APPENDIX LIST OF WORKS Piano Works Solo Piano The Following alphabetical, cross-referenced listing of Albéniz’ works for solo piano makes no claim to complete- ness, Albéniz himself could not list all his early piano pieces; in fact, he had to check with his publisher to see if he had used the title Jerez before naming the eleventh Most estimates of the number of published piece in Iperia.! piano works by Albéniz are in the neighborhood of about 250, but Warlieve says that there were 500, Van Vechten betwoon 500 and 600, ang Villar 900. many titles are dupliceted, and the same work sometimes appears under either the same or a different title in different collections, Opus numbers are not trustuorthy guides to chronology. In this list of approx- imately 140 pieces, keys and publishers are given, when known, with the mein entry pertaining to the work. ‘collet, all Granados, p, 89. ®marliave, "Isaac Albéniz,” p. 121. van Vechton, “Isaac Alvéniz," pp. 241-242, Villar, “isaac Albéniz," p. 75. 385Abbreviations: saston 386 The Boston Music Co. (G. Schirmer) em Edition Mutuelle, Paris G.Sch. GG, Schirmer, New York Int. International Music Co., New York Jews Jaseph Williams, London Kalmus Edwin F. Kalmus, New York ume Unién sical Eapafele, Madrid work Key Publisher EL Albai see IBERIA “alborago™ see Recuerdos de Viaie The Alhambra see La Yeon "En Ta dlhambre! Almar fa see IBERIA “pmalia," mazurka de selén, op. 95 £> UNE; Boston "andalusia," bolero Baston ~andaluces see "Caprichos andaluces" sendaluza see "Serenata andaluze" “angustia," romanza E mi. UME; Boston -drabe sec "Serenata érabe" "aragén," Fantasia seo fuite eapefole, Op. 4? = "Jota 2 "Arbote 7 pone sa” = "2ortzico" in E mis "Acturiast ( = "Loyanda! “Rurora see Mazurkas, Op. leyenda gafiola,Work Key “LU automne" see Les Saisons Ltautomne, vals, Op. 170 Azule jos + Prélude Ami. completed by Granados “Bajo la Palmera” ("Sous le Palmier") See Cantos de Esvaia resembles “Cuba” -barcarola see "En ol far," barcarola "En le Playa," barcarola "Leyenda," barcarola "Mallorca," barcarola “Qarcarola catalana," Op. 23 “garcarolle (Ciel sans nuages)" seo Piezas caracterfsticas "Berceuse ee see Réves -bolero see "Andalusia," bolero “Buerta de’ Tierra," bolero "Brittania valse" = "Champagne," vals de saldn (q.v.) = "Cotillon valse" "gurgos" "Cdédiz," saeta see Suite espafola, Op. 47 = "Serenata egpanola,” Op. 18 "Cadiz-gaditana" A “Caneién” a Cantos ge Espafia, On. 232 7 BeSiuge (e'Leyenda") G mi. 2. "Orientale" Dymi 3. "Bajo 1a Palmera" (resembles € 4, "cérdoba" Paegee eran eE S. "Sequidillas" (="Castilla") Ft 387 Publisher UME; Boston Em; UME; Boston Max Eschig, Paris UME; Boston J.W.3 Boston Boston UME; Intes Bostonwork Key ~capricho see "Cuba," capricho créole “Pavana-capricho| "Sevilla," capticho "Stacatto,"/sic/ capricho "Zaragoza," capricho "Capricho catalan” see Espaiia, Op. 165 "Caprichos andaluces" 1 2 "Caprichos-estudios" 1. 