Professional Documents
Culture Documents
MODERN
CONSTRUCTION
HANDBOOK
ANDREWWATIS
SECOND EDITION
3
INTRODUCTI ON 4 MATERIALS 6 WALLS 82 ROOFS 200
Introduction to Second Edition 4 Taxonomy of material systems 8 Trends in facade design 84 Trends in roof design 202
Changes fromthe First Edition 4 Structure and envelope 10 Genericwall types 90
Structure of this book 5 Digital tectonics 12 Metal roofs
Parametric design 16 Metal ( I) Metal standing seam 206
( I) Sheet metal 92 (2) Profil ed metal sheet 210
Tectonics in metal 20 (2) Profi led cladding 96 (3) Composite panels 214
Steel 22 (3) Composite panels 100 (4) Rainscreens 218
Aluminium 26 (4) Rainscreens 104 (5) Metal louvres 222
Copper, zinc and lead 30 (5) Mesh screens 108
(6) Louvre screens 11 2 Glass roofs
Tectonics inglass 32 ( I) Greenhouse glazing
Glass 34 Glass systems 11 6 and capped systems 226
( I) Stick systems 120 (2) Silicone-sealed glazing
Tectonics in concrete 38 (2) Unitised glazing 124 and roofiights 230
Concrete 40 (3) Clamped glazing 128 (3) Bolt fi xed glazing 234
(4) Bolt fi xed glazing 132 (4) Bonded glass roofi ights 238
Tectonics in masonry 46 (5) Glass blocks and channels 136
Masonry 48 (6) Steel windows 140 Concrete
Concrete block 50 (7) Aluminium windows 144 ( I) Concealed membranes 242
Stone 52 (8)Timber windows 148 (2) Exposed membranes 246
Brick 54 (3) Planted roof 250
Concrete
Tectonics in plastics 56 ( I) Cast in situ 152 Timber roofs
Pl astics and composites 58 (2) Storey height precast 156 ( I) Fl at roof: mastic asphalt
(3) Small precast panels 160 coverings 254
Tectonics in timber 62 (2) Fl at roof: bitumen-based
Timber 64 Masonry loadbearing walls 164 sheet membranes 258
Fabrics and membranes 68 (3) Pitched roof: tiles 262
Masonry cavity walls
Internal wall s ( I) Brick 168 Plastic roofs
( I) Fixed and demountable ri (2) Stone and block In ( I) GRP roofi ights 266
(2) Plaster systems 74 Masonry cladding 176 (2) GRP panels and shells 270
(3) Wallboard systems 76 Masonry rainscreens 180
Fabric systems
Floors 78 Plastic ( I) ETFE cushions 274
Ceilings 80 ( I) Plastic-based cladding 184 (2) Single membrane:
(2) Plastic rai nscreens 188 cone-shaped roof 278
(3) Single membrane:
Timber barrel-shaped roof 282
( I) Timber frame 192
(2) Cladding panels 196
5
CONTENTS
6
STRUCTURE 286 ENVIRONMENT 354 FUTURE 418
I
REFERENCES 494
Fl oor structures
(5) Arches and shells 324
(6) Space grids 328
(4)Trusses 320
Energy and the building Afuture for building Glossary of terms 496
envelope 356 construction 420 Aut horship 500
Photo credits 501
Double skin facades 358 ( I) Folded glazing 422 Index 502
Environmental studies for
envelopes 362 (2) Metal solar shading: louvres
and mesh 428
Analysis for design
( I) Solar radiation 364 (3)Tri angular panel s for twisted
(2) Dayl ight 368 facades 434
(3) Embodied energy 372
(4)Twisted panels wit h fiat glass
Passive design for twisted facades 440
( I) Natural vent ilation 376
(2) Solar shadingand (5) Moving shadingpanels 448
dayli ght controls 378
(3) Solar power 380 (6) Precast concrete panels
(4) Solar heating 382 for facades of complex
geometry 452
Low energymaterial systems
( I) Straw bales and hemp 384 (7) Glazing systems wit h
(2) Rammedearth, cob integral solar shading 458
and adobe bricks 386
(3) Green oak (8) Stickglazingfor double
and bamboo 388 facades 464
(4) Green walls 390
(9) Shingled glazingfor facades
Active design of complex geometry 470
( I) Liquid based heating/
cooling systems 392 ( I0)Variable concrete panels for
(2) Mechanical heat ing/ solar shading 476
cooling systems 394
(3) El ectrical lighting 400 ( I I) Str uctural facades of
(4) Fuel and water supply 402 complex geometry 482
Support services ( 12) Facade with integrated
( I) Sanitation and drainage 404 furniture 488
(2) Fire control 406
(3) Maintenance and
cleaning 408
(4) Lifts 414
346
348
350
352
Stairs
( I) Concrete
(2) Steel
(3) Timber
(4) Glass
( I) Cast in situ /
cast-in-place concrete 332
(2) Precast concrete 334
(3) Steel and steel mesh 336
(4) Timber 338
(5) Glass 342
(3) Loadbearing boxes
Reinforced concrete 308
Brick 312
Glass 316
(2) Portal frames 304
( I) Braced frames
Reinforced concrete 292
Steel 296
Timber 300
Material systems
for structures 288
lntroduction to Second Edition
The Modern Construction Handbook
began /5 years agowhen I was an architect
working at Jean Nouvel's officein Paris,
developingprojects for construction,typically
designingfrom t he basis of small models
and sketch proposals.The early design wor k
done by others in the officewas always
highly aspirat ional, often wit hout an estab-
lished method of construction available
to realise the designs. The aim of moving
designs forward towardst heir construction
was to bring as much of the design int enti on
as possible into the finished building.Thiswas
achieved by matchingt he essential design
ideasto forms of construction which could
be developed by the designteamto achi eve
thoseaims; ideas which were spat ial,techni-
cal and social.The built results varied in t heir
technical ambition, but were alwaysroot ed
in t hese early design aspirat ions, built either
as a'diagram' or 'fragment' of an idealised
design that was embodied both in t he early
design models and in conversations wit hin
t he office.An alt ernative approach taken
on someprojects wast o take one or two
aspects of the primary design aspirations and
develop only t hose to a muchgreater extent
than ot her components of the 'tectonic',
or parts of t he construction which were
considered to combine spatial,t echnical and
social issues.This design process is common
to archit ecture that engages fully with t he
possibilities of buildingconstruction:the
process of buildingas an expression of the
process of bringing design aspiration to life,
rat her thanbuildings asself-contained 'jewels'
or as visually coherent expressions of ideas
wit h a modest architectural basis.
Exploring forms of construction wit h
other archit ects in the officeled me to build
up a set of sket chesof 'mat erial systems',
since none were readily available in books,
MCH 4
t hat event ually formed the basis of t his book
A view expressed in this book isthat there
are no fixed methodsof construction;tech-
niquesare constant ly evolving, both by multi-
plyingthe number of components in a given
assembly in order t o perform better as well
as searching for new ways of re-integrating
and simplifying thesesystems.
Howdoes this edition vary from
the First Edition?
The First Edit ion of the Modern Con-
struction Handbook concerned itself prima-
rily wit h setting out forms of construction
in typesgrouped by their primary material.
Wh iletextbookson construction divided
buildingelements int o components and
assemblies rather t han'systems' based on the
possibilities of t he material used,the Modern
Construction Handbook aimed to set out
construction systemswith a balanced and
event reatment of the different methods of
constructing structures, wallsand roofs and
internal construction, wit h no systemgiven
more priorit y or described with more infor-
mat ion than any other.Essays on prefabrica-
tion, possible future directionsfor construc-
t ion, and t heir relationship to environmental
design set the agendafor Modern Construc-
t ion Facades and Modern Construction
Roofs, bookswhich followed in the series.
This Second Editi on sets out these
element s of construction in a way which
explainsthe mainprinciples of each con-
struction systemand point sto an expres-
sion of architecture based on exploringthe
possibilities of material systems beyond the
cladding of structural frames. Claddingcan
be considered as beinga'collage' or juxta-
position of independent material systems,
all manufactured in isolation of one anot her,
each system seeing it self as addressi nga dif-
ferent approach to construction.This book
suggests how buildings can be designed and
constructed wit h a limited number of mate-
rial systems, mucht he way buildingswere
assembled before the imperatives of mass
production wit h its attendant needfor repe-
t it ion of ident ical components.This approach
isbased on a closer tectonic relati onship
between walls, roofs and structure rather
thanthe contemporary approach of juxta-
posing systemsthat are manufactured quite
independently of one another.More t han
a question of individual design choice, con-
struction isan essential aspect of our culture,
both as a process involvinga large number
of individuals who traditionall y have shown
craftsmanship intheir work,whet her on
site or in a workshop, and as an expression
of the valuescherished by our society.The
idea of individual craftsmanship isa primar y
architectural motivation which is explored in
this book,wit h examples of where t his might
lead in emerging archit ecture that is cur-
rent ly being developed today.
The simp/est evolutions in material
systems can lead to quite unexpected sys-
tem 'behaviour' which does not necessarily
follow expected rectilinear building forms.
The greater geometric fiexibility of t hese
'evolved' versions of contemporary material
systems allows buildingsto engage more
flexibly wit h our existing built environment.
Where modernist architecture t o date has
admired simple geomet ric forms andtheir
relatively simple interplay, material systems
can be used to interact wit h the existing
fabric and to work wit hin it rather than
encourage a complete replacement of entire
parts of t he built environment.Thisapproach
isone which wasenjoyed beforethe mass
industrialisation of buildingproduction in the
early 20th century. In many wayst his book
demonstrates that the pre-industrial world
of significant buildings,that formed a part of
our urban environment, can find a continu-
ation in the world of digital fabrication and
mass customisation.
Structure of this book
This Second Edition is based on building
'components' identified as structure, walls,
roofs and environment, following the way
contemporary buildings are designed by
specialist consultants and constructed by
specialist contractors. While the First Edition
focussed on only material systems produced
by mass production techniques, the future
chapter of the Second Edition adds in sys-
tems that could be produced by mass cus-
tomisation techniques. Considerably more
information is added than that of the First
Edition, with the addition of more materi-
als and more systems. Within each chapter,
material systems are grouped in terms of
the primary material used to construct the
system, following the same order of materi-
als listed in terms of their density; from heavy
to light, used in the first chapter on materials.
Within each material classification, systems
progress from more traditional technology
to more recent, largely following their his-
torical development.
The first chapter sets out the essential
physical properties of each of the main
building materials explored in the book.
Materials are set out in order of their density;
from heavy to light, ranging from metals to
glass, concrete, masonry; plastics and timber.
The second chapter on Walls expands
information of the systems set out in the
First Edition from two pages per topic to
four pages, in common with most of the
topics covered in the book. More technical
information and more detailed drawings
from the Walls chapter are available in an
accompanying book in the Modern Con-
struction Series,called Modern Construction
Facades, which includes more information on
detail conditions within each material system.
Another accompanying book called Scratch-
ing the Surface, also published by Springer
Wien NewYork, sets out progressive exam-
ples of material systems in buildings of a size
and type experienced by most architects in
general practice of modest budget and mod-
est scale.
The Roofs chapter is re-structured and
developed to follow Modern Construction
Roofs, another book in the series, basingthe
classificationsmore firmly on systems than
on types of roof covering as set out in the
First Edition of the Modern Construction
Handbook. This provides a closer link with
the Walls chapter.
The Structures chapter, like the Walls and
Roofs chapters, has a complete set of new
drawings that explains the systems more
clearly The relationship of the other building
components to structure informs much of
architectural design, so this has been the basis
of new essays in the Materials chapter.
'Services' are designed increasingly to
use both 'passive' and 'active' systems and are
referred to under the more general term of
'environment', which forms its own chapter.
This Second Edition has been strengthened
with the addition of information on low
energy construction systems from which
complete building envelopes can be manu-
factured.
Remaining items in the First Edition such
as stairs, lifts, partitions, ceilings and doors
were put into a final chapter called Fittings,
which was not an entirely satisfactory solu-
tion.The interior aspects of buildings such as
stairs and lifts are essential parts of structure
and 'services' rather than being regarded as
fittings. Consequently, the Fittings chapter
from the First Edition is omitted, with materi-
al re-allocated to the other chapters. In place
of Fittings is Future, showing how some of
the material systems could be developed in
new buildings.These 'future' material systems
are based on research work undertaken at
our practice, Newtecnic, for consideration on
live projects.
Qualifying commemts
The building techniques discussed and
the built examples shown are designed to
last for an extended period with a relatively
high performance. Consequently; buildings
for exhibitions and for temporary use are
excluded. In addressing an international
readership, references to national legislation,
building regulations, codes of practice and
national standards have specifically not been
included. This book explains the principles
of accepted building techniques currently in
use. Building codes throughout the world
are undergoing increased harmonisation
because of increased economic and intel-
lectual globalisation. Building components and
assembliesfrom many different countries are
often used in a single building. Since build-
ing codes are written to protect users of
buildings by providing for their health and
safety; good construction practice will always
uphold these codes as well as assisttheir
advancement. The components, assemblies
and details shown in this book describe many
of the building techniques used by the build-
ing industry today; but this book does not
necessarily endorse or justify their use since
techniques in building are in a continual state
of change and development.
MCH 5
MATERIALS
A taxonomy of material systems
Structure and envelope
Parametric design
Tectonics in metal
Steel
Stainless steel
Aluminium
Copper. zinc and lead
Tectonics in glass
Glass
Tectonics in concrete
Concrete
Tectonics in masonry
Masonry
Concrete block
Stone
Brick
Tectonics in plastics
Plastics and composites
Tectonics in timber
Timber
Fabrics and membranes
Internal walls
( I) Fixed and demountable
(2) Plaster systems
(3) Wallboard systems
Floors
Ceilings
MCH 7
Materials 0 I
A taxonomy of material systems
The organisation of the mater ial in the
Modern Construction Handbook,which has
been refined for this Second Edit ion, has
undergone several stagesof development,
based on the idea of grouping construction
systems by the mat erial used rather than
by their 'function', which is one of the most
widely usedconstruction-based classifica-
t ion systems. The mat erials-based approach
specific to this book allowsthe text t o draw
parallels between building'systems't hat are
based on the same primary mat erial, since
the development and use of t hose systems
is informed mainly by the physical proper-
ties specific to each material andthe way
t he material isworked, manufactured or
formed for use as a building material. Known
classification systems createa mix between
manufacturer-led namesfor systems, such as
'structural glazing', where t he glass is often
not structural at all,and 'rainscreen cladding',
which covers almost any decorat ive outer
layer t hat has open joints. Rather than basing
classification on that of existing categories,
t he approach wasto start from scratch and
t est material-basedcategories against one
another. In the First Edition,this evolved into
categories of walls, roofs, structure, environ-
ment and fitti ngs.Another category of mate-
rials precededthis, since an understanding of
the physical nature of materials is essent ial in
construction-led architecture.
An essential aspect of contemporary
construction isthe wide range of construc-
t ion systemswhich are non-Ioadbearing.
Almost all cont emporary construction is
MC H 8
based on the structural frame;t ypically
eit her steel or concrete, wit h t he modest,
but growing, use of t imber framesas a lower
embodied energyalternative.As examples
of loadbearingconstruction are rare, t he
use of categor ies of'loadbearing'and 'non-
loadbearing'wasnot appropriat e dueto t he
imbalance of the categories. What emerged
wasthat construction systems for the major-
ity of building construction are independent,
wit h few systems relating t o one another.
Much of the skill of contemporary detailing
isin knowing how to bringthose systems
together which are fabricated or manufac-
tured in isolation of one anot her.
The linking of building systems sothat
they might be able to interface more easily
has long been an aspirati on of manufactur-
ers, but t he current sit uat ion is one where
few systems co-ordinate easily wit h one
anot her.This suggested that the taxonomy of
buildingsystemsin the First Edition should
be based on a robust set of genuinely dif-
ferent generic typesthat would have t o be
ident ified independently of current systems
of classification, such as t hose described in
designers' specifications. The structure of
architecture-based specificationsident ifies
components and assemblies in inter-related
sections, where each sub-item in the assem-
bly isidentified independently, such as'cur-
t ainwalling', which itself comprises several
generic external wall types set out in t his
book. Specificationsthen link items such as
'curtain walling' to their constituent materials
of glass, seals, paint finishes and so on under
quite different headings.Whi le the system
is useful in describing a building for use by a
cont ractor;particularly wit h regard t o nat ion-
al standards, including those for performance
testing, specifications do not relat e t he parts
in a way that canbe easily used at t he design
stage to understand generic facade assem-
blies. The approacht aken in t he classification
system in t he Modern Construction Hand-
book was to group items in a way known to
building design teams: structure, walls, roofs,
and services.
The construction of buildings has, histor i-
cally, beenbased on a varying relationship
between loadbearingstructure, wallsand
roofs, and this formst he basis of classifica-
ti on in t his book.In some buildings, walls,
roofs and structure are a single entit y as in
medieval cat hedrals, wit h t he except ion of
their addit ional t imber roofs, used to protect
the structural ceiling. In framedconstruction
the walls and roofs can be continuous over
a singlesupporti ngstructure, while in many
casesof 20th century construction,walls,
roofs and structure are quite separat e, and
arethen subdivided within each category
t o provide a'collage' form of construction
where systemsare overlaid in t he manner of
a visual collage.
Most of the primary building materials
can be used t o make loadbearing structures,
where they serve as both structure and
enclosure. Other uses of mat erials for walls
and roofs are non-Ioadbearing cladding.
However;somet imeswhere different mat e-
rial systems are formed in the same material
in a building, there is still some structural
interdependency. Where quite different
material systems are mixed, such as in a con-
crete frame and enclosure, a different inter-
dependency emerges, that of allowing each
material to be expressed separately.
The inclusion of fittings in the taxonomy
of the First Edition proved difficult, with
smaller scale items of stairs, lifts, internal
finishes and doors placed within the group.
The term 'internal fittings' was too restricting,
as some of these components could be used
externally.This was the least satisfyingpart of
the First Edition. In this Second Edition this
issue has been resolved by including stairs
in the structure chapter, doors in the walls
chapter, and internal finishes in the first sec-
tion on materials. Lifts are now described in
the environment chapter, since they are usu-
ally considered to be part of the mechanical
systems, the layout of which is designed by
a specialist consultant. As a result of this last
decision it could be seen that the environ-
ment section could include both systems
that reduce energy consumption by the
use of low energy passivestrategies, as well
as high energy active strategies, such as
mechanical ventilation, and lifts can be seen
as part of this strategy to make tall buildings
usable.
In environmental terms, the use of sev-
eral layers of envelope and structure in a
single building can create a much richer set
of internal spacesthan those provided by
the single skin envelope.The outer wall can
be made of a double skin, or even as a deep
zone within the building which is an inhabit-
able equivalent of the 'twin wall' or 'double
skin' facade.This has helped to inform both
material systems, not all of which need to be
sealed,as well asthe environment chapter
where passivecooling, heating and ventila-
tion can be used to reduce overall energy
consumption, as well as create a stronger link
between the built environment of the city
and the building itself The materials for roads
and public spaces do not form part of the
scope of this book, of course.
Eachgeneric system is described first in
terms of the properties of the material, then
how they are used as a material system, and
last how that material system'behaves', or
can be made to 'behave', to form a building
by examining its detailing. Possible develop-
ments of some of these material systems are
set out in the future chapter to show how
the principles can be extrapolated for use on
new projects.
Generic systems are discussed in terms
of how they are assembled, and how they
work from a structural and/or enclosure
point of view.These paragraphs on 'system
design' show how the generic example
works. The way the system is applied to dif-
ferent geometries is explained in 'system
details'.The geometries show how the
system can be set out on different mathe-
matically-based surfaces, and how the system
can meet at corners and junctions.Two other
books in the Modern Construction Series,
titled Modern Construction Facades and
Modern Construction Roofs, show how spe-
cific details can be created, which forms the
basis of an understanding of what is needed
to be accommodated in different geometries.
The chapter on 'future' systems adds a para-
metric component to some of the examples,
thus highlighting the range of possibilities that
might exist for some of the examples shown.
The materials chapter in this Second Edi-
tion presents essays on how the tectonics
of material systems was used historically and
how digital tools are bringing fiexibility back
into building construction, something which
was considered to be too expensive until the
arrival of CAD/CAM (computer aided design
/ computer aided manufacturing), mentioned
as a development bringing change in the First
Edition.This return to an almost pre-industrial
approach to design allows new buildings to
develop a much closer empathy with existing
buildings, even if the technologies used are
very different.The non-rectilinear nature of
some of the material systems allows them
to engage more robustly and elegantly with
existing fabric, both pre-industrial and that of
20th century Modernism in architecture.
MCH 9
Materials 0 I
Structure and envelope
Well s Cathedral ,Wells,UK
In terms of construction, Modernist architec-
t ure can be considered t o be an approac h
that was not an inevit able development
of 19th cent ury archit ecture but rat her a
response t o an industriali sation governed
by mass production of building components
such as steel secti ons for fr ames, br icks,
blocks, metal coi l, timber boards and sec-
t ions.The use of repeated, recti linear struc-
tural bays, both in plan and elevation, can
be seen as a response t o t he way the raw
products used in building are manufactured,
includi ng the straight lines of cut t imber and
plywood used for concrete formwork.
20th century Modernist architecture
can be considered in terms of it s response
t o mass production techniques through the
use of th e structural fr ame, Building compo-
nent s and assemblies were used as repeated
ident ical elements in building compositions.
The use of steel or concrete frames led t o
building envelopes being enclosed in non-
loadbearing cladding.The use of repeated,
rectilinear bays can be seen as a response
to manufacture, including th e straight lines
of cut t imber and plywood used for con-
crete formwork. Consequent ly,as a result
MCH 10
Natural History Museum, Oxford, UKArchitect
Deane and Woodward
of the widespread use of t he structural
frame in much of 20t h cent ur y Modern-
ist archit ecture, the separat ion of structure
and ext ernal wall has dominat ed, where
th e facade is reduced t o non-loadbearing
walls.This approach has been a result of the
development of structural forms, originally
destined for large scale buildings,which have
found use in much smaller scale construc-
t ions, even being used in individual houses in
continental Europe.The use of loadbearing
structures for larger scale buildings resulted
in facades with 'punched' window openings
that gave a'massive' quality to buildi ngs. In
contrast, the use of t he separat e structural
frame was able to creat e a visual lightness
and t ransparency t hat gave greater freedom
t o designers. However,the int egrat ion of
skin and str ucture int o loadbearing facades
can also allow much greater freedom in t he
design of the ext ernal envelope to suit the
requirements of th e spaces immedi ately
behind. In the context of the existing built
environm ent, a new building can almost
'grow' out of the adjacent exist ing building
using the same mat erials but with a different
material system.
Natural History Museum, Oxford, UK Architect
Deane and Woodward
The use of a str uctural frame clad wit h
non-loadbeari ng walls has led to an aesthetic
t ypically concerned with either forming a
'collage' of different components, or as a
repeated modul e of the same component.
However, loadbearing constructi on can
embrace a design approach of struct ural
and environmental integratio n: t he use of
envelope and str ucture combined t o create
space in the facade and cont inuity in ground-
scape or urban context. Both loadbeari ng
and deep rainscreens are possible solutions
for th is approach.The recent introduction of
computer controlled tools hastaken away
the imperat ive of mass prod uction, offering
instead possibilit ies of'mass customisation'
where many components of different size
can be produced quickly t o a high quality
Consequent ly, architectural prod ucti on is no
longer determined by t he need for repeat ed
rect ilinear unit s used in Moderni st designs. In
terms of th e relationship between st ruct ure
and ext ernal envelope, the introducti on of
mass customisat ion suggests that systems for
both facades and structures could become
more complex and int erdependent, while
remaining economic by th e standards of
Colonia Guell,Barcelona, Spain.Architect:Antonio
Gaudi
contemporary building construction.
Atradition of the integration of
structure and envelope
The integration of structure and enve-
lope can be seen in the Gothi c tradition:
facades forming external spaces created
by t he framing effect of flying buttresses of
medieval cat hedrals. Such structures also
commun icate a sense of the communal
effort required to construct t he building:
The walls,which seem t o int egrat e frame
and infill wall into a single constructional
ent ity, sweep inwards at roof level t o cre-
ate stone vault s t hat form a cont inuit y wi t h
the walls.Onl y a timber roof is required to
protect the stone ceiling from the effects
of the weat her.The t imber roof is not a
'concept ual' part of the masonry structure,
but rat her a necessary addition t hat ensures
t he constr uction provi des a weathert ight
enclosure. Gothi c Revival buildings of the
19th cent ur y,such asthe Oxford Museum
in England, combine medieval methods of
loadbearing construct ion wi t h industrially
manufactured iron ribs that form a vault ed
roof structure infilled wi t h glazing.What can
Sagrada-Familia, Barcelona, Spain.Architect:Antonio
Gaudi
be seen as a civic expression of the manual
work of many craftsmen and labourers of the
medieval world, was replaced by an archit ec-
t ural expression of t he use of mass produced
building components t hat were used ast he
raw material for the specialist fabrication of
entire parts in small workshops, rather than
that of work being all performed on sit e.
Gothic Revival buildings such as the Oxford
Museum are built wi t h a mixture of load-
bearing and framed construction.
In t he early 20th centur y t he archit ect
Antonio Gaudi sawthat an advantage of
loadbearing construction was that individual
blocks of stone, bricks or concrete blocks
could be corbelled inwards or outwards from
t he vertical plane of t he external wall to cre-
at e a complex vertical sect ion as well as a
complex plan. Gaudi's use of brickwork was
based on his own structural investigat ions, as
implemented at t he Sagrada Familia in Barce-
lona. In the years that followed, the buildings
of Oscar Ni emeyer int egrated structure and
skin in projects of var ying brief, from housing
to churches to public buildings, exploring the
possibilities inherent in reinforced concret e
rather than following the imperat ives of the
Sagrada- Familia,Barcelona,Spain.Architect: Antonio
Gaudi
rect ilinear structural frame. In the I 950s, Eero
Saarinen used loadbearing concrete in the
TWATerminal at John F Kennedy Airport in
New York, a building which int egrat es t he lan-
guage of str ucture and enclosure with t hat of
partiti ons, counter s, desks and furniture.The
furniture is cur ved to make it comfortable
for t he curved human physique, linking the
form of what inhabits the building to inform
the constr uction of the building it selfThis
building can be regarded as an integration
of building, int erior spaces and furni t ure t hat
marked the buildings of medieval Oxford.A
building designed by Eero Saarinen, t he Mil-
waukee Art Museum, was recently extended
to a design by Santiago Calatrava in a struc-
ture that creates a loadbearing, or skelet al,
structure, reminiscent of earlier buildings by
Oscar Niemeyer. Calatrava's interest in animal
skelet ons goes one step beyond the interest
in the structure of Saarinen.
MCH II
Materials 0 I
Structure and envelope 2
Aerial view,Oxford, UK
Parametric modelling
This needfor variat ion in more complex
arrangements of linkedspaces istackled
more comprehensively in projects by Zaha
Hadid, whose work is informed by an inter-
est in parametric design, where spaces can
be linkedby rhythm, and links achieved
through the assistance of computer soft-
ware, sothat many more iterations can be
investigated and explored than are possible
by hand, by conventional 2D CAD, or even
by conventional physical modelling. Paramet-
ric modellingprovides an interrelationship
between parts of the building as well as
the urbanspace surrounding it, making the
cityscape one of interdependence as, once
again,can be found in medieval Oxford.The
involvement of structural engineers such as
Adams KaraTaylor has ledto a more ambi-
tious engagement wit h loadbearing struc-
tures.The officeof Frank Gehry has taken
the useof parametric modelling as a tool for
generat ing building formsthat would not be
possible in a practical sense wit hout compu-
ter software and its linkto computer aided
manufacturing. Gehry is concerned that
archit ects produce buildingsthat are gener-
ated by the needto be resolved in 2D as
MCH 12
drawings, andthat buildings can be seen as
mere'built drawings' rather than being con-
ceived as'buildings' in the first place. Gehry
is less interested in loadbearing construction
than in the built formsthat can be generated
from a few material systemswhich are liber-
ated from the constraints of mass produc-
tion towards an eventual approach of mass
customisat ion.
Modernism and construction
Modernismdevelopedfrom aspects
of architecture of the early 20th century,
influenced by mass production techniques
from about 1920 onwards. In contrast,the
approach taken by architects such as Eric
Mendel sohn in Germany duringthe 1920s
considered ways of integrating different
aspects of programmes informed strongly
by the waythe building wasconstructed.
The Einsteinturm in Potsdam, Germany, by
Eric Mendelsohnintegratedthe needs of a
researchcent re comprising spacesfor study
and discussion, wit h the complimentary
requirement for an astronomical telescope
to be accommodated in t he building.Rather
than expressthe 'primary' aspect of the tel-
escope and fitting the 'secondary' research
spaces into it,the design allows both aspects
of the designto combine as a more bal-
anced composit ion.Thiswas achieved by
designing the spacesfrom the outside in, cre-
at ing an envelopeto suit the general enclo-
sure of spaces, effectively wrapped around
the telescope.The structure supportingthe
telescope is set insidethe building, requiring
a quite different support for the observation
floor.The space between the outer envelope
and the inner telescope structure isinhab-
ited by the circulation space servingboth
t elescope and study spaces.The telescope
canbe consideredto be designedfrom
the insideout, while the st udy spacesare
designed from the outside in.The interstitial
zone between the inner and out er structure
is inhabited by the staircasewhich rises
throughthe building. In anot her project,the
staircase itself could have been part of the
overall building structure, but herethe stair
is supported primarily by both inner and
out er structureson its sides.The building's
external envelope is built from brick,cov-
ered in render. While the building could have
been formed in concrete,the const ruction
Einstein Tower, Potsdam, Germany. Architect: Erich Mendelsohn EinsteinTower, Potsdam, Germany. Architect: Erich Mendelsohn
method of corbelling brickwork in andout
of vert ical plane isideally suited as a method
to construct a form of thisgeometry.
In our own time, the riseof digital tool s
permitsthis more complex approach to
tectonicsthat was dominatedin the 20th
century by the useof the structural frame.
As set out in the previous essay, a char-
acteristic of the construction of Modernist
architecture has beenthe separation of
st ructure and external envelope. where
the facade is reduced to non-loadbearing
'cladding' as a result of the development of
structural frames, originally destined for large
scale buildings. In contrast, the useof digital
tools and mass customisation methods can
be used to createa partial or full integration
of skin and structure as loadbearing facades.
This revived loadbearing approach can allow
a muchgreater control of the design of the
envelopeto suit the requirements of the
spaces immediately behind, rather than using
the repeated baysof structural frames built
using established methods of mass produc-
tion.ln this loadbearing-basedapproach.
the choice of material used may be taken
from the immediate physi cal context of the
built environment.andmay also depart geo-
metrically from its context, as inthe case of
ZahaHadid's design for anextension to the
Louvre Museum in Paris.The design provides
continuity of material and context wit hout
compromising the performance of the build-
inginterms of use, organisation and spaces
created wit hin the building while responding
to environmental imperatives of reducing
energyconsumption wit hin the building.The
new structure can almost be seen as 'grow-
ing'out of the adjacent existing building and
the adjacent groundscape using the same
material but employinga different material
system. The material system can be chosen
or developedto suit the design needs of
the spacesimmediately behindthe external
envelope.
Wit hin building designs. spaces can be
created in an outward direction from the
internal spaces of the building.Where spaces
are requiredto have a high level of techni-
cal performance, or specific light conditions
that areto be created, this can be achieved
wit hout immediate referenceto the external
envelope but rather to the building st ructure.
An interstitial zone between internal spaces
andexternal facade structures creates an
opportunity for a buffer zonebetweenthem,
which could be used as aninhabited space
or for circulation aroundthe building, aswas
mentioned in the previoustext on the Ein-
steinturmby Eric Mendelsohn.The recently
completed Mercedes-Benz Museum in Stutt-
gart by UNStudiohas interstitial zones used
for circulation, while interstitial zones which
are inhabited can be seen inthe Phaeno Sci-
ence Center inWolfsburg, Germany, by Zaha
Hadid.
The integration of skin and structure into
a loadbearing facade has obviousdifficulties.
The conventional 'layered' approach of clad-
dingapplied to structural forms in Modernist
construction hasthe advantage of superim-
posing wat erproofing,thermal insulation and
vapour barriersto form a sequent ial wall
build-up. In loadbearing facades it ismore
difficultto integrate these different func-
tions into a single structural wall. However,
allowing lines of structureto deviatefrom
the rectilinear rather thanbeingusedto suit
primarily rectilinear facade cladding. allows
structure to interact wit h non-rectilinear
spaces wit hin buildings. Current Modernist
MCH 13
Materials 0 I
Structure and envelope 3
..'
.-
~
.- II
. -
.-
-
::I
-
Paramet ric mode l of a twisted tower
architecture respondsto the needs of mass
production,a set of design imperatives of
repeatability anda rectilinearapproach based
on mass production rather than the possibili -
ties provided by digital tool s of design and
production available wit h mass customisation.
The renewed interest in the structural
design of the externalloadbearing wall cre-
ates at once a new design vocabulary for
architecture and a return to an expressionof
the joy of making buildings, as demonstrated
in individual craftsmanship, an approach that
can be seen to have beenshared widely in
constructionbefore early prefabricationtech-
niqueswere introduced in the 1920s.This
approachto design is informed by a balance
of the specific useof the material system,
used to form the building, wit h the sequence
of movement around the building andthe
spaces createdwit hin.The expressionof
constructionand circulation as'designed'
elements harnessed to the'objective' design
requirements of spati al organisat ion related
to programmeand site context, canbe
a powerful partnershipof principles.This
approach could allow constructionto move
on from 20th century industrial imperatives
MCH 14
~ .-
.
.-
. -
. -
of the mass production of identical compo-
nentstowards a new period of craftsmanship
as a result of mass customisation.
A design approach of designing inwards
from the facadeof the building, and outwards
from the internal spaces of the building, could
allow structureto create interstitial space
between inside and outside. This approach
can also createenvironmental 'buffer' spaces,
which are not maintained at the internal tem-
perature of the building but serve as a buffer
between inside and outside temperature
conditions.Thesespaceswould not require
the same amount of tempered air;but would
provide an opportunity for natural vent ila-
tion, all key to reducing carbon dioxide emis-
sions in buildings. Fromthe point of view of
construction, this approach ismore complex
than 20th century construction, but could be
achieved wit h digital toolsfor design and fab-
rication,the tools of mass customisat ion.The
possibility of mass customisation of compo-
nents allows a departure from the repeated
rectilinear component sothat components
can be more geomet rically complex, eit her as
individual components or as complete build-
ing assemblies. Recent developments in build-
.-
. -
ingforms have beenseen in both twi sted
and folded geometries.
Twisted building forms achieve geometric
complexity by using curves,typicall y across
a surface of constant curvature in order
to make it easierto build in a construction
market that is used to mass production tech-
niques of building construction. Geometric
complexity can also be achieved wit h folds,
where conventional flat surfaces, which are
st raight forward to build, can be formed into
unconventional facadeforms. The recent
examples are thoseby Sant iago Calatrava,
FrankGehry andUN Studio int wisted forms,
andOMA, Zaha Hadidand LABArchit ecture
in folded forms. The approach of folded and
t wisted building forms is a wayof introduc-
ingcomplex geometr y while maintaining
contemporary principles of'repeatability' in
order to makethem economicto build using
a conventional approachto construction. In
t hissensethe approach of twisted andfolded
forms is an intermediary one between the
rectilinear repetition of Modernist construc-
tion and the emerging constructionmethods
described here.The current approach to
folded and twisted facades requiresgeomet-
. -
Computer generat ed construction system models
ric discipline in order to maintain the repeat-
ability of components, mainly facade panels,
used in conventional constructiontechniques.
With the greater introduction of digital fabri-
cationtools,the needto maintain a geomet-
ric discipline will slowly disappear; perhaps
making design choices more dependent on
the principles of design performance impera-
tive in buildings such as the Einsteinturm dis-
cussed inthe lastessay. Greater freedom of
design from digital tool swill provide greater
control andgreater responsibility from the
designer to usethe technology wisely.
Design methodology
Current architectural design has a prefer-
encefor rectilinear spaces linked in a spat ial
organisation which isalso primarily rectilinear;
though dependent upon site conditions,
based aroundthe useof rectilinear structural
frames.The design generated isthen given
an outward facadeexpression of materials
formed wit h openingsor wraps as an inter-
face between the internal arrangement of
the building at its immediate site context.
An alternat ive design methodology isto
add the use of material systemsto that mix:
construction as anadditional drivingfactor.
This may be digital, aswit h the possibilities
for inventionthat the t ools bring, or may be
used for the continued cladding of structural
frames.Thisleads the desi gn into a direct
connection wit h traditional loadbearingcon-
struction, but movingit forward wit h chang-
ingmethods of industrial production. Digital
tools allow the performance of a designto
be explored andoptimised, and be devel-
oped in order for an individual or at eam
to tackle the fabrication of the component
which has not beenmade in a particular way
before. Alt ernat ively. a design may usehistori-
cal models, either to endorse the construc-
tion methods of existing buildings,to mix old
and new to createsomet hing new, or even
to advance what is already constructed by
physically adjusting it by using the same mate-
rial but a different material system.
The Modern Construction Handbook
sets out theseconstructiontechniques, both
traditionally-based and contemporary. all of
which evolved during the industrialisation
of the 19thcentury. Essential to this use of
material systems is an understanding of the
physical characteristics of materials as manu-
factured and used in a system in additionto
their essential physical properties. This book
also sets out the construction systems essen-
tial to contemporary architectural produc-
tion, categorised in terms of envelope, struc-
ture and environment.Thebook beginswit h
a setting out of materials andhow they are
used as material systems andendswit h pro-
posals for new material systems as an extrap-
olation of what ispossible in the present and
how it could be used in the future.
MCH 15
Materials 0I
Parametric design
Parametrically modelled glazed structural facade
The useof parametric design in architecture
has beencentred around the useof soft-
ware t hat was originally developed for other
industries. Its primary use in architecture has
been t o generate digital models for build-
ing structuresand external envelopewhich
have a complex geometryThe word 'com-
plex' isused t o denote geometries which
are not rectilinear; and therefore cannot be
described by plans and sectionswhich can
be extruded in a straight line through the
form of the building. Building designswhich
do not conform to the rectilinear forms
characteristic of Modernismare difficult to
describe as 2D plans, sectionsand elevations
in a waywhichcan be communicatedto
t hosewho will construct t he building. Even
2D plans, while still a useful t ool, still cannot
be used to establishthe edge of the external
envelope if the external wall isnot vertical,
as the position of t hat wall applies only at
the horizontal planeat which t he planis set,
t ypically at floor level for a form of complex
geometry.Typically. glazing is set above t he
floor level, where plans are t ypically drawn,
but any dimensions on the plan at thispoint
are set at a level difficult to establish on sit e
in buildings of complex geometry
A well-known example of complex
geometry using flat facadesthat do not
conform to the rectilinear forms of most
contemporary archit ecture is Federat ion
Square in Melbourne,Australia.The external
wallswere designedin the form of'wraps' of
MCH 16
open jointed rainscreensand solar shading
screens set forward of awat erproofed back-
ingwall. Rainscreen facade panels comprise
a pattern of repeated tri angular panels in a
pinwheel grid,where a set of five t riangular
panels forms a shape identical in propor-
t ion to the smallest trianglefrom which it is
formed. In projects such as these, facadesare
described in away that can communicateto
contractorst he nature of a complex three
dimensional form on paper. Elevations of
such buildings are set out as unfolded or
'developed' facades from a 3D digital model.
