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Taylor Erwin
Dunbar
Senior Project
31 October 2014
The Evolution of Womens Fashion (1910-2000)
Fashion is a reflection. Personal fashion taste can mirror personality traits of the person
wearing them, giving strangers a peek into their private world. The way people present
themselves to others speaks volumes about how they want to be perceived. In the same way,
fashion trends throughout the twentieth century are directly tied to the era in which they were
conceived. Social dogma dictates what is and is not acceptable, so when societal values evolve,
fashion is at the heels of the shift. The twentieth century is a historical tale woven from both
fabrics of furtive desperation and dreamy optimism. Women in particular have taken the world
of fashion and shaken it to the core. Women's fashion over the past century has been incredibly
dynamic. The influences on the evolution of fashion trends range from the somber notes of the
World War I era to the wild freedom of the sexual revolution and musical influences of the 90's.
One of the most important deciding factors in womens fashion up until the early 1900s
was the role of women in western society. Edwardian dress, comprised of layers upon layers of
modest clothing, was prevalent during the time when women began to advocate for equality. The
women who began the push for equality were middle class white women. In the late 1800s, they
grouped together and began advocating for equal rights (Matthews, 150). These women were the
forerunners for the social events that allowed for the drastic shifts in fashion that were to come.
Women also played a large role in pushing for prohibition in the early 1900s. These women had
high moralistic standards that were reflected in their conservative dress (Matthews, 197). The

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emergence of women from their subservient place in society shocked and confused many people.
A revolution of thoughts concerning gender equality began to stir within the female community,
leading to uncertainty from their male counterparts. A forerunner in womens rights, Elizabeth
Stanton, voiced her opinion on the evolving place of women in 1870: We progress in our social
theories in part by growth of ideas in our minds, in part by growth of ideas in the social medium
which surrounds us, and in part by the growth in us of that boldness which dares say openly what
we think (Matthews, 148). This quote can be applied to any social evolution, including fashion
trends. As womens rights progressed into the early twentieth century, magazines began to focus
on womens fashion trends. Vogue magazine, founded in America in 1909, lent a view of fashion
to people on an international scale. This allowed social shifts involving the roles of women and
what was acceptable for them to wear. This caused the basic shape of clothing to change roughly
every ten years (Mason, 15). This was just the beginning of a rich churn of useable trends.
The year 1910 heralded the drastic turns womens fashion was destined to take.
Designers from all over the world had a hand in creating the Western fashion trends America has
always followed. The 1910s were a time of practicality. Women were entering the workforce, so
it was no longer conceivable that they require multiple layers of fabric and elaborate styles of the
past. The colors remained feminine, but dress shape altered. The s-shape silhouette of previous
years was replaced with a straighter, looser fit. (Fashion Drawing and Illustration, 1). Intricate
drapes were put over higher class dresses to give them flair without the use of a constricting
corset. Designers insisted upon a specific kind of fabric; light, loose, and soft. This gave many
designs a fluidity that they were unable to attain in the past, as seen in Appendix A. Sashes and
ribbons used to accentuate certain parts of a dress were a necessary part of fashion. They could
be used as contrast again the color of a dress, or create the suggestion of a feminine figure

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underneath the straight and narrow confines of a typical dress (Fashion Drawing and
Illustration, 1). This trend of light fabrics shifted some with the emergence of world conflict.
World War I was brewing towards the end of the 1910s, leading many women to the workforce.
This changed certain attitudes about what was appropriate for particular situations. Getting to
work on time suddenly dictated some aspects of clothing. Women in World War I were in the
midst of adjusting to new and innovative modes of transportation. They wore split skirts to
accommodate travel via bicycle or automobile. They would often change into more
appropriate clothing for work and social events (Mason, 16). This began the shift into the
practical, working-girl garments of the 40s
The first dramatic changes to typical womens fashion accompanied the iconic flappers of
the 1920s. The 20s held a variety of stylish apparel, but they all flowed through a similar
androgynous vein. The era was dominated by the flapper look, characterized by short dresses.
uniform bob hair cuts, and a general disdain for traditional feminine role (Women's Clothing1920's, 1). The first half of the 20s was rife with drop waist skirts and dresses. This evolved
into the flashy flapper era that defined the roaring 20s, when the ostentatious was celebrated
(Vintage Clothing & Vintage Dresses, 1). The hemline on skirts and dresses was no longer
confined to the ankle. Hems jumped from knee to ankle and back again throughout the false
economic propriety of the 20s. Skirts were normally straight and simple. There was a smaller
fashion genre that accepted skirts that were flared at the waist, although these were not as
prevalent as the narrow shapelessness of their cousins (Women's Clothing-1920's, 1). The
particulars of the androgyny characteristic of the 20s are described by researchers at the
University of Vermont as the boyish, or garonne look, characterized by straight, curveless
dresses with the bust flattened and belts hanging around the hips since the waist in these

