Christie's Interiors

INTERIORS
27-28 January 2015
Including Property from

an Eaton Square Apartment
and A Private Collection
of British Watercolours
Nicky Haslam
talks glamour, silhouete and style

in his new book
South Kensington
Its easy to buy at Christies

Read this simple guide to buying at auction. If you still have questions our terms and conditions of business as
well as much more information can be found in the all you need to know section at the back of this catalogue.
BROWSING
BIDDING
PAYING &
TAKING IT HOME
Browsing our catalogues is a great way to
There are four ways to buy offering you
Once you have paid for your lot you can take
discover more about whats coming up in
convenience and flexibility whether you are
it home or arrange for it to be delivered.
future sales; alternatively check the website
able to attend the auction in person or not.
If you need to come back a few days later
at www.christies.com where its possible to
All of the following services are free:
to pick something up bear in mind that all

purchased items marked with a square n
see all lots free of charge. Of course once

the sale is on view, visit our salerooms, open
IN THE SALEROOM
are removed to an offsite warehouse and
seven days a week except Bank Holidays.
storage charges can apply.
DESCRIPTIONS
you will experience the buzz, drama and fun of

bidding in a live auction. To bid in person just
arrive in time to register. If you havent bid with
us before youll need to bring some form of
identification such as a drivers licence or passport.
cover basic catalogue information such as size, date

or age, medium, type, attribution, quantity and so on.
CHRISTIES LIVE
the first 50,000 of the hammer price plus 20%

of the excess of the hammer price above 50,000
Make the most of your browsing:
is our online bidding service and allows you to see
ESTIMATES
are given for all lots and can be based on prices
recently paid at auction for comparable property.
They can take into account rarity, condition, quality
and provenance. The RESERVE is the price below
which a lot will not sell. Since it is confidential it is
not published in the catalogue.
The reserve will never exceed the low estimate.
TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot
in greater detail; their contact details are
listed opposite.
CONDITION REPORTS
are available on request. These supplement the
catalogue description and provide guidance on a
lots condition.
VIEW THE LOT PERSONALLY

We would always recommend coming to the
saleroom and looking at a lot for yourself,
especially in the case of more valuable items.
SYMBOLS
next to the lot number can indicate a variety of
things, such as where the lot can be collected
after the sale or how much if any VAT is payable.
There is a key to symbols in the all you need to
know section at the back of this catalogue.
CATALOGUE SUBSCRIPTIONS
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Tel: +44 (0)20 7389 2820
Fax: +44 (0)20 3219 6067
subscribe-uk@christies.com
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enables you to talk directly to a Christies member
of staff in the auction itself who will relay progress
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your behalf. Please arrange a telephone line at
least 24 hours before the sale.
To organise a telephone bid ask at the Bids Office
on your visit to the saleroom or telephone us on
+44 (0)20 7839 9060.
WRITTEN BIDS
are great if you cannot attend the auction or
are not available to participate either online or
on the telephone. A written bid is simply your
maximum bid.
To find out more about written bids and how to
place them refer to the written bid form at the
back of this catalogue or just call our Bids Office
on +44 (0)20 7839 9060.
HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer
price plus buyers premium on each lot (25% of
up to and including 1,000,000 plus 12% of any

amount in excess of 1,000,000) together with
any additional applicable charges such as VAT.
There is a HOW TO PAY section at the back
of this catalogue. If you still have any questions
please call our Cashiers Department on
+44 (0)20 7839 9060.
STORAGE
Lots marked with a square n are transferred to
an offsite warehouse at the close of business on
the day of the sale. We give you 2 weeks free
storage, after which charges begin.
All other lots are stored at Christies South
Kensington until 5pm the 5th Friday after the
sale, after which they will also be transferred to
the offsite warehouse and charges will begin.
For full post sale storage details and collection
information please see the relevant page at the
back of the catalogue. There you will find a map to
the warehouse and contact telephone numbers.
DELIVERY
We can help you with all your transport
requirements whether local deliveries or
international freight. Please call our Art Transport
Department on +44 (0)20 7839 9060.
INTERIORS
SOUTH KENSINGTON
Lot 791
IBE VER
SCR
SUB AND NE E
AY
ISSU
TOD ISS AN
l
M
e cal 820
Pleas 7389 2
0
(0)2
+44
Wednesday 28 January 2015

at 10am (Lots 501808)
AUCTION NUMBER
In sending written bids or making enquiries,
please use auction numbers:
10635 (Lots 1384) and 10636 (Lots 501808)
THIS SALES TEAM
Mark Wilkinson
Head of Interiors
Pippa Green
Works of Art
Lily Faber
Silver
James Richards
Drawings
AUCTION DATES
Tuesday 27 January 2015
at 10am (Lots 1384)
Stephen
OConnell
Furniture
Samantha Phillips
Chinese
Fiona Baker
20th Century
Decorative Art
& Design
Mark Henry
Lamp
Carpets & Rugs
EMAIL
First initial followed by last name @christies.com
(e.g. Ellen Wolsey = ewolsey@christies.com)
Ellen Wolsey
Administrator
LOTS OF IRANIAN /PERSIAN ORIGIN

Bidders are kindly reminded that some countries (such as the USA and Canada) prohibit
or restrict the purchase and import of Iranian origin works of conventional craftsmanship
(works that are not by a recognized artist and/or that have a function, for example: bowls, tiles,
ornamental boxes and carpets).
Informational materials(such as paintings, drawings and pastels, executed entirely by hand,
collages and similar decorative plaques, framed or not framed; original engravings, prints and
lithographs, printed books, newspapers and manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with the laws that apply to them and
ensuring that they do not bid on or import property in contravention of relevant sanctions or
trade embargoes.
VIEWING DATES
Saturday 24 January
Sunday
25 January
Monday 26 January
Tuesday 27 January
Tuesday 27 January
Wednesday 28 January
11am 5pm
11am 5pm
9am 7.30pm
9am 10am (Lots 1384)*
9am 5pm (Lots 501808)*
9am 10am (Lots 501808)*
*(limited view)
CHRISTIES SOUTH KENSINGTON

85 Old Brompton Road,
London SW7 3LD
OPENING HOURS
Sat & Sun 11am 5pm
Mon 9am 7.30pm
Tues to Fri 9am 5pm
BIDS OFFICE
T +44 (0)20 7752 3225
F +44 (0)20 7581 1403
SALE ENQUIRIES
Ellen Wolsey
ewolsey@christies.com
T +44 (0)20 7752 3210
THINKING
OF SELLING?
Valuations
Philip Belcher
pbelcher@christies.com
T +44 (0)20 7752 3146
GENERAL
ENQUIRIES
T +44 (0)20 7930 6074
FRONT COVER
From A Designers Life:
An Archive of Inspired
Design and Dcor
www.nh-design.co.uk
ON THE GO
This auction features on
BACK COVER
Lots 141, 381, 549, 627
& 700
LOTS CONTAINING IVORY

The USA has recently changed its policy on the import of property containing elephant ivory.
Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied
by DNA analysis and confrmation the object is more than 100 years old. We cannot indicate
whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other
report required in connection with their proposed import into the USA. A buyers inability to
export or import a lot is not a basis for cancelling their purchase.
Browse this auction and view

real-time results on your
iPhone, iPod Touch,
Bid live in Christies salerooms worldwide
iPad and Android
Register at christies.com.
[10]
27 JANUARY 2015 NICKY HASLAMS ELEMENTS OF STYLE
NICKY HASLAMS
ELEMENTS OF DESIGN
The renowned interior designer lets us in on his top

decorating tips from his latest book, A Designers Life.
Statements and Gestures
Silhouette and Style
I am a firm believer that bold gestures, be they in

shape, texture or colour, are a requisite of good design.
They somehow draw together all the things that will
eventually create the completed room. Its good to plan
such statements from the start, not add them willy-nilly
at a later date.
A good, strong profile, whether it be in architecture or

furniture, is such a pleasing sensation. A combination
of both furniture that has an architectural outline is
essential for giving structure to any room. It doesnt
have to be severe; arcs and curves can have the same
effect, leading the eye on to and enhancing the less
formal shapes.
Surface glamour
Flat surfaces, especially console tables, look great bare
but better with things on and under them quite apart
from providing essential storage opportunities. Objects,
books and lamps anchor the surfaces to the walls, and
anything stashed underneath fills the void.
Lights fantastic
Its fun to have some visible light sources in a room,
especially sconces and wall brackets, and the keynote is
individuality.
Floral Dance
Some places cry out to be given the flower-bower
treatment, while others say, Get outta here. For the
former, I like to go the whole hog, preferably using the
same design on everything, uniting walls, curtains
and furniture, and usually adding a correspondingly
patterned carpet. The great secret is to avoid any stuff
with a twee floral design; go big and bold.
NICKY HASLAMS ELEMENTS OF STYLE 27 JANUARY 2015
Making an Entrance
Halls set the tone of the house, providing an
introduction to the rooms that come after. They should
therefore be calmer, with strong elements of interest,
whether thats the biggest table that will fit, a fireplace
or a staircase.
A Designers Life: An Archive of Inspired Design and Dcor

by Nicky Haslam. Published by Jacqui Small, 50.
www.nh-design.co.uk
27 JANUARY 2015 NICKY HASLAMS ELEMENTS OF STYLE
NICKYS TOP PICKS FROM

JANUARY INTERIORS
Simon Upton/The Interior Archive
NICKY HASLAMS ELEMENTS OF STYLE 27 JANUARY 2015
Classical Language
Painterly Palettes
I feel every room is improved by a touch of the classical,

either in furniture or an object; it brings something
intellectual, something timeless.
When planning a colour scheme for a room, its

essential to spend time in it at different times of the day
to see the amount of light it gets, how the light falls,
where there are shadows, and whether there are any
murky areas that will need extra thought.
LOT 576
LOT 553
LOT 281
LOT 301
LOT 670
n1
~4
A MOULDED PAINTED FIBREGLASS MODEL OF A RHINOCEROS HEAD
AN INDIAN IVORY AND HARDWOOD INLAID WORK BOX
OF RECENT MANUFACTURE
LATE 19TH CENTURY
In deep relief with a flat back, a glass eye and hair on the tips of the ear
46 x 57 in. (117 x 145 cm.) overall
The hinged lid and sides decorated with scrolling foliage and geometric patterned bands, the
interior fitted with various compartments and removable trays
7 in. (18 cm.) high; 18 in. (45.7 cm.) wide
1,000-1,500

n2
$1,600-2,400
1,300-1,900
A SILVER-MOUNTED WALNUT AND INDIAN ROSEWOOD MIRROR
En suite with lots 3 and 12, with bevelled mirror plate

42 in. (107 cm.). x 51 in. (130 cm.)
n3
$1,900-2,800
1,600-2,300
A SILVER-MOUNTED MACASSAR EBONY, WALNUT AND INDIAN ROSEWOOD LOW

TABLE
A SIMILAR PAIR OF CHINESE CRACKLE-GLAZED PEAR-SHAPED VASES
800-1,200

n6
$1,300-1,900
1,100-1,500
AN OAK, BURR OAK AND SYCAMORE LOW TABLE
BY DAVID LINLEY, MODERN
Strung overall in ebony, the frieze with dentil mouldings

16 in. (40 cm.) high; 55 in. (140 cm.) wide; 31 in. (80 cm.) deep
En suite with lots 2 and 12, and with bevelled glass protective cover
1,200-1,800

$2,400-3,100
1,900-2,500
Each vase heavily potted with two scrolling handles and a foliate rim, covered in a pale blue-green
crackled glaze stopping at the foot rim
The largest 16 in. (41.2 cm.) high
(2)
1,200-1,800

1,500-2,000

$1,900-2,800
1,600-2,300
1,200-1,800

$1,900-2,800
1,600-2,300
6
ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE 2 WEEKS FREE STORAGE
~7
AN INDIAN IVORY AND BONE INLAID HARDWOOD WORK BOX
10
LATE 19TH CENTURY
A MATCHED PAIR OF CHINESE HARDSTONE MOUNTED CLOISONN ENAMEL AND GILT

BRONZE ORNAMENTS
The hinged cover and sides decorated with stylised foliate scrolls, chevron and cruciform patterned
bands, the interior fitted with compartments, with brass carrying handles to sides
4 in. (10.7 cm.) high; 12 in. (30.5 cm.) wide
LATE 20TH CENTURY
800-1,200

1,000-1,500

n8
$1,300-1,900
1,100-1,500
AN INDIAN LACQUERED AND PAINTED WOOD OVERSIZE CHESS SET AND BOARD
One with an arrangement of chrysanthemums, each with green hardstone leaves

The tallest - 12 in. (30.5 cm.) high, approximately
~11
$1,600-2,400
1,300-1,900
AN INDIAN IVORY MOUNTED EBONY ELEPHANT AND HOWDAH GROUP
SECOND HALF 20TH CENTURY
MID-19TH CENTURY
The figures carved as armies mounted on elephants, horses and camels, the large board in two
sections
The table: 23 in. (60.5 cm.) high; 74 in. (188 cm.) wide; 72 in. (183.5 cm.) deep
The king: 13 in. (33 cm.) high; the pawn: 6 in. (17 cm.) high
The howdah carved with a raj figure and assistant with a velvet and silver thread cloth beneath, and
a mahout to the front
9 in. (23 cm.) high
1,500-2,500

n9
$2,400-3,900
1,900-3,200
AN ENGLISH GREY-PAINTED DOLLS HOUSE CUPBOARD
1,000-1,500

$1,600-2,400
1,300-1,900
n12 A SILVER-MOUNTED MACASSAR EBONY, WALNUT AND INDIAN ROSEWOOD SIDE TABLE
LATE 20TH CENTURY
In the Palladian style, with three doors enclosing six interlinking rooms, above six short drawers
81 in. (207 cm.) high; 72 in. (183.5 cm.) wide; 19 in. (48 cm.) deep
En suite with lots 2 and 3, with hallmarked silver panel to the right flank of the frieze labelled
LINLEY/ Limited Edition/ 007
2,000-3,000

$3,200-4,700
2,600-3,800
1,200-1,800

$1,900-2,800
1,600-2,300
7
n13 A PAIR OF GILT-BRONZE FIVE-LIGHT WALL APPLIQUES
16
OF RECENT MANUFACTURE, OF EARLY VICTORIAN STYLE
EARLY 20TH CENTURY , AFTER THOMAS CARTIER (1879-1943)
Each rectangular backplate with foliate mounts supporting two tiers of foliate cast candle branches
32 in. (81 cm.) high
(2)
On a naturalistic cast base, with cast signature T.CARTIER

17 in. (43.5 cm.) high; 19 in. (49 cm.) long
1,000-1,500

1,000-1,500

$1,600-2,400
1,300-1,900
A FRENCH BRONZE MODEL OF A RUTTING STAG
n14 A FRENCH GLASS SHOP SIGN IN A CARVED WOOD FRAME
n17 AN ITALIAN SPECIMEN MARBLE INLAID TABLE TOP
20TH CENTURY
The sign reading SCULPTURE ET MARBRERIE / ABEL HALLEY, the frame in baroque style
with scrolled decoration
32 x 72 in. (81 x 183 cm.)
With a central vase of flowers in a cartouche within a foliate border

70 x 34 in. (178 x 87 cm.)
1,000-1,500

$1,600-2,400
1,300-1,900
2,000-3,000

$1,600-2,400
1,300-1,900
$3,200-4,700
2,600-3,800
n15 A PAIR OF STEEL AND CAST IRON CONSOLE TABLES
n18 A LOUIS XV WALNUT CANAPE
LATE 20TH CENTURY, INCORPORATING EARLIER ELEMENTS
MID-18TH CENTURY
Each with a rectangular crystalline grey marble top, the openwork panel with pierced scrolls and
foliage, on square-section legs with bun feet
33 in. (84.5 cm.) high; 49 in. (125 cm.) wide; 13 in. (33 cm.) deep
Of serpentine form and foliate-carved overall, re-upholstered in silk-cotton floral fabric, restorations
71 in. (180 cm.) wide
2,000-4,000

$3,200-6,300
2,600-5,000
1,200-1,800

$1,900-2,800
1,600-2,300
8
(part)
19
AN AUSTRIAN COLD-PAINTED BRONZE GROUP OF TWO DUCKLINGS ON A BASKET
22
A COLLECTION OF NOVELTY AUSTRIAN COLD-PAINTED BRONZE TOADS AND FROGS
BY FRANZ BERGMAN, CIRCA 1910
EARLY 20TH CENTURY
Impressed to the ducklings and the underside with a B in a vase

4 in. (12 cm.) high
Together with an Austrian cold-painted bronze kingfisher and a robin, 2 in. (5 cm.) high
Comprising six naturalistically modelled toads and frogs of assorted sizes, one with a baby frog on
her back
largest 2 in. (6 cm.) long
Together with a painted spelter seated frog and a novelty spelter group of two frogs on a step ladder(8)
1,500-2,000

20
(3)
$2,400-3,100
1,900-2,500
A COLLECTION OF SEVENTY-SIX SPECIMEN MARBLE AND HARDSTONE EGGS
Including quartzs, agates, malachite, lapis lazulis, pyrite and marbles, arranged in two gnarled wood
bowls
The largest bowl 14 in. (37.5 cm.) wide overall
1,200-1,800

$1,900-2,800
1,600-2,300
1,000-1,500

23
$1,600-2,400
1,300-1,900
A RUSSIAN SPECIMEN MARBLE JEWELLERY CASKET
LATE 19TH CENTURY
Veneered with chamfered squares and rectangles including rhodonite and jasper, with a gilt brass
frame and padded silk lined interior
5 in. (13.7 cm.) wide
1,000-1,500

$1,600-2,400
1,300-1,900
n21 A FRENCH MAHOGANY PLAN CHEST
n24 A BUFF PAINTED SALON SUITE
EARLY 20TH CENTURY
The top with a hinged leaf to each end, above five long drawers flanked by panelled stiles, with a
further concealed drawer in the plinth
30 in. (78 cm.) high; 70 in. (179.5 cm.) wide, extended; 33 in. (85 cm.) deep
In the German rococo taste, comprising a sofa, two armchairs and two side chairs, re-upholstered
and with refreshed decoration
The sofa 68 in. (173 cm.) wide
(5)
1,500-2,000

1,500-2,000

$2,400-3,100
1,900-2,500
$2,400-3,100
1,900-2,500
9
25
A GROUP OF SIX SMALL GEORGE II SILVER SALVERS
28
FOUR MARK OF JOHN TUITE, LONDON, 1732; ONE MARK OF THOMAS FARREN, LONDON, 1732; AND ONE
MARK OF DENIS LANGTON, LONDON, 1734
All with pie-crust borders, all on three hoof feet except the latter, on four scroll feet, one pair
engraved with the arms of a lady , the other pair with another coat of arms, three of these four
engraved with scratch-weight to base, the Farren salver engraved with stag on cap of maintenance,
the Langton salver plain.
5 in. diameter ((14.8 cm.) and 6 in. diameter (16.5 cm.)
45 oz. ((1395 gm.)
(6)
1,500-2,000

A PAIR OF FRENCH SILVER PLATEAUX WITH DETACHABLE PAPIER MARBR SUR BOIS
CENTRES
MARK OF ANDR AUCOC , PARIS, CIRCA 1900
Shaped circular with engraved foliage and diaperwork panels and with guilloche borders
12 in. diameter (32.5 cm.)
96 oz. (2976 gm.)
1,200-1,500

$2,400-3,100
1,900-2,500
THE PROPERTY OF A GENTLEMAN
n29 A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS
n26 A LATE GEORGE III MAHOGANY CUMBERLAND-ACTION DINING TABLE
LATE 18TH CENTURY
LATE 18TH / EARLY 19TH CENTURY
The rounded rectangular top with reeded edge and twin drop-leaves, on ring-turned column
supports with downswept reeded legs, on castors, labelled to the underside CHARLES LUMB &
SONS LTD. / 2 MONTPELLIER GARDENS HARROGATE / NO. 10445
27 in. (69 cm.) high; 56 in. (144 cm.) wide, extended; 53 in. (136.5 cm.) deep
1,000-1,500

(2)
$1,900-2,400
1,600-1,900
$1,600-2,400
1,300-1,900
Including one armchair, each with a drop-in seat re-upholstered in silk, restorations, one side chair
associated
600-1,000

$950-1,600
760-1,300
PROVENANCE:
Robert Pelham Borley Esq.

Thence by descent to the present owner.
PROVENANCE:
Acquired by the present vendor from Charles Lumb & Sons, Harrogate.
n~30 A GEORGE III ROSEWOOD CROSSBANDED MAHOGANY SIDE CABINET
n27 A GEORGE IV MAHOGANY CONSOLE TABLE
The rectangular top above two frieze drawers and a pair of doors enclosing a shelf
36 in. (92 cm.) high; 41 in. (105 cm.) wide; 14 in. (36 cm) deep
CIRCA 1820-30
The associated Carrara marble top on scrolled monopodia supports

1,200-1,800

$1,900-2,800
1,600-2,300
500-800
NO RESERVE
$790-1,300
630-1,000
10
31
A GEORGE III SILVER GOBLET AND A SIMILAR GEORGE IV EXAMPLE
34
AN IRISH SILVER DISH RING
BOTH MARK OF EMES AND BARNARD, LONDON, 1819 AND 1821 RESPECTIVELY
APPARENTLY UNMARKED, PROBABLY SECOND HALF 18TH CENTURY
Both campana form on pedestal foot, the first with chased frieze of fruiting vines on textured
ground, with lily pad border around foot, the second with similar but broader applied frieze,
acanthus leaf straps and leaf border around foot, both with gilt interiors and crest of Munro Scott
6 in. high (16 cm.)
24 oz. (744 gm.)
(2)
Pierced and chased with chinoiserie figure, birds, fruit, flowers, C scrolls and a vacant cartouche
flanked by a dolphin
8 in. diameter (20 cm.)
11.5 oz. (357 gm.)
1,500-2,000

$2,400-3,100
1,900-2,500
1,500-2,000

THE PROPERTY OF A LADY
n35 A SET OF EIGHT EDWARDIAN WALNUT SIDE CHAIRS
n32 AN EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE
OF GEORGE I STYLE, CIRCA 1900
SECOND QUARTER 19TH CENTURY
With paper-scroll top rails and re-upholstered drop-in seats
With one additional leaf, the rounded rectangular top above a plain frieze with beaded edge, on
lotus leaf-clasped tapering legs with brass castors, stamped LEWTY PATENT beneath a coronet
29 in. (76 cm.) high; 91 in. (231 cm.) long, extended; 50 in. (128 cm.) deep
1,500-2,500

1,200-1,800

$2,400-3,100
1,900-2,500
(8)
$2,400-3,900
1,900-3,200
$1,900-2,800
1,600-2,300
n33 A VICTORIAN BURR YEW, PARCEL GILT AND EBONISED CENTRE TABLE
n36 A PAIR OF ENGLISH MAHOGANY ARMCHAIRS
BY GILLOWS, CIRCA 1870
CIRCA 1920
Stamped underneath GILLOW & CO. 185, with Greek key decoration to the base of the columns
and the feet, on castors
29 in. (74 cm.) high; 45 in. (114 cm.) diameter
Re-upholstered in leather, the frames carved with acanthus scrolls, the rear feet on castors
1,200-1,800

$1,900-2,800
1,600-2,300
1,500-2,500

(2)
$2,400-3,900
1,900-3,200
The number 185 dates this table to 1870 according to the Gillow archives.
11
n37 A FRENCH BRONZE PATINATED SPELTER MANTEL

CLOCK
n39 A BRONZE MODEL OF A BALLET DANCER
n41 A MARBLE BUST OF A GIRL PERSONIFYING SPRING
OF RECENT MANUFACTURE, AFTER EDGAR DEGAS
BY J. TAYLOR, EARLY 20TH CENTURY
EARLY 20TH CENTURY, AFTER HENRI LECHESNE
With gilt decoration to her dress and shoes, on an integral

rectangular bronze plinth
Modelled with ribbon tied hair, relief carved signature

J.TAYLOR Sc. and title to the socle SPRING
23 in. (59.5 cm.) high
1,000-2,000

800-1,200

The case modelled as two sea-gulls with signature cast H.

LECHESNE and foundry seal, the clock with count-wheel
strike on bell, the movement stamped SA PARIS
1,000-1,500

$1,600-2,400
1,300-1,900
n38 A FINE TABRIZ CARPET
n40 A N UNUSUAL TABRIZ CARPET
approx: 11ft.4in. x 8ft.3in.(344cm. x 248cm.)
800-1,200

$1,600-3,100
1,300-2,500
n42 A FINE KASHAN CARPET
$1,300-1,900
1,100-1,500
1,000-1,500

$1,300-1,900
1,100-1,500
$1,600-2,400
1,300-1,900
1,200-1,800

12
PLEASE REFER TO THE IMPORTANT NOTICES AT THE FRONT & BACK OF THE CATALOGUE REGARDING LOTS OF IRANIAN/PERSIAN ORIGIN
$1,900-2,800
1,600-2,300
43
A PAIR OF CHARLES X GILT AND PATINATED BRONZE

CANDLESTICKS
45
A BELGIAN BRONZE BUST OF A YOUNG WOMAN

MODELLED AS A PERSONIFICATION OF SPRING
47
A FRENCH BRONZE GROUP OF VENUS AND CUPID
CIRCA 1820
LATE 19TH CENTURY, AFTER JEF LAMBEAUX (1852-1908)
AFTER PIERRE-EUGENE-EMILE HEBERT (1828-1893), LATE 19TH

CENTURY
Each with reeded tapered shaft, with domed bases cast in relief
with lotus leaves and floral borders
(2)
Wearing flowers in her hair, with plaque inscribed Jef.

Lambeaux \ Ecole Belge \ Le Printemps to the front
19 in. (49.5 cm.) high
Modelled holding garlands of flowers, the base cast with

signature E. Herbert
25 in. (64.5 cm) high
800-1,200

800-1,200

2,000-3,000

$1,300-1,900
1,100-1,500
n44 A FINE HERIZ CARPET
n46 A TABRIZ CARPET
approx: 13ft. x 9ft.4in.(396cm. x 283cm.)
1,000-1,500

$1,300-1,900
1,100-1,500
n48 A FINE MAHAL CARPET
$1,600-2,400
1,300-1,900
800-1,200

$3,200-4,700
2,600-3,800
$1,300-1,900
1,100-1,500
1,000-1,500

$1,600-2,400
1,300-1,900
13
49
A FRENCH BRONZE FIGURE OF SOLDIER
51
A PAIR OF FRENCH BRONZE FIGURAL LAMPS
LATE 19TH CENTURY, AFTER ADRIEN-ETIENNE GAUDEZ (1845-1902)
LATE 19TH CENTURY
The base with signature cast A. GAUDEZ and title plaque

ABORDAGE \ PAR A. GAUDEZ HORS CONCOURS
Each modelled as a putto, one with a lizard coiled around his

wrist, supporting the stem of the lamp fitment, on waited white
marble bases with beaded decoration
27 in. (70 cm.) high, including fitment
(2)
1,200-1,800

$1,900-2,800
1,600-2,300
n50 A LARGE NORTH-WEST PERSIAN CARPET
$1,300-1,900
1,100-1,500
n52 AN ENGLISH WALNUT BUREAU-CABINET
1,500-2,000

800-1,200

$2,400-3,100
1,900-2,500
n53 AN AUSTRIAN COLD PAINTED TERRACOTTA FIGURE

OF A GLADIATORIAL ARCHER
CIRCA 1900
Modelled holding a bamboo bow and arrows with a moulded

quiver, incised to the plinth base with title Archer and numbers
to the back 1834 \ 16 \ 17
1,500-2,000

EARLY 18TH CENTURY, TOP AND BASE ASSOCIATED
Cross and featherbanded overall, the cavetto-moulded cornice

above a pair of doors enclosing three adjustable shelves and three
short drawers, the gilt-tooled leather-lined fall enclosing an
arrangement of small drawers and pigeonholes above a well, on
later bracket feet
76 in. (195 cm.) high;
800-1,200

800-1,200

$2,400-3,100
1,900-2,500
$1,300-1,900
1,100-1,500
14
$1,300-1,900
1,100-1,500
n55 AN EDWARDIAN CUT-GLASS AND GILT-BRONZE

HANGING LIGHT
n57 AN EARLY VICTORIAN GILTWOOD CONVEX

GIRANDOLE
n59 AN ENGLISH BRASS HALL LANTERN
EARLY 20TH CENTURY, BY OSLER & CO.
The bowl cut with hobnail and facet cut decoration above a
pine cone-shaped terminal, with internal three-light fitment and
supported by three chains and a corona
17 in. (43 cm.) high (approx.) diameter of dish: 15 in. (39.5 cm.)
The circular plate with ebonised reeded slip, surmounted by an

eagle atop a foliate-supported pediment
59 in. (150 cm.) high; 34 in. (86 cm.) wide
With curved glazed panels and the fame applied with ribbon ties
and beaded swags, with a three-light internal fitting
1,200-1,800

$1,900-2,800
1,600-2,300
n56 A KASHAN CARPET
$2,400-3,100
1,900-2,500
n58 A LATE VICTORIAN MAHOGANY DISPLAY CABINET
800-1,200

1,500-2,000

$1,300-1,900
1,100-1,500
FIRST HALF 20TH CENTURY
1,000-1,500

With bowed sides, enclosing five glass shelves and a silk-lined

interior
95 in. (241.5 cm.) high; 59 in. (150 cm.) wide; 11 in. (29 cm.)
deep
800-1,200

1,500-2,000

$1,600-2,400
1,300-1,900
$1,300-1,900
1,100-1,500
$2,400-3,100
1,900-2,500
15
n61 A PAIR OF ENGLISH BRASS AND TINPLATE COACH

LAMPS
n62 A BRASS AND SMOKED-MIRROR-GLASS-MOUNTED

CERAMIC COFFEE TABLE
DESIGNED BY TOMMASO BARBI, 1970S
With hexagonal bevelled glass lanterns and domed tops applied

with cast brass swags and eagle finials , together with painted iron
brackets
(4)
With smoked mirror inset top

15 in. (38.7 cm.) high; 59 (151 cm.) wide; 30 in. (76.7 cm.)
deep
1,000-1,500

$1,600-2,400
1,300-1,900
800-1,200

n63 A PAIR OF FRENCH CARVED WALNUT SALON CHAIRS
n64 A POLYCHROME BIBLICAL TAPESTRY
OF LOUIS XV STYLE, LATE 19TH CENTURY
LATE 20TH CENTURY
Each upholstered in Fortuny silk-velvet fabric
800-1,200

(2)
$1,300-1,900
1,100-1,500
$1,300-1,900
1,100-1,500
Woven in wool, depicting the discovery of Moses in the

bulrushes beneath a palm tree, with a city in the distance
1,000-1,500

$1,600-2,400
1,300-1,900
n65 A VICTORIAN ARTS AND CRAFTS OAK GONG
n66 A SPECIMEN MARBLE AND PARCEL-GILT CENTRE TABLE
CIRCA 1880
OF 17TH CENTURY STYLE, RECENT MANUFACTURE
Of Gothic style with a brass gong and a beater

39 in. (100.5 cm.) high
The rectangular top with foliate strapwork pietra dura top on lyre-shaped end supports joined by a
stretcher
1,000-1,500

$1,600-2,400
1,300-1,900
1,000-1,500

16
$1,600-2,400
1,300-1,900
THE PROPERTY OF A LADY OF TITLE (LOTS 67 - 70)
n70 AN IRISH EDWARDIAN WALNUT WING ARMCHAIR
n67 A FLORENTINE PIETRA DURA AND GILTWOOD OCCASIONAL TABLE
LATE 19TH/EARLY 20TH CENTURY
MID-19TH CENTURY
Re-upholstered in toile fabric, on acanthus-carved cabriole front legs with trefid feet
The top inlaid with flowers and foliage above a leaf-clasped and foliate-carved column on scroll feet
30 in. (77.5 cm.) high; 17 in. (43 cm.) diameter
400-600

500-800

$790-1,300
630-1,000
$630-940
510-760
n68 A VICTORIAN AMBOYNA AND EBONISED CENTRE TABLE
THE BARBARA PIASECKA JOHNSON COLLECTION (LOTS 71-89)
CIRCA 1870
n71 A LOT OF FOUR VERY LONG TENT BANDS & TWO ANATOLIAN RUNNER FRAGMENTS
Mounted overall with brass beading and strung overall with fruitwood lines, the oval top with an
ebonised pearwood border engraved with scrolling foliage
500-1,000

$790-1,600
630-1,300
approx: 12m.51cm. x 30cm. & 11m.52cm. x 28cm. & 16m.76cm. x 24cm. & 11m.16cm. x
35cm. & 401cm. x 30cm. & 416cm. x 30cm.
(3)
2,000-4,000

n69 A SET OF SEVEN POLYCHROME PAINTED WICKER GARDEN CHAIRS
n72 A SET OF SIX ENGLISH STEEL GARDEN CHAIRS
MID-20TH CENTURY
With double-arched backs
300-500
NO RESERVE
$3,200-6,300
2,600-5,000
With ball finials
$480-790
380-630
1,000-1,500

$1,600-2,400
1,300-1,900
17
The Barbara Piasecka Johnson Collection (Lots 71-89)
n73 A FINE NEEDLEWORK CARPET OF EUROPEAN DESIGN
n76 AN 18TH. CENTURY ISFAHAN RUG
1,000-1,500

1,000-1,500

approx; 11ft.9in. x 8ft.9in.(357cm. x 266cm.)
(2)
$1,600-2,400
1,300-1,900
77
n74 AN ANTIQUE SEYCHOUR RUG
1,000-1,500

$1,600-2,400
1,300-1,900
n79 A FINE NEEDLEWORK CARPET OF EUROPEAN DESIGN
$1,600-2,400
1,300-1,900
A FIVE-PIECE BRITANNIA STANDARD SILVER

OCTAGONAL TEA AND COFFEE SET WITH TWO
GRADUATED TRAYS EN SUITE
MARK OF S. BULGARI, LONDON, 1969/1970
Comprising:- teapot, coffee pot, milk jug, covered sugar bowl

and spoon, tea strainer and stand, and two trays, the teapot only
with gilt interior, varnished wood handles
Largest tray 13 in. (34.4 cm.) diameter
141.75 oz. (4408 gm.)
(9)
2,000-3,000

1,000-1,500

$1,600-2,400
1,300-1,900
n80 AN ANTIQUE SHIRVAN KILIM
approx: 12ft. x 6ft.(366cm. x 183cm.)
1,000-1,500

$1,600-2,400
1,300-1,900
$3,200-4,700
2,600-3,800
n75 AN ANTIQUE KARABAGH RUG
n78 A FINE HALF OF SILEH SOUMAC
n81 A FINE ANTIQUE KIRMAN LAVER RUG
n82 AN ANTIQUE ANATOLIAN VERNEH
1,000-1,500

1,000-1,500

1,500-2,500

800-1,200

approx: 9ft.8in. x 4ft.10in.(294cm. x 147cm.)(2)
$1,600-2,400
1,300-1,900
$1,600-2,400
1,300-1,900
approx;: 7ft. x 4ft.4in.(213cm. x 132cm.)
(2)
$2,400-3,900
1,900-3,200
18
$1,300-1,900
1,100-1,500
84
88
86
83
85
87
89
n83 AN ANTIQUE YOMUT TENT BAND FRAGMENT
n87 AN ANTIQUE SEYCHOUR RUG
300-500

$480-790
380-630
200-300

n84 A PAIR OF ITALIAN SILVERED AND GILTWOOD ALTAR CANDLESTICKS
88
PROBABLY 18TH CENTURY
MARK OF PEZ PILLEAU, LONDON, 1754
On later wood bases and now adapted to electric lamps, regilded and silvered
39 in. (99 cm.) high excluding fittings
1,000-1,500

(2)
$1,600-2,400
1,300-1,900
approx: 9ft.8in. x 4ft.9in.(294cm.(145cm.)
800-1,200

$1,300-1,900
1,100-1,500
n86 AN ANTIQUE SOUTH CAUCASIAN KILIM
1,200-1,800

A GEORGE II SILVER TEA KETTLE AND SPIRIT STAND
Of inverted pear shape, chased around the upper body and the cover with scrolls and flowers which
continue down around the scalloped spout, the swing handle lacking raffia binding, engraved to
both sides with rococo cartouches, one with a coat of arms, the other with a crest, the stand applied
with ribbon-tied floral swags on three leaf-capped scroll supports terminating in shell feet, the fixed
central spirit lamp engraved with a crest
53 oz. (1648 gm.)
2,000-3,000

n85 AN ANTIQUE CAUCASIAN KILIM
(6)
$1,900-2,800
1,600-2,300
$320-470
260-380
$3,200-4,700
2,600-3,800
The noble arms attributed to the 11th century Bleddyn, King of Powys and hence used by several
Glamorgan families including Williams, Evans, LLewellyn, Thomas, Pryce and others.
n89 AN UNUSUAL TRIBAL KILIM
800-1,200

$1,300-1,900
1,100-1,500
90 No Lot

19
VARIOUS PROPERTIES
94
91
The tooth puller; and Two peasants drinking seated at a table
FOLLOWER OF FRANCESCO SIMONINI
A Turkish soldier on horseback, holding a sword, a battle beyond; and A Turkish

soldier on horseback, holding a flag, a battle beyond
oil on canvas
7 x 7 in. (19 x 20 cm.)
1,500-2,500

92
(2)
CIRCLE OF GILLIS MOSTAERT I (HULST 1528-1598 ANTWERP)
oil on panel, tondo

7 in. (18.8 cm.) cm.
a pair
(2)
1,000-2,000

$2,400-3,900
1,900-3,200
CIRCLE OF ISAAC VAN OSTADE (HAARLEM 1621-1649)
95
CIRCLE OF PAOLO ANESI (ROME 1697-1773)
Peasants at a cottage door with a hurdy gurdy player
An extensive landscape with fishermen before a waterfall, a town beyond
with initials A V O (lower left)

oil on panel
18 x 27 in. (47.5 x 68.5 cm.)
oil on canvas
24 x 29 in. (61.6 x 74.3 cm.)
3,000-5,000

a pair
$1,600-3,100
1,300-2,500
$4,800-7,900
3,800-6,300
2,000-3,000

$3,200-4,700
2,600-3,800
n93 A WILLIAM AND MARY OAK THREE-DRAWER DRESSER
n96 A LATE VICTORIAN WALNUT AND MARQUETRY CHEST
LATE 17TH CENTURY
OF WILLIAM AND MARY STYLE, LATE 19TH CENTURY
With geometrically-moulded drawers, on baluster legs with scroll spandrels

31 in. (79 cm.) high; 91 in. (232 cm.) long; 19 in. (48 cm.) deep
Decorated throughout with flowers and perching birds, with two short and three long drawers on
bracket feet
3,000-5,000

$4,800-7,900
3,800-6,300
700-1,000

$1,100-1,600
890-1,300
20
97
FOLLOWER OF ESAIAS VAN DE VELDE
PROPERTY OF A LADY
Joseph giving his brothers grain
100
with initial R (on a sack of grain)

oil on panel
21 x 45 in. (53.3 x 114.9 cm.)
oil on panel
11 x 15 in. (29.2 x 38.1 cm.)
1,500-2,000