2. "Casilda" see Mazurkas, Op. 66 "Castilla," sequidillas see Suite esnafola, Op. 47 "Sequidillas® catalan see "Capricho catalan" ~catalane see "Sarcarolle catalane" "Catalufia," corranda see Suite espafola, Op, 47 = "Curranda' Chacone see Suite ancienne, Op. 64 “Champagne,” vals de salén "rittania valse" Cotillon velse” wo "Chant d'amour" see Réves Chants d'fspagne = Cantos de Espafla, Op. 232 "Christa® = see Nazurkas, Op. 66 "Ciel sans nuages" see "Sarcarolle (Ciel sans nuages)" "Conchita," polka see Piezas caracterfsticas ‘Srdoba’ see Cantos de Espafa 388 Publisher UME; Bostonwork Key Corpus Christi en Sevilla (Féte-Diou & Séville see ISERIA ~corranda see "Catalufa," corranda “Cotillion valse" "Champagne," vals de salén (q.v.) "@rittania valee" -créole see "Cuba," capricho créole "Cuba," capricho créole see Suite espafola, Op. 47 resembles "gajo la Palmera” “Currenda" = "Catalufa," corranda Dances (Sic espeancles, Op. 164 7. "Jota aragonesa™ F 2. "Tango" Ami. -Danse Orientale see “Zambra granadi D 2. Allnoretto (s"Nochecita") ab 3. Allegretto cb a G Ss. ab 6. ° “£1 Deseo," estudio de concierto, E mi. On. 40 "En ol Mar," bercerole sea Recuerdos de Via “en la AlhambraY sea “en la see Erita® see AF Espagne (Souvenirs) 6 7. Prélude oO 2. “Asturias” Fitmi. 389 Publicher Boston Schott & Co. London Kalmus UNE; Boston UME; BostonWork Espafia (Feuilles d'Album), Oo. 165 7, Prélude (a la Zaragoza) 2. "Tango" 3. "Mal agueffa" 4, “Serenata” 5. "Capricho catalan” 6. “Zortzico" -espagnole(s) _ See Dances /Sic7 espagnoles -espafiola(s see Qanzas espafolas “Bavana espafola™ "Serenata espafole" Suite esoafola, Op. 47 Suite espaNola No. 2 -estudio(s) see "Caprichos-estudios" "El Deseo,” estudio de concier "Estudio Impromptu," Op. 56 Estudios, Op. 65 De Sol Re La mi Si Fa moretem see Les Saisony ~étude see -astudio Evocacign see IA fantasia see “Aragén," fantasia Féte-Dieu & Séville ‘See Corous Christi en Sevilla -feuilles dt Album = see Espafia (feuilies d'Album), Op. Gavota see Pie-as caracterfsticas Suite ancienne, Up. 54 Suite ancienne No. 3 to B mi, momnoon 165 390 Publisher Intes Schott & Co, UME; Boston ume,key "Granada," serenata see Suite espafiola, Op. 47 -granadina see “Zambra granadina" "Mab anera" o ™Uthiver" see Les Saisons IBC AT 5 T Evocacidn Ami. EL Puerto ob Corsus isti Femi. Il. 4, Rondefa D 5. Almerfa c 6. Triana FAmi. Tite 7 ami. a Fomi. a ob IV. 10, Bem. n. E. Phe. 12. eb -Impromptu see “Estudio Imsromptu™ "Isabel" swe Mazurkas, Op, 66 Jerez see "Jots eragones see Dences /sic7 esvagnoles, Up, 164 Rragén," fantasia "Joycuse rencontre” see Yvonne en visite Laveoits sce JECRIA "Leyenda" G mi. = "Asturias," leyends Préluda, Cantos ue Csnait. “Leyende," barcarola see roos de Viaje 394 Boston €m; UME Boston Kalmus; Int.s EB. Marks (, 11, 11) Woston; Int.Work key, m&laga see IBERIA "Malaguena” see Espafia, Op. 165 "Malaguofa" A Phr. = "Rumores de la Caleta," malaguefia "mallorca," barcarola, Op. 202 rtni. "marcha heroica" (first published work)> "Marcha nupcial” “marfa" see Mazurkas, Op. 66 -mazurka see “Amalia,” mazurka de salén “Ricordatti," mazurka de salén Mazurka see Piezas caracterfsticas Mazurka D mi. Mazurka e Mazurka a 2. "Casilda" F 3. “Aurora” A 4, "Soffa" a 5. "Christe" E 6. "Marfa" & Minuetto see Suite ancienne, Op. 54 Suite ancienra No. 3 Tercer "Minuetto” al "Minuetto de Sylvia" see Piezas caracterfsticas 3istel, "Isaac Albéniz," p. 123. 