This describesthe scope of the facades and
t het ot al material needed as'kit of parts'
drawings resembl ingthat of anAi rfix model
kit. In addit ion, 2D detailsdescribe the 'sys-
tem' as a wall method that could be used
t o describe how t he facadesgo together;
regardless of its actual application aroundthe
building.Drawings specifically for the facade
systems are needed since the facade con-
struction met hod is devised individually for
such projects. Details of facade conditions at
edges, corners, interfaces andjunctionswith
ot her parts of t he building construction are
prepared in t he tradit ional way
Drawings describingthe design of com-
plex geomet ry of the external envelope are
of different t ypes:'kit of parts' drawings,'sys-
tem' drawings, details andsetting-out draw-
ings.This method differs significantly from
the t raditional approach of plans, sections,
elevat ions,typical details and so on, asnoth-
ingist ypical or dimensionall y constant in t he
external walls. The relat ionship of inner and
outer skin varies, 50 a set of' rules' is set out
in the system drawings,then appliedt o t he
'kit of parts' drawings and the setti ngout
drawings.
At Federat ion Square for example, t he
inner and outer layersare set out in a loose-
fit relati onship between inner and outer skin.
In projects where forms are either facet-
ted or curvedt o create an architecture of
complex geometry. t he meansof controlling
the geomet ry of the building become more
crucial. In singleskin buildings where the
building has a complex form,the exact fit of
the different components during construc-
t ion is critical during construction. In devel-
opingsuch building forms and implement ing
them, t he forms needto establish criteria
which are fixed, such as floor areaof the
different spaces comprising the building,sit e
constraints, and criteriawhich arenot fixed.
Some buildingdesigns for complex forms
evolve as a result of more informat ion being
known about the building, allowing more
of the design to be fixed. Consequently. the
different criteria of the design can be set
as'parameters' which can be relatedas a
mat rix in the form of a spreadsheet.The
spreadsheet can be linkedto the process
of modellingthe buildingforms digitally in a
parametric design software.Working para-
metrically allowsthe design to establishwhat
is'fixed' and what will be'variable' in t he
Detailed images of constructionsystem from the same parametricmodel
design development. Thisapproach allows
a digital design method to evolve. In facade
design,t he behaviour of the model as a set
of surfacescan be understood by number;
size, geomet ry and so on.The relat ionship of
the parameters in the design allows the dig-
ital model to evolve through an engineering-
basedmethod of iteration, rather than start
t he digital design model againeach t ime
a new option is explored.This approach
requires somediscipline and clarity in t he
designapproach at the outset. which often
makesthe parametric design met hod more
suit ed t o design development t haninitial
design research. However;parametricplug-
insare becoming available for early stage
design software, ensuringthat the parametric
approachisgaining influence throughout the
design process.
In facade design, where t he paramet-
ric approach is becoming a primary tool
in architecture,the aimsvary during the
different stages of design development.
Outcomes of parametricdesign can range
from establishinga rat ionalised or optimised
geometry. reducing t he number of panel
types, restrictingthe facade assembly so t hat
it conformsonly to t he design limits imposed
by the material systems or facade systems
being used, ensuringthat the floor plates
provide a fixed t ot al amount of floor area,
or ensuring that the relationship with the
primary supporting structure is maintained
wit hout exceeding maximum spans.All these
different requirements can be put into t he
model at the beginning, wit h changes in the
digital model showingthe corresponding
effect between them all. Facade design of
complex forms is often driven by a desire to
optimise the construction; often by simplify-
ingit by providing as simple a solution as
possible without losing t he strengthof vision
or strengthof archit ectural expression in
the design. Even in higher budget projects,
t he need to omit unnecessary complexity
of construction and diversity in panel size is
important to both reducecosts and attract
the most highly qualified companies to work
on the project.
The possibi lities of parametrically-based
design go beyond the needfor evolvinga
single digital model for t he maincomponents
of building structure and external envelope.
With more and more parts of t he design
forming a single model, t he use of a building
information model or 'BI M' that sets out all
the components required to make a build-
ing, is becoming a reality.Whereas large scale
manufacturing of aircraft, cars, boatsand so
on have already usedthis working method
for some years, the useof BIMs in building
design isjust becoming the norm in higher
profile projects. Building informat ion models
are now becoming parametric, with t he pos-
sibility of introducing complex geomet ry into
the process.
While this approachis aimedprimarily
at bringing greater control and knowledge
to t he design of individual buildings, the
possibilities are being seenmore widely in
both fieldsof architectural design and urban
design.Where buildings have beendesigned
asa'collage' of components which are jux-
taposed or stacked together in a loose-fit
manner;more contemporary architectural
design is basing itsel f on a greater integration
of structure, envelope,environment. space
and light as ingredient s in a richer mix.
This greater level of interdependency
of design allows buildings t o become bet-
ter constructed at the scale of the window,
the bay,t he wall, the building and the street
to form a continuity.Where the provision
of buildings, roads, natural landscape and
servicesinfrastructure are considered quite
separat ely in our industrialised society. t he
re-integration of theseessential components
of our cit iescould eventually become part
of linked parametric models.The interde-
pendency of building,street. and the natural
landscape that wasa critical generator ofthe
built forms of the pre-industrial world, where
t he use of energy for both t ransportat ion
wit hin townsand cities and t he responseto
the built environment played muchbigger
rolesin the generation of urban form.
An essential aspect of parametric design
with digital modelsisto establish what is
import ant in t he design and what is much
less important; understanding what design
'problem' is being set. andwhat might be the
ways of exploring t hat design.This approach
MCH 17
Materials 0 I
Parametric design 2
Parametrically modelled lapped glazed panel covered facade
allows buildingsto become a much more
closely dependent set of spaces, and building
construction becominga closer expression
of t he ideas of space, light and form con-
structed within the constraints of a particular
material system.A parametric approach will
alsoallow muchgreater int erdependency of
buildings workingtogether as part of a single
'organism'- the urban environment of build-
ings, streets and public spaces. It is perhaps
in t he design of public space, and the elimi-
nation of residual or ill-defined space that
could be t he next major use of parametric
design in digital models.
Parametric working method
An essential aspect of workingwith
paramet ric design isthe ability to develop
different parts of the buildingdesign in
parallel rather t han working sequentially
from outline design, scheme design, detailed
design andso on. Rat her than viewingdesign
as a series of stages to complete andmove
on from wit hout significant ly changingor
informing what hasalready been accom-
plished in the design,t he design of a building
istackled not as somet hing developing as
a result of a seriesof decisions which influ-
encethe next decisionin turn (from primary
concernsto secondary concerns and so
on) but rat her of material systemswhich
interact and influence one another. A mate-
rial system for structure, walls, roofs and
environmental design can be developed in
MCH 18
parallel, for thesechoices are as important
as the internal organisation of t he building,
t he spat ial arrangement and relat ionship to
t he site.This brings the choice of materials
andt he way they are used, or 'tectonics' back
to the centre of architectural design, rather
t han material and construction-related issues
being chosen as standard construction meth-
ods afterwards.The result of involving issues
of mat erialsand construction at a later stage
isthat the forms of construction used can
become no more t han an outer 'clothing'
t hat is deemed appropriate t o t he site con-
text andt he brief.that it should somehow
behave well in an architectural sense.The
limitation of this approach ist hat the outer
skin has little t o do wit h the structure and
envelope mat erials behind it, often forming
the outer rainscreen or coveringof a con-
struction systemthat isbased on procure-
ment expediency rat her than design. Conse-
quently. t here is a need for material systems
to be involved at early stages of the design
process. Construction methods used for
theseessenti al parts of building design are
set out as material systems in t he chapters
of t hisbook; each described from a com-
mon platform of how the principle mat erial
is used to form a system for wall, roof or
st ructure, and how thesemight be applied
to specific strategies of environmental design.
Embodied energy and digital
design
Two trends in buildingconstruction
which are drivingchange in architectural
design are concerns about t he environment,
andt he introduction of computer controlled
manufacturing.The effect of building con-
struction on the environment has been of
concernsinceat least the I960s.The effect
in buildingconstruction is a growingaware-
ness of the energy required to construct
buildings, or'embodied energy', and secondly
the energy required t o operate t he building
when in use. The embodied energy part of
the equat ion is concerned wit h bot h the
amount of energy needed t o manufacture
the materials,transport t hemt o site,then
install them on sit e.This interest hasfavoured
the useof t imber,which absorbs C02 dur-
ing its growth and can be re-planted when
cut down for useas a buildingmaterial.
However,mucht imber is used as a'clad-
ding' mater ial to an envelope constructed of
quite different materials.The idea of'c1adding'
buildings involves increasing t he number of
layers, andhas led to a desireto reduceall
the different requirements of construction
by making t he external walls loadbear-
ing rather than beingcladding panelsto a
structural frame.This interest is linked to a
preference for reduced amounts of glazingin
many buildingtypes, where structural frames
were enclosed in highly transparent enve-
lopes.While high levels of glazingencourage
Detailedimages of a glazing systembased on a voronoi pattern
increased levels of natural daylight in build-
ings,they also admit solargain and provide
poor thermal insulat ion in all climates. The
preference for loadbearing construction
isin some ways a return to pre-industrial
forms of construction.This interest in a
'leaner' higherperformingconstruction is
possible wit h computer controlled manu-
facturing tools that are linked to drawings
and 3D modelsproduced by the design
team.Although in practice it is manufactur-
erswho providethe final drawings for CNC
machines,this islargely a requirement based
on how buildings are procured rather than
an imperative of the design process. Conse-
quently, designers canproduce a full set of
drawings for manufacturers to make a much
wider range of componentsthan has been
the case wit h mass production.This link of
design directly to construction, rather than
re-interpretinga design as a set of drawings
that in turn 'get built' isforginga muchcloser
linkbetween design and construction. In
common wit h the re-introduction of load-
bearing construction, the useof computer
controlled mass customisation tools isbring-
ingthe design of buildingsmuchcloserto
the process of constructing them, a privilege
enjoyed in the pre-industrial world of con-
struction prior to around 1920.The second
essential aspect of environmental concern
is of the energy consumed by the building
in use. Natural vent ilat ion,thermal mass and
associated issues of night-timecoolinghave
becomeprimary tools to reduce energy
consumption for heatingand coolingbuild-
ings.This has resulted in the re-introduction
of opening windows and of cross vent ilat ion
in buildings.
Material systems
This Second Edition isaimed as a guide
to using material syst ems in contemporary
buildings, wit h material systems shown as
views of 3D modelsin order to understand
how they fit together spatially rather than
treat them as 2D sections.This isbecause
traditional vert ical andhorizontal drawn sec-
tions assume most systems are continuous
throughtheir length,that they are extruded
in a linear direction either side of the section
taken. This method of representation also
assumesthat a drawn section, both vert ical
andhorizontal, isat ypical condition. While
plan, section andelevation explainthe over-
all scope of the design, junctionsof the sepa-
rate planes represented inthesedrawings
are rarely resol ved in thesedrawings, leaving
some coordination issues to be resolved at a
later stage. Expressing information as images
from a 3D model allows the system'sbehav-
iour to be understood from a geometrical
point of view of how the components,
assembliesor panel s are set out.
Traditional detail drawings can show
how to describe assemblies in a waywhich
is useful when progressing from design ideas
to a design ready for construction, andthe
material systems shown inthis book are
set out in more detail inthe accompanying
books Modern Construction Facades and
Modern Construction Roofs. Froma design
perspective,rather than production of infor-
mation for tender or for construction, a 3D
model andthe controlled manipulation of
that model in relationto the constraints of
the material systems such asglass sizes or
bending constraints on panels, is as valid as
a 2D section through a building of constant
section. Drawings can show the 'kit of parts'
requiredto describe the scope of the build-
ing, which is essential to understanding and
settingout how muchmaterial isrequiredto
construct the building. Fromthesedrawings,
the embodiedenergy requiredto construct
the building can be calculated.
The systems of modern construction
set out in this book suggest a gradual move
forward to methods of production based
on mass customisation techniquesthat are
evolvingin manufacturing, as well as show-
inghow current mass producedmaterial
systems canbe modifiedand'diverted' to
the end of producing an architecture rooted
in the constructiontechniquesthat makeit
possible.
MCH 19
Materials 0I
Tectonics in metal
OlympicStadium, Tokyo, Japan. Architect: KenzoTange
GuggenheimMuseum Bilbao, Spain.Architect: FrankGehry
OlympicStadium,Tokyo, Japan.
Archit ect: KenzoTange
MCH 20
Architectural interest in metals in the early
industrial world can be seen inthe writ ings
of Jean-BaptisteRondelet, anadmirer of
industrial Britain inthe early 19th century.
His bookTraite theorique et pratiquede
l'art de batir discussed architecture from
the point of view as comprisinga mixture of
t he visual andthe technical rather thanthe
prevailing valuesof the time of Renaissance
architecture, which were primarily of art and
symbolism. He alsotaught stereotomy, that
is, the art of cuttingstonesto form complex
shapessuch as archesand vaults,which is
enjoyinga revival wit h an interest in complex
geometry in contemporary archit ecture.As
a constructiontextbook,the Traite theorique
set out many of the components needed
for a complete metal construction, such as
prefabricated market buildings, showingan
approach towards an integrated assembly
that follows on from his passion for stereot-
omy.The metal castings securingthe bases
of the supporti ng arches illustrate both the
needfor the cont inuity of material needed
to fix the archesto their bases as well as
the elegance associated wit h their use.The
drawings in Rondelet's booksare both a
'kit of parts' showing what components are
neededas well as a 3D representation of
the assembly of key components.This inter-
est inthe physical modelling of junctions
rather than in reducing them only t o 2D
views helpsto explainthe more complex
nature of t he construction, whosedesign
approach is embraced rather than simplified.
The combinat ion of rolled members, castings
and connecting brackets creates avisually
striking form of constructionthat was char-
acteristic of later 19thcent ury construction.
Inthe 20th century, theTokyo Ol ympic
Stadium of 1964, designed by KenzoTange,
comprises st eel tensioncables in a catenary
form, support ed by concrete masts at each
end.The completetent-like structure is used
to support a metal skin,which would t ypi-
call y be used on a rigid substrate.The metal
roof skin is actually a series of metal plates
welded together to form a sealed surface.
Welded metal roofs have been used in more
recent projectsfor large-scale roofs, but few
combinethe possibilities of a continuous,
welded metal surface wit h that of a skeletal
or tent-like structurethat can form a metal
cable structure. Eventhe cablestructure is
made from short lengths bolted together to
form a structure that can support the metal
roof plates wit hout an intermediary material.
The metal structure and skin is not a'mini-
mal' structure, but is certainly one where
thesetwo components are interdependent.
The all-metal roof structure and skin isheld
in place by a reinforced concrete structure
beneath,whose form echoesthat of the
metal structure rather than contrasting visu-
ally wit h it.
More recently. moving structures such as
the sail-like canopy at Milwaukee Museum of
Art , designedby Santiago Calatrava,take for-
ward the visually dynamic qual itiesof metal
construction.This canopy is used t o provide
solar shading, andmoves in order t o provide
different experiences of light. Here a folding
structure wit h a building performing differ-
ent functions and forming different spaces
Guggenheim Museum Bilbao, Spain. Architect: Frank Gehry Milwaukee Museumof Art. Architect:SantiagoCalatrava,
through moving, ispossible because of the
relative lightness andflexibility of metal,
allowing the possibility of movingparts to be
used to form part of the structural frames
of buildings. Inthe Guggenheim Museum
in Bilbao by Frank Gehry,the architectural
form of the building isgenerated as a form
of complex geometry, enabled by the pos-
sibilities of metal construction, andworking
wit h techniques associated wit h modelling
in metal rather than concei vingthis innova-
tive form of construction from 20 draw-
ings.ln this sense, the buildings described
herefollow on inthe tradition of theTraite
theorique of Rondelet, combining the con-
vent ion of describing elements in 20 while
designing in a 30 modelling environment.
The examples described demonstrate
the ability of metals to form building enclo-
sures of complex form in a single material
where structure and skin are a visible part of
the architectural design. In more rectilinear
building designs, steel frames can be used
which do not necessarily produce a rec-
tangulargrid of cladding panels across their
surface. Federation Square in Melbourne,
Australia, designed by Lab Architecture uses
atriangularspace frame as a point of depar-
ture from which to createa structure which
gently departs from this principle, creating
junctions which form moment connections
rather than the pin joints associated wit h
triangulated frames.Thisapproach alloweda
range of glass panels to be addedwhich are
still based on atriangulargrid.This method
of startingwit h regularforms of construc-
tion andworking wit h their geometry is
well suited to metal frames, where standard
rolled sections arejoined wit h plates or
nodes.Thetechnical success of the system
lies partly in creating a limited number of
nodet ypeswhich can provide a visually
rich construction with a small number of
node types or bracket sizes.The useof a
limited'kit of parts' can provide a visually rich
structure andenclosure that can respond
to particular design requirements such as
positioning of openings or links wit h adjacent
structures wit hout needing to be aligned to
a rectilinear grid.
More recently, designs for metal frames
to support cladding systems have begun to
use identical polygons which might be twist-
ed or pulledout of plane in their geometry
andwhich produce complex shaped surfaces
when joined together. In addition, the 'cold
bending' of metal panel sto cladding systems
can createmore complex formsfor enclo-
sures from flat sheet or profiled sheetwit h-
out the needfor any special manufacturing.
Thiscan combinethe benefits of more com-
plex steel frames that are straightforward
to construct wit h metal wall systemsthat
are usually more associated wit h rectilinear
forms wit hout changing the waysuch enclo-
sures are constructed. However; for all these
examples of tectonics in metal,the designer
isobliged to set out the construction of the
structure and enclosure in a more detailed
waythan that expectedfor more generic
forms of construction, just as Jean-Baptiste
Rondelet set out examples from hisTraite
theorique, completed in 1817.
Milwaukee Museum of Art.
Architect: SantiagoCalatrava,
MCH 21
Materials 0I
Steel
Federat ion Square, Melboume,Australia.Architect: LABArchitectureStudio
Guggenheim Museum, Bilbao, Spain..Architect:
Frank Gehry
Guggenheim Museum, Bilbao, Spain..Architect:
Frank Gehry
MCH 22
Steel isan iron-basedmetal alloyedwith
small amounts of other elements, the most
important being carbon.The three main
forms of steel used in the building industr y
are sections, sheets and castings. Steel sec-
t ions are currentl y formed using a rolling
process. It can be extruded to form complex
secti ons, but th is curre nt ly has only limited
applicat ions due t o the high pr essure need-
ed to extrude st eel.Aluminium is a much
soft er materi al, making it easier t o extr ude.
Even when alumi nium is alloyed wi t h ot her
materi als such as bro nze, the extrudable size
of sections drops dramatically Extrusions in
steel cannot exceed shapes that fit into a
circle approximate ly 150mm (6") in diameter.
This is too small for structural sections, but
their smooth appearance makes them suit-
able for components such as stiffeners in
curtai n walling (to provide a fin t hat is visu-
ally mo re refined than an I-section or a t ee).
Currently.it is still far easier t o roll steel sec-
ti ons than to extrude th em.
Historically, cast iron and wrought iron
were the forerunner s of steel. Cast iron,
a brittle material wit h high compressive
st rength, came into general use as a build-
ing mater ial at the end of the 18th cent ury.
while wrought iron was developed some 50
years later. Wrought iron is a more ducti le
material and has greater tensile strengt h,
making it less susceptible to shock damage.
(The Eiffel Tower; in Paris, was one of the
last large structures to be constructed in
wrought iron). By the end of the 19t h cen-
tury.both materials had been superseded by
steel. Steel was first prod uced around 1740,
but was not available in large quant it ies unt il
Bessemer invented his converter in 1856.
Thi s device introduced a method of blasting
air int o th e furnace (hence blast furnace) t o
burn away t he impurities that inhibited the
extraction of a purer iron. By 1840, standard
shapes in wrought iron, mainly rolled flat sec-
ti ons, t ees and angles were available wh ich
could be fabricated int o structural compo-
nents which are then assembled by rivet ing
them together. By 1880,the rolling of steel
I-sections had become wi despread, leading
the way to th is material event ually replacing
wrought iron as a mat erial of choice.
Production process of raw
material
There are several steps in the manu-
facture of steel. First, iron is refined from
ores containing iron oxide .The iron oxide
is heated in a blast furnace until it is mol -
t en, using carbon as a reducing agent.The
mo lten materia l is poured into moulds to
prod uce pig iron. It is then re-heated to
remove impur it ies, including carbon, to make
Federation Square, Melbourne,Australia. Architect: LAB Architecture St udio
cast iron that has a carbon content of 2.4
per cent t o 4 per cent. Steel is produced
by reducing the carbon cont ent to approxi-
mately 0.2 per cent, wit h materials such as
manganese and silicon added to halt the
oxidation process and stabilize the carbon
content. It can be poured when molten to
make castings or formed into ingot s to be
rolled into sheets or sect ions.
Properties and data
The main proper t ies of structural carbon
steels are as follows:
Densit y: Mild steel = 7850 kg/m
3
(490
Ib/ft
3)
Design strength:
A pproximat e range 275 N/mm
2
to 800
N/mm
2
(5.7 x 10
6
to 1.6 x 10
7
Ibf/ft
2
)
Young's modulus = 205 kN/mm
2
(4.2x
10
9
Ibf/ft
2
)
Coefficient of thermal expansion
=12 x 10-
6
K-I (6.7x 10-
6
OF-I )
o
Thermal conductivity = 45W/m C
(26 BTU/hr.ft.0F)
o
Specific heat capacity= 480J/kg C (0. I I
BTU/lbOF)
For comparison wit h other materi als, steels
have the following general properties:
Hi gh st rength in both tension and
compression.
Hi gh stiffness. High rigidity in both t ension
and compression.
Its appearance is smoot h in sheet form;
rougher of t exture in roll ed sect ions and
castings, even wit h paint applied.
Lighter than an equivalent structural mem-
ber in reinforced concrete.
Hi gh duct ilit y,deforming long before it fails.
Hi gh impact resistance.
Hi gh heat conductor.
Hi gh electri cal conductor.
Thermal expansion approximat ely half that
of alumi nium.
Suscept ible to cont inuous rusting, exclud-
ing weat hering steels.
Low fire resistance.
Material selection
Hot rolled structural mild steels are
made in three t ypes called 'grades' increas-
ing in design strength from 275N/mm
2
t o
400N/mm
2
(5.7x 10
6
Ibf/ft
2
t o 8.3x 10
6
Ibf/ft
2
),varying slight ly in different regions
of the world. High strength steels can reach
design strengths of 800N/mm
2
(1 7.6 x
10
6
Ibf/ft
2
). Since theYoung's Modulus is
constant for all these types, the strength of
mater ial increases but the st iffness remains
const ant. Steel also increases in cost with
lAC Headquarter s, NewYork. USA.Architect: Frank
Gehry
.....
.....
II ...
The Barcelona Fish, Barcelona, Spain.Architect:
Frank Gehry
MCH 2 3
Fisher Center for the Performing Arts, Bard College,
Hudson Valley, NewYork. Architect: Frank Gehry
Federation Square, Melbourne, Australia. Architect: LAB Architecture Studio
higher levels of strength, both in the cost of
the raw material and in the working of the
material. In addition, as strength increases in
the material, welding becomes more difficult
and consequently more specialized. In some
high strength steels,which undergo heating
and quenching during their manufacture, the
effects of welding could potentially undo the
work of manufacture if sufficient care is not
taken. Standard rolled sections are manufac-
tured in the low to medium strength grades
but higher strength steels are made mostly in
the form of plate, due to lower demand for
their use. Consequently, compound shapes
for structural components, such as beams
and columns, must be specially fabricated.
Cold worked mild steels are used for
much smaller scale structural components
such as lightweight structural framing in metal
framed housing and low-rise commercial
buildings, used mainly in the USA, and dry-
wall partitioning. Cold-formed steel sections
are made from structural carbon steel to
form sheets or strips approximately l.5mm
(1/ 16in) thick. Complex sections are formed
by folding and pressing, rather than rolling
which is the casewith hot formed sections.
Working with the material
Sections and sheets can be curved to
small radii. Bolting and welding are the most
common methods of joining sections, sheets
MCH 24
and castings. Steel can also be sawn and
drilled. An essential characteristic of steel-
work is that it will continue to rust if a sur-
face protection is not provided. When drilling
or cutting the material, the newly exposed
surface requires protection, which is par-
ticularly important if the material has been
factory coated prior to drilling and cutting.
The economic protection is galvanising, a zinc
coating that is corrosion resistant, applied to
the steel in a hot dip bath or as a flame spray
Galvanising occurs after fabrication of steel
components to cover all the welding and
drilling.This process can cause distortion of
smaller steel components, so may not suit all
types of fabrication. The appearance of galva-
nising when new is a mottled shiny grey,turn-
ing to a dull grey with weathering asthe zinc
oxidizes. Its visual appearance is often not
suitable for exposed structural steelwork or
cladding in buildings, where paint coatings are
more common. Flame sprayed aluminium can
be used as an alternative to galvanising. Paint
can be applied by hand on site or in a factory
as part of a proprietary finish. Care must be
taken to ensure that touching up on site of
visible components is done in controlled con-
ditions that ensure the finish both matches
and blends into the surrounding coating.
When used as primary structure in a
building, steelwork requires fire protection.
This can be done by either encasingthe
material in concrete, by enclosing it in a fire
resistant board, or by coating it in intumes-
cent paint. A spray-applied coating that yields
a very rough, fibrous surface appearance is
often used where the steel frame is con-
cealed behind finish materials.
Coatings
Many factory applied proprietary sys-
tems are available for coating steel; the most
common types are thick organic coatings
and powder coating. PVDF (polyvinylidene
di-fiuoride, also called PVF2 in Europe), is
sometimes used, and is discussedfurther in
the section on aluminium. Organic coat-
ings provide high levels of protection against
corrosion but have a distinctive orange peel
texture. They are applied to steel coil, from
which sheet is cut, during manufacture.These
finishes have methods of touching up surfaces
that become exposed or are damaged dur-
ing installation, but colour matching remains
an important consideration in successful re-
touching.
Recycling
Steel can be recycled at reasonable cost,
and requires much lessenergy than the origi-
nal production process.
Federation Square, Melbourne,Australia.Architect:LABArchitectureStudio Dancing HousePrague, CzechRepublic .Architect:
FrankGehry
Stainless steel
Stainless steel isan alloy of steel which
contains betweenapproximaately I I to 25
per cent chromium,together wit h nickel
in some t ypes, givingit properties that are
distinct from carbonsteels, the mainone
being a high resistance to corrosion wit hout
the needfor an addit ional coating. Since the
material isconsiderably more expensi vethan
carbon steels, stainl ess steel is most com-
monly used in small building components and
in cladding panels where durability isa prime
concern.
Properties and data
Densit y =7850 to 8000 kg/m
3
(490 to
500 Ib/ft
3)
Young's Modulus :
In the longitudinal direction =
190-200kN/mm
2
(3.9 x 10
9
to 4.1 x 10
9
Ibf/ft
2)
In the transverse direction =
195-205 kN/mm
2
(4.0 x 10
9
to 4.2 x 10
9
Ibf/ft
2)
Coefficient of thermal expansion
=I 3 x I 0-
6
to 17 x I 0-
6
K-I
(7.2 x 10-
6
to 9.4 x 10-
6
OF-I)
Stainless steel has the following general
properties:
Highly resistant to corrosion and usuall y
requires no further coatings.
Higher fire resistance than carbonsteels.
A risk of bimetallic corrosionat the junc-
tion of stainless steel andcarbonsteel when
they are used together.
Separation at junction isusually required,
such as a nylon or neoprenespacer.
Material selection
Although the material develops athin
oxide layer that protects it from further
corrosion, different grades of stainless steel
are available to suit the severity of exposure
from polluted urbanto maritimeto rural
environments.A limited range of standard
sections is available and usually in small
sizesonly. The needfor a highdegree of
fabrication of memberscan make construc-
tion time slower than that for carbonsteel
applications. For example, plate isfolded to
form angles andtubes, and hollow sections
areformed by bending and seam welding.As
wit h carbonsteels, the highstrengths types,
which have been heat-treated, are more
difficultto weld, as the process can undo
the heat strengthening. Different finishes
are available which are achieved by using a
variety of rollingtechniques from smoothto
textured, in an appearance from matt to pol-
ished. In addition, the sheet can be coloured
as part of the manufacturing process.
Working wrth the material
The fabrication of stainless steel follows
the traditional pattern of fabrication for
carbonsteel membersexcept that more
useis madeof pressing andbending to form
suitable shapes. Fabrication of stainl ess steel
should be kept entirely separate from that
of carbonsteel to ensure that the processes
of cuttingand grinding do not causeimpreg-
nationof carbonsteel particles onto the
stainless surface, which can lead to rusting.
Fabricated elements should seek to eliminate
standing seams or edges where water can
collect, in order to avoid crevassing corro-
sion. Stainless steel has highductility which
gives the material excellent resistance to
impact loading.
MCH 25
Materials 0I
Aluminium
St Paul's Place car park,Sheffield, UK Architect Allies&
Morrison
St Paul's Place car park,Sheffield, UK.Architect:Allies & Mor-
rison
ImperialWar MuseumNorth, Manchester,UK,
Architect: St udio Daniel Libeskind
MCH 26
Aluminium wasfirst produced in 1825, and
by the late 19th cent ury a method had been
foundto mass produce t he material by the
electrolysi s of alumina and cryolite.
Production process of raw mate-
rial
Aluminium ismadefrom bauxite, which
is essent ially anhydrated alumina, or alu-
minium oxide, Mined bauxite ist reated
chemically to remove impurit ies and obtain
alumina, which is aluminium oxide.This is
t hen reducedto aluminium by electrolysis,
Becausealuminiumhasavery high melting
point (2450C) it cannot be electrolysed on
it s own,and soit is dissolved in molten cryo-
lite.A high electric current ispassed through
the alumina-cryolite mixture at around
IOOOe, and the molten aluminiumistapped
off,Aluminiumalloys areeit her formed
directly, followed by continuous casting, or
arecast into solid ingots.Themetal ist hen
cast into ingotswhich form the basis for
producingaluminium alloys. Pure aluminium
istoo soft for st ructural use andistherefore
combined wit h ot her metalsto form alloys
to increase its strength and hardness,t hough
reducing its ductility. Magnesium, silicon and
manganese are the most common additives,
Aluminiumalloys makestrong, lightweight
structural components. In common with
steel , aluminium is a material that can be
extruded, rolled and cast into complex
shapes: plates, sheets, extrusions and castings,
Propert ies and data
The main properties of aluminium alloys are
asfollows:
Densit y =2700 kg/m
3
( 169 Ib/ft
3
)
Design strength
Heat treated = 270 N/mm
2
(5.6 x I 0
6
Ibf/ft
2
) for extrusions
and 235 N/mm
2
(4.9 x 10
6
Ibf/ft
2
) for
plat e
Fully softened= 105 N/mm
2
(2, I x 10
6
Ibf/ft
2)
for plate
Young's Modulus = 70 kN/mm
2
( 1.4 x
10
9
Ibf/ft
2
)
Coefficient of t hermal expansion
= 23 x 10-
6
K- I ( 12.8 x 10-
6
OF-I )
Thermal conductivity =
200W/moC
( I 16 BTU/hr. ft,0F)
o
Specific heat capacit y = 880 J/kg C (0.21
BTU/lb OF)
Selfridges. Birmingham,UK.Architect: Future Systems
For comparisonwit h other materials, alu-
miniumalloyshave the following general
properties:
Lightness, weighing about a third that of
steel.
Hight ensile strength. similar to that of steel.
High impact resi stance. (compared to steel)
High corrosionresistance, but alu-
miniumrequires protective coating in very
polluted or severe at mospheric conditions.
Coatings are not applied solely for appear-
ance.
High heat conduction.
High electrical conduction.
Poor stiffness.
Low resistance to soft impact, but absorbs
impact energy which localises damage.
(Whereas a soft.or low level impact, such as
a kick, would not damage a steel panel. it will
dent one in aluminium.
A high impact, such as a car reversing into
a panel. would cause a largesteel panel to
buckle across its entire height and length, but
one madeof aluminium will again dent only
around the impact area).
Thermal expansionapproximately twice
that of steel.
Poor fire resistance.
Material selection
Pure aluminium andits alloys are in
two broad groups:the non heat-treated
alloys. also called fully softened alloys. whose
strength is produced from being cold
worked. andthe heat-treatedalloys whose
strength is produced by heat treatment.The
non heat-treated t ypes are generally not as
strong. but have better corrosive resistance.
Structural useof aluminium alloys is
limited by t wo significant disadvantages: they
are more expensivet o manufacture than
steel andthey deform more easily under
load.Aluminiumalloys are more elastic than
steel.restricting their useto components
and assemblieswhere this is not a constraint.
Since theYoung's Modulus of aluminium is
one third that of steel, buckling is an impor-
tant issue in its structural use.The potential
of this material as a full structural material
in buildings is beginning to be recognised.
The Media Centre at Lord's Cricket Ground,
London.Engl and. isa recent notable example
becauseof the full structural use of aluminium
ina large-scale building frame.
Working with thematerial
On exposureto the atmosphere. alu-
miniumforms a protective coating of alu-
miniumoxide. Under adverse conditions.the
oxide filmcan breakdown locally, but it usu-
MCH 27
Materials 0I
Aluminium
Iris Dome at EXPO 2000 inHanover, Germany
OitaStadium, Japan. Architect: Kisho Kurokawa &
Associates
allyreformsto a greaterthickness preventing
further attack.Aluminiumcan be exposed to
the weather; in non-polluted environments
andawayfrom maritime conditions, without
the needfor additional treatment provided
the surface is maintained. Over time, it loses
its initial bright appearance andassumes a
dull grey sheen. Aluminiumshould be cleaned
regularly to avoidpits forming in the material
surface. However; one wayto avoid this isto
anodise or paint the material with a propri-
etary coating.
Aluminiumis susceptible to electrolytic
corrosion in contact wit h certain materi-
als such as copper:Therefore direct contact
wit h copper and copper-rich alloys, such as
brass andbronze is avoided andthe material
should be used in a way that water does not
fiow onto it from copper: However; water
fiowingfrom aluminium to copper or lead
isnot harmful.There isno corrosive action
betweenaluminium andzincor zinccoat-
ings andgalvanised surfaces. Some timber
preservatives containcompounds harmful
to aluminium. Untreatedtimber affects the
material to a much lesser extent.
Aluminiumcan be cut anddrilled, riveted,
bolted, screwed andglued.The material can
also be welded. However; welding is usually
done using the fully softened alloys, since
this process can undo the work of the heat
MCH 28
treatment in the other alloy t ypes. Since
the design strength of the fully softened
alloys ishalfthat of the heat-treated t ypes,
the section sizes used in welded aluminium
structures can often be similar to that of
comparable steel structures, but wit h con-
siderably less weight.The design strength of
the heat-treatedalloys, which is similar to the
bottom end of the design strength of steel ,
can be exploited in extrusions, which require
no welding in their manufacture. Extrusions
can be usedto form complex profiles, such
asthoseneeded in window sections or walk-
waydecking, andbe muchlighterthan an
equivalent member in steel.The material can
also be cast to form complex shapes that are
more economicin large quantities than an
equivalent fabricated component.
Anodising
Anodising produces a finetranslucent
film over the surface of aluminium.The ano-
dising process results in the replacement, by
electrochemical means, of the metal'snatu-
rally formed oxide filmby a dense chemi-
cally resistant artificial film many timesthe
thickness of its natural equivalent.Thi sfilm
isextremely hard, gives added protection
against abrasion, andreduces the adhesion
of dirt particles.Anodising is carriedout by
immersing the aluminium in an electrolyte
andapplyingan electrical current, creating an
oxide layer integral wit h the underlyingmetal.
The anodicfilm is porous andmust be sealed.
This is done by immersing the anodised alu-
miniumin boilingwat er or steam.The ano-
dised coating can be dyed; the sealing then
assists its colour-fastness. Anodising should
be carried out after welding.The process of
welding would otherwise breakdown the
anodising process at heat-affected locations.
Broken-down anodising could result in weld
impuritiesthat would impair its structural
effectiveness.
Aluminium'snatural finish, often referred
to as mill finish, can be worked to produce
a polished, ground or brush-grained finish.
Etching gives a matt andnon-directional finish
with no direct refiections.Anodising gener-
ally follows theseprocesses, which increases
durabilityandenhances long-termappear-
ance. Brightening isnot suitable for architec-
tural alloyswhich are only 99.5% aluminium
because the brightening is not uniform.
Chemical brightening on other alloys dis-
solves andfiattens surface irregularities found
in extruded or sheet aluminium surfaces, and
produces a mirror finish wit h a very high
refiectivity It can be anodised wit hout dulling
the surface.
Luigi Colani designs
Coatings
Aluminium can be coated in a wide
rangeof coloursthroughthe useof pro-
prietary processes. Plastic coatings provide
a durable paint surface; polyester powder
coating isone of the most common finishes.
Plastic coatings are dip-coated, sprayed or
electrophoretically depositedunderwater.The
electrostaticall y applied finishensures that
an evencoat isbuilt-up on the metal.These
paints fade andlosetheir shine wit h time,
thoughthe change is slow andeven.
PVDF (polyvinylidene di-fluoride), also
called PVF2 in Europe, andpowder coat-
ings are most commonly used. PVDF is a
spray-applied finish, which ishighly resistant
to fading in sunlight, making it very suitable
for external use where colour stability is
an important consideration such as in wall
cladding. Powder coating is applied in an
electrolyticprocess that provides a softer.
andless expensive coating than PVDF. It is
not as resistant to fading in sunlight, but is
a harder finishandless expensive, making it
suitable for both an economic external finish
andexcellent for internal use.All thesefin-
ishes have methods of touching up surfaces
that become exposedor are damaged dur-
inginstallation or use, but colour matching
remains an important consideration.
Recycling
Aluminium is one of the easiest and
cheapest materials to recycle. The conversion
of scrap backto high-grade metal requires
only about 5%of the energy needed to make
the same amount of metal from bauxite.