98
$2,400-3,100
1,900-2,500
DUTCH SCHOOL, 18TH CENTURY
3,000-5,000

2,000-3,000

101
A wooded landscape with figures resting beside a track, a village beyond; and A wooded
landscape with travellers and a dog resting by a tree, a shepherd and his flock beyond
oil on canvas
8 x 11 in. (21.6 x 29.2 cm.)
CIRCLE OF EGBERT VAN HEEMSKERCK I (1634-1704)
The village school
(2)
a pair
$4,800-7,900
3,800-6,300
$3,200-4,700
2,600-3,800
PIETER VAN BLOEMEN, CALLED LO STANDARDO (ANTWERP 1674-1720)
An Italianate landscape with a white stallion being trained at a riding school

oil on canvas, unlined
28 x 38 in. (72.7 x 98.8 cm.)
3,000-5,000

$4,800-7,900
3,800-6,300
The present work should be compared to a signed work in the Musee des Augustins, Toulouse.
PROVENANCE:
Hon. Justice Morrison, Toronto, Canada
n99 A MATCHED PAIR OF ENGLISH BURR-WALNUT CHESTS
PROPERTY OF A LADY
OF QUEEN ANNE STYLE, LATE 20TH CENTURY
n102 A MATCHED PAIR OF ITALIAN CARVED WALNUT ARMCHAIRS
Each with a cross and featherbanded top above two short and three long drawers, on bun feet, minor
variations in size and details
The largest: 35 in. (90 cm.) high; 31 in. (80 cm.) wide; 17 in. (44 cm.) deep
(2)
1,500-2,000

$2,400-3,100
1,900-2,500
IN THE MANNER OF ANDREA BRUSTOLON, LATE 19TH CENTURY
Each with padded back and seat upholstered in geometric polychrome fabric, the downswept arms
carved with reclining putti above male supports, on scrolled legs joined by an X-stretcher with finial
one: 51 in. (130 cm.) high; 37 in. (94 cm.) wide; 29 in. (74 cm.) deep;
the other: 51 in. (131 cm.) high; 32 in. (82 cm.) wide; 34 in. (88 cm.) deep
(2)
2,500-3,500

$4,000-5,500
3,200-4,400
21
*103 CIRCLE OF LUCA GIORDANO (ITALIAN, 1634-1705)
Two Sibyls; lunettes

oil on paper laid down on canvas
10 x 8 in. (26.7 x 21.6 cm.) including additions to the upper
left and right edges respectively
(2)
a pair
2,500-3,500

$4,000-5,500
3,200-4,400
PROVENANCE:
Sir William Aykroyd.

with Hazlitt Gallery, 1966.
~104 A WILLIAM III IVORY AND PIQUE INLAY OVAL SNUFF BOX
107
CIRCA 1700
LATE 18TH CENTURY
The cover decorated with brass and coloured paste inlay

4 in. (12 cm.) long
Modelled as a shoe, carved in intricate relief with figures and love hearts, crowns and scrolling
foliage, the underside of the lid with ink inscribed monogram
1 in. (4.7 cm.) high
Together with a German or Austrian carved wood figure of an itinerate musician, late 18th
century and a French relief carved oak plaque, early 18th century, depicting a lounging
huntsman with dog
800-1,200

$1,300-1,900
1,100-1,500
A DUTCH OR FRENCH CARVED PEAR WOOD LOVE TOKEN SNUFF BOX
1,000-1,500

n105 A VICTORIAN BROWN OAK, EBONISED, MARQUETRY AND POLYCHROME-PAINTED

THREE-FOLD SCREEN
OF GEORGE III STYLE, CIRCA 1900
Each fold with gothic arched mouldings, decorated to both sides with flowers and birds and figural
vignettes
Each panel: 72 in. (183 cm.) high; 27 in. (68.5 cm.) wide
1,200-1,800

$1,900-2,800
1,600-2,300
(3)
$1,600-2,400
1,300-1,900
n108 A LATE VICTORIAN MAHOGANY ARMCHAIR
With pierced interlaced carved back, leather-covered arm-rests and seat, on cabriole legs and
gadrooned seat rails
800-1,200

$1,300-1,900
1,100-1,500
106 No Lot
22

109
FOLLOWER OF FRANCOIS BOUCHER
n112 AFTER HANS MAKART
River nymphs in a landscape together with disporting putti
Cleopatra on the Nile
oil on canvas
21 x 29 in. (54 x 75.5 cm.)
with signature Makart (lower right)

oil on canvas
33 x 89 in. (85 x 226 cm.)
2,000-3,000

$3,200-4,700
2,600-3,800
The figures in the present picture are derived from Bouchers Apollo revealing his divinity to the
shepherdess Isse in the Musee des Beaux Arts, Tours.
110
A SWISS CARVED MAPLE CENTREPIECE OR BASKET
1,500-2,000

$2,400-3,100
1,900-2,500
After the work in the State Gallery of Stuttgart, painted in 1895.
n113 A POLYCHROME TAPESTRY
LATE 19TH CENTURY
LATE 20TH CENTURY
Intricately carved throughout depicting a narrative, the dense network of trees with figures and
relief carved medallions with figure scenes below, the interior carved with berried stems and a
central flower head
7 in. (18 cm.) high
Woven in wool, depicting a large vase of flowers next to a violin, with a view through an arch
beyond
1,200-1,800

$1,900-2,800
1,600-2,300
1,000-1,500

$1,600-2,400
1,300-1,900
n111 AN ENGLISH WALNUT CHEST
n114 A EUROPEAN PARCEL GILT AND GREEN LACQUERED SIDE TABLE
INCORPORATING SOME LATE 17TH/ EARLY 18TH CENTURY ELEMENTS
18TH CENTURY AND LATER
With cross and featherbanded quarter-veneered top above five drawers

With chinoiserie decoration overall, the shaped top above a frieze drawer, on turned legs joined by
a curved stretcher
1,000-1,500

$1,600-2,400
1,300-1,900
700-1,000

$1,100-1,600
890-1,300
23
116
A VICTORIAN SILVER-MOUNTED CUT-GLASS CLARET

JUG
120
A GROUP OF FOUR SILVER-MOUNTED GLASS CLARET

JUGS
MARK OF HENRY ATKIN, SHEFFIELD, 1886
VARIOUS DATES AND MAKERS
With hobnail-cut sides, plain mount and star-cut base; also a

silver-mounted cut-glass claret jug by W. Coulthard & Co. Ltd.,
Birmingham, 1912, tapering sides cut with checkered pattern,
plain mount and star-cut base
First item 9 in. high (23 cm.)
(2)
Comprising:- a late Victorian cut-glass spherical example by

Messrs. Hutton, London, 1898, cut with large wheels with
alternate plain and hobnail sections and plain mount; a German
claret jug, circa 1900, with panelled baluster body and plain
mount; a Victorian claret jug by George Fox, London, 1867
with panels of etched flowers and fruiting vines between rattails, the silver top with carousing drinker finial; and a Victorian
vinegar bottle by Horace Woodward & Co. Ltd., London, 1914,
clear glass and plain mount
Second item 9 in. high (24.2 cm.)
(4)
700-800

$1,100-1,300
890-1,000
1,000-1,200

117
A PAIR OF OLD SHEFFIELD PLATE WINE COOLERS
MARK OF A PINEAPPLE DEVICE FOR DANIEL HOLY, PARKER & CO.,

CIRCA 1815
Campana form with gadroon borders and handles terminating

in foliage, coat of arms to one side and crest to the other, both
on let-in silver reserves, detachable rims and liners and tinned
interiors
9 in. high (24.5 cm.)
(2)
1,200-1,500

118
$1,900-2,400
1,600-1,900
A CONTINENTAL SILVER AND ENAMEL CIGARETTE

CASE WITH CONCEALED EROTIC INNER COVER
PROBABLY GERMAN, CIRCA 1910
Enamelled with two nudes, one with bow and arrow, beside a
lake, a forest in the background, gilt interior
4 in. long (10 cm.)
1,000-1,200

$1,600-1,900
1,300-1,500
121
TWO VERY SIMILAR GEORGE I OCTAGONAL SILVER

CASTERS
THE FIRST MARK OF CHARLES ADAM, LONDON, 1718, THE SECOND

MARK OF THOMAS BURRIDGE, LONDON, 1725
With panelled sides, the foliate-pierced covers with knop finials,

the first engraved under foot with initials M above I.I
The first 6 in. (15.6 cm.) high
10.25 oz. (319 gm.)
(2)
600-800

122
700-1,100

$1,100-1,700
890-1,400
$950-1,300
760-1,000
A VICTORIAN GILT-METAL COVERED TOOLED RED

LEATHER PHOTOGRAPH ALBUM
RETAILED BY HOWELL, JAMES & CO., REGENT STREET, LONDON, CIRCA

1875
The cover engraved with geometric decoration and cabochonset with lapis lazuli and shell cameos, the latter carved with
Classical figures and lined in oyster-coloured moir silk,
contained in original box
12 in. (30.5 cm..)
1,000-1,500

n115 AN UNUSUAL NORTH-WEST PERSIAN RUNNER
$1,600-1,900
1,300-1,500
$1,600-2,400
1,300-1,900
~119 A CHINESE EXPORT SILVER THREE-PIECE TEA SET

WITH ACCOMPANYING SUGAR TONGS
123
MARK OF WANG HING OF HONG KONG & CANTON, CIRCA 1900
Compressed circular with simulated bamboo handles and spout,

sides applied with birds amidst bamboo and flowering prunus
branches, on four feet centering a projecting onion dome, gilt
interior to milk jug and sugar bowl, teapot with ivory insulators
Teapot 5 in. high (14 cm.)
32 oz. (992 gm.)
(4)
Shaped rectangular with lightly engine-turned surfaces, raised

on feet modelled as putti astride dolphins, cover and sides with
pierced mounts set with lapis lazuli bosses and centred with a
painted panel of a reclining Renaissance nude with village in
background, gilt interior and blue velvet lining to interior of
cover
13 in. long (33 cm.) x 9 in. wide (24 cm.)
800-1,200

1,000-1,200

$1,300-1,900
1,100-1,500
AN ITALIAN METALWARE CASKET
STAMPED 800, 20TH CENTURY
24
$1,600-1,900
1,300-1,500
PROPERTY OF A LADY (LOTS 124 - 132)

124
TWO PAIRS OF FRENCH AUBUSSON TAPESTRY

CUSHIONS
19TH CENTURY
Both worked with flowers on a cream ground on velvet cushions

with applied tassel borders
larger pair 21 in. (55 cm.) wide
(4)
1,000-1,500

$1,600-2,400
1,300-1,900
n127 A SET OF FRENCH ORMOLU-MOUNTED TULIPWOOD

HANGING SHELVES
130
OF LOUIS XVI STYLE, LATE 19TH CENTURY
Each with detachable beaded drip tray on a stem modelled with

dolphins
5 in. (14 cm.) high
(2)
The arched pediment centred by a Sevres-style porcelain plaque

above a shelf with a mirrored back and four short drawers below,
veneered to the underside
26 in. (68 cm.) high; 27 in. (70.5 cm.) wide; 9 in. (24 cm.)
deep
1,000-1,500

A PAIR OF FRENCH GILT-BRONZE CANDLESTICKS
1,200-1,800

$1,900-2,800
1,600-2,300
$1,600-2,400
1,300-1,900
n125 A FRENCH ORMOLU-MOUNTED KINGWOOD,

AMARANTH, FIGURED WALNUT AND MARQUETRY
OCCASIONAL TABLE
n~128 A GILT-METAL MOUNTED ROSEWOOD AND SPECIMEN

MARBLE CENTRE TABLE
n~131 A FRENCH GILT-METAL MOUNTED CALAMANDER,

ROSEWOOD AND TULIPWOOD OCCASIONAL TABLE
THE BASE 19TH CENTURY, THE MARBLE TOP OF A LATER DATE
CIRCA 1880
The circular top inlaid with a geometric pattern, the tapering

S-scroll legs with later foliate mounts and roundel decoration to
the sides, joined by a pierced circular undertier
Of serpentine form, the quarter-veneered and crossbanded top

with a pierced three-quarter gallery above a single frieze drawer,
on slender cabriole legs, restorations
29 in. (74.5 cm.) high; 24 in. (61.5 cm.) wide; 16 in. (42.5
cm.) deep
Inlaid to the top with a floral spray, the frieze with a solid
kingwood-lined drawer, the lower tiers veneered with trellisand-flowerhead marquetry
30 in. (77.5 cm.) wide; 14 in. (37 cm.) wide; 10 in. (27 cm.)
deep
1,000-1,500

$1,600-2,400
1,300-1,900
1,000-1,500

$1,600-2,400
1,300-1,900
n~126 A N ENGLISH GILT-METAL MOUNTED ROSEWOOD

CIRCULAR BOOKCASE
n129 A GROUP OF FRENCH GILTWOOD SEAT FURNITURE
OF REGENCY STYLE, 20TH CENTURY
Comprising a pair of Louis XVI style chaises, a single Louis XVI

style chaise, a Louis XVI style banquette and a Louis XV style
window seat, each re-upholstered in variously patterned silk
fabric
(5)
The veneered top with a pierced and reeded gallery above

three tiers, each inset with gilt-tooled leather false bindings, on
giltwood paw feet
800-1,200

$1,300-1,900
1,100-1,500
LATE 19TH CENTURY
1,200-1,800

$1,900-2,800
1,600-2,300
700-1,000

$1,100-1,600
890-1,300
n~132 A REGENCY STYLE GILT-METAL MOUNTED ROSEWOOD

WRITING TABLE
IN THE MANNER OF JOHN MCLEAN, 20TH CENTURY
Panelled overall, the rounded rectangular top with inset tooled

black leather writing surface, on standard end supports with
downswept legs, on castors
29 in. (75 cm.) high; 38 in. (98 cm.) wide; 24 in. (62 cm.)
deep
1,200-1,800

$1,900-2,800
1,600-2,300
25
133
135
137
136
133
138
VARIOUS PROPERTIES
135
133
CIRCA 1930
A URIANO ART DECO COLD-PAINTED SPELTER AND

ALABASTER FIGURE
THE WATER CARRIER, CIRCA 1930
Modelled, cast and painted with a woman holding an alabaster

vase, walking down steps of marble, slate and onyx, signed on the
slate Uriano
26 in. (66.7 cm.) high
1,200-1,800

134
~137 A MAX LE VERRIER (1891-1973) ART DECO COLDPAINTED SPELTER AND IVORY FIGURE
Moulded as a partially draped naked woman adopting a stylish

pose, stepped glass and nickel plated base, moulded Etling France
8 in. (20.5 cm.) high
1,500-2,000

$2,400-3,100
1,900-2,500
$1,900-2,800
1,600-2,300
A PIERRE LAUREL COLD-PAINTED BRONZE FIGURE
BACCHANALIAN DANCER, CIRCE 1920
Modelled and cast as a naked woman holding a bunch of grapes

in each hand as she dances, on Portoro marble plinth, signed
Pierre Laurel, impressed Bronze and foundry Marcel Guillemard
19 in. (50.5 cm.) high
1,200-1,800

AN ETLING OPALESCENT GLASS FIGURE
$1,900-2,800
1,600-2,300
136
A PELLICOT WROUGHT-IRON LAMP BASE WITH A

MULLER FRERES GLASS SHADE
CIRCA 1930
Modelled and cast as a young man holding a sword and with arm
raised, on carved, angular stepped stone base, signed on stone M.
Le Verrier
1,200-1,800

138
$1,900-2,800
1,600-2,300
A ROBERT VAN DER VELDE (BELGIAN) CRAYON,

CHARCOAL AND PAINTED WOOD PANEL
CIRCA 1920
2ND QUARTER 20TH CENTURY
The wrought iron stand formed as an iris with serpent entwined, a

stem issuing from its mouth which supports the mottled glass shade,
stand signed PELLICOT, shade acid-etched Muller Fres Lunville
16 in. (41.9 cm.) high
Depicting a man killing a wolf, signed bottom left, framed and

glazed
35 in. (90.5 cm.) x 17 in. (45.5 cm.)
800-1,200

$1,300-1,900
1,100-1,500
1,000-1,500

$1,600-2,400
1,300-1,900
26
~139 A JOSEF LORENZL ART DECO BRONZE AND IVORY

FIGURE
CIRCA 1930
Modelled, cast and carved as a young woman wearing a

harlequin suit, onyx plinth, apparently unsigned
9 in. (24.2 cm.) high
800-1,200

140
$1,300-1,900
1,100-1,500
A GEORG JENSEN SILVER BLOSSOM PATTERN BOWL
MARK OF GEORG JENSEN, COPENHAGEN, 1933-1944
Oval form, with incurved sides applied with beaded bud and
stem enclosed by wire rim, stamped marks, Denmark Sterling 925s,
no 2; together with a Georg Jensen silver ladle with beading on
the handle and berry-bud finial, stamped makers oval mark and
830s, no. 38, with Heisse assay marks and indistinct tower mark
Bowl 7in. (19.6cm.) long
11 oz. (342 gm.)
(2)
1,000-1,500

141
$1,600-2,400
1,300-1,900
A PAIR OF LEGRAS ENAMELLED GLASS VASES
CIRCA 1920
The mottled cased glass vases of baluster form decorated in

enamels with foliate motifs and tassels, signed Legras
15 in. (38.5 cm.) high
1,200-1,600

$1,900-2,500
1,600-2,000
142
139
140
W142 A FRANOIS-EMILE DECORCHEMONT (1880-1971)

PTE-DE-CRISTAL BOWL
CIRCA 1950
143
Coloured and moulded glass bowl of flared form, impressed

Decorchemont seal with cross, engraved D 153
6 in. (15.8 cm.) diameter
1,200-1,800

$1,900-2,800
1,600-2,300
PROVENANCE:
The Marquis Costa de Beauregard;

Thence by decent.
~143 AN ENGLISH SILVER AND IVORY TEA AND COFFEE SET
MARK OF GEORGE HAPE, SHEFFIELD 1936, 1939 & 1940
Comprising: a coffee pot and teapot, both ivory handles and

finials, and a milk jug and sugar bowl, all with decorative band,
stamped hall marks and makers marks
Coffee pot 8 in. (20.2 cm.) high
Gross weight 56.5 oz. (1757 gm.)
(4)
1,000-1,500

144
$1,600-2,400
1,300-1,900
A BRUNO ZACH (1891-1935) COLD-PAINTED BRONZE

GROUP
FEMALE HUNTRESS WITH HOUND, CIRCA 1920
Modelled and cast as the huntress holding a bow, with a tall

hound beside her, on onyx plinth, unsigned
15 in. (38.7 cm.) high
3,000-4,000

$4,800-6,300
3,800-5,000
LITERATURE:
See Bryan Catley, Art Deco and other Figures, Woodbridge, 2003,
p.330 for an illustration of this figure group.
141
144
27
145
AN ARTS AND CRAFTS OAK DRESSING TABLE MIRROR
148
GORDON RUSSELL, CIRCA 1930S
With bevelled plate, decorated stretcher and brass screws

800-1,200

146
A MATCHED PAIR OF SILVER AND OAK PHOTOGRAPH FRAMES
MARK OF J AITKEN & SON, BIRMINGHAM 1903 AND GOURDEL VALES & CO, BIRMINGHAM 1903, RD.NO
413304
$1,300-1,900
1,100-1,500
A GUSTAVE SERRURIER-BOVY (1858-1910) COPPER AND BRASS TRAY
Each of shaped outline, the silver embossed with honesty leaves, oak back and easel support,
bevelled glass
10 in. (26.7 cm.) high
2,000-3,000

149
A CONNELLS ARTS & CRAFTS SILVER BON-BON DISH
CIRCA 1900
MARK OF G.L. CONNELL LTD., BIRMINGHAM 1910
With geometric pierced decoration to the handles and gallery

20 in. (53 cm.) long
Oval form with scroll handles, pierced foliate panels and hammered ground, square base with
embossed stud motif, stamped marks
9 in. (23.5 cm.) wide
6.5 oz. (202 gm.)
1,000-1,500

$1,600-2,400
1,300-1,900
800-1,200

$1,300-1,900
1,100-1,500
nD147 A MATCHED AND ADAPTED PAIR OF ENGLISH ARTS AND CRAFTS OAK BOOKCASES
150
CIRCA 1930
1905
Each with three shelves, the top edges with exposed dove tails, the sides with exposed joints, with
shaped apron at the base and having stepped and chamfered feet
38 in. (96.5 cm.) high x 33 in. (84 cm.) wide
(2)
Copper panel embossed with a sailing ship, figures, waves and fish, framed in iron with copper
handle and feet, signed J.P 1905
26 in. (66.7 cm.) high x 20 in. (52.3 cm.) wide
1,000-1,500

1,000-1,500

$1,600-2,400
1,300-1,900
(2)
$3,200-4,700
2,600-3,800
A JOHN PEARSON ARTS & CRAFTS COPPER AND WROUGHT IRON FIRE SCREEN
$1,600-2,400
1,300-1,900
Probably adapted from two Loughborough College compendiums which were designed by Peter
Waals (Head of Furniture at Loughborough College) and made by students under his supervision for
Hazelrigg Hall, circa 1935.
28
n151 A PAIR OF FRENCH ART DECO WROUGHT-IRON AND ALABASTER WALL LIGHTS IN THE
MANNER OF SUE ET MARE
154
CIRCA 1930S
Modelled and cast as an athletic young man bending a bar, on Belgian marble plinth, engraved D.H.
Chiparus
29 in. (75 cm.) long; 21 in. (53.3 cm.) high
Each twin-branch, the shades on scroll supports united by swags

800-1,200

152
(2)
$1,300-1,900
1,100-1,500
A D. H. CHIPARUS (1886-1947) COLD-PAINTED SPELTER GROUP
A DEMETRE CHIPARUS (1886-1947) ART DECO COLD-PAINTED SPELTER FIGURE
LAGE DU BRONZE, CIRCA 1925
2,200-2,800

155
$3,500-4,400
2,800-3,500
A GROUP OF TEN FRENCH GLAZED CERAMIC TABLE LAMPS
CIRCA 1930S
MID-20TH CENTURY, BY AND ATTRIBUTED TO VALLAURIS
Modelled and cast as a young woman feeding a parrot perched on her outstretched hand, marble
plinth, engraved D.H. Chiparus
19 in. (50 cm.) wide
Modelled as fish and crustacea, revealing a marine landscape, three stamped VALLAURIS
15 in. (40 cm.) high, overall
1,200-1,800

$1,900-2,800
1,600-2,300
700-1,000

(10)
$1,100-1,600
890-1,300
PROVENANCE:
Les Trois Garcons, Christies London, March 5th 2014, lot 88
n153 A FRENCH ART DECO WROUGHT-IRON AND MARBLE OCCASIONAL TABLE
n156 A FRENCH ART DECO WROUGHT-IRON AND MARBLE WALL-MOUNTED CONSOLE TABLE
CIRCA 1930
CIRCA 1930
The marble top supported above a scroll apron on hammered curved supports
21 in. (56.5 cm.) high; 23 in. (59.5 cm.) wide; 19 in. (50 cm.) deep
The marble top supported above an openwork frieze of leaves and grapes, curved supports
26 in. (68 cm.) high x 44 (112.3 cm.) wide
1,000-1,500

$1,600-2,400
1,300-1,900
1,000-1,500

$1,600-2,400
1,300-1,900
29
27 JANUARY 2015 DEVOTIONAL IVORIES FROM THE FAR EAST
DEVOTIONAL IVORIES
FROM THE FAR EAST
This group of devotional ivory carvings
originate in the far eastern colonies of
Spain and Portugal.
It is not always easy to differentiate
whether carvings come from the
Portuguese colony of Goa or the Spanish
colony of the Philippines, as they share a
number of features in common.
Goa was the second base in India to be
established by the Portuguese, having
been conquered during the reign of
Manuel I. Portugal was interested first
30
and foremost in trade, and the discovery

of India was motivated by a desire to
dominate trade-routes. But the Christian
settlers and missionaries were also
keen to convert the native populace to
Christianity, and religious images in ivory
were commissioned to assist in this.
DEVOTIONAL IVORIES FROM THE FAR EAST 27 JANUARY 2015
Likewise, in the Philippines, ivories

were evidently worked by Chinese
sculptors who had emigrated; Manila
was a sea voyage of some eight days
from the Chinese coast. By 1639 some
thirty thousand Chinese were living
there, many of them craftsmen and
traders. Additionally, by the first half
of the eighteenth century, a number of
native Filipino and Chinese mestizos
(of mixed race) were recorded as ivory
carvers there. Filipino ivories often
have Chinese characteristics such as
oval faces and heavy lidded almond
shaped eyes, but were also influenced
by European imagery so that the pieces
show the influence of Spanish baroque

sculpture. Typically, ivories were
delicately carved, with rippling drapery
and striated and gilded hair.
Most of these figures were made, not
primarily as costly works of art, but as
devotional pieces, to educate, perhaps
to convert, and to help with prayers
and worship. Some were commissioned
by Spanish patrons, or a member of
one of the orders, the Franciscans,
Dominicans or Augustinians, all of
whom were active in the Philippines.
Others were exported back to Spain.
The ivories were shipped back to
Spain via the so-called Manila Galleon
trade route which brought porcelain,
silk, ivory, spices, and myriad other
exotic goods from China to Mexico in
exchange for New World silver. (It is
estimated that as much as one-third
of the silver mined in New Spain and
Peru went to the Far East.) On the
return leg, the precious Asian wares
traveled across the Pacific, via the
Philippines, to Acapulco on Mexico's
west coast. They then crossed Mexico
overland for shipment to Spain. An
interesting result of this trade was to
influence religious carving in Spanish
South America to adopt the HispanoPhilippines style, and as South
American sculptors often incorporated
imported Filipino heads and hands into
painted wood sculpture, it becomes
even more difficult to attribute some
of these figures with certainty.
31
The Property of a Lady (Lots 157-167)
n157 A CREAM-LACQUERED AND PARCEL-GILT LOW TABLE
n~160 A CHINESE BLACK, GILT AND POLYCHROME-DECORATED LACQUER AND SOAPSTONE

LOW TABLE
20TH CENTURY
In the Chinese style, the rectangular top with re-entrant corners and a glazed recess enclosing four
simulated coral sprays against a gilt ground
700-1,000

$1,100-1,600
890-1,300
n158 A HARLEQUIN SET OF SIX SPANISH WALNUT OPEN ARMCHAIRS
Incorporating ivory and mother-of-pearl, the rectangular top depicting sages and Immortals in a
landscape within stylised floral and foliate borders
16 in. (40 cm.) high; 31 in. (79 cm.) wide; 18 in. (47.5 cm.) deep
700-1,000

$1,100-1,600
890-1,300
n161 A WILLIAM AND MARY BRASS-MOUNTED LABURNUM AND OLIVE-OYSTER VENEERED

WALNUT, OLIVEWOOD AND MARQUETRY CABINET-ON- STAND
Each with a rectangular back, arms and seat on square legs joined by shaped stretchers
46 in. (118 cm.) high; 24 in. (61 cm.) wide; 24 in. (61 cm.) deep, the tallest
800-1,200

LATE 19TH/ EARLY 20TH CENTURY
LATE 17TH CENTURY, THE STAND LATER, THE INTERIOR ADAPTED
(6)
$1,300-1,900
1,100-1,500
With cushion drawer above a pair of doors enclosing a mirror-fitted interior with shelf supports, the
stand with three frieze drawers divided by foliate scrolled marquetry panels
1,000-1,500

$1,600-2,400
1,300-1,900
n159 A HARLEQUIN SET OF SIXTEEN MAHOGANY DINING-CHAIRS
n162 A GEORGE III MAHOGANY TRIPLE PEDESTAL DINING-TABLE
FOUR GEORGE III, TWELVE 19TH CENTURY
LATE 18TH / EARLY 19TH CENTURY, THE TOP AND BASE ASSOCIATED
Comprising a pair of armchairs and fourteen side chairs, the arched toprails above pierced interlaced
splats, the seats covered in crimson damask, on square chamfered legs
(16)
The rounded rectangular top with two additional leaves on turned pedestals and reeded sabre legs
with brass caps and castors, one leaf later
2,500-4,000

2,000-3,000

$4,000-6,300
3,200-5,000
$3,200-4,700
2,600-3,800
32
n163 A PAIR OF FRENCH ORMOLU-MOUNTED TULIPWOOD AND KINGWOOD OCCASIONAL

TABLES
n166 A MID-VICTORIAN POLYCHROME-DECORATED, GILT, BLACK LACQUER AND PAPER

MACHE OCCASIONAL TABLE
OF LOUIS XV STYLE, SECOND HALF 20TH CENTURY
THIRD QUARTER 19TH CENTURY
Each with kidney-shaped top inlaid with bois de bout foliate tendrils above a frieze drawer
1,000-1,500

(2)
$1,600-2,400
1,300-1,900
n164 A LOUIS XV ORMOLU-MOUNTED KINGWOOD AND TULIPWOOD BOMBE COMMODE

MID-18TH CENTURY
The later Rouge Royale marble top above three drawers with foliate handles and escutcheons, the
angles headed by rocaille chutes running to foliate sabots, largely remounted, restorations
1,200-1,800

$1,900-2,800
1,600-2,300
The piecrust tilt-top centred by a view of San Pietro di Castello, Venice

700-1,000

$1,100-1,600
890-1,300
n167 A FRENCH ORMOLU AND SEVRES-STYLE PORCELAIN-MOUNTED KINGWOOD

BONHEUR- DU-JOUR
LATE 19TH CENTURY
The rectangular top with pierced gallery above a pair of cupboard doors mounted with plaques
depicting putti, enclosing a single shelf, above a pair of drawers, the lower section with a blue
velvet-lined slide and a long drawer
1,200-1,800

$1,900-2,800
1,600-2,300
n~165 A GEORGE III ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY
Crossbanded in satinwood and tulipwood, and inlaid with stringing, with two oak-lined frieze
drawers opposed by dummies, the end-supports joined by a high stretcher, with ivorine label
CHARLES ANGELL ANTIQUES/ 34 MILSOM STREET, BATH
28 in. (73 cm.) high; 38 in. (98 cm.) wide, closed; 61 in. (155.5 cm.) wide, open; 26 in. (66 cm.)
deep
2,500-4,000

PROVENANCE:
Charles Angell Antiques, Bath.
$4,000-6,300
3,200-5,000

n168 A FRENCH ORMOLU-MOUNTED KINGWOOD VITRINE
OF TRANSITIONAL STYLE, EARLY 20TH CENTURY
Of rectangular breakfront outline, with three glazed doors enclosing a red velvet-lined interior with
two glass shelves and a mirrored back
2,000-4,000

$3,200-6,300
2,600-5,000
33
Property of a Greek Private Collector (Lots 169-183)
~169 A HISPANO-PHILIPPINE IVORY BUST OF THE VIRGIN

MARY
~170 PROBABLY A HISPANO-PHILIPPINE CARVED IVORY

FIGURE OF THE VIRGIN IMMACULATA
~171 A HISPANO-PHILIPPINES CARVED IVORY HEAD OF

CHRIST
18TH CENTURY
17TH CENTURY
Mounted with hair and inset with glass eyes (one lacking), on
associated Indian rosewood pedestal base
6 in. (16.5 cm.) high
With a some polychrome decoration and inset glass eyes,

mounted on a later stained wood plinth
9 in. (23 cm.) high
With polychrome and gilt decoration and mounted with a silver

gilt embossed halo, on a later associated ebonised pedestal
15 in. (40 cm.) high overall
1,000-1,500

1,500-2,500

1,500-2,500

$1,600-2,400
1,300-1,900
$2,400-3,900
1,900-3,200
~172 A PORTUGUESE COLONIAL CARVED IVORY, GILT AND POLYCHROME DECORATED

FIGURE OF SAINT BARBARA AND A HISPANO- PHILIPPINE IVORY, POLYCHROME AND
GILT FIGURE OF A SAINT
~173 A GROUP OF THREE GOAN AND TWO HISPANO-PHILIPPINE IVORY FIGURES OF SAINTS
LATE 18TH AND EARLY 19TH CENTURY
LATE 18TH CENTURY
Saint Barbara holding a tower and palm leaf crucifix

The tallest 12 in. (31 cm.) high
(2)
1,200-1,800

$2,400-3,900
1,900-3,200
$1,900-2,800
1,600-2,300
Including the Good Shepherd, the Pieta group and the seated Virgin with skull; together with Saint
Sebastian with gilt-metal arrows standing on a painted wood cloud and a kneeling Saint, some with
polychrome and gilt decoration
The tallest 5 in. (13.5 cm.) high
(5)
800-1,200

$1,300-1,900
1,100-1,500
~174 AN AUSTRIAN CARVED WALNUT AND IVORY FIGURE OF A BEGGAR

IN THE MANNER OF SIMON TROGER, 18TH CENTURY
Mounted on a later plinth, parts lacking; together with a Spanish carved ivory
figure of a Saint, possibly St. Francis, early 19th century, mounted on an ebony
base
(2)
1,000-1,500

$1,600-2,400
1,300-1,900
~175 TWO HISPANO-PHILIPPINE CARVED IVORY FIGURES OF THE VIRGIN

LATE 18TH CENTURY
Both with polychrome and gilt decoration, one mounted on a giltwood and grey
painted plinth
(2)
1,000-1,500

34
$1,600-2,400
1,300-1,900
175
175
174
174
The Property of a Greek Private Collector (Lots 169-183)

~176 A GROUP OF FIVE HISPANO-PHILIPPINES IVORY
FIGURES
LATE 18TH AND 19TH CENTURY
Including a figure of Christ as a child (lacking arms), three figure

groups of the Virgin Mary with the infant Christ and another
pieta group;
Together with a Hispano-Philippine ivory head, possibly Christ,
mounted on a later associated ebonised plinth, a HispanoPhilippine bone figure of the Virgin Mary with Christ and
another painted wood figure, painted numbers to the back 5887
and a German ivory figure group of a huntsman and horse on
pedestal, late 19th century
(9)
1,000-1,500

176
$1,600-2,400
1,300-1,900
180
~177 A GROUP OF FIVE HISPANO-PHILIPPINES GILT-WOOD

DECORATED AND IVORY MOUNTED FIGURES OF
SAINTS
19TH CENTURY
Including a winged Saint, two St. Francis figures, a St. Mary

with silver halo and another figure with gilt drapery
Together with a Spanish giltwood and polychrome figure of the
Virgin Mary, 19th century
(6)
1,000-1,500

$1,600-2,400
1,300-1,900
~178 A GROUP OF FIVE HISPANO-PHILIPPINE CARVED

IVORY FIGURE GROUPS OF THE VIRGIN AND CHILD
Some with polychrome and gilt decoration, two mounted on

painted wood bases
(5)
1,000-1,500

$1,600-2,400
1,300-1,900
~179 A GROUP OF FOUR HISPANO-PHILIPPINE PAINTED

WOOD AND IVORY SAINTS
177
Depicting the Virgin Mary and Joseph, St. John the Baptist and
another male Saint
(4)
800-1,200

181
$1,300-1,900
1,100-1,500
~180 A GROUP OF SIX HISPANO PHILIPPINE CARVED IVORY

FIGURES OF SAINTS AND ANGELS
18TH AND 19TH CENTURY
Including a head of Christ with wood reverse mounted on a

later wood plinth; a male Saint, possibly Joseph wearing a hat;
St. Mary and a kneeling Saint, together with two other standing
figures, all with polychrome and gilt decoration
(6)
1,000-1,500

$1,600-2,400
1,300-1,900
~181 A GROUP OF FOUR NORTH ITALIAN EMBRACHI BONE

CARVED PLAQUES LATER MOUNTED AND FRAMED
PROBABLY 15TH / 16TH CENTURY
The bone carved as pairs of opposing maidens

The largest group 5 (14 cm.) high; 9 in. (23 cm.) wide
Together with four Hispano-Philippine ivory and a bone relief
carved fragments of heads and a figure, 18th century, some with
polychrome details; and a relief carved ivory maidens head with
rippled moulded edge, probably German, 19th century
(2)
178
1,000-1,500

182
$1,600-2,400
1,300-1,900
~182 A GROUP OF FOUR HISPANO-PHILIPPINE CARVED

IVORY FIGURES OF SAINTS
19TH CENTURY
Comprising; a male Saint holding a silver metal lily, possibly

St. Dominic, the Virgin Mary holding a crucifix, St. Francis
and another male Saint holding a book, two of the figures with
polychrome and gilt decoration
(4)
1,000-1,500

$1,600-2,400
1,300-1,900
~183 A GROUP OF FOUR HISPANO-PHILIPPINE IVORY

FIGURES OF SAINTS
EARLY 19TH CENTURY
With gilt and polychrome decoration, one holding a bible,

another with a gilt-metal crown, three on later bases
6 in. 16.5 cm,.) high
179
1,000-1,500

$1,600-2,400
1,300-1,900
183
35
VARIOUS PROPERTIES
187
184
LATE 20TH CENTURY
A LATE VICTORIAN GILT-BRONZE MOUNTED HAND PAINTED DRESSING TABLE TRAY
CIRCA 1870
Painted on paper depicting Europa and the Bull, the border engraved with foliate motifs, paper
label to the underside inscribed in ink This was painted by Mary Anne Douglas, nee ... ?
1,200-1,800

$1,900-2,800
1,600-2,300
A PAIR OF ITALIAN CLEAR GLASS MURANO LAMPS
Of swirled lobed form, on plated metal square bases

26 in. (66 cm.) high, including lamp fitment
800-1,200

n185 A REGENCY MAHOGANY CHEST
n~188 A LARGE EARLY VICTORIAN ROSEWOOD STOOL
EARLY 19TH CENTURY
CIRCA 1850
Of shallow proportions, with three long graduated drawers flanked by projecting reeded columns,
on ring-turned tapering legs
36 in. (93 cm.) high; 40 in. (103.5 cm.) wide; 18 in. (45.5 cm.) deep
Re-upholstered and with foliate carved frame

1,500-2,500

$2,400-3,900
1,900-3,200
2,000-3,000

(2)
$1,300-1,900
1,100-1,500
$3,200-4,700
2,600-3,800
n186 A REGENCY BRASS-INLAID MAHOGANY SOFA TABLE
n189 A VICTORIAN WALNUT AND MARQUETRY BREAKFAST TABLE
EARLY 19TH CENTURY
With a drawer and dummy drawer to each side, the frieze with brass inlaid rosettes and a band of
scrolling brass inlay to the bottom edge, on ebony line inlaid end supports joined by a part ebonised
stretcher, two drawer handles missing
28 in.(71 cm.) high; 59 in. (150 cm.) wide; 26 in. (67 cm.) deep
The radially-veneered circular tilt-top inlaid to the centre with a floral motif, on a carved column
support with concave-sided base and scroll feet with concealed castors
800-1,200

$1,300-1,900
1,100-1,500
1,000-1,500

$1,600-2,400
1,300-1,900
36
n190 A PAIR OF FRENCH OR ENGLISH GILT-BRONZE AND BRONZE TABLE LAMPS
n193 A PAIR OF GILT-BRONZE THREE LIGHT WALL APPLIQUES
OF LOUIS XVI STYLE, SECOND HALF 19TH CENTURY
Each with later frosted and cut glass petal shades and glass flues, fitted for oil with lotus leaf socle
above a fluted column and pedestal base with scroll feet
(2)
Each fluted tapering backplate with a flambeau finial mounted with a lion masks supporting scrolled
branches
21.5 in. (55 cm.) high
(2)
1,000-1,500

