19th Century European Art

SOUTH KENSINGTON
19th Century
European Art
Wednesday 21 January 2015
at 1.00 pm
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10/11/14
InternatIonal 19th Century art auCtIons

AUCTION CALENDAR 2015
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16 APRIL
19TH CENTURY EUROPEAN &
ORIENTALIST ART
LONDON, SOUTH KENSINGTON
2 & 3 JUNE
OLD MASTER, 19TH CENTURY &
IMPRESSIONIST PAINTINGS
AMSTERDAM
29 APRIL
ORIENTALIST ART
NEW YORK
9 JUNE
ORIENTALIST ART
LONDON, KING STREET
Subject to change.
10/11/14
19th Century European Art

AUCTION
STORAGE AND COLLECTION

at 1.00 pm Lots 1-130
85 Old Brompton Road
London SW7 3LD
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1
1
ANDR GIROUX (FRENCH, 1801-1879)
2
HENRI JOSEPH HARPIGNIES (FRENCH, 1819-1916)
Pompeii
Petit ferme dans un paysage
with studio stamp VENTE GEROUX (on the reverse)

oil on canvas
9 x 13 in. (23 x 34 cm.)
signed HHarpignies (lower left)

oil on canvas
10 x 13 in. (27 x 35 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
2,000-4,000
PROVENANCE:
with Arthur Tooth & Sons Ltd., London.
$3,200-6,300
2,600-5,000
3
n3
NARCISSE-VIRGILE DIAZ DE LA PENA (FRENCH, 1807-1876)
4
Bathers at the waters edge
Aux bords de la rivire
signed N.Diaz (lower right)

oil on canvas
25 x 32 in. (65 x 81 cm.)
signed and dated HHarpignies 1905 (lower left)

oil on canvas
8 x 13 in. (21 x 35 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
2,000-3,000
$3,200-4,700
2,600-3,800
6
5
6
JEAN CHARLES JOSEPH REMOND (FRENCH, 1795-1875)
Bords de la rivire ( Saint-Priv6
Arcadian landscape
signed H. Harpignies (lower left)

oil on canvas
25 x 32 in. (65.5 x 81.5 cm.)
signed and dated REMOND/1820 (lower left)

oil on canvas
15 x 18 in. (38 x 46.3 cm.)
5,000-7,000
PROVENANCE:
L.P. Sale; Drouot, Paris, 17 April 1917, lot 23.
$7,900-11,000
6,400-8,800
3,000-5,000
$4,700-7,800
3,800-6,300
7
FERDINAND HEILBUTH (FRENCH, 1826-1889)
The Baths at Caracalla a study

signed FHeilbuth (lower right)
oil on canvas
10 x 22 in. (26 x 54.5 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
The present lot is a sketch, relating to Heilbuths work

The Baths at Caracalla.
Compositionally this is similar to Heilbuths
Excavations in Rome in The Wallace Collection,
London, except this version has almost identical
fgures and foreground archaeological detail but
without the distant walls (J. Ingamells, The Wallace
Collection: Catalogue of pictures, French 19th
Century, London, 1989 p. 342).
l8
CHARLES HENRI GASTON DAGNAC-RIVIRE
(FRENCH, 1864-1945)
A party on the riverside

signed C.DAGNAC-RIVIRE (lower left)
oil on panel
11 x 35 in. (28.5 x 90 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
9
ADOLPHE JOSEPH THOMAS MONTICELLI
(FRENCH, 1824-1886)
A gathering in the woods

signed Monticelli (lower left)
oil on panel
17 x 24 in. (44.7 x 61.8 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
PROVENANCE:
with Amsler & Ruthardt, Berlin, 1927.

A certifcate of authenticity from Mr. M. Stammegna
is included with the present lot.
Monticelli counts among his admirers Oscar Wilde
and Vincent Van Gogh, who praised the freedom
of his brushstrokes and scintillating bright palette.
Monticelli also painted side by side with Cezanne,
and his infuence can be seen in Cezannes works
of the 1860s. Monticelli was a student of Delaroche
at the cole des Beaux-Arts and his oeuvres include
numerous courtly subjects inspired by Watteau, still
lives, portraits and Orientalist subjects in the tradition
of Delacroix.
10
THOPHILE-EMMANUEL DUVERGER (FRENCH, 1821-1901)
A practical joke
signed DUVERGER (lower left)
oil on panel
13 x 10 in. (35 x 27 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
Anonymous sale; Christies, London, 30 June 1939, lot 160.

with MacConnal-Mason & Son, Ltd., London.
11
Playing at the pump

oil on panel
13 x 10 in. (34.5 x 26.5 cm.)
2,500-3,500
PROVENANCE:
Anonymous sale; Christies London, 7 April 1961, lot 132.
$4,000-5,500
3,200-4,400
12
Playing jacks
oil on panel
12 x 9 in. (32.5 x 24.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
13
The frst shave

signed DUVERGER (lower right)
oil on panel
13 x 10 in. (33 x 25.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
with Cooling Galleries Ltd., London.
14
ANTOINE VOLLON (FRENCH, 1833-1900)
A silver jug with oranges and fowers

signed A. Vollon (lower right)
oil on canvas
24 x 29 in. (61.2 x 74.2 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
We are grateful to Carol Tabler for confrming the authenticity of this work from photographs.
10
15
15
*15
CONSTANT JOSEPH BROCHART (FRENCH, 1816-1899)
Classical beauties
the frst signed BROCHART (lower right); the second signed Brochart
(lower left)
pastel on paper, oval
both 22 x 28 in. (57 x 70.5 cm.)
a pair 2,000-4,000
$3,200-6,300
2,600-5,000
PROVENANCE:
Anonymous sale; Sothebys, London, 26 November 1981, lot 68.
16
RAYMOND ALLEGRE (FRENCH, 1857-1933)
Lobster with mussels, a green jug and cooking utensils on a ledge

signed R. Allegre (lower left)
oil on panel
18 x 12 in. (45.7 x 32.5 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
11
17
l17
PAUL SIEFFERT (FRENCH, 1874-1957)
Reclining nude
signed P. Sieffert. (lower left); and signed and inscribed P. Sieffert No. 560.
(on the reverse)
oil on canvas
21 x 31 in. (55 x 80 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
n18
PIERRE CARRIER-BELLEUSE (FRENCH, 1851-1932)
Ballerina
signed and dated PIERRE CARRIER-BELLEUSE/1919 (lower left)
pastel on canvas
53 x 31 in. (135.9 x 78.7 cm.)
8,000-12,000
18
12
$13,000-19,000
11,000-15,000
19
PAUL CESAR HELLEU (FRENCH, 1859-1927)
*20
PAUL CESAR HELLEU (FRENCH, 1859-1927)
Une el6gante
Jeunne femme accoud6e
signed Helleu (lower right)

charcoal and chalk on paper
26 x 17 in (66.7 x 43.5 cm.)
inscribed and signed not go/Helleu (lower left)

chalk and pencil on paper
29 x 18 in. (75 x 46 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
PROVENANCE:
with Maxell Davidson Gallery, New York.

with James Kirkman, London.
5,000-7,000
$7,900-11,000
6,400-8,800
The authenticity of this work has been confrmed by Frdrique de Watrigant from
a photograph. The present work is registered in the archives of the Association Les
Amis de Paul-Csar Helleu as BDD APCH DE-6077.
The authenticity of this work has been confrmed by Frdrique de Watrigant from
a photograph. The present work is registered in the archives of the Association Les
Amis de Paul-Csar Helleu as APCH DE-6103.
13
21
22
n21
CHRI-FRANOIS-MARGUERITE DUBREUIL (FRENCH, 1828-1880)
n22
JACQUES RAYMOND BRASCASSAT (FRENCH, 1804-1867)
A squadron of French warships on their way to join the Allied Fleet

during the Crimean Campaign (1854-56)
A standoff
signed, inscribed and dated Chri Dubreuil /Calais le 16 Janvier 1855

and with anchor device (lower left)
oil on canvas
63 x 79 in. (163 x 207 cm.)
3,000-5,000
Visit www.christies.com for more information on this lot.
14
$4,700-7,800
3,800-6,300
signed J.R. Brascassat (lower left)

oil on canvas
38 x 51 in. (98 x 131.2 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
n23
GABRIEL BOURET (FRENCH, 1817-1890)
Travellers resting in a clearing

signed and dated Gel. Bouret. 1843. (lower right)
oil on canvas
64 x 92 in. (163 x 235.5 cm.)
7,000-10,000
$11,000-16,000
8,900-13,000
Like Thodore Rousseau, Gabriel Bouret was a pupil of Jean Charles Joseph Rmond (see lot 6) at the cole des
Beaux-Arts in Paris. The infuence of Rmond can be seen in this composition: the use of a wide open plain in
the foreground, offset against a distant but considered horizon line.
15
24
CHARLES EUPHRASIE KUWASSEG
(FRENCH, 1838-1904)
Boats by the shore

signed C. Kuwasseg (lower left)
oil on panel
8 x 14 in. (22 x 36.5 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
25
PAUL BISTAGNE (FRENCH, 1850-1886)
Fishermen on the shore

signed Paul Bistagne (lower left)
oil on canvas
21 x 32 in. (54 x 81 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
26
EUGNE MODESTE EDMOND LE POITEVIN
(FRENCH, 1806-1870)
Unloading the boat

indistinctly signed E... (lower left)
oil on canvas
17 x 25 in. (44 x 65 cm.)
1,500-2,000
16
$2,400-3,100
1,900-2,500
27 (a pair)
27
HENRI ALPHONSE BARNOIN
(FRENCH, 1882-1935)
Unloading the catch, Concarneau;

and On the quay, Concarneau
signed Henry Barnoin (lower left and lower right
respectively)
oil on canvas
13 x 16 in. (33.3 x 41.2 cm.)
a pair (2)
7,000-10,000
$11,000-16,000
8,900-13,000
Henri Barnoin debuted in the Salon in 1909 with a

selection of marine oils and a series of watercolours
of Paris scenes. As a student of Luc-Olivier Merson,
Barnoins work was nourished by the narrative genre
scenes of everyday village life. He was especially
captivated by scenes of Brittany.
28
EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
Loading ships on the Seine, Paris

signed with pseudonym A.Michel (lower right)
oil on panel
13 x 9 in. (33 x 23.5 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
28
17
*29
EUGNE CARRIRE (FRENCH, 1840-1906)
Le chat qui mange

oil on canvas laid down on board
6 x 9 in. (17.2 x 24.2 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
PROVENANCE:
Jean Dolent, February 1910, No. 7.

Collection Louis Le Sidaner.
Anonymous sale; Drouot, Paris, 11 June 1932, lot 50.
with Roland, Browse and Deblanco, London.
Sir William Ackroyd.
EXHIBITED:
Muse Cholet, 1949.

The authenticity of this work has been confrmed by
Vronique Milin du Mesnil from a photograph.
29
30
JEAN JOSEPH BENJAMIN CONSTANT
(FRENCH, 1845-1902)
Christ teaching in the temple

signed Benjamin Constant (lower left)
oil on canvas laid down on panel
31 x 23 in. (79.8 x 59.8 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
PROVENANCE:
Anonymous sale; Frederik Muller & Cie, Amsterdam,

date unknown, lot 17.
31
FRENCH SCHOOL, 19TH CENTURY
Breton confdants
oil on panel
24 x 17 in. (61 x 45 cm.)
1,200-1,800
30
18
$1,900-2,800
1,600-2,300
31
32
EDOUARD BISSON (FRENCH, 1856-1939)
An allegory of Spring
signed and dated Edouard Bisson:1891 (lower left)
oil on canvas
25 x 18 in. (65 x 46.5 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
Bisson was a student of Grome and showed at the Salon until 1939. He gained
popularity for his works from around 1900 which refected the beauty of woman
in La Belle Epoque. He gained many awards, including a bronze medal at the
Exposition Universelle in 1900, and was made Chevalier de la Lgion dHonneur
in 1908.
33
NIKOLAUS GYSIS (GREEK, 1842-1901)
Study of a veiled woman

signed N.Gysis (lower right)
oil on panel
7 x 5 in. (19 x 13.6 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
PROVENANCE:
Private collection, WFrzburg.