392 Publisher doston UME; Boston Boston Boston Boston UME; Boston ume,Work Key, “minuetto del Gallo" = mvt. II, Sonata No, 5 Navarra completed by Déodat de Séverac "Nochecita” = Danza espafiola No, 2 "Orientale" see Cantos de Espaiia Pavana see Piezas caracteristicas "Pavana espaiola* "Pavana muy Facil, Op. 83 "Pavana-capricho," Op, 12 Piezes caracterfsticas, Op. 92 7, Gavota G 2. "MMinuetto de Sylvia" Ay 3. "Barcarolle (Ciel sans nuages) "Ep 4, "Priére" (="Plecaria") Eu 5. "Conchita," polka F 6. "Pilar," vals A 7. "Zambra" G mi. 8. Pavana Fimie 9. Polonesa eb 10, Mazurka _ G mi. 11, "Stacatto,"/Sic7 capricho i 12, “Torre dermeja," serenata E "Pilar," vals see Pioezas caracterfsticas "Plegaria see "Priére” -polka see "Conchita," polka El Polo “seo IGERIA Polonesa see Piezas caracterfsticas Prélude see Azule jos Cantos de Espafa Espagne (Souvenirs) para manos pequeffas," E mi. 393 UME; Boston EMs UME 5 Boston; Int. Eschig Boston Boston UME; Boston UME; Boston UME; Boston394 work key Publisher Prélude (ala Zaragoza) see Espafla, Op. 165 "priére™ see Pievas caracter{fstic "Le Printemps see Les Saisons "Puerta de Tierra," bolero see Recuerdos de Viaje £1 Puerto see IGERIA "Recuerdo" Boston Recuerdos de Viaje, Op. 71 a UME; Boston; "En el Mar,” barcarola aD Int. 2. "Leyenda," barcarola E 3. "Alborado" A 4. "En le Alhambra" Ami. 5. "Puerta de Tierra," bolero oD 6. "Rumores de la Caleta," A malaguefta 7, “En la Playa," barcarole "La Révérence!" see Yvonne en visite! Réves, Op. 101 G.Sch.5 1. 'Berceuse" Leduc, Par 2. Scherzino c Boston 3. "Chant d'amour" A "Ricordatti," mazurka de saldn, D mi. UME; Boston Op. 96 ~romanza see "Angustia," romanza Rondeffa see IBERIA "Rumores de la Caleta," malaguefta see Recuerdos de Viaje = ‘Malaguena’ -saeta see "Cadiz," saeta hes Saisons Boston; 1. "Le Printemps" G.Sch.5 2. met étet Leduc, Paris; 3. "Ltautomne" 4, "L'hiver™ P, Girod, Paris aa o>o>395, Work E Publisher Sarabande see Suite Scherzino see Réves Scherzo UME; Boston only published movement from Sonata No. 1, Op. 26 "Sequidillas" see Cantos de Esoafta "Castille," seguidillas -serenata see "Granada," serenata "Torre Berme ja," serenata "Serenata" soe Lepafia, Up. 165 ancienns, Op. 64 "Serenata endaluza" eI Boston "Serenate érabe" Ami. UME; Boston "Serenata espefiola," Up, 181 O UME; Boston; = "Cduiz," saeta Jeu. Sevilla see Co Chris “Sevilla,” capricho see Suite espafiola No. 2 resonbles "Seville," sevillenae "Seville," sevillanas sne Suit iola, Op. 47 resembles "Sevilla," cepricho "sorta" sce fiazurkas, Oo. 66 idle Sonate No, 1, Up. 26 see Scherzo Soneta Now ze Soneta No. 3, Op. 68 i Romero, Madrid 1, Allegretto A UNE; BOSton 2. Andante 8 3. Allegro assai a 4 according to Newman p. 652, nuthing is know Beethounnwork Sonata No. 4, Op. 72 1. Allegro 2. Allegro-Scherzino 3. Andantino 4, Allegro Sonata No. S, Op. 682 4, Allegro’non troppo 2. "Minuetto del Gallo" 3. Andante 4. Allegro “sous le Palmier" see "Bajo_la_Pamlera" “Stacatto,"/sic/capricho see Piezas caracter{sticas Suite ancienne No. 1, Op. 54 1. Gavota 2. Minuetto Suite ancienne No. 2, Op. 64 1, Sarabande 2. Chacone Suite ancienne No, 3 T. Minuetto 2. Gavota Suite espafola No, 1, Op. 47 1, “Grenada,” serenata 