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7 Zaha Hadid. /deaI House, 2007
8 I(arim Rashid, Koncard, 2009

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the Milano Triennale, 1951. Diploe d' Honneur

and gold medal, 1954. Silver medal, 1957.

Eckersberg Medal, 1956. Copenhagen Cabinetmakers' Guild annual , 1959. Honor

ary Royal Designer Induslry, Royal Society

Arts, London, 1959. Citation MerIt, Pratl
Institule, New York, 1959. American InstItute
Decorators ( furniture design), 1961.
International Design Award, 1961_ Prince Eu-

gene Medal, 1961. Copenhagen Cabinelmakers' Guild, annual and anniversary grant,
1965. International Design Award, American

Inslilule

Inlerior Designers, 1968. Diploma

di Collaborazione Triennale de Milano, 1973.

Danish Furniture , 1980. C. F. Hansen

Medal, 1982. Danish Design Council annual

prIze, 1987.

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Keeler "

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Richard Hami!ron, [ 1]3

1 Adorno, Theodor Wiesengrund. la Mora/ia. { Jaa a . , ,

2000, . 107, . , , , : . . :

Adorno, Theodor Wiesengrund. Reflexionen atIs detn Beschiidigten LebeIJ. Frankfurt am Main, Suhrkamp Verlag,
1951.
2 "" (design)
, ()
: Forry. Adrian. Objecrs ( Desre. Design and Scet sil1ce 1750. London, Thames

and Hudson. 2005 (1986), Vitta. Maurizio. 11 Progetto delJa . J! Design ( Arte eecnca, 1851-2001. Milano,
Einaudi, 2001. De FU5CO, Renato. Str deI Design. Bari, Larerza, 2002 (1985) Pevsner, Nikolaus. Pioneers (
Modern Design. From W1IIiarl1 Morris WaIter GrofJius. Singapore. Penguin, 1991 (. : Pevsne, NikoIaus.
Pioneers o(the Modern . 1936)
3 Richard Hami1ton: " , ;"
("JUS[ whar is rhar makes roday's home 50 different. so appeaIing?") 1956, collage
gouache. 25.7 24.5 ., Kunsthalle Tibingen, Sammlung ZundeI. . : Harper, Dana . Embracing
the Masses: Popu!ar ( the ColIages orEdLIardo / and Richard HamiIton. Nashville, , Vandebilt University, 1999, Johnson, Carrie L. Mediating tJJe WorJ< orRichard HamiIton. Riverside. Universiry of Ca1ifornia.
1999. Leach, Dawn. Richard , The Beginnings o(hisArt. Frankfurr, Peter Lang. 1993. OsterwoId. Tilman.
. New York, Taschen, 1999 Livingstone. Marco. : Continuing History, London, Ti1aJHes and
Hudson, 2000.

NEWHOOVER

750Jutef!dttZ~rb
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cleans twice Ihe of any other cleaner

1950.
,
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,
"Constellation"
Armstrong Floors [ 2] (
-

 l.

Design

) Hoover, "Ladies' Home )ournal"

1955 [ 3],
Armour Star Ham "<" (
20/4/1954),
"Life" ( 5/9/1955: ''100
Mile High Portrait of Earth"),

Stromberg-Carlson "Life" ( 10/1/1955).

Stonard, , ""
body builder , Irwin "Zabo" Koszewsl<i, Bruce
Bellas
"Tomorrow's Man" (
1954).

",:
.

/

,


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comics
Young Romance.7

1947
Eduardo Paolozzi ''1 was a

rich man's pIaything"

("

") [ 4J ,8


Roy Lichtenstein
.
4 .: Jameson, Fredric. Movo . ,
, 1999, : , 00.40-64,56.129130,197-198.210-211,214-215 {
1984 New Left Review.} Jameson, Fredric. The CulturaI nrn. Selected Writings
the Postemodernism, J98]-1998. London - New York, Verso, 1998, : . 7-10: "The Nosralgia Mode"
93135: "Trans[ormations [ the lmage Postmodernity", Janleson, Fredric: "Notes Globa1ization as a
PhilosopIlicallssue" : Jameson, Fredric & Miyoshi, Masao (ed.). The Cultures o(CJobaJization. Durham and
London, Duke University [Jress, 2001, . 54-77.
5 .: Tlle Burlingron Magazine, September 2007, . . 607-620: " the Age Boom: Richard
Hamilron's ]ust what is it that makes today's homes so di(ferent, so appealing?".
Hamilron John McHale.
6 "Richard Hamilton conversarion wirll Michael Craig-MJrtin'" : . Searle: all, Art , London.
1993.00.67-83, : .73.
"' .: l; /, . .
7 Young Romance 26 (1949) Young 15 (1950), 0.23. (
Harry Mendryk; () Joe Simon and JacJ< Kirby). .: The BurIington Magazine, September 2007, lx, .
617.
8 CoIIage, 359 2)8 mm, Tate Modern, London. PaoIozzi Bunk!
1952, Inc]ependent Croup
.