The authenticity of this painting has been confrmed by Konstantinos Didaskalou
(letter dated 27 July 2013).
20
n34
HORACE DE CALLIAS (FRENCH, 1847-1921)
Dana)
signed and dated H de Callias/1880 (lower left)
oil on canvas
47 x 78 in. (119.5 x 199.5 cm.)
12,000-18,000
$19,000-28,000
16,000-23,000
Horace de Callias was a pupil of Alexandre Cabanel. Like his master, his uvre includes both fgures from
Parisian high society and classical subjects. In the present work Callias combines the wealth he depicted in
portraits of his Belle Epoque sitters, with his interest in retelling classical myths. His classical compositions include
Theseus and Ariadne, the Capture of the Golden Fleece and a large scale work depicting Diana the Huntress.
The present lot was probably sold as Golden Rain in Paris, 1888, FRF 850.
21
35
37
l35
OCTAVE DENIS VICTOR GUILLONNET (FRENCH, 1872-1967)
Jeune femme nue au jardin

signed and dated ODVGuillonnet 26 (lower right)
oil on canvas
37 x 24 in. (95 x 63 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
l36
LUCIEN VICTOR GUIRAND DE SCVOLA (FRENCH, 1871-1950)
The white dress

signed Guirand de Scvola (lower right)
pastel and watercolour on paper
20 x 14 in. (52.5 x 35.5 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
nl37
Picking poppies
signed EODV Guillonnet (lower right)
oil on canvas board
69 x 38 in. (167 x 98 cm.)
5,000-7,000
36
22
$7,900-11,000
6,400-8,800
38 (part lot)
38 (part lot)
39
l38A
JEAN-GABRIEL DOMERGUE (FRENCH, 1889-1962)
At the bar
signed Jean/ Gabriel/ Domergue (lower right)
oil on board
13 x 9 in. (33 x 24 cm)
2,000-3,000
$3,200-4,700
2,600-3,800
38A
l38
JEAN-GABRIEL DOMERGUE (FRENCH, 1889-1962)
39
GEORGES JEANNIN (FRENCH, 1841-1925)
The pink hat; The fascinator
A bouquet of fowers with a vase and a fan
signed Jean/ Gabriel/ Domergue (lower right and lower left respectively)
oil on board
the frst 10 x 8 in. (26 x 21 cm.); the second 9 x 7 in. (23 x 18 cm.)
two in the lot
signed and dated G. Jeannin 92. (lower left)

oil on canvas
21 x 25 in. (54.5 x 65.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
1,500-2,000
$2,400-3,100
1,900-2,500
23
THE PROPERTY OF A GENTLEMAN

n40
REN PEYROL (FRENCH, 1860-1899)
Cattle watering by a stream

signed R. Peyrol (lower left)
oil on canvas
69 x 96 in. (175.3 x 245.7 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
PROVENANCE:
Anonymous sale; Christies, South Kensington,

30 November 2006, lot 36.
40
VARIOUS PROPERTIES
41
ERNST BAILLET (FRENCH, 1853-1902)
Rowing on a summer lake

signed Ern. Baillet. (lower left)
oil on canvas
25 x 45 in. (63.5 x 115 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
41
42
GEORGES-MARIE-JULIEN GIRARDOT
(FRENCH, 1856-1914)
Allegories of the four seasons: Les

Lavandires; La Moisson; Les Vendages;
and Les Fagotteuses
oil on canvas
22 x 46 in. (57 x 118 cm.); and 19 x 44 in.
(49 x 112 cm.)
a set of four (4)
4,000-6,000
$6,300-9,400
5,100-7,600
Visit www.christies.com for more information on

this lot.
42 (part lot)
24
43
nl43
JULES FRANCOIS CHARLES PONCEAU
(FRENCH, 1881-1961)
A picnic and promenade below the Pont du Jour,

Paris
signed and dated J.Ponceau/1906 (lower right)
oil on canvas
59 x 82 in. (150 x 290.5 cm.)
10,000-20,000
$16,000-31,000
13,000-25,000
44
FREDERICK CHARLES VIPONT EDE
(CANADIAN, 1865-1907)
A riverside farmhouse
signed Frederic.Ede. (lower left)
oil on canvas
21 x 25 in. (54.5 x 65 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Anonymous sale, Christies South Kensington, 21 September

2005.
Frederick Ede began his studies in America and then came to
Paris to study under Tony Robert-Fleury and Bouguereau. He
won the frst prize at Montreal in 1891, exhibited in Chicago in
1893, and won the medal of honour at the Museum of Boston.
44
25
45
46
26
45
ARMAND GURY (FRENCH, 1850-1912)
Midnight Mass, Christmas Night in Bertincourt, Champagne

signed and dated Armand Gury-1900-
(lower left)
oil on canvas
32 x 45 in. (81.5 x 116 cm.)
1,500-2,500
$2,400-3,900
1,900-3,200
l46
ANDR RATOUCHEFF (FRENCH, 1903-1982)
A winter walk
signed, dated and inscribed A. Ratoucheff/28-VI-1930/Paris (lower right)
oil on canvas
24 x 28 in. (60.2 x 73 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
Russian-born Andr Ratoucheff followed in his parents footsteps onto the stage.
Small of stature, he was principally known as an actor with a travelling troupe of
little people, performing in Italy, Greece and Egypt before settling in Paris, where
he learnt to paint. In the early 1940s Ratoucheff moved to America with his
touring group, but he still exhibited his paintings annually in the French capital.
An article written during his stay in America reported, His real avocation... is
painting in oils. He studied for a number of years in France and now, he says, is
reasonably competent just enough for a little man (The New Yorker, New
York, 16 January 1943 p.11).
47
n47
JOSEPH BAIL (FRENCH, 1862-1921)
The secret
signed Bail Joseph (lower right)
oil on canvas
39 x 32 in. (101.5 x 81.5 cm.)
6,000-8,000
$9,400-13,000
7,600-10,000
Joseph Bail was a pupil of Jean Lon Grome and Carolus-Durand. As his career
progressed, so did his confdence in his character portrayals. The present work
is likely to have been infuenced by Bails summer excursions to the countryside
outside Fontainebleau, perhaps it even recalls a moment the artist himself
stumbled upon in the woodland. Bail regularly submitted to the Salons and
towards the end of his careers was hors concours, or exempt from having to
submit his works for jury approval. Bail received many awards during his lifetime
and won a gold medal in the 1900 Exposition Universelle Chevalier, the same year
that he was named a Legion d Honneur.
48
LAZARE MEYER (FRENCH, 1847-1934)
A restful afternoon in the park

signed and dated LAZARE MEYER/ 1878 (lower left)
oil on canvas
29 x 22 in. (73.5 x 56 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
48
27
49
49
EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
l50
JULES REN HERV (FRENCH, 1887-1981)
A Parisian street at dusk
At the fountain in the Tuileries gardens, Paris
signed E.Galien-Laloue (lower left)

oil on panel
9 x 13 in. (23.5 x 33.3 cm.)
signed Jules R. Herv (lower left)

oil on canvas
18 x 21 in. (46 x 55 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
We are grateful to No Willer for confrming the authenticity of this lot from a
photograph.
2,500-3,500
PROVENANCE:
with Galerie Assindia, Essen.
50
28
$4,000-5,500
3,200-4,400
51
l51
l52
Figures on horseback by the Petit Palais, on the Champs Elys6es, Paris
Jardin des Tuileries, Paris
signed Jules R. Herv (lower left)

oil on canvas
18 x 21 in. (46 x 55 cm.)
signed Jules R. Herv (lower right) and inscribed Guarantee this painting to be
original Jules R Herv / JARDIN DES TUILERIES (on the reverse)
oil on canvas
18 x 22 in. (46 x 55.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
with Omell Galleries, London.
52
29
53
FRENCH SCHOOL, EARLY 20TH CENTURY
Boulevard Hausmans, Paris

oil on canvas
21 x 18 in. (55.5 x 46.5 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
l54
Tranquilit6 au jardin
inscribed and signed En Hommage a Monsieur/Fernand David/
O.D.V.Guillonnet (lower right)
oil on canvas
29 x 24 in. (73.5 x 60.5 cm.)
6,000-8,000
55 No Lot
30
$9,400-13,000
7,600-10,000
n*56
GASTON LA TOUCHE (FRENCH, 1854-1913)
Le carrosse rouge
signed and inscribed Gaston La Touche S.C (lower left)
oil on canvas
39 x 46 in. (101.5 x 117 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
PROVENANCE:
EXHIBITED:
Knoedler & Co, Paris 1910 (Stock no.12235).

Knoedler & Co, New York, December 1910.
R.H. Tifft, Buffalo, November 1914.
J.J. Gillespie Gallery, Pittsburgh.
Mr & Mrs J.F. Hillman, Pittsburgh c.1930.
Thence by descent.
Chicago, The Art Institute, Exhibition of works by the Members of the Soci6t6 des
Peintres et Sculpteurs, January 4th 28th, 1912, No.91
(Lent by Messrs Knoedler).
We are grateful to Roy Brindley and Selina Baring Maclennan for their assistance in
cataloguing this lot, which is to be included in the forthcoming catalogue raisonn,
which is currently in preparation.
31
57
l57
REN CHARLES EDMOND HIS (FRENCH, 1877-1960)
l58
REN CHARLES EDMOND HIS (FRENCH, 1877-1960)
Bords de lEure, Chartres, France
A pathway by a river
signed E.Ren-His (lower left)

oil on canvas
21 x 28 in. (54 x 73.5 cm.)
signed E. Ren-His (lower left)

oil on canvas
13 x 18 in. (33 x 46 cm.)
19th Century
2,000-4,000
$3,200-6,300
2,600-5,000
1,500-2,000
PROVENANCE:
with Frost & Reed Ltd., London
58
32
$2,400-3,100
1,900-2,500
59
SPYRIDON SCARVELLI (GREEK, 1868-1942)
Corfu
signed Scarvelli (lower left)
watercolour on paper
8 x 13 in. (21.3 x 35 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
59
60
DOMENICO AMMIRATO (ITALIAN, 1833-1890)
Five Neapolitan scenes

signed Ammirato (lower left of three and lower
right of two)
oil on board
7 x 4 in. (19 x 12.5 cm.) measured to frame
edge
a set of fve
(5)
1,500-2,000
$2,400-3,100
1,900-2,500
60 (part lot)
60 (part lot)
60 (part lot)
60 (part lot)
60 (part lot)
33
61
62 (part lot)
62 (part lot)
61
PIETRO BARUCCI (ITALIAN, 1845-1917)
l62
GUIDO ODIERNA (ITALIAN, 1913-1991)
Fishing vessels on the coast, Naples
Fishing boats moored off the coast, Capri;

and Sorting the nets off the bay of Naples
signed P. Barrucci./Roma (lower right)

oil on canvas
24 x 43 in. (63.4 x 109.7 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
both signed Guido Odierna (lower left)

oil on canvas
the frst 27 x 39 in. (70 x 100 cm.);
the latter 27 x 38 in. (70 x 99 cm.)
1,200-1,800
34
(2)
$1,900-2,800
1,600-2,300
63
64
l63
GIUSEPPE CASCIARO (ITALIAN, 1861-1945)
The artist painting on the beach, Ischia

signed, dated and indistinctly inscribed
G Casciaro/25 01 1/... (lower left)
oil on board
13 x 17 in. (35 x 45 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
Giuseppe Casciaro was orphaned at the age of twelve,

and raised by his uncle, who provided his education
in the hope Casciaro would learn medicine. However,
Casciaro enrolled in the Neapolitan Academy of Fine
Arts, where he focused on surrounding shorelines.
Many of his works were conducted in pastel and
watercolour. In the present oil painting, the artist has
depicted his shadow before us, consumed with the
act of his artistic endeavour, as if his presence was
part of the natural scenery of the shoreline.
l64
GIUSEPPE CASCIARO (ITALIAN, 1861-1945)
Figures playing by the shore, Ischia, Punta

Molino in the distance
signed, inscribed and dated
Giu. Casciaro/Ischia 919 (lower left)
oil on board
12 x 16 in. (30.5 x 43 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
35
65
FEDERICO ANDREOTTI (ITALIAN, 1847-1930)
The proposal
signed F. Andreotti (lower left)
oil on canvas
17 x 13 in. (45 x 35.3 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
PROVENANCE:
with P. Polak, Essex.

