. Strukturalistika poetika, strukturalizam, lingvistika i prouavanje knji
evnosti. Milica Mint (prev.). Beograd: SKZ, 1990.
Leavis, F. R. New Bearings in English Poetry: A Study of the Contemporary Situation.
Ann Arbor, MI: Ann Arbor Paperbacks, 1960.
Lyndall, Gordon. Eliots Early Years. Oxford: Oxford University Press, 1977.
Mayer, John T. The Waste Land and Eliots Poetry Notebook. T. S. Eliot, The Modernist
in History. Cambridge: Cambridge University Press, 1991.
Rainey, Lawrence. Revisiting The Waste Land. New Haven & London: Yale University Press,
2005.
Thormahlen, Marianne. The Waste Land: A Fragmentary Wholeness. Lund: CWK Gleerup
Lund, 1978, 78.
Vendler, Helen. Coming of Age as a Poet. Cambridge, Massachussetts: Harvard University
Press, 2003.

415
Milena Vladi Jovanov
PERVIGILIUM IN THE LOVE SONG OF J. ALFRED PRUFROCK
AND THE WASTE LAND OF T. S. ELIOT

Summar y
In a poetic manner, with the form and the topic of of transformation, Eliot touched,
transshaped and in a specific way expressed the topic and the notion of identity and
selfidentity, insight and selfinsight. In that movement, he established a new way of
observing the notion and significance of the border, as a living border in which the
limitation and delimitation are established and eradicated at the same time. In other
words, the movement of difference is full of passages through which one cannot pass
till the end and in which, like in hymen, the constituted and the constituting exist at the
same time. In the differentiation, in the movement in such a living, dynamic, complex
poetic system in lacunas of signification there appear traces which emanate between
early poetry, The Waste Land, Quartets, plays, but also the critical essays and prose
writings in general.
In Eliots opus, in the manner of his creation, and in the possibility of a repeated
creation in the space which opens in the process of reception, we noticed and investigated the form of writing similar to Derridas concept, as a basic creative motive.
Therefore, in it we followed different twofoldness of movements and additions, how they
appear and disappear, so Eliot in relation to Derrida, appears to us like Plato dictating
to Socrates, because in many respects according to the manner of the cleavages which
he inserted in all his topics, he preceded Derrida, containing him already in himself.
All topics which tend to an end, all interpretations which incline to finality and completion, all attempts to reach the absolute end in indefiniteness.


milena.vladicjovanov@live.fr