1,200-1,800

$1,600-2,400
1,300-1,900
$1,900-2,800
1,600-2,300
n191 AN EARLY GEORGE III MAHOGANY CHEST
n194 A PAIR OF ENGLISH GILT-BRASS AND BIRDSEYE MAPLE TWO-TIER ETAGERES
OF REGENCY STYLE, MID-20TH CENTURY
The moulded rectangular top above two short and three long graduated drawers, flanked by fluted
angles, on bracket feet
Each with turned supports surmounted by acorn finials, on castors

1,500-2,500

$2,400-3,900
1,900-3,200
1,500-2,000

(2)
$2,400-3,100
1,900-2,500
n~192 A PAIR OF ENGLISH ROSEWOOD DWARF OPEN BOOKCASES
n195 AN EARLY WILLIAM IV MAHOGANY LIBRARY TABLE
19TH CENTURY AND LATER ADAPTED
EARLY 19TH CENTURY
Each with two adjustable shelves flanked by panelled pilasters headed by acanthus scrolls and paterae
(2)
The rounded rectangular top with gilt-tooled leather writing surface, with three drawers to each
side, on lotus-clasped tapering legs with castors
28 in. (72.5 cm.) high; 60 in. (153 cm.) wide; 35 in. (90.5 cm.) deep
4,000-6,000

$6,300-9,400
5,100-7,600
2,000-3,000

$3,200-4,700
2,600-3,800
37
The Property of a Lady (Lots 196-204)
n196 A NORTH EUROPEAN CARVED GILTWOOD AND GILT-COMPOSITION OVERMANTEL

MIRROR
199
LATE 19TH CENTURY, PROBABLY FRENCH
Each with detachable nozzle reversing to a pierced domed finial on lion mask and swag urn and a
fluted pedestal
10 in. (26.5 cm.) high
(2)
The bevelled oval plate surmounted by a cartouche cresting, hung with floral swags, and flanked by
flambeau finials, with further beaded and scrolling acanthus ornament overall
1,000-1,500

197
A PAIR OF GILT-BRONZE CASSOLETTES
PROBABLY ITALIAN, FIRST HALF 19TH CENTURY
$1,600-2,400
1,300-1,900
A PAIR OF FRENCH BRONZE FIGURES OF STREET VENDORS
1,200-1,800

200
$1,900-2,800
1,600-2,300
A FRENCH BRONZE GROUP OF A ROMANTIC COUPLE
MID-19TH CENTURY
MID-19TH CENTURY, AFTER DUCHOISELLE
The woman with two baskets and a goose, the man with a fish, both on square bases and giltbronze rococo plinths
Dressed in fine costume and each holding roses on a stepped circular base signed Duchoiselle 1856
1,500-2,000

(2)
$2,400-3,100
1,900-2,500
800-1,200

$1,300-1,900
1,100-1,500
n198 A FRENCH PROVINCIAL WALNUT AND FRUITWOOD SERPENTINE COMMODE
n~201 A SET OF THREE PORTUGUESE SOLID ROSEWOOD SIDE CHAIRS
MID-18TH CENTURY
The shaped top above two long drawers with moulded detail and carved with flowers to each end,
flanked by rounded angles, the apron centred by a carved shell and acanthus
Each with a shaped crest rail carved with rocaille and foliage, the pierced splat with interlaced
pattern above a shaped drop-in seat, on cabriole legs with claw-and-ball feet, the aprons centred by
a cartouche
(3)
1,200-1,800

1,000-1,500

$1,900-2,800
1,600-2,300
$1,600-2,400
1,300-1,900
38
202
A FRENCH BRONZE FIGURE OF A CLASSICAL WOMAN
n204 A NORTH EUROPEAN WALNUT AND MARQUETRY VIDE POCHE
CIRCA 1870, AFTER EMILE BRUCHON
LATE 18TH CENTURY, PROBABLY NORTH ITALIAN, TOP AND BASE ASSOCIATED
Seated on a stool with swan feet, a ewer to her side, signed Bruchon
Of adjustable height, the larger tier inlaid with musical trophies, on a fluted and reeded column
support with human form legs
700-1,000

$1,100-1,600
890-1,300
700-1,000

$1,100-1,600
890-1,300
n203 A GEORGE I GILTWOOD AND GILT-GESSO PIER MIRROR
VARIOUS PRPOERTIES
n207 A LARGE VICTORIAN MAHOGANY CHEVAL MIRROR
EARLY 18TH CENTURY
n205 A FRENCH ORMOLU-MOUNTED MAHOGANY AND

KINGWOOD PARQUETRY VITRINE CABINET
MID-19TH CENTURY
The bevelled split plate with an arched frame, carved overall

with scrolls and foliage on a punched ground, with an old paper
label to the reverse NO. 37469 / PICTURE, re-gilt
62 in. (157.5 cm.) high; 26 in. (66 cm.) wide
3,000-5,000

$4,800-7,900
3,800-6,300
The rectangular brche nouvelle marble top above a freize mounted

with laurel entrelac and centred by a plaque with playful putti, the
glazed door and sides enclosing a mirror-lined interior with a pair
of glazed shelves, above a parquetry panel, on short cabriole legs
headed by espagnolettes running to scrolled sabots
4,000-6,000

206 No Lot
The arched rectangular swing-plate with cushion-moulded

frame, on shaped scroll-supports and conforming scroll feet with
castors
deep
1,500-2,500

$2,400-3,900
1,900-3,200
$6,300-9,400
5,100-7,600

ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN
OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE 2 WEEKS FREE STORAGE
39
n208 A COPPER AND STEEL LOG-BIN
n211 A GROUP OF FOUR GRADUATED COPPER AND BRASS FISH KETTLES
19TH CENTURY AND ADAPTED
LATE 19TH CENTURY
The rivetted bin on a later wrought-iron stand

And a copper coal-bucket, 13 in. (33 cm.) high
One stamped 60
The longest 39 in. (99 cm.) wide
Together with two copper pans with lids, late 19th century, one stamped G.DE.R. CI to both parts,
(6)
800-1,200

(2)
$1,300-1,900
1,100-1,500
1,200-1,800

$1,900-2,800
1,600-2,300
n209 AN EDWARDIAN SATINWOOD-CROSSBANDED MAHOGANY PEDESTAL DESK
n212 A WROUGHT-IRON FIRE SCREEN
EARLY 20TH CENTURY
OF RENAISSANCE STYLE, PROBABLY 19TH CENTURY
Strung overall, the mould rectangular top with inset gilt-tooled leather writing surface, above nine
frieze drawers
With a pair of basket tops and raised foliate decorated finial. the frame supporting twin swivel cranes
on scrolled legs
1,500-2,500

1,000-1,500

$2,400-3,900
1,900-3,200
$1,600-2,400
1,300-1,900
n210 A PAIR OF BURR OAK AND CARVED HARDWOOD BOOKCASES
n~213 A N EDWARDIAN ROSEWOOD-CROSSBANDED AND EBONY-STRUNG SATINWOOD DESK
OF REGENCY STYLE, RECENT MANUFACTURE
BY MAPLE & CO., EARLY 20TH CENTURY
Each with two adjustable shelves flanked by lion monopodia decorated with palmettes
1,500-2,500

(2)
$2,400-3,900
1,900-3,200
Of serpentine form, with a baize-lined slide and bowfront kneehole drawer, flanked to each side by
three short graduated drawers, stamped MAPLE & CO. LTD
31 in. (80.5 cm.) high; 54 in. (138.5 cm.) wide; 25 in. (64.5 cm.) deep
1,500-2,500

$2,400-3,900
1,900-3,200
40
217
214
A PAIR OF RARE VICTORIAN COPPER JELLY MOULDS
MID- 19TH CENTURY
Modelled with the portrait profiles of Queen Victoria and Prince Albert
1,500-2,500

A GROUP OF SEVEN VICTORIAN COPPER JELLY MOULDS
CIRCA 1870
(2)
$2,400-3,900
1,900-3,200
This portrait of the young Queen Victoria is after the coinage design by William Wyon
One with a cruciform top, stamped with the orb and sceptre of Benham and Froud also stamped
REGISTERED APRIL 29 1865 ; one engraved with a crown and stamped WOBURN ABBEY
266; another of swirl lobed form stamped TEMPLE CROOK 169 and monogram DBW; two
very similar tiered moulded examples, one with an orb and sceptre stamped 209 and another just
stamped 209; another example with a moulded guilloche to the top and one with engraved initials
D.B and numbered 270
The tallest: 8 in. (21 cm.) high
(7)
1,500-2,000

$2,400-3,100
1,900-2,500
n215 A PAIR OF TOLE-PEINTE AND IRON CHANDELIERS
n~218 A REGENCY SATINWOOD, AMBOYNA AND BURR-WALNUT COLLECTORS CABINET
OF REGENCY STYLE, SECOND HALF 20TH CENTURY
EARLY 19TH CENTURY
Each ring supporting three pairs of candle sockets hung by three linked chains to matching coronas,
with red paint and gilt decoration
(2)
The rectangular top with oval panel above a frieze drawer and two conforming doors, enclosing an
arrangement of ten mahogany drawers, on scroll feet
2,000-3,000

1,000-1,500

$3,200-4,700
2,600-3,800
n216 A REGENCY MAHOGANY FOUR POSTER BED
n219 A PAIR OF MAHOGANY BEDSIDE CHESTS
CIRCA 1820
19TH CENTURY, ADAPTED
Upholstered in floral silk, with velvet-covered headboard and later mattress, the front posts carved
with leaves and spiral reeding
90 in. (229 cm.) high; 79 in. (201 cm.) wide; 84 in. (215 cm.) long
Each with a moulded rectangular top above four graduated drawers

3,000-5,000

$4,800-7,900
3,800-6,300
1,000-1,500

$1,600-2,400
1,300-1,900
(2)
$1,600-2,400
1,300-1,900
41
THE PROPERTY OF LADY (LOTS 220 - 230)
n223 A PAIR OF EMPIRE CREAM-PAINTED AND PARCEL-GILT FAUTEUILS A CHASSIS
n220 A FRENCH GILTWOOD AND COMPOSITION OVERMANTEL MIRROR
EARLY 19TH CENTURY
Each re-upholstered in printed gold silk, with lotus leaf-clasped uprights, the bowed front rail
carved with a patera issuing trailing leaves and bellflowers, re-decorated
LATE 19TH CENTURY
The egg-and-dart carved frame surmounted by a ribbon-tied laurel cresting

1,000-1,500

$1,600-2,400
1,300-1,900
800-1,200

THE DOWNTON ABBEY COMMODE
n224 A VICTORIAN BRASSBOUND TEAK SECRETAIRE CAMPAIGN CHEST
n~221 A GEORGE III ROSEWOOD-CROSSBANDED, SATINWOOD AND POLYCHROMEDECORATED DEMI-LUNE COMMODE
LATE 19TH CENTURY
LATE 18TH CENTURY
Decorated overall with garlands of flowers and ivy leaves, and strung with boxwood and ebony,
the top with a later pierced entrelac gallery above a single frieze drawer, the central cupboard door
decorated with a classical scene, enclosing three mahogany-fronted and cedar-lined drawers, on
later square tapering spade legs with gilt brass ball feet, the backboards with an early 20th century
label Earl of Carnarvon, the painted decoration renewed, the brass mounts later
2,000-3,000

$1,300-1,900
1,100-1,500
In two sections, the central fall enclosing an arrangement of small drawers and pigeonholes above a
baize-lined writing surface, one lock stamped W.F. COOKSON & CO. / WOLVERHAMPTON
and dated 1894
800-1,200

$1,300-1,900
1,100-1,500
$3,200-4,700
2,600-3,800
PROVENANCE:
According to the label, the Earls of Carnarvon, possibly for Highclere Castle, Berkshire or
Chesterfield House, London
n222 AN R. DUBARRY BRASS CLAD CONSOLE TABLE
n225 A FRENCH ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND MARQUETRY BOMBE

SECRETAIRE A ABATTANT
CIRCA 1970S
Hand hammered brass over wooden frame, the top with textured nickel plated border, top with
stepped edge, on reeded supports, signed front right R. Dubarry
1,000-1,500

$1,600-2,400
1,300-1,900
OF LOUIS XV STYLE, IN THE MANNER OF JEAN-FRANCOIS DUBUT, LATE 19TH CENTURY
Of serpentine form, the moulded Fleur de Peche marble top above a leather-lined fall enclosing one
long above two short drawers and a shelf, above two doors enclosing a single shelf
700-1,000

$1,100-1,600
890-1,300
42
n226 A LARGE VENETIAN MIRROR
n227 A CENTRE TABLE
ITALIAN, MID-20TH CENTURY
The rectangular plate surrounded by bevelled marginal plates

with etched foliate decoration
94 in. 238.5 cm.) high; 50 in. (129 cm.) wide
Alabaster, satin-birch and brass mounts

1,200-1,800

$1,900-2,800
1,600-2,300
n228 A GEORGE I PARCEL GILT WALNUT AND BURR

WALNUT BUREAU BOOKCASE
1,500-2,000

EARLY 18TH CENTURY
$2,400-3,100
1,900-2,500
Cross- and feather-banded overall, the dentil and cushion

moulded cornice above doors with gilt gesso cartouche
mouldings and later clear glass enclosing an adjustable shelf,
above a pair of candle-slides, the bureau section with polished
writing surface beneath pigeon holes, various small drawers and
a central cupboard flanked by fluted pilaster secret drawers, the
long drawers below with oak linings, the feet replaced
deep
1,200-1,800

$1,900-2,800
1,600-2,300
n229 A WILLIAM IV MAHOGANY SECRETAIRE LIBRARY BOOKCASE
n230 A GILT-BRASS MOUNTED AND RED LACQUERED GOATSKIN DINING TABLE
MID-19TH CENTURY
Enclosed by four glazed doors with arched astragals below a pedimented cornice, adjustable
shelving within, with fitted secretaire drawer below flanked by and above eight long deep drawers
The rectangular top with rounded edges, on square pedestal supports

1,500-2,500

$2,400-3,900
1,900-3,200
800-1,200

$1,300-1,900
1,100-1,500
43
VARIOUS PROPERTIES
234
231
Portrait of a gentleman, traditionally identified as Thomas B. Hodgson, Master of the

Holderness Hunt on his horse Comical
WILLIAM JOSEPH SHAYER (1811-1892)
Dismounting from the coach
oil on canvas
15 x 21 in. (38.7 x 54.6 cm.)
signed W. J. Shayer (lower left)

oil on canvas
12 x 16 in. (30.5 x 40.6 cm.)
1,000-2,000

JOHN FERNELEY, JNR. (1815-1862)
$1,600-3,100
1,300-2,500
1,000-2,000

$1,600-3,100
1,300-2,500
PROVENANCE:
Anonymous Sale; Phillips, London, 17 December 1985, lot 118.
PROVENANCE:
with David Messum, Beaconsfield.
232
CIRCLE OF CLAUDE-JOSEPH VERNET (AVIGNON 1714-1789 PARIS)
235
AFTER GIOVANNI ANTONIO CANAL, IL CANALETTO
A Mediterranean harbour with fisherfolk and Orientals before a tower, shipping moored
in a calm beyond
The Bacino di San Marco, Venice, looking east, with the Zecca, the Libreria, the
Piazzetta of Saint Mark and the Ducal Palace
oil on canvas
19 x 32 in. (50.2 x 83.2 cm.)
oil on canvas
12 x 25 in. (32.3 x 63.4 cm.)
4,000-6,000

$6,300-9,400
5,100-7,600
2,000-4,000

$3,200-6,300
2,600-5,000
After the picture in the Uffizi, Florence.
n233 A CHARLES I OAK PANELLED CHEST
n236 A PROVINCIAL GEORGE III OAK DROP-LEAF DINING TABLE
EARLY 17TH CENTURY
With a three-panel lid and front, carved with a foliate lunette frieze
The triple-plank top with cleated ends, on facetted octagonal legs

29 in. (74 cm.) high; 54 in. (139 cm.) long; 45 in. (115 cm.) wide, open
800-1,200

$1,300-1,900
1,100-1,500
1,000-1,500

$1,600-2,400
1,300-1,900
44
237
GILLIS CLAESZ DE HONDECOETER (ANTWERP 1570-1653 AMSTERDAM)
240
Cattle resting in a landscape

signed G.DH (lower left)
oil on panel
13 x 19 in. (34.5 x 49.5 cm.)
2,000-3,000

CIRCLE OF DAVID TENIERS II (ANTWERP 1610-1690 BRUSSELS)
A drover with his cattle and sheep, playing a flute in a wooded landscape by a stream,
a temple on the hill beyond
$3,200-4,700
2,600-3,800
oil on canvas
21 x 24 in. (53.3 x 63.3 cm.)
3,000-5,000

$4,800-7,900
3,800-6,300
This picture relates to the original sold at Christies London 28 April 2006, lot 85 (12,000)
241 No Lot

*238 LEOPOLD ZILLER (GERMAN, 19TH CENTURY)
243
Vessels on the Bosphorus
The market at Szolnok
signed Ziller (lower right)

oil on canvas
21 x 32 in. (54.4 x 81.2 cm.)
signed pettenkofen (lower left)

oil on board
8 x 12 in. (20.3 x 30.5 cm.)
1,500-2,000

$2,400-3,100
1,900-2,500
AUGUST XAVER CARL VON PETTENKOFEN (AUSTRIAN, 1822-1889)
1,500-2,000

$2,400-3,100
1,900-2,500
n239 A LARGE PAINTED LOW TABLE
n242 A HARLEQUIN SET OF EIGHT RUSH-SEATED LADDERBACK CHAIRS
LATE 20TH CENTURY
MID-19TH CENTURY
Incorporating a 19th century polychrome painted heraldic canvas banner beneath glass, depicting
a salamander beneath an oak tree and double-headed eagle motif with motto VIGILANS ET
AUDAX
77 in. (196 cm.) by 74 in. (188 cm.)
Including two armchairs, each with turned stiles and legs, with loose-fitted squab cushions
2,000-3,000

800-1,200

$1,300-1,900
1,100-1,500
$3,200-4,700
2,600-3,800
45
(part)
n244 A GROUP OF EIGHT CONVEX MIRRORS
n~247 A PAIR OF CHINESE ROSEWOOD BARREL SEATS
EARLY 19TH CENTURY AND LATER
LATE 20TH CENTURY
Comprising five giltwood mirrors and three painted and parcel-gilt examples, each circular plate
with an ebonised reeded slip and all frames with applied sphere ornament
The largest: 22 in. (58 cm.) diameter
(8)
Each with marble inset top

1,500-2,000

$2,400-3,100
1,900-2,500
2,000-3,000

n~245 A PAIR OF SYCAMORE, BURR-ASH AND ROSEWOOD-INLAID OCCASIONAL TABLES
n248 A PAIR OF SWEDISH MAHOGANY AND EBONY ARMCHAIRS
CIRCA 1940
Each of adjustable height, on spreading plinth bases, stamped LINLEY

27 in. (69 cm.) high, extended; 19 in. (50 cm.) high, closed; 21 in. (55 cm.) square
1,500-2,500

(2)
$2,400-3,900
1,900-3,200
n~246 A ROSEWOOD, STAINLESS-STEEL AND MARQUETRY HELIX CONSOLE TABLE

The rectangular top above a recessed frieze with a central blind drawer, with framed open end
supports
1,200-1,800

$1,900-2,800
1,600-2,300
(2)
$3,200-4,700
2,600-3,800
Re-upholstered in brass nailed tan leather, the front legs headed by ebony tablets and with ebony
feet
2,000-3,000

$3,200-4,700
2,600-3,800
n~249 A BRONZE-MOUNTED SYCAMORE, BURR-ASH AND ROSEWOOD-INLAID CONSOLE

TABLE
The rectangular top with a moulded edge and a concealed hinged compartment to one end, inlaid
with a diamond pattern, on a fluted pedestal support
1,200-1,800

$1,900-2,800
1,600-2,300
46
n250 A SPLIT AMMONITE

PROBABLY MADAGASCAR
Split and polished to reveal the chambers of calcite

800-1,200

$1,300-1,900
1,100-1,500
n252 AN AMERICAN LAMINATED WOOD PARAGON

PROPELLER
n254 AN ART DECO STYLE COPPER OCTAGONAL HALL

LANTERN
CIRCA 1930
With two rivetted metal tip covers, impressed numbers and

marks including the stamp TYPE H16 and a transfer printed
label for the Paragon. American Propeller & MFG.CO.
Baltimore, Maryland.
114 in. (290 cm.) long
With a verde gris patination, single light fitment and bevelled

glass base
39 in. (101 cm.) high
1,000-1,500

$1,600-2,400
1,300-1,900
1,000-1,500

$1,600-2,400
1,300-1,900
n251 A PAIR OF MAHOGANY BEDSIDE PEDESTAL CABINETS
n253 A STEEL ROCKING CHAIR
20TH CENTURY
IN THE MANNER OF R. W. WINFIELD, 19TH/ 20TH CENTURY
n~255 A SET OF WILLIAM IV ROSEWOOD QUARTETTO

TABLES
Each with a marble-inset circular top above a door enclosing a

single shelf
Upholstered in black leather, with strip metal frame
1,500-2,500

$2,400-3,900
1,900-3,200
1,500-2,000

$2,400-3,100
1,900-2,500
The largest table inlaid with a rosewood and satinwood

chessboard, on turned supports with foliate-scroll sledge ends
The largest: 27 in. (70 cm.) high; 19 in. (49.5 cm.) wide; 12
in. (32.5 cm.) deep
(4)
1,500-2,500

$2,400-3,900
1,900-3,200
47
256
TWO CURTIS JERE (AMERICAN) METAL AND BRASS WALL-MOUNTED LEAF

SCULPTURES
CIRCA 1972
Each fashioned in burnished metal and brass as branches with autumnal leaves, one signed C. Jer
1972 and C Jer but undated
35 in. (89 cm.) & 34 in (87 cm.) tall
(2)
1,200-1,800

257
$1,900-2,800
1,600-2,300
AN HRMES BRASS TIMEPIECE
VARIOUS PROPERTIES
259
A SET OF TEN LALIQUE CLEAR AND FROSTED GLASS WINE GLASSES
ANGES, NO. 13-645
The stems moulded with angels heads, the bowls engraved with wings, signed Lalique France
8 in. (20.3 cm.) high
800-1,200

260
$1,300-1,900
1,100-1,500
A PAIR OF POUL HENNINGSEN (1894-1967) COPPER OUT DOOR WALL APPLIQUES
20TH CENTURY
CIRCA 1925
The brass and leather case enclosing a leather-lined face, set with a brushed-metal dial, applied with
polished brass hands and Roman numerals, the face inscribed HERMS PARIS, FAB, SUISS, the
movement inscribed AF/RS, SWISS and with a triangle enclosing 8
8 in. (21.3 cm.) high, handle up
The main shade with graduated ventilation hoops beneath, supported by a tubular arm, with
circular wall fixing
13 in. (33 cm.) high; 18 in. (47 cm.) long
800-1,200

258
$1,300-1,900
1,100-1,500
A TOMMASO BARBI BRASS LAMP
1,000-1,500

(2)
$1,600-2,400
1,300-1,900
n261 NELLO PINI (ITALIAN)
CIRCA 1970S
A PAIR OF LOUNGE CHAIRS, CIRCA 1960
Broad leaf shade with light fitment, supported on a stem and hoop base of square section
produced by Novarredo, black painted metal, brass and velvet upholstery

1,000-1,500

3,000-5,000

$1,600-2,400
1,300-1,900
(2)
$4,800-7,900
3,800-6,300
LITERATURE:
Similar example illustrated:

Rivista dellarredamento, #88, Milan, 1962.
48
262
AN EMILE-JACQUES RUHLMANN WOOD AND COPPER

WASTE PAPER BIN
264
A CARLO SCARPA (1906-1978) FOR VENINI GLASS

VASE
266
A CURTIS JERE (AMERICAN) BRONZE FIGURE
SKIER, LATE 20TH CENTURY
CIRCA 1930
CIRCA 1950
Having four wooden panels united by copper bands at the

corners, on square base
11 in. (29.5 cm.) high
Blown glass with controlled bubbles, with applied clear glass

flange and base, makers four line acid stamp
6 in. (17.2 cm.) high
Modelled and cast as a downhill skier, on sloping onyx base,

some green cold-painted colour to skis, signed on ski C Jere, with
original Curtis Jere LA label to base
10 in. (25.5 cm.) high
1,200-1,800

1,000-1,500

1,000-1,500

$1,900-2,800
1,600-2,300
n263 ICO PARISI (1916-1996)

A GROUP OF FURNISHINGS, DESIGNED 1959
produced by Stildomus, Indian rosewood, glass, aluminium,

including a Dione coffee table, a coat rack and an
umbrella stand (coat rack illustrated online)
table 15 in. (40 cm.) high; 31 in. (80 cm.) wide; 31 in. (79
cm.) deep
coat rack stamped to reverse stildomuselezione Ico Parisi
(3)
2,000-3,000

$1,600-2,400
1,300-1,900
$1,600-2,400
1,300-1,900
n265 ROBERTO PAMIO (B. 1937), RENATO TOSO (B. 1928) &
NOTI MASSARI (B. 1939)
n267 AN I B ARBERG PARROT CHAIR
A COAT STAND, DESIGNED 1968
produced by Stillwood, painted wood and plastic, on castors

Chromed-steel cage on black-enamelled metal support,

upholstery
63 in. (162 cm.) high
800-1,200

1,000-1,500

$1,300-1,900
1,100-1,500
DESIGNED CIRCA 1970S, FOR ABRE DESIGNS
$1,600-2,400
1,300-1,900
$3,200-4,700
2,600-3,800
LITERATURE:
Similar example illustrated:

F. Gualdoni, Ico Parisi & Architetture, Bologna, 1990, pp. 219
(umbrella stand), 221 (coffee table);
M. Winter, Luisa & Ico Parisi, Berlin, ex. cat., 2009, pp. 28-30 (all).
49
268
FOLLOWER OF ALESSANDRO MAGNASCO
271
A wooded river landscape with fishermen and washerwomen, a village beyond; and A wooded river
landscape with travellers on a path and other figures, a village beyond
oil on canvas
52 x 30 in. (77.5 x 132.5 cm.)
(2)
6,000-8,000

FOLLOWER OF PHILIPS WOUWERMAN
Peasants watering horses before an inn

oil on panel
29 x 22 in. (73.7 x 57.2 cm.)
a pair
$9,500-13,000
7,600-10,000
3,000-5,000

$4,800-7,900
3,800-6,300
PROVENANCE:
James Philip Gray (according to a label attached to the reverse)

Anonymous sale; Christies, New York, 23 March 1984, lot 121.
269
SEVILLIAN SCHOOL, 17TH CENTURY
270
Portrait of a gentleman, bust-length, in a black coat and

white collar
oil on panel
21 x 16 in. (54.5 x 42 cm.)
2,000-3,000

$3,200-4,700
2,600-3,800
CIRCLE OF DAVID TENIERS II (ANTWERP 1610-1690

BRUSSELS)
The Gardener: Spring
NICOLAES MAES (DORDRECHT 1634-1693

AMSTERDAM)
Portrait of a lady, possibly from the Scholte family,

half-length, in a red dress and pearl necklace, in a
painted oval
with signature D. Teniers F (lower right)

oil on panel
7 x 5 in. (17.8 x 14 cm.)
3,000-5,000

272
$4,800-7,900
3,800-6,300
PROVENANCE:
Mr Dawson Turner, Yarmouth
inscribed on the reverse juffrauw Scholte

oil on panel, unframed
16 x 12 in. (41.7 x 31.5 cm.)
2,000-3,000

$3,200-4,700
2,600-3,800
Dawson Turner (1775 1858) was an English banker, antiquary

and botanist and published a number of books on the subject
of the latter including a Botanists Guide through England and
Wales with Weston Dillwyn 1805. In December 1802 he was
elected a Fellow of the Royal Society.
50
273
CIRCLE OF JOHANN GEORG PLATZER (ST. PAUL IN

EPPAN, NR. MERAN 1704-1761 ST. MICHAEL IN EPPAN)
An interior with elegant company playing tric-trac

oil on panel
12 x 9 in. (30.6 x 23.5 cm.)
1,500-2,000

$2,400-3,100
1,900-2,500
275
NORTH ITALIAN SCHOOL, 18TH CENTURY
277
A wooded river landscape with travellers on a path,

mountains beyond
Trompe loeil with letters, a picture of the Madonna and

an engraving after Jacques Callot
oil on panel
15 x 13 in. (39.8 x 35 cm.)
oil on canvas
20 x 17 in. (52.8 x 43 cm.)
1,000-2,000

$1,600-3,100
1,300-2,500
1,500-2,000

$2,400-3,100
1,900-2,500
PROVENANCE:
Oscar and Maria Salzer, Los Angeles (before 1965);

By whom given to the Fresno Metropolitan Museum of Art and
Science, 1983 (acc.no. FMM 82.67)
EXHIBITED:
Lawrence, Kansas, Museum of Art of the University of Kansas,

The Salzer Collection; Trompe lOeil and Still Life Paintings: A Loan
Exhibition, 4 October - 1 November 1964, no. 21, as Italian
School, 18th Century.
Charlotte, North Carolina, The Mint Museum, The Salzer
Collection; Trompe-LOeil and Still Life Paintings. A Loan Exhibition, 14
February - 7 March 1965, no. 21, as Italian School, 18th Century.
Los Angeles, Fisher Gallery, University of Southern California;
Seattle, Washington, Seattle Art Museum; Honolulu, Hawaii,
Honolulu Academy of Art; Santa Barbara, California, Barbara
Museum of Art, Reality and Deception, 16 October 1974 - 20
April 1975, no. 86, as Italian School, 18th Century.
274
FRENCH SCHOOL, 17TH CENTURY
276
Portrait of a nobleman, bust-length, in armour and furlined red mantle, wearing a lace cravat and a wig, his
sword besides him
oil on copper, oval
9 x 7 in. (23 x 18 cm.)
1,500-2,000

$2,400-3,100
1,900-2,500
CHRISTIAN WILHELM ERNST DIETRICH (WEIMAR

1712-1774)
Venus and Cupid

oil on paper laid on canvas
15 x 11 in. (38.2 x 29.2 cm.)
2,000-3,000

$3,200-4,700
2,600-3,800
278
FOLLOWER OF JAN MYTENS
Portrait of a lady, half-length, in a blue dress with

slashed sleeves and a lace ruff, in a feigned oval
with inscription ano. 1629 (lower left)
oil on canvas
27 x 22 in. (69 x 56 cm.)
3,000-5,000

$4,800-7,900
3,800-6,300
51
279
A PAIR OF ENGLISH BRASS TABLE LAMPS
n281 A WHITE RESIN CAST BUST OF HENRY HERBERT, 9TH

EARL OF PEMBROKE (1693-1750),
283
Each with vase shaped tops and tapering plain stems on lotus leaf
bands and square bases
20 in. (51 cm.) high excluding fittings
(2)
AFTER A MODEL BY LOUIS FRANCOIS ROUBILIAC (1702-62), BY

PLOWDEN AND SMITH, LATE 20TH CENTURY
800-1,200

1,000-1,500

$1,300-1,900
1,100-1,500
30. in. (78 cm.) high
$1,600-2,400
1,300-1,900
TWELVE CHROMOLITHOGRAPHS FROM CASSELLS

BOOK OF THE DOG
In modern cream painted and silvered wood frames

11 x 13 in. (28 x 33 cm.) overall
1,000-1,500

(12)
$1,600-2,400
1,300-1,900
This model is after the celebrated primary marble portrait bust

of the 9th Earl of Pembroke and 6th Earl of Montgomery by
Louis Francois Roubiliac, dated circa 1750 and now regarded
as the greatest of the portrait busts in the Sculpture in Britain
Galleries at the Victoria and Albert Museum, London. For further
information on this lot see www.christies.com.
n280 A NEAR-PAIR OF ENGLISH BRASS CORINTHIAN

COLUMN STANDARD LAMPS
n282 A VICTORIAN FIGURED MAHOGANY BOOKCASE
n284 A FRENCH PATINATED SPELTER FIGURAL CLOCK
BY HOLLAND & SONS, THIRD QUARTER 19TH CENTURY
LATE 19TH CENTURY
EARLY 20TH CENTURY
The moulded cornice above two doors enclosing four adjustable

shelves, the lower section with two fielded panel doors enclosing
a single shelf, stamped HOLLAND & SONS
The classical female figure standing on a hexagonal base with

foliate cast beading with one arm aloft supporting a globe case
with a brass movement striking on a bell with verge escapement
60 in. (154 cm.) high
1,800-2,500

1,200-1,800

With adjustable stems and square bases with paw feet

74 in. (188 cm.) high when extended; 50 in. (127 cm.) when
compressed
1,000-1,500

(2)
$1,600-2,400
1,300-1,900
$2,900-3,900
2,300-3,200
$1,900-2,800
1,600-2,300
52
285
AN AUSTRIAN TERRACOTTA MODEL OF A SEATED

BULL DOG
Seated on his haunches, with a polychrome decorated collar and

glass eyes
17 in. (44.5 cm.) high
1,000-1,500

$1,600-2,400
1,300-1,900
287
A PLASTER BUST OF JOHN PALMER (1612-1679)
AFTER A MODEL BY MICHAEL RYSBRACK (1694-1770), PROBABLY BY

PLOWDEN & SMITH, LATE 20TH CENTURY
24 in. (62.2 cm.) high
1,000-1,500

$1,600-2,400
1,300-1,900
289
AN ITALIAN BRONZE FIGURE OF THE DANCING FAUN
19TH CENTURY
After the Antique, standing on a black marble plinth

1,000-1,500

$1,600-2,400
1,300-1,900
This bust is a replica model after the imposing terracotta portrait

bust of John Palmer signed M: Rysbrack and for further details
see www. christies.com.
n286 AN ASSEMBLED SET OF TEN GRADUATED COPPER

SAUCEPANS AND LIDS
n288 A QUEEN ANNE WALNUT AND BURR WALNUT

SECRETAIRE CABINET
n290 A PAIR OF ITALIAN GILTWOOD TORCHERES
LATE 19TH CENTURY
EARLY 18TH CENTURY
Three pans engraved with C.H.K, numbered /5 respectively

and stamped JONES BROS DOWN ST. SWI, and another
with a monogram E.C.A, on a later white pained metal stand
75 in. (191.7 cm.) high
(11)
With cross- and featherbanded doors enclosing two later pine

slides, above three long featherbanded drawers, the top drawer
originally fitted as a secretaire with a fall front, on later bracket
feet
Each with a tin drip tray on a baluster and knopped stem with a
triform base carved with putto masks
58 in. (149 cm.) high
(2)
1,500-2,000

$2,400-3,100
1,900-2,500
1,500-2,500

FIRST HALF 19TH CENTURY
1,500-2,000

$2,400-3,100
1,900-2,500
$2,400-3,900
1,900-3,200
53
291
FLEMISH SCHOOL, 17TH CENTURY
294
Pomegranates, oranges, peaches and grapes, with a lobster on a silver charger, peaches
and grapes in a porcelain bowl, a jug with a lid and peaches on a silver tazza, on a
partly drapes table
oil on canvas
33 x 47 in. (85.1 x 120 cm.)
1,500-2,000

292
$2,400-3,100
1,900-2,500
CIRCLE OF MARMADUKE CRADDOCK (SOMERSET C.1660-C.1717 LONDON)
FOLLOWER OF FRANCESCO LAVAGNA
Pomegranate, strawberries, roses and hydrangeas by an upturned wicker basket and a

sculpted urn, in a landscape with a pheasant
oil on canvas
29 x 62 in. (73.7 x 157.5 cm.)
2,000-4,000

295
MANNER OF RICHARD WHITFORD
Ducks in a pond
Dog and bee in a landscape
oil on canvas
17 x 18 in. (43.5 x 47 cm.)
oil on canvas
20 x 25 in. (52.1 x 63.5 cm.)
1,000-2,000

293
$1,600-3,100
1,300-2,500
CIRCLE OF LUCA GIORDANO (NAPLES 1634-1705)
The present lot relates to the picture by Giordano in the Staatliche Museen, Berlin.
$950-1,300
760-1,000
ITALIAN SCHOOL, CIRCA 1900
Timpani, a trombone, a bassoon, cymbals, a clarinet and musical manuscripts on a

partially draped table
oil on panel
13 x 20 in. (34.9 x 52 cm.)
1,000-1,500

600-800

296
Balaam and the Ass
$3,200-6,300
2,600-5,000
$1,600-2,400
1,300-1,900
signed Sthai (lower left)

oil on canvas laid down on panel
27 x 39 in. (68.5 x 99 cm.)
1,200-1,800

$1,900-2,800
1,600-2,300
54
n297 AN ENGLISH CREWELWORK PANEL
n299 FOLLOWER OF CHRISTOPHE HUET
301
OF SEVENTEENTH CENTURY STYLE, CIRCA 1920
Chinoiseries
Roses, carnations, lilies, tulips, morning glory and other

flowers in a glass vase
Embroidered in wools with a flowering trees

99 x 51 in. (252 x 132 cm.)
1,000-1,500

$1,600-2,400
1,300-1,900
oil on canvas
77 x 28 in. (196.3 x 71.5 cm.)
4,000-6,000

(2)
a pair
$6,300-9,400
5,100-7,600
n298 AN ENGLISH BURR AND FIGURED WALNUT CHEST ON

STAND
n300 A VICTORIAN STAINED-BEECH GALLERY EASEL
EARLY 18TH CENTURY AND LATER
With an adjustable-height picture rest

With crossbanded and quarter-veneered top above six

featherbanded drawers, the sides of the upper section
crossbanded, the stand reduced in height, the back labelled
COMPTON BASSETT
800-1,200

$1,300-1,900
1,100-1,500
LATE 19TH CENTURY
1,000-1,500

FOLLOWER OF GASPAR PEETER VERBRUGGHEN II
oil on canvas
20 x 15 in. (52.5 x 40.4 cm.)
1,500-2,000

$2,400-3,100
1,900-2,500
n302 A FRENCH GILT-METAL MOUNTED ROSEWOOD AND

VERNIS MARTIN COMMODE
CIRCA 1900
$1,600-2,400
1,300-1,900
The later rouge marble top above a door depicting 18th century
figures and putti, the velvet lined interior with two shelves
41 in. (105.5 cm.) high: 34 in. (86.5 cm.) wide: 21 in. (54 cm.)
deep
3,500-5,000

$5,600-7,900
4,500-6,300
55
303
ENGLISH SCHOOL, 18TH CENTURY
Portrait of Oliver Calley of Burderop (b. 1672), threequarter-length, in a brown coat and crimson wrap, in a
landscape
oil on canvas
50 x 40 in. (127.5 x 102 cm.)
2,000-3,000

$3,200-4,700
2,600-3,800
PROVENANCE:
Burderop Park, Wiltshire, Rawlence & Squarey House Sale,