His sale; Christies, London, 1 May 1936, lot 157.
Acquired at the above by Mitchell, London.
Thomas M. McLean, London.
Acquired by the father of the present owner,
thence by descent.
66
VITTORIO REGGIANINI (ITALIAN, 1858-1939)
A private liaison
signed V.Reggianini (lower right)
oil on canvas
12 x 8 in. (30.5 x 21.5 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
Vittorio Reggianini trained at the Modena art academy with Gaetano Bellei and
Eugenio Zampighi. Reggianini was later promoted to professor at the academy.
In 1855 he moved to Florence, from where his work travelled throughout
Europe and the United States. Reggianinis subject matter and style of painting
acclimatised to the new tastes of his international arena. Like Frdric Soulacroix,
Reggianini depicted extremely elegant fgures in luxurious environs. In the present
lot we are granted access to an intimate firtation shared between the main
characters; a secret known only to their luxurious surroundings and the viewer.
36
67
GIUSEPPE CANELLA (ITALIAN, 1788-1847)
Figures in an Italian square

signed Canella (lower left)
oil on canvas
6 x 9 in. (16.5 x 24.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
68
ANTONIETTA BRANDEIS (HUNGARIAN, 1849-1910)
The Bridge of Sighs, Venice

signed ABrandeis (lower right) with inscription Le Ponte dei
Sospire e angolo/ del Palazzo Ducale / Venezia (on the reverse)
oil on board
7 x 9 in. (17 x 23.5 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
PROVENANCE:
with MacConnal-Mason & Son Ltd., London.
69
GIOVANNI GRUBACS (ITALIAN, 1829-1919)
St Marks Square looking towards San Giorgio

Maggiore, Venice
signed Gio Grubacs (lower left)
oil on canvas
12 x 15 in. (30.2 x 40 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
37
70
GIOVANNI GRUBACS (ITALIAN, 1829-1919)
St. Marks Square, Venice

signed Gio/Grubacs (lower left)
oil on canvas
22 x 28 in. (57.8 x 73.2 cm.)
15,000-20,000
PROVENANCE:
Anonymous sale; Phillips, London, 1 December 1998, lot 117.
38
$24,000-31,000
19,000-25,000
71
l71
NOEL GEORGES BOUVARD (FRENCH, 1912-1975)
A Venetian canal
signed with pseudonym Marc Aldine (lower right)
oil on canvas
10 x 13 in. (27 x 35.4 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
PROVENANCE:
Anonymous sale; Christies, London, 23 March 1967, lot 72.

Marc Aldine is a pseudonym used by the Bouvard family.
72
ANTONIETTA BRANDEIS
(HUNGARIAN, 1849-1910)
Church of Santa Maria della Salute, Venice

signed ABrandeis. (lower right)
oil on panel
11 x 7 in. (27.9 x 19.7 cm.)
5,500-6,500
$8,600-10,000
7,000-8,200
PROVENANCE:
with W.H. Patterson, London.
72
39
l73
BOUVARD (FRENCH, 20TH CENTURY)
A conversation on a Venetian backwater

signed with pseudonym Marc Aldine (lower right)
oil on canvas
11 x 14 in. (28 x 36 cm.)
3,500-4,500
$5,500-7,000
4,500-5,700
Marc Aldine is a pseudonym used by the Bouvard

family.
l74
A Venetian backwater
both signed Bouvard (lower right)
oil on canvas
11 x 8 in. (27.2 x 22 cm.)
3,000-5,000
a pair (2)
$4,700-7,800
3,800-6,300
75
ALPHONSE LECOZ (FRENCH, 20TH CENTURY)
A gondolier on a Venetian backwater

signed Lecoz (lower right)
oil on canvas
23 x 47 in. (60.5 x 119.5 cm.)
2,500-3,500
40
$4,000-5,500
3,200-4,400
76
l76
ALFRED AUGUST FELIX BACHMANN (GERMAN, 1863-1956)
On the waterfront outside St. Marks Square,

Santa Maria della Salute beyond
signed ABachmann. (lower left)
oil on canvas
25 x 32 in. (65.5 x 81.5 cm.)
3,500-4,500
$5,500-7,000
4,500-5,700
l76A
Vessels on a Venetian backwater

signed with pseudonym Mark Aldine (lower left)
oil on canvas
21 x 15 in. (55.2 x 38 cm.)
5,500-6,500
$8,600-10,000
7,000-8,200
PROVENANCE:
with W.H. Patterson, London.

Marc Aldine is a pseudonym used by the Bouvard family
76A
41
n77
ITALIAN SCHOOL, 20TH CENTURY
The artists model

51 x 38 in. (131 x 97 cm.)
oil on canvas, unframed
2,000-3,000
$3,200-4,700
2,600-3,800
78
GIOVANNI BOLDINI (ITALIAN, 1842-1931)
Portrait of a lady
signed Boldini (lower right)
5 x 7 in. (12 x 20 cm.) (to edge of paper)
3,000-5,000
42
$4,700-7,800
3,800-6,300
n79
BENITO REBOLLEDO CORREA (CHILEAN, 1880-1964)
The mussel pickers

signed B.Rebolledo Correa (lower left)
oil on canvas
39 x 62 in. (101 x 159 cm.)
12,000-18,000
$19,000-28,000
16,000-23,000
Benito Rebolledo Correa was interested in art from a young age; he studied painting, sculpture and drawing
at the night school during his teenage years. At ffteen he moved to Santiago where he lived with a group of
artists. Correa devoted his life to his two passions: boxing and painting. Breaking away from the artistic tradition
before him, his large canvas hints towards the concerns of the dawning impressionist movement. Just as he
uses a sense of boldness and urgency in the boxing ring; so too on this large canvas we see him using urgent
yet dexterous brushstrokes and a boldness in his use of colour.
43
80
81
80
VINCENTE DE PARADES (SPANISH, 1845-1903)
81
JOS GALLEGOS Y ARNOSA (SPANISH, 1859-1917)
The Raconteur
The cardinals visit to the library
signed V. de. PARADES lower left)

oil on canvas
17 x 25 in. (43 x 63.5 cm.)
signed, inscribed and dated JGallagos/ROMA 1912

oil on panel
10 x 14 in. (25.5 x 35.5 cm.)
4,000-6,000
44
$6,300-9,400
5,100-7,600
4,000-6,000
$6,300-9,400
5,100-7,600
82
PROPERTY OF A PRIVATE COLLECTOR

n82
FRANCISCO MASRIERA MANOVENS (SPANISH, 1842-1902)
A classical lullaby
signed and dated F. Masriera/1894 (lower right)
oil on canvas
26 x 38 in. (66 x 96.7 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
VARIOUS PROPERTIES
83
FRANCISCO MIRALLES Y GALUP (SPANISH, 1848-1901)
The red ribbon

signed and dated F Miralles/1875 (upper left)
oil on canvas
16 x 12 in. (41 x 32.8 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
83
45
85
85
EMILE EISMAN-SEMENOWSKY (POLISH, 1857-1911)
Celebration
signed, inscribed and dated EISMAN-SEMENOWSKY - PARIS 93.
(lower right)
oil on panel
8 x 6 in. (21 x 15 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
An enlarged detail of the present lot is illustrated on the front cover.
86
LUIS RICARDO FALERO (SPANISH, 1851-1896)
84
The poppy fairy
84
LUIS RICARDO FALERO (SPANISH, 1851-1896)
Twin Stars
signed with monogram LF (lower left) and signed Falero (on the reverse)
oil on panel
19 x 8 in. (50 x 22.5 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
The present work is compositionally related to the watercolour Twin Stars in the
Metropolitan Museum of Art, New York.
46
signed and dated FALERO/1888 (lower left)

oil on canvas
39 x 21 in. (100 x 54.5 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
Luis Ricardo Falero was born in Granada. After rejecting a career in the navy, he
walked to Paris, where he experimented with engineering. He settled in London in
the 1880s, where he spent most of his life. He displayed his anatomical dexterity
with his depictions of nude models, but he focused on mythological, astronomical
(see lot 84) and fantastical settings for his subjects.
86
l87
HANS ZATZKA (AUSTRIAN, 1859-1945)
88
EUGENE DE BLAAS (AUSTRIAN, 1843-1932)
Cupid plays at the water fountain
A moment of sadness
signed H.Zatzka (lower left)

oil on canvas
23 x 14 in. (57.6 x 36 cm.)
signed Eug.o de Blaas (lower right)

oil on canvas
34 x 17 in. (87 x 43.2 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
10,000-15,000
$16,000-23,000
13,000-19,000
PROVENANCE:
Anonymous sale; Christies, London, 11 May 1962, lot 64.