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silhouettes completely disappeared (Women's Clothing-1920's, 1). Two piece ensembles

rapidly gained popularity. Curveless tailored suits with straight cut skirts hanging to the knee
were a common style for women who wished to convey a sense of professionalism. These same
skirts were often paired with fashionable sweaters, as shown in Appendix B (Women's
Clothing-1920's, 1). As with most eras, social standing dictated what was acceptable to wear.
Middle class women embraced a sense of empowerment and were out to prove that they were
just as worthy as men. Women who could afford leisure activities certainly dressed the part.
Sporting attire was an inconspicuous way for upper class women to showing off a clean and
polished exterior. Bathing suits, tennis outfits, sailor blouses, and wide brimmed hats were
common sights during blistering summer days (Women's Clothing-1920's, 1). The T-strap heel
could be found on the soles of any fashionable young womans feet. They were stylish and
comfortable, which allowed wild and daring girls to dance all night in sultry speakeasies and
other 20s hot spots. Head ornamation was a necessary part of a flappers look. Brit Daley, an
expert in the field with a Bachelors degree in history, says that accessories became more
widespread, instead of being reserved for those of high socioeconomic status. Sparkly
headbands were decorated with eye-catching feathers and beads. (Vintage Clothing & Vintage
Dresses, 1). Cloche hats raged in popularity. Some were simple with a solid base color, as seen
in Appendix C, while others flirted with extravagance (Vintage Clothing & Vintage Dresses,
1). The superficial prosperity of the 20s couldnt last forever, though. When giants fall, they fall
hard.
Amidst the economic collapse leading to the Great Depression, elegant fashion struggled
through financial rubble. With the masculinity inspired 20s at a close, the 30s gave femininity a
comeback.Instead of hiding their waistlines, women began to accentuate them again. In order to

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make the waist appear even smaller, dresses and blouses were made to accentuate the shoulders,
making them seem broader in contrast to the waist. Butterfly sleeves flowed from the shoulder in
delicate frills, as seen in Appendix D. Puffed and angled sleeves were also used to allude to
wider shoulders (Vintage Clothing & Vintage Dresses, 2). Hems on the typical 1930s dress
fell to about mid-calf. Empire waist lines ensure that waists would look small and dainty. Elegant
evening wear gained popularity in the late 30s, as the Great Depression came to a close. Instead
of destitute individuals roaming the streets, dressed in the height of the last decades fashion,
celebrities and those of a higher social standing flaunted dresses with high halter necklines and
open backs. Metallic threads began getting woven into standard fabrics to add a flashy undertone
to evening wear (Vintage Clothing & Vintage Dresses, 2). Hollywood starlets were shining
examples of style during the financial hardships that seeped into the 30s, taking the spotlight
away from everyday casual looks. Celebrity Lana Turner made sweater girl a popular look to
emulate. This pairing of tight, fitted sweaters and skirts with a natural waistline was perpetuated
through the silver screen (Vintage Clothing & Vintage Dresses, 2). Bottoms were usually long
skirts with natural waistlines, adding an air of sophistication when paired with an appropriate
blouse. Pleats and high-low hemlines added flair to simple skirts. 1930s blouses also strived for
elegance. Gossamer-like sleeves were found on both dresses and tops. Boleros were short, open
coats many women adopted. The zipper became a more common sight in this era, as buttons
could be pricy. Open clutch coats like this were good for a night out, as they were easy to take
off and put on. The more impoverished individuals of the 30s envied ladies who had not lost it
all and could flaunt stylish luxuries. According to expert Brit Daley, It came down to what you
had and how long you could make it last. It reverted back to colonial times when you had one or
two outfits alone, and patched them to make them last longer. Sandals were invented in this

