Benchmarks/English Language Arts Core Standards: CCSS.ELA-Literacy.RL.2.1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. CCSS.ELA-Literacy.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-Literacy.RI.2.6 Identify the main purpose of a text, including what the author wants to answer, explain, or describe.
Objectives: -Students will be able to explore how a professional author tells more. -Students will be able to make up a character and write a story and then reread their writing and tell more about that same character. -Students will be able to share their partners thinking with the class. -Students will be able to explore and use commas in a series. -Students will be able to work independently during silent writing time.
Anticipatory Set: Read Sheila Rae, the Brave, by Kevin Henkes aloud to the class.
Direct Instruction: 1. Gather the class on carpet and have children sit down and face teacher. Before reading Sheila Rae, the Brave, explain to the class that the author who wrote this story does an excellent job of telling more about a particular character in his book. Remind the class about the book we read earlier in the week, Lets Get a Pup! Said Kate and review how the author of that book, (Bob Graham) also did a good job of telling more about the characters (people or animals in the story) to help us imagine them more. Remind them of the part in the story when Kate, Mom and Dad meet Dave and Rosy at the rescue center. Ask the students the following question:
-What more did the author tell to help us imagine what Dave and Rosy, and the rest of the dogs at the rescue center were like?
2. Show the students the cover of the book and read the title and the name of the author.
3. Tell the students that as you read, you will stop to have partners talk about the story, (assign partners nowto avoid interruptions or confusion during the story).
4. Read the story slowly and clearly to the class and show them each of the illustrations. Clarify difficult vocabulary as you read it in the text, (by defining and/or describing it) Examples: -stray: lost or without a home (page 16) -bared: showed (page 16) -it suddenly occurred to Sheila Rae: Sheila Rae suddenly realized (page 19) -convince herself: tell herself it was true (page 21)
5. TPS (Think, Pair, Share) - Stop on page 9, after you read patting herself on the back and ask the class the following question:
-What is this story about so far? Tell them to turn to their partners and discuss.
After most pairs have finished talking, signal for the students attention and have a few volunteers share their partners thinking (rather than their own) with the whole class. (*Pick sticks to call on random students). Point out that Kevin Henkes is telling about different ways that Sheila Rae is brave. Ask the students to listen for more ways that Sheila Rae is brave as you continue reading.
6. Reread the last sentence and then continue reading. TPS- Stop on page 17, after you read Snap, snap, snap and ask the class the following question:
-What are some other ways that Sheila Rae is brave? Tell them to turn to their partners and discuss.
After most pairs have finished talking, signal for the students attention and have a few volunteers share their partners thinking (rather than their own) with the whole class. (*Pick sticks to call on random students). Continue reading to the end of the story.
7. When you are finished reading the story, point out that the author not only tells us that the character Sheila Rae is brave, but also that she is funny. Ask the class the following question:
-What is funny about Sheila Rae? Tell them to turn to their partners and discuss.
After a few moments, signal for the students attention and have a few volunteers report what their partner said to the class. (*Pick sticks to call on random students).
8. Point out that Kevin Henkes tells many funny things as well as brave things about Sheila Rae to help readers get to know Sheila Rae and enjoy the story. To wrap up the lesson ask the students the following question:
-If you were to make up a funny character like Sheila Rae, what might you have the character do?
Call on a few volunteers to share what they think. (*Pick sticks to call on random students).
**Check for understanding: Ask students to raise their hands if they think they are ready to return to their desks and write their own story about a made-up character. --If some students dont raise their hand, or seem hesitant/confused, ask the class for examples of different kinds of characters they could write about. Also, offer suggestions for different fictional characters they could write about in their stories. **
9. Explain to the students that when they return to their seats they are to get out their writing notebooks and write a fiction story about their own made-up character. Tell them they will have 10-15 minutes to work silently and independently on their stories.
10. After 10-15 minutes of independent writing, signal for the students attention and ask them to take a couple minutes to quietly reread their stories. Then ask them the following reflective question:
-What more can you tell about the character in your story?
Give them a minute to think it over and then call on volunteers to share their thinking. (*Pick sticks to call on random students). After the class discussion, have students resume their silent writing for another 10 minutes. Explain to the students that they should use this time to write and tell more about their character.
11. During silent writing, walk around and confer or help individual students who you think may need extra guidance or further instruction at this time. When students are finished, tell them that they will need to bring their story over to you and read it to you quietly.
Lesson Extension: -For those children that normally finish their writing assignments at a rapid pace, have the following reading comprehension/writing lesson extension ready for them to start when they have finished the assignment above: -Tell the students to make a text-to-self connection with the story (Sheila Rae, the Brave), and have them write about it in their writing notebook. Give them the suggestion of writing about a time that they were scared and they had to be brave, just like Sheila Rae.
-Another extension that could be done at the end of this lesson is peer-editing or conferring in pairs. The teacher could divide the class into partners and have each student read what they wrote about their characters to each other. After all the students have had a chance to share with their partners, ask the class the following question: What more do you want to know about a character in your partners story? Have the students discuss and offer suggestions to each other about what they could add to their stories to make them more detailed and descriptive. Then give the class more time for individual silent writing to edit and add to their stories.
Checking Understanding: -While reading Sheila Rae, the Brave to the class, make a mental note of the students who are paying close attention as well as the students who participate during Think, Pair, Share opportunities and those who volunteer when I ask for students to share their partners (or their own) thinking. Check for individual understanding before sending students back to their desk to start their own stories. (see above in direct instructionstep 8).
-While students are working on independent writing, scan the class to see if the students are working quietly, independently, and staying in their seats.
*Record observations of formative assessments made during lesson in your own writing assessment book.*
Guided Practice: -Assess whether the class is ready to move on to their own independent writing activity after formatively assessing the class discussion (during TPS and after the story is over) and after you have given instructions on what they are supposed to do, (raise hands if ready). Give students a chance to ask questions and clarify instructions, to ensure that they are confident with the assignment that has been given. -If and when students appear ready for Independent Practice, allow students at least 20 full minutes of time for independent writing to practice the strategy that they have just learned.
Closure: -When students are finished with their independent writing activity, they will bring their work over to the teacher's desk and read their story to them quietly. This gives the teacher a chance to assess what they have learned throughout the activity, as well as also giving the teacher the opportunity to learn more about their students and bond with them individually. -Teacher can also use that opportunity to assess each individual student's ability to write in complete sentences, spell words correctly and assess if they are able to tell more about a character that they are writing about.
Independent Practice: -Independent Writing activity will allow the students to practice modeling telling more about a character in their own stories. Explain to the class that this is independent writing and that means that they should be working silently, (no talking, whispering, or walking around--except for emergencies). Remind them that independent writing means working all by themselves. Also remind them that because this is just practice, it is okay if they don't spell all the words correctly and that they should use their best guess when sounding out the words they don't know.
Materials Needed: -Sheila Rae, the Brave book, by Kevin Henkes -Individual student writing notebooks -sharpened pencils for students