20-22 May 1974, lot 399.
Anonymous sale; Christies, South Kensington, 31 July 2011,
lot 191.
THE PROPERTY OF THE LATE MRS. HAZEL WESTBURY
307
305
Portrait of a young boy, three-quarter-length, in a brown

coat with a white collar, his right hand on a cricket bat,
in a landscape
CONTINENTAL SCHOOL, LATE 18TH CENTURY
A pair of half-length portraits of a couple: The

gentleman facing left, in a brown tunic, his cap under his
left arm (illustrated); The lady facing right, depicted as
Hebe, in a blue dress holding a jug in her left hand
pastel on paper, oval
28 x 23 in. (71 x 58.4 cm.); and similar
2,000-3,000

(2)
FOLLOWER OF JOHN OPIE
oil on canvas
23 x 19 in. (59.7 x 49.5 cm.)
1,500-2,500

$2,400-3,900
1,900-3,200
$3,200-4,700
2,600-3,800
Oliver Calley Esq. of Burderop (b. 1672), was the grandson of

William Calley Esq. (1600-1660) who purchased Burderop Park
from the Stephen family during the reign of Elizabeth I. William
Calley was a steadfast opponent of the royal cause during the
Civil War and his signature is attached to the death warrant of
Charles I. Calley was forced to forfeit his lands, which were later
restored to the family.
1,000-1,500

n308 A LARGE WEST PERSIAN CARPET
VARIOUS PROPERTIES
$1,600-2,400
1,300-1,900
n306 A TABRIZ CARPET
1,000-1,500

$1,600-2,400
1,300-1,900
1,000-1,500

56
$1,600-2,400
1,300-1,900
*309 GEORGE HENRY HARLOW (1787-1819)
311
Young girl resting at a well

oil on panel
8 x 7 in. (21.6 x 17.8 cm.)
2,000-4,000

$3,200-6,300
2,600-5,000
PROVENANCE:
Property from the Julius Held Collection; Christies, New

York, 27 January 2009, lot 58.
CIRCLE OF SIR MARTIN ARCHER SHEE (DUBLIN 17691850 BRIGHTON)
313
RICHARD RAMSAY REINAGLE, R.A. (LONDON 17751862)
Portrait of a young child, half-length, in a white dress,

in a sculpted oval
Portrait of a young boy, full-length, in a white dress

with blue bows, holding a spaniel, seated in a landscape
oil on canvas
23 x 20 in. (58.4 x 52.1 cm.)
signed R R Reinagle R.A. (lower left)

oil on canvas
30 x 25 in. (76.2 x 64.1 cm.)
2,000-4,000

$3,200-6,300
2,600-5,000
4,000-6,000

$6,300-9,400
5,100-7,600
PROVENANCE:
Mr. Dyer.
n310 AN EXTREMELY FINE PART SILK INDO-TABRIZ CARPET
800-1,200

900-1,500

$1,300-1,900
1,100-1,500
$1,500-2,400
1,200-1,900
1,200-1,600

$1,900-2,500
1,600-2,000
57
315
TWELVE ENGRAVINGS OF FLOWERS
318
In hand painted blue and gilt frames

15 x 11 in. (38 x 30 cm.) overall
800-1,200

A PAIR OF GILTWOOD WALL BRACKETS
Carved with storks surrounded by flowers supporting replaced platforms

PUBLISHED BY ADLARD AND ANDREWS FOR THE FLORISTS JOURNAL, 1844
(12)
$1,300-1,900
1,100-1,500
1,200-1,800

n319 A LATE VICTORIAN SATINWOOD-BANDED MAHOGANY PEDESTAL DESK
n316 AN UNUSUAL VICTORIAN OAK METAMORPHIC READING OR DESK CHAIR
PROBABLY BY MAPLE & CO., LONDON, CIRCA 1900
CIRCA 1880
Of rotating form, re-upholstered in buttoned red leather, the top rail with two secret compartments
and two candle-stands, the reverse of the back with a hinged fold-out reading flap, the reverse of the
seat rail with a secret drawer
1,200-1,800

$1,900-2,800
1,600-2,300
$1,900-2,800
1,600-2,300
The gilt-tooled leather top above three frieze drawers, the pedestals each with three drawers, locks
stamped HOBBS & CO, LONDON, on castors
1,500-2,000

$2,400-3,100
1,900-2,500
PROVENANCE:
Acquired from Harrods Antique and Fine Furniture Department in 2003
n317 AN EDWARDIAN BRASS FIREGRATE
n320 A REGENCY WIRE-MESH AND BRASS NURSERY FENDER
IN THE MANNER OF THOMAS ELSEY, EARLY 20TH CENTURY
EARLY 19TH CENTURY
With a pierced serpentine frieze supported on tapering stands with engraved decoration, some
replacements

And a Regency fender with brass kerb, 45 in. (115 cm.) long
800-1,200

$1,300-1,900
1,100-1,500
800-1,200

(2)
$1,300-1,900
1,100-1,500
58
n321 A SET OF THREE VICTORIAN POLISHED STEEL AND BRASS MOUNTED FIRE IRONS
LATE 19TH CENTURY
324
TWENTY FOUR COLOURED ENGRAVINGS FROM MORRIS BRITISH GAME BIRDS AND
WILDFOWL
With patera cast pommels and grips above writhen shafts, the tulip-shaped shovel blade pierced
with foliate oval
(3)
LATE 19TH CENTURY
1,000-1,500

1,500-2,500

$1,600-2,400
1,300-1,900
In modern giltwood frames

14 x 16 in. (36 x 41 cm.) overall
THE PROPERTY OF AN ESTATE
n325 AN EARLY VICTORIAN MAHOGANY PARTNERS WRITING TABLE
n~322 A REGENCY BRASS-MOUNTED, EBONY AND ROSEWOOD-INLAID MAHOGANY SIDE

CABINET
BY GILLOWS, SECOND QUARTER 19TH CENTURY
EARLY 19TH CENTURY, IN THE MANNER OF GEORGE OAKLEY
Strung overall, the rectangular crossbanded top above three glazed doors with ivory escutcheon
enclosing eight shelves, flanked by turned columns on claw-and-ball feet
2,000-3,000

$3,200-4,700
2,600-3,800
(24)
$2,400-3,900
1,900-3,200
The moulded rectangular top with inset leather writing surface, and two frieze drawers to each side,
stamped GILLOWS LANCASTER, the castors stamped COPE & COLLINSON / PATENT /
STRONG, signed in pencil to the underside of one drawer E. Simpson
1,500-2,000

$2,400-3,100
1,900-2,500
The signature must be that of either Edmund or Edward Simpson, both of whom were working for
the firm at this time and are recorded by Susan Stuart, Gillows of Lancaster and London 1730-1840,
London, 2008, vol. 2, pp. 281-282.
n323 AN ENGLISH BRASS CLUB FENDER
n326 A GEORGE III STEEL FENDER
CIRCA 1920
LATE 18TH CENTURY
With leather corner seats on brass spindles and kerb

61 in. (156 cm.) wide; 17 in. (43 cm.) high; 19 in. (48 cm.) deep
Of serpentine outline with pierced anthemia; together with a set of three Victorian polished steel
and gilt brass mounted fire irons, late 19th century, with acanthus cast grips and writhen shafts, the
tulip-shaped shovel with pierced foliate decoration and stamped P to the reverse
The fender 55 in. (141 cm.) wide; 6 in. (16 cm.) deep
The fire-irons 27 in. (69.2 cm.) high
(4)
800-1,200

$1,300-1,900
1,100-1,500
1,200-1,800

$1,900-2,800
1,600-2,300
59
n327 THREE ENGLISH WROUGHT IRON AND WOOD SCULPTURE STANDS
n330 AN AMERICAN CAST BRASS CASH REGISTER THE NATIONAL
BY ALEC TIRANTI LTD, MID-20TH CENTURY
CIRCA 1919, BY THE NATIONAL CASH REGISTER COMPANY
The adjustable bases with cast inscriptions SCOPAS MODELLING STAND / ALEC TIRANTI
LTD LONDON
50 in. (127 cm.) high
(3)
With applied serial Number S139135H and marble shelf and wood plinth
800-1,200

$1,300-1,900
1,100-1,500
1,000-1,500

n328 A BIEDERMEIER STYLE MAPLE AND EBONISED EXTENDING TABLE
n331 A PAIR OF GREEN MARBLE PLINTHS
EARLY 20TH CENTURY AND ADAPTED
With two extra leaves, on shaped standard end supports with scroll detail
29 in. (75 cm.) high; 94 in. (240 cm.) fully extended; 35 in. (89 cm.) deep
29 in. (75.5 cm.) high; 51 in. (130.2cm.) wide; 15 in. (40 cm.) deep
1,200-1,800

$1,900-2,800
1,600-2,300
1,000-1,500

$1,600-2,400
1,300-1,900
(2)
$1,600-2,400
1,300-1,900
n329 A REGENCY MAHOGANY SIDE TABLE
n332 A PAIR OF SATINWOOD BEDSIDE CHESTS
ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY
BY EDWARDS AND ROBERTS, 19TH CENTURY, ADAPTED
The reeded rectangular top with conforming three quarter gallery, above three short mahoganylined drawers, on turned tapering legs
Each with a moulded rectangular top above three graduated drawers, with plinth bases, stamped
EDWARDS & ROBERTS
(2)
1,500-2,500

1,200-1,800

$2,400-3,900
1,900-3,200
$1,900-2,800
1,600-2,300
60
n333 A PAIR OF PAINTED CAST-IRON JOCKEY POSTS
n336 AN EDWARDIAN MAHOGANY TENNIS RACQUET STAND
EARLY 20TH CENTURY
Each modelled as a jockey standing on a square plinth holding a hinged tethering ring
49 in. (125 cm.) high
1,200-1,800

(2)
$1,900-2,800
1,600-2,300
Holding ten assorted vintage wood racquets

The stand, 21 in. (24.3 cm.) high; 26 in. (67.5 cm.) wide
1,000-1,500

334 AN AUSTRIAN FIVE-PIECE NOVELTY BRONZE DESK SET
n337 A SET OF TWENTY FIVE INDIAN MARBLE LOTUS BOWLS
EARLY 20TH CENTURY
Comprising an inkstand, a pair of candlesticks, a penstand, a blotter and paper knife, each
naturalistically cast with bears
Inkstand: 18 in. (47.5 cm.) wide
Candlesticks: 7 in. (18 cm.) high
Each modelled as a lotus flower

8 in. (20 cm.) diameter
800-1,200

(5)
$1,300-1,900
1,100-1,500
1,500-2,500

n335 A MATCHED PAIR OF VICTORIAN OAK CUTLERY STANDS
n338 A GEORGE II MAHOGANY KNEEHOLE DESK
ONE BY J.W. HETHERINGTON, MID-19TH CENTURY
MID-18TH CENTURY
Each with a U-shaped end for plates and a further division for cutlery, with a pierced
carrying handle, on baluster-turned tapering legs with brass castors, one stamped twice J.W.
HETHERINGTON / LANCASTER, minor variations
The larger: 27 in. (68.5 cm.) high; 21 in. (54 cm.) wide; 13 in. (33 cm.) deep
With seven drawers around a cupboard, on later castors

1,500-2,000

$2,400-3,100
1,900-2,500
1,500-2,500

$1,600-2,400
1,300-1,900
(25)
$2,400-3,900
1,900-3,200
$2,400-3,900
1,900-3,200
61
339
A PAIR OF FRENCH GILT-BRONZE TWIN-BRANCH WALL APPLIQUES
n342 A PAIR OF SILVERED-METAL AND FROSTED GLASS LANTERNS
PROBABLY MID-18TH CENTURY
Each with foliate and C scroll back-plate and branches

Each of ovoid form with domed tops applied with scrolled acanthus leaves surmounted by a crown
(2)
800-1,200

340
$1,300-1,900
1,100-1,500
THREE BRONZE BUSTS OF KARL MARX, FRIEDRICH ENGELS AND VLADIMIR ILYIC LENIN
CIRCA 1946, CAST FROM MODELS BY ANTUN AUGUSTINCIC, CROATIAN 1900-1979
(3)
$6,300-9,400
5,100-7,600
Antun Augustincic was a prominent Croatian sculptor active in Yugoslavia. His most notable sculptures
include the Peace monument which stands in front of the United Nations building in New York City,
and the Miner statue in front of the International Labour Organization headquarters in Geneva.
The bronzes were owned by late General Ljubodrag Duric who was Chief of Cabinet to the late
President Tito, and Chief Commander of Belgrade after the end of World War II. The sculptures
were a personal gift from the sculptor to the General for his suggestion to President Tito that he be
given State commissions. In his book Sjecanja na ljude i dogadaje (Memories on the People and
Events), Belgrade 1989, chapter 62 he wrote So I suggested inviting Augustincic to cast us busts
of Marx, Engels and Lenin. Tito accepted immediately. For this order Augustincic gave me all three
busts as a gift that I am still keeping in my apartment
n341 A FRENCH OAK DINING OR HALL TABLE
A PAIR OF FRENCH BLUE-GLAZED PORCELAIN AND GILT-BRONZE MOUNTED URNS
Each shouldered crackle glazed body with swag hung side handles and foot mounts with a band of
oak leaves
17 in. (44.5 cm.) high
(2)
2,000-3,000

$3,200-4,700
2,600-3,800
n344 A DUTCH OR GERMAN WALNUT, BURR-WALNUT AND TULIPWOOD MARQUETRY AND

INLAID GAMES TABLE
With a drawer to one long side, on removable supports, the top slightly reduced in length
1,500-2,500

343
$1,600-2,400
1,300-1,900
Two with the foundry stamp PLASTIKA

14 in. (37 cm.) to 14 in. (36 cm.)
4,000-6,000

1,000-1,500

$2,400-3,900
1,900-3,200
The hinged top inset with a games board with baize-lined interior, on cabriole legs
500-800

$790-1,300
630-1,000
62
345
ELEVEN LITHOGRAPHS OF SEVRES PORCELAIN DESIGNS
n348 A PAIR OF SOUTH ITALIAN SHEET IRON AND METAL LANTERNS
LATE 19TH CENTURY
PROBABLY SICILIAN, LATE 20TH CENTURY
With gilt highlights, In modern gilt wood frames, some framed as landscapes and others as portraits
16 x 12 in. (41 x 30 cm.) overall
(11)
Of tapering form, surmounted by female masks and goats head masks to the angles, each enclosing
a four light hanging fitment
54 in. (138.5 cm.) high
(2)
1,000-1,500

346
$1,600-2,400
1,300-1,900
A PAIR OF SILVERED-BRONZE THREE-LIGHT WALL APPLIQUES
800-1,200

$2,400-3,900
1,900-3,200
~349 A GROUP OF FOURTEEN GERMAN IVORY AND SOFTWOOD ITINERANT MUSICIANS
Each with a fluted torchere and ribbon tie back-plate supported fluted branches
1,500-2,500

PROBABLY ERBACH, CIRCA 1920
(2)
$1,300-1,900
1,100-1,500
Three standing on ebonised bases, eleven on barrels

2,000-4,000

$3,200-6,300
2,600-5,000
n347 A FRENCH ORMOLU-MOUNTED SATINWOOD VITRINE
n350 A FRENCH PROVINCIAL WALNUT BUFFET
CIRCA 1900
AUVERGNE, EARLY 18TH CENTURY
Mounted overall with female masks, frollicking putti, cornucopiae, guilloche and scrolling foliage,
the mottled green and white marble top above bevelled glazed doors and sides enclosing an
adjustable glass shelf and mirrored back
In two sections, with panelled sides, the base with two drawers flanking a secret drawer and a pair of
doors enclosing a shelf
3,500-5,000

$5,600-7,900
4,500-6,300
1,200-1,800

$1,900-2,800
1,600-2,300
63
351
TWELVE JAPANESE WOODCUTS OF IRIS
354
CIRCA 1920
Each with a numbered inscription in hand-painted silvered and ebonised frames

17 x 14 in. (43 x 36 cm.) overall
1,200-1,800

A BRONZE GROUP OF VENUS RECLINING WITH A WINGED PUTTI AND SATYR
PROBABLY FRENCH, 19TH CENTURY
(12)
$1,900-2,800
1,600-2,300
On a scagliola porphyry plinth

13 in. (33.5 cm..) high; 23 in. (60.5 cm.) wide
1,500-2,500

$2,400-3,900
1,900-3,200
n352 A LARGE PAIR OF GREEN PAINTED CAST-IRON URNS
OF LOUIS XIV STYLE, LATE 20TH CENTURY
n355 A VICTORIAN ORMOLU-MOUNTED SATINWOOD AND BIRCH DUCHESSE BRISEE
Flanked by seated sphinx above scallop-shell crowned lion mask handles with female masks to
either side, damages and losses
43 in. (110 cm.) high; 46 cm. in (117 cm.) wide
1,000-1,500

CIRCA 1880, IN THE MANNER OF HOLLAND AND SONS
(2)
$1,600-2,400
1,300-1,900
Re-upholstered in green velvet, the seat rails inlaid with ebony stringing and tulipwood
crossbanding, the fluted legs with hardwood castors and ormolu foliate capitals
The stool 15 in. (38 cm.) high; 25 in. (63.5 cm.) wide; 22 in. (56 cm.) deep
1,000-1,500

(2)
$1,600-2,400
1,300-1,900
THE PROPERTY OF A NOBLEMAN
n353 A FRENCH BLUE AND WHITE PAINTED LOW TABLE
n356 A DIRECTOIRE ORMOLU AND BRASS-MOUNTED MAHOGANY COMMODE
POSSIBLY BY MAISON JANSEN, FIRST HALF 20TH CENTURY
CIRCA 1790
The top decorated with musical trophies and foliate scrolls

The eared rectangular white-veined grey marble top above three long panelled drawers, the frieze
drawer simulated as three, flanked by fluted pilasters headed by mille-raie panels, on toupie feet
with brass caps
1,500-2,500

$2,400-3,900
1,900-3,200
1,500-2,000

$2,400-3,100
1,900-2,500
64
n357 A PAIR OF FRENCH WHITE-PAINTED AND PARCEL-GILT OVERMANTEL MIRRORS
FROM THE COLLECTION OF BRIAN AND SYLVIA KERNER
OF EARLY LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY
360
Each with later plates surmounted by floral, C-scroll and scallop moulded crest on a trellis ground
1,500-2,000

$2,400-3,100
1,900-2,500
NINE PENCIL AND WATERCOLOUR STUDIES OF DOVES AND PIGEONS
HEINRICH GOTTLEIB LUDWIG (1793-1879)
With inscriptions and catalogue numbers below in glazed frames

9 x 7 in. (23.5 x 17.5 cm.) excluding mounts and frames
700-1,000

n358 A PAIR OF DUTCH WALNUT SIDE CHAIRS
n361 A BURR ELM AND GILT-METAL LOW TABLE
EARLY 19TH CENTURY
OF REGENCY/ EMPIRE STYLE, SECOND HALF 20TH CENTURY
Each with shaped toprail and solid vase-shaped splat, above a yellow floral silk drop-in seat on
scrolled shell-headed cabriole legs with ball-and-claw feet
39 in. (101 cm.) high; 22 in. (56 m.) wide; 23 in. (58 cm.) deep
With lion mask monopodia supports

800-1,200

$1,300-1,900
1,100-1,500
1,200-1,800

(9)
$1,100-1,600
890-1,300
$1,900-2,800
1,600-2,300
n359 A LOUIS XV KINGWOOD BUREAU PLAT
n362 A FRENCH BRASS-MOUNTED MAHOGANY MUSICIANS TABLE
CIRCA 1760, LATER RETAILED AND PARTLY REMOUNTED BY EDWARD HOLMES BALDOCK
MID-19TH CENTURY
The gilt tooled green leather top above three oak-lined drawers opposed by dummies, stamped to
the underside EHB and labelled Compton Bassett, the English PATENT locks and most of the
mounts replaced by Edward Holmes Baldock in the early 19th century
The removable circular top enclosing five adjustable ratcheted rests, on a turned column support
and concave-sided plinth base with concealed castors
5,000-8,000

$7,900-13,000
6,400-10,000
2,000-3,000

$3,200-4,700
2,600-3,800
65
363
TWO PAIRS OF FRENCH DECORATED SPELTER FIGURAL CANDLESTICKS
366
LATE 19TH CENTURY
One pair modelled as knights, the second pair as guardsmen

The tallest: 15 in. (38.5 cm.) high
1,200-1,800

364
(4)
$1,900-2,800
1,600-2,300
A FRENCH LEATHER MALLETTE DE VOYAGE
Her face and flowing hair emerging from a shell

800-1,200

$1,300-1,900
1,100-1,500
THE PROPERTY OF A GENTLEMAN (LOTS 367 - 369)
BY S.T. DUPONT, CIRCA 1930
With black Japanese lacquer bottles and boxes and brushes, with various tools, the case inscribed
S.T. DUPONT 8BIS RUE DIEU PARIS in an outer canvas case
19 in. (48.5 cm.) wide
1,000-1,500

AN ITALIAN WHITE MARBLE RELIEF BUST OF A GIRL IN THE GUISE OF VENUS
LATE 19TH CENTURY
$1,600-2,400
1,300-1,900
n367 A SET OF FOUR REGENCY MAHOGANY SIDE CHAIRS

IN THE MANNER OF MARSH AND TATHAM, EARLY 19TH CENTURY
Each with a curved paper-scroll tablet back and gothic-arched splat above a caned seat with a fitted
squab cushion
(4)
800-1,200

$1,300-1,900
1,100-1,500
n365 A SET OF CHINESE HONGMU QUARTETTO TABLES
n368 A GEORGE II BLACK AND GILT-JAPANNED BUREAU
EARLY 20TH CENTURY
MID-18TH CENTURY
Carved with birds and bamboo plants

The largest: 28 in. (72.5 cm.) high; 15 in. (40 cm.) wide; 15 in. (39.5 cm.) deep
Decorated overall in Chinoiserie, the fall enclosing an arrangement of short drawers and
pigeonholes, above four long graduated drawers, on bracket feet
1,200-1,800

$1,900-2,800
1,600-2,300
1,500-2,000

$2,400-3,100
1,900-2,500
66
371
n369 A VENETIAN ETCHED GLASS MIRROR

LATE 19TH CENTURY
The octagonal bevelled central plate surmounted by an arched

cresting depicting a curtseying lady and gentleman, the cushion
marginal plates engraved with floral decoration and applied with
coloured scroll and foliate mounts and spiral-twist mouldings
1,000-1,500

$1,600-2,400
1,300-1,900
A SEVRES PORCELAIN AND GILT-BRONZE MOUNTED

VASE AND COVER
OF LOUIS XVI STYLE, CIRCA 1900
LATE 19TH CENTURY
With lion mask ring handles and curtain swags, re-painted

factory mark under restored cover
Modelled standing in full uniform

1,200-1,800

$1,900-2,800
1,600-2,300
n370 AN EARLY GEORGE III MAHOGANY SECRETAIRE

TALLBOY
n372 A PAIR OF RED SILK AND GOLD THREAD LEAF

DECORATED WOVEN CURTAINS
MODERN
The dentil-moulded cornice above three short and three long

drawers, the lowest fitted with further drawers and pigeonholes
above a fabric-lined writing surface with re-entrant corners,
flanked by stop-fluted quarter-columns, the conforming base
section with a shaped apron and bracket feet
deep
Interlined and with pleated top edges

129 in. (330 cm) high; 72 in. (185 cm.) wide (at the top)
1,500-2,500

$2,400-3,900
1,900-3,200
n373 A CONTINENTAL SPELTER MODEL OF FREDERICK THE

GREAT
800-1,200

$1,300-1,900
1,100-1,500
1,200-1,800

$1,900-2,800
1,600-2,300
n374 A FRENCH GILT-METAL MOUNTED KINGWOOD,

MAHOGANY AND MARQUETRY OCCASIONAL PETIT
COMMODE
OF TRANSITIONAL STYLE, FIRST HALF 20TH CENTURY
The oval top with pierced three-quarter gallery above three short
drawers, on cabriole legs joined by a kidney-shaped undertier,
with an ivorine retailers label to the inside of one drawer H.A.
COMER / 175 - 177 SHAFTSBURY AVENUE / LONDON
700-1,000

$1,100-1,600
890-1,300
67
375
A MATCHED PAIR OF VICTORIAN SILVER EWERS
MARK OF FREDERICK ELKINGTON AND ELKINGTON & CO. LTD.,

BIRMINGHAM, 1888 AND 1890 RESPECTIVELY
Ovoid form, part-fluted and with egg and dart band around the
waisted neck and around the pedestal foot, chased with a frieze
of classical figures and horses, fluted handle leaf-capped and
terminating in a scroll, each jug with a small flat circular cover
14 in. high (35.5 cm.) and 13 in. high (34.2 cm.)
61.5 oz. (1907 gm.)
(2)
3,000-4,000

$4,800-6,300
3,800-5,000
l377 SIR OSWALD JOSEPH HORNBY BIRLEY (1880-1954)
~378 A GEORGE III SILVER TEA URN
Portrait of a young girl, full-length, in a white dress

sitting on a red stool
MARK OF ANDREW FOGELBERG & STEPHEN GILBERT, LONDON, 1780
signed and dated Oswald Birley/1922 (lower right)

oil on canvas
48 x 34 in. (122 x 86.4 cm.)
1,200-1,800

$1,900-2,800
1,600-2,300
Vase-shaped with stiff leaf chasing below large oval tassies

depicting female classical figures, one a winged figure whose shield
incorporates the arms of Paulet/Powlett/Poulett impaling another,
bifurcated, reeded loop handles terminating in leafage, bead
borders and bands of vitruvian scrolls around cover and trumpet
foot, the latter raised on square base applied to sides with rosettes
and on leaf and scroll-embellished bracket feet, the artichoke finial
lifting part-way out to release the steam via the pierced quatrefoils
and lozenges on cylindrical shaft, fluted spout with carved ivory
tap, engraved ducally gorged falcon crest to cover and foot
21 in. high (54 cm.)
93.5 oz. (2899 gm.)
1,800-2,500

$2,900-3,900
2,300-3,200
379 No Lot

376
STUDIO OF SIR PETER LELY (SOEST 1618-1680 LONDON) AND FOLLOWER OF SIR PETER LELY
Portrait of a gentleman traditionally identified as John Coke, bust-length, in a gold cloak, in a sculpted cartouche;
and Portrait of a lady traditionally identified as Mary Coke, bust-length, in an oyster dress and gold wrap with pearl
ornaments, in a sculpted cartouche
the former with a later identifying inscription John Coke of Melbourne / in the County of Derby Esqr (lower left); and the latter
with a later identifying inscription Mrs Mary Coke, Wife to John Coke of Melbourne Esqr / & Daughter to Sr Tho: Leventhorp
(lower left)
oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)
(2) two in the lot
3,500-4,500

$5,600-7,100
4,500-5,700
68
380
A PAIR OF GERMAN BRASS STUDENT OIL LAMPS
BY WILD AND WESSEL OF BERLIN, CIRCA 1900
Each with classical relief cast decoration and lead weighted base,
with makers signature plaque, later burner, with green glass
shades and clear glass chimneys
21 in, (55 cm.) high excluding shades and chimneys
(2)
1,000-1,500

$1,600-2,400
1,300-1,900
382
AFTER SIR LAWRENCE ALMA-TADEMA
VARIOUS PROPERTIES
A Harvest Festival
384
oil on canvas
47 x 35 in. (120 x 90 cm.)
BY COMITTI, AFTER JOHN HARRISON, NO. H1 153, LONDON, LATE

20TH CENTURY
1,500-2,000

$2,400-3,100
1,900-2,500
The present lot is a copy after the original of the same title by Sir
Lawrence Alma-Tadema, sold at Christies London in the Forbes
Collection Sale, 19 February 2003, lot 1
A GILT-BRASS NAVIGATOR TIMEPIECE
With Roman chapter ring and subsidiary seconds, the eight day
fusee movement with grasshopper escapement and compound
pendulums, the back plate signed H1 153 Comitti, MADE IN
ENGLAND, NO JEWELS; with winding key and glass case
deep
1,500-2,000

l381 SIR OSWALD JOSEPH HORNBY BIRLEY, R.P., R.O.I. (1880-1954)
D383 A PAIR OF ROCOCO REVIVAL GILT AND PATINATED BRONZE SEVEN LIGHT
CANDELABRA
Portrait of an elegant lady
MID 19TH CENTURY AND RE-GILT
signed and dated Oswald Birley/1949 (upper left)

oil on canvas
30 x 25 in. (77.5 x 64.1 cm.)
1,500-2,000

$2,400-3,100
1,900-2,500
Each modelled with an opposing seated cherub

$2,400-3,100
1,900-2,500
1,200-1,800

(2)
$1,900-2,800
1,600-2,300
End of Day 1
69
28 JANUARY 2015 THE ART OF THE ASIAN INTERIOR
LOT 543
LOT 562
LOT 544
THE ART OF THE ASIAN INTERIOR 28 JANUARY 2015
LOT 703
THE ART OF THE

ASIAN INTERIOR
LOT 503
LOT 505
LOT 516
501
A CHINESE BLUE AND WHITE DISH
504 A PAIR OF CHINESE FAMILLE ROSE DISHES
YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD
(1723-1735)
The dish is decorated with an offcial holding a fan standing with his attendant conversing with two
ladies in a garden setting
10 in. (26.7 cm.) diam.
3,000-5,000
502
QIANLONG PERIOD (1736-1795)
Each dish with a shaped foliate rim, decorated with various fowers, the rim with a gilt feur-de-lis
border
13 in. (34.7 cm.) diam.
(2)
1,200-1,800
$4,800-7,900
3,800-6,300
A CHINESE BLUE AND WHITE EWER, AND A TEAPOT AND COVER
505
$1,900-2,800
1,600-2,300
A CHINESE BLUE AND WHITE HARE BOWL
17TH/18TH CENTURY
WANLI PERIOD (1573-1620)
The pear-shaped ewer decorated with fgures at leisure in a garden setting; the teapot and cover
decorated with fowers and scholars objects
(2)
The exterior decorated with two white hares sitting on a rocks gazing at the sky, amongst
chrysanthemum in a garden setting, the interior with two fowers to the centre, the base with an
apocryphal Chenghua six-character mark in underglaze blue within a double circle
8 in. (21.6 cm.) diam.
1,500-2,500
503
$2,400-3,900
1,900-3,200
A CHINESE BLUE AND WHITE TANKARD
2,500-4,000
506
$4,000-6,300
3,200-5,000
A SMALL CHINESE BLUE AND WHITE SILVER-MOUNTED BOTTLE VASE
KANGXI PERIOD (1662-1722)
KANGXI PERIOD (1662-1722), WITH LATER MOUNTS
The top half of the tankard decorated with a Dutch Delft-style pattern of scrolling foliate lappets,
above a Chinese river and mountain landscape containing fgures and domestic homes, the handle
decorated with fowers and scrolling tendrils
7 in. (20 cm.) high
The vase decorated with alternating panels of fowers and vases containing peacock feathers, the top
with an engraved later silver mount and a fgural fnial chain-linked to a silver collar
2,000-3,000
$3,200-4,700
2,600-3,800
2,000-3,000
$3,200-4,700
2,600-3,800
72
PROPERTY OF A PRIVATE COLLECTOR LOTS 507 AND 508
THE PROPERTY OF SIR JOHN AND LADY WARD, ACQUIRED PRIOR TO 1940 LOTS 510-512
507
510
THREE CHINESE BLUE AND WHITE DISHES
THREE CANTONESE FAMILLE ROSE PLATES
19TH CENTURY
One dish decorated with bands of fowers to the centre within shaped foral lappets, and a foliate
rim; the second and third dish decorated with a stylised foral pattern to the centre within a band of
scrolling lotus and auspicious symbols to the rim
The largest 14 in. (37 cm.) diam.
(3)
Comprising two plates similarly decorated and gilt with panels and roundels enclosing birds and
butterfies amongst rocks, interspersed with fower sprays and the attributes of the Eight Immortals;
and another plate decorated in the same palette with birds and fowers surrounded by a band of
birds and bats.
The largest 14 in. (36.5 cm.) diam.
(3)
1,200-1,800
508
$1,900-2,800
1,600-2,300
TWO CHINESE BLUE AND WHITE BOWLS
600-1,000
511
$950-1,600
760-1,300
A CHINESE FAMILLE ROSE PUNCH BOWL AND STAND
19TH CENTURY
19TH CENTURY
The frst decorated to the exterior with four long-tailed birds amongst peony and chrysanthemum,
the interior decorated with a coiled dragon and faming pearl; the second bowl decorated with fruits
and fowers amongst scrolling leaves and tendrils
(2)
The bowl decorated and gilt with large panels enclosing ladies and scholars at leisure on terraces and
in fenced gardens, interspersed with bird cartouches and fower sprays on a seeded ground, all below
a diaper band enclosing further bird cartouches; the stand similarly decorated
The stand, 16 in. (41 cm.) diam.
(2)
1,500-2,500
800-1,200
$2,400-3,900
1,900-3,200
$1,300-1,900
1,100-1,500
VARIOUS PROPERTIES
512
509 A PAIR OF CHINESE FAMILLE ROSE CRACKLE-GLAZED VASES
19TH CENTURY
19TH CENTURY
Each vase with a foliate rim and applied with two Buddhist lions and their cubs to the neck, the
shoulder applied with four writhing kui dragons, decorated with various exotic birds, peacocks,
long-tailed birds, fock of swallows and butterfies in a walled garden setting
(2)
Each vase applied with two chilong handles, decorated with various shaped panels, long-tailed birds
and magpies on rocks amongst peony, magnolia and chrysanthemum between moulded borders
imitating bronze, the bases with four-character marks
17 in. (44.7 cm.) high
(2)
2,000-3,000
$3,200-4,700
2,600-3,800
A MATCHED PAIR OF CHINESE FAMILLE ROSE VASES
800-1,000
$1,300-1,600
1,100-1,300
73
VARIOUS PROPERTIES
PROPERTY OF A DUTCH NOBLE FAMILY LOTS 516-518
513 A LARGE CHINESE BLUE AND WHITE METAL-MOUNTED JAR AND COVER
516
CIRCA 1800
Decorated with a mountainous river landscape, with domestic homes in the foreground, below a
stylised lappet band with peacock feathers, the cover and the neck of the vase with metal mounts
and a later metal collar
Of pear shape with a slender garlic neck, painted all over with fve tiers of upright and pendant
foliate petals divided by clusters of lotus sprays, the base with an artemisia leaf mark
2,500-4,000
A CHINESE BLUE AND WHITE BOTTLE VASE
2,000-3,000
$4,000-6,300
3,200-5,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Christies Amsterdam, 15 June 1990, lot 56.
514
A MATCHED PAIR OF BLUE AND WHITE VASES AND A BLUE AND WHITE BOWL
517
A MATCHED PAIR OF CHINESE BLUE AND WHITE SPIRIT BOTTLES
EARLY 18TH CENTURY
Each beaker vase decorated with various fowers and plants above foral lappets, each base with a
lingzhi fungus; the bowl decorated with elegant ladies in a garden setting and a scholar viewing
through a doorway, the base with an ingot, brush and ruyi sceptre in underglaze blue within a
double circle
The largest 8 in. (22 cm.) high
(3)
Each of barrel shape, the top with a short cylindrical spout, decorated all over in a vibrant cobalt
blue with scrolling chrysanthemum and foliage
5 in. (14 cm.) high
(2)
1,200-1,500
$1,900-2,400
1,600-1,900
1,000-2,000
$1,600-3,100
1,300-2,500
PROVENANCE:
Christies Amsterdam. 6 June 1992, lot 37
515
A PAIR OF CHINESE FAMILLE ROSE JARDINIRES AND STANDS
518
A SET OF SIX, AND A SET OF SEVEN CHINESE BLUE AND WHITE PLATES
19TH CENTURY
KANGXI (1662-1722) AND EARLY QIANLONG (1736-1795) PERIODS
The jardinires decorated in mirror image with long-tailed birds amongst peonies and magnolia,
below a ruyi-head lappet band, the stands with fowers and scrolling tendrils to the rim
The stands, 10 in. (26.2 cm.) diam.
(2)
The set of six similarly decorated with a central lotus fower within a border of dense foral
decoration; and the set of seven with a shaped central cartouche enclosing peony branches and rocks
in a fenced garden
9 in. ( 23 cm. ) diam.
(13)
1,200-1,500
$1,900-2,400
1,600-1,900
1,000-1,500
$1,600-2,400
1,300-1,900
PROVENANCE:
All acquired from a gallery in Denneweg, The Hague, in 1989
74
VARIOUS PROPERTIES
522 A LARGE CHINESE BLUE AND WHITE METAL-MOUNTED JAR AND COVER
519
19TH CENTURY
A LARGE CHINESE BLUE AND WHITE BALUSTER JAR
Decorated with alternating panels of prunus and peony with butterfies, between bands of lotus
enclosed lappets
18 in. (47.5 cm.) high
The jar applied with four animal-mask handles to the shoulder, decorated with two phoenix
amongst rocks and peony, the cover surmounted by a Buddhist lion, the jar and cover with brass
mounts
2,000-3,000
2,000-3,000
$3,200-4,700
2,600-3,800
$3,200-4,700
2,600-3,800
520 A PAIR OF CHINESE BLUE AND WHITE OVOID JARS AND COVERS
523 A PAIR OF CHINESE FAMILLE ROSE CORAL-GROUND JARS AND COVERS
19TH CENTURY
REPUBLIC PERIOD (1912-1949)
Each decorated in mirror image with large foliate panels enclosing fgures in small boats amongst
trees and pavilions in a mountainous river landscape, all on a prunus and cracked-ice ground, the
domed covers similarly decorated, apocryphal Kangxi underglaze blue four-character marks to the
bases
(2)
The jars decorated in mirror image with ladies and attendants in a walled garden setting within
shaped panels reserved on a coral ground, the sides with circular and acorn-shaped panels containing
chrysanthemums and precious objects, the bases with apocryphal Qianlong iron-red six-character
seal marks, the fat covers decorated with boys
9 in. (24.7 cm.) high
(2)
2,500-4,000
2,500-4,000
$4,000-6,300
3,200-5,000
$4,000-6,300
3,200-5,000
521 A PAIR OF CANTONESE BLUE AND WHITE SQUARE JARS AND COVERS
524 A PAIR OF CHINESE BLUE AND WHITE CYLINDRICAL JARS AND COVERS
19TH CENTURY, UNDERGLAZE BLUE MANLOONG, HONAM CANTON WANLONG TIANCAI MARKS
19TH CENTURY
Each decorated to the body with fowers amongst rocks, all below a band of scattered fower sprays
to the canted shoulders, the domed covers are decorated with narcissus, the marks on the base are
written within a bird and snake roundel reading MANLOONG HONAM CANTON, THE
BEST PRESERVES AND SWEETMEATS, MADE IN CHINA TRADEMARK and Wanlong
tiancai
(2)
Each decorated to the shoulder with fve auspicious objects tied with ribbons, the body decorated
with shaped panels enclosing a bird perched upon rocks beside various fowering branches all
between a ruyi-head band and a lappet band, apocryphal Kangxi underglaze blue four-character
marks to the bases, the fat covers similarly decorated
(2)
3,000-5,000
$4,800-7,900
3,800-6,300
4,000-6,000
$6,300-9,400
5,100-7,600
75
*525 A CHINESE PALE CELADON CARVED JADE PENDANT
528
20TH CENTURY
Carved as a smiling boy standing wearing long robes and holding

a cup in two hands; the stone of a pale tone with grey inclusions
3 in. (8 cm.) high, wood stand
Carved and pierced with a crane in fight amongst lotus, the

stone of a pale celadon tone with some rust and grey inclusions
3 in. (9.2 cm.)
600-900
1,500-2,500
One side carved with a landscape scene of a house beside a pine

tree, the reverse carved with a three line inscription, ftted with a
gilt metal hook
2 in. (6.6 cm.) long
1,200-1,800
A CHINESE PALE CELADON JADE FIGURE OF A BOY
$950-1,400
760-1,100
529
A CHINESE JADE OVAL PLAQUE
$2,400-3,900
1,900-3,200
$1,900-2,800
1,600-2,300
526 FIVE CHINESE FAMILLE ROSE BOWLS
530
19TH/20TH CENTURY
KANGXI PERIOD (1662-1722) AND LATER
Comprising a pair of pink-ground bowls decorated and gilt with a dragon chasing a faming pearl
and phoenix, Guangxu iron red six-character stamped mark to the bases; two yellow-ground
wanshou wujiang Boundless longevity bowls, each with a Guangxu iron red six-character mark to
the base; and a small bowl decorated with Buddhist lions, with a Guangxu iron red two-character
seal mark to the base.
(5)
Comprising a beaker with moulded fower sprays; three horn-shaped cups with moulded foral
and animal design; an octagonal cup moulded with the Eight Immortals, impressed foral mark
to the base; a small cup standing on a branch foot; and two lotus-leaf form cups with a two-line
inscription
The largest 4 in. (10.7 cm.) wide
(8)
500-800
EIGHT CHINESE DEHUA LIBATION CUPS
500-1,000
$790-1,600
630-1,300
$790-1,300
630-1,000
(part)
(detail)
527
THREE CHINESE BOXED SETS OF INKCAKES
Comprising thirty-four inkcakes of various designs and shapes

with inscriptions and gilt, red and green pigments
The larger box 7 x 12 x 2 in. (19.3 x 31.8 x 5.8 cm.)
(3)
1,200-1,500
$1,900-2,400
1,600-1,900
531
A PAIR OF CHINESE BUFFALO AND BOY WOOD