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period for outdoor wear, but they began appearing in more decorated states as a substitute for
typical evening shoes (Vintage Clothing & Vintage Dresses, 2). This brief spike in femininity
came to a rapid close when WWII emerged, destined to rock the American ideal of fashion.
Soft femininity had no place in the war ravaged souls of 40s women. During World War
II, restrictions on raw and imported materials made it difficult to be fashionable. Designs reached
a general simplicity and practicality. Home spun and rougher fabrics became more widespread,
making class gaps between low and high income individuals less evident (Mason, 1). American
women were not vivacious in what they wore. In 1941, America officially joined World War II
and fashion was not a high priority. President Franklin Roosevelt put the War Productions Board
(WPB) in place, inciting strict rations on many materials that could be used in the war effort.
This included most fabrics. Clothing produced had to abide by strict regulations regarding how
many pockets a garment could have, if they could be pleated or ruffled, number of buttons,
sleeve circumference, hemlines, etcetera. Due to conservation, styles reverted to basic designs.
Skirts inched up the leg, cut by government mandate. Wedge shoes with soles made of cork
became immensely popular among fashionable women. (Mason, 19-20). There was little room
for supercilious attitudes in a country at war. Rationing affected everyone, making many popular
fabrics from the last decade unusable. Nylon and silk were no longer readily available. Most
clothing dyes also went towards the war effort, leaving red as one of the only colors that was in
abundance (Vintage Clothing & Vintage Dresses, 3). Feminism exploded in mainstream
America during this time. Women were once again taking over the work force. Rosie the Riveter,
a popular 1940s icon promoting feminism, took the stage, encouraging women to do what
needed to be done. Wide leg pants and trousers were a common clothing choice. They became a
more acceptable part of a womans wardrobe instead of only being acceptable in work

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environments. Blue jean clad women graced every American region for the first time. With the
strains of the war effort bearing down on them, women began adopting mens clothing and
adding feminine touches, as shown in Appendix E. Slim fitted jackets were in vogue among
women, as well as pieces of clothing salvaged from their husbands closets. A belt at the waist
cinched in the fabric enough to create a softer look. Sweaters still held allure, often thrown over
simple blouses. These inexpensive methods shaped a whole new era of fashion throughout the
North American world (Vintage Clothing & Vintage Dresses, 3). Dresses could no longer have
the delicate pleating and blossoming sleeves they had in the 1930s. They transformed into
simple, straight cut dresses that fell to the knee or flared dresses made for dancing. Printed
designs were a popular additive to dress fabrics since the design would reduce the need for
accessories. Shoes also had to be made out of new materials. Mesh and snakeskin were used in
the production of many peep toes, wedges, and platform shoes. These materials were also used to
make matching accessories such as purses (Vintage Clothing & Vintage Dresses, 3). As the
40s came to a close, new styles capturing extreme femininity began to reappear on the scene.
American was no longer a country at war, but the economic boom that followed intense
wartime production echoed throughout the following decade. The 50s were a time of leisure and
home making. Women were no longer at the forefront of the workforce, so many young women
focused on domestic duties. The suburban housewife was born. Femininity made a comeback as
square, masculine styles died away. As America was able to follow Parisian fashions more
religiously, clothing became rounded and soft. Materials that were affordable and easy to keep
up such as nylon, polyester, and acrylic were used in abundance (Vintage Clothing & Vintage
Dresses, 4). The typical 50s family lived by a particular creed. This could be summed up in
three words: code, conformity, and consumerism. This decade epitomized prosperity. The

