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Culture Documents
By Tim W. Brown
The Witness Tree uses a narrative device that probably shouldn’t work but does.
The novel chronicles the lives of Lewis Marshall and his twin brother Jeffrey. Lewis is the
sensitive artist type and Jeffrey is the logical worldly type. The narrator becomes attuned to
Lewis’ sensitivity and quickly elevates him to the focal point of the book.
Lewis experiences a meteoric rise from talented teen to famous artist. Between painting
pictures, he marries, fathers a child, divorces, and spends time in mental institutions. Jeffrey
watches helplessly as the quirkiness Lewis exhibits early in life evolves into full-blown madness.
The only character with insight into Lewis’ predicament is the narrator, who recognizes that his
intuitive powers and close connection to nature make him unable to cope with mundane human
existence.
Did I mention the narrator is a tree? Growing near Lewis’ lifelong home, the tree is able to
tap into his consciousness through “common thought,” a sort of higher intelligence that permeates
In less capable hands, this story line would come off as hopelessly silly. But Persun
manages to suspend disbelief as he weaves an imaginative tale exploring the complex relationship