CARVINGS
nD532A CHINESE FAMILLE VERTE PORCELAIN PLAQUE INSET

IN A HARDWOOD GARDEN SEAT
20TH CENTURY
20TH CENTURY
Each one modelled with a recumbent buffalo with fnely incised

hair and two boys seated on its back
13 in. (33 cm.) long, two wood stands
(2)
The circular plaque enamelled with a horseman and fgures at

leisure in a fenced garden, inset in a hardwood barrel-shaped
garden seat
18 in. (47.5 cm.) high, overall
400-600
$630-940
510-760
400-800
$630-1,300
510-1,000
76
PROPERTY OF A EUROPEAN COLLECTOR
D536 TWO CHINESE KANGXI-STYLE FAMILLE VERTE LAUGHING BOYS
533
Each one seated, holding a ruyi sceptre before him, one wearing a foral yellow apron the other a
foral green apron
6 in. (15.2 cm.) high
(2)
A PAIR OF CHINESE FAMILLE VERTE PARROTS
19TH CENTURY
Modelled standing astride a rocky mound, with green and black feathers and yellow bodies
7 in. (19.4 cm.) high
500-800
(2)
$790-1,300
630-1,000
600-1,000
NO RESERVE
$950-1,600
760-1,300
PROVENANCE:
The frst formerly from an American private collection

The second formerly from an American collection
VARIOUS PROPERTIES
537 A CHINESE BLUE AND WHITE FIVE-PIECE GARNITURE
534 A CHINESE BLUE AND WHITE AND CAFE AU LAIT GLAZED FIVE-PIECE GARNITURE
19TH CENTURY
19TH CENTURY
Comprising two beaker vases and three baluster vases and covers, each decorated with two shaped
panels of vases of fowers on stands against a cafe au lait ground
(5)
Comprising two beaker vases and three slender vases and Buddhist lion-fnial covers, each decorated
with a scrolling lotus above a lappet band, apocryphal Xuande underglaze blue four-character marks
to the bases
(5)
1,200-1,800
2,500-4,000
535
$1,900-2,800
1,600-2,300
538
A CANTONESE SILVER FILIGREE FAN
MID-19TH CENTURY
18TH/19TH CENTURY
Each stick decorated with a scrolling design

6 in. (15.5 cm.) long
600-1,000
A CHINESE BRONZE SHREW AND GRAPE TRIPOD

CENSER, COVER AND ASSOCIATED STAND
$950-1,600
760-1,300
The censer with two handles modelled as tree shrews, the

pierced cover modelled as a stem with grapes and leaves, with a
foliate associated stand
5 in. (14.5 cm.) high including stand
700-1,000
$1,100-1,600
890-1,300
$4,000-6,300
3,200-5,000
539
A CHINESE SILVER BOWL
19TH CENTURY
The bowl with steep curving sides and a faring rim, the exterior
and rim fnely engraved with a scrolling lotus design interspersed
with bats
11 in. (29.5 cm.) diam.
600-1,000
$950-1,600
760-1,300
77
540 A PAIR OF CHINESE FAMILLE ROSE VASES AND COVERS
543
19TH CENTURY
20TH CENTURY
Each vase decorated with shaped panels containing vases of fowers and the hundred antiques,
reserved on a pale blue ground with fowers and scrolls below a lappet band, the covers similarly
decorated
(2)
Each vase decorated in pastel shades with panels of peony and butterfies on a dense ground of
fowers and scrolling foliage, each base with an apocryphal Jiaqing gilt six-character mark
17 in. (45.5 cm.) high
4,000-6,000
A PAIR OF CHINESE FAMILLE ROSE ROULEAU VASES
2,000-4,000
$6,300-9,400
5,100-7,600
(2)
$3,200-6,300
2,600-5,000
PROVENANCE:
With Kevin Page Oriental Art, London
541 A PAIR OF CHINESE FAMILLE ROSE VASES
544 A PAIR OF CHINESE FAMILLE ROSE YELLOW-GROUND VASES
19TH CENTURY
19TH CENTURY
Each with two moulded deer-head handles and confronting kui-dragons to the shoulder, the body
decorated with shaped panels enclosing fgures at leisure on terraces and fenced gardens interspersed
with a diaper-patterned ground
14 in. (36.2 cm.) high
(2)
Each vase applied with two gilt fxed-ring mask handles, decorated with bats and various fowers
with scrolling tendrils and two longevity characters on a bright yellow ground
17 in. (44.5 cm.) high
(2)
2,000-3,000
4,000-6,000
$3,200-4,700
2,600-3,800
$6,300-9,400
5,100-7,600
542 A CHINESE FAMILLE VERTE BUDDHIST LION BOTTLE VASE
545
19TH CENTURY
LATE 19TH CENTURY
The bulbous body rising to a long neck decorated with playful Buddhist lions amongst fre scrolls
17 in. (45.2 cm.) high
The vase with a faring foliate rim, and applied with two Buddhist lion and cub handles to the neck
and four kui dragons to the shoulder, decorated in coloured enamels and gilt with various fgures,
offcials and warriors in boats, on the riverbank and in a palace setting, the foliate rim decorated
with fower sprays and fruits
30 in. (76.5 cm.) high
4,000-6,000
$6,300-9,400
5,100-7,600
A LARGE CANTONESE FAMILLE ROSE VASE
1,500-2,500
$2,400-3,900
1,900-3,200
78
546 A PAIR OF CHINESE FAMILLE ROSE OVOID JARS
549 A PAIR OF CHINESE FAMILLE ROSE PEACOCK VASES
19TH CENTURY
19TH CENTURY
Each decorated in mirror image with a pair of long-tailed birds perched upon rocks amongst
magnolia, peony, and rose, all below a diaper and trellis band interspersed with cartouches enclosing
fowers
8 in. (22.5 cm.) high, pierced wood covers, wood stands
(2)
Each vase decorated in brightly coloured enamels depicting two peacocks standing on rocks,
amongst vibrant fowers and trees
12 in. (32.2 cm.) high, carved and pierced wood stands and covers
2,000-3,000
5,000-8,000
$3,200-4,700
2,600-3,800
(2)
$7,900-13,000
6,400-10,000
n547 A CHINESE YELLOW-GROUND FAMILLE ROSE GARDEN SEAT
n550 A CHINESE YELLOW-GROUND DRAGON GARDEN SEAT
19TH CENTURY
19TH CENTURY
Decorated with birds perched on fowering magnolia branches and peony bushes, between
turquoise-ground foral lappets, the sides and top pierced with cash
18 in. (47.5 cm.) high
The garden seat decorated with en grisaille enamels on a yellow ground depicting two writhing
dragons amongst peony and chrysanthemum, between turquoise borders of scrolling lotus fowers,
the sides and top pierced with cash
1,200-1,800
$1,900-2,800
1,600-2,300
1,500-2,500
$2,400-3,900
1,900-3,200
548 A PAIR OF CHINESE FAMILLE ROSE AND POLYCHROME GROUND VASES
551
19TH CENTURY
19TH CENTURY
Each vase decorated with peony, prunus, chrysanthemum and magnolia on a striped multi-coloured
ground, the neck and shoulder applied with two handles moulded as the Three Abundances, sanduo
(peach, pomegranate and fnger citron)
24 in. (61.5 cm.) high
(2)
Each vase decorated with warriors and offcials preparing for battle, the reverse decorated with trees
below a diaper band interspersed with bats and vases
(2)
4,000-6,000
$6,300-9,400
5,100-7,600
A PAIR OF CHINESE FAMILLE VERTE VASES
2,500-4,000
$4,000-6,300
3,200-5,000
79
552
FEI CHENGWU (1914-2001)
555
A CHINESE KESI HANGING SCROLL
556
A CHINESE SILK PAINTING
WHITE CHRYSANTHEMUM
LATE 19TH CENTURY
19TH CENTURY
Ink and colour on paper, signed Chengwu with a red seal mark of
the artist reading Fei
23 x 41 in. (60.6 x 104.3 cm.), framed and glazed
Woven depicting bamboo amongst rocks and lingzhi;

accompanied by a two line poem and signed Li Mu
22 in. x 13 in. (57.2 cm. x 33.7 cm.), mounted as a hanging
scroll
Ink and colour on silk, depicting two elegant ladies and an

attendant on a balcony above a lotus pond and rocks
22 x 38 in. (57.8 x 98.3 cm.), framed
600-1,000
$950-1,600
760-1,300
1,000-2,000
See a very similar example as illustrated in Chinese Paintings in the

Ashmolean Museum, Oxford, S. J. Vainker, 2000, p. 42, no.21
553
500-800
$1,600-3,100
1,300-2,500
$790-1,300
630-1,000
n557 A CHINESE EMBROIDERED SILK PANEL
A CHINESE SILK PAINTING OF A HAWK
18TH/19TH CENTURY
19TH CENTURY
Ink and colour on silk, depicting a hawk seated on a textile

covered screen perch, painted in the style of Lang Shining,
inscribed Chen Lang Shining gong hui with two red seals
34 x 44 in. (86.7 x 113.3 cm.), framed and glazed
Embroidered with coloured silk and couched with gilt thread depicting the Immortals visiting the Queen Mother of the West, Xi
Wangmu, mounted with a blue silk edge
18 x 74 in. (47 x 189 cm.), framed and glazed
800-1,200
500-800
$790-1,300
630-1,000
$1,300-1,900
1,100-1,500
PROVENANCE:
Formerly in the collection of Henry Woods-Wilson (1913-2009)
554
A GROUP OF CHINESE TEXTILES
558
A CHINESE SILK CUSHION FACE AND TEXTILE FRAGMENT
559
A COLLECTION OF CHINESE SILKS
19TH CENTURY
LATE 19TH/EARLY 20TH CENTURY
The group includes various robe fragments and sleevebands, and

a pair of uncut kesi slippers, 20th century
The cushion face embroidered predominantly with pale blue

and pink silk threads with scrolling lotus; the textile fragment
delicately embroidered with scrolling lotus interspersed with bats
on a yellow ground
The largest 12 x 26 in. (30.4 x 66 cm.)
(2)
Comprising of eight various lengths mostly in shades of jade and

yellows, including damask and lengths woven with butterfies
and roundel designs
1,000-1,500
PROVENANCE:
$1,600-2,400
1,300-1,900
1,500-2,000
Property of a Lady
$2,400-3,100
1,900-2,500
1,000-2,000
$1,600-3,100
1,300-2,500
PROVENANCE:
Property of a Lady
PROVENANCE:
Property of a Lady
80
560
A CHINESE HANGING SCROLL
563 A CHINESE FAMILLE ROSE STICK STAND
19TH CENTURY
19TH CENTURY
Ink and colour on paper, depicting a variety of fowers and leaves, signed Chen Qian Wei cheng
gong hua
24 x 49 in. (61 x 125 cm.)
Decorated with panels of fowers and butterfies with diaper borders, reserved on a rust-orange and
gilt ground decorated with further butterfies
27 in. (70.2 cm.) high
2,000-3,000
2,000-3,000
$3,200-4,700
2,600-3,800
$3,200-4,700
2,600-3,800
PROVENANCE:
Acquired in 1991 from Schwabinger Auktionshaus, Munich
561 A CHINESE FAMILLE ROSE JARDINIRE
n564 A CHINESE FAMILLE ROSE GARDEN SEAT
19TH CENTURY
19TH CENTURY
Decorated to the exterior with a pair of long-tailed birds perched on a fowering branch above
peony blooms, below a stylised wan diaper band
15 in. (40.2 cm.) diam.
The barrel-form seat is decorated with two panels of lotus alternating with pierced double-cash
motifs, below geometric bands
18 in. (47.5 cm.) high
4,000-6,000
1,500-2,500
$6,300-9,400
5,100-7,600
$2,400-3,900
1,900-3,200
n562 A CHINESE REVERSE PAINTED MIRROR TABLE SCREEN
n565 A CHINESE RED LACQUER, SOAPSTONE AND SPECIMEN INLAID SIX-FOLD SCREEN
19TH CENTURY
LATE 19TH CENTURY
The mirror panels decorated with elegant ladies at leisure with their attendants, Immortals with
auspicious and mythical creatures, and auspicious fruit and fowers
30 x 50 in. (77 x 129 cm.), later framed
Decorated with a scene of fgures within walled palatial grounds within a leaf border, the reverse
with delicate monochrome foral sprays on a black lacquer ground
Each fold: 73 in. (186 cm.) high, 15 in. (40 cm.) wide
800-1,200
1,000-1,500
$1,300-1,900
1,100-1,500
$1,600-2,400
1,300-1,900
81
566
A CHINESE FAMILLE ROSE HEXAGONAL VASE
569
A CHINESE FAMILLE ROSE HUNDRED BOYS DISH
572
A CHINESE PINK-GROUND FAMILLE ROSE VASE
19TH CENTURY
19TH CENTURY
20TH CENTURY
The neck of the vase applied with two Buddhist lions and their
cubs, decorated with various fgures and Immortals in a palace
riverside setting, the base decorated with a band of lotus with
scrolling tendrils
23 in. (58.5 cm.) high
Decorated with the hundred boys engaging in various leisure

pursuits such as the dragon dance, playing musical instruments
and games, with further boys peering from a balcony and
standing at an altar
14 in. (37.2 cm.) diam.
1,200-1,500
500-800
The body decorated with shaped panels enclosing ladies

engaging in leisurely pursuits including reading, playing weiqi,
and the qin, interspersed with shaped panels enclosing fower
sprays, all on a ground of densely scrolling fowers between a
ruyi-head band and a lappet band, apocryphal Qianlong iron-red
four-character stamped mark to the base
18 in. (45.5 cm.) high
567
$1,900-2,400
1,600-1,900
A CANTONESE FAMILLE ROSE VASE
570
19TH CENTURY
Decorated with a battle scene of various fgures on a river boat

and foating on clouds above the water fghting with swords and
spears, watched by offcial fgures on the river bank
24 in. (62.8 cm.) high
800-1,200
$1,300-1,900
1,100-1,500
$790-1,300
630-1,000
A CHINESE BLUE AND WHITE PRUNUS VASE AND

COVER
600-1,000
573
A CHINESE FAMILLE ROSE PHOENIX AND A FAMILLE

ROSE CELADON GROUND VASE
19TH CENTURY
19TH CENTURY
Decorated with fowering prunus branches on an underglaze

blue cracked-ice ground, the cover surmounted with a
Buddhist lion
18 in. (45.6 cm) high
The frst is modelled with head turned to one side and wings
folded with colourful plumage, perched upon a pierced rocky
base decorated with lingzhi and peonies; the second with
moulded confronting Buddhist lion handles to the neck and kui
dragons to the shoulder, the body and neck with large panels
enclosing offcials and ladies in terraces and warriors in combat
The taller 24 in. (61.5 cm.) high
(2)
1,200-1,500
$1,900-2,400
1,600-1,900
800-1,200
568
A PAIR OF CANTONESE FAMILLE ROSE GILT-METAL

MOUNTED VASES AND COVERS
THE PORCELAIN 19TH CENTURY
Each vase applied with two fxed-ring mask handles, and ftted
to a later gilt-metal bamboo base, the porcelain decorated with
alternating panels of fgures within an interior setting, birds and
butterfies, the covers applied with a Buddhist lion fnial
The porcelain 16 in. (40.7 cm.) high
(2)
1,200-1,800
$1,900-2,800
1,600-2,300
$950-1,600
760-1,300
571
A CHINESE FAMILLE VERTE HEXAGONAL VASE
19TH CENTURY
Decorated with warriors, offcials and attendants at leisure

in a terraced garden setting with two diaper-ground bands
interspersed with landscape scenes and fowers to the upper and
lower body
14 in. (36.8 cm.) high
800-1,200
$1,300-1,900
1,100-1,500
574
$1,300-1,900
1,100-1,500
A PAIR OF CHINESE PINK-GROUND FAMILLE ROSE

VASES, GU
19TH CENTURY
Each decorated in nyonya-style with large shaped panels

enclosing a pair of long tailed birds amongst fowering branches,
and a magpie amongst fowers, all reserved on a pink ground of
scrolling lotus above a key-fret band
12 in. (32.5 cm.) high
(2)
1,500-2,500
$2,400-3,900
1,900-3,200
82
575
A CHINESE QINGBAI BOWL
578 A CHINESE LONGQUAN CELADON DISH
SONG DYNASTY (960-1279)
MING DYNASTY (1368-1644)
The conical bowl decorated to the interior with combed decoration imitating clouds, covered with
a pale blue crackled qingbai glaze pooling around the centre and the foot
6 in. (17.4 cm.) diam.
The dish is heavily potted with gently ribbed sides, covered in an olive-green glaze
15 in. (40 cm.) diam.
800-1,200
576
500-800
$1,300-1,900
1,100-1,500
A SMALL CHINESE PALE GREEN CRACKLE-GLAZED BOTTLE VASE
579
$790-1,300
630-1,000
A CHINESE FLAMB-GLAZED VASE
18TH CENTURY
18TH/19TH CENTURY
The vase with a globular body, the neck rising to a gently faring rim, covered all over in a pale
green glaze which is fnely crackled stopping at the foot ring
8 in. (20.3 cm.) high
The squat globular body rising to a long neck with faring rim, decorated with a streaked purple,
red and lavender glaze
1,500-2,500
600-1,000
577
$2,400-3,900
1,900-3,200
A CHINESE CELADON CONG-SHAPED VASE
580
$950-1,600
760-1,300
A CHINESE TURQUOISE-GLAZED SQUARE-SECTIONED VASE
19TH CENTURY
Of square section, each side moulded with the Eight Trigrams, bagua, in two rows, the base with an
apocryphal Qianlong six-character mark in underglaze blue
The vase covered to the exterior in a bright turquoise crackled glaze, which pools around the edges
of the vase
11 in. (29.3 cm.) high
4,000-6,000
1,500-2,500
$6,300-9,400
5,100-7,600
$2,400-3,900
1,900-3,200
PROVENANCE:
With Roger Keverne Ltd, London, 2005

The Langsdorf Collection, St. Louis, Missouri, no.37
83
28 JANUARY 2015 PROPERTY FROM AN EATON SQUARE APARTMENT
PROPERTY FROM
AN EATON SQUARE
APARTMENT
LOT 610
LOT 587
LOT 629
LOT 589
PROPERTY FROM AN EATON SQUARE APARTMENT 28 JANUARY 2015
LOT 627
LOT 598
LOT 617
LOT 621
Property from an Eaton Square Apartment (Lots 581-677)
581
A PAIR OF CHINESE ORMOLU-MOUNTED TURQUOISE-GLAZED FIGURES OF BUDAI
584
A PAIR OF CHINESE TURQUOISE AND AUBERGINE-GLAZED MODELS OF CONCH SHELLS
THE PORCELAIN KANGXI PERIOD (1662-1722), THE MOUNTS FRENCH MID-18TH CENTURY
Each seated with fowing robes leaving their bellies exposed, a string of beads in their left hand, each
beside a small joss stick holder, mounted on a gilt ormolu stand
(2)
Each shell realistically modelled and covered overall in a turquoise glaze, each moulded with
openwork stand covered in an aubergine glaze
3 in. (7.5 cm.) high
1,200-1,800
700-1,000
582
$1,900-2,800
1,600-2,300
TWO CHINESE ORMOLU-MOUNTED TURQUOISE GLAZED BRUSH POTS AND MATCHED

COVERS
585
(2)
$1,100-1,600
890-1,300
A PAIR OF CHINESE FAMILLE VERTE SWEETMEAT DISHES AND A YELLOW-GLAZED

SAUCER DISH
THE PORCELAIN KANGXI PERIOD (1662-1722), THE MOUNTS FRENCH EARLY 19TH CENTURY
Each moulded and pierced with pine, bamboo and fowers, mounted on an ormolu stand
with square base and hoof stem, the matched turquoise-glazed covers mounted with ormolu
openworked rim and fruit-shaped fnial
7 in. (19.5 cm.) high overall
The pair of fan-shaped sweetmeat dishes variously decorated with fowers and each inscribed with a
poem; the yellow-glazed saucer raised on a short foot, the base with an apocryphal Chenghua mark
The saucer dish 5 in. (14.2 cm.) diam.
(3)
1,500-2,500
583
(2)
600-1,000
$2,400-3,900
1,900-3,200
A CHINESE BLUE-GROUND BOTTLE VASE
586
$950-1,600
760-1,300
A CHINESE COPPER RED BOTTLE VASE AND A FLAMB BOTTLE VASE
19TH CENTURY
18TH CENTURY
Moulded and decorated in white with butterfies amongst fowers on a blue ground
The porcelain 13 in. (35 cm.) high, ftted for electricity
Comprising a copper red bottle vase modelled with a globular body and tall cylindrical neck,
covered in a deep red glaze thinning to white at the rim; and a fambO streaked pear-shaped
bottle vase glazed with deep red and purple streaks thinning to a mushroom tone at the rim, both
mounted as lamps
The fambO bottle vase 18 in. (45.5 cm.) high, ftted for electricity
(2)
400-600
$630-940
510-760
1,500-2,500
$2,400-3,900
1,900-3,200
86
587
A PAIR OF CHINESE SPINACH, AUBERGINE AND CREAM-GLAZED HARES
590
17TH CENTURY
Modelled in mirror image with each rabbits head tilted slightly and a leafy sprig in its mouth,
resting on its haunches on a rectangular base
15 in. (38.1 cm.) high, wood stands
3,000-5,000
588
THE PORCELAIN KANGXI PERIOD (1662-1722)
(2)
$4,800-7,900
3,800-6,300
TWO CHINESE YELLOW-GLAZED DISHES
The rectangular jardinire mounted on an ormolu stand with four paw feet; and a cylindrical fower
pot
The jardinire 7 in. (19 cm.) high, overall
(2)
2,000-3,000
591
19TH/20TH CENTURY
Each covered in an even yellow glaze, with an apocryphal Zhengde underglaze blue six-character
mark in a double circle to the base
7 in. (17.7 cm.) diam.
(2)
600-1,000
A CHINESE ORMOLU-MOUNTED TURQUOISE-GLAZED JARDINIRE AND A TURQUOISEGLAZED POT
$950-1,600
760-1,300
A COLLECTION OF CHINESE TURQUOISE-GLAZED OBJECTS AND A DEHUA LIBATION

CUP
Comprising a square-sectioned tapering stand moulded as bamboo; a bamboo-shaped brush pot, on

wood stand; a duck and lotus cup; a joss-stick holder modelled as Hehe Erxian; a joss-stick holder
modelled with a Buddhist lion; a water-dropper shaped as a monkey; and a Dehua cup moulded
with fowers
(7)
1,200-1,800
589
A CHINESE TURQUOISE-GLAZED BALUSTER VASE
$3,200-4,700
2,600-3,800
592
$1,900-2,800
1,600-2,300
A CHINESE AUBERGINE-GLAZED BALUSTER VASE
18TH CENTURY
Covered in a fnely crackled turquoise glaze, mounted on a gilt-metal base

The porcelain 16 in. (43 cm.) high, ftted for electricity
Modelled with slightly faring rim and covered overall in an even aubergine glaze, ftted for
electricity
The porcelain 13 in. (33 cm.) high, wood stand
2,000-3,000
$3,200-4,700
2,600-3,800
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
The base with label John Sparks Ltd.
87
593
A SET OF THREE GEORGE III SILVER-GILT WIREWORK SUGAR-VASES IN TWO SIZES
APPARENTLY UNMARKED, CIRCA 1770
Hemispherical with ropework swing handles, the wirework sides applied with trailing leaves, foliate
swags and oval medallions, on one side engraved with a crest and on the other chased with a classical
portrait, on futed pedestal bases, with frosted glass liners
One 6 in. ( 17.5 cm.) high;The smaller pair 5 in. (13 cm.) high
12 oz. (373 gm.)
(3)
800-1,200
594
$1,300-1,900
1,100-1,500
A GERMAN PORCELAIN MODEL OF A BOLOGNESE HOUND
596
A MODERN COLLECTED SILVER TABLE-SERVICE OF ONSLOW PATTERN FLATWARE
MARKS OF VARIOUS MAKERS PRINCIPALLY C. J. VANDER LTD., ALSO ASPREY & CO., AND TSC, LONDON,
1959/62/63/64
Comprising:- 24 table forks, 24 dessert forks, 24 fsh forks, 24 dessert spoons, 5 table spoons, 9
oyster forks, 12 demi-tasse spoons; also 24 pistol-handle fsh knives, the handles all by Harrison
Brothers & Howson, Sheffeld, six of the blades by the same makers, but 12 of the blades by George
Adams, London, 1869, and 5 by J. B Carrington, London, 1905; and24 pistol-handle cheese knives,
various dates and makers, with stainless steel scimitar blades
Weighable silver 180.75 oz. (5622 gm.)
(170)
1,800-2,500
597
$2,900-3,900
2,300-3,200
A SET OF FOUR GEORGE III OVAL SILVER SALTS
POSSIBLY 18TH CENTURY MEISSEN, CROSSED SWORDS MARK AND 3D
MARK OF THOMAS DANIELL OVERSTRIKING THAT OF ROBERT HENNELL, LONDON, 1780
Typically modelled with grey and white fur

8 in. (21 cm.) high
The sides pierced with slats between two bands of vetruvian scrolls and incorporating oval
medallions centred by neo-classical urns, engraved with a crest of a dolphin below a motto scroll
inscribed OPMH, and raised on ball and claw feet; together with a similar pair by Robert Hennell,
London, 1790; also a pierced oval mustard pot by Robert Hennell, London, 1786, with shell
thumbpiece and navette-shaped foliate medallions; and a vase-shaped mustard-pot by Robert
Hennell, London, 1781, pierced with bands of vetruvian scrolls and neo-classical medallions above
engraved laurel swags
First set 3 in. (8.3 cm.) long
16.25 oz. (505 gm.)
(8)
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
n595 A GREY-PAINTED AND PARCEL-GILT OPEN BOOKCASE
$1,600-2,400
1,300-1,900
n598 A PAIR OF REGENCY SIMULATED ROSEWOOD AND POLYCHROME-PAINTED OPEN

ARMCHAIRS
IN THE MANNER OF HENRY HOLLAND, MID-20TH CENTURY
Of inverted bowfront form, the conformingly shaped marble top above two frieze drawers and six
adjustable shelves fanked by spirally-reeded columns, on turned feet
EARLY 19TH CENTURY
800-1,200
1,000-1,500
$1,300-1,900
1,100-1,500
Each with a curved tablet back with Greek key decoration and shaped horizontal splat centred by a
lion mask, the scrolled arms with hairy paw supports above a caned bowfront seat, on sabre legs (2)
$1,600-2,400
1,300-1,900
88
599
A PAIR OF GEORGE III SILVER SAUCEBOATS
602
A VICTORIAN SILVER FIDDLE AND THREAD PATTERN TABLE SERVICE OF FLATWARE
MARK OF DANIEL SMITH AND ROBERT SHARP, LONDON, 1761
PRINCIPALLY MARK OF GEORGE ADAMS, LONDON, 1847/51
With gadroon rims, on shell and scroll feet, the scroll handles with a beaded rat-tail below the
leafy cap and terminating at the rim with a shell, one side engraved with a rococo coat of arms for
Ingram/Loder/Sackford impaled by another
8 in. (22.3 cm.) long
26.5 oz. (824 gm.)
(2)
Comprising:- 18 table forks (1847/51), 18 dessert spoons (1847/51), 18 dessert forks (1847/51),
16 tablespoons (1847/51/74), 12 teaspoons (1859/66/72/73), a pair of sauce ladles (1847), a pair
of salt spoons (1853); also 18 pairs of fruit knives and forks by C. J. Vander Ltd., Sheffeld, 1968,
with thread-edge handles; and 18 table knives and 18 cheese knives by C. J. Vander Ltd., Sheffeld,
1965/68, with thread-edge handles and stainless steel blades
Gross weight excluding steel-bladed knives 253.5 oz. (7884 gm.)
(158)
1,000-1,500
$1,600-2,400
1,300-1,900
3,000-5,000
n600 A SIMULATED ROSEWOOD AND PARCEL-GILT CANED LIBRARY ARMCHAIR
603
OF REGENCY STYLE, LATE 19TH / EARLY 20TH CENTURY
APPARENTLY NO MAKERS MARK, LONDON, 1792
With ftted red corduroy cushions, on turned tapering legs
800-1,200
(176)
$1,300-1,900
1,100-1,500
$4,800-7,900
3,800-6,300
A SET OF FOUR GEORGE III SILVER WINE COASTERS
The sides pierced with arcading below gadroon rims, the silver interiors engraved with a crest of a
lion rampant supporting an arrow in his forepaws atop a cap of maintenance, wood bases
(4)
2,000-3,000
$3,200-4,700
2,600-3,800
n601 A DIRECTOIRE WALNUT EXTENDING DINING TABLE
n604 A SET OF SIXTEEN FRENCH GREY-PAINTED AND PARCEL GILT DINING CHAIRS
CIRCA 1800
OF LOUIS XVI STYLE, EARLY 20TH CENTURY, AFTER THE MODEL BY GEORGES JACOB
The oval solid top on chamfered square tapering legs with conforming octagonal brass caps and
castors, with four later additional leaves
28 in. (71 cm.) high; 155 in. (394 cm.) fully extended; 63 in. (162 cm.) deep
Including six fauteuils, each with an arched caned back and seat with ftted cushions, on foliatecarved cabriole legs
(16)
2,000-3,000
$3,200-4,700
2,600-3,800
2,000-4,000
$3,200-6,300
2,600-5,000
89
l605
l608
SIR MATTHEW SMITH (1879-1959)
nl609 PETER COKER, R.A. (1926-2004)
PETER COKER, R.A. (1926-2004)
Still life with fruit
View across the valley, Bargemon, France
Valley landscape
coloured chalks on paper

12 x 16 in. (31 x 41.3 cm.)
signed with initials, inscribed and dated PC/Bargemon 80

(lower right)
pen and black ink, watercolour and bodycolour on paper
22 x 30 in. (55.9 x 76.8 cm.)
signed with initials PC (lower right)

oil on canvas
35 x 47 in. (90.3 x 121.3 cm.)
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
3,000-5,000
$1,600-2,400
1,300-1,900
PROVENANCE:
$4,800-7,900
3,800-6,300
with Rowland, Brown and Delbanco, London.
606
l610
A SMALL RUSSIAN SILVER KETTLE IN THE ORIENTAL STYLE
MARK OF KARL FABERGE, 88 STANDARD, MOSCOW, 1893, AND ALSO BEARING LATER ESTONIAN
CONTROL MARKS
Of compressed square form, with spot-hammered surfaces, the pull-off cover with collapsible ring
handle, and raffa-bound swing handle
4 in. (10 cm.) square
20 oz. (622 gm.)
1,000-1,500
$1,600-2,400
1,300-1,900
PETER COKER, R.A. (1926-2004)
North Sea, Oostende

signed with initials PC (lower right) and signed, inscribed and dated North Sea, Oostende. Peter
Coker 1987 (on the canvas fold)
oil on canvas
53 x 85 in. (136.2 x 217.2 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
n607 A LATE GEORGE III WHITE-PAINTED AND PARCEL-GILT SOFA
n611 A PAIR OF FRENCH GREEN AND RED-PAINTED BERGERES
LATE 18TH CENTURY
OF LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY
Re-upholstered in yellow silk, the padded back and arms with scroll terminals, above a squab
cushion and channel-moulded seat rail, on leaf-clasped reeded tapering legs headed by paterae,
reduced in width
76 in. (194 cm.) wide
Each re-upholstered in green part-silk fabric, the frames elaborately carved with shells, C-scrolls,
leaves and cabochons, on cabriole legs
(2)
1,200-1,800
$1,900-2,800
1,600-2,300
1,500-2,000
$2,400-3,100
1,900-2,500
90
l612
l615
JOSEF HERMAN, R.A. (1911-2000)
l616
CLAUDE VENARD (FRENCH, 1913-1999)
NATALIA DUMITRESCO (ROMANIAN/FRENCH, 1915-1997)
Two workmen sitting under a tree
La guitare au moulin
Abstract in green
inscribed TWO WORKMEN SITTING UNDER A TREE

(on the canvasfold)
oil on canvas
12 x 15 in. (30.5 x 40.3 cm.)
signed CVENARD (lower left)

oil on canvas
8 x 10 in. (22.2 x 27 cm.)
signed N. Dumitresco (lower right) and signed and inscribed

Natalia DUMITRESCO/182 Sauvageot(?)/Paris (on the
reverse)
oil on canvas
15 x 18 in. (38.1 x 45.7 cm.)
1,000-1,500
1,200-1,800
$1,900-2,800
1,600-2,300
$1,600-2,400
1,300-1,900
600-800
PROVENANCE:
$950-1,300
760-1,000
with Galerie Romanet, Paris.