2, "Catalufa," corranda (="Curranda") 3. "Sevilla," sevillanas B 2OoOE (resembles "Sevilla," capricho) 4, "Cédiz," sacta (2"Serenata espafiola") o 5. “Asturias,” leyenda(s"Leyenda")G mi, F 6. “Aragén," fantasia "Jota aragonesa") 7. "Castilla," sequidillas (="Seguidillas") 8. "Cuba," capricho créole (resembles "Bajo la Palmera") Suite espafola No. 2 1. "Zaragoza," capricho 2. "Sevilla," capricho Fé ep > G (resembles "Sevilla," sevillanas) 396 Publister, Romero, Madrid UNE; Boston Romero, Madrid UME; Boston UME; Boston UNE; Boston UME; Boston UME; Boston Int. Friedrich Hoffmeister, Leipzio ume,397 le < Work Publisher | Suite morisca® -Sylvia see "Minuetto de Sylvie" "Tango" _ see Dances /sic/ espagnoles, Op. 164 fsoavva, Op. 165 Tercer “iinuetto" see after Minuetto "Torre Berme ja," serenata see Piezas car ticas Iriana a ‘see IBERIA -vals(e see L'automne,” vals “Britannia valse" Cotillon valse" hampagne," vals de saldn Pilar," vals Pequeffos valses, Op. 25° ume 7 2. 3. a 5. 6. La Veaa ami. UME; Boston; No. 1 of projected suite, Diaz, Barcelona; The Alhambra Eschig Yvonne gn visite! EM; soston 41. "La Réverence!" Ami, 2. “Joyeuse rencontre, et G quelques pénibles événements! 1" "Zambratt see Pie as caracterfsticas Sthis suite is listed as an early work by several authors, but its contents do not appear to be known, Saecording to Collet, A the keys of the waltzes in thi les tonalités relatives de la demol Granados, p. 96, ction are “parcourant398 Work Key Publisher "Zambra granadina" (Oanse Urientale) D mi. UME; Boston "Zaragoza," capricho see Suite esvafola No. 2 "Zortzico™ — see Esoafla, Op. 168 "Zortzico" E mi. Ems ume; = “Arbola-Pian" Boston ano and Orchestra Work Key Publisher Rapsodia cubana, Oo. 66” une = egra G 2, Presto o Rapsodia esnafiola 70 UME; Boston 1. “Petenera de Mariani™ 2. “Jota” 8 . “Malaqueda Juan Breva’ 4. “Estudiantina™ Concerto No. 1, On. 78 UINe 5 1, Allegro non troppo A Andante--Reverie et Scherzo F 3, Allegro A Tgoth this wort ang the Mazurkas de erldn are listed es Op. 66. 8 jyan Brava was one of the "king of the classic molaque/ o. 97,Other works Chamber Music Trio for piano, violin, and violoncello, in F major. Songs with Piano Accomoaniment® Romances, before 1886, scores lost. 4 French 3 Catalan Ballades, before 1886; Italian prems by the marqu 1, 'warcarola" 2. “La lontananza" 3. “Una Rose in dono" 4. "I tuo squerdo" 5. "Morirol 6. "Ttho riveduto in sogno” Gécquer, before 1886; Gustavo Adolfo Becuer, Spanish 'Gesa el aurat romantic poet, "Qel salénen el ngulo oscuro” 3. “Me ha herido recatdndose en la sombra" 4. “Cuando sobre el pecho inclinas" 5. "£0e dGnde venga?" sa de Bclafios. Chanson ge Barbering, before 1896; Alfred de itusset "11 en est de l'amour," after 1885; Costs de Beauregard ux de Pr after 1886; Pierre Loti. + “Crepescule 2. "Tristesse" Two Songs; F.8. tMoney~Couits. 1, "The Caterpillar" (1903) 2. "The Gifts of the Gods" (1897) Io Nellie, c. 1960; F.8, Money-Coutts 7. tHoma" 2. "Counsel" 3. "Mzy~Day Sono" 4, "To Nellie” 5 6. Deux Mor "A Song of Consolation" "A Sona" Sthe songs are discussed in sone detail in José Marfa os Cisterd, "El ‘Lind! en Ja obra musical de Isaac i. Xv (1960), pp. 125-140. 