Anonymous sale; Christies, South Kensington, 5 July 2001, lot 123.
Eugene de Blaas was born into a family of accomplished artists. His father Karl von
Blaas, a portrait, history and fresco painter as well as a sculptor, was a professor
at the Vienna Academy of Fine Art followed by the Venice Academy of Fine Art.
Eugenes brother Julius was a painter of battle scenes and animals as well as
an established watercolorist, who later on became a professor at the Academy
in Rome. The family, originally from Austria, relocated initially to Rome, where
Eugene and Julius were born, followed by Venice due to Karls posting at the
Academy. Eugene then attended the Academy in Rome, where he later became
a professor, followed by the Academy in Venice. His art was well received in
England, allowing him to exhibit consistently at the Royal Academy, the Grafton
Gallery and the New Gallery between 1875 and 1892.
48
89
FRITZ ZUBER-BUHLER (SWISS, 1822-1896)
Admiring the baby

signed ZUBER BUHLER (lower right)
oil on canvas
19 x 16 in. (49.5 x 40.5 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
90
FRITZ ZUBER-BHLER (SWISS, 1822-1896)
Feeding the baby

signed ZUBER-BUHLER (lower left)
oil on canvas
22 x 18 in. (55.5 x 46.2 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
49
91 (a pair)
91
ATTRIBUTED TO WOICIECH (ALDABERT) RITTER VON KOSSAK
(POLISH, 1856-1942)
A Zieten Hussar in the heart of battle;

and a Cuirassier leading the charge
the second signed W. Kossak (lower right)
oil on canvas
both 25 x 19 in. (65.5 x 50.5 cm.)
5,000-7,000
a pair (2)
$7,900-11,000
6,400-8,800
n*92
ERNST THALLMALER (GERMAN, 19TH CENTURY)
A bather at dusk
signed Ernst Thallmaler (lower left)
68 x 37 in. (174.7 x 95.2 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
n93
FRANZ MLLER-MNSTER
(GERMAN, 1867-1936)
The Rearing Horse

signed FMFller-Munster (lower left)
oil on canvas laid down on board
59 x 74 in. (150.5x 189.9 cm.)
6,000-8,000
92
50
94 No Lot
$9,400-13,000
7,600-10,000
93
95
KARL HEFFNER (GERMAN, 1849-1925)
96
GILBERT MUNGER (AMERICAN, 1837-1903)
Autumn
A peasant in a forest clearing
signed K Heffner (lower right)

oil on canvas
24 x 22 in. (62 x 57.5 cm.)
signed Gilbert Munger (lower left)

oil on panel
18 x 14 in. (46 x 37.5 cm.)
1,500-2,000
95
$2,400-3,100
1,900-2,500
2,000-3,000
$3,200-4,700
2,600-3,800
96
51
97
l97
VIDA GBOR (HUNGARIAN, 1937-2007)
The snowmans friend

oil on panel
19 x 15 in. (50 x 40 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
We are grateful to the artists son, Dr. Vida Gbor, for confrming the authenticity
of this work on the basis of a photograph.
l98
VIDA GBOR (HUNGARIAN, 1937-2007)
The reluctant assistant
98
oil on panel
19 x 15 in. (50 x 40 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
We are grateful to the artists son, Dr. Vida Gbor, for confrming the authenticity
of this work on the basis of a photograph.
n99
THEODOR MATTHEI (GERMAN, 1857-1920)
The skaters
signed and dated Th Matthei 1913 (lower right)
oil on canvas
39 x 29 in. (100.5 x 74 cm.)
3,500-4,500
$5,500-7,000
4,500-5,700
99
53
100
BELGIAN SCHOOL, 19TH/20TH CENTURY
Playtime
indistinctly signed and dated H Guim...mean/1887
(lower left)
oil on canvas
25 x 32 in. (65.2 x 81 cm.)
1,500-2,500
$2,400-3,900
1,900-3,200
101
ADOLF CARL SENFF (GERMAN, 1785-1863)
Tulips, Iris, Convolvulus and summer fowers in an

Etruscan vase on a marble ledge
signed, inscribed and dated Adolfo Senff. Roma. 1831.
(lower right)
oil on canvas
24 x 19 in. (63 x 45.9 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
100
n102
AUGUSTE SERRURE (BELGIAN, 1825-1903)
Conversations in the The Salle de Franc, Palais de

Justice de Bruge, Belgium
signed and dated Serrure 1881 (lower left)
oil on canvas
31 x 44 in. (79.5 x 112.5 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
The Salle de Franc in Bruge is best known for the elaborate

carved decoration of the room, in particular the exquisite
carving around the freplace designed by Lancelot Blondeel
(1498-1561) and sculptured in about 1527 by Guyot de
Beauregard (d. 1551). Carved in wood are Charles V, Mary of
Burgundy and Maximilian, Charles the Bold and Margaret of
York his third wife. They are surrounded by various coats of
arms including that of Burgundy and that of Spain. (J. Murray,
A Handbook for Travellers on the Continent, London, 1839.)
103
JAN JACOB ZUIDEMA BROOS (DUTCH, 1833-1882)
The train station waiting room

signed and dated Broos. 1861 (lower left)
oil on panel
11 x 17 in. (29.5 x 44.2 cm.)
2,000-4,000
101
54
$3,200-6,300
2,600-5,000
102
103
55
104
106
104
WILLIAM RAYMOND DOMMERSEN (DUTCH, 1850-1927)
A street in Spain
signed WRDommersen (lower right); and inscribed and signed with initials
A street in Spain/.WRD. (on the reverse)
oil on canvas
18 x 14 in. (46.3 x 36 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
105
PIETER CORNELIS DOMMERSEN (DUTCH, 1834-1908)
Roermond, Limburg, Holland

signed and dated P.C. Dommersen. 1889 (lower right)
oil on panel
20 x 15 in. (51 x 40 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
106
WILLIAM RAYMOND DOMMERSEN (DUTCH, 1850-1927)
Utrecht, Holland
signed WRDommersen (lower right); and inscribed and signed with initials
Utrecht/.Holland./.WRD. (on the reverse)
oil on canvas
18 x 14 in. (46.5 x 36 cm.)
1,200-1,800
105
56
$1,900-2,800
1,600-2,300
107
PROPERTY FROM A DISTINGUISHED

PRIVATE COLLECTION
107
JOHAN BARTHOLD JONGKIND
(DUTCH, 1819-1891)
La cNte ( Sainte-Adresse
inscribed and dated Sainte-Adresse 1861 (lower
left) and inscribed, signed and dated a son ami
Herlon Paris 16 nov 65 J B Jongkind (lower right)
pencil and watercolour on paper
13 x 7 in. (34.5 x 18.7 cm.)
5,000-7,000
$7,900-11,000
6,400-8,800
PROVENANCE:
A gift from the artist to M. Herlon, 1865.

Anonymous sale; Drouot, Paris, 28 February 1951,
lot 52a.
EXHIBITED:
Paris, Galerie Schmit, Jongkind, 4 May - 4 June

1966, no. 70
We are grateful to Comit Jongkind, Paris-La Haye for
their assistance cataloguing this lot, which is recorded
in their archive under the number G00552, and will
be included in their forthcoming catalogue critique.
VARIOUS PROPERTIES
l108
FERNAND TOUSSAINT (BELGIAN, 1873-1955)
The houses over the river

signed Toussaint (lower left)
oil on canvasboard
15 x 18 in. (38 x 46 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
108
57
109
BELGIAN SCHOOL, 19TH CENTURY
Romance under the full moon

with monogram CG (lower right)
oil on canvas
18 x 18 in. (47 x 47 cm)
5,000-8,000
$7,900-13,000
6,400-10,000
l110
CAMILLE NICOLAS LAMBERT
(BELGIAN, 1876-1963)
The sand dunes at sunset

signed N.C. LAMBERT (lower right)
25 x 25 in. (64.5 x 65 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
109
n111
SIGVARD MARIUS HANSEN
(DANISH, 1859-1938)
A snow covered track in winter

signed and dated Sigvard Hansen 1915
(lower right)
oil on canvas
26 x 39 in. (65 x 101 cm.)
4,000-6,000
$6,300-9,400
5,100-7,600
n112
HENRIK GAMST JESPERSEN
(DANISH, 1852-1936)
The water garden

signed and dated Henrik J 1913 (lower left)
oil on canvas
35 x 55 in. (89.5 x 141.7 cm.)
1,200-1,800
110
58
$1,900-2,800
1,600-2,300
111
112
59
113
l113
AXEL TEODOR KULLE (SWEDISH, 1882-1964)
Romeleklint, Sweden
signed A Kulle (lower right)
oil on canvas
24 x 30 in. (61 x 76.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
114
60
Romeleklint is the second highest, and most famous,

point on Romelesen. At an unusually high 175
meters above sea level in an otherwise fat landscape,
it is covered by pine forest.
nl114
AXEL TEODOR KULLE (SWEDISH, 1882-1964)
A windy landscape
signed A.T.Kulle (lower right)
oil on canvas
29 x 36 in. (74 x 92 cm.)
1,500-2,500
$2,400-3,900
1,900-3,200
115
115
CARL VON BLAAS (AUSTRIAN, 1815-1894)
The fnding of Moses

signed CBlaas. (lower right)
oil on canvas
12 x 15 in. (30.2 x 40 cm.)
2,500-3,500
PROPERTY OF A PRIVATE COLLECTOR (LOTS 116, 118 & 124)

116
HIPPOLYTE PIERRE DELANOY
(FRENCH, 1849-1899)
PROVENANCE:
An open book with Ottoman artefacts

$4,000-5,500
3,200-4,400
signed Hip:te pierre Delanoy (lower right)

oil on canvas
23 x 45 in. (60 x 115 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
Anonymous sale; Christies, London, 31 October

1974, lot 3.
The objects depicted in this work include a Persian
Qajari helmet (Khula-khud) and shield, with Ottoman
provinces artefacts, including matchlock gun, silver
hilted iar-dagger (gatayan), ivory handled iar-dagger,
a kindjal and two small blades, with prayer beads
and shield.
116
61
VARIOUS PROPERTIES
117
FREDERICK GOODALL (BRITISH, 1822-1904)
Crossing the pool, Egypt

signed with monogram and dated 1899 (lower
right) and inscribed Fording the pool from the
isolated village/Time of the inundation of the Nile/
FredR.Goodall/copyright reserved (on the reverse)
oil on canvas
15 x 36 in. (38.5 x 92 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
PROPERTY OF A PRIVATE COLLECTOR

(LOTS 116, 118 & 124)
118
JOSEPH AUSTIN BENWELL (BRITISH, 1816-1886)
Prayers in the desert

signed and dated J a.Benwell 1866 (lower left)
watercolour and pencil on paper
15 x 20 in. (38 x 51 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
VARIOUS PROPERTIES
D119
The waters of the Nile, Egypt

signed with monogram (lower left)
oil on canvas
15 x 36 in. (38.2 x 91.5 cm.)
3,000-5,000
62
$4,700-7,800
3,800-6,300
120
AUGUSTUS OSBORNE LAMPLOUGH (BRITISH, 1877-1930)
121
AUGUSTUS OSBORNE LAMPLOUGH (BRITISH, 1877-1930)
Cairo at dusk, Egypt
An Arab on a camel surveying the desert at dusk
signed A. Lamplough R.W.S. (lower left)

watercolour and bodycolour on paper
14 x 26 in. (35.5 x 67.3 cm.)
signed A Lamplough A.R.A. (lower left)

pencil and watercolour on paper
20 x 29 in. (50.9 x 73.8 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
3,000-5,000
$4,700-7,800
3,800-6,300
63
122
CHARLES WILDA (AUSTRIAN, 1854-1907)
The snake charmer

signed CH WILDA (lower right)
8 x 6 in. (22 x 16.5 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
PROVENANCE:
with Mathaf Gallery, London.