Sold with a photo-certifcate from Alain Vercel.
Renata Venard has confrmed authenticity the authenticity of this
painting.
613
A SUITE OF PORTUGUESE SILVER COMPRISING TWELVE SIDE PLATES AND SEVEN

DINNER PLATES EN SUITE
LISBON, SECOND STANDARD, POST-1938
The scroll borders with occasional shells; also an Austrian silver shaped oval meat-dish, post-1866,
with rococo border
Side plates 8 in. (22 cm.) diameter; Dinner plates 10 in. (26.4 cm.) diameter; Meat-dish 21 in.
(54.5 cm.) long
260.5 oz. (8102 gm.)
(20)
1,700-2,000
617
A GERMAN SILVER-GILT DESSERT SET
MARK OF IGR, BERLIN, CIRCA 1810
Comprising:- 24 dessert spoons, 24 dessert forks and 23 fruit knives, the latter with silver-gilt blades,
all with plain pointed terminals, the knives with rounded ends to handles
66 oz. (2053 gm.)
(71)
1,200-1,800
$1,900-2,800
1,600-2,300
$2,700-3,100
2,200-2,500
n614 A PAIR OF LATE GEORGE III GILTWOOD OPEN ARMCHAIRS
n618 A GEORGE III GILTWOOD SOFA
LATE 18TH CENTURY
Each re-upholstered in green leather, the frame reeded overall with beaded and spiral-turned arm
supports, the terminals with roundel decoration, on conforming tapering legs headed by paterae,
both with a paper inventory label S12806
(2)
The foliate and water leaf carved crest rail and beaded downswept arms with scroll terminals,
above a shaped seat with conformingly carved front rail, on futed tapering legs headed by paterae,
re-upholstered in foral silk and re-gilt
76 in. (193 cm.) wide
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
$1,600-2,400
1,300-1,900
91
l619
nl622 NORMAN ADAMS, R.A. (1927-2005)
NORMAN ADAMS, R.A. (1927-2005)
Dying fowers with landscape through the window at Butts, Horton-in-Ribblesdale,

North Yorkshire; and Sweet peas in a vase
the frst signed with initials, inscribed and dated Dying fowers with landscape through the
Window - Butts - NA. 89. (lower right)
pencil and watercolour on paper
34 x 26 in. (86.3 x 66.1 cm.); 25 x 31 in. (64.8 x 78.8 cm.)
(2) two in the lot
1,000-1,500
Descent from the Cross

signed with initials and dated 87 (lower left) and signed with initials, inscribed and dated
DESCENT FROM THE CROSS/87 (on the reverse)
oil on canvas
51 x 48 in. (129.9 x 122 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
$1,600-2,400
1,300-1,900
Butts in Horton-in-Ribblesdale, in North Yorkshire was Norman Adams home and studio for most of
his life and the Yorkshire dales around him became a key source of inspiration for his work.
(part)
620
A SET OF FOUR GILT-BRONZE THREE-LIGHT WALL APPLIQUES
~623 A SET OF TWELVE LATE VICTORIAN PISTOL-HANDLED TABLE KNIVES IN THE GEORGE III
STYLE
BY HENRY DASSON OF PARIS, CIRCA 1880
Each rococo swirled backplate and branch supporting foliate cast nozzles, all signed Henri Dasson
19 in. (48.5 cm.) high
(4)
3,000-5,000
$4,800-7,900
3,800-6,300
Dasson specialised in reproducing a wide range of furniture and objets dart of high quality in the
style of Louis XIV, XV and XVI, often directly copying known pieces, and produced an impressive
range for the Paris Expositions from 1878 until 1895. The business continued until 1894, when a
sale of remaining stock was held.
MARK OF HARRISON BROTHERS & HOWSON, SHEFFIELD, 1896
With stainless steel scimitar blades; and two sets of six George III pistol-handled table knives, c.
1780; a pair of modern Georgian-style peppers; a modern three-piece condiment set; a pair of
Continental silver and enamel toadstool condiments, with English import marks; three French
mustard-pots, bearing spurious French marks, also genuine French marks and English import
marks; a three-piece christening set by Joseph Willmore, Birmingham, 1833, with carved mother
of pearl handles; six George III/Victorian condiment spoons; a George IV stilton scoop with ivory
handle, London, 1827; an Edwardian serving spoon and fork in the 17th century Dutch style,
London, 1903; a set of nine ice cream spades en suite, London, 1903; a matched set of six Georgian
feather-edge teaspoons, London and Exeter; a set of six more by Hester Bateman, London, 1782;
four shell and scroll-back Hanoverian pattern teaspoons, circa 1760; a modern paper knife and
bookmark en suite by Gerald Benney; a pair of sugar-tongs by Peter, Ann and William Bateman,
London, 1805; a small spoon and fork by Georg Jensen; and two other items
Weighable silver 59 oz. (1835 gm.)
(57)
1,200-1,800
$1,900-2,800
1,600-2,300
n621 AN ITALIAN WALNUT AND SCAGLIOLA OCCASIONAL TABLE
n624 A PAIR OF LOUIS XV GILTWOOD STOOLS
THE TOP LATE 19TH CENTURY, THE GILTWOOD BASE LATER
MID-18TH CENTURY
The circular top decorated with a central scene depicting Victory with polychrome foral border
and outer Attic style border with animal and fgural motifs, on a stylized base with tapering legs
headed by cornucopia
Each upholstered in burgundy velvet and metal thread needlework, on foliate and scroll-carved
cabriole legs
(2)
2,000-3,000
$3,200-4,700
2,600-3,800
1,500-2,500
$2,400-3,900
1,900-3,200
92
l625
n627 A PAIR OF GILTWOOD THREE-LIGHT WALL APPLIQUES
l628
Woman beside a tree
OF ADAM STYLE, 19TH CENTURY
Marine
signed Minaux (lower centre)

charcoal and coloured chalk on paper
46 x 31 cm. (116.8 x 78.7 cm.)
Each ribbon tie and scroll backplate supporting a classical urn

with glass drip-trays and brass nozzles
51 in. (130 cm.) high
(2)
signed Yankel (lower right)

oil on canvas
31 x 15 in. (80 x 39.8 cm.)
1,200-1,800
700-900
ANDRE MINAUX (FRENCH, 1923-1986)
800-1,200
$1,300-1,900
1,100-1,500
$1,900-2,800
1,600-2,300
Andre Minaux studied at the Ecole des Arts Dcoratifs, Paris from
1941-5 and had his first one-man exhibition at the Galerie des
Impressions dArt, Paris in 1946. Minaux was a great draughtsman
and his time at the Ecole des Arts Dcoratifs mixed with his interest
in lithographs meant that he found a strong and bold simplicity
in his depiction of form. Figures, particularly women in interior
settings, became a key theme in his work, the work offered here
typifies that. Indeed there is a sculptural quality to the way in
which he depicts the female figure showing the growing influence
of Fernand Leger on his work as he moved away from naturalism
and became ever more figurative and stylised in his artistic output.
626
JACQUES YANKEL (FRENCH, 1920-2004)
$1,100-1,400
890-1,100
PROVENANCE:
with Galerie Romanet, Paris.
A SET OF FOUR GEORGE III SILVER CANDLESTICKS
MARK OF SAMUEL ROBERTS & CO., SHEFFIELD, 1785
629
Of tapering futed form, on conforming circular bases, with reeded rims and detachable nozzles
(one candlestick lacks its nozzle), flled bases, each engraved to the rim with the combined weight of
the set of four 4..37.3
11 in. (28.5 cm.) high
(4)
OF LOUIS XVI STYLE, CIRCA 1880
2,000-3,000
800-1,200
$3,200-4,700
2,600-3,800
A PAIR OF FRENCH GILT-BRONZE CANDLESTICKS
Each with foliate cast nozzle on three ribs with hoof feet and a pierced foliate base with impressed
numbers to the underside
(2)
$1,300-1,900
1,100-1,500
630 No Lot
93
631
A QUEEN ANNE SILVER MUG
634
A GEORGE III SILVER HOT WATER JUG
MARK OF ROBERT TIMBRELL, LONDON, 1711
MARK OF JOHN WAKEFIELD, LONDON, 1815
Tapering sides with ribbed bands, the handle

with plain thumbpiece engraved with a
contemporary crest of a martlet perched upon a
rocky outcrop
4 in. (11.5 cm.) high
9 oz. (283 gm.)
Of ovoid form, engraved with a crest of a

serpent wrapped around a feur-de-lys, gadroon
rim and ball fnial; also an oval sugar bowl,
cream jug and teapot stand, all en suite, by
Robert Garrard (I), London, 1802/03 with
gadroon borders, initialled GAK; together
with an oval cream jug, London, 1807, with
reeded rim
First item 8 in. (21 cm.) high
45 oz. (1400 gm.)
(5)
500-700
$790-1,100
630-880
800-900
632
A GEORGE III SILVER BOWL
MARK OF WHIPHAM AND WRIGHT, LONDON, 1762
Hemispherical with fared lip, sides chased

with trailing fowers and an armorial engraved
rococo cartouche; together with a George II
silver salver by Ebenezer Coker, London, 1757,
with shell and scroll border, on three hoof feet,
centre engraved with coat of arms
The bowl 5 in. (14.3 cm.) diameter; the salver
20.25 oz. (630 gm.)
(2)
600-800
637
A GEORGE III SILVER SWINGHANDLED SUGAR BASKET
MARK OF BURRAGE DAVENPORT, LONDON, 1783
Vase-shaped with half-futed sides below a

band of four applied oval tassies chased with
classical fgures, bead borders, ribbed swing
handle and circular pedestal foot
6 in. (16 cm.) high to top of handle
6 oz. (189 gm.)
350-450
640
A PORTUGUESE THREE-PIECE SILVER

COFFEE-SET OF HEAVY GAUGE
PORTO, SECOND STANDARD, POST-1938, RETAILED

BY MERGULHAO JEWELLERS OF LISBON
Bellied oblong with half-futed sides and

gadroon rims, cream jug with gilt interior
9 in. (23.5 cm.)
69 oz. (2146 gm.)
800-1,000
$550-710
450-570
(3)
$1,300-1,600
1,100-1,300
$1,300-1,400
1,100-1,100
n635 A PAIR OF GILT-BRONZE AND

MAHOGANY TWO-TIER ETAGERES
638
MID-20TH CENTURY
MARK OF ALEXANDER JOHNSTON, LONDON, 1752
20TH CENTURY
Of oval outline, each with a gilt-tooled leather

inset top, the frames simulating bamboo
24 in. (62 cm.) high; 26 in. (66 cm.) wide; 18
in. (46.5 cm.) deep
(2)
Engraved with a crest of a horses head, the

circular bowl having a fddle-shaped drop to
the back; together with a Victorian fddle and
thread pattern soup ladle, by George Adams,
London, 1864; and a fddle-pattern straining
spoon, by Eley and Fearn, London, 1819,
crested
First item 14 in. (36.2 cm.) long
24 oz. (746 gm.)
(3)
Variously decorated with landscapes, exotic

birds and blossoms
The larger table: 16 in. (40.5 cm.) high; 39 in.
(100 cm.) wide; 19 in. (49.5 cm.) deep
The smaller table: 13 in. (35 cm.) high; 39
in. (100 cm.) wide; 19 in. (49.5 cm.) deep (2)
800-1,200
$1,300-1,900
1,100-1,500
$950-1,300
760-1,000
A GEORGE II ONSLOW PATTERN

SILVER SOUP LADLE
600-800
n641 TWO CHINESE CREAM-LACQUERED

AND GILT-DECORATED LOW TABLES
600-800
$950-1,300
760-1,000
$950-1,300
760-1,000
n633 A CHINESE GREEN LACQUER AND

POLYCHROME-DECORATED LOW
TABLE
n636 A SET OF CHINESE-EXPORT BLACK

AND GILT LACQUER QUARTETTO
TABLES
n639 A REGENCY BLACK AND GILTLACQUER OCCASIONAL TABLE
n~642A ROSEWOOD AND PARCEL-GILT

DWARF OPEN BOOKCASE
EARLY 19TH CENTURY
19TH CENTURY AND LATER, ADAPTED
THE TOP 19TH CENTURY, THE BASE LATER
The rounded rectangular above a shaped frieze,

with inverted legs and scroll feet
14 in. (36.5 cm.) high; 36 in. (91 cm.) wide;
23 in. (60 cm.) deep
Each decorated with courtly scenes and foliate

borders, on ring-turned supports
The largest: 28 in. (72 cm.) high; 19 in. (50
cm.) wide; 12 in. (31 cm.) deep
(4)
Of bowfront outline, the shaped Verde Antico

marble top above two adjustable shelves, on
bun feet
37 in. (96 cm.) high; 43 in. (111 cm.) wide;
11 in. (28 cm.) deep
400-600
400-600
Decorated overall in chinoiserie, the rounded

rectangular top above a single frieze drawer,
on a spiral turned and reeded column, with
scrolled legs and brass ball feet
31 in. (80 cm.) high; 20 in. (51 cm.) wide; 16
in. (41 cm.) deep
$630-940
510-760
$630-940
510-760
500-800
$790-1,300
630-1,000
700-1,000
$1,100-1,600
890-1,300
94
643
A FRENCH SILVER OIL AND VINEGAR CRUET, OF

EMPIRE STYLE
PARIS, FIRST STANDARD, 1809/1819
The two openwork receivers each with three putti around the
sides, and two smaller receivers for the stoppers, the central
tapering facetted column beneath an oval grip capped by twin
horses heads, the rectangular base with pierced rim and raised
on claw feet,
34 oz. (1057 gm.)
500-700
n646 A PAIR OF GILT-BRONZE TWIN-LIGHT WALL APPLIQUES

OF LOUIS XV STYLE , LATE 19TH/ EARLY 20TH CENTURY
Each rococo swirled backplate cast with the bust of a Chinese

fgure supporting scrolled branches
(2)
500-800
$790-1,300
630-1,000
~649 A GERMAN SILVER-GILT THREE-PIECE BACHELORS

COFFEE-SET AND OVAL TRAY EN SUITE, IN THE
EMPIRE STYLE
CIRCA 1910
The coffee pot with ivorine handle and animal head spout, all
with stiff-leaf borders
The tray 12 in. (30.2 cm.) long
Gross weight 26 oz. (808 gm.)
400-600
$630-940
510-760
$790-1,100
630-880
l644 A BRONZE GROUP OF A HORSE AND RIDER
l647 A FRENCH BRONZE FEMALE NUDE
650
CAST FROM A MODEL BY MANOLIS TZOBANAKIS, GREECE, LATE 20TH

CENTURY
CAST FROM A MODEL BY GEORGES OUDOT, (1928-2004)
Her head resting on her arms, signed in the cast OUDOT 4/4
5 in. (14 cm.) high
Indistinctly signed CATHAR.. and with a CO monogram

600-900
500-800
Signed M TZOBANAKIS 11/ X 11 on a marble plinth

500-800
$790-1,300
630-1,000
$950-1,400
760-1,100
n648 A GEORGE III YEW CANED BERGERE
THE TOP EARLY 19TH CENTURY, THE BASE LATER
Re-upholstered in close-nailed green leather with a curved back

and downswept arms, restorations
(4)
600-800
$950-1,300
760-1,000
LATE 18TH CENTURY
600-800
$790-1,300
630-1,000
n651 A LOUIS XV KINGWOOD, AMARANTH AND

MARQUETRY OCCASIONAL TABLE
n~645A MAHOGANY, ROSEWOOD, SIMULATED ROSEWOOD

AND PARCEL-GILT OCCASIONAL TABLE
The crossbanded and boxwood-strung rectangular top on ringturned tapering legs joined by a curved steel stretcher
27 in. (70.5 cm.) high; 28 in. (71.5 cm.) wide; 17 in. (43 cm.)
deep
A BRONZE HEAD OF A HORSE
$950-1,300
760-1,000
MID-18TH CENTURY
The quarter-veneered top with chevron-banded three-quarter

gallery above a single frieze drawer, on slender cabriole legs
terminating in scrolled foliate sabots
deep
800-1,200
$1,300-1,900
1,100-1,500
95
652
A GEORGE III SILVER TEA CADDY
655
MARK OF DANIEL SMITH AND ROBERT SHARP, LONDON, 1765
A SET OF FOUR GEORGE III SILVER OCTAGONAL

CAULDRON SALTS
658
A GEORGE II SILVER COFFEE POT
MARK OF WILLIAM CRIPPS, LONDON, 1754
Of bombO form, chased with trailing fowers, scrolls and rocaille,

engraved to front and back with a rococo coat of arms for
Arnold impaled by another, the foral chased pull-off cover with
strawberry fnial
5 in. (13 cm.)
9 oz. (279 gm.)
MARK OF HENRY NUTTING, LONDON, 1804
With gadroon rims and handles, and gilt interiors, on four ball
feet, engraved to either side with a crest of a unicorn issuing from
a coronet
4 in. (12.4 cm.)
14 oz. (435 gm.)
(4)
Baluster form with spiral futing and scrollwork, the spout

embellished with a mask at base, with quilted cover with knop
fnial, the quilting repeated around the lower body just above
the foot
9 in. (25 cm.) high
22.5 oz. (700 gm.)
600-800
600-800
600-800
$950-1,300
760-1,000
n653 A GEORGE III BRASS BOUND MAHOGANY WINE

COOLER
CIRCA 1800
With three bands, lion mask ring handles and a later brass liner
16 in. (41 cm.) diameter excluding handles
400-600
$630-940
510-760
656
$950-1,300
760-1,000
A DANISH SILVER TRAY
MARK OF GEORG JENSEN LTD., WITH ENGLISH IMPORT MARKS FOR

LONDON, 1951
Shaped circular with pleated sides and hammered surface

35.5 oz. (1104 gm.)
600-800
$950-1,300
760-1,000
n654 A GREEN-PAINTED AND PARCEL GILT LONG STOOL
n657 A PAIR OF BRASS STOOLS
POSSIBLY 18TH CENTURY
AFTER A REGENCY DESIGN BY GILLOWS, 20TH CENTURY
Re-upholstered in foral-patterned part-silk fabric, on acanthuscarved cabriole legs headed by shells

Each with slatted and scrolled X-frame supports and reeded

roundel decoration, with blue upholstered cushions
deep
(2)
700-1,000
$1,100-1,600
890-1,300
600-800
$950-1,300
760-1,000
n659 AN ITALIAN GILTWOOD AND GREEN-PAINTED

JARDINIERE
The open rectangular planter with foral and trellis decoration,

on an elaborately carved foliate scroll base, with a partial paper
label to the underside, with heraldic crest, Elizabeth P. A
re-decorated
700-1,000
$1,100-1,600
890-1,300
n660 A CHINESE RED LACQUER AND GILT-DECORATED LOW

TABLE
$950-1,300
760-1,000
20TH CENTURY
The rectangular top with waisted frieze, on square-section legs

with scroll-painted block feet
16 in. (42.5 cm.) high; 36 in. (93.5 cm.) wide; 17 in. (43 cm.)
deep
600-800
$950-1,300
760-1,000
96
n661 A PAIR OF LOUIS XV CREAM-PAINTED AND PARCEL-GILT FAUTEUILS
n664 A PAIR OF FRENCH WALNUT BERGERES
MID-18TH CENTURY
Each re-covered in red velvet damask, the padded cartouche shaped back and arms with scroll
terminals above a shaped seat and conforming sides, on cabriole legs, the frame carved overall with
fowers
(2)
Each re-upholstered in foral silk fabric with a squab cushion, the channelled frames carved overall
with scrolling foliage and rocaille
(2)
3,000-5,000
1,000-1,500
$4,800-7,900
3,800-6,300
$1,600-2,400
1,300-1,900
n662 A PAIR OF FRENCH GILT-IRON CHENETS
n665 A SMALL CHINESE BLACK, RED AND GILT LACQUER ALTAR TABLE
OF LOUIS XV STYLE, PROBABLY 19TH CENTURY
MID-19TH CENTURY
Each with an iron frame with urn fnials with cast gilt-iron classical fgures, probably Jupiter and
Hebe, on rococo plinths, one lacking attribute from her hands
14 in. (36 cm.) high; 24 in. (61 cm.) deep
(2)
The rectangular top decorated with trailing leaf blossoms and stylized key band above a recessed
frieze, on moulded square-section legs, joined on the long side by humpback stretchers and by pairs
of stretchers on the short side
1,000-1,500
$1,600-2,400
1,300-1,900
800-1,200
$1,300-1,900
1,100-1,500
n663 A PAIR OF LATE GEORGE III BLACK

AND POLYCHROME-PAINTED
DEMI-LUNE SIDE TABLES
CIRCA 1800
Each profusely decorated with fower

garlands and gilt-line decoration, on square
tapering legs, the decoration partly refreshed
31 in. (81 cm.) high; 42 in. (107 cm.)
wide; 20 in. (53 cm.) deep
(2)
1,200-1,800
$1,900-2,800
1,600-2,300
97
l666
l668
ROBERT BUHLER (1916-1989)
CONSTANTIN TERECHKOVITCH (FRENCH, 1902-1978)
l670
AUGUSTUS EDWIN JOHN, O.M., R.A. (1878-1961)
Poppies in a meadow
Jardin N Menton
Seated Nude
signed Buhler. (lower right) and signed again Buhler (on the
canvas fold)
oil on canvas
30 x 20 in. (76.5 x 51.1 cm.)
signed and dated 69/CTERECHKOVITCH (lower right)

watercolour and bodycolour on paper
25 x 19 in. (64.5 x 49.8 cm.)
signed John (lower right)

pencil on paper
18 x 13 in. (45.7 x 34.3 cm.)
2,000-3,000
1,500-2,500
1,500-2,000
$2,400-3,100
1,900-2,500
$3,200-4,700
2,600-3,800
$2,400-3,900
1,900-3,200
PROVENANCE:
Galerie Paul Ptrids, Paris, acquired directly from the artist.

France Terechkovitch has confrmed the authenticity of this work.
667
A PAIR OF LATE LOUIS XVI ORMOLU AND MARBLE

CANDLESTICKS
669
A CHINESE WHITE JADE CAT GROUP, A CELADON

JADE CUP AND A MONKEY GROUP
CIRCA 1790
19TH AND 20TH CENTURY
Each modelled as lilies issuing from urns with guilloche cast rims
and lion mask handles on grey marble bases
(2)
Comprising a white jade carving of a cat and her young holding

a butterfy; a celadon jade oval cup carved with lotus stems
forming the base and handle; and a celadon jade carving of a
monkey and her young
The cup 4 in. (11.2 cm.) wide, each on carved wood stand (3)
1,500-2,000
$2,400-3,100
1,900-2,500
Compare with a similar pair sold Christies London, 7 July 2005

lot 482 with white marble and ormolu mounted bodies.
1,500-2,500
$2,400-3,900
1,900-3,200
671
A PAIR OF WILLIAM IV ORMOLU AND BRONZE LAMPS
CIRCA 1830
Each modelled as Atlas supporting a globe on a panelled plinth

base applied with scrolls and masks, converted and now with candle
nozzle tops
(2)
1,000-1,500
$1,600-2,400
1,300-1,900
98
n672 A PAIR OF GILTWOOD PIER MIRRORS
674
OF GEORGE I STYLE, LATE 20TH CENTURY
VIGER, PARIS, NO. 791, SECOND HALF 18TH CENTURY
Each frame carved overall with scrolls and foliage on a punched

ground, with bevelled split plate
(2)
The fared circular stop-futed case with white enamel dial signed
Viger/ AParis, pierced gilt-brass hands, the twin barrel movement
with recoil escapement, later brocot suspension/regulation, with
pierced and numbered count wheel strike to bell, the back plate
signed Viger AParis, No. 791
22 in. ( 56.5 cm.) diameter; 5 in. (14 cm.) deep
1,000-1,500
$1,600-2,400
1,300-1,900
n676 A PAIR OF GILT-BRONZE AND CUT-GLASS SIX LIGHT

CHANDELIERS
A LOUIS XVI GILTWOOD WALL CLOCK
1,000-1,500
Each with a basket base supporting cut-glass nozzles connected

to the corona by strings of drops, all hung with glass lustres
(2)
2,000-4,000
$1,600-2,400
1,300-1,900
$3,200-6,300
2,600-5,000
n675 AN EARLY LOUIS XV GILTWOOD FAUTEUIL A CHASSIS
n677 A BRASS HALL LANTERN
MARK OF SAMUEL ROBERTS & CO., SHEFFIELD, 1790
BY JEAN GOURDIN, DIT PERE GOURDIN, MID-18TH CENTURY
OF GEORGE III STYLE, 20TH CENTURY
With tapering futed columns and conforming stepped square

bases, futed campana-shaped capitals, with modern detachable
nozzles, flled bases, engraved with a crest of a stag sejant
between two foliate sprays
11 in. (28.5 cm.) high
(2)
The channelled frame carved overall with fowers and acanthus,

the padded back and arms with scroll terminals above a dropin seat pad, on scroll-carved cabriole legs, the feet carved with
cabochons, stamped PERE GOURDIN, re-gilt
The octagonal glazed frame applied with goat mask and classical
urn mounts, the interior with a three-light ftting
673
A PAIR OF GEORGE III SILVER CANDLESTICKS
1,200-1,500
$1,900-2,400
1,600-1,900
2,000-3,000
$3,200-4,700
2,600-3,800
1,000-1,500
$1,600-2,400
1,300-1,900
Maitre menuisier in 1714
99
The Property of a Gentleman (Lots 678-692)
678
A PAIR OF LATE VICTORIAN SILVER COVERED ENTRE

DISHES
MARK OF HAWKSWORTH, EYRE AND CO. LTD., SHEFFIELD, 1896
Oblong with cut corners, the cover of each initialled EEE

102 in. (25.9 cm.) long
76 oz. (2364 gm.)
700-900
(2)
$1,100-1,400
890-1,100
681
A GEORGE III IRISH SILVER TEAPOT
Oblong with canted futed corners, the oval cover with panelled
dome below a carved wooden fnial, sides bright-engraved with
a band of foliate scrolls and pendant leafage around the upper
body and a narrow band of chevron motifs on linear ground
around the lower body, engraved to either side with a cartouche
within ermine mantling, one side with coat of arms, the other
with crest of Ferguson
11 in. (28 cm.) long
15.5 oz. (482 gm.)
500-700
679
A PAIR OF GEORGE III CHANNEL ISLANDS SILVER

CHRISTENING CUPS
684
MARK OF JOHN STOYTE, DUBLIN, 1791
682
A GEORGE III BRITANNIA STANDARD SILVER MUSTARD

POT
MARK OF EDWARD FARRELL, LONDON, 1817
Of usual form, with fared rim and beaded rat-tails to scroll

handles, inscribed to one side respectively A-S-M over 1779 and
H-S-M over 1779, presumably for twins
2 in. (6.4 cm.)
5 oz. (155 gm.)
(2)
Of squat circular form on four eagle feet, the sides heavily chased
in low and high relief with mounted warriors and castles amid
trees, the handle formed as two entwined branches, the cover
with bird, fower and bud fnial, gilt interior
4 in. (10 cm.)
14.75 oz. (459 gm.)
680
$1,300-1,900
1,100-1,500
A PAIR OF GEORGE III SILVER SERVING SPOONS WITH

BRIGHT-ENGRAVED EDGES
700-900
683
MARK OF JOHN LAMB, LONDON, 1778
MARK OF HENRY CHAWNER, LONDON, 1793
Engraved with a crest of an armoured arm embowed, in later

ftted case, retailed by Tessiers; also a George II marrow scoop,
by John Gibbons, London, 1731; a George I marrow scoop,
possibly by PezO Pilleau, London, 1724; a William IV reeded
oblong snuff box, by Nathaniel Mills, Birmingham, 1833, with
chased foral thumbpiece and vacant reserve, gilt interior; a small
George IV naturalistic chamberstick in the form of a vine leaf,
the conical snuffer on chain attachment, by Joseph Willmore,
Birmingham, 1829; a set of four George III fddle-pattern sauce
ladles by Messrs. Lias, London, 1818, and a ffth Irish example,
Dublin, 1832, all initialled L
25 oz. (777 gm.)
(11)
Plain baluster form with collet foot and foliate knop fnial, the
handle terminating in acanthus leaf junctions, the triangular
stand on three ribbed supports terminating in hoof feet, with
detachable spirit lamp, the jug engraved with crest coronet
featuring a falcon rising from ostrich feathers
12 in. (31.8 cm.) high
28.5 oz. (886 gm.)
(2)
800-900
$1,300-1,400
1,100-1,100
500-800
685
$790-1,300
630-1,000
A GEORGE I SCOTTISH SILVER STRAWBERRY DISH
MARK OF WILLIAM GED, ASSAY MASTERS MARK OF EDWARD

PENMAN, EDINBURGH, 1721
On collet foot, with shaped rim, the centre engraved in the early
19th century with the arms of Urquhart
11.25 oz. (350 gm.)
800-1,200
$1,100-1,400
890-1,100
A GEORGE III SILVER HOT WATER JUG AND SPIRIT

STAND
800-1,200
With leaf-capped scroll handle and shaped rim, on three hoof

feet, one side engraved with a turret crest
7 in. (17.5 cm.) long
10 oz. (311 gm.)
$790-1,100
630-880
MARK OF IH, ATTRIBUTED TO JEAN HENRY, GUERNSEY, CIRCA 1779
800-1,200
A GEORGE III PROVINCIAL SILVER SAUCEBOAT
MARK OF JOHN HUTCHINSON (OF DURHAM), NEWCASTLE, CIRCA

1767
$1,300-1,900
1,100-1,500
$1,300-1,900
1,100-1,500
~686 A MATCHED VICTORIAN THREE-PIECE SILVER TEA SET

OF GEORGE III STYLE
TEAPOT MARK OF GEORGE FOX, CREAM JUG AND SUGAR BOWL
MARK OF ALEXANDER MACRAE, ALL LONDON 1868
Oval with bead borders, teapot with ivory handle and fnial,
sugar bowl with swing handle, each piece engraved with lion
passant crest holding in its forepaw a device; also a late Victorian
three-piece tea set by Horace Woodward & Co. Ltd., London,
1896, compressed circular profusely chased with foliate scrolls
and engraved with monogram, teapot with ivory fnial and
insulators
First teapo 10 in. (26.7 cm.) long
62.75 oz. (1951 gm.)
(6)
700-800
$1,100-1,300
890-1,000
100
The Property of a Gentleman (Lots 678-692)
687
A GEORGE III SILVER SWING-HANDLED SUGAR BASKET
690
MARK OF CHARLES HOUGHAM, LONDON, 1791
With reeded borders, engraved band of foliate and navette-shaped medallions, engraved to either
side with crest of a hound sejant within bullrushes, gilt interior; also a George III table bell, makers
mark rubbed, London, 1805, engraved with a barons coronet above reversed and interlaced initials
RR; also a George III drum mustard pot with domed cover and reeded borders, by Henry Chawner,
London, 1790, engraved with a stag crest coronet, blue glass liner; and George III plain drum
mustard pot with pierced shell thumbpiece and blue glass liner, by George Smith, London, 1789
and bearing later Dutch control marks for Utrecht, 1795 and post-1813, engraved to base with
initials and a barons coronet
First item 5 in. (12.5 cm.)
19 oz. (591 gm.)
(4)
1,200-1,500
$1,900-2,400
1,600-1,900
A COLLECTED GEORGE III SILVER OLD ENGLISH PATTERN TABLE SERVICE TOGETHER
WITH A COLLECTION OF GEORGIAN SILVER PISTOL-HANDLED KNIVES WITH STAINLESS
STEEL BLADES
VARIOUS DATES & MAKERS
Comprising:- 24 table forks by William Eley (I), London, 1803; 22 dessert spoons, various dates and
makers, London, 1797/1811; 23 table spoons (12 by John Lambe, London, 1785 and six by Wallis
& Hayne, London, 1814, also 5 others varoius, London, 1781/1808); 12 dessert forks by Richard
Crossley, London, ten 1796 and two 1805; 11 Hanoverian pattern dessert forks (fve by William
Eley (I), London, 1803 and 6 with makers mark overstruck by another, London, 1820; also 23
Georgian foliate-capped pistol-handled table knives and 21 cheese knives all re-bladed in stainless
steel; also 2 Hanoverian pattern table spoons and 1 dessert spoon, the fatware all later initialled L
Weighable silver 142 oz. (4402 gm.)
(139)
2,000-3,000
$3,200-4,700
2,600-3,800
~688 A SILVER FIVE-PIECE TEA AND COFFEE SERVICE
691
MARK OF MARTIN & HALL OR MARTIN, HALL & CO. LTD., SHEFFIELD, 1907/1909/1910/1911
APPARENTLY UNMARKED, PROBABLY 17TH CENTURY
Squat baluster form, embossed with fowers and scrolls fanking vacant cartouches, foliate scroll
handles with ivory insulators and eagle fnials to domed covers, on pierced openwork feet
The coffee pot 10 in. (25.4 cm.) high
99.5 oz. (3094 gm.)
(5)
Plain, on trumpet foot; a George III sugar caster by John Delmester, London, 1763, engraved with
crest of stags head erased with oak sprig in mouth; two smaller Georgian casters, London, 1745
and 1777; a George III drum mustard pot by Robert Garrard (I), London, 1804; another by Robert
Hennell, London, 1825; an oval cream jug with reeded rim, London, 1818; three various George
II circular salts on hoof feet; a sugar caster, Birmingham, 1932; and fve various 20th century
condiments, all salts and mustard pots with glass liners
Communion cup 6 in. high (16.5 cm.)
53 oz. (1643 gm.)
(16)
1,500-2,000
$2,400-3,100
1,900-2,500
A SILVER COMMUNION CUP
800-1,000
689
A LARGE GROUP OF SILVER ITEMS
692
$1,300-1,600
1,100-1,300
A GEORGE II SILVER SAUCEBOAT
MOSTLY ENGLISH, LATE 19TH/20TH CENTURIES
MAKERS MARK RUBBED, LONDON, 1743
Comprising:- a set of 6 small Victorian salts, London, 1885; a modern parcel-gilt commemorative
quaich for 500th anniversary of York Minster; a large pair of pierced sweet dishes by Elkington
& Co., Birmingham, 1898; fve various pierced bon bon dishes; a lighthouse sugar caster,
Birmingham, 1935; a small strawberry dish; a set of 4 toastracks, Sheffeld, 1934; a pierced oval potpourri box with green glass liner, by William Comyns, London, 1907; a panelled silver-gilt bonbon tazza; a pierced swing-handled sweet basket, London, 1911; a small late Victorian chased hot
water jug; a brush and comb set chased with angel heads (cased); a pierced and foral-chased dish,
Birmingham, 1896; and a German oval dish pierced with vases of fowers and musical trophies,
centre relief-chased with shepherdess and suitor with fock of sheep in rural setting
Largest oval dish 12 in. long (30.5 cm.)
99 oz. (3069 gm.)
(28)
On three hoof feet, leaf-capped scroll handle and engraved turret crest; a George II baluster mug by
Thomas Whipham (I), London, 1752, engraved with vacant rococo cartouche to front; a George
III gadroon-edged dinner plate by Parker & Wakelin, London, 1762, base inscribed No. 60, 17=3
and initialled to rim; two foliate-chased salvers, the larger one crested to centre with a demi-lion
rampant supporting a tower in his forepaws, the larger by Messrs. Barnard, London, 1837, the
smaller one chased with shells and fowers, apparently no makers mark, London, 1837, respectively
10 in (25.2 cm.) . and 7 in (19.2 cm.). diameter; and a William IV chamberstick by James &
Creswick, Sheffeld, 1832, with shell and scroll borders, the conical snuffer by same makers,
Sheffeld, 1838
Dinner plate 9 in. diameter (24.8 cm.)
74 oz. (2294 gm.)
(6)
1,200-1,800
1,200-1,800
$1,900-2,800
1,600-2,300
$1,900-2,800
1,600-2,300
101
693
A GEORGE II SILVER COFFEE POT
~696 AN OLD SHEFFIELD PLATE OVAL SOUP TUREEN AND COVER
MARK OF AYM VIDEAU, LONDON, 1738
CIRCA 1820
Of plain tapering form with scalloped spout, bell-shaped fnial, engraved crest to one side
8 in. (21 cm.) high
21.5 oz. (668 gm.)
With detachable liner and gadroon borders, on foliate scroll and beaded rat-tail feet, engraved to
cover with a crest and to front with a coat of arms, both on let-in silver reserves; also a Victorian
electroplated ovoid tea urn with waisted cover, with bead borders and engraved decoration,
monogrammed front, the tap with ivory ring, circa 1870; also a plated kettle and stand, a plated
teapot stand and a plated preserve jar holder
Tea urn 21 in. (53.2 cm.)
(5)
1,000-1,500
$1,600-2,400
1,300-1,900
600-800
694
A VICTORIAN OVAL SILVER FRUIT BOWL
697
$950-1,300
760-1,000
A PAIR OF GEORGE I SILVER OCTAGONAL TRENCHER SALTS
MARK OF MARTIN & HALL, LONDON, 1883
MARK OF ROBERT PILKINGTON, LONDON, 1726
With wavy gadroon rim above a band of ribbon-tied laurel swags, in turn above acanthus-chased
sides which extend around the oval spreading foot, gilt interior; also a large William IV silver fruit
dish, mark of Henry Wilkinson & Co., Sheffeld, 1836, shaped circular and chased in relief with
classical masks amidst profuse foliage
Second item 13 in. (33.5 cm.) diameter
54 oz. (1679 gm.)
(2)
With sunken oval centres and engraved with crest of head and torso of man holding dagger and
key; a single similar salt initialled E over R.S; a matched pair of George II oval trencher salts, one
by IS crowned, London,1727, the other I.W (Grimwade 3694), both engraved with crest of demilion rampant supporting a sun in splendour between forepaws with crescent below paws; and three
George I/II/III bun-top peppers, one by Thomas Bamford (I), London, 1724, the other two with
fnials, London, 1734 and 1761,the 1734 example with Scottish crest and initial B
17.25 oz. (535 gm.)
(8)
1,000-1,500
$1,600-2,400
1,300-1,900
1,200-1,500
$1,900-2,400
1,600-1,900
n695 A GEORGE III MAHOGANY DEMI-LUNE TEA TABLE
LATE 18TH CENTURY
n698 A LATE GEORGE III MAHOGANY AND EBONY-CROSSBANDED SIDE CABINET
The foldover top opening on a double gateleg action, the frieze centred by a tablet with an oval
patera and bellfowers, on square-tapering futed legs headed by paterae
LATE 18TH CENTURY
1,500-2,500
$2,400-3,900
1,900-3,200
Boxwood-strung overall, the moulded rectangular top above a pair of panelled doors enclosing four
adjustable shelves
1,000-1,500
$1,600-2,400
1,300-1,900
PROVENANCE:
Executors of the late Viscount Astor, Cliveden. Sold Phillips, Son & Neale, Ltd. 15 May, 1967, lot
1937, where acquired by the present vendor. The original sale catalogue and a copy of The Illustrated
London News (20 May, 1967) covering the Cliveden sale are included as part of this lot.
102
699
702
A SET OF TWELVE JAPANESE KOZUKA
MEIJI PERIOD (1868-1912); THE KNIVES, MARK OF ATKIN BROTHERS,

SHEFFIELD, 1853-1958
Each with moulded decoration with gilt highlights on a

patterned ground, comprising three sets of designs including
mythical fgures and a pair of confronting phoenix; all adapted
into electroplated silver forks and knives
The longest 8 in. (21.5 cm.) long overall; wood box with
placard reading C.G. & M. H. Pullen, Aug 21st 1880
(24)
800-1,200
A JAPANESE BRONZE MODEL OF A RECLINING LION
MEIJI PERIOD (1868-1912)
The lion realistically modelled with its head raised and front
paws crossed on a rectangular base with rounded corners, signed
Yoshikiyo saku
15 in. (38.2 cm.) long, wood stand
800-1,200
704
A JAPANESE SILK EMBROIDERED PICTURE OF A LION

AND LIONESS
Embroidered with a stalking lioness and the lion behind

34 x 26 in. (88 x 68 cm.)
1,500-2,000
$1,300-1,900
1,100-1,500
$2,400-3,100
1,900-2,500
$1,300-1,900
1,100-1,500
705
n700 A LARGE JAPANESE CLOISONN ENAMEL CHARGER
CIRCA 1920
Modelled wearing an Egyptian headdress, on a Verde Antico marble base

14 in. (35.5 cm.) high
The interior decorated with a fying crane above crested waves and peony, surrounded by smaller
birds and bamboo leaves, the dark blue-ground border decorated with various fowers and two
dragons, the reverse decorated with fan shaped panels on a scrolling turquoise ground
36 in. (92.2 cm.) diam.
2,000-3,000
AN AUSTRIAN COLD-PAINTED BRONZE MODEL OF A DANCER
1,000-1,500
$1,600-2,400
1,300-1,900
$3,200-4,700
2,600-3,800
n701 A LATE REGENCY MAHOGANY, EBONISED AND

EBONY-STRUNG WRITING TABLE
n703 AN ENGLISH EBONISED, WHITE-PAINTED AND

PENWORK CHESS OR OCCASIONAL TABLE
n706 A NEST OF EDWARDIAN SATINWOOD-BANDED

MAHOGANY QUARTETTO TABLES
EARLY 19TH CENTURY
THE TOP EARLY 19TH CENTURY, THE BASE LATER
EARLY 20TH CENTURY
The rectangular top with reeded edge above a frieze drawer with
shaped under-tier, on outsept feet with brass castors
28 in. (73 cm.) high; 35 in. (91 cm.) wide; 23 in. (60.5 cm.)
deep
The square top decorated with a chessboard in a band of birds

and foliage, on a ring-turned column with downswept legs and
ball feet
27 in. (68.5 cm.) high; 22 in. (58 cm.) wide; 23 in. (59 cm.)
deep
On turned tapering supports, one table with paper label Bought

of S. Berliss, Upholstering and Cabinet Making - Loose Covers and
Pelmets, 32 TEMPLE FORTUNE PARADE, LONDON,
N.W.11
The largest: 28 in. (72.5 cm.) high; 22 in. (56 cm.) wide; 14 in.
(37.5 cm) deep
(4)
500-800
NO RESERVE
$790-1,300
630-1,000
1,000-1,500
$1,600-2,400
1,300-1,900
600-800
$950-1,300
760-1,000
707 No Lot
103
708
FLORENTINE SCHOOL, 16TH CENTURY
710
A GERMAN SILVER-PLATED MOUNTED COCONUT CUP
Christ and the Samarian Woman
LATE 17TH CENTURY
oil on panel
28 x 20 in. (71.1 x 50.8 cm.)
Decorated with pierced and engraved bands and three vertical

ribs, the cover and foot with chased foliage and punchwork, the
inside of the cover inscribed A.R.D.M.B.L.E.C.C 1692
3,000-5,000
$4,800-7,900
3,800-6,300
800-1,200
$1,300-1,900
1,100-1,500
n712 FOLLOWER OF DOMENICO ZAMPIERI, CALLED

DOMENICHINO
The Madonna della Rosa

oil on canvas
49 x 36 in. (124.5 x 91.5 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
Arthur C. Pratt.
[His deceased sale]; Christies, London, 19 November 1934, lot
149 as Domenichino (3gns. to Barber).
Anonymous sale; Christies, London, 23 January 1981, lot 88.
Private Collection, Suffolk Manor house.
Although clearly derived from Domenichinos composition of the
Madonna della Rosa (dating to before 1627) in the Devonshire
Collection, Chatsworth, in the present lot there are very
numerous differences most notably to the background, the pose
of the Madonnas head and the absence of a veil.
n709 A PAIR OF SPANISH OR ITALIAN GILTWOOD WALL

APPLIQUES
711
OF BAROQUE STYLE, PROBABLY 19TH CENTURY
oil on canvas, unframed

39 x 32 in. (99.5 x 83.5 cm.)
Each with a shield back of C scrolls and cherubs heads

supporting a tapering torchere, re-gilded
19 in. (49 cm.) high; 16 in. (41 cm.) deep
1,000-1,500
$1,600-2,400
1,300-1,900
AFTER GIOVANNI FRANCESCO BARBIERI, IL GUERCINO
The Penitent Magdalene

1,500-2,000
~713 AN ENGLISH IVORY AND SILVER PIQUE WALKING

CANE
EARLY 18TH CENTURY
$2,400-3,100
1,900-2,500
The present painting is derived from Guercinos lost original,

known from a record in the Farnese archive. A further copy is
now in the Pinacoteca Nazionale di Capodimonte, Naples
Decorated with geometric patterns and engraved silver collar

with a malacca shaft
35 in. (89.5 cm.) long
800-1,200
$1,300-1,900
1,100-1,500
104
714
FRENCH SCHOOL, 17TH CENTURY
716
Saint Catherine of Alexandria, on a terrace, a cityscape

beyond
oil on copper
10 x 8 in. (27.2 x 20.7 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
AN ITALIAN POLYCHROME FIGURE OF ST. MICHAEL

SLAYING THE DEVIL
LATE 18TH CENTURY
Modelled as a Roman Centurion, lacking wings and losses to

the devil
36 in. (91.5 cm.) high
2,000-3,000
$3,200-4,700
2,600-3,800
*718
The Martyrdom of St. Sebastian

oil on copper
8 x 6 in. (21.9 x 16.8 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
PROVENANCE:
Sir William Aykroyd.