399400 Quatre Mélodies, c. 1900; F.8. Money-Coutts. 1. "In Sickness and Health 2. "Paradise Regained" 3. "The Retreat 4, "Amor, summa injuria" "Art thou gone forever, Elaine?" (first line) Untitled, unpublished manuscript, Paris, 1906; Money-Coutts. Six Songs. Unpublished manuscript, Brighton, 1897; Money- Coutts. Only two songs from this collection are ex- tant; they are untitled, and their first lines are: 2. “Will you be mine?" 3. “Separated” 10 Gratorio El Cristo, before 1886, score lost. Stage Works Cuanto més viejo, zarzuelas score lost, Performed in Bilboa, date unknown, Catalanes de Gracia, zarzuela; score lost. Performed in Madrid, date unknown, £1 Canto de Salvaciéi unknowns zarzuela; score lost. Performances Légendes bibliques, twelve Preludes and songs for stage work Of unknown type; text by Armand Silvestra. Performed in London, 1892. Poor Jonathan, musical comedy; text by Millécker, Performed in London, 1893, The Magic Doal, operetta; text by Arthur Law, Performed in Condon, 1893, Translated into Spanish by Eusebdio Sierra as La Sortija; performed in madrid, 1894. zarzuela; text by Eusebio Sierra, Performed in Wladrid, 1894, Translated into french by Sand and Solvay as L'€rmitane Fleuri; performed in Brussels, 1905, Henry Clifford, opera; text by F.8. Money-Coutts. Performed in Italian translation (by Arteaga y Pereira) as Enrico Clifford in Barcelona, 1695, ‘Oinformation on the unpublished manuscripts is from Llorens, "El ‘Lied'," pp, 137-138.proposed operatic trilogy; text by F.8. iloney- 4897-1998. (completed) (orchestration unfinished) (composition unfinisned) opera; text by F.B. Money-Coutts after a novel ere (1874), Performed in Italian in Sarcelona, >r in Prague, Brussels, Leipzig, Kerisruna, evived by Opéra comique, 1923). text by Angel Guimera, Catelan poet. llc, lyric operas based on the work of Corventes. Sketched only, orks Suite, score lost. Scherzo, score lost. nrisca, score lost. cubano, score lost. Caoric: Suite Poculaire. proposed suite. 1, Catalonia (orchestration aided by Dukes). Performed in Paris, 1699, and published by Durend,@IBLIOGRAPHY ions of Iberia Albéniz, Isaac, Iberia, 12 nouvelles "impressions" en quatre cahiers. Wadrid: Unidn Musical Espafola, 1906-1909, Iberia, 12 nouvelles "impressions" en quatre cahiers. Paris: Edition Mutuelle of the Schola Cantorum (distributed in the U.S. by the Boston Music Co.), 1906-1909, Iberia, 4 vols. New York: Edwin F. Kelmus, Ibe Edited by Isidor Philipp. 4 vols. New York: International Music Co., 1970. Preface by Jean Bowen, appeering identically in each volume. =. Iberia, Edited by Renata ce Campo. Vols. I, Il, and TIT only. New York: Edward 8. Marks fiusic Corp., 1936-1946. General Backaroung Sources Berricelli, Jean Pierre and Weinstein, Leo. Ernest Chausson. Norman: University of Gklehoma Press, 1955, Broun, George Boylston. A 2 Study of the Jote Ai the Oegree ii.A, in tu: 1935, Survey af Iberian Folk Song, and = shed Thesis fo: ieolagy, Eastman School of Music, Chase, Gilbert. The Mus ic of Spain. 2nd revised ed. New York: Dover’ Publ ery 1959, Cone, Eduord T. fiusical Form and Musical Perfo New York: W.W. Norton & Cow, 1968, Cooper, Grosvenor W. and Meyer, Leonard 8, The ctu: ic. Chicago: Phoenix book University of 9 Press, 1960. 