Anonymous sale; Christies, South Kensington, 23 March 2005, lot 307.
123
CIRCLE OF ALEXANDRE GABRIEL DECAMPS (FRENCH, 1803-1860)
A seated Algerian
indistinctly signed D... (lower left)
oil on canvas
18 x 15 in. (46.5 x 38.6 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
122
PROPERTY OF A PRIVATE COLLECTOR (LOTS 116, 118 & 124)

124
A camel in a crowded street, Cairo

signed and dated F Goodall 1861 (lower right)
oil on panel
24 x 17 in. (61 x 44.8 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
PROVENANCE:
Anonymous sale; Sothebys, London, 19 May 1971, lot 89.
123
64
Frederick Goodalls works proved popular throughout Europe in his own lifetime.
His talent was recognised from a young age; and by 1852 he was elected an
Associate of the Royal Academy in London. He visited Egypt for the frst time
in 1858, where he shared a studio with Carl Haag in Cairo. The present lot,
completed in 1861, is a product of that frst excursion. The orient captured his
imagination. Whilst he frequently painted pictures depicting historic moments,
such as the fooding of the Nile, and biblical narratives such as the Finding of
Moses, the present lot shows how his imagination was equally excited by everyday
scenes before him during his travels. Every part of this bustling Cairo street is
carefully recorded and delivered to the viewer, framed underneath an archway
which draws the onlookers eye into the image, and their imagination into the
action itself.
124
125
127
VARIOUS PROPERTIES
125
FRANS WILHELM ODELMARK (SWEDISH, 1849-1937)
Odalisques in the harem

signed and dated F.W. Odelmark / 1887. (lower right)
oil on canvas
28 x 19 in. (72.5 x 49.5 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
126
PAUL DELAMAIN (FRENCH, 1821-1882)
Bedouins resting at the gates of a fort

signed Paul Delamain (lower right)
oil on canvas
15 x 12 in. (39 x 31 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
127
JOHN EVAN HODGSON (BRITISH, 1831-1895)
In the tea house

signed and dated J E Hodgson 1873 (lower left)
oil on panel
11 x 5 in. (27.9 x 14.6 cm.)
3,000-5,000
126
66
$4,700-7,800
3,800-6,300
128
RUDOLF ERNST (AUSTRIAN, 1854-1932)
An important visit
signed R. Ernst. (lower right)
oil on panel
18 x 14 in. (45.7 x 37.8 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
PROVENANCE:
Anonymous sale; Bukowskis, Stockholm, 2-3 April 1952, lot 116.
67
129
130
l130
ATTRIBUTED TO ADOLPHE BACHMAN
(SWISS, 1880-1956)
129
GEORG MACCO (GERMAN, 1863-1933)
Jerusalem
The Golden Horn, Istanbul
signed and dated G. Macco./ 1932. (lower left)

watercolour and bodycolour on paper
16 x 24 in. (42 x 62 cm.)
2,000-4,000
oil on canvas
25 x 36 in. (65.5 x 91.4 cm.)
$3,200-6,300
2,600-5,000
4,000-6,000
$6,300-9,400
5,100-7,600
END OF SALE
WE ARE NOW ACCEPTING CONSIGNMENTS FOR OUR 16 APRIL 2015 AUCTION
Index
A
Allegre, R., 16
Ammirato, D., 60
Andreotti, F., 65
Ede, F., 44
Eisman-Semenowsky, E., 85
Ernst, R., 128
Bachmann, A., 76
Bail, J., 47
Baillet, E., 41
Barnoin, H., 27
Barucci, P., 61
Benwell, J., 118
Bisson, E., 32
Bistagne, P., 25
Boldini, G., 78
Bouret, G., 23
Bouvard, 71, 73, 74, 76A
Brandeis, A., 68, 72
Brascassat, J., 22
Brochart, C., 15
Broos, J., 103
Falero, L., 84, 86
Macco, G., 129

Manovens, F., 82
Matthei, T., 99
Meyer, L., 48
Monticelli, A., 9
MFller-MFnster, F., 93
Munger, G., 96
C
Canella, G., 67
Carrier-Belleuse, P., 18
Carrire, E., 29
Casciaro, G., 63, 64
Constant, J., 30
Correa, B., 79
D
Dagnac-Rivire, C., 8
De Callias, H., 34
de Parades,V., 80
Decamps, A., 123
Delamain, P., 126
Delanoy, H., 116
Diaz de la Pena, N., 3
Domergue, J., 38, 38A
Dommersen, P., 105
Dommersen, W., 104, 106
Dubreuil, C., 21
Duverger, T., 10, 11, 12, 13
G
Gbor, V., 97, 98
Galien-Laloue, E., 28, 49
Gallegos y Arnosa, J., 81
Galup, F., 83
Girardot, G., 42
Giroux, A., 1
Goodall, F., 117, 119, 124
Grubacs, G., 69, 70
Gury, A., 45
Guillonnet, O., 35, 37, 54
Gysis, N., 33
H
Hansen, S., 111
Harpignies, H., 2, 4, 5
Heffner, K., 95
Heilbuth, F., 7
Helleu, P., 19, 20
Herve, J., 50, 51, 52
His, R., 57, 58
Hodgson, J.E., 127
J
Jeannin, G., 39
Jespersen, H., 112
Jongkind, J., 107
K
Kossak, W., 91
Kryer, P., 109
Kulle, A., 113, 114
Kuwasseg, C., 24
O
Odelmark, F., 125
Odierna, G., 62
P
Peyrol, R., 40
Poitevin, E., 26
Ponceau, J., 43
R
Ratoucheff, A., 46
Reggianini, V., 66
Remond, J., 6
S
Scarvelli, S., 59
Scvola, L., 36
Senff, A., 101
Serrure, A., 102
Sieffert, P., 17
T
Thallmaler, E., 92
Toussaint, F., 108
V
Vollon, A., 14
von Blaas, C., 115
von Blaas, E., 88
W
Wells, C., 31
Wilda, C., 122
La Touche, G., 56
Lambert, C., 110
Lamplough, A., 120, 121
Lecoz, A., 75
Zatzka, H., 87
Zuber-Buhler, F., 89, 90
Important Notices and Explanation of

Cataloguing Practice
IMPORTANT NOTICES
CHRISTIES INTEREST IN PROPERTY
CONSIGNED FOR AUCTION
From time to time, Christies may offer a lot which
it owns in whole or in part. Such property is
identified in the catalogue with the symbol next to
its lot number.
On occasion, Christies has a direct financial interest
in lots consigned for sale, which may include
guaranteeing a minimum price or making an
advance to the consignor that is secured solely by
consigned property. Where Christies holds such
financial interest on its own we identify such lots
with the symbol next to the lot number.
Where Christies has financed all or part of such
interest through a third party the lots are identified
in the catalogue with the symbol u. When a
third party agrees to finance all or part of Christies
interest in a lot, it takes on all or part of the risk of
the lot not being sold, and will be remunerated in
exchange for accepting this risk based on a fixed fee
if the third party is the successful bidder or on the
final hammer price in the event that the third party
is not the successful bidder. The third party may also
bid for the lot. Where it does so, and is the successful
bidder, the remuneration may be netted against the
final purchase price. If the lot is not sold, the third
party may incur a loss. Please see http://www.
christies.com/financial-interest/ for a more detailed
explanation of minimum price guarantees and third
party financing arrangements.
Where Christies has an ownership or financial
interest in every lot in the catalogue, Christies will
not designate each lot with a symbol, but will state
its interest in the front of the catalogue.
ALL DIMENSIONS ARE APPROXIMATE
CONDITION
Christies catalogues include references to condition
only in descriptions of multiple works (such as
prints, books and wine). For all other property,
only alterations or replacement components are
listed. Please contact the Specialist Department
for a condition report on a particular lot. The
nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are
likely, due to their nature and age, to show signs
of wear and tear, damage, other imperfections,
restoration or repair. Any reference to condition
in a catalogue entry will not amount to a full
description of condition. Condition reports are
usually available on request, and will supplement
the catalogue description. In describing lots, our
staff assess the condition in a manner appropriate to
the estimated value of the item and the nature of
the auction in which it is included. Any statement
as to the physical nature or condition of a lot, in a
catalogue, condition report or otherwise, is given
honestly and with appropriate care. However,
Christies staff are not professional restorers or
trained conservators and accordingly any such
statement will not be exhaustive. We therefore
recommend that you always view property
personally, and, particularly in the case of any items
of significant value, that you instruct your own
restorer or other professional adviser to report to
you in advance of bidding.
30/09/14
70
PROPERTY INCORPORATING MATERIALS

FROM ENDANGERED AND OTHER
PROTECTED SPECIES
Property made of or incorporating (irrespective
of percentage) endangered and other protected
species of wildlife are marked with the symbol ~
in the catalogue. Such material includes, among
other things, ivory, tortoiseshell, crocodile skin,
rhinoceros horn, whale bone and certain species of
coral, together with Brazilian rosewood. Prospective
purchasers are advised that several countries prohibit
altogether the importation of property containing
such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant
regulatory agencies in the countries of exportation
as well as importation. Accordingly, clients should
familiarise themselves with the relevant customs laws
and regulations prior to bidding on any property
with wildlife material if they intend to import the
property into another country. Please note that it is
the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations
applying to the export or import of property
containing endangered and other protected wildlife
material. The inability of a client to export or import
property containing endangered and other protected
wildlife material is not a basis for cancellation or
rescission of the sale. Please note also that lots
containing potentially regulated wildlife material are
marked as a convenience to our clients, but Christies
does not accept liability for errors or for failing to
mark lots containing protected or regulated species.
RECENT CHANGES TO IMPORTS OF
ELEPHANT IVORY AND OTHER WILDLIFE
MATERIAL INTO THE USA
The USA has recently changed its policy on the
import of property made of or containing elephant
ivory. Only Asian Elephant ivory may be imported
into the USA, and imports must be accompanied by
DNA analysis and confirmation the object is more
than 100 years old. We have not obtained a DNA
analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is
African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the
costs of obtaining any DNA analysis or other report
required in connection with their proposed import of
such property into the USA.
The USA is also currently requiring all imports of
property made of or containing wildlife material
to be accompanied by a scientific confirmation of
species and in some cases an additional confirmation
of age. We have not obtained such confirmations
prior to sale (unless specifically indicated) and
buyers will be responsible for the costs of any such
additional confirmations or opinions required for
their proposed import into the USA.
A buyers inability to export or import any lot
containing elephant ivory or other wildlife material
is not a basis for cancelling the purchase.
POST 1950 FURNITURE
All items of post-1950 furniture included in this
sale are items either not originally supplied for use
in a private home or now offered solely as works
of art. These items may not comply with the
provisions of the Furniture and Furnishings (Fire)
(Safety) Regulations 1988 (as amended in 1989 and
1993, the Regulations). Accordingly, these items
should not be used as furniture in your home in
their current condition. If you do intend to use such
items for this purpose, you must first ensure that
they are reupholstered, restuffed and/or recovered
(as appropriate) in order that they comply with the
provisions of the Regulations.
EXPLANATION OF
CATALOGUING PRACTICE
The following expressions with their accompanying
explanations are used by Christies as standard
cataloguing practice. Our use of these expressions
does not take account of the condition of the lot or
of the extent of any restoration.
FOR PAINTINGS, PRINTS AND
WORKS OF ART
A work catalogued with the name(s) or recognised
designation of an artist or maker, without any
qualification, is, in our opinion, a work by the artist
or maker. In other cases, the following words or
expressions, with the following meanings are used:
Buyers are recommended to inspect the property
themselves. Written condition reports are usually
available on request.
Attributed to
In our opinion probably a work by the artist or
maker in whole or in part.
Circle of
In our opinion a work of the period of the artist or
maker and showing his influence.
Manner of
In our opinion a work executed in the style of the
artist or maker but of a later date.
After
In our opinion a copy of any date of a work of the
artist or maker.
Signed /Sealed /
Has a signature/seal which in our opinion is that of
the artist
With signature / With seal /
Has a signature/seal which in our opinion is not that
of the artist
Dated
Is so dated and in our opinion was executed at about
that date.
With date /
Is so dated but was not in our opinion executed at
that date.
FOR PORCELAIN AND CERAMICS
(a) A piece catalogued with the name of a period,
reign or dynasty without further qualification
was, in our opinion, made during or shortly
after that period, reign or dynasty (e.g. a Ming
vase)
(b) A piece catalogued in the style of a period,
reign or dynasty is in our opinion, quite
possibly a copy or imitation of pieces made
during the named period, reign or dynasty (e.g.
a vase in Ming style)
(c) A reference to a mark and of the period
means that, in our opinion, the piece is of the
period of the mark (e.g. Kangxi six-character
mark and of the period).
(d) A reference to a mark without reference to
and of the period means that, in our opinion,
although bearing the mark, the pieces were
possibly not made in the period of the mark
(e.g. Kangxi six-character mark).
(e) Where no date, period, reign or mark is
mentioned, the lot is, in our opinion, of
uncertain date or 19th or 20th century
manufacture.
Buying at Christies
CONDITIONS OF SALE
Christies Conditions of Sale and Limited Warranty are set out
later in this catalogue. Bidders are strongly encouraged to read
these as they set out the terms on which property is bought
at auction.
ESTIMATES
Estimates are based upon prices recently paid at auction for
comparable property, condition, rarity, quality and provenance.
Estimates are subject to revision. Buyers should not rely upon
estimates as a representation or prediction of actual selling
prices. Estimates do not include the buyers premium or VAT.
Where Estimate on Request appears, please contact the
Specialist Department for further information.
RESERVES
The reserve is the confidential minimum price the consignor
will accept and will not exceed the low pre-sale estimate. Lots
that are not subject to a reserve are identified by the symbol
next to the lot number.
BUYERS PREMIUM
Christies charges a premium to the buyer on the final bid
price of each lot sold at the following rates: 25% of the final
bid price of each lot up to and including 50,000, 20% of
the excess of the hammer price above 50,000 and up to and
including 1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and Cigars: 17.5%
of the final bid price of each lot. VAT is payable on the
premium at the applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free of charge.
Christies specialists are available to give advice and condition
reports at viewings or by appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or consigned
with Christies should bring:
Individuals: government-issued photo identification (such as
a photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies Credit
Department at + 44 (0)20 7839 2825 for advice on the
information you should supply.
A financial reference in the form of a recent bank statement
or a reference from your bank in line with your expected
purchase level. Christies can supply a form of wording for the
bank reference if necessary.
Persons registering to bid on behalf of someone who has
not previously bid or consigned with Christies should bring
identification documents not only for themselves but also for
the party on whose behalf they are bidding, together with a
signed letter of authorisation from that party.
To allow sufficient time to process the information, new clients
are encouraged to register at least 48 hours in advance of a sale.
Prospective buyers should register for a numbered bidding
paddle at least 30 minutes before the auction. Clients who have
not made a purchase from any Christies office within the last
one year and those wishing to spend more than on previous
occasions, will be asked to supply a new bank reference.
For assistance with references, please contact Christies Credit
Department at +44 (0)20 7389 2862 (London, King Street)
or at +44 (0)20 7752 3137 (London, South Kensington). We
may at our option ask you for a financial reference or a
deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSES BEHALF
Persons bidding on behalf of an existing client should bring
a signed letter from the client authorising the bidder to act
on the clients behalf. Please note that Christies does not
accept payments from third parties. Christies can only accept
payment from the client, and not from the person bidding
on their behalf.
BIDDING
The auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left
with Christies in advance of the auction. The auctioneer may
also execute bids on behalf of the seller up to the amount of
the reserve. The auctioneer will not specifically identify bids
placed on behalf of the seller. Under no circumstances will the
auctioneer place any bid on behalf of the seller at or above the
reserve. Bid steps are shown on the Absentee Bid Form at the
back of this catalogue.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers
directing Christies to bid on their behalf up to a maximum
amount specified for each lot. Christies staff will attempt to
execute an absentee bid at the lowest possible price, taking
into account the reserve price. Absentee bids submitted on no
reserve lots will, in the absence of a higher bid, be executed
at approximately 50% of the low pre sale estimate or at the
amount of the bid if it is less than 50% of the low pre-sale
estimate.The auctioneer may execute absentee bids directly
from the rostrum, clearly identifying these as absentee bids,
book bids, order bids or commission bids. Absentee
Bids Forms are available in this catalogue, at any Christies
location, or online at christies.com.
TELEPHONE BIDS
Telephone bids cannot be accepted for lots estimated below
2,000. Arrangements must be confirmed with the Bid
Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to 25,000), and cash (up to 5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of 25,000 for credit card payments will apply. This limit
is inclusive of the buyers premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christies will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject to
conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christies, Cashiers Department,
8 King Street, St Jamess, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT
VAT payable at 20% on hammer price and buyers premium