The Lightbox,Woking. UK.Archit ect: Marks Barfield
Archit ects
The Public.West Bromwich.UK,Architect:Will
Alsop
MCH 29
Materials aI
Copper, zinc and lead
Copper claddingin use
MCH 30
Copper claddingin use
Properties and data
Density :
Copper = 8900 kg/m
3
(560Ib/ft
3
)
Zinc = 7140 kg/m
3
(445 Ib/ft
3
)
Lead = I I,340 kg/m
3
(705 Ib/ft
3
)
Tensile st rength:
Copper = 216- 355 N/mm
2
(4.5 x 105 t o 1.0 x 10
6
Ibf/ft
2
)
Zinc = 139-216 N/mm
2
(3.8 x 105 to 5.9 x 105 Ibf/ft
2)
Lead = 15-18 N/mm
2
(3. 1x 105 to 3.8 x 105 Ibf/ft
2
)
Young's Modulus :
Copper = I 17-132 kN/mm
2
(2.4 x 10
9
to 2.8 x 10
9
Ibflft
2
)
Zinc = I 10 kN/mm
2
(pure)
(2.3 x 10
9
Ibf/ft
2
)
Lead = 15-18 kN/ mm
2
(3. 1x 10
8
t o 3.8 x 10
8
Ibf/ft
2)
Coeffi cient of thermal expansion :
Copper = 17 x 10-
6
K- I acrossgrain
(9.5 x 10-
6
OF-I )
Zinc =23 to 40 x 10-
6
K-I (across
grain)
( I2.8 x I0-
6
to 22.5 x I0-
6
0F- I)
Lead 29.5 x 10-
6
K-
I
(acrossgrain)
( I6.5 x I0-
6
0F- I)
Thermal conducti vity :
Copper: = 300W/ mK
( 173 BTU/hr.ft.OF)
Zinc: = 113 W/mK
(65.4 BTU/hr.ft.OF)
Lead: = 35W/ mK
(20.2BTU/hr.ft.OF)
Specific heat :
o
Copper: = 390 j/kg C
(0.093 BTU/lb OF)
o
Zinc: = 385 j/kg C
(0.092 BTU/lb OF)
o
Lead: = 388j/kg C
(0.093 BTU/lb OF)
Material selection
Apart from steel and aluminium, copper,
zinc and lead are the most widely used met-
alsin the building industryThesemetalsare
produced as sheets of up to approximately
one metre (3ft 3in) wide sectionsand cast-
ings. All three metalshave excellent weat her-
resistingproperties, however, they are sus-
ceptiblet o attack by pollutants such as acids.
Their use is restricted to non-structural met-
alsand alloys, because none hasthe strength
or rigi dity of steel,or the combinat ion of
strength andlightness of aluminium.They are
generally used as cladding materialsfor walls
and roofs. Copper is also used extensively
for water supply pipework and in electrical
wiring.
Working wit h these materials
Copper is strong intension,toughand
ductile, but is not as malleable as lead.The
material has a shinyred/yellow colour when
new, slowly developing a protective sulphate
layer on its surface when exposed to the
Zinc cladding in use Copper cladding in use
at mosphere.This patina has a characteristic
green colour which has a fairlyconsistent
colour andtexture. Copper isavailable wit h
a pre-weathered, or pre-patinated finish
which is chemicall y induced. This finish varies
slight ly from naturally weat hered cladding.
Well maintained copper cladding, which has
oxidised atmosphericall y, will lastfrom 30 to
50 years.
There is a variety of copper t ypes avail-
able, each of which is suitable for a particular
task. For instance, deoxidised copper is suita-
ble for welding, while fire-refined tough-pitch
copper; wit h itstougher resi stance to cor-
rosion, is used for cladding. Otherwise, both
have similar properties. Copper forms a high
proportion of metal in alloyssuch as bronze,
which is primarily a mixture of copper and
tin. Brass isprimarily a mixture of copper
andzinc, and aluminium bronze is primarily
a mixture of copper andaluminium. Cop-
per can be cut, drilled, nailed, welded and
soldered wit h handpower tools, making it
versat ile for site-intensive work.When used
as cladding,joints between sheets are made
by foldingthe edgestogether. This method
takesadvantage of the fact that copper can
be bent alongan edgefairly easil y, but is rigid
enough to remain folded.
Zinc sheetfor cladding is madefrom
either commercial zincorfrom an alloy of
zincwith small amounts of copper andtita-
niumadded.The properties ofthe two t ypes
are similar;but zincalloy has better tensile
strength andresistance to creep, which is
long-term plastic deformation under load.
Zinc is a durable material, although it is more
brittle than copper. It is manufacturedas a
white coloured metal, but when exposed
to the atmosphere a carbonate is slowly
formed which produces a protective coating
that isgrey-white in colour. The material has
a linearthermal expansionthat is similar to
lead andhigherthan copper.
Zinc canbe cut,drilled,nailed, welded
andsoldered wit h handpower tool s, mak-
ingit reasonabl y versat ile for use on site. Its
rigidity makes it well suited to standing seam
joints. Well maintained zinccladding can last
for between 30 and 50 years. Zinc is liable
to attackfrom copper alloys, so that rainwa-
ter runningoff copper should be avoided.
Apart from its usein alloys, zincis used as a
protective coating to steel, applied through a
process of galvanisingandsherardi sing
Lead is anextremely durable, ductile
andmalleable material, making it extremely
useful for roof coverings andflashings in
traditional roof construction. However; while
its relative softness allows lead to be formed
into complex shapes, its lackof rigidity
means that a supportingmaterial must be
provided beneath it.Timber boards are most
commonly used for this. Lead has low resist-
ance to creep.
On exposure to the atmosphere, a pro-
tective coating of lead carbonate is slowly
formed on its surface.This givesweat hered
lead a dull grey appearance. Lead is a poi-
sonous material, leading to increased aware-
ness of the dangers of water run off from
lead cladding reaching the water supply. Lead
can be cut,drilled, nailed, welded in a proc-
ess called leadburning, and soldered wit h
handpower tool s. Due to its lackof rigidity,
leadsheet ismost commonly jointed by
dressing it over roundedtimber battens or
rolls.Where standing seams are used, they
often incorporate a steel angle to keepthe
lineof the joint straight andvert ical. Lead is
alloyedwit h tin to form solders for jointing
and sealing.
Electrolytic action
When different metals are near each
other;rainwater runningfrom one to the
other can cause corrosion by electrolysis.
Run off from copper andzincwill attackcast
iron, mild steel , gal vanised steel andalumini-
um. In addition, copper will attackzinc. Lead
is muchmore resilient anddoesnot attack
other metals wit h the exceptionof alu-
miniumwhen used in marineenvironments.
When roofs or walls are madefrom either
copper or zinc, typically other metals are not
usually usedin adjacent components, such as
gutters andflashings,where wat er run off is
likely to occur.
MCH 31
Materials 0 I
Tectonics in glass
Paris Metrostationcanopy, Paris, France.Architect: Hector Guimard Paris Metro station canopy, Paris, France.Architect:
Hector Guimard
Paris Metrostation canopy, Paris, France. Architect:
Hector Guimard
Bilbao Metro entrance, Bilbao, Spain.Architect: Fos-
ter & Partners
MCH 32
An essential use of glass in buildings is
in double glazed units.With the increas-
ingimportance of thermal insulation and a
reduction in the energy consumed to temper
the internal environment of buildings, the use
of singleglazing with thin supporti ng frames
wit hout thermal breaks, isno longer used
in most new buildings except where, for
example, t he spaces enclosed by the glass are
consideredto be external and serve only as
canopies, or in the outer screensto double
facades. In these semi external applicati ons,
the visual lightness afforded by lightweight
steel supporting structures can still echot he
glazed structures of t he early 20th century,
such asthe canopies to Metro stat ionsin
Paris by Hector Guimard.Theses canopies
have glass panels which have no support
on the outer edges, allowingthe supporting
metal structureto take precedence.Thispref-
erencefor t he expression of the supporting
structure at the visual expenseof the glass
has been atheme in glasstectonicsthrough
the 20th century In the Guimard canopies,
coversfor lights to illuminat e t he entrance
have a form of their own, with t he support-
ingstructure beingalmost a container for t he
exquisitely formed lamp covers. The use of
glass and metal is finely balanced both t echni-
cally and visually,thought he richness of the
forms were only gradually accepted as being
of architectural merit.
Glass is manufactured in sheetsof float
glass approximately 6000mm x 3000mm,
which ist ypically much larger than can be
used as singlesheets in buildings. Some
glass manufacturers are ableto temper and
laminat e glass at t hissize, providing more
opportunities for designersto uselarge
glazed panels in facades. However, since
most glazingis madein double glazed units,
glass panel s do not often achieve t hesesizes
due primarily to issuesof deflection under
wi nd load andthe deadweight of the glass.
A 3000mmwide double glazed unit, storey
height, weighs around 6S0kg, making it diffi-
cult to lift into place using conventional lifting
systems for glazed unitsand even more dif-
ficult to consider movingit around by hand.
Double glazed unit s of half their sizecan be
difficultt o manhandle on site. In additionto
t he weight of glass, its size is an important
consideration when designing wit h the mate-
rial. The six met re by t hree metre sheets,
called 'jumbo' sheets, are required to be cut
economically to avoid waste.This makesglass
economicfor the ISOOmm wide panels pre-
ferred in officebuildings, but does not restrict
their cutting to rectilinear panels.Triangular
panels can also be economic if cut without
significant waste, as can ot her shapeswhich
frt the jumbo sheet format.
Inwall construction, where glass is used
in most quantity in most buildings,t he mate-
rial isfixed either along its edges or at point s.
The use of edgerestraint results in a frame
behind all glass edges, but point fixed glazing
allowsthe material to become visually domi-
nant,allowingit to be seen almost as a con-
ti nuous plane of glass rather t han as an infill-
ingmaterial. The glazed screen in the Dancing
House by Frank Gehry in Prague, completed
in I996.This contrasts wit h the use of glass at
Federation Square by LabArchitecture, com-
187 - 195 OxfordStreet,London, UK.Architect:
Future Systems
Swiss ReTower, London, UK.Architect: Foster&
Partners
pleted in 2003, where the supportingframes
dominateasthe language of the tectonic,
wit h the glass as aninfill material. An advan-
tageof the framed approach is economy, as
the double glazed unitscan be fitted directly
to the supportingframe. Bolt fixed glazing
requires the glass to be drilled before any
tempering isdone, making it expensive to
use, though recent examples usebolt fixings
that arebondedto one faceof the glass, or
drilledthrough only one sheet of the double
glazed unit.An alternative approach isto
clamp the glass by passing plates through the
joints betweenthe units. Consequently, the
design andpositionof the clamps becomes a
primary issue in the design of the systemas
the visual impact of a surface coveredwith
small clamps creates a kind of'point cloud'
of fixings acrossthe surface of the glass wall
or roof
The curvingof glass has undergone some
development. at leastin the quality of pro-
duction,in recent years. Specialist companies
around Europe now offer single curved glass
panels in both tempered andlaminated glass.
Some companies aroundthe world will now
provide double curved panels, as used at the
Nordpark CableRailway in lnnsbruck, Austria,
which form a durableandreflective surface
finish for canopy enclosures.The ability of
glass to be curved, coated andtempered is
making it more of a sculptural material again,
following in the tradition of the Guimard
Metro entrances.
The useof glass in double glazed units
allows the encapsulated inner faces of the
glass to have coatings applied to them to
reducetheir U-value andto reducesolar
gain.This makes doubleglazed unitsincreas-
ingly energyefficient. andthe introduction
of argongas into the void betweenthe glass
panels further increases their thermal per-
formance.When used in curtain walling,the
framing istypically muchpoorer in thermal
performance, bringing the U-value from a
t ypical 1.1 W/m2K up to atypical 2.0W/m2K,
depending on the framing type.Thethermal
breakin curtain wall systems isa structural
component at present. so finding a much
higherperformingthermal breakisnot with-
out its difficulties. In very cold climates, triple
glazed unitsare being introduced, though
there isstill a limited condensation riskat the
edges of the unit where the perimeter spac-
er conductsgreater amounts of heat energy.
A development over the past 10years has
beenin the introduction of so-called 'super
neutral'glasses in doubleglazed unitswhich
have high solar control performance com-
bined with higherlevels of transparency than
was formerly the case wit h so-called 'body
tinted' glasses. Superneutral glasses have
a colour which isvisually not as strongas
the older generation of body tinted types,
though theseare still available. Superneutrals
allow more daylight transmission than their
forerunners, but in locations where there is
considerable exposure to the effects of the
sun an additional outer screen of solar shad-
ingpanels might be used.
A recent development in glass design has
beenthe introduction of all-glass structures,
where glass components are connected
together by silicone bonds. The silicone
Dancing House Prague, Czech Republic
Architect: Frank Gehry
Dancing House Prague, CzechRepublic
Architect: FrankGehry
MCH 33
Materials 0I
Glass
Federation Square, Melbourne, Australia, Architect: LAB Architecture
Studio
NordparkCable Railway.lnnsbruck.Architect: Zaha HadidArchitects
FederationSquare, Melbourne, Australia.
Architect: LAB Architecture Studio
Federation Square, Melbourne, Australia.
Architect: LAB Architecture Studio
MCH 34
serves as both adhesive and sealant, provid-
ing weathertight enclosures.The scale of use
to date has been modest, with single storey
conservatories, walkways,canopies and glass
floors as the primary examples of their use.
Mostapplications have additional mechanical
fixings to overcome concernsabout the long
term durability of all-glass structures, but this
varies from projectto project. Analternative
to the all-glass structure is the cladding of
conventional structuresor walls in opaque
rainscreens.This method usesscreen printed
glass which istypically silicone bonded to a
backing frame,then hookedon, or fixed back
to, a carrierframe behind.This use of glass
as an external rainscreen allows the void
between the glass andthe external face of
the backing wall to have lighting, creating a
glow to an otherwise opaque or utilitarian
facade, wit hthe benefit of creating some
lighting for safety of users aroundthe build-
ing.
One of the main changes in the use of
glass in facades and roofs is a gradual move
awayfrom entirely rectilinear glass panels to
those that deviate slightly from it.These can
rangefrom parallelogram shapesto triangular
to diamond patterns in glazed facades, but
all are basedon the need for repeatability
of glass unitsize in order to make the glass
economic to manufacture. In addition, glazed
wall s are required to move in relation to
their supporting structure, and must be able
to move from one panel to the next.This
further encourages the panels to be of the
same size in order to ensurethat the move-
ments have a consistent 'behaviour' of move-
ment across the extent of the wall s. Some
projects, particularly for glazed roofs, have
useda large number of glass panel sizes in
order to suitthe structural geometry of the
roof form, but these are typically quantified in
detail bythe design team in order to control
cost.
A recent alternative to the curving of
glass as part of the manufacturing process
has been to 'cold bend' glass sheets on site,
typically as part of a stick (siteassembly
based) glazing system.The amountsto which
the glass can be pushedat the corners to
take up a curved form across its surface is
limited, but curves in glazed wall s and roofs
are often modest, making the ideaof cold
bending more attractive to contractors.
Production process of raw
material
The manufacture of float glass is the first
stageof production. Float glass is made by
pouring molten glass onto a bath of molten
tin.The glass floats on top and isdrawn offas
it solidifies. It is available in thicknesses ranging
from 2mmto 25mm(I/8into Iin).
Most float glass has a greentint caused by
small amountsof iron oxide in the glass.Add-
ing different oxides to the mix during the
manufacturing stagecan alter the tint of the
glass.
Properties and data
Density: Float glass =2520 kg/m
3
(158
Ib/ft
3)
Tensile strength: Float glass
=35-55N/mm
2
(7.4 x 10
7
Ibf/ft
2)
Nordpark Cable Railway. Innsbruck.Architect:Zaha HadidArchitects
Cityof Arts and Sciences, Valencia, Spain.Architect:
Santiago Calatrava
Compressive strength:
Float glass =3800--4670 N/mm
2
( 1.0 x 10
7
to 1.2 x 10
7
Ibflft
2
)
Young's Modulus:
Float glass =70 kN/mm
2
( 1.4 x 10
9
Ibf/ft
2)
Coefficient of thermal expansion
=23 x 10-
6
K-I (12.8 x I 0-
6
F-I)
Thermal conductivity =
0.7-1.1 W/m
0
C (0.4 BTU/hr.ft.OF)
Specific heat capacity =
o
820-995J/kg C
(0.19 - 0.24 BTU/lb OF)
Approximate and easily available maximum
glass sheet sizes
I) Fl oat glass
Maximum size 3180 x 6000mm ( 125in x
235in)
for thicknesses from 2mmto over 25mm
2) Clear toughened glass
Maximum size 4200x 2000mm (165in x
80in) for thicknesses from 6mmto 12mm
3) Laminatedglass
Maximum si ze 3180x4200mm ( 125in x
I 65in) for thicknessesfrom 4.4mm to
9.8mm (31 16in x 3/8in)
4) Rough cast wired glass
Maximum size 3700 x 1840mm
( 145in x 72in) for thickness 7mm ( I14in)
5) Pol ished wired glass
Maximum si ze 3300x I 830mm
( 130in x 72in), thickness 6mm ( I14in)
6) Body tinted float glass
Maximum size 2540x 4600mm ( IOOin x
180in) for thicknesses from 6mm to 12mm
Glass block si zes for external walls:
190 x 190 x IOOmm thick (metr ic)
(8in x 8in x 4inthick (imperial)
146 x 146mm (nominal 6in x 6in)
197 x 197mm (nominal 8in x 8in)
197 x 95mm (nominal 8in x 4in)
Typical thickness 98mm (nominal 4in x 8in)
Glass block si zes for internal partitions
120 x 120 x 40mm (nominal 6 x 6 x I
3/4in)
and
200x 200 x 50mm (nominal 8 x 8 x 2in).
The characteristicscommon to
different glass types are:
Variabletensile strength.
It is proneto fracture resulting
fromtiny cracks or imperfections.
Variable impact resistance.
Non-corrosive.
Non-combustible.
High heat conduction.
Low thermal expansion.
Material selection
Heat soaked glass ismade by re-heat-
ing float glass then cooling it quickly, which
putsthe surface of the glass into compres-
sion and removes impurities such as nickel
sulphide.When broken, full y toughened glass
disintegrates intotiny, comparatively harm-
less, pieces. Itsstrength, measured interms
of impact resistance, is upto fivetimesthat
of float glass. Thetougheningprocesscan
produce minor distortions inthe glass, usually
caused by roller marks. Heat soaked glass is
Oriente Station Li sbon, Portugal
Architect:SantiagoCalatrava
The City of Arts and Sciences inValencia, Spain
Architect:Santiago Calatrava
City of Arts and Sciences ,Valencia, Spain
Architect:Santiago Calatrava
MCH 35
Materials 0 I
Glass
Lyon-Satolas TGVStation, Lyon, France.) Architect:Santiago Calatrava Oscar Niemeyer Museum, Curitiba, Brazil. Architect: Oscar Niemeyer
NordparkCable Railway, Innsbruck.Architect: Zaha
Hadid Architects
, ""
Metropolitan Cathedral, Brasilia, Brazil. Architect:
Oscar Niemeyer
MCH 36
a partiallytoughened glass for usewhere full
toughening isnot requiredor as part of a
laminated glass construction.
Laminated glass ismadeby bonding
two or more sheets of glass together wit h a
film of plastic in between, called the interlayer.
The interlayercan be clear or translucent,
andisavailable in a wide range of coloursto
createeffects of colour in the glass that are
translucent in a way which isdifferent from
the screen printingof glass. When broken,
laminated glass staystogether in a single
piecedue to this bondingbetweenthe lay-
ers. This makes it very useful for glazed roofs
andfor glazed screens which are set forward
of glazed facades. However, after the initial
impact, laminated glass will eventually fall
away as dangerous fragments of glass, so it is
requiredto be replaced as soon as possible,
wit h the floor areabeneath the broken pan-
elstypically being secured to avoid the risk
of injury to those below. Combiningseveral
laminates together in one sheet can make
anti-vandal and even bullet resistant glass.
Wired glass ismadeby sandwiching a
steel wire mesh betweent wo layersof glass,
which arethen rolled flat.The wire holdsthe
glass together for a period of time duringa
fire and so prevents the passage of smoke
from one sideto the other. The roughcast
product can be polished to provide a more
transparent finish.Wired glasses cannot be
toughened andare not regarded as safety
products.
Fire resistant glass isformed by glass
sandwich panels containing anintumescent
layer. In a fire the layerof gel, or salts, reacts
to the risein temperature to provide a
degree of insulation against radiant heat.
Variable or switchable transmission
glass isa new form of treated glass. Though
expensi ve,it aims to reduceinternal heat loss
from inside as well as to reducesolargain. It
is able to change its own thermal andlight
transmission performance by means of an
electrical signal. In many applications, it turns
from transparent to an opaquewhit e when
an electric signal is introduced.Applications
include glazed partitions in officebuildings.
Glass blocks can be solidor hollow.
Solid blocks are used as pavingfor floors.The
hollow t ype isused for walls and consists
of two half-bricks fused together to give a
smooth appearance on both faces.
Glass can be mounted in double- and
triple-glazed unitsto provide greaterther-
mal insulation and sound insulation than is
achieved by an equivalent single sheet of
glass. An insulated unit can be a mix of float,
laminated or other glasses.To improve ther-
mal performance, the air gapbetweenthe
layerscan be evacuated to createa vacuum
or be replaced wit h a low conductivity gas
such asargon.The maximum size of double
glazed unitsis determined by the maximum
sizes of glass types used. However, the size
of unit isusually determined by windloading
rather than maximum glass sizes.
Worl<.ing with thematerial
Float, toughenedandlaminated glass can
be curved. Flatglass isheatedandmoulded
to shape in either one or two directions.
Floatglass can be cut, drilled,screwed and
Oscar Niemeyer Museum, Curitiba, Brazil. Architect: Oscar Niemeyer Oscar Niemeyer Museum, Curitiba, Brazil. Architect:
Oscar Niemeyer
glued. It can also be bolted using proprietary
systems. Toughened glass cannot be cut,
drilled or surface worked after manufacture
but laminated glass can be drilled wit h spe-
cialist equipment.
Surface and bodytreatments
Fl oat,toughened and laminated glass can
be furt her treatedto allow varying levels
of light transmission and t hermal insulat ion.
Sometimesthis is done duringthe manufac-
turingprocess.These treatments are body
t int ing, screen-printing, sand blasting andacid
etching, coat ings, including low-Eand fritti ng,
and curving.
Body ti nted glass is produced by small
addit ionsof metal oxidest o the glass, reduc-
ing solar gain.A limited range of t ints isavail-
able, includingshadesof green, grey, bronze
and blue.
Fritted glass is made by printingceramic
designsonto float glass, which ist hen tough-
ened.This process involves fusingcoloured
frit (powdered glass), through a stencil onto
t he surface of the glass, providing a perma-
nent durable finish.Thistreat ment can be
used to help reduce solar gain. Surface print-
ingwith a high level of detail can be achieved
by screen-printed dots, lines or meshes.
Sand blasting and acid etchingare surface
treat ment s which produce a uniform, matt
translucent finish.The microscopically pitted
surface has atendency to retain dirt and
grease, making it difficult t o clean.
A low-emissivity coating (low-E) is
applied to glass to improve its thermal insu-
lation.The coating is a microscopically thin
layer of metal which allows maximum day-
light and short-wave heat t o ent er t he build-
ing but reduces heat loss by reflectinglong
wave radiat ion t rying to escape at night.The
coati ng is hardly visible.
Recycl ing
Glass is one of the easiest mat erialsto
recycle and is economically viable. Enormous
energysavings in glass manufacture can be
madeby recyclingthe material.
BCEPlace,Allen Lambert Galleria and Heritage
Square,Toronto, Canada
Architect: Santiago Calatrava
NordparkCable Railway. lnnsbruck.Architect Zaha
HadidArchitects
MCH 37
Materials 0 I
Tectonics in concrete
Claude NicolasLedoux:theVilledeChaux, France Francois Hennebique
Unite d'Habitation, Marseille, France. Architect: Le
Corbusier
De laWarr Pavilion, Bexhill. Architect: Eri ch Mendel-
sohnand Serge Chermayeff,
MCH 38
Concrete had been used for over 2000
years before advances were madeduring
the 19thcentury wit h the development
of reinforced concrete, atechniquethat
involved incorporatingmetal rodsto com-
pensate for the inherent weakness of the
material intension. Fran<;oi s Hennebique
constructed in 1892 what isthought to be
the first building wit h a reinforced concrete
frame. Ernest Ransome patented a similar
system in the USin 1895. By the beginning
of the 20th cent ury, in Europe andin North
America, iron rods and wireswere being
usedas reinforcement in patented floor
systems and st ructural frames. Modern rein-
forced concrete is essentially a development
of thesesystems.
An essent ial quality of concrete isthat
it is a moulded material, capable of creating
large-scalemonolithic forms wit hout joints in
the material. This essential quality washinted
at much earlier, the work of Claude Nicolas
Ledoux in the late 18th century demon-
strat esan intent in architectural expression
through abstracted formsthat represent
'functions' of the building or the functions of
the principal uses of the building. His book
Archit ecture consideree sousIe rapport
de I'art, des moeurs et de la legislation sets
out a vision of the archit ect as providing a
visible structure of a society where status
is accorded t o 'functions' in society rather
than power or wealt h.TheWater Inspector's
House expresses the function of its occupier,
wit h river water passing throughthe building.
The form shown int he drawings is mono-
lithic, wit h little expression of the material
used.There is no visible detailing;the mono-
lithic expressionof the building forms seem
to relate more to military installations of the
time thanto the language of public buildings.
The window openings are small and seem
onlyto emphasisethe visually massive qual-
ity of the walls.While the material used for
the buildings is not clear from the drawings,
stone-faced loadbearing masonry would
probably have been used as the material
system of the time. However, the monolithic
forms are very muchin tune wit h concrete;
large flat areas wit h no registration of joints
or traces of the waythe building would be
const ructed. It looksas if no evidence of the
construction method should be visible in
order not to detract from the architectural
messages int he form of t he building con-
cerned wit h expressing the intendeduseof
the building.Another drawing shows a design
for a cemetery wit h a shell structure inthe
centre of an unspecifiedconstruction.This
could have beenachieved 150years later
in concrete, as seen in the work of Eero
Saarinen and SantiagoCalatrava. Ledoux
built on examplesof hisvision at theVille de
Chaux using primary geomet ric formswit h
columnsand rusticated stonework.The idea
of the architect as givingvisible form to the
function of society in monolithic architectural
form was later taken up by Le Corbusier,
as seen in his design for the chapel at Ron-
champ.
The evolution of concrete as a building
material was the result of a'rediscovery' of
the material primarily as a mortar in engi-
neering projects, but to its eventual useas
The Centennial Hall,Wroclaw,Poland,Architect: Max Berg
The Nit er6i Contemporary Art Museum, Brazil.
Architect: Oscar Niemeyer
The Pantheon, Rome, Italy.
The Centennial Hall,Wroclaw, Poland,Architect:
Max Berg
buildinghas a roof that beginsto exploit
the sculpt ural possibilities of concrete: the
architect wasinfluenced by, among others,
the unbuilt projects of l.edoux.The base
structure that forms part of the ring beam
for the dome above is curved in three
dimensions, and shows the possibilities of
construction which were followed up in
later concrete shell structures,The dome
is formed wit h inclined sculpt ural ribs on
which are set vert ical members, which in
turn support horizontal decksthat provide
both horizontal ribsto stiffen the inclined
members aswell asserving asring beams
for lateral stability This structure seemsto
support vertical windows to wit hstand the
rain and snow of the harshwint ers,This
structure beginst o exploit t he possibilities
of structure of enclosing spaces wit hout
the rectilinear imperatives of masonr y and
timber construction where walls, structure
and enclosure are made from concrete as a
single material.A st eel frame would require
infill of the lower arched structure and of the
roof decks circlingthe dome in a different
material, which results in a loss of clarity of
the architectural idea of sculptingstructural
forms, ideas which would later be developed
by Sant iago Calatrava
In about the same year asthe Centennial
Hall inWroclawwasthe Dom-ino concept
of structure by Le Corbusier.The idea is
essentially a reinforced concrete structure
of fiat slab supported by columns, a method
that was not in general use until the 1990s
when reinforcing methods made economic
the junction of slab and column, Unlike Le
a structural material used wit h first arches
andthen for floors, columns andthen asa
full structural frame.JosephMonier's system
of using steel reinforcement in a syst emat ic
manner; first seen in 1867, was a develop-
ment of earlier mixes of metal and concrete
that themselves probably evolved from the
metal rods and brackets usedas tension
members in timber and masonr y structures
that go backto at least the reinforced metal
hammer beamroof of the Palace of West-
minster Hall in London, built in the late 14th
century Francois Hennebique's reinforced
concret e system developed t hisconcept into
full reinforced concrete wit h a system pat-
ented in 1892,The nature of reinforced con-
crete is such that its method of construction
is not visible, except for t he marks left by the
formwork, which canbe either expressed
or concealed, but the formwork is removed,
wit h the boards or sheets being used only
once or twice before being discarded after
use, Hennebique's syst em, now so familiar t o
us, uses a web of steel reinforcement which
is never visible but which has a high degree
of elaboration and visual character prior
t o it being concealedwit hin concrete. The
benefit of concrete ashaving a high level of
fire prot ection has addedto the popularity
of this material. However; concrete was still
usedasa substit ut e for masonry and timber
construction, wit h its rectilinear forms.
An example of the useof concrete as a
material in its own right, rather than imitat -
ingthe languageof an earlier t echnology is
the Centennial Hall inW roclaw, designed
by Max Berg and completed in 191 3.The
MCH 39
Materials 0 I
Concrete
Not re Damedu Haut RonchampChapel France.
Archit ect: Le Corbusier
Xochimilco Restaurant. Mexico City.Architect Felix Candela
Copan Building" Sao Paulo, Brazil.
Architect: OscarNiemeyer
MCH 40
Corbusier's later celebratedconcrete struc-
ture of the chapel at Ronchamp, the external
wallsare formed from another material,
which would t ypically be a combinat ion
of concreteand glass.The diagramof the
Dom-ino structure isclear.but the bands of
glazi ng, running either vertically or horizon-
tally. with an infill of rendered blockwork are
independent of the system. Le Corbusier's
idea of a structural grid with constructed
objectsset within it and which cont rast wit h
the grid, seemsto connect very strongly wit h
the Dam-ino concept.The gesture andgrid
contrast of forms is still visible at Ronchamp
inthree of the external walls wit h an overal l
form described by t he floor plane.
The Guggenheim Museum in NewYork.
completed in 1959 and designed by Frank
LloydWright, exploitsthe cast nature of
concrete t o create a single spatial form of
external wallsand floors and followsin the
tradit ion of Ledoux of highly modelled form
t hat createsa clearvisual impression of the
ideawithout the visual language of a vis-
ible building assembly.An example of a roof
based structure where the sculpt ural abili-
ti es of concrete are used isthe Xochimilco
Restaurant in Mexico City by Felix Candela.
Thisform, based on hyperbolic parabalaids,
wasformed using straight lengths of t imber
board for the formwork, allowinga complex
form to be created with very simple form-
work that required no specialist carpentry
skill s, since the formwork was not required
to be curved.The concept of the concrete
shell was developed intheTWATerminal by
Eero Saarinen. Inthis building the sculptural
possibil ities of concrete are extendedto
internal floors, staircasesandpartition walls,
with internal fittings of information desks
and counters being designed as miniature
building forms in their own right.The build-
ing could have beenformed using inflatable
formwork; its intersectingvaultswould have
lent themselves to inflatable structures. In
many wayst he constructed building is itself
almost a virtual form of an inflatable build-
ing, the concrete describingthe formswhich
could be achieved by plastics andfabrics, and
can be seen as a'frozen' idea of invent ion in
building construction yet to come.
The work of Santiago Calatravatakes
a different turn to t hat of Eero Saarinen.
Where theTWATerminal uses a seriesof
intersectingvaults t hat are formed as con-
crete shells, projects such as t he Science
Park at Valenciaare formed as framedand
arched structuresfrom a seriesof sculpted
ribs. Rat her t han the vaulted aesthet ic of a
single material system of TWA, theVal encia
buildingusesglass as an enclosing material
which avoids the need to add layers to an
equivalent concrete shell.The useof bolt
fixed glazingwit h steel supporti ng ribs linked
back to the concrete ribbed structure cre-
atesan approach of mixingmaterialswhere
the concrete frame andthe glass enclosure
are part of a single ideaof using animal
skeletonsas a metaphor for t he design. Cala-
trava's interest in anthropologyled himto
consider the relationship of bone and muscle
to use two materials in an interdependent
way rather than t he more straightforward
'layered' approach of tradit ional construction.
Xochimilco Restaurant, Mexico City. Architect:Felix Candela The Guggenheim Museum, NewYork, USA.
Architect: Frank Ll oyd Wright
Thisapproach can also be seen in Calatrava's
bridge structures,where steel is usedasa
material separate from t he reinforcement
linkingconcrete elements rather than being
only wit hin t he concrete as reinforcement.
Inthe bridges,the tension qualities of steel
reinforcement are brought out of the con-
crete as steel components intheir own right.
Of course,the concret e is still reinforced,
but steel is also used as a component wit h
other functions rather than beingonly buried
in the concrete. Calatrava's interest in animal
skel etonsand t he lessonsthat canbe drawn
from them for use in building design can be
seen in his proposal for the Cat hedral in
NewYorkwhere the sculptural possibi lities
of concret e,together wit h t heir ability to be
madeinto large scale components, is clearly
visi ble in t he design.These ideas have found
t heir way into Calatrava'ssingl e designsfor
glazed roofs such as the MilwaukeeArt
Museum.The Milwaukeeaddit ions form
an extension of an earlier project by Eero
Saarinen.Where Saarinen's project is essen-
ti ally rectilinear,wit h identical sculpt ural ele-
ments used in bays to create what is essen-
tially an extruded structure, Calatrava usesa
similar discipline of geometry to create more
complex forms, but with his characteristic
interest in bringing daylight from roof lights
and creating varying effects of daylight.
Propert ies and data
The main properties of concrete are asfol-
lows:
Density:
Concrete wit h dense aggregate:
2240 to 2400 kg/m
3
(140 to 150 Ib/ft
3
)
Concrete with lightweight aggregat e:
320to 2000 kg/m
3
(20 to 125 Ib/ft
3
)
Design strength =35 N/mm
2
Young's Modul us:
=1.5 x 10
4
to 3.0x 10
4
N/mm
2
(3.1 x 10
8
to 6.2 x 10
8
Ibf/ft
2
)
Coefficient of thermal expansion
=12.0 x 10-
6
K- I to 7.0 x I 0-
6
K- I
(6.7 x 10-
6
to 3.9 x 10-
6
F-I )
reducing wi t h age.
Thermal conductivit y:
Concrete with dense aggregate:
o
=1.0 W /m C
(0.58 BTU/ hr.ft.OF)
Concrete wit h lightweight aggregat e: =
o
0.5 W /m C
(0.29 BTU/hr.ft.0F)
0
Specific heat =840J/kg C
(0.20 BTU/lb OF)
Concrete hasthe following
propert ies:
Easily moulded.
High strength in compression.
High acoustic insulat ion for both airborne
and structure-borne sound.
High fire resistance, but appropriate cover
to steel reinforcement is needed.
Most shrinkage of t he material occurs, as
creep, during the first year after casting.
Moisture movement occurs but is
less significant t han ti mber.
Slightly permeable to wat er.
It will not set properly if the air
t emperature approaches freezing point. If
The Guggenheim Museum. NewYork, USA.
Architect: FrankLloyd Wright
TWATerminal,JFKAirport, NewYork
Architect: Eero Saarinen
MCH 41
Materials 0 I
Concrete
Stadelhofen Station, Zurich, Switzerland. Architect:Santiago Calatrava Milwaukee MuseumofArt. Architect:Santiago Calatrava
Milwaukee Museum of Art, Architect: Santiago
Calatrava
MilwaukeeMuseumof Art. Architect: Santiago
Calatrava
MCH 42
the air temperature istoo high, it will set too
quickly, causing cracking.
Material selection
Concrete is a dense material, composed
of cement and aggregate mixed with water.
It sets to form a hard, brittle material, strong
in compression but weak in tension. Portland
cement is the most widely used binding
agent for concrete and consists of lime and
clay mixed together at high temperature,
which is then crushed to form a fine powder.
The type and relative proportions of
cement and aggregate will vary according to
use and desiredappearance.The mix should
make economic use of the cement. Varying
the composition of the constituents produc-
es different strengths of concrete.The most
important factors are the water to cement
ratioand the proportion of cement to aggre-
gate.Atypical mi x isthe I:2:4 (cement: fine
aggregate: coarse aggregate).The amount of
water used in the mix affects both workabil-
ity and strength. Less water increases strength
but reducesthe workability, making it more
difficult for the concreteto flow aroundthe
reinforcement when it is being poured in
place.The reducedworkability is improved
by using additives, suchas plasticisers,to the
mi x.The coarse aggregates, consisting of small
stones, form most of the mass,while spaces
between these stones are fill ed byfine aggre-
gate and cement which bind the mixture
together. It is important when pouring con-
crete, that the mixture is properlyvibrated
to ensure that the coarse aggregate is full y
surrounded bythe finer material.
Concrete shrinks as it dries, and can
take more than a year to reach its final size,
though it continues to shrink indefinitely by
tiny amounts.The rate of shrinkage isconsid-
erable in the period immediately following
the pouring, but slows down bythe end of
the first year. After approximately 28 days,
concrete approaches itsdesign strength. It is
important that the mixture should not dry
out too quicklyto enablethe chemical reac-
tions between the constituents to take place.
Controlling the drying process is known as
'curing'. Having dried out, concrete subse-
quently absorbswater. but any expansion is
always much less than the original shrinkage
during the curing process. Plasticisers can be
usedto varythe rate of drying,which reduc-
es construction time. Plasticisers also increase
the workability of the wet concrete.
In reinforced concrete, steel and con-
crete are combined to take advantageof the
compressive strength of concrete andthe
tensile strength of the steel used.Two types
are used; mild steel reinforcement is used
to form complex elements and has a yield-
strength of around 250N/mm
2
, and high
yield reinforcement is used elsewhere with
a yield-strength of around 460N/mm
2.
As
the concrete sets it shrinks, gripping the steel
bars thus producing a monolithic structural
material for use as frames,walls and floors.
These can be cast-in-place at the site, or off-
site as precast elements.Wit h either method,
the cost of formwork, or mould, can rep-
resent upto halfof the cost, and therefore
the efficient use and re-use of formwork is
essential.
PhaenoCentre,Wolfsburg,Germany. Architect: Zaha Hadid Archi-
tects.
PhaenoCentre,Wolfsburg, Germany. Architect: Zaha Hadid Architects.
Cast-in-place reinforced concrete is
usually deliveredto site ready mixed and is
poured either by pumping or by crane buck-
et. Cast-in-place reinforced concrete is made
by setting steel reinforcing rods, often in the
form of a cage, between formwork, made
from plywood, steel or timber boards.Wet
concrete is poured and compacted.The rein-
forcement must have an appropriatecover of
concreteto protect it in the event of fire. The
cover also protects the steel from corrosion.
Aseries of bolts holds the sides of the
formwork apart and shoring on the outside
of the formwork supports the weight of the
wet concrete.Theformwork is removed, or
struck, after 3 to 4 days and the holes left
behind are filled with grout, which isa mix-
ture of cement and water. Since the holes
remain very apparent, they are arranged at
regular centres in order to enhancetheir
appearance.
The techniqueof manufacturing precast
concrete,developedin the I950s, hasthe
advantage of a reduced construction time,as
no curing, and much reduced formwork, is
needed on site. Concrete iscast in moulds in
a factory, and then deliveredto site. Precast
techniques have two main advantages over
cast-in-place construction.The first is that
quality can be easierto control in a work-
shop,and the second isthat precast elements
can be assembled rapidly on site. Cast-in-
place concrete needs time to gain strength
before it cansupport another element and
this slows down construction dramatically.
Precast concrete is usually more expen-
sive than cast-in-place due to additional
transport costs.To be economic, and com-
parable in cost wit h cast-in-place construc-
tion,the number of different components
should be kept to a minimum, becausefewer
moulds, prototypes andtrial panels would
be used. On larger projects, it may be cost-
effective to manufacture precast components
on site in a temporary facility. This avoids the
need to transport components,though such
conditions may not be ideal for high quality
work. Precast concrete systems are manufac-
tured as proprietary systems for both struc-
tural frames and wall cladding panels. There is
a significant movetowards re-using the form-
workfrom one application to the next.