402403 Demarquez, Suzanne, Manuel de Falla. Translated by Salvator Attanasio. Philadelphia: Chilton Book Co., 1968. Falla, Manvel de, "Claude Debussy et L'Espagne." Revue fusicale I (1920), pp. 206-210. eeee---. "EL 'Cante Jondo,' Primitive Andalusian Song." Translator unidentified. The Midland Musician I (1926), pp. 185-188 and 234-237. Grunfeld, Frederic V. The Art and Til London: Collier-Maciiilian, Ltd., 1969. Kastner, Santiago. Contribucign al Estudio de la Misic Espafiola y Portuguesa. Lisbon: tditoria] Atica, Lda., 1941, Kirkpatrick, Raloh, Dorenico Scarlatti. Princeton, N.J.t Princeton University Press, 1953. LaRue, Jen, Guidelines for Style Analysis. New York: Ww. Norton & Cor, 1970. Lockspeiser, Edward, Debussy: Hi! Deb: is Life end Mind. 2 vols. New Yorks The Maciiailan Cov, ar ? Prentice-Heil, Mayer-Serra, Otto. “Fallats iiusical Nationalism." The Musical Quarterly XxIX (1943), pp. 1-17. Meyer, Leonard B. Emoti The University of Chicago Michener, James A. Greenwich, Conn of Random House, Netti, Bruno, Continent Tncey Newman, William S. ‘ata Si apel Hill: The University Pahissa, Jaime. fi i Trens~ dated by J Ltd, 1954,404 Comaanion to Spanish Studies. O., Ltd, 1956. Peers, E, Allison, ed. Sth ed. London: Salazar, Adolfo. fiysic in Our Time. Translated by Isabel Pope. New York w.W. Norton & Co., 1946, Schonberg, Harold C. The Great Pianists. New York: Simon and Schuster, 1963. Sopefia, Federico. Histori le Espafiola Con Wadrid: Ediciones Rialp, S.A., 1958. Sterkie, Walter. Spain, A Musician's Journey through Tine and Space. 2 vols. with recording as Vol, III, Geneva: Edisli-At Editions Rene Kister, 1958, Subira, José. torie de la Misica Espafole e Hispano America. Vol. 11], @arcelana: Salvat Editores, S.A., 1953. Toch, Ernst. Tho Shaping Forces in Music. New York: Criterion ilusic Carpe, 1 Landen: Constable Trend, J.B. A Picture of Madarn Spain, and Co Falla in ‘Arabie'.” Mm 111 (1922), la and Soanish New York: Alfred A. Knopf, 1929, Vallas, Léon. Claude Debuss lated by tiaire and Grace O'érie University Press, H. Milford, 1933. his life and works. Trans- London: Oxford -. Ihe Theories of Claude Debussy. Translated by Maire O'Brien. Now York? Oaver Publications, 1967. in. Preface and Notes Ven Vechten, Carl. an, Paul, Trubner by Pedro G. Morale: and Co., Ltd, 192 niz ally on Al voaquin, “Albéniz, Isaac." Barcelona: Editorial ane (Manuel Franeisco)." Sth ed. Vol. 1, Blom, Eric and Trend, JH. “Albéniz, I lonary of Music405 Callaghan, Lois Jane. The Iberia of Isaac Albéniz. Unpub- lished Essay for the Degree M,l, in Performance and Literature (Piano), Eastman School of Music, 1954+ Collet, Henri. Albéniz et Granados. Paris: Librairie Félix Alcan, 1926, ceneses. "Albéniz y Joaquim Malats," Revista Musical Catelana VI (1909), pp, 377-379. "Isaac Albéniz." L'Essor de la Musique Espagnole. Edition Max Eschig, 1929, pp. 50-57. Dolmanech Esnafiol, M, “Isaac Albéniz. Revista de Misica II (1928), pp. 150-155, Dumesnil, Maurice. “Prolific Albéniz.” Etude LXVII (1949), p. 408, Glass-Rosenwald, Winifred, ents of Spanish Dh—hUrLr Theory, Eastman