*
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable (at
5%) on the Hammer price. VAT is also payable (at 20%) on
the buyers Premium on a VAT inclusive basis. This VAT is
not shown separately on the invoice. When a buyer of such a
lot has registered an EU address but wishes to export the lot or
complete the import into another EU country, he must advise
Christies immediately after the auction.
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyers Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christies immediately
after the auction.
BuyersfromwithintheEU:
VAT payable at 20% on just the buyers premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyers premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christies to this effect immediately
q Z
ero rated
No VAT charged.
(no symbol) Auctioneers Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyers premium which is invoiced on a VAT inclusive basis.
WineAuctions
This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTISTS RESALE RIGHT (DROIT DE SUITE)
If a lot is affected by this right it will be identified with the
symbol next to the lot number. The buyer agrees to pay to
Christies an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty
4.00%
3.00%
1.00%
0.50%
0.25%
For the portion of the Hammer Price (in Euro)

up to 50,000
between 50,000.01 and 200,000
between 200,000.01 and 350,000
between 350,000.01 and 500,000
in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the

purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
SHIPPING
It is the buyers responsibility to pick up purchases or make
all shipping arrangements. After payment has been made in
full, Christies can arrange property packing and shipping at
the buyers request and expense. Buyers should request an
estimate for any large items or property of high value that
require professional packing. A shipping form is enclosed with
each invoice, alternatively buyers can visit www.christies.com/
shipping to request a shipping estimate. For more information
please contact the Shipping Department at + 44 (0)20 7389
2712 or via
ArtTransport_London@christies.com for both London,
King Street and London, South Kensington sales.
EXPORT OF GOODS FROM THE EU
If you are proposing to take purchased items outside the EU the
following applies:
ChristiesArtTransport:
If you use Christies Art Transport you will not be required to
pay the VAT at the time of settlement.
ChristiesVATauthorisedShipper:
If you use a Christies VAT authorised shipper you will not be
required to pay the VAT at the time of settlement.
OwnShipper:
VAT will be charged on the invoice, refundable by the VAT
Department upon receipt of the appropriate official documents
sent to us by your shipper.
Hand-Carried:
VAT will be charged on the invoice.This will be refunded by
the VAT Department upon receipt of the appropriate official
document.
*, or
Starred, Omega or Daggered lots A C88 can be obtained
from Christies Shipping Department .This document must be
stamped by UK Customs on leaving the UK.
(no symbol)
Margin Scheme lots Please obtain GB Tax Free form from
the Cashiers. This document must be stamped by UK Customs
on leaving the UK.
Starred or Omega lots must be exported within 30 days of the
date of collection. All other lots not subject to import VAT
must be exported within three months of collection, and proof
of export provided in the appropriate form.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence is required
before exporting. It is the buyers sole responsibility to obtain any
relevant export or import licence. The denial of any licence or
any delay in obtaining licences shall neither justify the rescission of
any sale nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. However, Christies
cannot ensure that a licence will be obtained. Local laws may
prohibit the import of some property and/or may prohibit
the resale of some property in the country of importation.
For more information, please contact Christies Shipping
Department at +44 (0)20 7389 2828 or the Museums, Libraries
and Archives Council: Acquisitions, Export and Loans Unit at
+44 (0)20 7273 8269/8267.
20/11/13
71
Storage and Collection

STORAGE & COLLECTION CHARGES
Specified lots, marked with a filled square ( ) not
cleared from Christies by 5.00 pm on the day of
the sale and all sold and unsold lots not cleared from
Christies by 5.00 pm on the fifth Friday following
the sale will be removed to the warehouse of:
Cadogan Tate Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
Lots will be available for collection on the first full
business week after transfer to Cadogan Tate Ltd and
every business weekday from 9.00 am to 5.00 pm.
Property, once paid, can be released to Christies
Fine Art Storage Services (CFASS) in London,
New York or Singapore FreePort at any time for
environmentally controlled long term storage, per
client request. CFASS is a separate subsidiary of
Christies and clients enjoy complete confidentiality.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for details.
TRANSFER, STORAGE & RELATED
CHARGES (PER LOT)
CHARGES
Furniture/
Large Objects
Transfer/Admin
Storage per day
Extended
Liability Charge:
42.00
21.00
5.25
2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges
Pictures/
Small Objects
All charges are subject to VAT. Very large or heavy

items may be subject to a surcharge.
COLLECTION & PAYMENT OF ANY

CHARGES DUE
Lots will be available for collection from
Cadogan Tate Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
on every business day after the day of transfer,
from 9.00 am until 5.00 pm.
Lots may only be released by Cadogan Tate upon
a) production of the Collection Order
obtained from the cashiers office at
Christies, 85 Old Brompton Road, London SW7
or Christies, 8 King Street, London SW1
b) payment of any charges that may be due to
Cadogan Tate Ltd
To assist Cadogan Tate to provide a swift release
please telephone on the business day prior to
collection to ensure that Lots are available and to
ascertain any charges due. If sending a carrier please
ensure that they are provided with all necessary
information, your written authority to collect, the
Collection Order and the means to settle any charges.
COLLECTION FROM CADOGAN TATE
Please note that Cadogan Tate Ltds opening hours
are Monday to Friday 9.00 am to 5.00 pm, and
purchases transferred to their warehouse are not
available for collection at weekends.
EXTENDED LIABILITY CHARGES

All services provided by Cadogan Tate Ltd
(Cadogan Tate) will be subject to their standard
Conditions of Business, copies of which are
available at Christies South Kensington.
Please note in particular that Cadogan Tate
does not accept any liability for damage or loss,
due to its negligence or otherwise, exceeding the
Hammer Price of a Lot plus associated Buyers
Premium, or, at its sole option, the cost of repairing
or replacing the damaged or missing Lot and
it reserves a lien over all goods in its possession
for payment of storage and all other charges due
to it and
it automatically arranges on behalf of the Lots
owner and at the owners cost, insurance of the
Lot for the sum of the Hammer price plus Buyers
Premium. The Extended Liability Charge covers
the Lot from the time of collection from the
saleroom until release of the Lot to the owner or
the owners agent. The Extended Liability Charge
payable by the owner of the Lot is 0.6% of the
sum of the Hammer Price and Buyers Premium or
100% of the transfer and storage charges, whichever
is the smaller. This Extended Liability will not be
arranged and no charge will be payable only on
receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal
waiver of subrogation from the owners insurers.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and
clients enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.
Please note that there will be no charge to

purchasers who collect their lots within two
weeks of this sale.
Cadogan TaTe LTds Warehouse

241 Acton Lane,
Park Royal,
London NW10 7NP
Telephone: +44 (0)800 988 6100
28/10/14
72
Conditions of Sale
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christies
and the seller with the buyer. You should read them
carefully before bidding.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
(b) Registration before bidding

Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or
can come to the saleroom on the day of the sale
approximately 30 minutes before the start of the
sale to register in person. Prospective buyers must
complete and sign a registration form with his
or her name and permanent address, and provide
identification before bidding. We may require the
production of bank details from which payment will
be made or other financial references.
2.
CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.
(c) Bidding as principal