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economy was more than functional, giving people the chance to expand their idea of what
heights they could reach in life. Suburban neighborhoods were popping up all over the country,
and many Americans were moving up in their careers. This led to a very clean, wholesome style
(1950 to 1960, 1). Young, unmarried women held a different standard for fashion. This was
one of the first decades where the youth developed a fashion sense that was very separate from
the standard dress for their parents. The 50s bred a new kind of youth culture that held a casual
style in place. Trends came and died out fast, the poodle skirt among them. A popular novelist
named Jack Kerouac coined the beatnik genre of fashion. This was characterized by dark colors
and accessories, meant to set the wearer apart from the typical mainstream aspects of society.
The baby boom of the 50s rippled into fashion by making maternity wear more stylish and
readily available, following the lead of stars who let their pregnancies be publicized (Vintage
Clothing & Vintage Dresses, 4). Bottoms could be interchanged between pants and skirts.
Women began wearing classic clothing pieces such as the pencil skirt. Longer skirts held the
voluminous cut of the dresses from this time period. Peplum waistlines are the most iconic
1950s silhouette. Dresses, tops, and jackets were often cinched around the middle to suggest a
narrow waist (Vintage Clothing & Vintage Dresses, 4). Dresses in the 50s were feminine in
every sense of the word. The New look, a style brought in by Christian Dior, was a harbinger
for the rest of the decade. The dress silhouette of the 50s is described as rounded, with
ballerina length hems and cinched waists for a delicate, feminine hourglass look (Vintage
Clothing & Vintage Dresses, 4). The sheath dress, which clung to the natural curves on a
womans body, also adhered to the silhouette sought after. Both the womanly hourglass
silhouette as well as the more waif-like gamine silhouette seen in Appendix F were popular
appropriations of a womans figure. Girdles were an essential garment used to accentuate the

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thinness of a womans waist. Appearances were very important to the average suburban wife,
and a miniscule waist was something that they strived for (1950 to 1960, 1). Dresses began to
have halter style tops for both eveningwear and in casual settings. Sundresses with this design
came into vogue, often printed with polka dots or a floral pattern. Semi-formal dresses started
appearing for social occasions such as business dinners. Women were expected to be social
creatures. The economic boom of the 50s made fashion an integral part of moving up the social
ladder. The way they presented themselves at various social functions could determine how well
their husband did. Cocktail dresses and other such semi-formal necessities found a place in every
middle class womans wardrobe (1950 to 1960, 1). This made subtle accessorizing a vital part
of polishing an outfit. Handbags and purses were often coordinated with shoes, hats, and jewelry
to complete the look. Cat-eye eyeglasses were considered fashionable, as well as small, delicate
hats such as berets. Slender heels and vibrant lipstick are iconic symbols of the 50s (Vintage
Clothing & Vintage Dresses, 4). Stiletto heels were the standard footwear for middle class
women. They were flattering to a womans figure, and relayed a subtext of femininity that was
desirable (1950 to 1960, 1). The fading decade held onto the soft colors and fabrics that were
about to be torn apart by a gargantuan social movement that forever altered womens fashion.
The 60s and 70s were saturated with the liberation of women from the restrictive
expectations young women had grown up with. Contraceptives became widely available, giving
women the option to choose when they became mothers. A new era of free love began. Sex was
no longer hidden behind locked doors. In fact, women willing to bare it all were featured on the
big screen. Second-wave feminism and masses of students protesting the injustices of the time
were a breeding ground for new ideas. The polished, high-heeled ladies of the previous decades
were replaced with a new, independent breeds of young women who were not afraid to express