Components are cast in moulds which
are made from glass reinforced polyester,
steel or concrete.Accurate manufacture is
difficult with plywoodandtimber due to the
thermal movement of these materials, mak-
ing the mould sizes unreliable. Panels are cast
either face-up or face-down. In face-down
casting the inside surface of the mould forms
the component finish. In face-up casting the
surface of the mould forms the backof the
component so that structural ribs can be
formed, leaving the panel face fiat. An alterna-
tive method,which avoids complex form-
work, is tilt up construction.This is a partially
precast method where a wall iscast fiat on
the ground at the site, directly adjacent to
the floor slab. Once it has cured sufficiently, it
isthen lifted up intothe vert ical position and
bolteddirectly in place.
Prestressed concrete is a precasting
techniquethat istypically used in floor struc-
tures. It allows increased clearspans to be
Opera House, Val encia, Spain. Architect:Santiago
Calatrava.
Concert Hall of Santa Cruzde Tenerife.Architect:
Santiago Calatrava.
MCH 43
Materials 0 I
Concrete
Precast floor components,
from timber-based mould
to floor panel, beamand
panelsbeinginstalled
MCH 44
used with thinner slabs resulting in lighter
structures.The reduced cracking andreduced
deflections in thistechniqueare a distinct
advantage over normal reinforced concrete.
In common with other precasting techniques,
this rapid construction method allows con-
struction timesto be reduced.
In prestressing, high strength steel wires,
rods or cables arepassed through a small
diameter tube set into a precast component,
typically a beam or atee-section used as a
structural deck. The wires, set in the bottom
half of the beam, aretensioned at the ends,
resulting in the beam or tee arching up in a
slight camber.The tubes arethen filledwith
grout.When the prestressed component is
set in place, the imposed loads flattenthe
pre-camberandreducethe deflectionexpe-
rienced by the component.
When an ordinary reinforced concrete
beam isloaded, compression iscreated in
the top half of the beam andtension inthe
bottom part.The compressive stresses in
the concretecreated by the tensionwires
must be overcomebeforethe beam bends.
However; when a prestressed beam or simi-
lar component is loaded, the concrete isin
compression throughout its depth,allowing
it to be shallower in depth than a reinforced
concreteequivalent. Prestressed concrete is
more suitable for large spans than ordinary
reinforced concretebecause components
can be shallower and as a consequence be
lighter; reducing the dead load. Prestressing
increases resistance to shear forces com-
paredto a reinforced concretebeam, making
it possible to achieve a more slendersection
than using cast-in-place techniques.
Where thesecomponents aretoo large
to be prestressed, or where the construction
method dictates that they areto be built on
site,the techniqueof post-tensioning can
providea similar method of reducing the
depth of beams, decks or related assem-
blies such as masonryarches. Although this
technique is used mainly in bridge-building,
post tensioning allows individual large-scale
components, such as frames andfloors,to
useprestressing techniques with a site-based
construction method. Post tensioning ismore
suited to large assemblies such as arches and
long-span floor decks thanto smaller-scale
assemblies wherethe time needed on siteto
effectthe tensioning would slowdown the
speed of construction.
Lightweight concrete isused primarily for
toppingsin profiled steel/concrete composite
construction. It isalso used for non-loadbear-
ingcomponents such as precast wall panels.
It isnot used for highstrength applications,
but is suitable for most structural applications
where weight isan important consideration.
The material istypically madefrom crushed
pumice or clinker; giving it better properties
of heat andsoundinsulation than cladding
panels madefrom other materials.
Ferro-cement is a concrete-based mate-
rial which istypically used to makeyacht
hulls.This material isbeginning to be used
as a structural material in buildings, and is
suited to complex shapes with a high qual-
ity smooth finish.A recent example isthe
curved roof trusses of the Menil Museum in
Houston,Texas, USA.Ferro-cement consists
of a cement mortar-based mix with a high
degree of steel reinforcement. It has good
tensilestrength in thin sections. Complex
shapes can be formed by applying the wet
mix onto a steel mesh by hand without the
need for formwork.
Working with the material
Concrete is compacted by vi brat ion
when poured inorder to remove air voids in
the mix and to achieve an even distribution
of the material inthe formwork.Too litt le
compaction of the wet material can result in
air pockets being left inthe mix, weakening
the concrete.Too muchcompaction brings
the fi ne aggregate to the surface, making the
surface crumbly, and causingsurface staining.
Avibrating instrument, inserted into the wet
concrete, is used to ensure an even consist-
ency.The reinforcement is given an adequate
cover of concrete to protect it in the event
of fire.The cover also reduces t he possibi li ty
of water reaching the steel which can cause
it to rust. In the manufacture of precast com-
ponents the mould istypically compacted,
either by placing it on a vi brating table or by
applying a surface mounted vibrator.
Fi ni shes
Concrete adopts the texture of the
fonmwork. Steel formwork leaves a smooth
appearance whil e softwood boards leave an
imprint rangi ngfrom fairly smooth plywood
to rougher fin ishes of planks. Boarded form-
work produces a pattern of jointsacrossthe
concrete face. Other fi nishes incl ude tamp-
ing,where a board is moved ina tapping
action across the surface of the concrete to
form a directional text ure;t rowell ing, where
concrete is smoothed wit h a hand tool;
and power fl oat ing, where a poured slabis
smoothed with a machine to provide a fi nish
that avoids the need for an additional layer of
smooth screed.
The fine aggregate and cement deter-
minethe colour of the concrete. Changing
the attributes of the fine aggregate has a
dramatic effect on the appearance of the
concrete, whereas large aggregate has little
effect unless retardants are used and the
large aggregate is exposed. Colour additives
can also be added to the mix. Unfortu-
nately, slightvariations in the proportions
of additives have a dramatic impact on the
appearance of the concrete, making it hard
to achieve consistent colorationbetween
batches.
Paint provides a thin decorative layer; but
is prone to fl aking and requires re-coating
at regular intervals. Colour stains are an
alternat ive as they are absorbed byt he top
surface of the concrete forminga permanent
coloured fi nish. Sand blasting and acid etch-
ing, processes more commonly associated
with glass, can also be used. Bush hammering
the mater ial exposes the large aggregate
and provides a roughtexture to the surface.
Conversely, polishing provides a smooth shiny
surface. However; both of these surface treat-
ments are very labour intensive. Unpol ished
concrete has a dusty surface and it may be
appropriateto seal the surface.
Recycl ing
Concrete can be recycled by crushing
the mater ial and using it as an aggregate in
new concrete. Although the use of recycled
concrete is new, it has been successfully used
in new reinforced concrete structures.
MCH 45
Materials 0 I
Tectonics in masonry
CorpusChristi, Cambridge, UK. StJohn's College,Cambridge,UK,
WestminsterAbbey. London, UK.
Oriel College, Oxford, UK
MCH 46
The pre-industrial use of masonry wasas a
loadbearingmat erial that integrat ed struc-
ture and facade int o a single construction
that was capable of taking up complex geo-
metric forms, such as thoseused in castles
and lat er in medieval houses across Europe.
In additi on to their ability to form complex
shapes in plan, masonry hasthe ability t o
corbel outwards or inwards fromt he verti-
cal plane of the wall t hroughtheir height to
create a more complex section t han t hat of
verti cally set walls,A 20th century example
of this principle was used inAnt onio Gaudi's
work on t he Sagrada Familia in Barcelona.
This usewasin parallel to t he emerginguse
of cavity wallsat the time for houses built in
England,
In cavity wall construction, the loadbear-
ingwall is divided into two separat e halves,
and linked structurally to form a diaphragm
wall: a constructiont hat uses less material to
achieve the same purpose.A disadvantage
ist he needto extend floor platesthrough
in order to maket he wall perform structur-
ally as a diaphragmwall, which result s in a
thermal bridgethat can cause high levelsof
heat loss (or heat gain in hot climates) and
associated condensat ion risk Consequently,
the outer leaf of the cavity wall became iso-
lated from t he constructionbehind except
at fixing or restraining point s, as isthe case
wit h stonecladding.The resultant use of
cavit y wallsas an outer prot ective screen
has robbed it of any real significance in the
construction.
The useof masonry in Gothic cathe-
drals as loadbearing structure and enclosure
continued on, almost uninterrupted, in
built examples across England,The college
buildings of the universities of Oxford and
Cambridge contained Gothic elements of
construction through the Renaissance, wit h
a gradual re-introduction of Gothic language
emerging in folliesto English country houses
built during t he 17th and 18thcenturies.The
Gothic revival of the 19thcentury, which
associatedthe architecture and its associated
forms of construction with renewed spirit ual
values, introducedthe use of iron into forms
previously constructed entirely in masonry.
Bui ldings such asthe Oxford Museum in
England combined medieval methods of
loadbearing masonry construction and their
re-interpretation asglazed vaults of iron ribs
into a single building.The ability to mix differ-
ent loadbearing structuresgives a structural
continuity between buildingelement s and
also between buildingforms, as seen in the
city centre of Oxford, where t here is a con-
t inuity of constructional language from door
to wall t o buildingto city block t o street.
The move from masonry used in load-
bearingstructuresto its usealmost entirely
as non-Ioadbearing cladding came in the
early 20th Century with t he int roduction of
steel and concreteframes, init ially int ended
for taller buildings but soon becoming t he
standard method of construction for all but
small residential buildings, wit h the out er
wallsbecoming non-loadbearing and roofs
usingthe full extent of the structural frame
for support .
A t rend in the past 30 years has been
t he introduction of thermal insul at ion int o
St George's Chapel,Windsor Castle,Windsor, UK. Bristol Cathedral, Bristol, UK
masonryconstruction as well as a layer of
weatherproofing when a cavity is introduced.
This has resulted in muchmasonryconstruc-
tion becoming anouter rainscreen, either
as cladding panels of stone, or as the outer
skin of a cavity wall. In somecases, loadbear-
ingwalls have hadthe insulation set inthe
centre of the wall, wit h the two halves of
the construction linked by stainless steel ties
to provide structural continuitythrough the
full thickness of the loadbearing wall. The
Glyndebourne Opera Housein England,
designed by Michael Hopkinsand completed
in 1994, has no thermal insulation but isfully
loadbearing. Loadbearing brickwork isused
to form the external wall andgallery for the
opera houseauditorium. Lime-based mortar
was used to avoid the cement-based mortar
associated wit h high strength, but the need
for vertical movement joints at typicall y 7.5
metre centres.These joints have the effect
of dividingan external wall into separate
bays, making a single monolithic wall almost
impossible to achieve. Because of the
loadbearing strength of lime mortar being
approximately halfthat of cement-based
mortar that would have been required for
this project, the wallswere thicker but, at
one anda half bricks thick,are no wider
than an equivalent cavity wall, but wit h piers
which aretwo bricks thick.Theavoidance
of movement joints assured the monolithic
appearance andstructural efficiency of this
structure.
In other applications of loadbearing
masonry, the positioning of the thermal
insulation inthe centre of the wall allows the
benefits of thermal mass to be used wit hin
the building as well as a weathering surface
on the outside along wit h the possibility of
the masonry being exposed wit hin the build-
ing.
The use of loadbearing masonry has
found limited applications due to the per-
ceived disadvantages of setting thermal insu-
lationon the inside face of the wall, reducing
itsthermal mass. Consequently, masonry is
used mainly ascladding to a backing wall
which ist ypically insulated on its outside
face in order to benefit from the thermal
mass of the wall wit hin the building, wit h
the addit ional advantage of beingable to fix
interior items such as shelvingto the inside
face of the wall.A disadvantage of the useof
masonry is its lackof relationship wit h the
real building immediately behind the outer
skin.As an outer veneer, its relationship to
the structure andenclosure of the building is
largely a matter of individual aesthetic choice.
Since cladding panels can be large in size, up
to around 700mmx 1400mm for granites
andstronger sandstones,the relationship
wit h historical context isseverely limited.
The contemporary useof loadbearing
constructionprovides an opportunity to
provide thermal mass in facades as well as
inthat provided by adjacent fioor construc-
tion.When informed by structural require-
ments linked to either a historical typological
model,or spatial sequence,the material
systemsuggests ways of enclosing space that
creates an architectural expression specific
to the requirements of the building. Inthe
case of masonry, which formsthe historic
WellsCathedral, Wells, UK
Bristol Cathedral, Bristol, UK
MCH 47
Materials 0 I
Masonry
Trinity College,Cambridge, UK, Magdal enCollege,Oxford, UK,
Market Cross, Chichester, UK
George Hotel and Pi lgrim's InnGlastonbury. UK
MCH 48
fabricof Englishtownsand cities,This useof
masonry would provide a continuity wit h
the past but would be able to have a more
dynamic and progressive relat ionship wit h
historic fabric as is achieved in the buildings
of Antonio Gaudi in Barcelona. Loadbearing
brickwork was used in larger scale buildings
by Louis Kahn in the Indian Institute of Man-
agement ofl962, andwhere the brickwork
is used as 'cladding' Kahn expressed its sense
of separation without reducingits quality of
visual massiveness. Kahn in part achieved this
by putting'buildings within buildings' which
might be a way forward for loadbearing
masonry construction by creat ing buffer
zones in buildings which do not requirether-
mal insul ation, such as winter gardens, circu-
lation areas or outer spacesthat provide a
t hermal buffer.
Mat erial systems based on masonry con-
struction often work well wit h those in t im-
ber,as in Englishmedieval guildhalls and inns.
Lightweight timber structuresare often set
on top of masonry structures, while more
ambitious structures such asthe George Inn
at Glastonbury seem to imitate t he framing
of ti mber in stone- t he refinement of t im-
ber finding its way into loadbearing masonry
wall design. In somebuildings such as t he
Guildhall at Cirencester and college buildings
at Oxford and Cambridge, stone is used for
window mullions, wit h glass being set into
a narrow lead frame that avoi dsthe useof
ti mber altogether.The invention in masonry
at t hist ime can be seen in buildings such
asthe Market Cross at Chichester and the
Poultry Cross at Salisbury. where techniques
of buttressing from cat hedralshave been
used at a more modest scal e for secular use.
Loadbearing masonry hasthe ability to
make complex shapesfor structures and
enclosures, but t he position of t hermal insu-
lation wit hin the constructionis difficultto
achieve. An equivalent framed structure in
reinforced concrete or steel, with masonry
claddingfixed to it , ist ypically mucheasier to
form but the masonry skin isreduced to an
essentially decorat ive role.A future direction
for masonry may be as a mixture of precast
concretemasonry-likeforms that can be
bot h structural and integrat e thermal insula-
tion wit hin the depth of the material. If pre-
cast concrete techniques for making vert i-
cally stacked units are madeat a smaller size
than is usually the case,then t hey could be
used to make loadbearingstructuresfrom
t hese small units.Thiswould bring t he histor-
ic advantagesof masonry construction back
into mainstreamconstruction. Concrete can
be formed into small masonry unitst hat can
be lifted wit h modest equipment.Theability
of masonry to corbel in andout of verti cal
plane without the needfor formwor k is a
characteristic that has had limited usein the
design of external walls, but is experiencing
a modest revival with brick wallsof complex
geometry or curved surface.
Material selection
The principles of using material s are com-
mon t o stone, brick and block.The relation-
shi p betweenthe masonry unit and t he
mortar is of particular importance.
Mortars for loadbearing masonry and
Trinity College,Cambridge,UK. NewCollege Chapel, Oxford, UK.
cladding panel s usethe same materials and
follow the same principles in stone, brick
and concret e blockwork.The compatibility of
masonry and mortar is an essential factor.It
is usual to use t he weakest mortar that will
adequately sustain t he load, because increas-
ing strength canresult in t oo much rigidity
which would cause cracking.
The strength isvaried by alteringthe
proport ions of t he binders cement and lime.
St ronger mixes have more cement, while
lime provides flexibility which allows the
brickwork to move wit hout cracking. Differ-
ent mixes of mortar are used dependingon
whether the masonry is used as claddi ng or
as loadbearing masonry. Mortar mixes have
to achieve a balance between strength and
flexibility.The comparat ively low permeability
of limegivesgreat er resistance to rain pen-
etration. Lime also makes a mortar lighter
in colour than a cement-based mix. Mortar
mixesare a balance between the needs of
loads, structural movement, water perme-
ability andpreferred colour.
In terms of appearance, it must be not ed
t hat the mortar accountsfor between I0
and 20 per cent of t he masonry, and conse-
quently makes an import ant contribution to
the colour ofthe surface.The colour of t he
mortar can be controlled by usingpigment
addit ives. In addit ion,the way that the joint is
madehas an important effect on the flat ness
or amount of shadow perceived.
In stonework,crushed stone is often
added to t he mortar mix as fines instead
of sand so that the joints match t he stone
as closely as possible.The mix depends on
the t ype of stoneand its intended use.As
a result the mortar isthe best compromise
between load,structural movement,water
permeability and preferredcolour. Mortar
joints can also be reinforced wit h steel mesh.
Recycl ing
Natural stone can be recycled if the
mortar is soft enough to be removed, par-
t icularly if a lime putty mortar has been used.
Otherwise, stoneand brick are used for
structural fill.
Bristol Cathedral,Bristol,UK
Divinity School.Oxford, UK
ChristCollege, Oxford,UK
MCH 49
Materials 0 I
Concrete block
Assembly Hall at University of Illinois,Champaign, Illinios, USA.Architect: Max
Abramovitz
PalaisdeJustice,Chandiganh, India.Architect: Le Corbusier
RossHumaniti esand Soci al SciencesBuilding,York
University, Toronto, Canada
Lyon-SatolasTGVStation, Lyon, France
Architect: Santiago Calatrava
MCH 50
Masonry block
Masonry blocks are made from con-
crete in a range of sizes and strengths. Some
t ypes are designed to wit hstand large com-
pressive forces and aretherefore made wit h
a high-density concrete.They can wit hstand
forces of up to around 20N/mm
2
(4.2x
105 Ibf/ft
2)
. Other t ypes are designed to
provide limited amounts of thermal insul a-
tion and are madewit h aerated concrete
or wit h insul ation bondedto one side. Most
types of block are manufactured to course
wit h brick but the size of the blockwill
depend on its weight. since the block must
be lifted by hand. Variousthicknesses of
block are available for different appli cations.
Material Types
Types usedare denseaggregate blocks,
light aggregate blocks and aerated blocks.
Blockswit h denseaggregates are more com-
monly used for loadbearing walls.Thosewit h
lightweight aggregates and aerated mixes
are used for non-Ioadbearing wallsand
partitions.All thesetypes aremadein solid.
cellular and hollow form. Cellulart ypes allow
the voidsto be filled wit h concrete and rein-
forcement to improve structural perform-
ance.The mainadvantage of block is its low
cost andthe speed wit h which wallscanbe
built. Alt hough some blocks, called fairfaced
blocks. are madeas a facing material , it is
more usual to conceal blocks, or face them
wit h another material such as render.
Working with thematerial
Block can be easily cut and drilled. Metal
fixings in the form of brackets and dowels
are used for wallswhere the blockwork
does not provide suffi cient stability.These
fixings are used extensively in blockwork
cladding which issupport ed by a structural
frame.
SIZES
Common metric block size:
Length 390mm x Height 190mm ( 15 5/8in
x 7 5/8in)
Overall dimensions
(Length 400mmx Height 200mmwit h
IOmm joint) ( 16in x 8in wit h 3/8in joint)
A range of thicknesses is made.
Common UKblock sizeto course wit h UK
brickwork:
Length 440mm x Height 215mm (Length
450mmx Height 225mmwit h IOmm joint)
Blockwork hasthe following general proper-
ties:
Heavy.
Highcompressive st rength.
Very low tensil e strength.
Sainte Mariede laTourette, Lyon, France.Architect: LeCorbusier
Villaverde Housing Project, Madrid, Spain.Archit ect; David Chipperiield
Architects
High resistanceto weathering
High impact resistance.
High fire resistance.
Susceptible to thermal and moisture move-
ment.
Not waterproof.
Lowseismic resistance.
Easyto cutto size.
Properties and data
The main properties of masonry block-
work are as follows:
Density:
Dense aggregates = Over 1500 kg/m
3
(94 Ib/ft
3)
Lightweight aggregates = I000 to 1500
kg/m
3
(62 to 94 Ib/ft
3)
Aerated = 500 to 1500 kg/m
3
(3I to
94 Ib/ft
3)
Compressive strength
Dense concrete blockwork = ION/mm
2
to 20 kN/mm
2
(209 x 10
3
to 418 x 10
3
Ibf/ft
2)
Aerated concrete blockwork = 3.5NI
mm
2
to 7.0 N/mm
2
(73 x I0
3
to 146x I0
3
Ibf/ft
2)
Young's Modulus:
Dense concrete blockwork = 5.0N/mm
2
to 25.0 kN/mm
2
(1 .\ x 105 to 5.2 x 105 Ibf/ft
2)
Aerated concrete blockwork = 2.0NI
mm
2
to 8.0 kN/mm
2
(4.2 x 10
4
to 1.8 x 105 Ibf/ft
2)
Coefficient ofThermal Expansion:
Dense concrete blockwork = 6 xI0-
6
to I2 xI0-
6
K- I
(3.4x 10-
6
to 6.8x 10-
6
OF-I) at 5%
moisture content
Aerated concrete blockwork = 8 x I0-
6
K-I (4.5 x 10-
6
OF-I)
at 5% moisture content
Thermal conductivity:
Dense concrete blockwork = 1.2WI
m
0
C (0.69 BTU/hr.ft.0F)
Aerated concrete blockwork= OJ WI
m
0
C (0.17 BTU/hr.ft.OF)
o
Specific heat capacity= 840J/kg C (0.2
BTU/lb OF)
for dense concrete blockwork
Institute of Education+ Law, London, UK.
Architect: Sir Denys Lasdun + Partners
Ennis-Brown House, LosAngeles, California, USA
Architect: Frank LloydWright
MCH 51
Materials 0 I
Stone
Parc Guell, Barcelona, Spain.Architect:Antonio Gaudi
SagradaFamilia, Barcelona, Spain.Architect:Antonio
Gaudi
Parc Guell, Barcelona, Spain.Architect:Antonio
Gaudi
Above. Parc Guell, Barcelona.Spain.
Below. Casa Batillo, Barcelona, Spain.Architect: Anto-
nio Gaudi
MCH 52
Production process of raw
material
Stoneis cut or hewn from large blocks
which have been cut, blasted or split from
t he bedrock. Being a natural material,the
appearance and durability of stone,even
from t he same block. can vary enormously,
To control quality, it is sometimes best to
sel ect cut stoneat t he quarry. Since no two
cuts producethe same appearance, when
defining the requiredquality it is advisable
to define a limit ed bandbetween the most
veined and leastveined stone acceptable,As
stone is a naturally occurring material, the
properties are not as controlled as man-
madematerials such as steel. Stone from
a particular quarr y is usually t ested before
sale in order that its physical and mechanical
propertiesare known,Whenstone isused in
structural applications, the material undergoes
rigoroustestingto detenrnine its perfonrnance
inthe intended application.
Natural stone has the following properties
common to most types:
Durable
A heavy material, weighingas much
as reinforced concrete.
High compressive strength.
Low tensile strength.
Finishcanbe adversely affected by
weat heringduet o exfoliation as a result of a
freeze/t haw cycle, pollution,salts,etc.
Low moisture movement.
Brittle, but high impact resistance
improving with thickness.
High fire resistance.
. Low seismic resistance
Material selection
Natural stone is a brittle material
that is strongin compression but isweak in
tension. It is usedmostly for wall facings and
pavings, although the highunit cost means
that it is rarely used in atraditional loadbear-
ingcapacity. Most stone has t he strength and
durability of block and brickwork.The most
widely used typesaregranite, limestone,
sandstone, marble and slate. Igneous rocks,
such as granite, are formed directly from
molten magma. Sedimentary rocks, such as
limestone and sandstone, are made up from
the eroded elements of earlier rockslaid
down in beds near the earth's surface, and
are often composed of loosematerial bound
toget her by cement-like materials. Meta-
morphic rocks, suchas slate andmarble,are
igneous or sedimentary rockswhich have
undergone a chemical transformation due to
hightemperature and pressure.
Granit e, withinthe buildingindustry,
refers to coarse-grained igneousrocks. It has
a wide rangeof colours,and is extremely
hardwearing. Most granitesare grey or pink.
with mixturesof white/grey and pink/grey
depending upon t heir geographical source.
Limestone is madeup from rock
material bound together by calcium car-
bonate, in the form of the mineral calcite.
Manylimestones contain a proportion of
the mineral dolomite.The colour isgener-
ally light, rangingfrom near white through
to brown and grey. Chemical impurit ies can
Pare Guell, Barcelona, Spain.Architect:Antonio Gaudi Casa Batil lo, Barcelona, Spain.Architect:Antonio Gaudi
causea darkening of the colour. Limestones
vary intexture and can range froma sand-
textured and coarse materialto one that
is so fine-grained as to lack visible particles.
Li mestones such as Portland Stone (Indiana
Limestone inthe US) are strongand durable.
Most sandstones consist mainly of
quartz grains cemented together by mine:al
solutions. Calcareous, dolomitic, ferruginous
and siliceous cements are common. Small
amounts of other minerals,often iron com-
pounds, give the stone its colour. Sandstones
vary incolour fromdull crimson to pink or
green/brown mixtures to blue/grey Sand-
stones vary enormously indurability from
soft, easy to work types with lowstrength
and hi gh porosity. to relatively durabletypes
withstrengths approachi ng those of granites,
with lower porosity.
Marble isa metamorphic rockformed
by the recrystalli sation of limestone or dolo-
mite through a combination of heat and
pressure.The crystall ine structure is seen in
a fractured surface,whi ch gives it a sparkl ing
appearance. During metamorphism, impuri-
ties in the original limestone, such as differ-
ent minerals, are incorporated intothe rock
and appear as bands or as discreteinclusions
scattered throughthe calcite mi x. No true
marble shows fossi ls.veined marbles are
the result of mi neralsdeposited from solu-
tions penetratingcracks and fiss ures. Some
marbles contain fragments of earlier crushed
rocks.Awide range of colours and textures
may be found.The presence of iron gives
rise to shades of yell ow, brown and red as a
result of oxidation.
Slate is a crystall ine rockproduced by
dynamicmetamorphism of clays and shales,
causing it to be orientated along a single
grain or 'slaty cleavage' whi ch all ows the
rockto be split into sheets. It is used mainly
for roof slates and for durable surface fi n-
ishes such as fl oors.The colour of slate varies
from greyto green to blackto red.
Working with the material
Stone isshaped either by cuttingor
sculpting, whi ch is a slow and difficult proc-
ess. Metal fi xi ngs inthe formof brackets and
dowels are used where the mortar joints do
not provide sufficient stabi lity for lintels and
copings.These fi xings are used extensively in
stone cladding panels where the material is
supported by a structural frame.
Stone has a very different appearance
when polished,though not all types benefrt
fromthe process. Depending upon type and
appl ication, stone can be fi nished to different
levels of sheen froma reflective polished
fi nish to a matt honed fini sh. Polishing does
not changethe structure or weathering of
stone and is typicall y applied where stone
is used as a flooringmaterial. Additional fi n-
ishes include etching and needle gunning, but
stone used externally usually has no addi-
tional treatment after being cut to size.
Reconstituted stone
Reconstituted stone, also referred to as
cast or 'reconstructed' stone, is made from
cement and crushed stone that is cast ina
mould. It is used either as a structural mate-
rial or as a facing to a concrete component.
Steel reinforcement is used if the casting has
a structural function.
Reconstituted stone has the following prop-
ert ies:
Very durable.
A heavymaterial, weighi ng as much
as reinforced concrete.
High tensile and compressive
strength.
High impact resistance.
High fire resistance.
Susceptible to shrinkage like concrete.
Properties and data
The main properties of stone are as follows:
Density:
Natural stone: 2200to 2600 kg/m
3
( I37 to I62 Ib/ft
3
) wet
Cast stone: 2100 kg/m
3
( I3I Ib/ft
3
)
Characteristic compressive strength:
Granite =30 N/mm
2
to 75 N/mm
2
(6.3 x 105 to 1.5 x 10
6
Ibf/ft
2
)
Sandstone =10 N/mm
2
to 30 N/mm
2
(2.0 x 105 to 6.2 x 105 Ibf/ft
2
)
Coefficient ofThermal Expansion =7.9x
10-
6
K-I (4.4 x 10-
6
OF-I )
o
Thermal conductivity =1.0W/m C to
o
I.3W/m C
(0.58 to 0.75 BTU/hr.ft.0F)
MCH 53
Aboveand left. Richards Medical Centre, University of Pennsylvania, USA. Architect; Louis
Kahn
Materials aI
Brick
MCH 54
Production process of raw mate-
rial
Bricks aremadeby cuttingor moulding
clay. They arethen baked in a kilnto form
a hard, brittle unit.A very wide range of
colours andtextures is available, from the
precisely dimensioned. evenly colouredtypes
which arewire cut from a clay extrusion
to the less regular handmade bricks which
are individually formed in moulds. Extruded
wirecut bricks are somet imes madewit h
holes runningthrough them to reducetheir
weight or to allow reinforcing rods to link
them together. Hand-made bricks often have
an uneven appearance which provides a rich
visual texture as a completedwall.
Most bricks in the UKare madein a
single standard size: 215mm longx 102.5mm
wide x 65mmhigh, (7 5/8" I. x 3 5/8" w. x 2
3/8" h.) thoughmetric size bricks are also
available. When constructing brickwork
a IOmm joint is used throughout, resulting
in vertical courses 75mm high and225mm
long.Two bricks laidside by side wit h a
IOmm joint are equal to a brick length. The
modular natureandsize of bricks makes
brickwork a very flexible medium.The
weight andsize of one brick allow it to be
lifted wit h one hand. The modular nature of
brickwork imposes a strict discipline on the
detailing of openingsandcorners if expen-
sive specially shaped bricks. called 'specials'
areto be avoided. Bricks are economically
and easil y transported in large or small
quantities.
Brickwork has the following general proper-
ties:
A heavy and durable material.
Highcompressive strength.
Very low tensilestrength.
High resistance to weat hering.
Highthermal mass.
High acoustic mass.
High impact resistance.
Highfire resistance.
Susceptible to thermal and
moisturemovement.
Low seismic resistance
Material selection
The most widely used t ypes are com-
mon, facing, engineering andcalcium silicate
bricks. Common bricks arethe weakest type,
while engineering bricks arethe strong-
est. Facing bricks are usually used on the
external face, while cheaperbricks can be
used wit hin the wall. Engineering bricks are
used for their high strength andare almost
imperviousto water;and so are often being
used below ground in additionto structural
applications where brick is usedas a primary
loadbearing element. Calcium silicate bricks
Richards Medical Centre,University of Pennsylvania, USA.Architect;Louis Kahn
are madefrom a mixture of sand and lime
which are compressed under steam pres-
sure in a mould. They arelow to medium
strength, and their water absorpti on is
comparable to that of clay bricks. They are
mainly used in internal wallswhere their light
appearance can be exploited. Brickwork is
strong in compression, but is not used to
resist tensile forces.
Working with the material
Brick canbe easily cut anddrilled. Metal
fixings, inthe form of brackets and dowels,
are used for wallswhere the brickwork
would not be sufficient ly stable by itself.
These fixings are used extensively in brick
claddingwhich issupported by a structural
frame. Bricksare madein avast range of col-
oursfrom redst o blues. Colour is defined by
the type of clay, combined wit h the way it is
firedand any pigmentswhich may be added.
Calciumsilicate bricks arewhit e.
As new brickwork and mortar driesout
after rain,tracesof salt deposits aresome-
timesleft on the surface.These appear in the
form of whit e stainsknown as efflorescence. It
can be easily removedwit h a brush and water.
Where moisture cont inuesto penetratethe
brickworkthisefflorescence will continue to
manifest itself.
Properties and data
The main properties of brick are as
follows:
Density:
Average brickwork = 1700kg/m
3
( 106 Ib/ft
3)
Design strength = 5.0 N/mm
2
to 25.0 NI
mm
2
(1.0 x 105 to 5.0 x 105 Ibf/ft
2
)
Coefficient ofThermal Expansion
=5.0 x 10-
6
K-
I
to 8.0 x 10-
6
K-I
(2.8 x 10-
6
to 4.5 x 10-
6
OF-I)
o
Thermal conducti vity: = 1.3 W/m C at
5%moisture content (0.75 BTU/hr.ft.0F)
o
Specific heat capacity= 800Jlkg C (0.19
BTU/lb OF)
Above and below. IndianInstitue of Management.
Ahmedabad.India.Archit ect Louis Kahn
MCH 55
Materials 0 I
Tectonics in plastics
Casa Batillo, Barcelona, Spain.Architect:Ant onio Gaudi
Mound Stand, LordsCricket Gound, London, UKArchitect:
Hopkins and Partners
Monsanto Houseof t he Future, Disneyland, Cali-
foma,USA
~
).;- " \
". ,
Vemer Panton Chair
MCH 56
The use of plastics isvery much a part of
recent history from 1945. Pl astics were given
an impetus for development during the Sec-
ondWorld War and found wider industrially-
based usesin building construction from the
1950sonwards.The Monsanto House of
1957 was developed by anAmerican hous-
ing company wit h the Massachusetts Institute
ofTechnology (MIT).The aimofthe project
wast o create an all-plastic house that also
used much more plastic in its interior fittings,
which were already being used extensively in
more t raditional construction,from vapour
barriersto plasticplumbingand electrics.The
design of t he Monsanto House extended
the ideaof the consumer product to the
building itself by makingthe house from a
seriesof plastic'pods' formed from wall and
roof panels of repeated module.The visual
effect of t he repetit ion of t he facade panel
wasreduced by setting t hem around a single
core, giving t hem a visual complexity where
each room isseen as a separate volume.
Each room was naturally crossvent ilated,
though the use of air condit ioning wassug-
gested as a benefit in the time before the
environmental effects of energyconsump-
t ion became a primary design consi derat ion.
Windows were glazed however,and were
not curved,unless t he opaque plastic pan-
els, givingthe visual effect of glazed 'slices'
througha complex single volume.A primary
benefit of the house was possibly it s ability
to move location as t he family moved from
place to place, which perhapswasas appeal-
ingas its form wit h its suggestion of lightness,
almost appearing to 'hover' in its suburban
garden context.
Later during t he 1960s, the Archigram
Group in the UK explored t hist emporary or
mobile nat ure of construction, wit h its ability
to create, at least potentially, the Instant City
or Walking Cit y. An additi onal appeal of this
archit ecture is its ability to form an addit ion
to an existing built context along wit h its
ability to create a complet e built environ-
ment In parallel with t he work of Archigram,
the ecology movement wasemerging at t his
time asa result of concern for the nat ural
environment, and our impact on it, gradually
rising in t he public consciousness.An inter-
est in a return to 'low' energytechnology
beganto emerge at thistime, wit h events
such asthe image of the earth being seen
fromthe moon for t he first t ime in 1969,
allowing usto see our world from outside its
boundaries.The revived int erest inthe flying
machines of Leonardo deVinci at the t ime
can also be seen as a kind of hope for the
future: low energy machinest hat might have
a real technical performance.The possibili-
ties of low energy flight, and their parallel in
architecture wast he flying machine of Clem-
ent Adler in France, who developed t he idea
of flying machines, followingexamplesfrom
nature such as the bat , rather than the flat,
fabricat ed components used much more
successfully by the Wright Brothers. Many
of these principleswould eventually find an
echo in the 't ent' structuresof Frei Otto, but
were used to great effect in t he airshipspro-
posedby Archigram.The work of t heArchi-
gramGroup themselvesappeared t o come
t o life for t he first time at t he big scal e in the
Schlumberger Cambridge Research Centre. Cambridge, UK.Architect: Hopkins and Part-
ners
Media Centre, Lords Cricket Gound, London, UK.Architect:
Future Systems
designs of non-Archigram architects Richard
Rogers and Renzo Piano. Plastics were used
to form the escalators inthe Centre Pom-
pidou in Paris of 1977. which would have
been both heavy and difficultto fabricate in
glass. Plastics were not used elsewhere in
the building. where glass andmetal panels
are used for their greater lifespan. The use
of sheetmaterial in the designs of Archigram
in airships andtent structures was reflected
by the use of plastics in the Munich Stadium
canopy of 1972 andthe tent structures of
Michel Hopkinsin the Cambridge Schlum-
berger building andthe Mound Stand at
LordsCricket Ground in London. both built
duringthe late 1980s. PeterCook of Archi-
grambuilt hisfirst large scale building that
reflected someof the values of Archigram in
the Kunsthaus in Graz, Austria. completed in
2003. Acrylic rainscreen panels were curved
to createa non rectilinearform that creates
atranslucent outer skin.
The abilityto cut plastic based fabrics
into different forms has been exploited in
the Natural Ellipse building by Masaki Endoh
andMasahiro Ikeda inTokyo.Therethe trans-
parent natureof the building isexploited to
createa complex geometric building skin
from a flat material. Solid plastic panels in the
tectonic tradition of the Monsanto House
can be found in the travelling pavilion for
ChaneI by Zaha Hadid. Here.the geom-
etry is complex, with different sized panels
formed from a set of relatively economic
moulds. the shapes of which could be gener-
ated from modelsgenerated in 3D model-
lingcomputer softwarerather than by hand.
This digital approach isgradually making its
presence felt in construction with the ability
to transfer 3D digital model files directlyto
manufacturing machines.
Recent examples are limited to modest
scale architectural compositions, but those
imagined in the design work of artist Roger
Dean inthe I970swere far more ambitious.
which were either conceived as sprayed
concrete onto a plastic formwork, or could
have beenmadeentirelyin concrete.The
complex geometry of Zaha Hadid's project
for ChaneI wassuggested at a much larger
scale inthe Jade Sea painting by Dean of
1976. In Dean's work the architecture is
continuous with the forms of nature, which
would suit a range of materials. but plastics
suit the transition from complex mould to
complex weathertight form which isdifficult
to achieve with other materials.
A possible development for plastics is
that of the useof common components
for walls andfixturesandfittings. sothat
the interchange of cladding for elements of
curved wall could be used in associated fit-
ted furniture in a complete system capable
of replacement through the lifeof the build-
ing.The lifespan of building components in
contemporary buildings varies from 10years
for fittings, to 25 years for windows and
doors to 50-100 years for the structure.The
overall lifespan of building elements might
vary more by allowing more replacement
and interchangability of components within
a building rather than its complete replace-
ment by a new assembly, or new facade. for
example.Thiswould ensure that compo-
Olympiapark, Munich. Germany.Architect: Frei Otto
Above. Olympiapark, Munich.Germany.Architect:
Frei Otto
Below. Eole fiying machine. Clement Ader
MCH 57
Materials 0 I
Plastics and composites
Allianz Arena, Munich,Germany. Architect; Herzog+ de Meuron
Aboveandbelow, Natural Ellipse Building,Tokyo,
Japan.Architect; Masaki Endoh and Ikeda Masahiro
MCH 58
nentsareused for longerthan isthe case in
current building construction.
Issues of the interchangability of com-
ponentsaretied to the issue of scale, and
design appropriateto a given scale. Where
small structural components such asties or
struts are designed quite differently to build-
ingbeams, dueto much higherforces expe-
riencedby large scale building components,
the difference in approach to their design is
shrinking wit h the needto provide greater
visual expressionin large scale constructions.