Grew, Sydney, "The Music for Pianoforte of Albéniz." Th Chesterian VI, No. 42 (1924), pp. 43-48, Heras, Antonio de las. Editiones Patria, iz, @arcelona: vig oat. "Isaac Albéniz." The @ritish fiusician V (1929), pp. 91-94, Istel, Edgar. “Isaac Albéniz." Translated by Frederick H. Wartens The Musical Quarterly XV (1929), pp. 117-146 Jankélévitch, Viadimi Rhansodie: Very Franmarion, ToT "Albgniz ot 1'Etat de Verve.” Le Im Pari otheque d pp. 180-179. re a Jean-Aubry, Georges. “isaac Albéniz (1860-1909)." The Musics) Times LVIII (1917), po. $35-538. Laplane, Gabriel. Albéniz, sa wie, son muvre, Preface by Francis Poulenc. enevat ditions de fiilieu du fiende, 1956. Marfa, "£1 'Lied' en la obra musical Llorens Cisterd, Jo: ical Xv (1960), pp. 123- de Isaze Albéniz." Anuario fiu: 140,406 Llorens Cisteré, José marfa, “Notas inéditas sobre el virtuosismo de Isaac Albéniz y su produccién pianistica." Anuario Musical XIV (1959), pp. 91-113. Marliave, Joseph de. “Issac Albéniz," 1912. Etudes musicales. Paris: Librairie Félix Alcan, 1917, pp. 119 Padrell, Felipe. “Isaac Albéniz: Lthone, l'artista, y ltobra." Revista Musical Catalana vi (1909), pp. 180-184. Raux Deledicaque, Miquel. Albéniz, su vida inquieta y ardorosa. Buenos Aires: Ediciones Peuser, 1950. Salazar, Adolfo. “Isaec Albéniz." La MGsica Contemporanea en Espafa. Madrid: Ediciones La Nave, 1930, pp. 117-153. Serra Crespo, José. Senderos Espirituales de AlbSniz y Debussy. México: Costa Amic, 1944, Slonimsky, Nicolas, ed. “Albéniz, Isaac." dake Dictionary of Mtusicians, Sth ed. New York 1958, pp. 15-16, Sopefia, Federico. “Isaac Albéniz." Dos afios de mési Europa. Madrid: Espasa-Calpe, S.A., 19% Torrellas, A, Albert, ed. "Albéniz (Isaac)." Enciclopodico de la Musica. Vol. Ils Siogratias Barcelona: Central Catolana de Publicaciones (L 1947, np. 25-27. Van Vechten, Carl, “Isaac Albéniz." Excavations. New York: Alfred A. Knopf, 1926, pp. 230-254, Villalba Mufioz, Luis. "Isaac Albéniz." 5 misicos espafioles del siglo XIX. Madrii 1914, op. 761-185. Villar, Rogelio. "Isaac Albéniz." Vol. 1. madrid: Ediciones " ateu,"Albéniz, Isaac. Ibe Na Columbia W2L 268, recorded in Spain by Hiapavox. Alicia de Larrocha, piono. Notes translated from the Spanish by Roberte Condon. : sia and Navarra. Epic SC 6058, Alicia de Larrasha, piano, Wotes by Joan Brown, Vox PL 9212, José Falgarona, piano. Notes by Carlos Surinach, Iberia, Books 1 and IT, Columbia fil 4194, Claudic Arrau, piano. Notes by Morris Kastings. «Iberia, Navarr minster WAL 2 Fernando Valenti. Odean QALP= cerrente Nevarra, 1036 area villa," and Iria Ftur Rubinstein, pian pafiola, Op. 47; "Pavana-canricho," On. de Gp. 232. Columbia mS 6603, + Notes by Judith Gilman, and Canto. ~. Ransodia Felicja slume Triestine, spafola, Op. 70. Vox PL 10070, 7 piano, Luigi Toffolo, Filarmo -. Concorte No. 1, Op. 78, Vox Turnabout TV-S 34372. Felicje Blunantal, piano, Alberto Zedda, Torino Orchestre. Notes by Leonard Seober. ary ef Sp: Folk} Musi Everest 3286/4, pro- duced in conjunction with UNESCO. Notes by Roberto Pla, Ihe Music of Spain, Vol. 1: Andalusia. A Sounds sf the Tecording fron the National Geograohie Society, lo Starkie, Welter, author and