When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the
buyers premium and all applicable taxes, plus
all other applicable charges, unless it has been
explicitly agreed in writing with Christies before
the commencement of the sale that the bidder is
acting as agent on behalf of an identified third party
acceptable to Christies, and that Christies will only
look to the principal for payment.
(d) Absentee bids
We will use reasonable efforts to carry out written
bids delivered to us prior to the sale for the
convenience of clients who are not present at the
auction in person, by an agent or by telephone. Bids
must be placed in the currency of the place of the
sale. Please refer to the catalogue for the Absentee
Bids Form. If we receive written bids on a particular
lot for identical amounts, and at the auction these
are the highest bids on the lot, it will be sold to
the person whose written bid was received and
accepted first. Execution of written bids is a free
service undertaken subject to other commitments
at the time of the sale and provided that we have
exercised reasonable care in the handling of written
bids, the volume of goods is such that we cannot
accept liability in any individual instance for failing
to execute a written bid or for errors and omissions
in connection with it arising from circumstances
beyond our reasonable control.
(e) Telephone bids
If a prospective buyer makes arrangements with us
prior to the commencement of the sale we will use
reasonable efforts to contact them to enable them to
participate in the bidding by telephone but we do
not accept liability for failure to do so or for errors
and omissions in connection with telephone bidding
arising from circumstances beyond our reasonable
control.
(f) Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of
the currency converter. Where these arise from
circumstances beyond our reasonable control we
do not accept liability to bidders who follow the
currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in the
quality of the image. We do not accept liability for
such errors where they arise for reasons beyond our
reasonable control.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium
is 25% of the final bid price of each lot up to and
including 50,000, 20% of the excess of the hammer
price above 50,000 and up to and including
1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyers premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.
09/08/13
73
(d) Collection of purchases

We shall be entitled to retain items sold until all
amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, at our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled
to cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject
to this, the buyer shall collect purchased lots within
two calendar days from the date of the sale unless
otherwise agreed between us and the buyer.
transactions, to apply any amount paid to

discharge any amount owed in respect of any
particular transaction, whether or not the buyer
so directs;
(viii) to reject at any future auction any bids made by
or on behalf of the buyer or to obtain a deposit
from the buyer before accepting any bids;
(ix) to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way,
to the fullest extent permitted by the law of the
place where such property is located. The buyer
will be deemed to have granted such security to
us and we may retain such property as collateral
security for such buyers obligations to us;
(x) to take such other action as we deem necessary
or appropriate.
(e) Packing, handling and shipping

Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made
a recommendation for the acts or omissions of the
third party concerned.
If we resell the property under paragraph (iv) above,

the defaulting buyer shall be liable for payment of
any deficiency between the total amount originally
due to us and the price obtained upon resale as well
as for all reasonable costs, expenses, damages, legal
fees and commissions and premiums of whatever
kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller
under paragraph (v) above, the buyer acknowledges
that Christies shall have all of the rights of the seller,
however arising, to pursue the buyer for such amount.
(f) Export licence

Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the
buyer requests us to apply for an export licence on his
or her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
(g) Remedies for non payment
If the buyer fails to make payment in full in good
cleared funds within 7 days after the sale, we shall
have the right to exercise a number of legal rights
and remedies. These include, but are not limited to,
the following:
(i) to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal
proceedings for its recovery together with
interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on
such terms as we shall think fit;
(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting buyer;
(vi) to set off against any amounts which we,
or Christies International plc, or any of its
affiliates, subsidiaries or parent companies
worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining
unpaid by the buyer;
(vii) where several amounts are owed by the buyer
to us, or to Christies International plc, or
to any of its affiliates, subsidiaries or parent
companies worldwide, in respect of different
(h) Failure to collect purchases

Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
(i) Selling Property at Christies
In addition to expenses such as transport, all
consignors pay a commission according to a fixed
scale of charges based upon the value of the property
sold by the consignor at Christies in a calendar year.
Commissions are charged on a sale by sale basis.
5. LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants for
a period of five years from the date of the sale that any
property described in headings printed in UPPER CASE
TYPE (i.e. headings having all capital-letter type) in
this catalogue (as such description may be amended by
any saleroom notice or announcement) which is stated
without qualification to be the work of a named author
or authorship, is authentic and not a forgery. The term
author or authorship refers to the creator of the
property or to the period, culture, source or origin, as the
case may be, with which the creation of such property
is identified in the UPPER CASE description of the
property in this catalogue. Only UPPER CASE TYPE
headings of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does not
apply to supplemental material which appears below
the UPPER CASE TYPE headings of each lot and
Christies is not responsible for any errors or omissions
in such material. The terms used in the headings are
further explained in Important Notices and Explanation
of Cataloguing Practice. The warranty does not apply
to any heading which is stated to represent a qualified
opinion. The warranty is subject to the following:
(i)
(ii)
(iii)
(iv)
(v)
(vi)
It does not apply where (a) the catalogue

description or saleroom notice corresponded
to the generally accepted opinion of scholars
or experts at the date of the sale or fairly
indicated that there was a conflict of opinions;
or (b) correct identification of a lot can be
demonstrated only by means of either a
scientific process not generally accepted for
use until after publication of the catalogue or
a process which at the date of publication of
the catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
The benefits of the warranty are not assignable
and shall apply only to the original buyer of the
lot as shown on the invoice originally issued by
Christies when the lot was sold at auction.
The original buyer must have remained the
owner of the lot without disposing of any
interest in it to any third party.
The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the
cancellation of the sale and the refund of the
original purchase price paid for the lot. Neither
Christies nor the seller will be liable for any
special, incidental or consequential damages
including, without limitation, loss of profits
nor for interest.
The buyer must give written notice of claim
to us within five years from the date of the
auction. It is Christies general policy, and
Christies shall have the right, to require the
buyer to obtain the written opinions of two
recognised experts in the field, mutually
acceptable to Christies and the buyer, before
Christies decides whether or not to cancel the
sale under the warranty.
The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.
6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christies
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christies, to the exclusive jurisdiction of the courts
of the United Kingdom.
05/01/10
74
Worldwide Salerooms and European Offices

AUSTRIA
VIENNA
INDIA
MUMBAI
RUSSIA
MOSCOW
UNITED KINGDOM
LONDON
LONDON,
SOUTH KENSINGTON
+43 (0)1 533 8812

Angela Baillou
+91 (22) 2280 7905

Sonal Singh
BELGIUM
BRUSSELS
DELHI
+7 495 937 6364

+44 20 7389 2318
Katya Vinokurova
+91 (98) 1032 2399

Sanjay Sharma
SPAIN
BARCELONA
NORTH
ISRAEL
TEL AVIV
+34 (0)93 487 8259

Carmen Schjaer
+44 (0)20 7752 3004

Thomas Scott
+972 (0)3 695 0695

Roni Gilat-Baharaff
MADRID
SOUTH
+34 (0)91 532 6626

Juan Varez
Dalia Padilla
+44 (0)1730 814 300

Mark Wrey
EAST
SWEDEN
STOCKHOLM
+44 (0)20 7752 3004

Thomas Scott
+46 (0)70 5368 166

Marie Boettiger
Kleman (Consultant)
+46 (0)70 9369 201
Louise Dyhln
(Consultant)
NORTHWEST AND
WALES
+32 (0)2 512 88 30

Roland de Lathuy
DENMARK
COPENHAGEN
+45 3962 2377

Birgitta Hillingso
(Consultant)
+ 45 2612 0092
Rikke Juel Brandt
(Consultant)
FINLAND AND THE
BALTIC STATES
HELSINKI
+358 40 5837945
Barbro Schauman
(Consultant)
FRANCE
PARIS
ITALY
MILAN
+39 02 303 2831

ROME
+39 06 686 3333

Marina Cicogna
Business Development
Director
MONACO
+377 97 97 11 00
Nancy Dotta
THE NETHERLANDS
AMSTERDAM
+33 (0)1 40 76 85 85
+31 (0)20 57 55 255
GERMANY
DSSELDORF
PEOPLES REPUBLIC
OF CHINA
BEIJING
+49 (0)21 14 91 59 30
Arno Verkade
+86 (0)10 8572 7900
FRANKFURT
HONG KONG
+49 (0)61 74 20 94 85
Anja Schaller
SHANGHAI
HAMBURG
+49 (0)40 27 94 073

Christiane Grfin zu
Rantzau
MUNICH
+49 (0)89 24 20 96 80
Marie Christine Grfin
Huyn
STUTTGART
+49 (0)71 12 26 96 99
Eva Susanne Schweizer
DENOTES SALEROOM
+852 2760 1766

+86 86 (0)21 6355 1766
Jinqing Cai
PORTUGAL
LISBON
SWITZERLAND
GENEVA
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03/11/14
75
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& DESIGN
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KEY TO ABBREVIATIONS
KS:
London, King Street
NY:
New York, Rockefeller Plaza
PAR:
Paris
SK:
London, South Kensington
06/11/14
76
INVITATION TO CONSIGN
Victorian, Pre-Raphaelite &
British Impressionist Art
CLOSING FOR ENTRIES: 9 January 2015
Auction
Contact
12 March 2015
London SW7 3LD
Tom Rooth
trooth@christies.com
+44 (0)20 7752 3125
JOHN ATKINSON GRIMSHAW (18361893)

Whitby by night
signed and dated Atkinson Grimshaw/1864 (lower right) oil on card
8 x 18 in. (21 x 45.7 cm.)
Price Realised: 62,500
VINCENT DE VOS (BELGIAN, 1829-1875)

Circus friends
7,00010,000
The Collections of
Principessa Ismene Chigi Della Rovere
and a Noble Genoese Family
London, South Kensington 4 February 2015
Including European Furniture and Objects of Art,
Art Nouveau Glass, Old Master Paintings,
Chinese and Japanese Works of Art, Carpets,
European Porcelain and Louis Vuitton Luggage.
Viewing
Contact
31 January 3 February
London SW7 3LD
Nathaniel Nicholson
nnicholson@christies.com
+44 (0)20 7389 2519
FRANCISCO TAMAGNO (b.1851)

Chamonix Mont-Blanc
Lithograph in colour c.1900
7,0009,000
The Ski Sale, Travel in Style

London, South Kensington 22 January 2015
Viewing
Contact
1721 January 2015

London SW7 3LD
Nicolette Tomkinson
ntomkinson@christies.com
+44 (0)20 7752 3301
christies.com

New York April 2015
Contact
Deborah Coy
dcoy@christies.com
+1 212 636 2120
JEAN BRAUD (FRENCH, 1849-1936)

Sur la place de la Concorde
signed Jean Braud. (lower right)
oil on panel
20.1/8 x 13.3/8 in. (52 x 34 cm.)
$80,000-120,000

WEDNESDAY 21 JANUARY 2015 AT 1.00 PM
85 Old Brompton Road, London SW7 3LD
Absentee Bids Form

Christies South Kensington
CODE NAME: TUPPY

SALE NUMBER: 10358
(Dealers billing name and address must agree with tax

exemption certificate. Invoices cannot be changed after
they have been printed.)
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10358
BID ONLINE FOR THIS SALE AT CHRISTIES.COM

BIDDING INCREMENTS
Client Number (if applicable)
Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject
to the auctioneers discretion. Absentee bids that
do not conform to the increments set below may
be lowered to the next bidding interval.
UK50 to UK1,000
UK1,000 to UK2,000
UK2,000 to UK3,000
UK3,000 to UK5,000
by
by
by
by
UK50s
UK100s
UK200s
UK200, 500, 800
UK5,000 to UK10,000
UK10,000 to UK20,000
(ie: UK4,200, 4,500, 4,800)

by UK500s
by UK1,000s
UK20,000 to UK30,000
UK30,000 to UK50,000
by UK2,000s
by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000
at auctioneers discretion
The auctioneer may vary the increments during the

course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
Please also refer to the information contained in Buying at
Christies.
I request Christies to bid on the following lots up to the
maximum price I have indicated for each lot. I understand
that if my bid is successful, the purchase price will be the
sum of my final bid plus a buyers premium of 25% of the
final bid price of each lot up to and including 50,000,
20% of the excess of the hammer price above 50,000 and
up to and including 1,000,000 and 12% of the excess of
the hammer price above 1,000,000, together with any
VAT chargeable on the final bid and the buyers premium.
VAT is chargeable on the purchase price of daggered () lots,
and for buyers outside the EU on () lots, at the standard
rate. VAT is chargeable on the purchase price of starred (*)
lots at the reduced rate.
Christies South Kensington is not able to notify successful
bidders by telephone. While Invoices are sent out by mail
after the auction we do not accept responsibility for notifying
you of the result of your bid. Buyers are requested to contact
us by telephone or in person as soon as possible after the
sale to obtain details of the outcome of their bids to avoid
incurring unnecessary storage charges.
I understand that Christies provides the service of executing
absentee bids for the convenience of clients and that Christies
is not responsible for failing to execute bids or for errors
relating to execution of bids. On my behalf, Christies will try
to purchase these lots for the lowest possible price, taking into
account the reserve and other bids. Absentee bids submitted
on no reserve lots will, in the absence of a higher bid, be
executed at approximately 50% of the low pre-sale estimate
or at the amount of the bid if it is less than 50% of the low
pre-sale estimate. If identical absentee bids are received for
the same lot, the written bid received first by Christies will
take precedence. Please contact the Telephone Bid office at
least 24 hours in advance of the sale to make arrangements for
telephone bidding. Tel: +44 (0)20 7752 3225
All bids are subject to the terms of the Conditions of Sale
and Limited Warranty printed in each Christies catalogue.
09/08/13
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PLEASE PRINT CLEARLY

Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS

Please quote number below:
83
OMP & 19TH CENTURY PAINTINGS
expert knowledge beautifully presented
Continental European and British paintings from the early Renaissance

to the early 19th century. British and Irish Art from Tudor period
to 1970, including pictures, works on paper, Sporting Art,Victorian
and Scottish pictures. Continental European drawings from the early
Renaissance to the early 19th century. Paintings, drawings and watercolors from the 19th century, including Romanticism, Genre, Realist,
Salon, Orientalist, Macchiolo and Symbolism. Maritime paintings and
nautical items, ship models and maritime instruments.
Code
Subscription Title
Location
A1
L193
L1
L195
L98
N193
N1
P1
K193
K9
K1
K2
K97
W9
OMP & C19th Paintings

Old Master and 19th Century Art
19th Century European Art including Orientalist Art
Old Master and British Paintings
Victorian and British Impressionist Pictures
Topographical Pictures
Old Master Paintings
Old Master & 19th Century European Paintings
19th Century Paintings
Old Master & Early British Drawings & Watercolours
Old Master Paintings
Victorian, Traditionalist & Sporting Pictures
Australian Art
Old Master & Early British Drawings & Watercolours
Amsterdam
King Street
King Street
King Street
King Street
New York
New York
Paris
South Kensington
South Kensington
South Kensington
South Kensington
South Kensington
Worldwide
www.christies.com/shop
Photographs, Posters and Prints Impressionist and Modern Art
Jewellery, Watches and Wine Antiquities and Tribal Art
Asian and Islamic Art Russian Art
Furniture, Decorative Arts and Collectables American Art and Furniture
Books, Travel and Science Design, Costume and Memorabilia
Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings
Issues
2
2
5
2
1
2
3
1
2
1
4
5
1
4
UKPrice
US$Price
EURPrice
27
48
119
48
20
48
71
38
43
14
57
71
14
95
44
72
181
76
32
76
108
61
71
24
95
119
24
152
40
76
190
72
30
72
114
57
66
22
87
109
22
144
Christies
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairman
Steven P. Murphy, Chief Executive Officer
Stephen Brooks, Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
Franois-Henri Pinault
Sophie Carter, Company Secretary

CHRISTIES EXECUTIVE
Steven P. Murphy,
Stephen Brooks, Kerry Chandler, Franois Curiel,
Marc Porter, Jussi Pylkknen, Doug Woodham
Charles Cator, Deputy Chairman,

Christies International
CHRISTIES EUROPE
CHAIRMANS OFFICE
Jussi Pylkknen, President
Orlando Rock, Deputy Chairman
SENIOR DIRECTORS
Mariolina Bassetti, Giovanna Bertazzoni,
Olivier Camu, Philippe Garner, Richard Knight,
Francis Outred, Andreas Rumbler,
Franois de Ricqles
DIRECTORS
Prof. Dr. Dirk Boll, Roland de Lathuy,
Eveline de Proyart, Roni Gilat-Baharaff,
Paul Hewitt, Clarice Pecori Giraldi,
Christiane Rantzau, Jop Ubbens, Juan Varez
CHRISTIES EUROPEAN
ADVISORY BOARD
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Christopher Balfour, Patricia Barbizet,
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H.R.H. Prince Pavlos of Greece, Alicia Koplowitz,
Viscount Linley, Robert Manoukian,
Rosita, Duchess of Marlborough,
Dimitri Mavrommatis,
Countess Daniela Memmo dAmelio, Usha Mittal,
Leopoldo Rods, igdem Simavi
CHRISTIES UK
CHAIRMANS OFFICE
Viscount Linley, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
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Philippe Garner, Jane Griffiths, Karen Harkness,
Philip Harley, James Hastie, Paul Hewitt,
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Michael Jeha, Hugues Joffre, Donald Johnston,
Erem Kassim-Lakha, William Lorimer,
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Nic McElhatton (Chairman, South Kensington),
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Alexis de Tiesenhausen, Lynne Turner, Jay Vincze,
Andrew Ward, David Warren, Andrew Waters,
Harry Williams-Bulkeley, Martin Wilson,
Andr Zlattinger
Sarah Mansfield, Nicolas Martineau,

Roger Massey, Joy McCall, Neil McCutcheon,
Daniel McPherson, Neil Millen, Edward Monagle,
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Anne Qaimmaqami, Marcus Rdecke,
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Tom Rooth, Alice de Roquemaurel,
Francois Rothlisberger, Patrick Saich,
Tim Schmelcher, Rosemary Scott, Tom Scott,
Nigel Shorthouse, Dominic Simpson, Nick Sims,
Katie Siveyer, Nicola Steel, Robin Stephenson,
Kay Sutton, Rakhi Talwar, Nicolette Tomkinson,
Jane Turner, Thomas Venning, Sophie Wiles,
Mark Wilkinson, Bernard Williams,
Georgina Wilsenach, Toby Woolley, Geoff Young
DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Sigrun Danielsson,
Armelle de Laubier-Rhally, Adrian Denton,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Giles Forster,
Patricia Frost, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, Hans-Peter Keller, Jeffrey Kerr,
Tjabel Klok, Quincy Kresler, Robert Lagneau,
Nicholas Lambourn, Joanna Langston, Tina Law,
Darren Leak, Adriana Leese, Brandon Lindberg,
Laura Lindsay, David Llewellyn, Murray Macaulay,
ASSOCIATE DIRECTORS
Guy Agazarian, Cristian Albu, Jennie Amos,
Ksenia Apukhtina, Katharine Arnold, Alexis Ashot,
Alexandra Baker, Fiona Baker, Virginie BarocasHagelauer, Carin Baur, Sarah Boswell,
Mark Bowis, Clare Bramwell, John Caudle,
Dana Chahine, Marie-Louise Chaldecott,
Sophie Churcher, Marion Clermont,
Helen Culver Smith, Laetitia Delaloye,
Charlotte Delaney, Cristiano De Lorenzo,
Freddie De Rougemont, Grant Deudney,
Claudia Dilley,
Eva-Maria Dimitriadis, Howard Dixon,
Virginie Dulucq, Joe Dunning, Antonia Essex,
Kate Flitcroft, Nina Foote, Eva French,
Pat Galligan, Keith Gill, Andrew Grainger,
Leonie Grainger, Julia Grant, Pippa Green,
Angus Granlund, Christine Haines, Coral Hall,
Charlotte Hart, Evelyn Heathcoat Amory,
Anke Held, Valerie Hess, Carolyn Holmes,
Amy Huitson, Adrian Hume-Sayer,
James Hyslop, Helena Ingham, Pippa Jacomb,
Mark Jordan, Guady Kelly, Clementine Kerr,
Hala Khayat, Alexandra Kindermann,
Mark Henry Lamp, Tom Legh, Timothy Lloyd,
Graeme Maddison, Stephanie Manstein,
Astrid Mascher, Michelle McMullan,
Kateryna Merkalenko, Susanne Meyer-Abich,
Toby Monk, Sarah OBrien, William Paton,
Samuel Pedder-Smith, Suzanne Pennings,
Louise Phelps, Sarah Rancans, Lisa Redpath,
David Rees, Alexandra Reid, Sumiko Roberts,
Sangeeta Sachidanantham, Pat Savage,
Catherine Scantlebury, Julie Schutz,
Hannah Schweiger, Mark Silver, James Smith,
Graham Smithson, David Stead, Mark Stephen,
Annelies Stevens, Charlotte Stewart,
Dean Stimpson, Gemma Sudlow,
Dominique Suiveng, Cornelia Svedman,
Nicola Swain, Iain Tarling, Sarah Tennant,
Timothy Triptree, Flora Turnbull, Lisa Varsani,
Julie Vial, Anastasia von Seibold, Amelia Walker,
Tony Walshe, Chris White, Rosanna Widen,
Ben Wiggins, Annette Wilson, Julian Wilson,
Elissa Wood, Neal Young
Christie, Manson & Woods Ltd. (2014)
19/11/14
86
85 Old Brompton Road London SW7 3LD
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SOUTH KENSINGTON

InternatIonal 19th Century european and

InternatIonal 19th Century art auCtIons

19th Century European Art

STORAGE AND COLLECTION

Wednesday 21 January 2015

Please refer to the important notice

AUCTION CODE AND NUMBER

In sending absentee bids or making

Alexandra McMorrow and Arne Everwijn

Tel: +44 (0)20 7752 3225

Tel: +44 (0)20 7752 3225

First initial followed by last name @

Tel: +44 (0)20 7839 9060

Tel: +44 (0)20 7839 9060

Tel: +44 (0)20 7839 9060

Tel: +44 (0)20 7389 2915

Tel: +44 (0)20 7389 2712

Tel: +44 (0)20 7839 9060

This auction is subject to

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Petit ferme dans un paysage

with studio stamp VENTE GEROUX (on the reverse)

signed HHarpignies (lower left)

with Arthur Tooth & Sons Ltd., London.

Bathers at the waters edge

Aux bords de la rivire

signed N.Diaz (lower right)

signed and dated HHarpignies 1905 (lower left)

Bords de la rivire ( Saint-Priv6

signed H. Harpignies (lower left)

signed and dated REMOND/1820 (lower left)

L.P. Sale; Drouot, Paris, 17 April 1917, lot 23.

The Baths at Caracalla a study

The present lot is a sketch, relating to Heilbuths work

A party on the riverside

A gathering in the woods

with Amsler & Ruthardt, Berlin, 1927.

Anonymous sale; Christies, London, 30 June 1939, lot 160.

Playing at the pump

Anonymous sale; Christies London, 7 April 1961, lot 132.

The frst shave

with Cooling Galleries Ltd., London.

A silver jug with oranges and fowers

Anonymous sale; Sothebys, London, 26 November 1981, lot 68.

Lobster with mussels, a green jug and cooking utensils on a ledge

Jeunne femme accoud6e

signed Helleu (lower right)

inscribed and signed not go/Helleu (lower left)

with Maxell Davidson Gallery, New York.

A squadron of French warships on their way to join the Allied Fleet

signed, inscribed and dated Chri Dubreuil /Calais le 16 Janvier 1855

signed J.R. Brascassat (lower left)

Travellers resting in a clearing

Boats by the shore

Fishermen on the shore

Unloading the boat

Unloading the catch, Concarneau;

Henri Barnoin debuted in the Salon in 1909 with a

Loading ships on the Seine, Paris

Le chat qui mange