55

 . Hamilton
(Romance)
: ""
( ),

.9
, ()
,
"" ''''. ,
1912, 1922, "" james joyce,
,
Hamilton
, , m .

20'
,

. Hamilton
Marcel Duchamp
.

, ""
(fun house), ju1<e
boxes, "" ,
,
, .
,
"" ,
/ ""
"", ,
" -" "
" .10

8 1956 Whitechapel
, "This Is Tomorrow"n (" ")
.
(tnstitute of Contemporary il.C.A.

Theo Crosby, Architectural Design.

,
C.I.A.M. , ,

JJ,

1953-1954.12
.
.13 " "
, ,

200 , , Bauhaus.
"Design as a
Human Activity" (" Design ")
Lawrence Alloway,
, "mass popu1ar art" (
). homo ludens,
, Huizinga,14 ''
" (gesamtnstwer<) ""
(channels) .

Richard Hamilton, john
Voelcker - john McHale. -

 Il, .

Design

an, readymades
Mari!yn Monroe Van Cogh,
, "Forbidden
Planer" (Fred Wi!cox, 1956) jukebox, ,
Cuinness Marlon Brando.
,
, Hami!ron
. ,
,
" " .

. ,
Hami!ron : (...) v
v v v v , oov va v
v va v ,15
: vv vv vr
. vv v , .16

" ''!?

. Hami!ron


.
( ;)
per se,
design, ,

""
.

9 ( ) Pierre Bourdieu " ":

Bourdieu, Pierre. Kr. r lc orc. , , 2002, :
, : (Bourdieu, Piene. La Distinetion. Critique SociaIe du jIJgement.
Paris, Les dtins de Minuit, 1979).
10 Debord, Cuy. The Societyofthe Specacle. london - New York, Zone Books, 1995, . 40 . 132, :
Donald Nicholson-Smith
11 Crosby, Theo (ed.). This smrrv. , , Parrners, 1956
12 I.C .. 1947, Dover Street 17-18 "
" erbe Read Roland Penrose.
,
.

Independent Group (I.G.),

Hami1ton,

I.C.A.
. art. . ,
: Robbins, David, (ed). The Jndependent Group: Posrwar Brirain and the Aesthetics , Press, 1990.
13 37 , Richard Hami1ton, 0\

Adrian Heath, Nigel Henderson, Anthony , John McHale, Mary Marrin, Kenneth Martin, Eduardo
PaoIozzi, Victor Pasmore William Turnbull, Erno Goldfinger. James Stirling, AIison
Peter Smithson Colin St. john Wilson, KPItIKoiTheo Crosby, Germano
Facerri, Edward Wright, Lawrence Alloway del Renzio.
14 Huizinga, Johan. :\; . , , 1989, : &.
(. : Huizinga, Johan. Homo LtIdens, 1938)
15 Crosby, Theo (ed.). This is Tomorrow... . ., . 29: (...) Any change man's environment is indicative change

man's l

his actua! mode o(perceiving and symlJolizing his interaction wirh .

mrr-ll ... . ., . 42: OlJjecs and vever merge Q oneness ( experience. Tl1e objecr
is co, rhe viewer changes.
17 Goff, Jacques. Historyand Memory. New York, Colunlbia University Press, 1992, . 130, (Le Coff, Jacques.
Histoire e Men1Oire, Callimard, 1988, : Steven Rendall & Elizabeth Claman) ,

16 Crosby, Theo (ed.). This

(1a Iongue duree) . (

) , Annales, .
..

Blocl1, Marc. The Historiarl's Cra(t. Glasgow, Mancllester University Press, 1992 (1954).

57

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