At the scale of transportation,the design of
MIT's vehicles based on a more architectural
approach suggests a range of components
that could be developedin plastic, from the
semi-structural seatsto the enclosureof the
vehicles.
Production process of raw mate-
rial
'Plastics' are resinous polymer-based
materials divided into t wo groups.These are
thermoplastics, which melt at high tempera-
ture, andthermosetting plastics,which set
hardanddo not melt on further reheating.
They are usedmainly in cladding systems
but composites are beginning to be usedas
fully structural materials in relatively modest
applications such asfootbridges. The most
commonly used types, under the generic
names used in the building industry rather
than their polymer-based names, are as fol-
lows;
Polycarbonate
Acrylic sheet
PVC-U
'Composites' compriset wo or more mate-
rials combined together where the proper-
ties of each constituent can complement
the others.Alt hough reinforced concrete,
plywood and other more traditional materi-
als are sometimes referred to as composites,
the term is generally used inthe building
industry to refer to polymer-based com-
posites.Thesematerials have a polymer
resinreinforced wit h thin fibres, usually glass
fibres or carbonfibres. Glass-fibre-reinforced
polyester (GRP) was first used duringthe
Second World War for radar coversandwas
later applied in a GRP boat for the USNavy
in 1947. Carbon-fibrewas developedby the
Royal Aircraft Establi shment in Farnborough,
England, duringthe 1960s andwas applied
in composites for use in compressor blades
in jet engines later inthat decade. Carbon-
fibre-reinforced polymer ismuchstronger
and stifferthan GRP but remains ext remely
expensive in relation to most metals or
other plastics andhas yet to find a significant
usein building construction.
Polycarbonate
Polycarbonate isused in building con-
struction largely as a substitute for glass,
especially where moulded shapes are
requiredwhich would be too difficult or
too expensive to make in glass.The material
wasfirst madeinthe I950s as part of the
research into polyesters and wasmarketed
as Lexan sheet inthe early I960s. Polycar-
bonate is made by polymerisation, where a
polymer is melted and extruded into strands
AllianzArena,Munich, Germany. Architect; Herzog+de Meuron Centre Georges Pompidou, Paris, France.Architect; Renzo Piano and
Richard Rogers
which arechopped to producepolycar-
bonategranules.The granules can then be
extruded or moulded to form single sheet,
twin-wall sheet or complexshapes.
Properties and data
Density: 1200-1260kg/m
3
(75 to 78 Iblft))
Tensile strength =56N/mm
2
to 75NI
mm
2
(1.2 x 10
6
to 1.6 x 10
6
Ibf/ft
2)
Compressive strength =I00N/mm
2
to
120N/mm
2
(2. I x I 0
6
to 2.5 x I 0
6
Ibf/ft
2)
Young's Modulus =2.3 - 2.8kN/mm
2
(4.8 x 10
7
to 5.8 x 10
7
Ibf/ft
2)
Coefficient ofThermal Expansion :
60-75 x I 0-
6
K-I
(33.5 x 10-
6
to 42 x 10-
6
OF-I)
Thermal conductivity :
o
0.18 - O.22W/m C (0.1 to 0.13 BTUI
hr.ft.F)
Specific heat capacity =1200 - I 300 JI
kg
0
C (0.29 - OJ I BTU/lb OF)
Polycarbonate has the followinggeneral
properties;
A strongmaterial wit h low stiffness.
High transparency can be obtained.
A tough but ductilematerial.
Highimpact resistance.
Flame resistant, tendingto melt rather than
ignite, but is still combustible.
Poor scratch resi stance wit hout silicone
coatings.
Recyclable.
Material selection
Polycarbonate isathermoplastic used
for its high strength, ductility, lightness and
transparency. It isfire retardant, andcanbe
easil y mouldedto complex shapes.The use
of polycarbonate is limitedby its combusti-
bility. Polycarbonate is anextruded materal
used as sheets and sections. Pol ycarbonate
sheet is available inthicknessesfrom 2mmto
25mm(I I 16in to I in). Its impact resistance is
higher thanthat of t oughened or laminated
glass.Thetwo main disadvantages of polycar-
bonate over glass arethat it is less durable,
scratchingeasily which makesthe surface
dull wit h time anditsgreatercombustibil -
ity. Polycarbonate also has greaterthermal
expansion thanglass.
Twin-walled sheet is anextrusion of two
layers separated by parallel fins, giving the
material greater rigidity for useas a board.
The air gap between the two layers provides
a degree of thermal insulation.Themaximum
sheet size isapproximat ely 2 x 6 metres. It
can be sawn, cut and drilled. It expands 20%
morethan glass. For example, a 1.5 metre
(5ft) wide sheet will expand up to 3mm
( I/8in).The material has a density of 1200
kg/m
3,
which is half that of glass, alt hough in
practice the real weight saving is about one
third.
Pol ycarbonate canbe coated wit h acrylic
to prevent yellowing, andother coat ings are
used to enhance abrasi on resi stance. It pro-
videsan average of 85%lighttr ansmi ssion
for a sheet 5 to 6mmthick.
Centre Georges Pompidou, Paris, France.Archit ect:
Renzo Piano and Richard Rogers
Above andbelow.Chanel Contemporary Art Con-
t ainer Mobile.Architect:Zaha Hadid Architects
MCH 59
Materials aI
Plastics and composites
ChaneI Contemporary Art Container, Mobile.Architect:Zaha HadidArchitects ChaneI Contemporary Art Container, Mobile. Archi-
tect:Zaha Hadid Architects
Kingsdale Foundation School, London, UK.Archi-
tects:dRMM
Above. Olympiastadion, Munich,Germany. Architect:
FreiOtto
Below. Natural EllipseBuilding,Tokyo,Japan.Archi-
tect: Masaki Endoh andIkeda Masahi ro
MCH 60
Acrylic Sheet
Acrylic sheet,developed as Perspex in
the I930s, isa plastic based on polymersof
acrylic acid.The mostcommon ispolymethyl
methacrylate, or PMMA, made by polymeris-
ing an MMA monomer with acatal ystto
forma powder which can then beextruded,
moulded or cast.
Properties and data
Density: I 150-2000kg/m
3
(72to 125 Ib/ft
3)
Tensile strength =38N/mm
2
to 80NI
mm
2
(7.9 x 105 to 1.7 x 10
6
Ibf/ft
2)
Compressive strength =45N/mm
2
to
80N/mm
2
(9.4 x 105 to 1.7 x 10
6
Ibf/ft
2)
Young's Modulus =1.8 - 3.4kN/mm
2
(3.8 x 10
7
to 7.1 x 10
7
Ibf/ft
2)
Coefficient ofThermal Expansion
60 x I0-
6
to 70 x I0-
6
K-I
(33.5 x 10-
6
to 39 x 10-
6
OF-I)
o
Thermal conductivity: 0.2W1m C
(0.1 I BTU/hr.ft.OF)
Specific heat capacity
o
= 1280- 1500J/kg C (0.30 - 0.36 BTUI
Ib OF)
Acrylic sheet hasthe followinggeneral prop-
erties:
High transparency and optical clarity.
Weatherswell wit h high resistance
to yellowing.
Hardbut brittle.
Poorscratch resistance.
Easily recycled.
Combustible.
rvcu
Theterm PVC-U, or UPVC,denotes
the unplasticised form of polyvinyl chloride,
or PVC.This rigid formof PVCisused for
awide rangeof building components from
guttering and ground drainage pipesto
window frames. Thematerial can beeasily
extruded or moulded to complex shapes
and isavailable in arange of colours.The
low thermal conductivity and fiexibility of
the material combined with it sability to be
extruded makes it very suitable for window
frames wherethe material is, in effect, its
own thermal break, minimisingthe riskof
condensation onthe face of the frame inside
the building.
Properties and data
Density : 1400kg/m
3
(87 Ib/ft
3)
Young' s Modulus =0.1 to 4.0 kN/mm
2
(2.1 x 10
6
to 8.3 x 10
7
Ibf/ft
2)
Coefficient of Thermal Expansion
=70 x I0-
6
K-I (39 x 10-
6
OF-I)
o
Thermal conductivity =O.3W/m C (0.17
BTU/hr.ft.F)
o
Specific heat capacity =I 300J/kg C
(0.30 BTU/lb OF)
PVC-Uhas the following general
properties:
Available in arange of colours.
Weathers well but is susceptible to fading,
ChaneI Contemporary Art Container, Mobile. Architect: ZahaHadid
Architects
Beijing National Aquatics Centre, Beijing, China.Architect:PTWArchitects
particularly with brighter colours.
Tough but flexible.
Recyclable.
Combustible.
Glass Reinforced Polyester (GRP)
This material was first commercially avail-
able inthe 1930s from the Owens-Corning
Fiberglas Co in the USA, but has only slowly
been introduced into building. Itsmain use
isin specially fabricated wall cladding panels.
Glass reinforced polyester; or GRP, ismade
from a combination of glass fibremat and
polyester resin. It isathermosetting compos-
ite whichhas high tensile, shear andcom-
pressive strength combined with lightness
and resistance to corrosion. However; like
aluminium, it deflects considerably under high
loads andrequires stiffening.
Properties and data
Density : 1600-1950 kg/m
3
( I 00 to 120Ib/ft
3)
Tensile strength =300 N/mm
2
to I 100
N/mm
2
(6.3 x 10
6
to 2.3 x 10
7
Ibf/ft
2)
Compressive strength =360N/mm
2
to
880N/mm
2
(7.5 x 10
6
to 1,8 x 10
7
Ibf/ft
2)
Young's Modulus : =35 - 45 kN/mm
2
(7.3 x 10
8
to 9.4 x 10
8
Ibf/ft
2)
Coefficient ofThermal Expansion :
8.5-25x I 0-
6
K-I
(4.8 to 14.0x 10-
6
OF-I)
o
Thermal conductivity: 0.4 - 1.2W/m C
(0.23 to 0.7 BTU/hr.ft.0F)
Specific heat capacity =I 00 - 1400JI
o
kg C
(0.02 - 0.34 BTU/lb OF)
GRP has the following general properties:
Strong but light.
Highstiffness compared with plastics.
Highimpact resistance.
Working withthe material
GRP ismade by embedding glass fibres,
usually as awovencloth, into a polyester
resin whicharethen hardened by a catalyst.
Glass fibre isa flexible sheet material formed
from fibres drawnfrom moltenglass, and
has atensile strength ten timesthat of steel.
Polyester resin, the other component of GRP,
becomes a solid material whena chemical
catalyst isadded. The material ismade either
by craft-based open moulding methods
to make panels or by pultrusion to make
continuous sections inthe mannerof extru-
sions in other materials. Injection moulding
issometimes used but this isusually limited
to small components.The craft-based meth-
ods use either the hand lay-up technique,
whereglass-fibre or glass-fibre cloth is laid
in anopen mouldandcoated wit h resin
andcatalyst. or the spray technique where a
mixture of fibres andresins issprayed onto
the mould.Air bubbles areremoved by hand-
rollingor by a suction method.The face of
the mould iscoated with a releasing agent to
facilitate removal when set.
The manufacture of GRP panels isa
craft-based workshopactivity rather than
a machine-based industrial technique. It is
formed in moulds but wit hout high tempera-
tures or expensive equipment.This isin con-
trast to the emerging technique of pultrusion
where machinery isused to drawa mixture
of resin andchopped fibres througha die
to producea material with constant cross-
section. A wide range of sections isnow avail-
able from I-sections to channels,tubesand
planks for use in footbridges. Sections can
be boltedtogether using techniques broadly
similar to thoseused in steel construction.
MCH 61
Materials 0I
Tectonics In timber
The Eduardo Cat alano House, Raleigh,North Carolina, USA.Architect: Eduardo Catalano Leigh-Pemberton House, Lincol n,UK
Vanna Venturi House, Chestnut Hill, Philadelphia,
Pennsylvania, USA. Architect Robert Ventur i
Teatro del Mondo, Mobile. Architect:Aldo Rossi
MCH 62
An increased int erest in the useof
timber is in gridshell s, which are shown in
the structures chapter. In contrast to large
scale structurescurrently being developedin
new projects isthe enduring use of timber
to make small-scale rectilinear enclosures
based on cut timber sectionsup to around
3.5 metres long,condit ioned by the size of
cut natural t imber,which conditions the size
of rooms in domestic construction.The 19t h
cent ury Brit ish railwaywasdesignedwith
this constraint,to make an economic single
room buildingthat can be glazed along its
wallsas required to give clear views up and
down the railway track.A 20th century echo
of this building t ype istheVannaVent uri
Housedesigned by Robert Venturi and com-
pleted in I964.The design can be viewed
as a reaction to the 'free' plan of Modernist
architecture. In mainstream Modernism, the
design is generated from t he plan, providing
buildings which are largely extr uded from
the plan. Instead,Venturi'st imber buildings
ofthe 1950s draw on vernacular'types', so
that buildings might look liketheir imagined
t ypologies aswell as beingspecific to their
site, rather than being largely independent
of the historical built context. Consequent ly.
a school should look likea'school';a house
should look like at radit ional home, with
communal spaces on t he ground floor and
private rooms on t he upper floor.
In contrast t o thisapproach aret he
early homesof Richard Meier,using t imber
construction for Modernist designs, often
contrasting open glazed facades wit h opaque
enclosedwalls. Timber isused as a mate-
rial that can provide a smooth continuous
surface to contrast wit h t he glazing rather
than allow the specificform of construction
t o be expressed.This approach follows a
Modernist interest in linking inside and out-
side spaces across screensof glass, t hrough
t he useof the 'open plan' of linked internal
spaces. In Meier's houses, spacesare dif-
ferentiated by the introduction of double
heightvolumesthat link spaces together to
differentiate spatial experiencein a building.
This isa different approach t o the spati al
complexity of house projects designed by
Meier's contemporary Pet er Eisenman, for
example, who introduced a second overlaid
grid into his designs for timber buildingsto
create spatial complexit y while following
regular construction methodsfor this mate-
rial.The useof a second grid at a different
angle, used by Eisenman, follows on to some
extent from the work of Louis Kahn, wit h his
'buildings wit hin buildings' ideas in the Exeter
Library and t he Indian Institute of Manage-
ment inAhmadabad.
A contemporary of both architects is
Aldo Rossi, whose interest in simple geo-
metric forms can be seen in his designfor
t he mobilet heatre, theTeatrodel Mondo,
with its independence from context, allow-
ing an abstracted typology of theatre to
becomet he primary forms of architectural
expression in the design. Here the t imber
construction is used in the form of longt im-
ber boards to create large flat surfaces, wit h
t imber framedwindows set into them.The
designfollows traditi onal principles of t imber
construction at this scale.
Signal Box
Another strand of timber construction is
that of traditional timber shipbuilding, where
large scale structures, the equivalent of
three or four storey buildings, were formed
in shapes of complex geometry required
to propel them through water efficiently.
An essential feature of traditional shipbuild-
ing, particularly for fighting ships, isthe solid
natureof their construction, more likethe
solidcross laminated timber panels of con-
temporary construction than the framewit h
lightweight timber cladding attached. Sailing
ships of the 18thand 19th centuries had
thick timber hulls clad in additional timber,
rather than havinga skeletal framewit h
timber boards spanning between them.This
form of construction can be seen as a paral-
lel to the solid hardwood timber frames of
medieval construction, which are seeing a
revival in England.The timber frames use
timber sections of around 300mmsquare,
typically set at around 2000mmcentres,
rather than the small softwood timbers of
IOOmmxSOmm set at 300mmcentres or
less. However; the constructional sophistica-
tion of sailing ships is only just beginning to
find its way into contemporary solidtimber
frame construction.
Unlikesailing sips, which were entirely
clad in timber on the outside, sometimes
wit h an additional thin metal skin on the
lower part of the hull, medieval timber con-
struction of buildings sets the cladding mate-
rial as an infill betweenthe structural mem-
bers. While historically this resulted in cracks
between structural frame and infill, causing
possible leaks. contemporary materials can
achieve considerabl y higherperformingwalls
using the same principle. Thisapproach may
be one to follow in the comingyears.
A mixture of large scale timber con-
struction and its smaller scale platform frame
equivalent can be seen in traditional Japa-
nese construction, where timber frames vary
in scale to suit both their structural purpose
andtheir use wit hin a building.The useof
pegs andinterlocking jointsto createjoints
that work in tensionas well as compression
have produceda richtradition of handbuilt,
large scale structures seen in the design of
sailing ships immediately prior to the Indus-
trial Revolution.
A contemporary parallel of this
approach of mixedtimber techniques can be
seen in the early work of Morphosis Archi-
tects in the US.Their early unrealiseddesigns
have small scale structures are linked in a
building composition that would have ideally
suited this approach of mixedtimber con-
struction.The designs, while visually striking,
do not exceedthe limits of the construction
material which would have requiredaddi-
tional structural support in a different mate-
rial system.The useof small scale structures
to createlargerbuildings from thesecompo-
nentsavoidsthe needto change material or
uselaminated timber.
Tension joints in timber are difficultto
form wit hout metal connectorsor glues,
but the ability to form joints wit hout their
usehas beenexplored in the design of the
Instant Cabinat Massachusetts Instituteof
Technology (MIT).The form of construction
used isone of interlocking components and
Instant Cabin at MassachusettsInstitute ofTechnol-
ogy (MIT).
Napier University, Edinburgh, UK.
Architect: BuildingDesign Partnership
MCH 63
Materials 0 I
Timber
Examples showing aparal lel timber technology:theconstruction of timber sailing ships.
pegs all formed from plywood sheet. While
experimental, this design demonstrated the
possibilities of constructionbased on the use
of digital tools for both design andconstruc-
tion.The plywood sheets were cut wit h a
CNC router in a way that produced little
wastematerial by layingout cuttingpatterns
in a digital file used by the cutting machine.
This approach of CNC routing can be
approximated at the smaller scale through
the useof lasercutters to make small scale
modelsof the real components.This method
of rapid prototypingis ideally suit ed to
timber construction, where issues of fabrica-
tion in the real building can be studied and
resolved duringthe design development
of the building.Thiscontrasts wit h other
machines used for rapid prototyping, which
provide ways of making sometimes complex
forms in anunspecified building material. An
essential aspect of digital fabrication tech-
niques in timber istheir ability to bringthe
full range of design development backto the
design st udio, allowing constraints of material
systems in timber to inform the design at all
stages of development.
Timber has the followinggeneral
properties:
Fibrous andelastic, making it strongin
tension andcompression. Like metals, it per-
forms better intensionthan in buckling.
Undergoesvarying degrees of moisture
movement.
Straight grain isstrongerthan an irregular
grain andis easier to work.
An irregulargrain givesa rich,textured
appearance, usually resulting from knots
which weaken the timber. Knots are actually
where the branches were locatedandleave
a distinct pattern in the cut timber.
. Timber isprone to rot, particularly where it
cannot be adequatel y vent ilat ed or issubject
to continuous cycles of wetting anddrying.
'Theoret ically, wood will lastforever if it stays
either completely dry or completely wet.
Wooden piles rot only inthe area of fluctua-
tion in the water table or tide.The causes of
decay are a mixture of trapped air andwater,
where fresh air cannot vent ilate and dry the
wet material.This results inthe growth of
fungi , causing dry rot, or insectattack. This is
prevented by impregnating the outer zones
of timber with preservative chemicals, but
thesecan harmthe natural environment if
the chemicals are allowed to leach into the
ground.
Material selection
Commercial timber isclassified as either
softwood, from conifers, or hardwood, from
broad-leaftrees. Softwood is used for most
structural timber,as it is easil y worked due
to its softness andstraightness of grain,
though oak is common for exposed struc-
tural timber frames.Typical t ypes are cedar,
Douglas fir, western hemlock, pine,redwood
(scots pine), spruce, whit ewood andyew.
Most softwood comes from the coniferous
forests of the northern hemisphere. Hard-
woods have high strength anddurability, a
rich grain andvaried colour.They are more
expensive than softwoodswhich makethem
too expensive for most current structural
MCH 64
use, but suitable for joinery and finishes.
Typical variet ies of hardwood are ash, beech,
birch, cedar, iroko, mahogany.maple, oak, teak
and walnut. Hardwood occurs in most parts
of the world but is obtained mainly from
both northern temperate forests and tropi-
cal rainforests.Since hardwoods constitute a
large proportion of the rainforests, and take
much longer to grow than softwoods, the
world's supply is depleting at an alarming
rate. As a result, the use of certain tropical
hardwoods has come under considerable
scrutiny in recent years.
Laminated timber is constructed from
planks glued together to form sections
which are larger than could be achieved
wit h natural timber. Laminated timber works
well in both tension and compression.As
the natural growth defect s of timber reduce
strength, individual boards are positioned so
asto reduce the cumulative effect on the
strength of the overall member.The strength
of laminated timber therefore approaches
that of defect-free solid timber.
Plywood sheet was invented in the
USA in the I930s, and is made by bonding
together veneer s peeled from logs. Both
softwoods and hardwoods are used.They
are layered so that the grain of each veneer
is set at right anglesto the one either side,
providing strength in both directions as well
as minimising thermal movement. Good
quality plywood has very little thermal
movement. Plywood is graded according
to its resistance to moisture penetration
which is determined mainly by the glue
used.The most common t ypes are interior
grade, exterior grade and marine grade.The
face veneer s vary from a rough finish, such
as Douglas fir to a smooth one like birch.
The different veneers have little influence
on either moisture penetration or strength.
Because plywood performs well in shear, it
is used as sheat hing to timber wall panels.
Plywood also has high impact resistance. It
can be bent to small radii, somet imes using
a steam treatment.
Recent developments in plywood have
produced blockboard and laminboard which
are made by applying veneers to a core
made from solid timber core blocks also
known as a stave-core The core consists
of strips of solid wood ranging from 7 to
30mm (I /4in to I 3/ 16in) thick. Laminboard,
a heavier material than blockboard , has a
core of solid strips up to 7mm (I /4in) thick,
laminated together. The grain of the face
veneers is set at right angles to that of the
core strips.These boards are not suitable
for forming cur ves.The advantage of these
panels is that they are lighter and cheaper
than plywood. Laminboard is useful where
weight is important, but is unstable in wet
areas because the endgrain to the blocks is
exposed which can deteriorate rapidly.
Chipboard, medium density fibreboard
(MDF) , and hardboard are the most
common particleboards. All are made
from mixing wood particles, normall y
wood waste, wit h an additi ve to form
a sheet material that is cured between
heated plates. Chipboard was developed
primarily for the furniture industry in the
I960s. However, it is also used as a flooring
MCH 65
Materials 0I
Timber
Japanese Timber Framing
Great CoxwellTit he Barn, Oxfordshire, UK
Westminster Hall Ceiling,the Housesof Parliament.
London,UK
MCH 66
HalcyonBeach Hut, Sutton on Sea. Lincolnshire,UK.
Designed by Atelier NU
material in wood construction as a cheaper
alternat ive to plywood or t imber boards.
Chipboard is not as strong, or as rigid, as
an equivalent plywood sheet since the
wood fibres are shorter. Likeplywoods, it
resists shear forces but is less capable of
wit hstanding impact damage and is harder
to fix wit h screws and nails. Also, it cannot
be curved except in a pre-formed process.
Chipboard is also more prone to creep
under prolonged loading t han plywood
andt imber. MDFhas smooth faces and a
uniform cross section.This gives it a great
advantage over other boards of having
smoot h exposed edgesthat require no
lipping or t rim when cut. For this reason it is
often used for built-in furniture and interior
panel systems.
Working with the material
Before the 20th century most timber
joint swere made to work in compression,
sothe high tensile strength of the material
wasnot used at junctions. However, the
development of modern gluesandmetal
connectors has resulted in a wide rangeof
contemporary tension andcompression
joints.The most common joints in ti mber
that perform well in tension and compres-
sion arethe bolted metal connector, split
ring connector and t he nail-plateconnector.
The bolted connector is at hin plate of
galvanised steel with projectingt eet h.The
connector is set between the t imber sec-
tions beingjoined, and is embedded into
both sectionsas the bolt fixing istightened.
The split ring connector works in a similar
Sea Ranch Chapel, California. Designed by James
Hubbell
way. Bot h fixingstransmit shear forces at t he
joint across t he bolted connection.
The nail-plate, also called a gangnail
plate, isa gal vanisedt hin metal platewhich is
pressed to form a series of nail-like projec-
t ions on one side.The plate is pressed into
the timber sections being joined to form a
patchconnecti on on either side.This is done
under factory-controlled conditions, andis
most commonly used in prefabricated floor
and roof trusses.
Gluedconnections in t imber are glue-
welded jointsthat are as strongas the wood
itself Widely used typesare urea-formalde-
hyde, phenol-formaldehyde and resorcinol.
Glued connections provide structural con-
t inuity at t he joint.They do not break down
when exposed to the weat her or changes in
temperature.
Injoinery, particularly for built-in it ems,
simple jointing techniques that allow parts
to be made quickly and efficiently tend to be
used. Most joints are designed to be manu-
factured easil y using machinery, which has
ledto the demiseof traditional t echniques
such as dovetailing. However, the availability
of adhesives has enabled simple mitred and
butt joints to be used.
Sea Ranch Chapel, Califomia. Designed byJames Hubbell
Properties and data
Density:
Pine softwood =3.9 kg/m
3
(0.243 Ib/ft
3)
Mahogany type hardwood =7.5 kgl m
3
(0.47 Ib/ft
3)
Design strength:
Pine softwood =5.3 N/mm
2
(1.1 x 105 Ibf/ft
2)
Mahogany type hardwood =12.5 N/mm
2
(2.6 x 105 Ibf/ft
2)
Young's Modulus =10 kN/mm
2
(2.1 x 10
8
Ibf/ft
2)
Coefficient of thermal expansion:
Pine softwood =34 x 10-
6
K-I across grain (19 x 10-
6
F-I)
3.5 x 10-
6
K-I along grain (1 .9x 10-
6
F-I)
Mahogany type hardwood =40 x 10-
6
K-I across grain (22.2 x 10-
6
F-I)
4.0 x 10-
6
K-I along grain (2.2 x 10-
6
F-I)
Thermal conductivity:
Pine softwood =0.14 W/moC across grain (8.1 x 10-
2
BTU/hr:ft.0F)
Mahogany type hardwood =0.21 W/moC across grain (12.1 x 10-
2
BTU/hr:ft.
OF)
Specific heat =3.0 J/ktC (7.2 x 10-4 BTU/lbOF)
Standard sheet sizes:
Plywood 1220 x 2440mm (4'x8')
1525 x 3660mm
Thicknesses 4mmto 25mm (1/4" to I")
Chipboard 1200 x 2400 mm
I 200x 4800mm
Thicknesses 4mmto 25mm (1 /4" to I")
MDF 1220 x 1525mm
2440 x 3050mm
Thicknesses 4mmto 25mm (1 /4" to I")
ElthamPalace Hall, Eltham, London, UK
Hammerbeam Roof, Stirling Palace. Scot land, UK
Materials 0 I
Fabrics and membranes
Sainsburys Petrol Station, Canley, Coventry, UK. Architect: LDS
PVC rnernbranesrvc (polyvinyl chlo-
ride) roof membranes have been in usesince
the 1960s as a ver y lightweight andrelatively
economic roofing material,and have become
widely usedin recent years. Membranes in
t hismat erial were first developedin Europe
in t he late 1960s and were used inthe US
from the I970s onwards. PVCsheet material
is usually reinforced wit h glass fibreto give
it increased rigidity t hat is easier to bond to
t he substrat e.The PVCused in membranes
is plasticised (PVC-P), unlikethe unplasticised
PVC(PVC-U, or upv q used t o makewin-
dow frames and rainwater drainage compo-
nents. PVC-Pis rigid at normal external t em-
perat ures, but softenswhen heated, making
it fiexible and allowing strips or sheets to be
welded together t o form a cont inuous mem-
branewithout the needfor standing seams
or visi ble joints. Pl asticisers and filler material
in PVC-P is added to give the material great-
er fiexibilit y.The material hasvery low levels
of shrinkage, andis dimensionally stable and
does not creep visibly wit h age.The mate-
rial experiences only very small amount s of
movement under full wind load.
Membranes are reinforced with glass
fibre sheet or polyester fabric.Theselay-
ers arebonded into t he material.The glass
fibre provides dimensional stability, makingit
more stable for bondingto the substrate.The
woven polyester fabric,used in tent mem-
brane structures, has hightensile strength and
to resist wind loadst he mechanically fixed
method is used. A typical build-up for a single
layer membraneis a concrete deck wit h a
vapour barrier set on top, wit h thermal insu-
MCH 68
lat ion above that, sealed on top with a single
layer membrane. PVC-Pmembranes are
typically l .5mm - 3.0mmthick,while EPDM
membranes are typically 1.0mm - l .5mm
thick.
FPO (TPO) membranes
A recent development in t hermoplastic
membrane types are polypropylene- and
polyethylene-based materials.They have
great er fiexibility than PVC-P membranes, but
still require reinforcement in glass fibre sheet
for increaseddimensional stability andpolyes-
ter fabricto give greatertensile strength. Fire
retardant is added to provide fire resistance,
unlike PVC-Pwhich is self-extinguishingwhen
fiame isapplied.
ETFE
ETFE (et hylene-tet ra-fiouro-et hylene)
is a polymer similar to PTFE (marketed as
Tefion) which is made by extrusionas a
sheet material. Thicknesses vary but 0.2mm
is a common thickness of material for ETFE
cushions, allowingthem to be very light in
weight at around 350g/m
2
for thisthickness
of sheet. Heavier gauge sheet at O.5mm
thicknessweighs around 1000g/m
2
. lnner
layers of ETFE sheet that provide separat e
chambers wit hin the cushion are often made
from 0.1mmthick sheet.The material is also
used for its high level of transparency, wit h
95%light transmission, and its durability
when compared to other fabric materials,
with a life expectancy of25-35 years, based
on visual criteria. In order to providet ranslu-
cent areas of roof (or facade) usingt he same
material, a whit e colouredtranslucent sheet
is manufactured which allows around 40%
light t ransmission. ETFE does not provide a
barrier t o the passage of UV light, making
it ideal for usein buildings where extensive
plantingis displayed,though the t ranslucent
white sheet has great ly reduced UV light
transmission. Solar shading can be provided
by a pattern of dots printed onto the surface
of the ETFE cushion, wit h a refiective silver
colour being a popular choice,t hough ot her
colours and patterns can be developed for
individual projects. The printed dots on clear
ETFEsheet reduce the light transmission to
around 50-60%, but this can be increased
further by print ing dots on two faces of t he
air-filled cushion in areas of the roof where
more shadingis required.The amount of
solar shading provided canbe varied by
allowingt he middle layer to move as a result
of changingthe air pressure wit hin the cush-
ion.The middle layer moves either outwards
or inwardsto increasethe overlapof the
printed screen of dots that hasthe effect of
varying the amount of solar shading provided.
The sound absorpt ion of ETFEcushions
islow, so that sound t ravels easily through
t he mat erial.While this can be an advant age
in noisy int ernal environments, it can be an
inappropriate material if external noiseis able
t o travel through the roof to internal spaces
where a quiet environment is required. Cush-
ions can also produce a drummingeffect
during rain resulting fromt he use of athin,
stretched membranematerial.
Thet oughness of ETFEsheet is com-
binedwit h a high resistance to tear.Damage
Busan stadium, Busan, SouthKorea. Architect: SpaceGroup
by sharp objects puncturing anouter mem-
branedoesnot spread easily into a larger
tear easily. Birds can puncture the outer
membrane, but they have great difficulty in
comingto rest on the roof itself, except on
the clamping plates, where wire issometimes
fitted to avoid providing anyspaces for birds
to stand.The material has fairlyhigh resist-
ance to surface fading from UV light where
there isagradual loss of surface reflectivity.
ETFE sheet isalso highly resistant to attack
from chemicals andfrom airbornepollu-
tion in urban areas. Its low level of surface
friction ensures that cushions do not hold
dirt and dust easily, making cushion roofs
relatively easy to maintain. ETFE roofs are
usually cleaned as a result of rain in temper-
ate climates, thoughaccess for maintenance
isrequired, usually providedby walking along
the external clamping plates with cable assist-
ance or from external structure. Roofs are
designed so as to ensure rainwater drains
easily from the roof. Gutters are introduced
on longspan roofs betweensets of clamping
plates, as shownin (F). Cushions are repaired
bythe use of ETFE tape,which isvisible,
Or by completereplacement of the panel,
depending largely on the visual requirements
of the roof design.
A major concern in the use of polymer
materials for single layerand multiplelayer
fabricroofs istheir performance in fire. ETFE
sheetisnot easily inflammable and will self-
extinguish quickly under direct flame. Few
burning fragments will fall below duringa
fire, since the material meltsrather than
burns, with most of the burnt material being
carriedaway inthe rising hot air of a fire.
ETFE sheet meltsat around275C,forming
holes in the fabric whichallows the heat and
smoke of a fireto escape. However, some
roofs still requiresmoke vents, since this may
not always OCcur duringa fire if the smoke
and heat isbeing generated in anarea away
from the roof, where the ETFE cushions are
not affected bythe fire. The small amounts of
material used in ETFE cushions, with anaver-
age wall thickness of 0.2mm, result in little
material being deposited duringa fire.
PVC/polyester fabrics
PVC/polyester fabrics are madefrom
polyester cloth which iscoatedon both sides
with a layerof PVC.The coating protects
the fabricagainst the effects of rainandof
UV light.The PVCcoating isa mixture of
PVCpowder, softeners andplasticisers, UV
stabilisers, pigments andfire retardants.An
additional outer coat of lacquer slows down
the effect inthe PVCcoating of becoming
increasingly brittle with age, which results
from the softeners within the material gradu-
allymoving to the surface of the PVCcoating.
The lacquer coating also slows down the
fading effects of the colour pigments. A PVDF
lacquer (a fluorinated polymer) istypically
used, which also ensures that the surface has
low surface friction sothat it will attract little
dust anddirt, andallowing the membrane
to be cleaned easily. Acrylic lacquers arealso
used.The typical weight of a roof using this
material is500-800g/m
2
A PVC/polyester
membrane roof will lastaround 15-25 years.
PTFE/glass fibre membranes are made
from a glass fibre mat which iscoated with a
PTFE layersuch as Teflon. As with PVC/poly-
ester membranes, the coating protectsthe
fabricfrom the effects of both the weather
andUV light as well as forminga low fric-
tion surface to reduce the collection of dirt
anddust. Most dirt iswashed away by rain,
but somecleaning isneeded using the same
methodsas for PVC/polyester roofs.Typically
it weighs 800-1500g/m
2
.The lifeexpectancy
of a PTFE/glass fibre membrane roof islonger
than PVC/polyester membranes at around
30-40years.
Comparison of types
Both PVC/polyester and PTFE/glass fibre
have high tensile strength andhigh flexibility,
making them very suitable for curvedand
double curvedroof membranes.Theyboth
have a lighttransmission of 5-20% depending
on the thickness of membrane used, reflect-
ing75-80% of light. Neither will catch fire
easily, andboth resist the deterioratingeffects
of UV light, though PVC/polyester becomes
increasingly brittle with age. Both have almost
no acoustic performance andhave poor
thermal insulation performance when used
as a single membrane roof. PVC/polyester
has a greater range of coloursreadily avail-
able, while PTFE/glass fibre isusually white,
the colour to which it bleaches naturally from
its manufactured beige colour after a few
monthsof being exposed to sunlight. Weld
marks that occur duringfabrication also
disappear as a result of bleaching in sunlight.
PTFE/glass fibre has lower surface friction
than PVC/polyester, allowing the former to
MCH 69
Materials 0 I
Fabrics and membranes
Hampshire Rose Bowl,Hampshire County Cricket Club, Southampton, UK.
Architect: Hopkinsand Partners
BrentwoodMall, Burnaby, British Columbia.,Canada.Architect: Musson Cattell
Mackey Partnership
Mound Stand, LordsCricket Gound,London, UK.
Architect: Hopkinsand Partners
Plashet Unity Bridge, Lewisham, London,UK.
Architect: BirdsPortchmouth Russum
MCH 70
remaincleaner; while PVC/polyester requires
cleaning more frequently. PTFE/glass fibre
requires greater care in transportation to site
and erection than PVC/polyester; the latter
being capableof being folded wit hout dam-
age t o the membrane.
Thermal insulation
A single layer membranefabric roof in
either PVC/polyester or PTFE/glass fibre
t ypically has a U-value of around 6.0W/m2K.
Where two layered membranes are used,
wit h a minimumair gap of 200mm between
the membranes,the U-valuecan be reduced
t o around 3.0W/m2K. Double layer mem-
branes are less commonly used as they have
a severely reduced light transmission,the
translucency of the material beingone of
its mainadvantages. Thermal insul ation can
be added t o a double layer membraneby
using a translucent fibre-based insul ation, as
usedin fibre glass cladding panels discussed
in t he previous chapter. The insulat ion can be
fixedto the inner face of eit her membrane,
depending on how the roof void is vent ilated.
Wi t h the increasingimportance of the role
of thermal insul ation in the reduction of
energy use in buildings,the use of double
layer fabric membranes is set to develop
considerably over the next 10years.
Acoustics
Like ETFE cushionsdiscussed in the pre-
vious section, single layer membranes provide
no significant reduction of noise throughthe
roof. A double layer roof wit h an acoustic lin-
ing will provide some acoustic performance
but will have the effect of losing most of the
light transmissionthrough the membranes. In
addit ion, low frequency sound is difficult t o
absorb due to the low mass of t he cladding
material. In common wit h ETFE cushion roofs,
the roofsare almost t ransparent to sound
emitted from wit hin the building.
Performance in fire
The performance of a membranedur-
ing a fire depends on both the fabric used
andthe stitchingat the seams, where thi s
joining method is used. Membranes lose
their t ension under high temperatures, with
PVC/polyester st retchingabove 70-80e,
and PVC/polyester seams starting t o peel
at around 100C, At 250C the PVC melts,
leaving holes in the membrane. PVC has fire
retardants in the coating sothat it self-ext in-
guisheswhen the flame source is removed
which results in few, if any, burning fragments
to drop down from the roof. PTFE/glass fibre
fabrics fail at a around IOOOe, but seams will
fail at a much lower temperature of around
270C,Wit h both materials, t he failureof the
membraneforms holes in the roof which
allow heat and smoke to escape.
Membrane roof fabr ication
In stitched panel joints, wider seams
have more rows of stit chingvisible,wit h the
mat erial folded over itself t o strengthen the
joint. Joint widt hsvary from around 25mm
to IOOmm depending on the size of the
membraneand its associated loads.Addi-
tional strips of fabric are usually bonded ont o
t he outer (upper) face of the stitched seam
Food Court, Chatham MaritimeShopping Centre, Chatham, UK,Architect:
Kemp MuirWealleans
to avoid rainwater penetration through the
sewn thread, PVC/polyesterpanels canbe
stitched in conjunction wit h most lacquer
types,
Welded seams are madeby form-
inga lapbetween panels,then heating the
lapped areas andpressing them together.