Anonymous sale; Christies, London, 10 February 1967, lot 9.
with Hazlitt Gallery, London, 1967.
~715 A RECTANGULAR CARVED IVORY RELIEF OF THE

CRUCIFIXION
717
Madonna of the Rocks
HISPANO-PHILIPPINE, 17TH OR 18TH CENTURY
FRENCH 14TH OR 15TH CENTURY
oil on canvas
29 x 23 in. (73.5 x 60.5 cm.)
With fnely carved hair and beard and pronounced ribs

9 in. (24.6 cm.) high; 12 in. (31 cm.) high, overall
In a silver case; inscribed to reverse of case SECULO/ XV.

4 in. (10 cm.) high
2,500-4,000
$4,000-6,300
3,200-5,000
AFTER LEONARDO DA VINCI
800-1,200
~719 A CARVED IVORY CORPUS FIGURE
$1,300-1,900
1,100-1,500
2,500-4,000
$4,000-6,300
3,200-5,000
After the original in Muse du Lourvre, Paris.
COMPARATIVE LITERATURE:
R. Randall, Masterpieces of Ivory from The Walters Art Gallery,

1985, pp. 230-1, no. 340.
105
720
A DAUM VITRIFIED CAMEO GLASS VIDE POCHE
CIRCA 1910
Of triangular form, overlaid and acid-etched with mottled

leaves and blackcurrants, signed in cameo Daum Nancy with Cross
of Lorraine
5 in. (14.5 cm.) across
700-1,000
721
$1,100-1,600
890-1,300
A DAUM ENAMELLED GLASS VASE
CIRCA 1895
720
The opalescent and mottled body acid-etched in relief,

enamelled in black and red and gilt with trailing thistles, signed in
gilt Daum Nancy with Cross of Lorraine
7 in. (17.7 in.) high
800-1,200
$1,300-1,900
1,100-1,500
723
722
TWO WMF SILVERED METAL PHOTOGRAPH FRAMES
CIRCA 1905, MODEL NO. 315
Each cast with a woman playing pipes, further embellished with

roses, leaves and swags, wood backs and easel support, stamped
makers marks
(2)
2,000-3,000
723
$3,200-4,700
2,600-3,800
A GALLE DOUBLE-OVERLAY CAMEO GLASS

NENUPHARS VASE
CIRCA 1910
Overlaid and acid-etched with water lilies and lily pads, signed in
cameo Gall0
1,500-2,500
$2,400-3,900
1,900-3,200
724
721
724
A PETER TERESZCZUK (1875-1963) PATINATED BRONZE

ART NOUVEAU FIGURAL CANDELABRUM
CIRCA 1905
Modelled and cast as an art nouveau maiden supporting three

fower-form pricket sconces. signed P. Tereszczuk, Depose
1,000-1,500
$1,600-2,400
1,300-1,900
~725 A LOUIS SOSSON COLD-PAINTED BRONZE AND IVORY

FIGURE
722
725
CIRCA 1920
Modelled, cast and carved as a Dutch or Breton boy holding a

boat, on marble base, engraved L. Sosson
11 in. (28.5 cm.) high
1,000-1,500
106
$1,600-2,400
1,300-1,900
726
728
727
726
730
731
729
A J R HANNIG ART NOUVEAU SILVERED METAL VASE
728
A GALLE CAMEO GLASS PAYSAGE VASE
CIRCA 1900
1904-1906
Embossed with the head of an art nouveau maiden, with plant

form handles, signed on side J R Hannig Fec
Overlaid and acid-etched with a lakeside view, signed in cameo

with star preceding
11 in. (29.8 cm.) high
800-1,200
800-1,200
727
$1,300-1,900
1,100-1,500
AN OTTO SCHMIDT-HOFER COLD-PAINTED AND

PATINATED BRONZE FIGURE
NUDE WITH PARROT, CIRCA 1910
Modelled and cast as a naked woman with a parrot perched on

one arm, with bronze and marble plinth, signed Schmidt-Hofer
1,200-1,500
$1,900-2,400
1,600-1,900
729
$1,300-1,900
1,100-1,500
A TALL GALL CAMEO GLASS VASE
730
AN EMMANUEL VILLANIS ART NOUVEAU COLDPAINTED BRONZE FIGURE
TALISMAN, CIRCA 1900
Modelled and cast as an art nouveau maiden with long hair

holding a belt with a pendant drop, marble plinth, signed in the
maquette E. Villanis, with title and foundry seal for Vrai Paris
19 in. (49.2 cm.) high
1,500-2,500
731
$2,400-3,900
1,900-3,200
A PATINATED AND COLD-PAINTED BRONZE
CIRCA 1910
ANDROMEDA, CIRCA 1910
The yellow and white body overlaid and acid-etched with

pendant branches of wisteria, signed in cameo Gall0
29 in. (74.5 cm.) high
Modelled and cast as the partially draped Andromeda chained

to a rock with waves lapping at her feet, on marble plinth with
bronze lip, numbered on reverse 186, apparently unsigned
23 in. (58.5 cm.) high
2,200-2,800
$3,500-4,400
2,800-3,500
2,500-3,000
$4,000-4,700
3,200-3,800
Andromeda, the daughter of Cepheus and Cassiopeia, is chained

to a rock as a sacrifce to appease Cetus, a sea monster sent by
Poseidon, and who is eventually rescued by Perseus.
107
732
A FRENCH GLASS LIQUEUR SET
20TH CENTURY
Cut and frosted with stylised sunbursts, the decanter mounted

with silver collar, the silver mount with P and C in a lozenge, with
French boars head poinEon; together with a Czechoslovakian glass
liqueur set cut and stained with an Art Deco-style design, with
export marks TCHEQUE SLOVAQUIE
The decanters and stoppers 9 in. (25.1 cm.) and 10 in. (27.3
cm.) high
(14)
1,200-1,800
$1,900-2,800
1,600-2,300
732
733
A SILVER AND OAK PHOTOGRAPH FRAME
MARK OF SAMUEL M. LEVI, BIRMINGHAM 1909
The silver embossed with buds and leaves, mounted on a shaped

oak back with easel support, bevelled glass, stamped hallmarks and
makers marks
8 in. (22.5 cm.) high x 7 in. (18.4 cm.)
1,200-1,500
734
$1,900-2,400
1,600-1,900
A SILVER AND OAK PHOTOGRAPH FRAME
MARK OF H. MATTHEWS, BIRMINGHAM 1905
The silver embossed with peacocks and fowers, mounted on oak

with easel support, glazed, stamped hallmarks and makers marks
7 in. (19 cm.) x 5 in. (14 cm.)
1,200-1,500
733
$1,900-2,400
1,600-1,900
734
735
A GEORGES FLAMMAND GILT-BRONZE BUST OF A

LADY
LATE 19TH CENTURY
Modelled and cast as a lady, her hair dressed with a plate and
ribbon, her bodice with fowers and leaves, marble socle, signed
in the maquette G. Flammand
17 in. (44.5 cm.) high
1,200-1,800
736
$1,900-2,800
1,600-2,300
AN ERNST SEGER (1868-1939) PATINATED BRONZE

FIGURE
DIANA THE HUNTRESS, CIRCA 1910
Modelled and cast as the Roman Goddess, wearing the crescent

moon attribute in her hair and holding a spear, bronze base signed
Seger Fec
1,500-2,000
735
108
736
$2,400-3,100
1,900-2,500
737 No Lot
738
741
739
742
740
738
743
A COPELAND & GARRETT IRONSTONE DINNERSERVICE
CIRCA 1838-47, BLUE PRINTED AND IMPRESSED MARKS, IRON-RED

PAINTED PATTERN NO. 5519
Printed, painted and gilt with an imari pattern, comprising:

a circular two-handled soup tureen, cover and stand, two
octagonal vegetable-tureens and covers, three oval meat platters
in sizes, thirteen soup plates, eighteen dinner plates and ten
dessert plates
The soup tureen stand 15 in. (38.1 cm.) across handles
(47)
2,500-3,500
739
$4,000-5,500
3,200-4,400
A MATCHED PAIR OF ART NOUVEAU SILVER AND OAK

PHOTOGRAPH FRAMES
740
A PAUL LUDWIG KOWALCZEWSKI (1865-1910)

PATINATED AND GILT-BRONZE EROTIC FIGURE
742
A PAIR OF LARGE SILVER AND OAK PHOTOGRAPH

FRAMES
DANAE, CIRCA 1900
MARK OF W. I. BROADWAY & CO, BIRMINGHAM 1912
Modelled and cast as as a naked woman on a draped chair and

depicting the seduction of Danae by Zeus disguised as a golden rain,
with integral bronze base, signed P. Ludw. Kowalczewski d. 1ltere
8 in. (22.5 cm.) high; 12 in. (32 cm.) wide; 9 in. 923 cm.) deep
The silver embossed with fowers, forets and leaves, mounted on

shaped oak backs with easel supports and bevelled glass, stamped
hallmarks and makers marks
15 in. (39 cm.) high x 10 in. (25.4 cm.) wide
(2)
2,000-3,000
1,500-2,500
$3,200-4,700
2,600-3,800
$2,400-3,900
1,900-3,200
PROPERTY OF A LADY
741
FOURTEEN GERMAN PORCELAIN VIENNA-STYLE

CABINET PLATES
MARK OF DEAKIN & FRANCIS, BIRMINGHAM 1903 AND SYNYER &

BEDDOES, BIRMINGHAM 1905
LATE 19TH CENTURY, IMPRESSED MARKS WITH NUMERAL 17 OR

18, UNDERGLAZE BLUE SHIELD MARKS, OVERGLAZE PRINTED
DECORATORS MARKS FOR K.B. HOF-PORZELLAN-MALEREI, FRZ. X.
THALLMAIER, MNCHEN
The silver embossed with stylised foliage and tendrils, mounted

on oak with easel supports, glazed, stamped hallmarks and makers
marks
6 in. (16.5 cm.) high x 6 in. (16.5 cm.) wide
(2)
Each painted with a bust-length portrait of a lady, below a

richly-gilt and tooled dark-blue ground border, an inscription to
the obverse
7 in. (18.5 cm.) diam. max.
(14)
Modelled and cast as a naked woman riding on a horse, her scarf

billowing out behind her, on Belgian marble base, signed C.
Charles
1,500-2,000
3,000-5,000
1,000-1,500
$2,400-3,100
1,900-2,500
$4,800-7,900
3,800-6,300
743
A C. CHARLES COLD-PAINTED SPELTER GROUP OF A

WOMAN ON A LEAPING HORSE
CIRCA 1930
$1,600-2,400
1,300-1,900
109
744
SAMUEL PROUT, O.W.S. (1783-1852)
747
DAVID COX, SNR. O.W.S. (1783-1859)
Figures by a fshing smack with shipping off-shore
Capel Curig, North Wales
pen and ink and watercolour heightened with scratching out on paper
8 x 10 in. (20.3 x 26 cm.)
signed and dated David Cox/1846 (on the wall, lower left) and further inscribed with title and
date (on the reverse)
9 x 14 in. (24.8 x 36.7 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
2,500-3,500
PROVENANCE:
Lady Pelham-Clinton
with Mark Fisher, London
with Newman Fine Art, Gloucestershire
PROVENANCE:
with Heather Newman, Gloucestershire
PROPERTY FROM A DUTCH COLLECTION SOLD TO BENEFIT THE HARTSTICHTING AND THE DUTCH
CANCER SOCIETY (LOTS 57, 140-154, 366-374 AND 550-622)
748
745
pen and black ink and watercolour on paper

8 x 11 in. (21 x 28.5 cm.)
HENDRICK DE MEYER THE YOUNGER (1737-1793)
Figures in a frozen landscape loading frewood before a house, a Dutch town beyond
ATTRIBUTED TO THOMAS SUNDERLAND (1744-1828)
Figures before a house in Yorkshire
signed and dated Hk Meyer und et fecit/1783 (on the reverse)

pencil, pen and black ink and grey wash on laid paper
9 x 11 in. (23.7 x 29.8 cm.); in artists own pen and ink border; sold together with A view of Delft
attributed to Reinier Vinkeles (1714-1816) and another Dutch landscape by another hand
(3)
600-800
1,500-2,000
with Heather Newman, Gloucestershire
746
$2,400-3,100
1,900-2,500
JOHN OLDRID SCOTT (1841-1913)
the frst inscribed Greek Church Bayswater/Sketch to scale showing proposed scheme for/
mantle lining to walls amended plan (upper left) and signed and inscribed J.O. Scott Architect/31
Spring Gardens London (lower right) and dated Dec. 6th 1879 (upper right)
pencil, pen and black ink and watercolour, on artists board, unframed
the frst, 22 x 30 in. (55.9 x 76.2 cm.); the second and third, 24 x 22 in. ( 61.5 x 6.4 cm.)
(3)
$4,000-5,500
3,200-4,400
$950-1,300
760-1,000
PROVENANCE:
749
Three architectural designs for the interior of St. Sophias Cathedral, Bayswater,
London
2,500-3,500
$4,000-5,500
3,200-4,400
HUGHSON HAWLEY (1850-1936)
The Carved Parlour, Crewe Hall, Cheshire

signed and dated Hughson Hawley/1915 (lower right)
20 x 24 in. (50.8 x 61 cm.)
1,000-1,500
$1,600-2,400
1,300-1,900
The alabaster chimneypiece depicts the winged fgure of Time rewarding Industry and punishing
Sloth, symbolised by two boys, which is surmounted by a carved portrait of Sir Randolph Crewe
(15581646).
These designs for the Byzantine revival, Greek Orthodox cathedral in Bayswater, Central London
seem to be presentation drawings intended to be shown to the client for their approval of the
scheme. The church foundation stone was laid at the beginning of 1878 and the frst liturgy was
celebrated on the 1 June 1879. The designs for the interior decoration with the beautiful rendering
of the intended polychromatic marble decoration portray to some extent the elaborate decoration
that is now apparent and which the reserved exterior does not convey.
110
750
VARIOUS PROPERTIES
754
Polichinelle (Guerin 79, Harris 80)
EDOUARD MANET (1832-1883)
*752 CHARLES-NICOLAS COCHIN (PARIS 1715-1790)
Wimbledon Common
Lithograph in colours, 1874, on tissue thin laid paper, 3rd state,

signed with initials and numbered 16 in ink, from the edition
of 25
Sheet size: 20 x 14 in. (52 x 36.8 cm.)
Portrait of a woman wearing a bonnet trimmed with lace
signed and dated ARackham/1889 (lower right)

pencil and watercolour
10 x 14 in. (26.7 x 36.2 cm.)
1,500-2,500
$2,400-3,900
1,900-3,200
signed and dated C.N. Cochin delin. 1778. (beneath framing

lines)
black and red chalk, black chalk framing lines on paper
9 x 7 in. (23.3 x 19.3 cm.); and A gambler (recto); Study of
hands (verso), French School, 18th Century
(2)
800-1,200
NO RESERVE
$1,300-1,900
1,100-1,500
ARTHUR RACKHAM, R.W.S. (1867-1939)
1,200-1,800
$1,900-2,800
1,600-2,300
PROVENANCE:
with Abbott and Holder, London

This watercolour is one of Rackhams earliest known works.
It is dated 1889 and was executed whilst he was still at the
Westminster Fire Offce and living in Wandsworth - well before
fnding fame as an illustrator and having only started evening
studies at Lambeth School of Art in 1884. A similar early work,
Winter - In the woods also dated 1889, was sold at Sothebys in
December, 2013 for 3,000. Another view of view of Wimbledon
dated 1892 was sold at Sothebys in July 1993.
THE PROPERTY OF THE LATE MRS. HAZEL WESTBURY
753
751
The Honeymoon (recto); and A sketch of a nude classical

goddess and architecture (verso)
ITALIAN SCHOOL, 18TH CENTURY
A robed man holding an axe, possibly Saint Matthias;

and A robed woman in a landscape, her left arm
outstretched
pencil, pen and red ink and wash
800-1,200
(2)
$1,300-1,900
1,100-1,500
REGINALD JOHN CALLED REX WHISTLER (1905-1944)
inscribed The Honeymoon (lower centre, below the mount)

and signed and dated Rex Whistler 1928 (lower right, below
the mount)
pencil, pen and ink, watercolour and gum arabic
10 x 5 in. (25.3 x 14.7 cm.)
800-1,200
PROVENANCE:
with Charles Plante Fine Art
$1,300-1,900
1,100-1,500
PROVENANCE:
with The Redfern Gallery, London, July 1946, from where

purchased by,
Mrs. A. Acton
*755 AFTER JOHANN MORITZ RUGENDAS
Praya Rodriguez. Prxs de Rio de Janeiro (1,1);

Habitans de Minas. (2,18); Costume de Bahia (2,20);
Habitans de Goyaz. (2,19); Rue Droite N Rio Janeiro
(3,13); Plantation Chinose de Th0, dans le Jardin
Botanique de Rio Janeiro. (3,25); Habitans Pecheurs
CYte des Ilheos (3,30), by Adam and others
seven handcoloured lithographs from Voyage Pittoresque dans le
Br0sil, published by Engelmann & Cie., Paris, 1827-35
S. 11 x 15 in. (27.9 x 38.1 cm.) and similar
sold together with three works After Theodore Auguste Fisquet,
/glise de La Gloria N Rio-Janeiro.; Environs de Rio-de-Janeiro; Cascade
de Tijouka N Rio-Janeiro, three handcoloured lithographs from
Vaillants Voyage autour du monde execut pendant les annes
1836 et 1837 sur la corvette La Bonite ..., Album historique,
Paris, 1841-52 (pls 6-8), also sold together with a handcoloured
lithograph Un Mercado en Bahia (Brasil) after Pallire, a
handcoloured lithograph Uma Vista do Rio de Janeiro. by S, and
a handcoloured engraving Rio de Janeiro after I.Whessell (13)
1,500-2,000
NO RESERVE
$2,400-3,100
1,900-2,500
111
28 JANUARY 2015 A PRIVATE COLLECTION OF WATERCOLOURS
LOT 758
LOT 763
LOT 792
A PRIVATE COLLECTION OF WATERCOLOURS 28 JANUARY 2015
LOT 764
A PRIVATE COLLECTION
OF WATERCOLOURS
LOT 802
A Private Collection (Lots 756-808)
756
GARDEN WILLIAM FRASER (1856-1921)
759
GARDEN WILLIAM FRASER (1856-1921)
All Saints Church, St. Ives from the River Ouse
The distant church spire of All Saints Church, St. Ives from the River Ouse
signed and dated W.F. GARDEN./1901 (lower left)

5 x 7 in. (13.4 x 18.9 cm.)
signed with initials and dated W F G/01 (lower left)

watercolour heightened with white on paper
5 x 7 in. (14 x 19 cm.)
1,000-1,500
757
$1,600-2,400
1,300-1,900
MYLES BIRKET FOSTER, R.W.S. (1825-1899)
1,000-1,500
760
DAVID COX, SEN., O.W.S. (1783-1859)
A mercers shop, Dol, Italy
Cottage near Lancaster Sands
signed with monogram and inscribed Dol. A mercers shop (lower left)
pencil, watercolour and bodycolour on paper
7 x 10 in. (17.8 x 25.4 cm.)
signed David Cox (lower centre)

7 x 10 in. (18.4 x 27.3 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
$1,600-2,400
1,300-1,900
2,000-4,000
$3,200-6,300
2,600-5,000
EXHIBITED:
London, Anthony Reed, David Cox Exhibition, Autumn 1976, no. 50

New York, Davis & Long Company, David Cox: Drawings and Paintings, November 1976, no. 50
758
FRANCIS TOWNE (1739-1816)
A view near Hornsey

signed and dated F. Towne/1786 (lower left) and signed,
inscribed and dated Going to Hornsey, near London/Francis
Towne 1786 (on the reverse)
pen and brown ink and watercolour on paper
5 x 7 in. (14.6 x 18.5 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
with Spink, London

F. W. Marten
Anonymous Sale; Christies, London, 3 March 1970, lot 102
(illustrated)
114
761
JULIUS CAESAR IBBETSON (1759-1817)
764
Costume of the peasantry in the Island of Anglesey with the Druidical Cromlech of
Plas Newydd, Snowdon beyond
8 x 11 in. (21.5 x 28 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
THOMAS ROWLANDSON (1756-1827)
Punch cures the gout (recto) and Two fgures with horse and cart (verso)
inscribed Punch cures the Gout the Vapours and the Tysic[?]/and tis to all Men the very best of
Physic- (upper centre)
pencil, pen and ink and coloured wash on paper
4 x 6 in. (10.2 x 16.5 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Anonymous Sale; Christies, London, 6 June 1972, lot 68.

In July 1792 Julius Caesar Ibbetson accompanied John Warwick Smith and Robert Fulke Greville on
an extended tour of North Wales, including Anglesey. The lot offered here, Costume of the Peasantry
in the Island of Anglesea was probably composed at this time and sums up the sentiment of the
period, combining a sense of Welsh culture, history and place - the Welsh peasants in traditional dress
standing next to the Iron Age Plas Newyedd with the mountainous Snowdon beyond.
S. Smiles in The Image of Antiquity: Ancient Britain and the Romantic Imagination, London, 1993,
has suggested the present watercolour was engraved as a contribution to James Bakers Picturesque
Guide through Wales and the Marches published in 1794.
762
765 PETER DE WINT, O.W.S. (1784-1849)
DAVID ROBERTS, R.A. (1796-1864)
Camels on the road near the ruins of Semua in the Holy Land
Harvesters resting in a feld
inscribed Semua (lower left)

7 x 11 in. (19 x 29.2 cm.)
watercolour with scratching out on paper

8 x 12 in. (20.4 x 31.7 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
600-800
NO RESERVE
$950-1,300
760-1,000
PROVENANCE:
Anonymous sale; Christies, London, 15 February 1972, as Camels on the road near Senma [sic], lot 54.
ENGRAVED:
L. Haghe, lithographed for D. Roberts, The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia / from
drawings made on the spot by David Roberts ... ; London : F.G. Moon, 1842-1845, pl. 56.
The scene depicts Roberts party travelling toward Jerusalem past the ruins of Semua, between Wadi
Musa and Hebron, during his travels in the Holy Land in 1839. Presumably the work can be dated to 16
March of that year - as per the date given for the work in Haghes lithograph. The Rev. George Croly
in his text to accompany Roberts drawings notes the mention of the neighbourhood of Semua in the
bible in Joshua, 15:58. He goes on to state The ground around Semua is strewed with massy stones, the
remains of vast and ancient buildings, the only portion of which left standing is a tower, which lends a
singularly beautiful effect to the central view, as seen in this sketch (D.Roberts, op. cit. p. 18.)
763
EDWARD LEAR (1812-1888)
View of Eze, Cte dAzur, South of France

signed with monogram (lower right)
watercolour heightened with white and gum arabic on paper
6 x 10 in. (15.8 x 25.4 cm.)
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
Given by the artist to Louisa, Lady Waterford,

by whom gifted to Charles Stuart, 1869.
Lear spent the winter between 1864 and 1865 in Nice, travelling along the coast recording the
views that he saw in pencil and watercolour. In his journal he described the landscape around Eze
as a strangely wild and magnifcent coast scene (Diary, 6. xii. 64) and celebrated the wonderfully
vivid colours of the Mediterranean: Blue olives, blue sea and blue Estrelles. This day was perfect
in loveliness, sea a sheet of emerald green, real ultramarine like a Maccaws tail feathers. (P. Levi,
Edward Lear, London, 1995, p. 216).
115

766 THOMAS LOUND (1802-1861)
772 JAMES STARK (1794-1859)
Woman and child on the outskirts

of a village; and The river at Thorpe
Meadows, Norwich (illustrated)
Boats on a river bank; and Eel nets by

the river (illustrated)

7 x 10 in. (18.5 x 26 cm.); and 9 x 12 in.
(24.8 x 32.4 cm.)
(2)
400-600
NO RESERVE
$630-940
510-760
PROVENANCE:
766
772
(1) Anonymous sale; Christies, London, 17

March 1970, lot 121.
the frst pencil and watercolour heightened

with white on paper; the second pencil and
watercolour on paper
7 x 11 in. (19 x 29.3 cm.);and 6 x 10 in.
(17.2 x 27.3 cm.) sold together with another
watercolour by
the Rev. James Bulwer (1794-1879) of A house
on a river with a rainbow above, dated August
18th 1830 (lower right)
(3)
700-1,000
NO RESERVE
$1,100-1,600
890-1,300
PROVENANCE:
767
(1) Rev. H. J. Shingles of Gosforth

(2) with Mandells Gallery, Norwich
ARTHUR JAMES STARK (1831-1902)
A cricket match at Harrogate; A river

scene with a moored rowing boat and a
fsherman beyond; and A cottage in a
wooded landscape
773 GEORGE MARKS (1857-1933)
The maid on the hill

signed George Marks (lower left)
10 x 15 in. (25.4 x 38.1 cm.)
the frst inscribed Harrogate (lower left)

all three pencil and watercolour on paper
5 x 9 in. (14 x 22.8 cm.); and 9 x 13 in. (24.2
x 34.4 cm.); and 6 x 10 in. (15.3 x 25.4 cm.) (3)
767
1,000-1,500
$1,600-2,400
1,300-1,900
773
600-800
NO RESERVE
$950-1,300
760-1,000
PROVENANCE:
774
(3) with the Manning Galleries, London.
SAMUEL PROUT O.W.S. (1783-1852)
Fishermen resting on the coast; and

Chagford Bridge, Devon (illustrated)
the frst signed with monogram (lower right);
the second inscribed with title (lower right) and
signed and inscribed Chagford/by S. Prout
(on an old mount attached to the backboard)
the frst pencil and watercolour with touches of
bodycolour on paper; the second pen and ink
and brown wash on paper
5 x 6 in. (13.3 x 17.2 cm.); and 7 x 9 in.
(19 x 24.7 cm.)
(2)
l768 LEONARD RICHMOND (1889-1965)
A French market place

signed with initials L.R. (lower right)
pastel on paper
8 x 12 in. (24.8 x 30.5 cm.); and another
pastel of Jericho by another hand inscribed and
dated Feb 24, 35, Jericho. (lower right)
(2)
768
700-1,000
NO RESERVE
$1,100-1,600
890-1,300
1,000-1,500
774
769 EDMUND MORRISON WIMPERIS

(1835-1900)
A mother with her children at Capel

Curig, North Wales
600-800
NO RESERVE
Ivybridge, Devon; Buckhurst Farm,

Sussex; and A wooded landscape
$950-1,300
760-1,000
775
the frst signed and dated Henry Jutsum 1867

(lower right); the second inscribed Buckhurst
Farm (lower left)
the frst: pencil and watercolour heightened
with bodycolour and scratching out on paper;
the second and third: pencil and watercolour
on paper
12 x 18 in. (30.5 x 47.6 cm.); and smaller (3)
500-700
NO RESERVE
770 JULIUS CAESAR IBBETSON (17591817)
$790-1,100
630-880
PROVENANCE:
Derwentwater, Lake District
(3) with The Manning Galleries, London,

August 1974
pencil, pen and ink and watercolour on paper

8 x 13 in. (21 x 33 cm.)
600-800
NO RESERVE
The second was probably executed on one of

many of his sketching trips on Dartmoor and a
similar view with fgures fshing was engraved
in Picturesque Delineations in the Counties of
Devon and Cornwall, 1812 by Thomas Palser
for which Prout supplied the illustrations.
775 HENRY JUTSUM (1816-1869)
signed and dated E M Wimperis 1865 (lower

right)
pencil and watercolour heightened with
bodycolour on paper
18 x 27 in. (46.3 x 68.6 cm.)
769
$1,600-2,400
1,300-1,900
$950-1,300
760-1,000
776 CIRCLE OF THOMAS GIRTIN (17751802)
Two fgures approaching a farmhouse,

early evening
770
771 ROBERT HILLS, O.W.S. (1769-1844)
A Rustic family in a barn (illustrated);

Ruins of Dover Priory; and Cottages at
Breadwater
776
200-300
NO RESERVE
the second and third inscribed as title (lower

centre)
11 x 15 in. (29.2 x 38.1 cm.); and smaller (3)
600-800
NO RESERVE
$320-470
260-380
777 EDWARD DUNCAN, R.W.S. (18031882)
$950-1,300
760-1,000
Rustics fshing before a weir

signed and dated E Duncan 1859 (lower left)
pencil and watercolour heightened with white
on paper
12 x 19 in. (31 x 48.3 cm.)
PROVENANCE:
(2) Anonymous sale; Christies, London, 3 June

1969, lot 139 (part of)
(3) Anonymous sale; Christies, London, 15
October 1968, lot 146 (part of)
771

6 x 9 in. (15.2 x 22.8 cm.)
500-800
NO RESERVE
$790-1,300
630-1,000
777
116

778 ALBERT GOODWIN, R.W.S. (1845-1932)
784 LADY ELIZABETH SUSAN PERCY

(1747-1847)
The besieging of Hastings Castle

(illustrated); and Lago Maggiore, Italy
Villa Marescotti, Italy

inscribed and dated Villa Marescotti/28 Feb.y
1835 (lower left)
6 x 10 in. (17.1 x 26.6 cm.)
the frst signed and dated Albert Goodwin

1922 (lower right) and inscribed as title (lower
left); the second signed with monogram(lower
left) and inscribed as title (lower right)
the frst pencil and watercolour heightened
with white on paper; the second pencil and
10 x 13 in. (25.4 x 35 cm.); and 5 x 8 in.
(12.7 x 21.6 cm.)
(2)
800-1,200
NO RESERVE
$1,300-1,900
1,100-1,500
600-800
NO RESERVE
PROVENANCE:
778
779 JOHN JOSEPH COTMAN (1814-1878)
Horses and wagons on a country path;

and A wooded landscape with rustics on
a horse-drawn cart (one illustrated)
the frst signed and dated J. J Cotman 1869

(lower right)
both pencil and watercolour on paper
15 x 26 in. (39.4 x 66 cm.); and 4 x 9 in. (10.2
x 22.8 cm.)
(2)
$1,100-1,600
890-1,300
784
with Agnews, London, no. 228.
785 HENRY EARP (1813-1914)
A Brickmakers Yard; and Figures on a

country lane (one illustrated)
700-1,000
NO RESERVE
$950-1,300
760-1,000
779
PROVENANCE:
(1) Anonymous Sale; Sothebys, London, 18

March 1971, lot 46.
the frst signed and dated H Earp Sn.r/1893

(lower left); the second signed and dated
Henry Earp Sn. /79 (lower right)
the frst watercolour and bodycolour on paper;
the second watercolour with scratching out
on paper
26 x 20 in. (67.4 x 51.5 cm.);and 20 x
29 in. (52.7 x 75.5 cm.)
(2)
800-1,200
NO RESERVE
785
$1,300-1,900
1,100-1,500
780 ANTHONY DEVIS (1729-1817)
Rustics in an extensive coastal landscape

with castle ruins
786 JULIUS CAESAR IBBETSON (1759-1817)
pencil, pen and ink and coloured washes on

paper
11 x 16 in. (29.8 x 40.7 cm.)
Rustics in a landscape with cattle, a

village beyond
700-1,000
NO RESERVE

7 x 10 in. (19.5 x 26.7 cm.)
$1,100-1,600
890-1,300
780
400-600
NO RESERVE
$630-940
510-760
786
781 HENRY BRIGHT (1814-1873)
Hazelbeach, Pembrokeshire, at dusk

pencil and watercolour with scratching out on
paper
9 x 13 in. (24.8 x 35 cm.)
600-800
NO RESERVE
782
787 SAMUEL OWEN (1768-1857)
$950-1,300
760-1,000
FRANCOIS LOUIS THOMAS FRANCIA

(1772-1839)
Coastal traffic on an estuary

signed S OWEN (lower left)
pencil, pen and ink and watercolour with
scratching out on paper
5 x 8 in. (14 x 21 cm.)
781
800-1,200
NO RESERVE
$1,300-1,900
1,100-1,500
787
Beach scene, Normandy Coast

signed and dated L Francia 1830 (lower
centre)
pencil, pen and ink and watercolour heightened
with white on paper
7 x 10 in. (19 x 25.7 cm.)
1,000-1,500
788 EDWARD DUNCAN, R.W.S. (1803-1882)
$1,600-2,400
1,300-1,900
A ship foundering in a gale

signed and dated E Duncan/1865 (lower left)
5 x 8 in. (14 x 22.3 cm.)
PROVENANCE:
with The Manning Galleries, London.