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themselves, sexually and otherwise. New revealing fashion trends took the world by storm. The
youth-quake was in full swing (Coen, 1). As sex became less taboo, women freely showed off
exposed legs and midriffs. This drastic change from previous decades began the transition into
modern day styles. An innovative British designer, Mary Quant, patented the miniskirt, which
oozed empowerment and independence, liberating women and their legs (Coen, 1). Hemlines
discarded the idea of modesty, and as decade progressed they flirted with obscenity. Miniskirts
raged in popularity, and suggestive, knee-high go-go boots made of vinyl became a staple of
the time. Underwear became a fashionable accessory with the growing popularity of see through
and crochet miniskirts. These strange new women struck a provocative chord with both America
and the rest of the western world (Coen, 1). Fashion icons began appearing, setting the scene for
the newest trends populating America. Audrey Hepburn captured the hearts and fashion tastes of
many fans. After Hepburn appeared clad in drainpipe pants, they began to gain popularity. Many
types of pants and shorts were acceptable, making outfits versatile (Vintage Clothing & Vintage
Dresses, 5). The counter culture of the 60s also paved the way for womens transition to lowrise jeans. Bell-bottomed, hip-hugging jeans and paisley tops or collared jackets were the calling
cards of hippies. Many women embraced this fashion as well, and the bohemian-esque style
became a popular alternative dress (Coen, 1). Teenagers swarmed the 60s. The baby boom of
the 1950s led to a crowd of youth who took style and molded it into many different short-lived
trends. Modernists of the era began to create their own genre of fashion within the 60s, adapting
trends from previous years into unique outfits. Modernists took a sizable slice of mainstream
fashion, reject the perfect suburbia and popularizing statement sleeves, contributing to a
sweet and feminine doll-like appearance (Vintage Clothing & Vintage Dresses, 5). A
feminine silhouette was no longer an essential part of dresses. Simple, short and comfortable

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shift (or frock) dresses were also brought into the limelight by Modernists. These could be
patterned, sequined, or plain. Plaid and paisley were popular patterns for fabric. A-line dresses
introduced by Christian Dior. (Vintage Clothing & Vintage Dresses, 5). Appendix H shows a
popular English musician and actress of the time, Twiggy, modeling one of these dresses. The
British invasion percolated through the porous veins of America. Musical sensations, such as
The Beatles, surged through the youth mainstream. Hippies brought with them many British
trends of the time. Modernists and similar sub-genres of fashion used these bands as a model for
their edgy, non-conformist style (McGuigan, 1). Outside of the counterculture of the youth
quake, many classic and timeless trends came into style. First Lady Jackie Kennedy proved
herself to be a woman of impeccable taste with her cropped jackets with boxy silhouettes. Her
pillbox hats, shown in Appendix G, were one of the only accessories popular in an era with as
many bright colors as the 60s. A bombshell look included stiletto heels and a miniskirt, a classic
style inspired by the sexual revolution (Vintage Clothing & Vintage Dresses, 5). Feminism has
had a sizable impact on what women wear. As of today, women are almost completely liberated
when it comes to the amount of skin they show. The sexual revolution was a catalyst for the
female empowerment that accompanied women dictating their own sex appeal.These trends are
reflected in the fashion world as many popular stylistic choices for women become more and
more seductive in nature (Douglas, 1-12). This trail of sexualization continued straight into the
70s, where fashion experienced a distinct limbo.
The 1970s were characterized by fashion development. Social acceptability was widely
interpreted with the sexual revolution sweeping through many first world countries. For the first
time, American fashion designers started to take the stage away from their European colleagues.
Calvin Klein and Ralph Lauren were two such designers, creating stylish sportswear for women

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(McGuigan, 1). Women wore pants more often than skirts in this innovative decade. Suits were
in vogue because it was finally socially acceptable for women to wear garments usually reserved
for men (Phipps, 1). The late 1960s gave form to a new and stylish type of formal wear; the
pantsuit. This androgynous business wear came into popular fashion in the 70s, when women
wanted to wear something professional and empowering to the office (McGuigan, 1). The early
70s were dusted with the flamboyant bright colors carried over from the previous decade.
Flowing pants with wide bottoms became more common as the decade progressed, as seen in
Appendix I. The ends of these bell-bottoms got wider, reaching up to 32 in circumference.
Women wore their hair long and natural, and accessories werent vital to many trends. Other
than the classic pieces of delicate jewelry that persevered through every decade, women did not
decorate their outfits to the extremes of the past (Phipps, 1). Musical influences began inspiring
outfits for many youths. These individuals rejected mainstream acceptability, joining with their
music to concern many members of the older generation. The 70s had a certain music-linked
street style called punk, created by layering ripped t-shirts adorned with upside-down crosses,
that truly shocked the mainstream (McGuigan, 1). This strain of fashion evolved on its own,
leading to some alternative and punk styles celebrated today. This radical flamboyance did not
end with the death of the 70s. The upcoming decade heralded a strange conglomeration of
trends that burned a distinctive mark into the annals of fashions history.
The 1980s brought a wide range of choice to Western women. There were many
distinctive and unique fashion choices available to the average woman. It suddenly became a
diverse way for women to express their individuality instead of following the mainstream trends.
Popular culture began to have a significant effect on what was in vogue. Hit television shows set
a campy filter over what should become fashionable. The hit shows Dallas and Dynasty set an