Joint widt hs are similar to those required
for stitched seams, Seams in PTFE/glass fibre
panels are formed by hot element welding
rather than by stitching or bonding, wit h an
additional fabricstrip added either on top
or wit hin the joint itself between the mem-
branes to providethe requiredstrength, For
welded joints on PVC membranes, the edge
ofthe panel being jointed has the PVDF
lacquerremoved before welding,which is
applied again when the welding is complete
to ensure that the PVC is fully welded and
that the PVDF lacquer forms a continuous
seal across the joint when formed, PVC/
polyestercan be both hot air welded and
hot element welded,the advantage of hot
air welding beingthat repair work and some
complex jointing can be undertaken during
erection on site, Fabric roofs wit h highstruc-
tural loads wit hin the membranes can be
both welded and sewn to provide a stronger
joint If the joint is first sewn then welded,
this avoids the needfor an additional strip
to be addedto the upper surface, which can
enhance the visual appearance of the mem-
braneon its outer surface, Bonding wit h sol-
vents isused on PVC/polyesterfabrics only,
but can be done in conjunction wit h most
lacquers used on that material.
'Observatory:Air-Port City 2008', Hayward Gallery. London, UK, Designer:
Thomas Saraceno
Buckingham PalaceTicket Office, London, UK.Architect: Hopkins and Partners
Ford Direct, Stevenage, UK.Architect: DWW
Chene ParkAmphitheatre, Detroit. USA. Architect: Kent Hubbell and Engineer
Bob Darvas
MCH 71
Materials aI
Internal walls I: Fixed and demountable
?
Details
I. Block,typically concrete or hollow brick
2.Timber studframe
3. Plasterboard/drywall finish
4. Skirt ing or recesssed tr im as shown
5. Intemal door
6. Floor joist
7. Door header
8. Stud
9. Bracing
10. Flank wall
I I.Glass block
12. Bedding reinforcement
I 3. Silicone seal
14. Bedding compound
15. Studpartition
16. Steel frameto enclose glass block panel
CD
CD
@
0
CD
'/
r;
r
V.
~
~
v.
'"
.) .;.
Vertical section
Blockwork
Partit ions are non-Ioadbearing walls.The
ease with whichthey can be removed or
changed depends upon t he t ype of construc-
t ion. Blockwork partitions are constructed
likeexternal walls andprovide highlevels
of soundinsulati on as a result of their mass.
A blockwork partit ion istypically set onto a
concrete floor or steel beam.The blockwork
can be left as a self-finish, if fairfaced, or given
a plasterfinish.A gap isusually left between
the top of the part it ion and t he soffit (under-
side) of the floor above t o allow bot h for
thermal movement in the partition and
deflections in t he floor above.The gap is usu-
ally filled wit h a flexible strip such as mineral
fibreboard.
Timber
Timber stud partitions are constructed
like the external wall to t he platform frame,
usingan internal quality liningsuch as plas-
terboard instead of plywood sheet. Sound
insulation can be provided by an infill of
board or quilt between t he studs.An alterna-
t ive method isto buildthe wall astwo skins
that are free to vibrate acoustically independ-
ent of one another.Complicated shapesand
curved partitions are easy t o construct . St ud
parti t ions can also be madein metal.These
are used in conjunction wit h an internal lining
board, such as plasterboard, and as an alter-
native to timber. Metal studs are made from
cold-formed galvanised steel sections.
MCH 72
Glass blocks
Glass block part itions are built in panels
of gridded blocks.The joints between blocks
are reinforced with steel rodsto overcome
their inherent lack of structural stability.The
rods are beddedeither in a cement-based
mortar or in silicone. Edges of blocksare
sanded or coated to provide a key for the
joint ing material. Glass blocks can be made
into panels approximately two metres (6ft
6in) square and canbe built eit her in pre-
fabricat ed form or as sit e-built panels. Panels
are supported by a perimeter frame made
from any structural material such as concret e,
steel or timber.Expansion joints are provided
around each panel.
Glazing
Glazed partitions comprisesheets of
toughened or laminated glass fixed either in
a framing systemin the manner of a large
window, or are fixed without frames on their
top andbottom edges only. Sheets are often
madesufficient ly thick to avoid the need
for vertical framingmembers or mullions to
provide rigidity. For example,a IOmmt hick
toughened glass sheet will span vert ically
to approximately 2.5 metres (8ft), depend-
ing upon intended use. Glass sheets are set
wit h a vertical gapof approximately IOmm
(3/8in) between themwhich isfilledwit h a
t ranslucent or t ransparent silicone seal.The
glass issecured top and bott om in small steel
channels or steel angles set back to back.The
channel or angle fixings are recessed into
the floor and ceilingin order to provide an
uninterrupted surface of glass.An alterna-
t ive met hod isto bolt fix the glass employing
methods used in external wallswhich are
described in t he wallschapt er.To avoid the
problemof people walking into it, a line of
manifestation marksis added to t he glass
where the partitions are used in public areas.
They usually comprise a row of dots set at
eyelevel and are either screen printed, etched
or fritted onto the material.
Demountable Partitions
Demountable part itions are used in
office buildings where requirements for the
subdivision of space change frequently in
responseto changingworkloads and work
patt erns. Demountable partit ionshave been
used for centuries in t radit ional Japanese
construction. Sl iding screensof t ranslucent
shoji panels and opaque fusuma panels are
used for external walls andinternal partitions.
When they are used externally. an additional
outer screen often protectsthem.These
panels are all demountable and can create
avariety of open and concealed spaces.
Demountable partitions used in officebuild-
ings are available as a wide range of propri-
etary systems. Partitions can be moved easily
wit h a minimumof disrupt ion t o t he building
in use. Manufactured demountable panels are
often easily integrated wit h other systems
for suspended ceilings andraisedfloors, to
which t hey areusually fixed.Where a parti-
t ion forms part of a fire break or smoke bar-
rier, the voidsabove and below t he partition,
within the floor and ceilingzone, are sealed
@
Horizontal elevation
~ :
CD
CD
CD
CD
CD
to form a continuous barrier. Solid panel s
often consist of a fabric finish stretched over
plywood.or a laminate bondedt o a board
fixed in a frame. Glazed panels can be single
or double-glazed.Venet ian blinds aresome- 0
0
timesfixedbetween the t wo sheets of glass
forminga doubleglazed panel to provide a
variable degree of visual privacy.
Section AA
6
Section BB Section CC Section DO
N
L
J1 D
r 1
0
0
p
[]
D
0
B U
U
Part elevation
MCH 73
Materials aI
Internal walls 2: plaster systems
Plastered wallsprovide a smooth, continuous
finish that isusually painted. Plastering is a
traditional method that has beenadaptedfor
use on different wall backgrounds.An advan-
tage of plaster isthat complex shapesand
edges can be formed. Dry pre-mixed plaster
in powder form is used, in order to ensure a
consistency of mix, and is mixed wit h wat er
on site. Plasters are relatively soft and can
have slotscut into the material easily for the
passage of electrical wiring.This ease of use
makes it a very practical wall finishwhich
can be cut andpatched to accommodate
changesthroughout the life of a building. Pl as-
tering is a labour-intensive operation that is
carried out entirely on site andthe quality of
finish isvery muchdependant upon the skill
of the individual plasterer. For this reason it is
important to ask for sample areas of plaster-
ingto be provided on siteto ensure that the
requiredquality can be achieved. Like pour-
ingconcrete, plastering isa wet trade. which
involves mixingthe material wit h water and
allowing it to dry out.Thisdryingprocess can
slow down other building operations, particu-
larly where construction time is animportant
factor.
A wide range of plasters isusedin dif-
ferent countries as a result of the availability
of mineralsvarying between regions. Manu-
facturers should be consultedto advise on
MCH 74
appropriatemixesfor different applications.
All plasters useeither a sand-cement mix. a
gypsum plaster(gypsum is a naturally occur-
ring mineral) or a lightweight plaster made
from mineral s such as perlite or vermiculite.
Plasters are usually applied int wo coats, as
an undercoat andfinish.The finish coat has
a finer texture in order to achieve a smooth
surface by using a mix that would not be
strongenoughto be used as anundercoat.
Plasters have different levels of surface hard-
ness. For example. soft plasters might be
usedfor exhibition spaceswhere paintings
are frequently moved; acoustic plasters are
used to increase sound insulation.
When detailing edges, junctionsand
openings in plastered walls. joints are needed
where there iseither a change in background
material or a change in structure, such as
where a wall meetsa column.This isto
accommodate thermal andstructural move-
ment at the junction betweentwo materi-
als.Thesejunctionsaretreated either by a
hairline joint, which is mostly concealed, or
by a recessed joint that forms a shadow gap.
The hairlinejoints usea layer of expanded
metal laththat isnailed or screwed to the
background andwhich spansthe joint to
form a continuous background.A breather
membrane is set behindthe metal lathto
isolate the plasterif structural movement
isexpected.The plaster isthen continued
across the joint and is keyed into the lath
where a different plaster mix. called isolat-
ingplaster, issometimes used. Shadow gaps
are often formed wit h galvanized steel trims
to createa crispline between the different
backgrounds. The joint is revealed as a con-
tinuousgroove down the joint. Both plaster
andtrim may be painted to createa homo-
geneous appearance.
Pl aster provides a smoot h, continuous fin-
ishto a wall or ceiling. Its soft. fibrous nature
makes it easy to work and repai r. Plaster
isoften used as a wet mix to a surface by
trowel as well as manufactured into lining
boards that are fixed on site.The method
used generally depends on the natureof the
background surface where boards are pre-
ferred for useover uneven surfaces.
Renders perform a similar functionto
plaster on the external surfacesof walls and
soffits.Their characteristics are similar to plas-
ter.They can also be used in a board form.
fixedto a layer of rigid insulation.
Pl asters andrenders are used not only
for their appearance and suitability for the
background. but also for reasons of cost.
speed of construction andavailability of
materials.They are applied either in one.t wo
or three coats.
Properties of plasters and renders
Thesemater ialshave the following proper-
t ies:
High resistance to impact damage.
Easi ly drilled,filled and repaired.
Moderate to low sound absorpt ion.
Low resistance to perpet ual damp.
High fire resistance.
Tiling
Tiling provides a hard, imperviousfinish
t hat is resistant to wat er penetration and sur-
face damage and is easy to clean.When the
buildingfabric has dried out, tiles are fixed t o
the background surface with cement or pro-
prietary adhesive.joints are grouted.
Interior wall t iles
Glazed t iles are used for walls, and are
madeby applyingglaze to a firedt ile,then fir-
ing it a second time.The most common glaze
used isenamel, avai lable in a wide range of
colours.There is almost no moisture move-
ment or thermal expansion of most glazed
tiles.
Tiles are fixed t o a background of
cement render or gypsum plaster once it has
dried out; t ypically the drying out takes up
to four weeks. Mostly proprietary adhesives
are used t o fix the t iles, alt hough occasionally
sand-cement mortarsareused.The bedding
depth for adhesi ve is 3mmto 6mm ( I18in to
I14in). For a full set mortar bed,it is between
6mm and 12mm ( I14in to I12in).The joints
between ti lesare filled with a resil ient mate-
rial that is compatible wit h the tile to seal
the gap wit hout shrinking.Large areas of til-
ing are divided int o bays 3mt o 5m ( l Oft to
16ft) in either direction to compensate for
movement in the substratebeneath.joints
are aligned wit h any movement joints in
the structure. Movement joints are 5mm to
10mm (31 16in t o 3/8in).
Many smaller tiles have spacer lugst hat
assure a narrow, uniform joint. Plain edge tiles
are spaced at least 2mm (I I 16in) apart to
allow for movement, although wider joint s
are used for their visual effect.jointing mor-
tars or grouts are generally cement-based
but an ever-expandingrange of products is
becoming available.
Exterior wall tiles
Glazed wall t ilesfor external use must
be frost proof, and adequately resist airborne
pollut ants, scratchingand fading caused by
UV light.Tiles are fixed wit h an exterior
qualit y adhesive.The bedding andgrout ing
must be weather- and wat er-resistant. Bed-
ding depth is 3mmto 6mm ( I18int o 1/4in).
Movement joints must coincide wit h those
of t he background wall and must not bridge
them.
Grouting can either be impervious,
sealingt he external wall completely. or be
porous,to allow the wall behind to dry out.
In common with int ernal tiles, joint widt hs
should be a minimum of2mm ( II 16in).s
MCH 75
r1aterials 0 I
Internal walls 3:wallboard systems
0) G)
CD
I
I
CD "- "- CD
r:
(0
CD
@
CD
= 0
Horizontal elevat ion
Horizont al elevation
Horizont al elevation
@
15
Horizont al elevat ion
iValiboard systems usegypsum plasterboard
heet to give a plastered wall finish to a vari-
..:ty of backgrounds.A thin skim coat finish
over the plasterboard provides a continu-
ous, dry fixed partition system that isfastto
build. it isparticularly useful on timber- or
metal-framed partitions where its use avoids
the needfor the more expensive traditional
techniqueof plaster andlath.An alternative
useof dry lining isto fix plasterboard sheets
backto a masonry wall using either steel or
timber battens which are screwed back to
the background wall, or alternatively on pIas-
ter dabs which are literally dabs of plaster. A
variety of gypsumplasterboard t ypes isused;
glass-fibre reinforced boards can be curved
to form radiused corners. High-impact resist-
ant boards are used where a hardwearing
plasterfinish isrequired, andfire-resistant
boards are used in fire protection, particularly
to structural steel frames.
Wallboard systems are finished wit h
either a 2 to 3mm (1 /16 to 3/32 in) thick
skim coat or a full ISmm (9/ 16in) plaster
coat.in practice,the full plastercoat isnot
often used except, for example, on curved
dry liningpartitions in order to provide a
very smooth finish.An alternative to a full
skim isto usetapered edge plasterboard
sheets to allow joints to be covered wit h
paper tape andfilled in order to avoid crack-
ing.The wall isthen coatedto provide a sur-
face ready for applied finishes such aspaint-
ing.This almost 'dr y' process allows following
tradesto start work sooner than wit h plaster.
which requires muchlongerto dry.
Wallboard covered stud partitions are
assembled on siteand can be easil y modified
either duringor after construction. It isdif-
ficult to re-use plasterboard sheets although
the studs can be recycled.Wallboard covered
partitions often perform better acoustically
than an equivalent blockwork partition. Parti-
ti ons can be formed using three or more lay-
ers of plasterboard sheetwit hout the useof
studs to a maximum height of approximately
three metres (lOft).
Timber stud partitions are limited to
around 35 metres (11ft 8in) in height, since
cut timber sectionsof greater length are
more difficultto obtain andare expensi ve.
Metal studs provide most flexibility in terms
of partition thickness andheight, spanning up
to around eight metres (26ft 8in) wit hout
needfor intermediary support.Wit h longer
spans, partition thickness can be reduced
MCH 76
'v.:
/
--
:j:
.C'>.
.,
@
.,;>/
'""
.
';.>/ !0
I
'V"
"V"
"V"
..
@
Vertical section
boards indicate anythingwider up to a limit
of around 150mm(6"). Nowadays stripfl oor-
ingrefers to all si zes of hardwood tongued
and grooved board.Thicknesses range from 9
to 38mm( 3/8in to I I/2in).Almostall types
are proprietary systemsthat are either fi xed
to supporting battens as a sprungfloor; typi-
call y used in sports halls, or are held together
by pressed steel clips as a continuous mate-
rialthat rests on the substrate. Beech and
maple are the most common hardwoods
used,whi ch have a li ght colouredappearance.
Agap between the floorand the wall is left
to accommodate movement in the wood due
to changes intemperature and humidity.This
gap is typically 10mm (3/8in) for a four metre
(13ft) wide bayof stripflooring.
Wood blockflooring consists of small
hardwood blocks that are bonded with bitu-
men to a concrete floor. Block sizes vary
from 25 to 100mm (I to 4 in) wide and 150
to 300mm (6 to 12 in) long. Depths vary
from 19 to 38mm(3/4 to I I/2in). Blocks
are bonded directlyto the concrete with a
bitumen-latex adhesive. Simple rectangular
patterns or herringbone patterns are the
most common ways of layi ng blocks. Bot h
stripflooring and blockflooring require a
surface seal, suchas polyurethane sealer; to
avoid dirt being trodden into the grain. This is
re-applied every fewyears depending on the
amount of wear experienced bythe floor.
Floor ti les
There are two types of tiles for fl ooring;
these are ceramic and quarrytiles. Ceramic
tiles are manufactured from refined clays,
while quarrytiles are made by extruding or
pressingnatural clays. Whereas the former
are avai lable in a wide range of colours,the
latter are produced only in their natural col-
ours of reds, browns and blues.
Fl oor tiles are made in many sizes and
thicknesses.They are laid either on a bed of
sand-cement mix or adhesive. Each bay of
tiles is edged wit h a 6mm ( I/4in) wide move-
ment joint, which can be fi ll ed with a fl exible
seal, such as polysulphide. Maxi mum bay size
is usually si x metres x six metres (20 x 20 ft).
The bay size depends on whether the area
is reached by sunlight and/or moisture. Metal
edging strips,or a rigi d sealant suchas epoxy-
polysulphide, isused to protect bay edges in
large areas of tiling.
Raised Fl oors
Raised floors were first used as computer
fl oors to provide a zone for electri cal cables
and air handling ducts to large computers
housed in a separate room.They are now
used t hroughout office bui ldings as a means
of providi nga zone for mechanical and elec-
trical services including vent ilation, as either
a complement or replacement for those
used in suspended ceilings. Raised floors are
used as a method of bringing electrical cables
under the floor to a large number of points
while allowing tiles to be movedto accom-
modate changi ngservici ngrequirements.
Completely open voids canalso be used as
an air plenumto supply or extract air in a
mechanical ventilation system.
Raised floors are manufactured as propri-
etary systems with different loading capabili-
ties, designed to be either full y accessible or
semi-accessible, dependingon the ease of
use and frequency of access requi red to the
fl oor void beneath. Fully accessibletypes have
a muchgreater range of void depth, ranging
from 100mm(4in) to around 2000mm (6ft).
Semi-accessibletypes are restricted to low
fl oor voids of around 150mm(6in).The full y
accessible types are generally steel composite
panels wit h a concrete-based infill, supported
on variable height pedestals. Semi-accessible
types are generally made from timber com-
posite panelssupported on concrete pads or
timber battens.The two types have varying
degrees of rigidity in their frameworkto suit
the degree of accessibility required. In some
systems, structural stability of the frame is
lost if too many modulesare removed for
maintenanceaccess.
Full y accessible floors are made witha
variety of construction methods. Some are
made as a support frameworkwith legs
beneath.The panels fit intothe frame to be
supported on all four sides. Others have
self-supportingpanels supported on an
adjustable leg in each corner. Semi-accessible
systems vary evenfurther in their design.
Some comprise a single precast concrete tray
with integral legs.These are laid side by side
directly onto the floor slab. Others are very
similar to the timber sprung floors used in
sports hall s, consisting of a rectilinear gridof
softwood battens resting on acoustic pads to
prevent sound transmission.Timber compos-
ite boards are screwed down to the frame.
Ventilation grilles and electrical socket
boxes can be incorporated into all types.
Fl oors typically have carpet tiles loose laid on
top,to provide both a comfortable walki ng
surface and for acoustic purposes. Carpet
can be separately bonded to eachtile or be
loose laid offthe grid to conceal joints in the
floor beneath.
MCH 79
Materials 0 I
Ceilings
Details
I. Plasterboard/ dr ywall
2. Fixing rails
3. Suspension rod, wire or pr essed metal strip
4. Clip t o secure panel
5. Ceiling panel (perforated met al panel wit h
acoustic lining shown)
CD
I : ~
CD
~ ~ Q
(3)
u
0
[
Vertical section
Suspended ceilings are used primarily to
provide a servicevoid between a ceiling
plane andthe underside (soffit) of the struc-
tural slab above.This zone is usedto house
recessedlight fittings, ducts for mechanical
vent ilat ion andassociated equipment.There
aretwo generic t ypes of suspended ceiling,
The fixed version is used where a continu-
ous plastered surface is required and where
there isno needto accessthe ceiling void
from below,Accessible t ypes are used prima-
rily in office buildings where they integrate
wit h a modular layout of partitions,They are
designed to suit both cellularoffice layouts
andopen officeareas requiring individual
lighting and mechanical vent ilat ion,
Fi xed suspended ceilings consist of either
layersof plasterboard sheets or wet-applied
plasteron metal lathswhich are supported
on a framesuspended from the soffit of a
st ructural slab or floor on either wiresor
galvanized steel strips, They can be designed
as a simple timber or metal supporting frame
or be specified as proprietary manufacturers'
systems,
Fi xed ceilings createa smoot h, conti nu-
ous soffit for recessedlighting, and a ceiling
plenum for ductsthat do not require access,
They can also provide a fire-resistive layer
where this is not provided by the supporting
MCH 80
floor structure,Access hatches can be used
but are difficult t o conceal. Fi xed suspended
ceilings can be used to form single direction
curves by bending plasterboard around a
modelledframe,
Complex shapes canbe formed wit h
metal laths, Fibrous plaster is often used,
which provides a smooth surface that is
easy to work but lacks the strength of other
plasters.As a result, it is applied onto a rein-
forcing meshin a very similar wayto ferro-
cement. Fibrous plasteris usedwhere curves
intwo directions are requiredas well as in
repetitive decoration, where items can be
madein a workshop and later fixed to the
ceiling,
Accessible ceilings usea support ing grid
in steel or aluminium.The t wo most com-
monly used t ypes aretheT-section and the
springclip. Both are designed to be as light
as possible wit h varying degrees of strength
and rigidity, which are defined by the loads
imposed on the ceiling by servicesfrom
above and by partitions fixed to it from
beneath, In some manufacturers' systems,
dimensional stability of the frame is lost if
too many tiles are removed during mainte-
nance access.TheT-section usesan inverted
T-shapedaluminium extrusionwhich holds
the ceilingtile in place,The tile either sits
directly on the section, creating an exposed
grid, or is set hanging partially below the
frame in a semi-concealed grid.The spring
clip system allows the tile to be slotted into
the support grid from beneath in a con-
cealed system.The support grid canalso be
concealedby fixingthe tile onto aT-section
grid from beneath.Thisis done where
aluminium or steel sheet is countersunk
screwed to the support frame, Noi secontrol
wit hin a room, or between adjacent spaces,
is achieved by setting a sound-absorbent
board or quilt onto the upper face of the
ceilingtiles.The t iles are usually perforatedto
allow sound to passthroughto the insulation
behind,
The most common support grids arethe
one-way grid andthe two-way grid.The one-
waysystem has identical sectionsset parallel ,
at cent rescorresponding to the width of the
tiles.Tilesare supported on two sidesand
span between the sections of the grid.Parti-
tions beneath can be supported cont inuously
in one direction but are supported only at
points inthe ot her direction,The reduced
flexibility makesthe system economical.A
two-way system uses either metal crosstees
that span between the mainrunners or by
usingthe same sections set perpendicular to
one another to creat e a full grid.The latter
o
Details
I. Plasterboard/drywall
2. Fixing rails
3. Suspension rod, wire or pressed metal strip
4. Clip to secure panel
5. Ceilingpanel (perforated metal panel with
acoustic liningshown)
Vertical section
CDj
I
I
_ 1 _
jeD
I
II
t
I
I
..............._............... .
_____1 _
jeD
I
...........................................................-...............
type is made by half-jointing the main run-
ners where they cross.The increased flex-
ibility of the two-way system makes it more
expensive.The frame is fixed back to the
soffit with members of varying rigidity: wires,
rods and angles. Suspension wires are not
usually appropriate if partitions are fixed in
such a way asto exert pressure from below.
Like their supporting grids, ceiling tiles
are designed to be lightweight.The most
economical generic tile is mineral fibreboard,
which provides high acoustic insulation but
is limited to smaller spans due to its lack
of rigidity. Greater thicknesses of board
add considerably to the weight of the ceil-
ing.The typical grid size in this material is
600x600mm (2ft x 2ft). Larger tiles are made
from perforated steel trays. Since steel is
a poor absorber of sound, it is perforated
to enhance its acoustic performance, and
in addition can be lined on the upper face
of panels with either thin mineral quilt or
an acoustic pad. Ceiling grids up to around
2000x3000mm (6ft 6in x 9ft lOin) are pos-
sible.Aluminium sheet can also be used but
it requires a greater depth of vertical edging
to attain the spanning capability of steel.This
increasesthe overall depth of the ceiling.
MCH 81
Timber frame
Cladding panels
Plastic-based cladding
Plastic rainscreens
WALLS
Trends in facade design
Generic wall types
Metal
I Sheet metal
2 Profiled cladding
3 Composite panels
4 Rainscreens
5 Mesh screens
6 Louvre screens
Glass systems
I Stick systems
2 Unitised glazing
3 Clamped glazing
4 Bolt fixed glazing
5 Glass blocks and channels
6 Steel windows
7 Aluminium windows
8 Timber windows
Concrete
I Cast in-situ
2 Storey height precast
3 Small precast panels
Masonry loadbearing walls
Masonry cavity walls
I Brick
2 Stone
Masonry cladding
Masonry rainscreens
Plastic
I
2
Timber
I
2
MCH 83
ails 02
Trends in facade desig_n _
Significant changes in the design of external
wallsin recent years have increased t hermal
performanceand solar control , great er wat er
t ightness and a reduction in air infiltration
ratesthrough wall assemblies, and a limit ed
ret urn to natural vent ilati on where possible
as a parti al alternative to mechanical venti la-
tion in larger scale buildings.These changes
have ledto a shift in design priorities. During
the late I980s, t he increased use of ther-
mal insulat ion brought wit h it an increased
risk of condensation occurring in cladding
assemblies.This condensation can occur both
inside the panel and on the inner faceof wall
assemblies. The avoidance of condensation
has been the result of technical development
since.The increased useof natural ventila-
ti on, bot h as air supply and as a means of
cooling buildings at night has had an effect
on claddingdesign. part icularly in t he integra-
tion of openinglights and louvered slots in
panels.The arrival ofthe deep plan building.
wit h distances of up t o 18metres between
external walls has led to a needfor greater
levelsof daylight enteringa building.This. in
t urn, has increased the need for bot h solar
shadingand glare control. In addit ion,the
cost of photovolt aic cells. which can gener-
ate electricity when exposed to sunlight,
has reduced considerably over the past
15 years.As a result, they are increasingl y
usedin large-scale applications for buildings.
These energy-led changes in wall design
have generated a range of t echnical develop-
ments, which have changed the emphasis of
facade design.The architectural interest in
MCH 84
the expression of structure in buildings has
been replaced by an interest in energycon-
servat ion.Thisis largely because the effect of
additional layers of external insulation. blinds,
shadingand so on often renderst he struc-
ture almost invisible.
Thermal insulati on
The useof thermal insulation has
increaseddramat ically duringthe past 15
years wit h wall assembliesachievinga U-val-
ue of 0.25W/m2Kas a minimum standard.
This compareswit h at ypical level of 0.6WI
m2Kin the early I980s. There is an accom-
panyingrisk of interstitial condensation
occurring wit hin a wall assembly from damp
air that penetrat es awall assembly where it
may condense and cause damage. In addition
to dew point calculat ionsundertaken at t he
designstage t o assess risk,vapour barriers
are added to halt the passage of damp air
into wall assemblies where interstitial con-
densat ion can occur; typically on the warm
(in winter) side of the insulation.Alternative-
ly.t he internal constructioncan be venti lated
in order to draw away damp air.
Condensation can also occur on the
inner face of a wall in temperate climates,
t ypically where there isconti nuity in a mate-
rial from the outside to the inside of a build-
ingthat allows a direct passage of heat or
cold through the external envelope.When
this 't hermal bridging' occurs,condensation
can form on the inner face of t he wall where
it can drip down, result ing in inconven-
ience to building users and damage to t he
construction.Thermal bridges are avoi ded
by providing a separatingcomponent in a
low conductivity mater ial, called a 't hermal
break', that prevents heat or cold from being
t ransmitted between inside and outside.An
example of it s useis in glazed walling, where
t he construction of a frame of mullions and
transoms requiressome cont inuity of metal
from outside to inside. Plastic spacers of low
thermal conductivity are posit ioned to pro-
vide a t hermal breakthat alsoenhances the
structural integrity of the construction.
Two generic t ypesof thermal insul a-
tion have emergedfor use in wall systems:
rigidfoamandfiexible quilt types.The rigid
foamt ype is made typically from either a
polymer-based board such as polyurethane
foam. Sinceboth are non-hygroscopic or
'closed cell',they can be used in sit uations
where the t hermal insulation can become
wet wit hout any significantreduction in its
perfonmance. Closed cell insulation is also
used to form t he structural core of metal-
faced compositepanels as well as in facing
the inner leaf of cavity walls. In contrast.
fiexible quilt is made typically from a mineral
fibre quilt, cut t o fit voids in panel frames
more easi ly than board but it s lack of rigidity
makes it unsuitable for useexternally. While
heavier insul ation helpsto provide a more
rigid, wat er resistant material ,the lighter; less
rigidt ypes provide better thermal insul ation.
As a result,the choice of core isa balance
betweent he needs of rigidity and thermal
performance.
Rainscreens
Rainscreen cladding is a development of
the rainscreen for pressure-equalised walls
researched during the 1960s. It was found
that water commonly penetrates joints in
walling because of the outside air pres-
sure being greater than that inside the joint.
Water arriving by a variety of means, mainly
gravity,wind and capillary action, was able
to penetrate the outer sealsof joints.The
introduction of rainscreen framing systems
and panel systems overcame this problem by
creating an outer 'screen' layer or seal that
stops most of the water entering the joint,
but ensuring that the air pressure in the void
behind the panel or joint is the same asthat
outside it. Rainscreen systems have three
essential functions:
- To protect joints in the cladding assem-
bly from the worst effects of windblown rain.
- To provide a decorative screen for a
waterproofing system whose appearance is
not suitable for an external wall.The same
principle applies to roof cladding.
- To provide an outer protective layer to
thermal insulation fixed on the external face
of a high thermal mass construction such as
concrete.
Drained and ventilated systems
There has been a move away from 'her-
metically' sealed systems,which rely entirely
on a single weatherproof outer skin,towards
'drained' systems.This is common to virtu-
ally all sealed facade types. Drained systems
accept that the air pressure differences
between the outside of the wall and the
inside will allow small amounts of rainwater
to penetrate the outer seal.This effect can
be countered through two means;the water
can be drained away within the metal fram-
ing that supports the cladding panels, and
the pressure differences can be equalised
by ventilating the system by providing slots
at drainage points, usually set at the base
of the wall.This ensures that water is not
trapped within the panel framing, nor is the
water discharged at vulnerable points in the
construction where staining and damage can
occur on the face of the panel.The use of
ventilation within an assembly, on the exter-
nal side of a thermal insulation layer, allows
cladding systems to dry out once water has
penetrated. Where water or water vapour
penetrates a material in a wall or roof it
is stopped from travelling further by the
vapour barrier or waterproof membrane. At
this point, it can be difficult for the water to
dry out. A void is sometimes formed at the
vapour barrier to allow the water to evapo-
rate and prevent the adjacent material from
being damaged.This is particularly important
in the case of timber, where eventual rot can
occur.The development of drained systems
accepts that externally applied seals will leak
small amounts of water and that it is better
to design for that eventuality. Even systems
with a single outer seal can be designed to
drain away water within their construction.
Use of materials in facade systems
The different material systems for
facades are very much infiuenced by the
particular material chosen.The essential
issues in working with each material in
facade assembliesare described in the fol-
lowing paragraphs.
Metals
Metals used in facade systems are based
mainly on sheets, extrusions and castings.
Thin sheet metal is made in narrow strips
up to I OOOmm wide, making it necessary
to form simple, reliable joints at close cen-
tres when joining the material together to
form a weather tight surface.This is done
by folding the metal together at the edges
to form a continuous seamthat projects
from the wall surface, making it difficult for
water to penetrate from outside. Standing
seams are economic to make, but need to
be done with care to avoid uneven joint
lines. Because it is difficult to achieve crisp
lines with this method, which relies on site-
based workmanship rather than the use of
workshop-based machines,the uneven 'oil
canning' appearance can be accepted as an
uneven texture forming part of the design.
Because sheet metal used in facades is thin
in order to fold it and work it, it requires
support from underneath.The support sur-
face conveniently forms a base for a backing
waterproof layer which is needed behind
sheet metal since it is unable to exclude
rainwater. Sheet metal can be welded
together to form a continuous waterproof
MCH 85
Walls 02
Trends in facade design
sheet material, but thermal expansion needs
to be allowed for wit h standing seam joints
that prevent t he material from deformingas
t he metal expands.
The number of joints on a facade can be
reduced by increasing the size of the metal
sheet being used. Profiled metal sheet can
be formed in very long lengths, and in widths
up to around ISOOmm.Joints between
sheets are formed by lapping sheets both
horizont ally and verticallywith sealant set
between adjacent sheetsto provide a water-
proof joint.This allows the sheet material
to span between t he support s of a framed
support ingst ructure behind, rather t han
needing cont inuous support. Fixing profiled
sheet t o the supporting structure requires
fixingsthat penetrate t hrough t he outside
of the sheet t o t he inside, which presents a
potent ially weakpoint for waterproofing. This
penet ration through the material by fixings
is avoided in standingseam sheet metal. Fix-
ingsfor profiled sheet are madeto be fixed
easily, usinga self-t apping screw,which has a
waterproof washer on the outside and a drill
bit on the front of the screw to make a hole.
The self-tappingsealed screw isessenti al t o
t he success of profiled metal sheeting, and
corner tri ms and folded copings in the same
material ensure the watert ightness of junc-
tions.
Sheet metal has beendeveloped in
recent years to be bondedto closed cell
insulat ion, since both materials are used very
economically in combination, sothat the
stiffness of insulati on is combined with the
MCH 86
watert ight ness and durability of metal.The
successful bonding of rigid insulat ion to thin
metal has been essential to t he success of
composite metal panels.These panels are
joined wit h tongue-and-groove joint s, usually
on two sides.Whil e this is a reliable joint,
the joint on the opposite t wo sides is usu-
ally less accomplished, normally being a butt
joint sealed wit h silicone, wit h an addit ional
top hat metal profile to enhance the seal.
Four sided tongue-and-groove jointed panels
are more difficult to fix and more difficult to
remove if damaged.Thetongue-and-groove
joint incorporates a void inthe centre that
allowswater t o draindown.The basicprin-
ciple wit h sealingjoints between composite
panels isto ensure that any water entering
the joint will drain down aninternal cavity
t hat drains water away t o t he outside at the
bott om of the panels.
Glass
Glass in facades is supported either by
edge frames or by fixing it at points. Glass
facadesare beginning to be glued together
wit hout any metal fixings but the design of
suchstructures is in its early stages. Frames
supporting the glass must both hold the
glass in place and prevent rainwater from
penetrating the seals. Difficulties in providing
reliable rubber-based seals have led to the
'pressure equalised' or 'drained and vent i-
lated' frames discussed earlier in this section.
Water penetration in frames hastradition-
ally beencaused by capillary action where
the air pressure inside the frame becomes
higher thanthe outside at mospheric pres-
sure, drawing water into the frame and
pot ent ially causing leaks.The problemof
capillary action has beenovercome, not by
increasingthe pressure on the seal between
frame and glass, but by vent ilat ing the void
inside the frame so that any water that pen-
et ratest he outer seal isdrained away safely
down the cavit y to the outside.The drained
and vent ilated cavity provides a second line
of defence against rainwater penetrat ion
t hrought he outer seal. The principle of pres-
sure equalisat ion, wit h an inner chamber
behind an outer seal is essential to current
framedglazing systems.An alternative meth-
od of glazingist o avoi d a frame entirely in
order to increase the effect of transparency
given by the glass. Inpoint fixed glazing,the
glass isheld at only at a few points by small
brackets or bolts. Glass is clamped toget her
wit h plates, and bolted together t hrough the
joints between the glass.Alternat ively, holes
are drilled in the glass and the sheet s are
held by bolts secured directly through t he
holes in t he glass wit hout plates, using discs
or a countersunk profile to t he bolt connec-
t or.Joints are sealed wit h silicone in a single
line of defence.While t he material does
not suffer problems of water being drawn
t hrough it aswit h clamped rubber seals,
good workmanship is essent ial to the suc-
cess of thesesingle seals.
Walls built in glass blocksare construct-
ed by bonding t he blockstogether wit h
eit her a cement-based mortar or silicone.
Because blocks are set with continuous
vertical and horizontal joints giving them
their characteristic appearance, panels are
structurally inherently weak, and this is dealt
with by introducing steel or aluminium rein-
forcing strips or rods into both vertical and
horizontal joints as reinforcement. However,
this limits glass block panel sizes to modest
dimensions when compared to other glass
wall systems.The principle of stack bonding
limits panel sizes but is usually overcome by
making the supporting structure lightweight
yet rigid in order to minimise its visual effect.
More heavyweight supporting structures
make the blocks appear more like individual
panels set into a visual grid.
Concrete
An essential aspect of concrete is that
it is a material formed in a mould, leaving a
surface finish which is the mirror image of
that mould, or formwork. Consequently, an
important aspect of concrete detailing is to
understand how formwork and moulds are
fitted together. Formwork can be made to
almost any shape, from plywood or GRP
(glass reinforced polyester), though specially-
made formwork can be expensive to make.
Joints between formwork panels are visible
in the finished concrete, and if this is not
to be overclad with another material, then
joints need to be arranged to suit the archi-
tectural concept for the facades. Complex
shapes for facade panels can be made more
easily in precast concrete where, in a work-
shop, concrete is poured into a mould which
is laid flat, making it much easier to take
up complex shapes and textures which
would be much harder to form vertically.
Ferro-cement is capable of a high degree
of surface modelling, being made as a
cement mortar-based mix with a high
proportion of steel reinforcement. This
material ensures very smooth finishes, but
is more commonly used for yacht hulls.
In-situ cast concrete is a monolithic
material that provides an almost continu-
ous waterproof surface. Rainwater pen-
etrates only a few centimetres into the
depth of the material, but in temperate
climates this leads to visible surface stain-
ing.This can be overcome by colouring
the concrete, adding textures, or ensuring
that rainwater does not wash off surfaces
where dirt can collect, which would
cause staining on an area of wall beneath.
Movement joints with in-situ concrete
require careful attention so that they are
waterproof but do not leave strong lines
that are at odds with the overall concept
of the facade.The facade designer must
always be aware of where joints occur
and how wide they will be in order to
avoid disappointment during construction.
Precast concrete panels are jointed
with pressure equalised drainage cham-
bers behind vertical joints, which drain
out of horizontal joints. Like in-situ cast
concrete, the general areas of concrete
are waterproof, but the joints require
careful attention to avoid their becom-
ing too wide as a result of wanting to
achieve a consistent joint width both
verticality and horizontally across the facade.
Horizontal joints have to accommodate
deflections and movement from the sup-
porting structure if the panels are supported
from floor slabs, as is usuallythe case due
to their self-weight.Vertical joints are usually
required to be thinner in order to exclude
rainwater. The visual balance of joint widths,
although a seemingly small issue,is critical to
the visual success of precast panels. Notching
and grooves are introduced around open-
ingsto ensure that windows and doors can
be inserted in a way that provides weather
protection as well as concealing part of the
frame to avoid visible seals around the edge
of the openings. Highly visible seals can also
lead to very disappointing visual results.
Masonry
Loadbearing walls in brick, stone and
concrete block have the advantage of being
able to avoid the visible movement joints
associated with non-Ioadbearing cladding,
which can enhance the massivevisual quality
of traditionally built walls. An essential issue
in loadbearing construction is to ensure that
the wall is sufficiently thick to avoid rain-
water penetration as well as being able to
provide thermal insulation either in the wall
construction or on the inner face.The sealing
of windows and doors into openings follows
principles of reinforced concrete discussed in
the previous paragraph.