ed. thinunh Lins ond Space. Vols 2 Re uP eCk d by Pathe Marconi in Fra Geneva Editions Rene Kister, 1958, au?INOEX TO MUSICAL EXAMPLES AND SPANISH TERMS Musical Exa (Example numbers are given in parentheses.) The works are listed in the order in which they appear in Iberia. Evocacidin, 199 (15), 111 (16), 132 (36), 169-161 (61), 163 (65), 164 (66), 219-232 (126-133). £1 Puerto, 99 (6), 116-119 (24), 179-120 (25), 131 (34), “755 (105), 196-197 (107), 197 (108), 209° (118), 233-244 (134-139). Corpus Christi en Seviila, 108 (14), 124 (29), 125 (30), 725 (31), 139 (42), 169 (34), 177 (84), 179 (87), ye0 (86), 101 (89); 186 (96), 201 (113), 245-253 (140-142). Rondefia, 114 (19), 116 (20), 143-144 {$5}+ 146 (46), 762-163 (64), 170-171 (72), 178 (79), 189 (99) 195 (106), 205 (116), 255-264 (143-149), Almerfa, 96 (1), 116 (21), 117 (22), 118 (23), 134 (37) 138 {33}, 138 (40), 147 aap 185 (54), 157 (56), 174 (77)) 175 (7a), 167 (98), 193 (1035, 265-272 (150-154), Triana, 101 (8), 152 (53), 160 (60), 162 (63), 172 (74), 186 (97), 212 (122), 213 (123), 273-281 (155-163). fn, 98 (4), 99 (5), 106 (13), 122 (27), 123 (28), 730 ), 132 (35), 139 (43), 140 (44), 149 (49), 157 $33} 166 (68), 167-168 (69), 168 (70), 186 (95) 189 (1005, 190°(104), 191 (102), 194 (104), 19a (4175 202 (114), 209-210 (119), 210-211 (120), 214 (125), 283-299 (164-173), 1 Polo, 120 (26), 136 (38), 157 (57), 158 (58), 176 (81), 778 (85), 178 (86), 181 (90), 300-309 (1742178), 97 (2), 98 (3), 138 (41), 159 (59), 177 (83), (91), 319-320 (179-183) » 104 (12), 112 (17), 113 (18), 148 (48), 158 (58), V1 (73), 174 (76), 195 (106), 322-333 (184-189), dgrez, 103 (10), 103 (11), 126 (32), 150 (50), 152 (52), 186 (58), 161 (62), 165 (67), 174 (75), 178 (82), 198 (109§, 198°(115), 207 (112), 204 (115), 211 (121), 344-348 (190-197). 1 al 408409 102 (9), 155 (55), 176 (80), 183 (92), 13 (124), 349-358 (198-202). Spanish Terus See also the alphabetical list of pi*no works in the Appendix, pages 385-398. bulerfas, 78-79, 98-99, 101, 105, 118, 168, 208, 233-244, passim, 285-299, passim, 361, 373-374, le cafa, 124, 127, 362. cante flamenco, flamenco, 76-77, 79, 88, 145, gante jondo, 76, 79, 81-85, 96, 121, 122-127, 129-130, 133, 145, 148, 150, 151, 211, 212, 21%, 234, 283-299, passin, 334-348,’ passim, 362, 373-374, conla, 76, 77, 78, 104, 110, 111, 115, 133, 145, 146, 148, 187, 192, 212, 234, 255-264, passin, 265-272, passin, 362, 372-373. falseta, 123, 127, 211, 289, 341, fandango, 77, 96, 109, 112, 119, 255, 322, fandanquillo, 78, 109, 132, 219-232, p: haban: 79, 97-98, 101, 105, 138, 310-320, pases jgta, 77, 204, 140, 111, 147, 148, 219-252, passim, 379, malaouofia, 78, 112-114, 171, 322-333, passim. marcha torera, 79, 273-281, passim paso-doble, 79, 100, 101, 152, 273-281, passim. elo, 79, 119, 120-121, 234, 300-309, passin. im. + 322-333, guiebro, 124, 127, 362. rondefia, 78, 712, 114, 255-264, passim, 372-373. saeta, 79, 124-125, 169, 245-253, Darsim, 265, 372. sequidilles, 77, 96, 100. Janzs, 77, 80, 100, 10%, 102, 349-358, siguiriya gitana, 79, 100, 122-123, 149, 233- ree, 79, 96, 104, 151, 354-348, passim. 78, 112, 117-118, 265-272, pessin, 79, 104, 107-108, 109, 125, 245-253,