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exaggerated precedent for fashionable clothing. Wide, decorated shoulders clad in batwing
sleeves and large, gaudy costume jewelry carried over from the screen into real life, as seen in
Appendix J. Large hoop earrings and necklaces set with large and colorful stones adorned many
a womans outfit. Shoulder pads were inserted into many jackets, blouses and sweaters. Jackets
and other articles of clothing that encourage shoulder definition were often layered with
glittering broaches and stones (Thomas, 1). The 1980s were also flush with power dressing
women. These women wore wide shouldered jackets with tailored suits to lend a sense of
tangible empowerment to their visages. Dressing to appear professional and in control led to the
idea that women really could rise to any position that they wanted. Power dressing became iconic
for women who considered themselves independent. These strong women were not afraid to
appear flashy. Decorations became integral to many articles of clothing. Blouses were set off
with soft, silky fabrics, gathered and cut in new and innovative ways (Thomas, 1). Dresses were
still a popular choice for women. The shift dress, which had fallen out of popularity, rose again
with a new palette. Lovely, eye-shocking colors patterned the world of the 80s. Silky reds,
blues, and greens popped out from every street. It was necessary to the fashionability of an outfit
to have matching shoes and purses. Interesting metallic hues, such as bronze, gold, silver, and
copper began to dominate many popular shoe choices. These were paired with Italian-style
braided bags. Shoes and purses could be found in almost any shade imaginable in order to
coordinate the perfect look (Thomas, 1). The confused, ostentatious attributes of 80s fashion
became a bit more focused in the following decade, leading to some memorable trends.
While shoulder pads governed the 80s, the grunge look was one of the most popular and
iconic looks of the early 90s. Popular punk and grunge musical influence of the time had a
tremendous affect on youth fashion. Dark reds and greens were often paired with long hair and

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cargo pants or jeans to complete the grunge style. Shirts were oversized and baggy, often
eclipsing the person wearing them, as shown in Appendix K. Ripped, dirty jeans and chunky
boots contributed to the notion that trying to be fashionable was uncool. Grunge clothing
dominated any area that young people frequented (Lad, 1). Grunge edged around the
mainstream, but there was a particular type of fashion for those who found the subgenre
unappealing. Brightly colored sneakers and other such accessories characterized the 90s. Clunky
Doc Martens adorned many a foot. Trends came and died fast, leading to a swirl of alternating
trends. The cycle of resurfacing styles of the past entering mainstream fashion became more
evident in this era. Vintage and retro style became popular alternatives to attempts at innovative
fashion. Many women wore overalls or garments with funky, abstract patterns incorporated into
the print (Lad, 1). Women of this era utilized stylish capri and strapped cargo pants. Tight tshirts or short tight jackets complimented these articles nicely. Jean miniskirts paired with chic
leather jackets came into vogue. Brightly colored tights were often incorporated into this
ensemble. Different musical influence created a variety of subgenres in fashion. While grunge
was the most popular style emulated, punk and goth styles also rose in notoriety among Western
youth. Subgenres of fashion thrived in the teeming pit of popular culture present in the 90s.
Goth fashion took a portion of American youth by storm, utilizing dark and macabre colors and
images. Dramatic finishing touches enhanced the sense of dark mystery these individuals strived
for (Lad, 1). People tied their reverence of music to the clothing that they wore, creating a raw
and emotional take on fashion.
Fashion is supposed to be steeped in an individuals essence. Popular culture has been a
vessel through which trends travel since broadcasting became easy and accessible. These
mediums have different underlying agendas and are influential enough to affect what many