In masonry cavity walls, two masonry
skins are tied together to form a single wall,
and here the detailing of openings in walls
MCH 87
al sOL
Trends in facade design
is undergoing continual refinement in order
to reducethermal bridges.The top of an
openingis support ed wit h a lintel that both
closesthe opening andties the two skins
together while forming as small a thermal
bridge as possible. Proprietary cavity clos-
ers and insulated lintels are used but these
tend to matchthe shorter lifecycle of the
windows rather thanthat of the supporting
structure, which isusually longer. Providing a
continuity betweenthe thermal insulation in
the cavity. fixed to the inner skin in the case
of blockwork or masonry units, can lead to
wide joints around windows, which needs
careful attention to avoid visual clumsiness.
This issue is easier to resolve if the thermal
insulation forms part of the inner skin asis
the case wit h inner skins in timber framing
or light gauge steel frames.
In stone cladding, panels are mortared
together and supported on fixings at each
floor level, where each stone isindividu-
ally restrained backto an inner wall that
provides lateral restraint from wind loads.
Windows and doors t ypicall y are fixed
to, andsupported by,the inner wall.The
gap between the outer thin stoneandthe
windowsfixedto the inner wallsis usually
achieved by either putting atrim aroundthe
reveal in the same material asthe window
(usually metal) or by adding stone panel s
aroundthe opening.When stone panels are
used aroundthe openingthere isalwaysa
choiceof either revealing the edgeof the
stoneof the reveal trim (or the edgeof the
adjacent stone in the facade) , or alterna-
MCH 88
t ively mitring the junction betweenthe two
stones. Since the thickness of stonecladding
is seen only at external corners, the choice
of revealing or concealing its actual thick-
ness, rather than the massive stone quality
the facade may aimto convey.Thin stone
cladding is often used for its surface texture
rather than conveying an ideaof massi ve-
ness.The choiceof easil y commerciall y
available stones has increased dramatically
in recent years, widening the choiceto thin-
ner sandstones andlimestones which have
physical properties closerto those of weak
granites. Masonry rainscreens are a recent
development and comprise extruded ter-
racotta panel sthat are fixed in a variety of
ways depending on their size. Since they are
completely independent of backing walls
they present enormousfreedomin design.
Plastics
Plastic-based cladding achieved a certain
popularity in the 1960s and I970s, present-
inga fresh approach in building construc-
tion based on lightness in weight and a
craft-basedworking method in economic
materials that appealed to designers. Since
then its usehas beenmore modest, wit h
concerns about durability andcolour fading,
which have largely beenovercome in the
plastic-based materials available today Sealed
plastic-based cladding uses mainly polycar-
bonateand GRP sheet that iseither fixed
into framesgenerally used for glazed curtain
walling, or isfixedtogether as self-supporting
panels in a way similar to metal composite
panels. Most types are available as proprie-
tary systems, wit h manufacturers havingtheir
own details for window openings, parapets,
cills and corners.
When polycarbonate sheet is used,the
material often has up to five layerswit hin
the material that provides a highlevel of
thermal insulation. Some manufacturers use
thermally broken sections, but the more
visually appealing sections have no thermal
breaks. Since these sections are madefrom
aluminium extrusions,the opportunity exists
continually to improvethe system in con-
junction wit h manufacturers.An essential
aspect of working wit h proprietary systems
isthat somehave standard window and
door sections which have an appearance
that may not suit other design approaches.
The challenge here isto be able to modify
the windows, doors andtrimsto suit the
overall design for the facade. Other polycar-
bonatesheet systems have little provision
for windows anddoors and usually have
no standard method of interacting wit h
the support ing structure.Thesehave to be
developedwit h the manufacturer to suit
a particular design. Because polycarbonate
isused for its qualities of transparency and
translucency. the supportingframework
isvery visible, evenwit h translucent wall
panels, so trimsto support framing should
be designedas carefully as those for glazed
curtain walling. In common wit h glazed walls,
polycarbonate panel s can be either fixed into
frames or be fixed at points wit h bolts and
brackets. Silicone-based sealants are com-
monly used to seal between panels in the
manner of bolt fixed glazing.
GRP panels are also fixed into glazing
systems, but can be fixed together as sealed
cladding units with pre-formed stand-
ing seams like some proprietary systems
for profiled metal sheet.They can also be
formed into fiat rainscreen panels with visi-
ble or concealed fixings.An important aspect
of detailing in this material is its relatively
high thermal expansion which leads to larger
gaps between components than is the case
with other materials.The economic nature
of plastic-based cladding is beginning to be
recognised in new buildings, particularly with
the ability of plastics to be coated in different
colours economically, unlike the dominant
use of pre-coated coil in metal panels, but
the prejudice against the material for its dis-
coloration in older examples has yet to be
overcome in architectural applications.
Timber
Timber is susceptible to more move-
ment than the other materials described,
mostly as a result of changes in moisture
level within the material. Consequently,
timber used in facade cladding is allowed to
accommodate movement as well as being
ventilated to ensure that bowing, twisting
and warping of timber components is mini-
mised. In detailing timber it is difficult to form
joints that perform well in tension without
the need to introduce another material, usu-
ally metal. Metal pin connections, nail plates,
cleats and angles are an integral part of the
languageof timber joints.
Although timber can be used as both
cladding panels and as rainscreen panels
over a different background wall, the timber
boards in both cases are set clear of the
backing wall to ensure that both sides are
well ventilated. When timber boards are
used to clad a platform frame, the same gen-
eral principles apply as for the construction
of individual timber cladding panels, except
for the vertical joints. Vertical joints between
boards in the platform frame can have
timber trims and fillets added that protect
the end grain of the timber from rainwater;
where the timber is particularly vulnerable.
Joints between timber cladding panels use
a mixture of metal trims and rubber-based
seals in the manner of unitised glazed walls,
with a drained and ventilated chamber
behind the outer timber cladding.
An important consideration in the
detailing of timber is that the thermal
conductivity of both softwoods and hard-
woods is very low, from 0.14 - 0.21 WI
m2 K, compared to 45 W/m2 K for steel
and 2000 W/m2 K for aluminium. Thermal
breaks are not a significant issue in timber
construction, which easesconsiderably any
issues of thermal bridging around openings.
This allows enormous fiexibility in timber
detailing with a reduced risk of condensation
occurring either within the construction or
on the inside face of the wall in temper-
ate climates. Openings in timber walls are
increasingly using metal trims to enhance
the visual refinement of details. Metal trims
can also support fiy screens,awnings and
related metal attachments to window and
door openings.Timber wall construction
is relatively thin, at around 150mm overall,
compared to 300mm for concrete and
masonry-based facades, resulting in smaller
window reveals which are easyto detail with
modest trims and cills.Window frames are
sometimes set on the outside face of the
wall to reduce any risk of rainwater penetra-
tion as well as providing internal window cills.
Timber rainscreens vary enormously
from big timber sections fixed back individu-
ally to a backing wall, in the manner of an
open jointed timber deck set vertically, to
timber panels with louvres and sliding slat-
ted panels.The positioning of metal fixings
is critical to the visual success of all these
timber cladding methods. Corner brackets
and fixings have a tendency to be large in
order to give a secure fixing, so attention to
detail of brackets and fixings is essential to
achieving an elegant appearance.Traditional
techniques used lapping of timber boards,
with concealed nails and screws to protect
fixings from corrosion, but contemporary
detailing has much less emphasis on lapping
in order to give greater visual precision to
the construction.
MCH 89
als 02
Generic wall types
This section discusses changes over the past
ten years in the 17generic non-loadbearing
cladding t ypes set out in this chapter and
further identifies a smaller set of sixgeneric
t ypes from this list.The application of this
set of cladding types in 'thin' and'layered'
facades is discussed as well ashow these
facades are slowly developing from the use
of technologyfrom other industries.
The generic t ypes are as follows:
I . Fully supported sheet metal
2. Profiled cladding
3. Composite metal panels
4. Metal rainscreens
5. Metal meshscreens
6. Glass sticksystems
7. Glass unitised systems
8. Point fixed glazing (clamped andbolt
fixed)
9. Glass blocks
10. Steel framedglazing
I I . Precast concrete panel s
12. Masonry facings to cavity walls (brick,
block, stone)
13. Stonecladding
14.Terracotta rainscreen
15. Polycarbonate insulated systems
16.Timber cladding to platform frame
17.Timberrainscreens
All these systems still in usehave under-
gonetechnical development to improve
performance, largely concerned wit h energy
conservation. Reports over the pastten
MCH 90
years have suggested that no clear pattern
of usehas emerged inthe useof cladding
systems.The choiceof cladding system is
very muchaffected by building t ype andthe
number of a particulart ype built in a given
year.The full range of cladding systems in this
book is in full use. The preference for one
systemover another isvery muchdriven by
the building type and particular performance
criteria andbudgets of individual projects.
A clear pattern that is emerging isthat the
choiceof cladding systems available has
not affected the move towardsthe emer-
gence of a new set of generic t ypes, which
are common to all the 17cladding t ypes.
Fromthesegeneric types it is clearthat the
different t ypes are support ed by either a
monolithic structure, or a backing wall to a
frame, or alternatively to an open structural
frame. Each generic type is rarely supported
by both structural t ypes. Since framed con-
st ruction ismore recent, the more recently
developedtechniques of glazing are used
in conjunction wit h frames.Traditional load-
bearing structures continueto be used in
conjunction wit h traditionally-based tech-
niques. Structurally, the traditionally based
cladding is characterised by techniques that
use materials in short spans.
Fromthe list, theseshort span generic t ypes
for monolithic structures (andbacking walls
to frames) are as follows:
Fully supported sheet metal
- Metal rainscreens
- Masonry facings to cavity walls(brick, block,
stone)
- Stonecladding
- Terracottarainscreens
- Timber cladding to platform frame
- Timber rainscreens
Also from the list, generic t ypes for open
framed structures are as follows:
- Metal profiled cladding
- Metal compositepanels
- Metal mesh screens
- Glass sticksystems
- Glass unitised systems
- Point fixed glazing (clamped and bolt fixed)
- Glass blocks
- Steel framedglazing
- Precast concrete panel s
- Polycarbonate insul ated systems
Genericforms
Sixgeneric cladding t ypes are identified
below which are commonto both non-
glazed andglazed cladding systems.The first
three types are used for small span applica-
tions wit h a backing wall.The second three
t ypes are used for large span applications
without a backing wall.
Three t ypes for small span applicationswit h
a backing wall:
I. Fully supported sheet wit h sealed joints
2. Facings wit h sealedjoints:facings to
masonry cavity walls, glass blocks, masonry
cladding, timber boarding
3. Rainscreens wit h open joints:masonry,
timber boarding, metal, mesh screens
Three types for large span applications with-
out a backing wall:
4. Self-supporting profiled sheet
5. Stick systems:metal, glass, point fixed glaz-
ing, insulated polycarbonate
6. Panel systems: Precast concrete, timber,
metal composite, glass unitised
The application of these generic types in
'thin' and 'layered' facades
Modern single-sealedglass framing sys-
tems used in building construction, which
rely on silicone bonding and rubber-based
pressure seals, together with tempered,
body-tinted glasses, are based on techniques
developed by glass manufacturers for the
car industry: Car manufacturers are relatively
few in number, but they place very large
orders for a restricted range of specially
designed glass products such as windscreens.
The building industry, in contrast, generates
relatively small orders from a huge number
of customers all of whom have quite dif-
ferent requirements. The current custom
built nature of building construction does
not encourage, in itself, glass manufacturers
to invest significantly in new systems.As a
result, most recent developments in glazing
for buildings have followed in the wake of
those developed for use in cars. Perform-
ance specifications for car glazing systems
apply a complex set of criteria to a single
very narrow 'wall' thickness.The use of glass
with a structural capability, coupled with
controlled light and heat transmission, is a
strong infiuence in the design of facades. It
reduces thickness of external walls, allow-
ing floor areas to be maximised. It allows a
single, competitively priced product, such as
body tinted tempered glass, to fulfil a range
of functions. In these 'thin' or 'compressed'
facades, functions of weatherproofing, ther-
mal insulation, air handling and glare control
are compressed into a very thin wall.
Over the past 15 years,this principle has
been developed to incorporate other com-
ponents within a narrow depth. Louvered
blinds and mechanical ventilation can now be
incorporated. Heat from solar radiation can
be partially absorbed by blinds set within the
depth of a I OOmm to 300mm deep dou-
ble glazed unit. Air passes through the unit,
drawing away heat from the blinds, providing
a thin external wall whose performance is a
balance between different, and sometimes
confiicting, criteria. In these thin facades, the
integrated blind will absorb heat during peri-
ods of high solar gain when blinds must be
orientated to act as a radiator of heat.This
can confiict with occupants' requirements for
daylight. Eachfacade will respond differently
to the changing weather conditions, by either
manual or electrical means.
An alternative approach for external
walls is the separation and layering of the
functions of weatherproofing, ventilation,
thermal insulation, and daylight/glare control.
With this 'layered' approach, specific layers
in the envelope system are created to deal
with specific tasks of excluding rainwater
and controlling heat loss and heat gain,glare,
and ventilation.To achieve this, a layered sys-
tem superimposes generic types. A current
disadvantage of this system is that a layered
facade requires considerably more depth of
'wall', from around one metre where exter-
nal solar shading is provided, to about three
metres, where the zone between the inner
and outer wall becomes a usable space in a
building in the manner of a conservatory or
winter garden.
MCH 91
ails 02
Metal I: sheet metal
Details
I. Metal sheet
2. Standing seam joint
3.Timbersubstrate
4.Thermal insulation
5. Fixing battens
6.Wat erproof membrane
7. Backing wall
8..Timber/aluminium window
9. Clips at centres
10. Folded metal profile
Westfield Student Village, London, UK. Architect: Fielden
CleggBradley
Jewish Museum, Berlin, Germany. Architect: Daniel Libeskind
System design
Sheet metal istypically supported
directly on a substrate, providinga sys-
tem formed from thin sheet which can
closel y follow a complex geometry with
relative ease, making it very suitable as
a covering to a highly modelled facade.
This material system has developed
from itstraditional usein roofing, where
the standing seam technique iswell
established, to a facade material that can
cover projectingwindows, externally
set structure andareas of flat facade
with equal ease. In recent years sheet
metal has been used to enclose forms
of complex geometry, on either folded
or curved facades. Consequently, this
system also provides an economic outer
coveringin projectswhere wall and roof
are combined in a single form, or where
the external envelope is highly modelled
in a single form where one material is
required for the complete envelope.The
principles of rainwater exclusion used on
roofs can be applied for use on facades,
with continuous joint lines, to form a
complete envelope from a (nominally)
MCH 92
flat roof to a vertical wall, to inverted
soffit conditions.
The t wo generic methods for sup-
porting sheet metal facades that suit
different conditions are continuous
standing seams andtiled shingles. Stand-
ingseams are suited where long, straight
or continuous joint lines are required
or where the facade has gentle curves
which can be picked out by the joint
lines.Tiled shingles are suited to complex
geometries and smaller scale applications
where a high degree of surface model-
lingis required. Metal sheet can also be
laidonto a timber-based substrate as
an outer coveringto a complex form.
Both methodsset the thermal insulation
behindthe substrate, typically creating a
vent ilat ed void between substrate and
insulation, but this isdependent on the
construction of the backing wall rather
than on the sheet metal layer.
Standing seam roofs havetradition-
ally hada slightly uneven appearance
due to the softer, more ductile metals
used, mainly lead, zinc andcopper, whose
ductility allows them to be formed more
easily when used in traditional, site based
installations.The 'oil canning' effects of
sheet metals, which arevisible imme-
diately after installation when used in
facades, tend to diminish visually as the
surface weat hersto the characteristic
patina of the metal used.The texture
remains wit h weat hering, givinga hand
crafted appearance which suits visually
vibrant facades. Some recent buildings
have even slightly exaggerated this effect
before installation to createa highly
textured surface finish to the metal.
Standing seam metal facades have the
essential visual characteristic of highly
visible joints at relatively close centres of
between 450-600mm.This construction
method, used traditionally as a roofing
system, is used increasingly in facades as
an economicsystem that iseasy to com-
bine wit h other facade elements such as
glazing wit hout the needfor reveals and
visible flashings.
(
3-Dview of wall systemwithwindow
opening and parapet detail
M
cH
93
ails OL
Metal I: sheet metal
3-D view of profiled metal sheel wall construction
Falmouth School's DesignandTechnology
Block, Falmouth, UK,Architect: UrbanSalon
0 ' (
1 I
- - - - ----.,...--;-- - ----=----7"7,"-"..----:;----;;-:;---- -.,---;;-.L.:.----c:-4 ~ - -
, , ),} , I
~
Pl an I: 10, Profiled metal sheed fixedto concrete backing wall
I i
System details
Continuously supported sheet metal
provides a rhythm of standing seamsthat
do not need to be visually coordinated
wit h openings and junctions in the facade,
Flashings can be formed at window and
door openings wit hout modular co-
ordination and do not require to be spe-
cifically aligned wit h an adjacent standing
seam or shingle edge for a reliable joint
to be formed. When joints are at visually
close centres,at around 400mm, the joint
pattern provides an overall texture for a
facade rather than defining rows of joints.
When used in long lengths from roll s,
the material allows horizontal joints to
be avoided in smaller scale applications,
up to around 12 metres in length, but
cur ved or highly modelled facade / roof
combinations require shorter distances
between horizontal joints to accom-
modate the cur vature. In such situations,
tapered joints are often used, sometimes
wit h staggers set into them as used at the
centre of traditional circular metal roofs.
Where cri sp, st raight lines are
required in the design, the standing seam
MCH 94
method is used on vert ical joints in a
var iety of configurations to suit visual
requirements.The choice of seam is pri-
marily visual, ranging from the wide rolled
seam of traditional lead roofing to the
thin folded projecting seam of traditional
zinc and copper roofing. Horizontal joints
are folded to form a flattened seam that
allows rainwater to run off it wit hout
finding its way into a joint.
Tiled or 'shingled' standing seam
metal facades use flattened folded seams
on all sides of the panel. Since the same
source material of metal strip is used,
metal t iles are usually in widt hs of around
450-600mm depend ing on the metal
used.The jointing system also performs
well when the tiles are set diagonally,
wi t h 45 being most commonl y used in
practice.
Both methods use a continuous sup-
porting material, t ypically plywood sheet
for its ability to form complex surfaces
wit h ease.Timber boards are also used,
but mainly in open jointed configuration
to support zinc sheet, which requires
vent ilati on on it s internal face to avoid
corrosion.Timber substrat es are usually
vent ilat ed on the ir internal face in order
to reduce the possibility of damage asso-
ciated wit h trapped moisture.
For both standing seam joints and
shingled tiles, openings and edge flash-
ings, including parapets, are formed
wit h folded metal flashings in the same
material. Flashings can be set below the
material at junctions which reduces their
visibi lity, enhancing the texture of the
facade material where required. Flashings
are t ypically of t wo visual t ypes: those
that formed a visible strip that laps over
the face of the adjacent area of metal
sheet, and those that form a shadow gap
bet ween the flashing and the surface of
the adjacent metal. Since sheet metal
surfaces are formed by folding over edges
of narrow sheets to form a cont inuous metal
surface,they do not have a natural link int o
windows and doors set into at ypical facade.
W indowsare often sealed against the back-
ingwall in which they are held rather than
sealingthem against the sheet metal wall.
3-D view of window head det ail wit hin profiledmetal sheet system
- t;:-
I
( -
CD '""
- (3)
'""
,
,r
CD
-
>-
I
>-
'>-
I
CD
~
CD
-<
-<
-<
'CD ~
CD
0-
0 =
-
~
@
Section I: 10. Corner detailsand
special application panels
and horizontal orientation of panel s,this
material system requires a support ing metal
frame,t ypicall y in mild steel , but sometimes
in aluminium.Thisframe isarranged in a way
that will support the edges of the compos-
ite panel s, and is fixed backto the primary
structure of the building.The visual charac-
teristics of the support ingframe are usu-
ally secondary asthey are often concealed
behind the interior finishes of the building.
Where visible,they form an essential part of
the material system, andare often formed
from rectangular hollow sections.
System details
Both t wo-sided and four-sided inter-
locking panels have windows and doors as
separate components which are coordi-
natedwit h the material system to varying
degrees, wit h four-sided interlocking systems
being the more closely integrated.Windows
and doors arefitted in a waythat they are
either flush wit h the external face of the
composite panel s in order that the same
panel to panel flashings can be used t o seal
the door/window, or alternat ively wi ndows/
doors are recessed. In recessed window and
door openings, flat metal panel s are used
to closethe gap between the face of the
compositepanels andthe window or door
frame. Some manufacturers of composite
panels offer special corner panelsfor win-
dow revealswhich are also used at internal
and external corners of the facade, and
others have a range of preformed panel s
for cills, corners andparapet copings as
part of their systems.This avoidsthe need
for visible metal flashings which lapdown
over the face of adjacent composite panels
to provide a lapped joint, and have a flatter.
smoot her appearance when comparedt o
pressed metal flashing panel s. A wider range
of interfacecomponents are usually available
on four-edge interlocking panel sto add to
the seamless clipped-together appearance of
these systems. Parapets are t ypically formed
wit h a pressed metal flashing that folds
down the face of the facadebut can also be
created wit h a parapet panel which can be
flat or curved to suit the design. Where a
pressed metal flashing is used, a layer of ther-
mal insulat ion isset beneath, wit h a vapour
barrier on the internal (warm in wint er) face
of the insulation in order to provide conti-
nuity of insulation between wall and roof.
Colour matching between metal flashing and
composite panel is essential to the success
of this method, unless a completely different
colour is usedfor folded metal items. Four-
edge interlocking systems allow the possibility
of athin parapet coping of around IOOmm
that forms a visual cont inuity wit h the panel s
beneath.Any water that penetratesthe outer
seal is drainedawayto the baseof the wall
wit hin the drained and vent ilated framing
to the panel s.Windows are often given the
same colour and finishin order to provide a
visual continuity between window frame and
composite panel, givingthe facadethe visual
crispness previously associated wit h fully
glazed walls.
MCH 103
Wa 502
Metal 4: rainscreens
Bridgewatchers House, Rotterdam, Holland,
Architect: Bolles and Wilson
System design
This material system uses the rain-
screen principleof allowing rainwater to
pass through open joints,or partiallyopen
joints,where the water isdrainedaway
backto the outsideof the building. Panels
are set typically forward of a waterproofed
andthermally insulated backing wall. Wind
driven rainthat passes through the outer
open joints isdrainedaway down the cavity
betweenthe backof the rainscreen panel
andthe outer face of the backing wall, The
backing wall istypically of economictype as
it isnot visible if interior finishes are applied
within the building, Metal rainscreen panels
are given typically either a completelyopen
joint with framing behindpositionedto close
viewsinto the void behind, or have folded
edges on the panel to close the joint visually;
but not to seal it. Small amounts of rainwater
that pass through the outer joint are drained
away in the ventilated void behind,Visuall y,
this material system provides visually crisp
joints with strongshadow lines to the metal
panels,The useof narrow joints between
panels can give the metal panels a more
MCH 104
3-D of rainscreen wall construction
monolithic appearance as the joints are
less visible. Rainscreen panels can provide
a flatness or consistency of texture across
a facade that isindependent of the back-
ingwall behind. Most panels are fixed so as
to avoid visible fixings. Face fixings on the
metal sheet are usually not preferred since,
at around 3mmthick,point fixings on athin
sheet can producevisible distortions across
the panel surface, Panels are usually formed
as trays or 'cassettes' with folded edges
that provide rigidityto the panel a well
asa depth to the joint that both reduces
rainwater penetration andobscures views
into the void behind. Most panels arefixed
with either a hook-on fixing or with slotted
grooves inthe manner of compositemetal
panels that avoid the needfor anyvisible
fixings, With hook-on supports, panels have
brackets that are fixedto the sides of the
panels that form the tray. Panels arefixed
onto vertical rails which are usually aligned
with the joints where they serveas a screen
to the void behind. Continuousrails are pre-
ferred to individual fixings except in small-
scale applications, since rails are much faster
to fix than individual brackets,
Sizes of rainscreen panels are determined
by available metal sheet sizes, Metal coil is
supplied typically in 1200mm and ISOOmm
widths,with metal plate in greater widths
andin varyinglengths, Metal-faced composite
materials are also used, comprising either a
thin metal sheet, such as aluminium, bonded
to both sides of a rigid plastic core or,alter-
natively; a single sheet of metal bondedto
one sideof a honeycomb panel. Composite
materials that usea thin (3-Smm thick) inner
plastic-based core can be foldedto form
trays, but honeycombpanels requireeither
an edge strip to conceal the joints,or are
set close enough together for the inner core
not to be visible,An alternative method of
fixing panels isto form a folded tongue and
groovejoint on the longedges of the panel
where panels slot together. An advantage
of this method isthat the support framing
behind can be simplified with vertically-set or
horizontally-set rails to suit the pressed metal
panels where concealed fixings canbe used,
@
Verti cal section I:I 0 through parapet showingtypical details
3-D view of window andparapet detail in rainscreen wall sys-
trem
Detail s
I. Backing wall or structural wall
supporting rainscreen
2. Support frame
3. Support bracket
4. Metal rainscreen panel
S. Open joint
6. Closedcell thermal insulation
7.Waterproof membrane
8. Finish to inner wall
9. Roof finish
10.Wi ndow frame inserted into opening in
backing wall or structural wall
I I. Window cill
12. Pressed metal coping
13. Cont inuity of wat erproofing layers
of wall and roof
MCH 105
Walls 02
Met al 4: rainscreens
3-D of basic rainscreen panel system
Lock-keeper's Graduate Centre, Queen Mary, Uni-
versity of London, UK.Architect: Surface Architects
MCH 106
System details
An essential aspect in the design of
metal rainscreen systems is the layout and
fixing of the framing that support s the rain-
screen cladding.Alt hough panels can be
set out independentl y of the backing wall
behind, which is one of their primary advan-
tages,the need to fix panels economicall y
makes it essential to engagewi t h the idea of
their fixing during the detailed design st age.
Thi s is of particular importance where rain-
screen panels are set out to coordinate visu-
ally wit h window openings.The open jointed
nature of the rainscreen panels allows the
junction wit h windows to be straightforward
and visually dri ven, aswindows and doors
are sealed t o the backingwall, wit h which
they form a continuity At facade corners,
panels are formed t ypically either from fold-
ed sheet or thin composite sheet, or alter-
natively wit h mitred panels that meet at the
corner, particul arly where honeycomb panels
are used. Internal corners are formed in the
same way, but their geomet ry allows panels
t o meet wit hout any special panels wit h
two panels butting up to one another.The
corner condit ion is an important junction,
from a visual point of view, as the thin nature
of rainscreen panels can be either exposed
or concealed at thi s point. Butting panels
together wit h an open joint on the corner
can make it difficult t o create a visually sharp
edge to the facade, with any imperfections in
the setti ng out of panels being apparent.
Parapets are formed in a similar way
t o corners, wit h panels fabricated to suit
Horizontal secti on I:I0
CD showingtypical details
3-D view of wall const ruct ion
illust rating panel fixingarrange-
ment
Vert ical sect ion I: I0 showing
typical details
particular project conditions as a part of
manufactured systems. Sincethe coping is
sealed between panels on its horizont al face
to avoid rainwater fallingdirectlythrough
the joint bet ween panel s,t hejoint is often
recessed to matchwith the open joint on
its external verti cal face.The copingusual ly
has a little gap betweent he copingpanel
and the inner face of the parapet upstand in
order to ventilate the cavity, where the joint s
between the facade panel s do not admit suf-
ficient air for vent ilat ion.
Becausewindows in openings are sealed
directly against t he waterproof layerof the
backing wall the visual treatment of the junc-
tion of panel andwindow requiresattent ion
during design to avoid an uncoordinated
alignment.The rainscreen panel s are termi-
nated adjacent t o the window in order to
conceal the seal between window and back-
ingwall. In order to avoid stainingfrom dust
and dirt, cillsare usual ly formed in a waythat
directsrainwat er to t he sides of t he opening
and down joint s between panelsrather than
directly down the face of the panels below.
Drips at ground level are formed as pressed
metal fiashings, wit h the gap between t he
panelsandthe backing wall beingclosed
with metal mesh t hat allowsthe passage of
air for ventilation but avoidst he ingress of
insects into the ventilatedvoid.Although
manufacturers offer metal rainscreen panel
systems,t hey can be modified designed to
suit individual projects andfabricated eco-
nomically
Lock-keeper's Graduate Cent re, Queen Mary, Uni-
versity of London. UK.Architect:SurfaceArchitects
MCH 107
Elevat ion and vert ical section I:25 showing
typical screen arrangement
Metal fixings for meshflexible in one direction
Below: Maison Folie, France.Archit ect: NOX
.,
L'
"
I '
I
i
i
,.
.,
..
rr
iSf"
{.:
fib-
..
ki)
"
:\..
v
'$
.' }
Details
I. Metal support frame
2. Stainless steel mesh
3. Stainless steel spring
4. Metal fixing bracket
5. Fixing bolt
6. Framed perforated metal sheet
7. Backing wall
8. Insulat ion
9.Wi ndow Frame
I O. Floor slab
I I. Pressed metal parapet
coping
.
SunTower Office Building, Seoul.
Architect: MorphosisArchit ecture
Example of meshweave pat-
terns
1:2 Section through woven
meshfixed to wall
MCH 108
o "\
\
\
\
\
\ I
,fli
\ II I
\') I
\ I
izontal section 1:2
CD CD
n-
eD
T
Hor
4- 4-
CD CD
Elevation 1:2
Vertical section 1:2
System design
Metal mesh in facades has developed
as a material system from the early I 990s
with the introduction of woven stainless
steel and woven copper to provide light-
weight screens,typically as screens. From
its origins in industrial applications, such as
woven metal conveyor belts, stainlesssteel
mesh is used in facades for a variety of func-
tions: solar shadingto glass walls, guarding to
full height balustrades, and as visual screen
to backing walls.Woven stainlesssteel has
cables set in one direction, which can be
tensioned at points or along its edges to
provide a rigid, lightweight screen that has
little visible supporting structure, while metal
rods set perpendicular to the direction of
the cables provide rigidity in one direction.
Stainless steel is preferred to mild steel
for its greater durability and resistance to
corrosion. Copper and bronze are being
introduced, but the lower tensile strength
of these materials currently limits their use
to smaller scale applications. Becausethe
cables require tensioning, their supporting
structure can be visually prominent, which
has led to a greater interest in using more
rigid meshes made from rod woven in both
directions, where the material is set into a
frame at its edges. Consequently, there are
three generic types of varying rigidity: rigid
mesh, mesh flexible in one direction and fully
flexible mesh.
Rigid mesh is made from rods which
are woven in two directions that can use
very similar patterns to those where cable
is used in on direction. The material is made
in relatively small panels of around 1800mm
x 1500mm, and is fixed by clamping the
materials into a continuous edge frame or by
point fixing, since the material cannot be ten-
sioned.The diameter of the rod is typically
around 2mm set into a grid of 6mm x 2mm.
They are joined to form a continuous wall of
mesh panels where the grid of the frame can
dominate visually. Becauseno cable is used
the material can be colour coated or etched
to create specific visual effects.Where alu-
minium is used (which is not as rigid as stain-
less steel), the material can be anodised in
addition to these finishes, though panels are
made from either greater diameter rod or
smaller panel sizes.
Mesh which is flexible in one direction
is sometimes woven in groups of cable,
running the length of the material, with
thin rods woven into these cables in the
opposite direction, across the width of the
material, creating a visually textured surface.
The material is manufactured in long lengths,
allowing it to be used as a continuous facade
'wrapping' material, either tensioned hori-
zontally across the facade or hung from top
to bottom. Meshes are typically hung to
reduce the sagging that could occur when
used horizontally, but cables beginning to be
set at different angles, even 45
0
from the
vertical direction.These meshes are usually
made in widths up to around 7500mm but
they require restraint at close centres if used
as guarding, astheir deflections can be high.
A wide variety of weave pattern is used to
suit different amounts of transparency, rigid-
ity and weave. Light transmissions ranging
from 25% to 65%, making them very suitable
for solar shading where a specific percent-
MCH 109
o o
(])
Wall s 02
Metal 5: mesh screens
Panel junction of perforated metal screen
External corner of perforatedmetal screen
Vertical sectionand elevati on I:25, Mesh flexibl e inonedirection fixedto
bracketssupportedonadjacent wall
.' .. ..
11.
Museum of contemporary art, NewYork, USA
Architect: 5AANA
age of shading is required, Light transmission
can be reduced by reducingthe distance
between cables, between rods, or a com-
bination of both, dependingon the visual
effect required, Cablethicknesses vary from
2mm to 6mm wit h rod diameters ranging
from around 2mm to -lrnm,Weave patterns
can be as denseas 4mm x IOmm for low
light transmi ssionto 4mm x IOmmfor high
light t ransmi ssion, Meshes can also incorpo-
rate a varying weave wit hin a single length
of material t o suit varyinglight transmission
requirements.
Fully fiexible mesh is less commonly used
in facades, but has a visually rich appearance
as a result of its non rectilinear open weave.
Metal widt hs range from around 1800mm
to 2400mm and are manufactured in long
lengths. More open weave versions are
available, which resemble thin cable woven
in t wo directions.Theseare manufactured in
widt hsof around 6000mm, requiring restraint
at around 1500mm centres.The material is
held in placeby tensioning the material in
t wo directions,typically in an edgeframe, but
where panels can be as wide as the material
as manufactured, subject to its defiections
beingwit hin the limits of its prescribed use.
System details
Where rigidmesh is fixed into a frame
around its edge, the material is usually
clamped between fiat bars, or angles of the
same material.The plates are clamped wit h
bolts,which can be countersunk to avoid
highly visi ble fixing bolts.The frames arethen
fixed backto the facade on support brack-
ets. An alternat ive edge frame ist o use a
MCH 110
Kew House, Melbourne,Australia.Architect: Sean
Godsell
Carter Tucker house,Victoria,Australia.Architect:
Sean Godsell
@
l
" <
".. . : ",'
~ :
3-Dviewof mesh panel infront of curtain wall glazing
Section I:10 Parapet of perforated metal screen
C-shaped folded sectionint o which the rigid
mesh is fixed. Rigid meshcanbe curved in
either one direction or t wo directions t o give
a highly modelled surface.The form of the
curves ist ypically influenced by its support -
ing structure, which needsto be a balanced
blend of structure and meshto avoid the
support ing structure from becoming visually
dominant.
Meshwhich is flexible in one direction
avoids the need for a highly visible supporting
frame,but typically requires substant ial mild
steel brackets projecting from the facade that
can absorb the tension in the cables at each
end. Panel s can be set side by side to cre-
at e a continuous texture of material across
a facade, which is one of its preferred visual
characteristics.Whet her the material is set
vertically or horizontally, a similar variety of
support methods can be used at the ends
of the cable. Cables canbe turned over a
continuous rod at its endsto form a loop,
wit h the rod being suppor t ed on individual
bracketsto suit the design rather than being
aligned wit h eachcable. Alt ernat ively, the
continuous rod can be woven into the mesh,
usually during manufacture, wit h the rod
being supported in the same way.
Peninsula House,Victoria,Australia.Architect: Sean
Godsell
MCH III
Wal ls 02
Metal 6: louvre screens
3-D view of met al louvre
screen
System design
Metal louvres are used typically in
facades either to provide weather resist-
ance to t he ends of ductsfor mechanical
equipments or as acousti c screens. Glass
blade louvres with metal frames are used
to provide ventilation to daylit spaces such
as semi-open circulation spaceswhere high
levels of thermal insulation are not required.
The orientation of metal louvres is as much
avisual consideration as one of t echnical
performance, with the blades used to con-
ceal viewsthrough aswell asto allowthe
free passage of air throughthe panel.For this
reasonmetal louvre blades can be set either
verticallyor horizontally wit h an orientati on
that avoids viewst hrough the blades.At
ground/street level, horizont al blades usually
conceal viewsthrough the void behind, but
above ground floor level,the 45 orientation
of the blades allowsviewsthrough unless
an additional bankof blades is added, which
bot h improvesweat her protection and
concealsviewst hroughthe panel.Vert ically
set blades provide a screenthat conceals
viewsthrough when seen at an oblique
MCH 112
angle, but allowsviewsthrougha small part
of the facade when directly facing t he facade.
Deeper vertically-set blades increase the
screeningeffect for views at close prox-
imity to t he louvres. Where more thana
single row of inclined blades is needed in
horizontally-set louvres, t ypically to improve
their weather resistance, rainwater is drained
by forminga groove alongthe bottom edge
of each bladeto drain away water through
the sides of the louvre frame,then down the
base of the frame and backto the outside.
The perimeter of the frame is sealed agai nst
t he surroundingwaterproofed wall where a
different material is used for the surrounding
area of facade.
Where metal louvres are set into a
curtain walling system, blades areplaced
in a perimeter frameto form a complete
panel which isthen fixed into curtain walling
framing in the same manner asa glazed unit
or metal panel would be fixed.This is par-
ticularly useful where a glazed wall has a few
louvre panelst hat form part of the facade.
The louvrescanbe introduced wit hout the
need for changingthe systemto accom-
modatet he louvres, simplifying the interfaces
between glass/metal units and the open lou-
vre panels. Water t hat penetratest he glazing
system is drained awaythrough the drained
and ventilated cavity of t he curt ainwalling
system. Metal louvre blades are usually made
from extruded aluminium or mild steel.Alu-
minium ist ypically polyester powder coated,
while mild steel isgalvanisedand painted.The
useof aluminiumprovidesprecisely formed
secti onst hat can both encourage the passage
of air through the panel and minimise rain-
water penetration.The bladesare fixed into
a perimeter frame also formed from extru-
sionsor angle sections to suit t he frame size
and method of drainage. Mild steel is often
used where greater resistanceto accidental
damage is needed, asthe material better
wit hstandst he effects of local impactst han
aluminium, and can also be accommodated
wit hin curtain wallingsystems.
Detail s
I . Ext ruded aluminium frame
2.Curtain wall carr ier system
3.Extrude d alumi nium louvre blades
4. Floor Slab
",!
CD
- -......-....--=L
-----
Louvre panel fixing det ails
3-D view of louvre panel fixing to cur t ain wall system Ver t ical section I :25. Met al louvre systme and fixing elements
MCH 11 3
f1e al a
Metal 6: louvre screens
3-D views showing profiledaluminium louvres and fixing system
Above andbelow: Nordic embassy, Berlin, Germany. Architect: Berger & Parkkinen
MCH 114
3-D view of louvre panel set in front of glazed curtai n wall facade
System details
Metal louvre panel s are madein widt hs
of 1500mm to around 3000mmto suit the
facades into which they are set. Individual
blades are support ed by vertical or hori-
zontal framing membersalongthe length of
the blades in order to provide the required
stiffness in additionto the perimeter frame
required for each panel. Becauseof the
requiredtechnical performance andvisual
criteria requiredof louvres, they are made
as proprietary systems which are adapted
to the requirements of individual projects.
Doors in louvre panelsare usually formed in
a similar wayto fixed panel sto avoid them
beinghighly visible, but usually have larger
frames to providethe requireddoor panel
stiffness.