Anonymous sale; Christies, 14th December
1971, lot 45
600-800
NO RESERVE
$950-1,300
760-1,000
788
782
783 EDWARD HARGITT (1835-1895)
A sew view; and two landscapes

the second signed with initials and dated E.H.
56 (lower left), the third signed with initials
E.H. (lower right)
2 x 5 in. (6.3 x 14 cm.); and smaller
(3)
400-600
NO RESERVE
789 GEORGE CHINNERY (1774-1852)
Landscape with flooded fields

3 x 5 in. (8.8 x 14.6 cm.)
$630-940
510-760
800-1,200
NO RESERVE
PROVENANCE:
$1,300-1,900
1,100-1,500
PROVENANCE:
(1) with the Manning Galleries, London
with The Manning Galleries, London

783
789
117
790
793 SAMUEL OWEN (1768-1857)
SAMUEL OWEN (1768-1857)
A warship at anchor on an estuary
Shipping in the Solent
signed with initials S O (lower right)

pencil, pen and ink and watercolour with scratching out on paper
5 x 8 in. (14 x 21.6 cm.)
signed with initials S O (lower left)

3 x 6 in. (9.5 x 15.2 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
800-1,200
NO RESERVE
PROVENANCE:
PROVENANCE:
with The Manning Galleries, London.
with Agnews, London
791
794
WILLIAM WYLD, R.I. (1806-1889)
THOMAS BUSH HARDY, R.B.A. (1842-1897)
Ships on the quayside, early evening, Venice
Kite fying on the coast near Scheveningen
signed W.Wyld. (lower left) and inscribed and dated Venice. 1874 (lower right)
watercolour heightened with bodycolour and gum arabic on paper
9 x 14 in. (22.9 x 35.5 cm.)
signed and dated T B Hardy 1872.3 (lower left)

pencil and watercolour heightened with white on paper
13 x 20 in. (33 x 50.8 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
$1,300-1,900
1,100-1,500
1,200-1,800
$1,900-2,800
1,600-2,300
PROVENANCE:
Anonymous sale; Christies, London, 5 November 1974, lot 175.
792
WILLIAM CALLOW, R.W.S. (1812-1908)
795
WILLIAM CALLOW, R.W.S. (1812-1908)
Figures on a boat on a Swiss lake
Marseilles, in the harbour, July 28th, 1836
signed and dated W Callow 1839 (lower centre)

pencil and watercolour with scratching out on paper
9 x 12 in. (22.8 x 32.4 cm.)
signed with monogram (lower left) and inscribed as title (lower right)
pencil and watercolour heightened with white on paper
5 x 9 in. (14 x 22.8 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
with The Fine Art Society, London, 1972.
118
796
HELEN ALLINGHAM, R.W.S. (1848-1926)
798
THOMAS ROWLANDSON (1756-1827)
799
HENRY SCOTT TUKE, R.A., R.W.S. (1858-1929)
By the old garden gate, Pinner
The lover surprised
Study of a young man looking out to sea
signed H. Allingham (lower left)

pencil and watercolour heightened with white and scratching
out on paper
13 x 9 in. (34.9 x 24.7 cm.)
pencil, pen and ink and coloured washes on paper

11 x 8 in. (28.5 x 21 cm.)
pencil watercolour and bodycolour on paper

5 x 4 in. (12.6 x 10.2 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
2,000-3,000
$3,200-4,700
2,600-3,800
1,500-2,500
$2,400-3,900
1,900-3,200
PROVENANCE:
J. Grego
M.S. Acenbach
W. Riddiongh
with Agnews, London.
Anonymous sale; Sothebys, London, 24 November 1965
Anonymous sale; Christies, 15 February 1972, lot 129
797
800
SIR WILLIAM QUILLER ORCHARDSON, R.A. (1832-1910)
SIR EDWARD JOHN POYNTER, BT., P.R.A., R.W.S. (1836-1919)
Lilias in her green mantle from Sir Walter Scotts Redgauntlet
Head study of a young girl in profle
oil on canvas
16 x 12 in. (40.7 x 30.5 cm.)
signed with monogram and dated 1889 (lower left)

oil on canvas
9 x 7in. (24.2 x 17.7cm.)
1,500-2,500
$2,400-3,900
1,900-3,200
4,000-6,000
$6,300-9,400
5,100-7,600
119

801
PETER DE WINT, O.W.S. (1784-1849)
A river landscape
10 x 23 in. (27.3 x 58.4 cm.)
2,000-3,000
802
$3,200-4,700
2,600-3,800
EDMUND GUSTAVUS MULLER (1836-1871)
East Lyn, Lynmouth

signed E G Muller (lower left) and further signed and inscribed
as titled (on a label attached to the reverse)
pencil, watercolour and bodycolour on paper
21 x 41 in. (53.4 x 105.5 cm.)
2,000-3,000
803
$3,200-4,700
2,600-3,800
HENRY RUTT (FL. 1842-1864)
An album of approximately 110 watercolours of tours

of the British Isles and Switzerland from 1842-1864;
and ten further framed views of: Barnstable Bay,
Devon (illustrated); Herne Bay, Kent; Lower Clapton
Gardens, London; Lake Thun, Evening, Switzerland;
Wallenstadt Lake, Switzerland; Lake of Brienz from
Griesbach Falls, Switzerland (illustrated) ; Menais
Straits from a hill near Beaumaris, Wales; Bedgelert,
Vale of Gwynant, Wales; A view of a North Wales
pass; and Snowdon from the Vale of Gwynant, Wales
all inscribed (on the mount) and some signed H. Rutt
watercolour heightened with white
Album size: 11 x 17 in. ( 29.3 x 43.1 cm.); Sheet size 6 x 9
in. (16.5 x 24.2 cm.) and smaller
One album and ten framed items in the lot
(120)
2,000-4,000
$3,200-6,300
2,600-5,000
PROVENANCE:
Given by the artist to his daughters,

Miss H. and Miss E. Rutt, by whom bequeathed to,
Mrs. M. H. Sturge, 1907.
804 A LARGE QUANTITY OF ART REFERENCE BOOKS AND ARTIST MONOGRAPHS
300-500
NO RESERVE
807 A LARGE QUANTITY OF AUCTION CATALOGUES
$480-790
380-630
To include Bonhams and Phillips Pictures and Sothebys Silver (approx. 98)
200-300
NO RESERVE
$320-470
260-380
808 A QUANTITY OF ART REFERENCE BOOKS
c. 1970s-1980s
To include Sothebys and Christies Drawing and Watercolours, Victorian and Maritime
(approx. 145)
To include: Royal Academy Catalogues (1899-1909, 10 volumes), The Nettlefold Collection of

Pictures and Drawings (1933, 4 volumes), The Nations Pictures (1902, 4 volumes), The Mentmore
Collection Sale Catalogues (1978, volumes 1, 2 and 4), and The Von Hirsch Sale Catalogues (1978,
volumes 2 and 3) (approx. 26)
200-300
NO RESERVE
$320-470
260-380
$480-790
380-630
End of Sale
To include Sothebys Belgravia and Gleneagles, Victorian Pictures (approx. 130)
250-350
NO RESERVE
300-500
NO RESERVE
$400-550
320-440
The next Interiors sale will be held on

Tuesday 24 February 2015 at 10.00 am
120
All You Need to Know

A GUIDE TO
CHRISTIES CATALOGUING PRACTICE
Some of the terms we use in catalogue descriptions

might be unfamiliar to you. Weve outlined below
these expressions and their explanations.
Style
In conjunction with a monarch. Eg. George III style
In our opinion the piece is a later work (of any date) and
not of the period.
Recent manufacture
In our opinion the piece is less than ten years old.
By (Furniture and decorative arts)
In our opinion the artist has been directly involved in the
production of the work.
Name(s) or recognised designation of an artist
without any qualification
In our opinion a work by the artist
Cast from a model by
In our opinion a work from the artists model, originating
in his circle and cast during his lifetime or shortly
thereafter
Attributed to
In our qualified opinion the piece is probably a work by
the artist in whole or in part
Studio of / Workshop of
In our qualified opinion a work executed in the studio or
workshop of the artist, possibly under his supervision
Circle of
In our qualified opinion a work of the period of the artist
and showing his influence
Follower of
In our qualified opinion a work executed in the artists
style but not necessarily by a pupil
Manner of
In our qualified opinion a work executed in the artists
style but of a later date
After
In our qualified opinion a later copy or aftercast (of any
date) of a work of the artist
Signed / Dated / Inscribed
(Pictures, drawings, prints or miniatures)
In our qualified opinion the work has been signed / dated
/ inscribed by the artist
With signature / With date / With
inscription (Pictures, drawings, prints or miniatures)
In our qualified opinion the signature / date / inscription
appears to be by a hand other than that of the artist
Labelled / Dated / Inscribed / Carved
with / Signed / Stamped (Furniture and
decorative arts)
In our qualified opinion the label / date / inscription /
carving / signature / stamp is contemporary
The term bears / bearing
In conjunction with the above indicates that in our
opinion the feature described is not by the artist or
manufacturer or has been added at a significantly
later date.
Mark of, 1725 (Silver)
In our opinion either made in the workshop of the
master or struck with his sponsors mark prior to retailing
between 19th May of the year specified and 18th May of
the following year until 1660 and thereafter between 29th
May of the year specified and 28th May of the following
year until 1975 and thereafter between 2nd January of the
year specified and 1st January of the following year. All
other countries have varying dating systems.
1725, mark (Silver)
In our opinion dated as above and struck with an
unidentified sponsors mark as described.
1725 (Silver)
In our opinion dated as above and struck with an illegible
sponsors mark or no sponsors mark at all.
Bearingmarks for 1725 (Silver)
In our opinion having either spurious or
transposed marks.
(oz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy.
(grossoz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy including any non silver additions
(e.g. wooden handles)
Glass and Ceramics
Reference is made for damage and/or restoration on
the illustrated lots only. The absence of such a reference
does not imply that a lot is free from defects nor does
any reference to particular defects imply the absence of
others. Such information is given for guidance only and
the condition of any lot and the nature and extent of any
damage or restoration should be confirmed by examination
prior to the sale. In this connection you are specifically
requested to read Condition 2 of the Conditions of Sale.
HOW DOES THE AUCTION WORK?
Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject
to the auctioneers discretion. Written bids that do
not conform to the increments set below may be
lowered to the next increment.
UK50 to UK1,000
by UK50s
UK1,000 to UK2,000
by UK100s
UK2,000 to UK3,000
by UK200s
UK3,000 to UK5,000
by UK200, 500, 800

(ie: UK4,200,
4,500, 4,800)
UK5,000 to UK10,000
by UK500s
UK10,000 to UK20,000
by UK1,000s
UK20,000 to UK30,000
by UK2,000s
UK30,000 to UK50,000
by UK2,000,
5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
Other
Unless otherwise stated miniatures are on ivory
UK100,000 to UK200,000 by UK10,000s

above UK200,000
at auctioneers discretion
Descriptions of metals conform to the Hallmarking

Act 1973.
The auctioneer may vary the increments during the

course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
All electrical goods offered in this catalogue have

either been tested and certified by an appropriately
qualified electrician or have been operationally disabled.
We would strongly advise that any intended
re-commissioning is undertaken by an
appropriately qualified electrician.
In respect of mechanical pieces such as clocks, no
representation is made or warranty given that any such
item is in working order and nothing in the catalogue
description should be taken as such.
The date given for Old Master, Modern and
Contemporary Prints is the date (or approximate date
when prefixed with circa) on which the matrix was
worked and not necessarily the date when the impression
was printed or published.
Measurements of Prints are taken where possible from
the platemark (P), otherwise they record the size of
the sheet (S) or the borderline of the subject (L). All
measurements are in centimetres to the nearest centimetre
and are approximate.
Christies does not accept liability for failing to describe
any alteration or addition to an item of furniture or
an object which is concealed by upholstery, gilding
or painted decoration and could only be detected by
physically dismantling the lot.
Post 1950 Furniture
All items of post-1950 furniture included in this sale are
items either not originally supplied for use in a private
home or now offered solely as works of art. These items
may not comply with the provisions of the Furniture and
Furnishings (Fire) (Safety) Regulations 1988 (as amended
in 1989 and 1993, the Regulations). Accordingly, these
items should not be used as furniture in your home in their
current condition. If you do intend to use such items for this
purpose, you must first ensure that they are reupholstered,
restuffed and/or recovered (as appropriate) in order that they
comply with the provisions of the Regulations.
SALEROOM NOTICES
Details in this catalogue can be subject to change after it
has been printed. For example, some extra provenance or
information might have come to light over a particular lot,
or the lot itself might have been withdrawn from the sale,
or the estimate might have changed.
These details will appear in the saleroom notice for that
particular sale and is available at the Bids Office,
Tel: +44 (0)20 7752 3225.

PAYMENT & SUCCESSFUL BIDS
A GUIDE TO NON-VAT RELATED SYMBOLS
LOTS OF IRANIAN/PERSIAN ORIGIN
All you need to know on how, when and where to pay
Bidders are kindly reminded that some countries (such as the

USA and Canada) prohibit or restrict the purchase and import
of Iranian origin works of conventional craftsmanship (works
that are not by a recognized artist and/or that have a function,
for example: bowls, tiles, ornamental boxes and carpets).
Informational materials (such as paintings, drawings
and pastels, executed entirely by hand, collages and similar
decorative plaques, framed or not framed; original engravings,
prints and lithographs, printed books, newspapers and
manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with
the laws that apply to them and ensuring that they do not bid
on or import property in contravention of relevant sanctions
or trade embargoes.
If Christies cancels a sale due to any sanction or trade
embargoes, the successful bidder will be accountable for any
shortfall between the total amount originally due to us and the
proceeds from a resale of the property.
Bidder Registration
If you have not previously bid or consigned with Christies, you
should bring with you:
Individuals: government-issued photo identification (such as a
photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, off-shore companies
or partnerships, please contact Christies
Credit Department at +44 (0)20 7752 3137 for advice
on the information you should supply.
If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies you should bring
identification documents not only for yourself but also for the
party on whose behalf you are bidding, together with a signed
letter of authorisation from that party. To allow sufficient time
to process the information, you are encouraged to register at
least 48 hours in advance of a sale.
You should register for a numbered bidding paddle at least 30
minutes before the auction.
Successful Written Bids
Christies South Kensington is not able to notify successful bidders.
While invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome of
their bids to avoid incurring unnecessary storage charges.
Payment
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard
& American Express only (up to 25,000), and cash (up
to 5,000 (subject to conditions)), bankers draft (subject to
conditions) or cheque (must be drawn in GBP on a UK bank;
clearance will take 5 to 10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box
217 72 Lombard Street, London, EC3P 3BT A/C: 00172710
Sort Code: 30-00-02 for international transfers, SWIFT
LOYDGB2LCTY. For banks asking for an IBAN: GB81
LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express
only A limit of 25,000 for credit card payments will
apply. This limit is inclusive of the buyers premium and any
applicable taxes. Credit card payments at London sale sites will
only be accepted for London sales. Christies will not accept
credit card payments for purchases made in any other sale site.
The fax number to send completed CNP (Card Member not
Present) authorisation forms to is +44 (0)20 7389 2821.
The number to call to make a CNP payment over the phone
is +44 (0)20 7752 3388. Alternatively, clients can mail the
authorisation form to the address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject
to conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with
all transactions.
All mailed payments should be sent to:
Christies, Cashiers Department, 8 King Street, St Jamess,
London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0)20 7389 2996 Fax: +44 (0)20 7389 2863 or
South Kensington Tel: +44 (0)20 7752 3138
Fax: +44 (0)20 7752 3143
No reserve
In these cases the lot is sold without reserve.
Property incorporating materials from endangered and

other protected species
Please see Property Incorporating Protected Species for
further information.
Artists Resale Right (Droit de Suite)

In these cases the lot is subject to Artists Resale Right.
The buyer agrees to pay to Christies an amount equal to the
resale royalty. Resale royalty applies where the Hammer Price
is 1,000 Euro or more and the amount cannot be more than
12,500 Euro per lot. The amount is calculated as follows:
Royalty
For the portion of the Hammer Price (in Euro)
4.00%
up to 50,000
3.00%
between 50,000.01 and 200,000
1.00%
between 200,000.01 and 350,000
0.50%
between 350,000.01 and 500,000
0.25%
in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the
purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
Christies Interest
From time to time, Christies may offer a lot which it owns in
whole or in part. Such property is identified in the catalogue
with the symbol next to its lot number.
On occasion, Christies has a direct financial interest in lots
consigned for sale which may include guaranteeing a minimum
price or making an advance to the consignor that is secured
solely by consigned property. Such property is identified in the
catalogue by the symbol next to the lot number. This symbol
will be used both in cases where Christies holds the financial
interest on its own, and in cases where Christies has financed all
or a part of such interest through a third party. Such third parties
generally benefit financially if a guaranteed lot is sold successfully
and may incur a loss if the sale is not successful. Where Christies
has an ownership or financial interest in every lot in the
catalogue, Christies will not designate each lot with a symbol,
but will state its interest at the front of the catalogue.
PROPERTY INCORPORATING PROTECTED SPECIES

Property made of or incorporating (irrespective of
percentage) endangered and other protected species of
wildlife are marked with the symbol ~ in the catalogue. Such
material includes, among other things, ivory, tortoiseshell,
crocodile skin, rhinoceros horn, whale bone and certain
species of coral, together with Brazilian rosewood.
Prospective purchasers are advised that several countries
prohibit altogether the importation of property containing
such materials, and that other countries require a permit
(e.g., a CITES permit) from the relevant regulatory agencies
in the countries of exportation as well as importation.
Accordingly, clients should familiarise themselves with
the relevant customs laws and regulations prior to bidding
on any property with wildlife material if they intend to
import the property into another country. Please note that
it is the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations applying
to the export or import of property containing endangered
and other protected wildlife material. The inability of a client
to export or import property containing endangered and
other protected wildlife material is not a basis for cancellation
or rescission of the sale. Please note also that lots containing
potentially regulated wildlife material are marked as a
convenience to our clients, but Christies does not accept
liability for errors or for failing to mark lots containing
protected or regulated species.
Recent changes to imports of elephant ivory and
other wildlife material into the USA
The USA has recently changed its policy on the import of
property made of or containing elephant ivory. Only Asian
Elephant ivory may be imported into the USA, and imports
must be accompanied by DNA analysis and confrmation
the object is more than 100 years old. We have not obtained
a DNA analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is African or
Asian elephant. Buyers purchase these lots at their own risk
and will be responsible for the costs of obtaining any DNA
analysis or other report required in connection with their
proposed import of such property into the USA.
The USA is also currently requiring all imports of property
made of or containing wildlife material to be accompanied
by a scientifc confrmation of species and in some cases an
additional confrmation of age.We have not obtained such
confrmations prior to sale (unless specifcally indicated) and
buyers will be responsible for the costs of any such additional
confrmations or opinions required for their proposed import
into the USA.
A buyers inability to export or import any lot containing
elephant ivory or other wildlife material is not a basis for
cancelling the purchase.

VAT AT CHRISTIES (UK)
No symbol
VAT is accounted for by Christies under the

Auctioneers Margin Scheme. No VAT is charged
on the Hammer price; VAT is charged at 20% on
the buyers Premium on a VAT inclusive basis. This
VAT is not shown separately on the invoice.
VAT is charged at 20% on both the Hammer and

Premium (subject to the usual UK VAT rules).
These lots have been imported from outside the

EU for sale using a Temporary Import regime.
Import VAT is payable (at 5%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. When a
buyer of such a lot has registered an EU address
but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
VAT refunds: What can I reclaim?

Symbol
No
Symbol
UK Trade VAT
Registered
Purchaser
EU VAT
Registered
Purchaser
Non EU
Purchaser
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
VAT can be
reclaimed through
purchasers own
VAT returns
VAT in the
Buyers Premium
will be refunded
upon proof of
movement within
the EU
VAT refund.
An amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
VAT may be
reclaimed through
purchasers own
UK VAT returns.
No VAT will be
charged on the
Buyers Premium
and the VAT on
the Hammer price
will be refunded
upon proof of
movement within
the EU
VAT will be
refunded on the
Hammer price by
Christies. VAT
in the Buyers
Premium may be
reclaimed back by
Trade clients from
Christies.
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer price and
an amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer and an
amount in-lieu of
the VAT in the
Buyers Premium
will be refunded
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and the VAT
charged of the
Buyer's Premium
will be refunded
upon proof of
movement within
the EU.
VAT will be
refunded on
the Hammer by
Christies. VAT
charged in the
Buyers Premium
can be claimed
back by Trade
clients directly
from Christies.
N/A
N/A
N/A
N/A
Can I reclaim the VAT?

Christies VAT refund rules are governed by the
current EU and UK tax legislation. The ability to
reclaim VAT depends on the particular circumstances
of the buyer and the information below, which is not
exhaustive, is therefore to be used as a general guide.
If you have any further queries then please contact the
VAT department here at Christies.
Where a buyer has purchased an item and intends to
export the item outside the EU, a VAT refund can be
obtained subject to ALL of the following conditions
being satisfied:
Buyer must have registered to bid
with a NON EU address
Lots must be exported within
3 months.
Lots subject to Import VAT, shown with the Star
(*) or Omega () in the catalogue, must be
exported within 30 days of collection.
Proof of export in the appropriate
form (please see section headed VAT
consequences on shipping) must be
provided to the VAT department at Christies.
Christies cannot refund VAT paid if the above
conditions are not met.
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot reclaim
any VAT charged.
UK/EU
Buyer
These lots have been imported from outside the

EU for sale using a Temporary Import regime.
Import VAT is payable (at 20%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where
applicable Customs duty will be charged (per rate
specified by HMRC guidance) on the Hammer
price and VAT will be payable at 20% on duty.
When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
The VAT treatment of the lot is determined by
the registered address of the purchaser:
Purchaser from within the European Union
(EU) VAT is accounted for by Christies under
the Auctioneers Margin Scheme. No VAT
is charged on the Hammer price; VAT is
charged at 20% on the Buyers Premium on a
VAT inclusive basis. This VAT is not shown
separately on the invoice.
Purchasers from outside the European Union
(EU) VAT is charged at 20% on both the
Hammer and Premium (subject to the usual
UK VAT rules).
No VAT charged.
VAT Consequences on Shipping

CHRISTIES AUTHORISED SHIPPER If a buyer
exports the purchased goods outside the EU and a
CHRISTIES AUTHORISED SHIPPER is used, the
buyer will not be required to pay the VAT at the time
of settlement.
Own Shipper If the buyer exports the purchased
goods outside the EU and does not use a CHRISTIES
AUTHORISED SHIPPER, VAT will be charged
on the invoice. This VAT will be refundable upon
receipt of the correct export documentation by
Christies VAT department.
Hand Carried Lots Purchased

If the buyer exports the purchased goods outside the
EU himself, VAT will be charged on the invoice. For
lots that are to be hand carried, the following must be
adhered to:
For lots that carry the Star (*) or Omega () symbol in
the catalogue, a C88 can be obtained from Christies
Shipping department. This must be stamped by UK
Customs on leaving the UK and sent to the VAT
department for a VAT refund to be issued.
For lots that carry no symbol or are daggered () in
the catalogue a Global Refund form can be obtained
from Cashiers and the VAT can be reclaimed by the
purchaser at the airport (subject to an admin fee).
The buyer must provide valid proof of identity (i.e.
passport/credit card) at time of collection and present
the same proof at the Global Refund desk at the
airport. Alternatively any commercial evidence of
export is acceptable.
VAT Queries
If you still have any queries about VAT, please contact the
following:
Telephone number: +44 (0)20 7389 2886
Email: info@Christies.com
HM Revenue & Customs

Telephone Number +44 (0)28 7137 5100
VAT on Premium may be reclaimed from HM Revenue

& Customs where the purchaser is taxable in their
home jurisdiction.
No VAT refund will be processed where the total
VAT amount is under 100.
A refund processing fee of 35 will be charged for
each refund processed (regardless of the number of
lots processed).
1
UK and EU private buyers cannot reclaim any

VAT charged
11/04/14
Conditions of Sale
These Conditions of Sale and the information set out in the All You Need to Know
section of the catalogue set out the terms governing the legal relationship of Christies
and the seller with the buyer. You should read them carefully before bidding.
1
CHRISTIE'S AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2
CATALOGUE DESCRIPTIONS AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale,
on the following basis.
a
Condition
The nature of the lots sold in our auctions is such that

they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly in
the case of any items of significant value, that you
instruct your own restorer or other professional adviser
to report to you in advance of bidding.
b
Cataloguing Practice
Our cataloguing practice is explained in the All You

Need to Know section of the catalogue, which appears
after the catalogue entries.
c
Attribution etc
Any statements made by Christies about any lot,

whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
d
Estimates
Estimates of the selling price should not be relied on as

a statement that this is the price at which the item will
sell or its value for any other purpose.
e
Fitness for Purpose
Lots sold are enormously varied in terms of age, category

and condition, and may be purchased for a variety of
purposes. Unless otherwise specifically agreed, no promise
is made that a lot is fit for any particular purpose.
11/04/14
3
AT THE SALE
a
Refusal of admission
Christies has the right, at our complete discretion, to

refuse admission to the premises or participation in any
auction and to reject any bid.
b
Registration before bidding
Prospective buyers who wish to bid in the saleroom

can register online in advance of the sale, or can come
to the saleroom on the day of the sale approximately
30 minutes before the start of the sale to register in
person. Prospective buyers must complete and sign a
registration form with his or her name and permanent
address, and provide identification before bidding. We
may require the production of bank details from which
payment will be made or other financial references.
c
Bidding as principal
When making a bid, a bidder is accepting personal

liability to pay the purchase price, including the buyers
premium and all applicable taxes, plus all other applicable
charges, unless it has been explicitly agreed in writing
with Christies before the commencement of the
sale that the bidder is acting as agent on behalf of an
identified third party acceptable to Christies, and that
Christies will only look to the principal for payment.
d
Absentee bids
We will use reasonable efforts to carry out written bids

delivered to us prior to the sale for the convenience of
clients who are not present at the auction in person,
by an agent or by telephone. Bids must be placed in
the currency of the place of the sale. Please refer to the
catalogue for the Absentee Bids Form. If we receive
written bids on a particular lot for identical amounts, and
at the auction these are the highest bids on the lot, it will
be sold to the person whose written bid was received and
accepted first. Execution of written bids is a free service
undertaken subject to other commitments at the time of
the sale and provided that we have exercised reasonable
care in the handling of written bids, the volume of goods
is such that we cannot accept liability in any individual
instance for failing to execute a written bid or for
errors and omissions in connection with it arising from
circumstances beyond our reasonable control.
e
Telephone bids
If a prospective buyer makes arrangements with us prior

to the commencement of the sale we will use reasonable
efforts to contact them to enable them to participate
in the bidding by telephone but we do not accept
liability for failure to do so or for errors and omissions
in connection with telephone bidding arising from
circumstances beyond our reasonable control.
f
Currency converter
At some auctions a currency converter may be

operated. Errors may occur in the operation of the
currency converter. Where these arise from circumstances
beyond our reasonable control we do not accept
liability to bidders who follow the currency converter
rather than the actual bidding in the saleroom.
g
Video or digital images
At some auctions there may be a video or digital screen.

Errors may occur in its operation and in the quality of the
image. We do not accept liability for such errors where
they arise for reasons beyond our reasonable control.
h
Reserves
Unless otherwise indicated, all lots are offered subject to

a reserve, which is the confidential minimum price below
which the lot will not be sold. The reserve will not
exceed the low estimate printed in the catalogue. If any
lots are not subject to a reserve, they will be identified
with the symbol next to the lot number. The auctioneer
may open the bidding on any lot below the reserve by
placing a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the amount
of the reserve, either by placing consecutive bids or by
placing bids in response to other bidders.
Auctioneers discretion
The auctioneer has the right to exercise reasonable

discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots and,
in the case of error or dispute, and whether during
or after the sale, determining the successful bidder,
continuing the bidding, cancelling the sale or reoffering
and reselling the item in dispute. If any dispute arises
after the sale, then, in the absence of any evidence
to the contrary the sale record maintained by the
auctioneer will be conclusive.
j
Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the

highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of a
contract for sale between the seller and the buyer. Risk
and responsibility for the lot (including frames or glass
where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.
4
AFTER THE SALE
a
Buyers premium
In addition to the hammer price, the buyer agrees

to pay to us the buyers premium together with any
applicable value added tax. The buyers premium is
25% of the first 50,000 of the hammer price on each
lot plus 20% of the excess of the hammer price above
50,000 up to and including 1,000,000 plus 12% of
any amount in excess of 1,000,000.
b
Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to

the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
c
Payment and ownership
The buyer must pay the full amount due (comprising the
hammer price, buyers premium and any applicable taxes)
immediately after the sale. This applies even if the buyer
wishes to export the lot and an export licence is, or may
be, required. The buyer will not acquire title to the lot
until all amounts due to us from the buyer have been
received by us in good cleared funds even in circumstances
where we have released the lot to the buyer.
d
Collection of purchases
We shall be entitled to retain items sold until all

amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, in our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled to
cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject to
this, the buyer shall collect purchased lots within two
calendar days from the date of the sale unless otherwise
agreed between us and the buyer.
Conditions of Sale
Packing, handling and shipping
Although we shall use reasonable efforts to take care

when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made a
recommendation for the acts or omissions of the third
party concerned.
f
Export licence
Unless otherwise agreed by us in writing, the fact

that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the buyer
requests us to apply for an export licence on his or
her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
g
Remedies for non payment
If the buyer fails to make payment in full in good cleared

funds within 7 days after the sale, we shall have the right
to exercise a number of legal rights and remedies. These
include, but are not limited to, the following:
i to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
ii to hold the defaulting buyer liable for the total
amount due and to commence legal proceedings
for its recovery together with interest, legal fees
and costs to the fullest extent permitted under
applicable law;
iii to cancel the sale;
iv to resell the property publicly or privately on such
terms as we shall think fit;
v to pay the seller an amount up to the net proceeds
payable in respect of the amount bid by the
defaulting buyer;
vi to set off against any amounts which we, or
Christies International plc, or any of its affiliates,
subsidiaries or parent companies worldwide, may
owe the buyer in any other transactions, the
outstanding amount remaining unpaid by the buyer;
vii where several amounts are owed by the buyer to
us, or to Christies International plc, or to any
of its affiliates, subsidiaries or parent companies
worldwide, in respect of different transactions, to
apply any amount paid to discharge any amount
owed in respect of any particular transaction,
whether or not the buyer so directs;
viii to reject at any future auction any bids made by or
on behalf of the buyer or to obtain a deposit from
the buyer before accepting any bids;
ix to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way, to
the fullest extent permitted by the law of the place
where such property is located. The buyer will be
deemed to have granted such security to us and we
may retain such property as collateral security for
such buyers obligations to us;
x to take such other action as we deem necessary
or appropriate.
If we resell the property under paragraph (iv) above,

the defaulting buyer shall be liable for payment of any
deficiency between the total amount originally due
to us and the price obtained upon resale as well as for
all reasonable costs, expenses, damages, legal fees and
commissions and premiums of whatever kind associated
with both sales or otherwise arising from the default.
If we pay any amount to the seller under paragraph (v)
above, the buyer acknowledges that Christies shall have
all of the rights of the seller, however arising, to pursue
the buyer for such amount.
Failure to collect purchases
Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
h
Selling Property at Christies

In addition to expenses such as transport, all consignors
pay a commission according to a fixed scale of charges
based upon the value of the property sold by the
consignor at Christies in a calendar year. Commissions
are charged on a sale by sale basis.
i
5
LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants
for a period of five years from the date of the sale that
any property described in headings printed in UPPER
CASE TYPE (i.e. headings having all capital-letter
type) in this catalogue (as such description may be
amended by any saleroom notice or announcement)
which is stated without qualification to be the work
of a named author or authorship, is authentic and
not a forgery. The term author or authorship
refers to the creator of the property or to the period,
culture, source or origin, as the case may be, with
which the creation of such property is identified in
the UPPER CASE description of the property in
this catalogue. Only UPPER CASE TYPE headings
of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does
not apply to supplemental material which appears
below the UPPER CASE TYPE headings of each
lot and Christies is not responsible for any errors or
omissions in such material. The terms used in the
headings are further explained in the All You Need
to Know section of the catalogue. The warranty does
not apply to any heading which is stated to represent
a qualified opinion.
The warranty is subject to the following:
i It does not apply where (a) the catalogue description
or saleroom notice corresponded to the generally
accepted opinion of scholars or experts at the
date of the sale or fairly indicated that there was a
conflict of opinions; or (b) correct identification of
a lot can be demonstrated only by means of either
a scientific process not generally accepted for use
until after publication of the catalogue or a process
which at the date of publication of the catalogue
was unreasonably expensive or impractical or likely
to have caused damage to the property.
ii
The benefits of the warranty are not assignable and

shall apply only to the original buyer of the lot as
shown on the invoice originally issued by Christies
when the lot was sold at auction.
iii The original buyer must have remained the owner
of the lot without disposing of any interest in it to
any third party.
iv The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the cancellation
of the sale and the refund of the original purchase
price paid for the lot. Neither Christies nor the
seller will be liable for any special, incidental or
consequential damages including, without limitation,
loss of profits nor for interest.
v The buyer must give written notice of claim to us
within five years from the date of the auction. It is
Christies general policy, and Christies shall have
the right, to require the buyer to obtain the written
opinions of two recognised experts in the field,
mutually acceptable to Christies and the buyer,
before Christies decides whether or not to cancel
the sale under the warranty.
vi The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.
6
COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies and
shall not be used by the buyer, nor by anyone else,
without our prior written consent. Christies and the
seller make no representation or warranty that the
buyer of a property will acquire any copyright or other
reproduction rights in it.
7
SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforcable, that
part shall be discounted and the rest of the conditions
shall continue to be valid to the fullest extent
permitted by law.
8
LAW AND JURISDICTION
The rights and obligations of the parties with respect
to these Conditions of Sale, the conduct of the auction
and any matters connected with any of the foregoing
shall be governed and interpreted by the laws of
England. By bidding at auction, whether present in
person or by agent, by written bid, telephone or other
means, the buyer shall be deemed to have submitted,
for the benefit of Christies, to the exclusive jurisdiction
of the courts of the United Kingdom.
All You Need to Know - Taking it Home

Every year we sell tens of thousands of lots of all shapes and sizes. We dont store
everything at our saleroom in South Kensington. All lots from Interior Sales marked
with a filled square go to a warehouse in Park Royal.
Its outside the congestion charge zone and theres plenty of dedicated free parking.
WHERE TO COLLECT
You can pay for and collect all sold lots from the
Interior Sales, including Sunday Sales, from Christies
South Kensington only on the day of the sale until
5.00 pm. Items marked with a filled square ( n ) in the
catalogue are transferred to an offsite warehouse at the
close of business on the day of the sale. We give you
2 weeks free storage from the date of the sale and after
that point charges apply (ie, up to and including the
2nd Tuesday after the sale and in the case of Sunday
Sales we give you slightly more than 2 weeks free
storage, ie, up to and including the 3rd Tuesday after
the sale). All other lots will be held at Christies South
Kensington until 5.oopm the fifth Friday after the sale.
They will then be transferred to Cadogan Tate Ltd and
will be available to collect from the following Tuesday.
The offsite warehouse is owned by Cadogan Tate Ltd.
Please see the map and contact details below for their
precise location.
WHEN TO COLLECT
Lots are available to collect from Cadogan Tate Ltd at
12 noon on the Thursday after the sale. In the case of
Sunday Sales, lots are available to collect at 12 noon on
the Tuesday after the sale.
You can pay for items at Christies South Kensington
from Monday to Friday.
Items can be collected from Cadogan Tate Ltd
Monday to Friday 9.00am to 5.00pm.
HOW TO COLLECT
All lots must be paid for at Christies South Kensington
before they will be made available for you to collect.
If you are collecting from Christies South Kensington
please ensure that you bring your invoice as well as some
form of identification such as a drivers licence or passport.
You will need to go to Cashiers first to pay for your lot
and to get a Collection Order and this form will then
allow your lot to be released from the Collection Desk.
If you are collecting from Cadogan Tate Ltd you will
also need your invoice and proof of identification. In
order to ensure a quick collection time please also
bring a copy of your Collection Order with you.
Please note that payment for lots cannot be accepted at
the warehouse.
In a hurry? To ensure a speedy collection you can now
call Cadogan Tate on +44 (0)800 988 6100 and book
a collection time. They will have your purchases ready
for collection.
Carrier / Third Party Collections
Advance booking of collections is compulsory for
commercial carriers.
Please ask your carrier to call Cadogan Tate on
+44 (0)800 988 6100 at least 24 hours in advance to
book a collection appointment. They will have your
purchases/lots ready for collection.
Please provide your carrier with:
1. Written authority to collect
2. Proof of their own identification
3. A copy of your invoice or accurate detail of sale and
lot numbers
10/06/14
TRANSFER, STORAGE & RELATED CHARGES

Cadogan Tate Ltds charges are applied on a per lot
basis and are as follows:
Furniture/
Pictures/
Large Objects Small Items
Transfer / Admin fee
42.00
21.00
Storage per day
5.25
2.65
EXTENDED LIABILITY CHARGE

Extended Liability Charge is charged at the lower amount
of 0.6% of the hammer price plus buyers premium or
100% of the above charges.
All charges are subject to VAT. Very large or heavy items
may be subject to a surcharge.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and clients
enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.
SHIPPING AND DELIVERY

Our Art Transport Department can organise local
deliveries or international freight.
Please contact them on +44 (0)20 7389 2712 or
arttransport_london@christies.com.
CADOGAN TATE, CONDITIONS OF BUSINESS

All services provided by Cadogan Tate Ltd will be
subject to their standard Conditions of Business, copies of
which are available at Christies South Kensington.
Please note that in particular Cadogan Tate:
does not accept any liability for damage or loss, due to
its negligence or otherwise, exceeding the Hammer Price
of a lot plus Buyers premium, or, at its sole option, the
cost of repairing or replacing the damaged or missing lot
reserves a lien over all goods in its possession for
payment of storage and all other charges due to it
automatically arranges on behalf of the lots owner
and at the owners cost, Extended Liability Charge of
the lot for the sum of the hammer price plus Buyers
premium. This Extended Liability Charge covers the
lot from the time of collection from the saleroom until
release of the lot to the owner or the owners agent. The
Extended Liability Charge payable by the owner of the
lot is 0.6% of the sum of the hammer price and buyers
premium or 100% of the transfer and storage charges,
whichever is the smaller. This Extended Liability Charge
will not be arranged and no charge will be payable only
on receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal waiver of
subrogation from the owners insurers.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence
is required before exporting. It is the buyers sole
responsibility to obtain any relevant export or
import licence.
The denial of any licence or any delay in obtaining
licences shall neither justify the rescission of any sale
nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions
of the export licensing regulations and will submit
any necessary export licence applications on request.
However, Christies cannot ensure that a licence will be
obtained. Local laws may prohibit the import of some
property and/or may prohibit the resale of some property
in the country of importation.
For more information, please contact Christies Art
Transport Department at +44 (0)20 7389 2712 or the
Department of Culture, Media and Sport at
+44 (0)20 7211 6167/8.
Written Bids
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and confdential.
LOT NUMBER
Sale Details
to fax this form, please trim here.
Sale title:
MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
INTERIORS
Sale date/time: TUESDAY 27 JANUARY 2015

AT 10.00 AM
Sale number:
10635
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
YOUR CLIENT ACCOUNT NUMBER

NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED
DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Written Bids must be received the day before the sale

AML 10/12/08
Christies South Kensington
Written Bids
Is it like a Sealed Bid?

A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Written Bids
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and confdential.
LOT NUMBER
Sale Details
Sale title:
MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
INTERIORS
Sale date/time: WEDNESDAY 27 JANUARY 2015

AT 10.00 AM
Sale number:
10636
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
YOUR CLIENT ACCOUNT NUMBER

NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED
DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Written Bids must be received the day before the sale

AML 10/12/08
Christies South Kensington
Written Bids
Is it like a Sealed Bid?

A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Auction Calendar 2015

January
27
28
Tuesday
Interiors SK 10.00 am
Wednesday
February
04
Wednesday
17
Tuesday
18
Wednesday
24
25
Tuesday
The Collections of Principessa

Ismene Chigi Della Rovera
and a Noble Genoese Family
SK 10.30 am
Interiors Style & Spirit
SK 10.00 am
Interiors Style & Spirit
SK 10.00 am
Wednesday
The Collections of Principessa Ismene Chigi Della Rovera and a Noble Genoese Family,
4 February
Interiors Style & Spirit,

17 & 18 February
Interiors Style & Spirit,

17 & 18 February
KS = King Street
SK = South Kensington
These auctions feature
Interiors, 27 & 28 January
Bid live in Christies salerooms worldwide

register atchristies.com
Christie, Manson & Woods Ltd. (2015)

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INTERIORS

27-28 January 2015

Including Property from

talks glamour, silhouete and style

Its easy to buy at Christies

Browsing our catalogues is a great way to

There are four ways to buy offering you

discover more about whats coming up in

convenience and flexibility whether you are

it home or arrange for it to be delivered.

future sales; alternatively check the website

able to attend the auction in person or not.

If you need to come back a few days later

at www.christies.com where its possible to

All of the following services are free:

to pick something up bear in mind that all

see all lots free of charge. Of course once

are removed to an offsite warehouse and

seven days a week except Bank Holidays.

storage charges can apply.

you will experience the buzz, drama and fun of

cover basic catalogue information such as size, date

the first 50,000 of the hammer price plus 20%

Make the most of your browsing:

is our online bidding service and allows you to see

TALK TO OUR SPECIALISTS

VIEW THE LOT PERSONALLY

and hear the auction in progress giving you a real

HOW MUCH YOU WILL PAY

up to and including 1,000,000 plus 12% of any

Wednesday 28 January 2015

THIS SALES TEAM

LOTS OF IRANIAN /PERSIAN ORIGIN

CHRISTIES SOUTH KENSINGTON

This auction features on

LOTS CONTAINING IVORY

Browse this auction and view

27 JANUARY 2015 NICKY HASLAMS ELEMENTS OF STYLE

The renowned interior designer lets us in on his top

Statements and Gestures

Silhouette and Style

I am a firm believer that bold gestures, be they in

A good, strong profile, whether it be in architecture or

NICKY HASLAMS ELEMENTS OF STYLE 27 JANUARY 2015

A Designers Life: An Archive of Inspired Design and Dcor

27 JANUARY 2015 NICKY HASLAMS ELEMENTS OF STYLE

NICKYS TOP PICKS FROM

Simon Upton/The Interior Archive

NICKY HASLAMS ELEMENTS OF STYLE 27 JANUARY 2015

I feel every room is improved by a touch of the classical,

When planning a colour scheme for a room, its

A MOULDED PAINTED FIBREGLASS MODEL OF A RHINOCEROS HEAD

AN INDIAN IVORY AND HARDWOOD INLAID WORK BOX

LATE 19TH CENTURY

A SILVER-MOUNTED WALNUT AND INDIAN ROSEWOOD MIRROR

En suite with lots 3 and 12, with bevelled mirror plate

A SILVER-MOUNTED MACASSAR EBONY, WALNUT AND INDIAN ROSEWOOD LOW

A SIMILAR PAIR OF CHINESE CRACKLE-GLAZED PEAR-SHAPED VASES

AN OAK, BURR OAK AND SYCAMORE LOW TABLE

BY DAVID LINLEY, MODERN

Strung overall in ebony, the frieze with dentil mouldings

BY DAVID LINLEY, MODERN

BY DAVID LINLEY, MODERN

AN INDIAN IVORY AND BONE INLAID HARDWOOD WORK BOX

Christie's Interiors

Christie's Interiors