Thesis:

In the recent adaptations of Doyle's work, the convention of game playing has extended from an
author reader interaction to a true game played between the opposing characters.

Revised Paragraph:
Modern detective works often use a rival relationship to push forward the development of the
plot. This pattern can also be seen in the recent film A Game of Shadows which was directed by Guy
Ritchie. The film is set in the 19th century England, beginning with Sherlock Holmes
investigating in a series of small cases. These cases lead his attention to a mysterious man,
Professor Moriarty, who is believed to be the manipulator behind the scene. In the film when
Sherlock first met the Professor in his laboratory, many cinematic techniques were used to build up
the battle between them. For example, there was a snapshot of Holmes standing face to face with
Moriarty on the two sides of the screen. This image follows the rule of third where the screen is
organized into three sections: left, middle, and right. The bookshelves in the back and the displays in
the room along with the characters balanced the view and created a strong hostile atmosphere
between the two men. In the next few minutes of their conversation, many close-ups were used to
depict the intensity of this quiet fight. The viewer can clearly see Holmes agony and anger when
Moriarty showed him Irene Adlers handkerchief with blood on it. On the other side, the close-up
shots showed the hideous face of Professor Moriarty distorted by his confidence to destroy Holmes.
These details help the audience understand Holmes irritation and intolerance toward Moriarty. At
the end of this scene, an extreme close-up shot focused a piece of chess on the chess board in front of
the two men. This further symbolizes a playful yet rival convention of the film: It is a game between
two intelligent men.