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young women believe is fashionable. The model-perfect physique and uniform facial
symmetry are characteristics of the ideal archetype of todays women. Striving for this look
requires avidly following rapidly changing trends, thrown together from a mashup of recycled
styles regurgitated back out into popularity (Douglas, 27-41). This cycle can be tiresome to
many. Brit Daley, an expert in the field of history, believes that after a while, gender fluidity
will play a large part in new trends and truly androgynous styles could have a large role in our
future society. There is merit to this opinion, considering that fashion has flirted with androgyny
on several occasions in the past. The evolution of fashion from the muted tones of the early
twentieth century to the radical reformations of the 60s to the musically inclined trends of the
latter part of the century is directly linked to the changing social roles of women and family. This
evolution is unlikely to ever find a stopping point. As a result, neither will fashion.

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Appendix A

"1910 Paris Summer Fashions Amusing Review. | Glamourdaze."Glamourdaze. N.p., n.d.

Web. 21 Oct. 2014.

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Appendix B

"Women's Clothing." - 1920s. N.p., n.d. Web. 21 Oct. 2014.

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Appendix C

"Marie Trepanier (a Prettier Place): 1920's Fashion Inspiration." Marie Trepanier (a Prettier
Place):1920's Fashion Inspiration. N.p., n.d. Web. 21 Oct. 2014.

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Appendix D

Phipps, Paul. "1930s Fashion For Women & Girls." RetroWaste. N.p., n.d. Web. 21 Oct. 2014.

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Appendix E

Sessions, Debbie. "1940's Fashion: What Did Women Wear in the 1940's? - Answered." Vintage
Dancer. N.p., Jan. 2011. Web. 21 Oct. 2014.

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Appendix F

"1950s Fashion The Feminine Figure and Silhouette | Glamourdaze."Glamourdaze.

N.p., 10 July 2013. Web. 21 Oct. 2014.

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Appendix G

"Jackie Kennedy: Vintage Fashion Icon." Rag and Magpie. N.p., 4 Apr. 2011. Web. 21
Oct. 2014.

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Appendix H

"ApotheKerri Beauty and Curiosities: Monday Moments in Makeup History - The 1960's."
ApotheKerri Beauty and Curiosities: Monday Moments in Makeup History - The 1960's.
N.p., n.d. Web. 21 Oct. 2014.

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Appendix I

"Mikkipedia." Mikkipedia. N.p., 31 Aug. 2012. Web. 21 Oct. 2014.

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Appendix J

King, Noah. "1980s Fashion." 1980s Shoulder Pads: The Epitome of Power Dressing -. N.p., n.d.
Web. 22 Oct. 2014.

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Appendix K

"90s Grunge Fashion." 90's Grunge Fashion of the Early 1990s. N.p., n.d. Web. 31 Oct. 2014.

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"1950 to 1960." Vintage Fashion Guild : Fashion Timeline : 1950 To 1960. Vintage Fashion
Guild, n.d. Web. 19 Sept. 2014

"Fashion Drawing and Illustration in the 20th Century." Victoria and Albert Museum, Digital
Media Webmaster@vam.ac.uk. Victoria and Albert Museum, n.d. Web. 24 Sept. 2014.

"Vintage Clothing & Vintage Dresses | Ruche." Vintage Clothing & Vintage Dresses | Ruche.
Ruche, n.d. Web. 07 Oct. 2014.

"Women's Clothing-1920's." University of Vermont. University of Vermont, n.d. Web. 29 Sept.

2014.

Coen, Susie. "What Has Sexual Liberation Done for Fashion?" The Mancunion.
Mancunion, 13 Feb. 2013. Web. 10 Sept. 2014.

Lad, Kashmira. "1990s Fashion Trends." Buzzle. Buzzle.com, 19 Dec. 2011. Web. 22 Oct. 2014.

Mason, Meghann. "The Impact of World War II on Women's Fashion in the United States and
Britain." Thesis. University of Nevada, 2011. University of Nevada, Dec. 2011. Web. 15
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