Metal louvres are also used for solar
shading as part of double skin facades,t ypi-
call y set 750mmto 1000mm in front of a
glazedouter wall.Thisapplication of metal
louvres has led to them being required
in much largersizes set vertically or hori-
zontally to suit the incident sun angles for
which shading is provided. Since aluminium
isextruded economically in widths up to
around 300mm, depending on the profile
design, metal louvres usedfor solar shading
are often madein combinations of curved
sheet andextrusions linked together to form
a complete shape.The resulting forms of
theseblades are also finding anapplicat ion
as regular louvre blades in facades where
the increase in scale makes them a more
integrated part of the language of metal
panel facade design. Larger scale louvre
panel s allow them to be usedas both fixed
or adjustablet ypes on a single facade, where
the louvres are a less visually obvious part of
the design. Mechanisms for movinglouvres
typically comprise pivots set on top and
bottom wit h a sliding arm at the bottom to
which the blades are connected to provide
louvre movement.These can be handor
electrically operated.Aerofoil-type sections
can span up to around 3000mm.
Glass louvre blades are held by metal
clips, usually madein cast or extruded alu-
miniumthat provide structural support to
the blades. Clips are linked to rodsthat form
part of the supportingframeto the louvres.
The rods move up anddown, allowingthe
louvre bladesto be movedto openedand
closed positions to suit both vent ilat ion and
solarshading requirements. Movement of
the blades is controlled either manually wit h
a winding mechani sm, or electricall y, wit h
louvres operated in groups of panel s. Panel
sizes are arounda maximum of 1500mm
high x 1200mm wide. Glass blade louvres
provide around 70%free area when fully
open.Thermal insulation and lower ratesof
air infiltrationcan be achieved wit h double
glazed units.The maximum lengthof panel is
also 1200mm, wit h blade widt hs of around
150mm to 200mm.The high air infiltration
rates associated wit h glass blade louvres have
been improved in many years, but do not
significant ly affecttheir performance for semi
external applications, wit h which they are
usually associated.
MCH 115
Exploded view showing assembly of stick based curtain wall
t
-
-
a
An essential difference between glazed walls
and t hosebuilt in other materials isthat the
sealsin glass construction form a conti nu-
ity that usually requires the installation t o
be continuous startingat one point in the
wall and sett ingglazed panel s next t o each
other t o cont inue t he assembly.This is dif-
ferent from other mat erial systems, which
often allow for much more fiexibilit y in t heir
met hods of construction, and which do not
have any significant influence on the design
of the building.
The main typesof glazingsystem t hat
useprimarily double glazed unite are stick
glazing, unit ised panels, point fixed glazing
and window walls. In addit ion,the principles
of these systems can be made as small-scale
windows set into openings of walls made
in a different material. Glass blockscan also
be considered to be a glazed wall, but fol-
lows none of theseprinciples, using a stack
bonded version of masonr y construction.All
thesetypes are set out inthis chapter.
For all glazed wall typesthe first opera-
t ion on sit e is usually to fix the bracketsthat
will carry the facade system t o t he fioor
MCH 116
slabs.These are usually made in stainless
steel,though mild steel and aluminium can
be used depending the specific applicati on.
Brackets are fixed eit her onto the fioor itself,
or onto the vert ical faceof the slab at its
edge. Fixing brackets directly onto the fioor
slab suits sit uationsin taller buildings,where
access t o the edgewould require scaffolding
or movingplatforms called 'mast climbers'
which can be slow t o use and suit straight
facades in simple arrangements. Floor
mounted brackets are sometimesset into
a pocket in the fioor slab in order t hat they
can be covered by screed and fioor finishes.
Office buildingstypically have raised fioors,
so the brackets can be fixed directly on the
fioor slab. If brackets are set on t he side of
the slab t hen this done usually to avoid con-
fiicting requirements at fioor level, such as a
thin fioor build-up, or where brackets cannot
be accommodated in pockets set into the
slab. It can also be easier to fix brackets on
the edge of the slab if scaffolding is used.
Oncebrackets are in place, framing
members or panels are fixed to them. In
the caseof stickglazing,mullions (verticals)
are fixed first,then transoms (horizontals)
t hen glazi ngand capping.The glass isfixed
wit h temporary short clampsfist, until it is
all properly aligned,then the full pressure
plates are applied wit h their rubber-based
seals.This makes stickglazing slower t o install
t hanuniti sed t ypes, but has the advantage of
fiexibility of installation on site. Some glazed
walls, such asthoseused for full height
glazed walls, may be fixed back t o full height
steel framerat her than fioor slabs. If the
steel frame is designed as a single structure
that does not have the structural move-
mentsassociatedwith slab edge defiections,
this providest he opportunit y to omit t he
aluminium structural box section on the
back of t he glazed wall assembly, and fix t he
glazing assembly directly t o the support ing
steelwork.
Wit h uniti sed glazing, panel s are typi-
cally hung from brackets andare fixed side
by side on a single floor;until the fioor is
complete, or as much of it as can be closed
off. Sometimesgaps are left in glazed wall
installat ions on site in order t o allow access
directly from out side for building materials
Stick system Panel system Point fixed system
Glass assembly systems
Stick glazing between slabs
Stick glazing between slabs
with recessedwindow
Stick glazing in front of slab Exploded viewshowing window assembly within stick based curtainwall
Exploded viewshowingarrangement of opaque infi l panel within stick based cur-
tainwall
MCH 117
Wall s 02
Glass systems
Exploded view of uniti sed, double skin system wit h
opening windows
3-D view of glazed vertical louvre set into untised glazing system
MCH 11 8
Detail of unitised connection for double skin
mullion
Unitised, double skin glazed panel
......
Uniti sed, double skin panel with opaque infil
Exploded view of unit ised glazing panel wit h
framing for addit ional opaque inser t s
Frame detail for uniti sed system
used for work insidethe building, depending
on climate and site locat ion.Unitised instal-
lationst ypically start at the bottom of the
building andwork upwards, slott ing panel s
in one abovethe other, lifted in place by
crane.This makes it a fast met hod of closing
the external wall, allowing work to progress
inside the building at earlier stage than
would be possible with a comparable stick
glazed installation.
Point fixed glazi ng is fixed in a variety of
ways, dependingon size of installation and
t he method of support. Small scale clamped
glazingover one or two floors may be sup-
port ed at its base, wit h clamped used to
transmit loads down from the top panel to
t he floor below.This met hods of installa-
tion starts by fixing clamps at floor level and
setti ngt he glass in place from the bottom
upward,with either scaffolding or tempo-
rary supports to hold the glass in place. If
glass mullions are used rather than a steel
frame,then t he glass mullions are installed
alongwith the glass panel s. If a steel frame is
used t hen t his is installed before t he glazi ng.
~
",'
Frame detail for unit ised syst em wit h opaque glazing
Larger scale bolt fixed glazingis installed wit h
glass panel s being craned into placewit h
bolts or clamps often already fixed to the
glass, making it easierto install.These larger
installations are t ypically support ed from a
steel framewhich is built eit her by install-
ing large prefabricat ed sections, somet imes
pre-finished, or by usingsteel sectionswhich
are first set in place and levelled, then have
prefabricatedsupport s for the glazi ngfixed
in place, which may also be pre-painted.
Clamped glazi ng isused t ypically for glazed
walls which do not need t o int erface with
internal walls, asan edgeframe to the glazing
istypically needed in such sit uat ions.
Where a glazed roof forms part of t he
same design,the roof elements are some-
t imes installed before t he glazed wall in
order to provide a shelt er to spacesbelow,
allowing the work to proceed from the
top down, awayfrom materials and equip-
ment being moved in and out of the build-
ing below.The sequence of installation can
influencethe detailed design of glazed walls
and enclosures, sothis should be taken into
.,
I
I
3-D sect ion showing unit ised panel hung
from fioor slab
account during the stagesof design develop-
ment.
Window wallsare installed either as
independent sets of windows andfixed
panels fixed together to form a single frame,
or are fixed back to a structural backing
wall.Where installed as large-scale window
assemblies,the glazingcan be installed as
complete window panels, sometimes of
considerablesize.Thismakesthe system
surprisingly quickto install,though t he weight
associatedwith large panels require the use
of a substantial crane.Wi ndows frtted to a
backing wallsoften have the brackets fixed
to the wall in advance, either at t he sidesfor
narrow windows, or on the bottom of the
window assembly for wider assemblies.The
windows are then sealed against adjoining
construction in order to provide a weat her-
tight envelope.The infill glass panel s are then
installed afterwards, allowing work to pro-
ceed inside the buildingwhile this installation
work is conducted in parallel.
MCH 119
Wall s 02
Glass systems I: stick systems
-----....
__ _ J
Basi c capped unit ised glazing detail
Uncapped unitised glazingdet ail
System design
This material system isessentially a site-
based method of forming glazed walls, with
mullions (vertical framing members) and
transoms(horizontal framing members) pre-
pared in the factory wit h the slotsandholes
required for assembly and installation on site,
Sticksystems are suitable for glazed walls
wit h either a wide variety of conditionsor
complex geometry which makes the useof
prefabricated glazed panels uneconomic.This
method also has the advantage of permitting
a discontinuity of mullionandtransomto
give an ungridded appearance, while main-
tainingthe internally drained andvent ilat ed
principles of the system, an essential aspect
of this form of glazed wall. This principle
accepts that small amounts of wat er will
penetratethe outer seal of the curtain wall,
but this water is drainedaway in a chamber
immediately behindthis seal, and returned
to the outside at the base of the wall.The
overall continuity of framing required in st ick
glazing ensuresthat the internal chamberin
the transomcan drain into an adjacent mul-
lion andthat any moisture isdrained,t ypi-
MCH 120
call y immediately above movementjoints,
Stick glazing systems compriseextruded
aluminium sections onto which glazed
panels are set. held in place wit h extruded
aluminium pressure plates which secure the
panel to the carrier framewit h screw t ype
fixings.A synthetic rubber-based outer seal
isset betweenthe glass andthe pressure
plate.A gasket inthe same material is also
set betweenthe inner face of the panel and
the carrier frameto provide an inner air
seal.The pressure plateis secured with vis-
iblefixings at around 300mmcentres, which
are usually concealed wit h a continuous
cover capping in extruded aluminium clips
onto the pressure plate.The cover capis
sometimes omitted where a more utilitar-
ianappearance isrequired, but the installa-
tion of the fixing screws needs to be done
wit h additional care, andholesneedto be
planned to avoid visually unexpected results.
The capping profile can be madein a variet y
of flat, projectingor recessed profiles to suit
visual requirements. Similarly. the supporting
aluminium grid of mullions andtransoms can
be formed in a variety of structural-based
sections,that can vary from a rectangular box
section to an I-section to aT-section wit h a
blade-like appearance.
Interms of panels set into the fram-
ing, doubleglazed unitsarethe most t ypical
panel used, though insulated opaquepanels
are used for spandrel conditions at floor
level, typically faced in metal or opaqueglass.
Spandrel panels are madeeither as single
sealed panels or as panel s wit h a separate
decorative front panel. Single panels havethe
insul ation bondedto the inner face of the
glass,wit h a vapour barrier set on the inside
face of the panel. Alternatively. the spandrel
panel isformed wit h anair gap between the
outer panel and an insulated panel behind.
The insulated panel istypically faced in metal
on both sides. Where opaqueglass isused as
the outer panel, caremust betakento avoid
dust enteringthe air gap from becoming vis-
ible on the outer face if the outer panel is
requiredto be vent ilated to avoid a build-up
of heat in the cavity.
Stickcurtain walling is constructed by
I
J
Vert ical secti on 1:5. Opening window
wit hin stick glazed wall
CD @
Vert ical section I :5. Sticksystem wit h addit ional outer glazed
screen to provide solar shading or aspart of atwin facewall
Details
I. Extruded aluminiumtransom
2. Extruded aluminium mullion
3. Extruded aluminium secti on
4. Single glazed or double glazed unit
5. Pressure plate
6. Rubber-basedseal
7. Metal honeycomb panel
8. Capping piece
9. Metal-faced or opaque glass-faced
insulated panel
@
3-D view of stickglazed wall with
outer glazed screen
10. Floor slab
I I. Floor finish
12. Ceiling finish
I 3.Thenmal break
14. Projecting bracketto support
external screen
MCH 121
Wall s 02
Glass I: stick systems
Corner and angled glazing panel connections
spanning mullions vert ically from floor to
floor from brackets fixed at each floor level,
by either hanging each mullion and restrain-
ingit at the floor level below, or by support -
ingthe mullion at floor level andrestraining
it at the floor slab above.The hanging mul-
lion option usually allows a smaller mullion
to be used, but this depends on the specific
application. Mullion sections are joinedfrom
floor to floor wit h a slidingconnection that
allowsthe glazing between each floor level
to move independently while maintaining
the overall continuity of the system.The
movement joint isvisible inthe facade and is
accommodated either at the junction of the
mullionand the transomabove, or wit hin
the length of the transom, usually wit hin
the spandrel panel. Brackets support ing the
framing arefixed either onto the floor at the
edge ofthe slab, or on the verti cal edge of
the slab.
System details
Interfaceswit h openings, edges anddif-
ferent adjacent materials are formed eit her
MCH 122
by the use of metal flashings or by special
components that form part of proprietary
systems, such as synt het ic rubber stripsthat
are glazed into the system on one side ofthe
strip, andare bonded directly to the face of
adjacent concrete or masonry surfaceson
their projecting face.This providesa cont inu-
ity of wat erproofing across the interface of
two systems, wit h thermal insul ation and
vapour barrier set behindto form a continu-
ity of the complete const ruction.
Windows are fitted into stickglazing by
applying an addit ional sub frame wit hin the
mainframing against which the openinglight
is closed.The overall widt h of the window
frame isusually of similar widt h to that of the
main framingof mullions andtransoms. Both
outward or inward opening windows and
door s are used, wit h some wit h their frames
silicone bonded t o the glassto reducetheir
visual impact externally,thoughthe frames
look similar from wit hin t he building. El ectri-
cally operated windows, such as thoseat
high level, usually have a motor in a box that
fitswit hin the height of the window frame.
Wit h the wiring concealed wit hin the fram-
ing,the visual impact of motors and window
opening arms has been reduced significant ly
in recent years.Junctions at floors are closed
by bringing floor finishes up to the transom,
which is also set at floor level to closeoff the
gap bet ween floors.The spandrel panel hasa
smoke seal between separated floors, but a
full fire barrier is required in some countries
where the spandrel panel is required to be
fire resisting and to provide a barrier that
stops flamesfrom passing from floor to floor.
Corners are formed,t ypically, either wit h a
special extr usionthat allows a glass-to-glass
junction at the corner, or hast wo mullions
meeting at a corner andan insulated metal
flashing turningthe corner. Parapet copings
are formed by glazing the bottom edge of
the metal flashing into the top transomand
foldingthe flashing over the top of the para-
pet.Junctions between mullionsand adjacent
areas of wall in a different material are made
in the same way.
0
-
..--
I
..
T\
I
3-D view showingflexibility of stick glazingto allow
discontinuity of cappingpieces Hospital. Madrid. Spain. Architect: Raphael Moneo
ING headquarters. Budapest Hungary.Architect Erick van
Egeraat
University Library Delft, Holland, Architect: Mecanoo
Architekten
MCH 123
---Wall s 02'- - - - - - - - - ----.
Glass systems 2: unit ised glazing
Detail s
I. Extruded aluminiumtransom
2. Extruded aluminium mullion
3. Extruded aluminium section
4. Si ngle glazed or double glazed unit
5. Rubber-based weather seal
6. Rubber-based air seal
7. Floor slab
8. Metal-faced or opaque glass-faced
insulated panel
9. Floor finish
10. Ceilingfinish
\
3-D view of panel arrangement
MCH 124
3-Dview of glazing panel assembly
Vertical section 1:5 through unitised
transom
Horizontal section 1:5 t hrough uniti sed mul-
lion
Detail of systemassembly Detail of frameassembly
System design
Unitised glazing is essenti ally a met hod
of using prefabricated panel swhich are fixed
together on site to form a complete glazed
wall. Like stickglazing, unitised glazing uses
aluminium framing to support the glazing,
but where stick glazingis secured to a con-
ti nuous supportingframe all of which is fixed
on sit e, unitised glazing is put together in t he
factory. Panels are delivered to site and lifted
into place and set next to one another;the
gaps between each panel being sealed with
synt heti c rubber gaskets.These gaskets int er-
lock from panel to panel vert ically, but typi-
cally are separated at each floor level wit h
a cont inuous horizontal gasket that follows
the horizontal joint between panels. Some
systems have panel swhich are completely
separate structurally from the adjacent pan-
els, allowing a damaged panel to be removed
if damages occur; either duringconstruction
or later; but the junction between vert ical
and horizontal joints requires special atten-
t ion. Ot her systems are semi-interlocking
on horizontal joints in order to combine
the structural capacity of membersaswell
as assist in internal drainage.The t erm semi-
interlocking is also used for stick systems
where large-scale frames, covering several
baysboth vert ically and horizontally are pre-
assembled in the factory and then lifted in
place on sit e.The glass units and pressure
plates are t hen fixed on sit e as per regular
stick glazing methods.
The double glazed units in unitised glaz-
ing are fixed to the supporting frame either
from the outside of the panel or the inside,
to suit t he strategy for glass replacement in
t he event of acci dental damage.The double
glazed units are secured wit h pressure plates
which are either mechanically fixed to the
mainframe, or form part of the frame itself
An alt ernat ive method of fixingglass isto
bond the glass unit sto a sub framewhich
isthen mechanically fixed to the aluminium
frame.This method provides an all-glass
appearance on the outside, usual ly wit h a
recessed joint between panels giving a shad-
ow gap appearance between panels.
Vertical joint s between panels have an
out er seal which is usually formed by two
gaskets which are pressed t ogether;eit her
in the form of'fli pper' gaskets or as com-
pressibl e hollow seals.These are made from
synt het ic rubber; t ypically EPDM. Behind t his
outer seal is a drained andpressureequal-
isedchamber closed off by an inner seal, also
formed typically in EPDM.At the internal
face of the panel is an air seal. In hot and
humid climates, typically in South East Asia,
it is assumed t hat moisturewill find it sway
to the back of the supporting aluminium
frame. Consequent ly, seals are in horizontal
jointsto drain moisturefromt he back of the
system to the front face of t he panel. where
it is released t o the outside. In more tem-
perate climates, unitised panel s are sealed
in t he mid-depth of the framing,wit h the
inner joint, visible from wit hin the building,
servingas an air seal only.Any rainwater that
penetratesthe outer seal is drained down
throughthe inner chamberand isexpelled
at the base of each unitised panel ,typically
at floor level. Hor izontal joints between t he
t ransoms formed by the t op of one panel
andthe bott om of the panel above are
MCH 125
Vert ical section I :25 through opaque panel
Wall s 02
Glass systems 2: unitised glazi ng
I
I
I I
I
]fi-l= = = = = @=
Vertical section I :25 showing typical
details
MCH 126
~ I l l IlL
=Ilrr
====:!
~
===;
0
====:!J
=
Il.',
1111 Ilr
Elevation 1:50
formed in the same way, wit h seals aligned
wit h those inthe vertical jointsto ensure
that rainwater isdrained to the outside.
Unitised panels typicall y include at least one
additional t ransom to provide a spandrel
zoneat floor level, for example, though
some systems incorporate an additional
t ransom set against the inside face of the
glass only, so that it is not visible externally,
but provides a horizontal edge against which
internal ceiling finishes can be set.
Panels are set so that they span from
floor slab to floor slab, andlikestickglaz-
ing, are either hungfrom a floor slab and
restrained on the floor below, or are sup-
ported on a floor slab andare restrained
on the floor above. Like st ick glazing, move-
ment between panels isprovided by a
Vert ical section I:25 throughtransparent panel
Details
I. Extruded aluminiumtransom
2. Extrudedaluminium mullion
3. Extrudedaluminium section
4. Single glazed or double glazed unit
5. Rubber-based weather seal
6. Rubber-based air seal
7. Fl oor slab
8. Metal-faced or opaque glass-faced insu-
lated panel
9. Fl oor finish
10. Ceiling finish
I I. Silicone seal wit h optional aluminium
corner extrusi on
sliding spigot joint set into the vertical joint
betweenmullions.This movement istaken
out horizontally in the horizontal joint, t ypi-
cally at floor level.
In common wit h stickglazing,unitised
panel s have thermal breaks set wit hin the
framing in order to reducethe transmis-
sionof heat or cold from the outside of the
frameto the inside, or vice versa. Since the
inner vent ilat ed chamber ist ypically deeper
than that used in stickglazing, the thermal
break is positioned accordingly in order that
the thermal breakand doubleglazed unit are
aligned.The overall width, or sight line, of the
unitised panels isgreater thanthose used for
stickglazing, from around 80mmto 120mm
depending on the applicat ion.The greater
widt h often suits the needs of internal parti-
Horizontal sect ion 1:5
through un framed corner
@
3-Ddetails of corner connections
Horizontal section 1:5 throughframed corner
tions which are requiredto intersect with
the framing membersof the facade.
System details
An essential aspect of unitised glazing
isthat the panels use the same perimeter
framing, which can however be of different
shape and have different materials set within
them. Corner panels arethe most common
of the atypical panels, and are often the
most complexto construct in the factory. In
common with stickglazing, unitised panels
can have vertical glass-to-glass joints rather
than settinga mullionat the corner; provid-
inga visual crispness of the frameless corner.
The unitised frame is stiffened internally to
compensate for the loss of structural stability
of the corner. Regular framed corners are
madeusually wit h a 45 angled mullionto
reducethe visual impact and sight lines of
the mullion.
Parapet copings areformed by sealing
andwaterproofing the gapbetweenthe top
of the panel andthe parapet wall behind
wit h a synthetic rubber seal that isintegral
with the panel.Thermal insulation isused to
provide a complete continuity of insulation
from wall to roof. A metal copingis set on
top of the panel to provide protection to
the membrane beneath. Elsewhere, most
interfaces follow the principles of stickglaz-
ing, with an integral EPDM strip that can be
fixedto project out beyondthe edges of the
panels, allowing the strip to be bonded to
adjacent construction.
lAC headquarters, NewYork, USA.
Architect: Frank Gehry & Studios Architecture
MCH 127
Walls 02
Glass systems 3: clamped glazing
Detai ls
I. Stainl ess steel patch plate
2. Single glazed or doubleglazed
unit to suit applicat ion
3. Siliconeseal
4. Glass fin
5. Support bracket
6. Fl oor slab
7. Ceiling finish
8. Floor finish
9.Access ladder
10. Clamped glazed wall
I I. Inner curt ain walling
12. Maintenance access deck
@ , ,
; : :
. .
: ::::: :
3-D view of wall assembly with det ail of clamp
(inset)
3-D detail of clampfixing in outer wall of twin
facade system
MCH 128
I I
System design
There are two t ypes of'point fixed' glaz-
ing used for facades: clamped glazing and
bolt fixed glazing. Both syst ems are used t o
increase the transparency of a facade, and
this is parti cularly successful in open jointed
single glazingas used in double skin facades.
Where double glazed units are used wit h
t heir black edge band and joints between
unit s, t he widt h is usual ly equal t o t hat of
framed glazing, but t he omission of framing
provides a visual continuity of glass where
transparency is required.The all-glass appear-
ance has visual benefits to oblique views
across a facade where t he doubleglazed
units are seen as a continuous uninterr upted
surface, made all the more dramatic by
changes in direction provided by corners,
as well as increasingly by folds in t he glass
surface. Where a sealed facade is required,
joint s are sealedwith si licone throught he
full t hickness of t he joint typically wit h a pol-
ymer-based backing rod in the mid depth of
the joint. Clamped glazingwas the first point
fixed glazingsystem used commercially and
developed in t he I960s, using metal plates
called 'patch plates' set on either side of glass
sheets at t heir corners.Thistechniques is
still used,t houghwit h increasing geometric
complexity
The clamped glazi ngsystem positions
t he fixings holding t he plates in place such
t hat they passt hrought he joint s between
t he glass to avoid the additional complexity
and cost of drilling t he glass. Becausefixings
are positioned at the glassedges, rather
than wit hint he glass itself, t he span between
o
@
~
= -
,,,=
0"'= =
I
--- -
- - ----
~
-
@
-
r=-----
I
~
@
Horizontal section I:50 through cabl e hung clampedglass facade
3-D view of twin wall con-
struction with outer wall in
clamped glazing
~ o
1 0 ,
Vert ical section I:50 through cable hung clamped
glass facade
[Dr
fixings ishigherthan for an equivalent bolt
fixed solutionandglass thicknesses may be
higherfor a clamped glazing solutionas a
result.When used in a single glazed con-
figuration in double skin facades, the glass is
joined with clamps, plates andbrackets, the
preferred material is stainless steel dueto
its resistance to corrosion.The useof plates
allows a more complex geometry of glassto
be used, such as in a shingled arrangement
of lapped glass panels where air can pass up
through gaps between lapped glass sheets
while admittingonly small amounts of rain-
water into the buffer zone behind. Glass can
be supported either at the corners, or along
its edges to suit the supportingstructure for
the glass, which is usually visually lightweight
in order to maximise transparency. Clamps
are formed by setting a synthetic rubber
gasket. t ypicall y EPDM, betweenthe stain-
less steel plate andthe glass sheet. A bolt is
passed through one sideof the plateandis
secured into the other plate, usually wit h a
countersunk type.
Clampedglazing often usesglass finsto
provide structural stability, set at 90 to the
plane of the glass, t ypically supported at its
base on the floor slab. Glass fins are usually
in lengths equal to the height of each panel ,
wit h a patch plateconnection occurringat
each horizontal joint of the glass, to form
a single structural section, wit h the dead
loadof each panel transferred to the glass
panel below, inthe case of single glazing, or
alternatively to the glass fin behind. Installa-
tions have reached up to around 15 metres
~ - - . ~
' ~ I _ -
MCH 129
Plan and section 1:5. Clamping
configurations in cable hung
systems
1
@
ails 02
Glass systems 3: clamped glazing
Detail s
I. Fixing bracket
2. Extruded aluminium
mullions
3. Opaqueglazing
4. Ground slab
5. Backing wall
6. Incli ned and lapped
glass
7. Cable support
8. Corner clamp
9. Cast metal fixing
bracket
10. Clamp bracket
I I . Metal parapet coping
12.Thermal insulation
I 3. Single or double
glazed unit
Detail of lapped glazing connection
Section I:IO. Opaqueclamped glazed panels.Junctionsat ground
level, movement joint and panel-to-panel conditions
Rheinisches Landesmuseum. Bonn, Germany,
Architect:Archtektengruppe, Stuttgart
Lapped, clampedglazing
Mediatheque, Sendai, Japan,Architect:Toyo Ito &
Associates
MCH 130
Section 1:5. Clamp and cable
connection
o
@ CD
@
o
@
,
3-D view of corner clamped glaz-
ing system
Right: Elevation of cast stee l clamp
Section I:20. Clamped
glazingwith cast steel
clamps held in place by
forming part of a con-
tinuous t russ
in height, t hough these are flat glass wallsor
t hose formingvertical wallswhich are curved
in plan. Glass panels andfinsare joined wit h
cleats and plates at the corner junctions, and
are usually fixed through holes in the glass
rat her thanthrough t he joints in order t o
transfer loads effectively through the plates.
Clamping plates usually have a polished finish
for easeof cleaning, but brushed finishesare
also used.
This met hod of glazing has evolved into
an economic met hod of fixingglass to a
cont inuous supporting frame behindthe
glassjoints as an alternative t o the capped
glazi ngtechniques of stick and unit ised sys-
t ems,wit h silicone seals set between the
glazed units.This makes it suitable for facades
wit h complex frame design, particularly
when combined with a glazed roof t hat uses
the same system.Triangul ar framed glazed
walls, where the glass is required to have a
smooth, cont inuous surface free of cover
caps, allow clampsto be fixed t hrough the
joints between t he glass directly back t o the
supporting structure set behind. Clamp fix-
ings can be set at the corners of glass panels,
where units intersect, or be set along t he
length of joints.The choiceof fixingposition
depends on both the geometry and size of
the glazi ng.
System details
Clamped glazing wit h glass finsis usu-
ally set into a glazingchannel at floor level in
order to fix the glass in place and support its
dead weight. A glazing channel also forms a
reliable weat her seal wit h t he outside ground
level. Supporting glass fins which are sup-
ported at floor level rat her than ceiling level
are usually set below floor level in order to
conceal t he patchplate brackets, which are
usually set either wit h t he floor finisheszone
or wit hin a pocket in t he floor slab where
this zone is insufficient ly deep.The same
solut ion isused where the fin is hung from
the ceiling. Clamp plates are also used for
doorsto give a continuousappearanceto
t he facade. Doors are set typically on floor
springs, set into t he floor, and are supported
at the top of t he door leaf wit h a pivot which
is clamped to t he glass unit above.
Clamped glazi ngis usually able to
accommodate higher amounts of structural
movement thanan equivalent framedglaz-
ing system, which has encouraged t he use
of t ensioned cables, usually set verti cally, to
which the glass isfixed. Cables are usually set
immediately behind vertical jointsto reduce
their number and visibility, since plates offset
from t he vert ical joint require either an addi-
tional verti cally-set cabl e, or a met al bracket
to connect the two patch plates back to a
single cable. In supporti ng cable structures,
which allow higheramounts of structural
movement , doors are required to be set
independent ly of the glazed wall, usually wit h
a metal framearound t he opening which is
fixed at floor level only, and is structurally
independent of the glazed wall.
MCH 131
Tower Bridge House, London, Uk.Architect:RogersSt irk Harbour + Partners
7. Bolt fixing
8. Stainless steel cable
9. Insulated panel
10. Floorslab/structural wall
I I. Bolt based cable end
12. Glazing channel at floor level
I 3.Structural column
14. Steel armfor lat eral support
,
Details
I. Caststeel connector
2. Mild steel or stainless steel
angle bracket
3.Single glazed or double
glazed unit t o suit application
4. Silicone seal
5. Floor Finish
6. Support bracket
ails 02
Glass systems 4: bolt fixed glazing
3-D overviewof basic bolt fixed glazingsystem Exploded viewof bolt fixedcomponentassembly
MC H 132
CD
0 ~ ' 1
G)
~ ~
CD
:r
(7)
CD
~ ~
I
Detail of bolt fixing and 4 point glass connection
Vertical section I: 10. bolt fixed
glazingdetail
System design
Like clampedglazing, bolt fixed glazi ng is
used for its ability to providet ransparency,
but usually wit h fixings set wit hin the glass
rather than at their edges. In common wit h
t hat system, it was originally developed for
single glazing, but is more commonly used
with double glazed units, wit h their SOmm
joint width which includesthe edge of the
unit Despit e t he overall SOmm black joint
width,the absence of framing and continuity
of the reflective surface of glass makes this
frameless system more visually lightweight
t hanframed glazi ng. Setting bolt fixings wit h-
in the glass can have an advantagein reduc-
ingthe span of the glass between fixings,
ensuringthat the glasst hickness is optimised
t o a greater extent versus supporting t he
glass at its edges only.
Wh ere clamped glazi ng is supported
directly onto a support ing structure, bolt
fixed glazing can be fixed on brackets which
are cantilevered away from the supporting
structure, which can be eit her hung from
the top of the wall,or is supported at its
base.These cant ilevered brackets can also
be fixed back to tensioned cables or rods,
allowinga visually lightweight supporting
structure to be used,but which requires lat -
eral stabi lity to overcomethe higher deflec-
tions associated wit h cable structures. Lateral
stability is usually provided by forming a
verti cally-set cable truss from the primary
cable supporting the glass unit s, or by adding
horizont al outriggers from structural col-
umnsto restrain the horizontal movement
of the cables. In common wit h clamped glaz-
ing,glassfins or mild steel posts can be used
to support the glazing,t ypically supported
from their base. Glassfins are fixed perpen-
dicular t o the vertical joints between glazed
units,with an L-shaped bracket wit h a bolt
fixing at eachend, wit h glass panels stacked
one above t he other, usingt he glass finsto
provide lateral support. Glass fins can also be
fixed at the t op of the wall or at ceiling level,
where they serve as stiffeners in a down-
stand condit ion,wit h the glass still being
supported at it s base. Glassfinshave clamps
fixed t o them as per t he pat ch plate system
described in the previous section.
System details
With both top hungand bottom sup-
ported methods of support , bolt fixed glazing
uses a similar fixing bolt which is determined
by the size of the glass panel,the way it
connectsto the support ing structure and
whet her the fixingis countersunk or surface
fixed.The bolt fixing isthe mechanical con-
nection which isfixed t hrough a hole formed
in the glass sheet or double glazed unit. Bolts
can have a disc fixed to each external face
of t he glass, be countersunk to be flush wit h
the outer faceof the glass, or penetrate only
the inner glass of a double glazed unit. St ruc-
tural movement and deflections between
t he supportingstructure and t he glass are
accommodated with a rot at ingswivel con-
nection at the junction of t he bolt fixingthat
passesthrough t he glass and the end of the
threaded rod t hat projects forward of t he
glass which is connected to the support ing
structure.The rotat ingjoint is allowed to
move 12 in all directionsaway from its regu-
lar posit ion.The bolt fixingst hemselves can
vary fromt hose wit h a fully visible thread and
nuts, to a fully integrat ed type where all these
MCH 133
al s 02
Glass systems 4: bolt fixed glazing
3-D overviewof bolt fixedglazing
system supported from cabl es
components are concealed in sleeves.
The bolt fixing is secured t o fixing brack-
et s wh ose shape suit s th e geometry of t he
intersection of four bolt fixings wi th the sup-
porti ng structure . In small-scale applicat ions,
fixi ng brackets can be formed from a simple
steel angle, wi t h one side supporting t he bolt
fixing and the other side fixed to t he sup-
porting column, or truss, for example. Larger-
scale applicat ions t ypically use X-shaped or
H- shaped connectors to suit the posit ion
of bolt s set around the interse ction of four
glass panels. Connectors are made as eit her
castings or machined/welded component s
depending on the quanti ty of connecto r s
and t heir comp lexity.W here several parts
are required t o be welded and machined, it
is usually more economic and visually prefer-
able t o use a casting.
MCH 134
Corner fixings are made eit her by cant ile-
vering the meet ing panels out in each glazed
wall forming t he corner, and linking the glass
panels together wit h bolt fixings in a pin con-
nection, or by int roducing structu re at the
corner, wi t h bolt fixi ngs being attached t o a
primar y member.W here a corner bracket
is used in conjunction with a cantilevered
junct ion, manufacturers increasingly provide
a limit ed range of standard component s,
t hough it is not uncommon for special con-
nections t o be provided, particularly for junc-
ti ons where the meeting angle is not a right
angle. Like clamped glazing, bolt fixed glazing
is sealed between glazed panels wit h silicone
seals,providing a single barrier t o wat er pen-
et ration, but one which is reliable if properly
undert aken.
The ability of bolt fixings to provide lim-
@ /'
)
@
Section I:I0 Glass panelssupported
on cables or rods
it ed rotation at their fixing point has led to
thei r support ing str uctures being structur ally
ambit ious, wit h a mixture of steel trusses and
cables used t o minimise the amount of mate-
rial needed t o support glazed unit s.Some
have horizont ally set wind trusses t hat stiffen
an all-cable str ucture, while others use full
height ver t ical st eel trusseswith additional
vertically set cables t o reduce the number of
t russes required.They also provide a fixing
which is separat e from the seals bet ween
glazed unit s,though bot h bolt fixed and
clamped glazing methods have been proved
to be highly reliable in their weath erproofing
performance.W here clamped glazing is used
wi t h flat surfaces or glazed walls of single
cur vat ure, bolt fixed glazing has t he possibilit y
of being set on a surface which curves in t wo
di rection s, as in those creat ed by cable net
3-D view of bolt fixed wall system
'01
8
+
Glassmovable in
one di rection
Glass free
t o move
o
+
o D
__ !
t \
o
0
o
9
l
"""'*
I)
0
Glass fixed
+
\I
Q
8
':r'
A
+
structures. Special care is needed to ensure
that the angles of incidence at joints provide
a reliable weathertight joint. An additional
advantage is beingable to fi x the glass that is
visibly forward of the supportingstructure,
sometimes creating a visual contrast between
large structural members and a thin glazed
skin set forward of it.Thi s is particularly used
ifthe supportingstructure is set inone pri-
mary direction, gi ving the appearance of the
glass joints inthe opposite direction of span-
ning freely.
Elevation I: I O. Fixing condit ions for typi cal bolt fixed wall
MCH 135
Wall s 02
Gl ass systems 5: glass blocks and channels
-
..i
I ~
- rr-rH-+4-1-u UJ
J
Maison Hermes,Tokyo,Japan,
Architect: Renzo Piano BuildingWorkshop
I I I
___ "" w _
3-D view of glass bock wall assembly
panels,formed either as openings in walls
or as bays of a st ructural frame, t ypically in
reinforced concrete or st eel.The cont inu-
ous vertical and horizontal joints of t hese
non-I oadbearing panels give their charac-
terist ic gridded appearance, wit h panel sizes
limit ed from around 3600mm x 3600mm
in area, to around 4500mm x 4500mm in
area, depending on block thickness.The
panel size can be adjusted in proport ion to
give a maximum height of around 6000mm
and a maximum width of around 7500mm,
Glass blocks are well suited to providing an
economic glazed fire resisting construction,
One hour fire resisting panels can be made
in panel sizes of around 3000mm x 3000mm
in area, with a maximum height or widt h
of 4000mm. Panels providing fire resistance
System design
Glass blocks have been used in recent
years for t heir qualities of robustness com-
bined wit h fire resistance t o form economic,
t ranslucent, glazed walls,Their translucency
varies wi th t he thickne ss of t he wall of the
individual glass block, which can range from
solid t o hollow t ype,The hol low type has
the advantage of slightly greater t hermal
insulation and acoustic insulati on, but the
th ermal insulation levels are well below
th ose expected from regular double glazed
units, so they tend to be used in locat ions
where this is not a design considerat ion, such
as in naturally vent ilat ed spaces,The most
common block sizes are a nomina l 200mm
x 200mm and 300mm x 300mm, generally
I OOmm th ick, Blocks are arranged in stack
bonded rectili near grids that form individual
3-D detail of glass blocks supported by box section
Typical glass block dimensions
typically 2000-
4500mm
I
\
~
L
I I
.1
I I I
I
I
I
t
I
I
I ~
I I
I
I
I I
I I
MCH 136
Examples of glass blocks in curved applications
3-D sectional det ail of glass blocks sup-
ported by I-sections
greater t han60 minutes (usually up to 90
minutes) require metal channel restraints
at the perimeter of the panel due to their
greater reliability than cement mort ar or
si liconeseals.
An alternativeto glass blocks is cast
glass channels, a long spanning material which
can reach storey height without intermedi-
ary supports. Channels resemble half glass
blocks in section, manufactured in lengths up
to around 7000mm. Most are madearound
250mm wide and 60mmdeep. Channels
areset either vert ically or horizontally in a
single layer, or can be int erlocked by setti ng
channelsfacingone another to form a dou-
ble layer with smooth internal and external
appearance.The int erlocked version also
providesa U-value simil ar to that of hollow
glass blocks.An advantage of glass channelsis
that they are made either with a patterned
surface characteristi c of casting, or be made
clear, with no pattern or hue.They can be
Low-Ecoatedto assi st thermal insulation,and
when interlocked can be t hermal ly insulated
wit h proprietary gel to significant ly improve
their thermal perfor mance,thoughthis proc-
ess can be disproport ionat e to t he cost of
the cast glass channel s. Sol ar protection can
also be added. Like glass blocks, cast glass
channels are known for their properti es of
sound insulation combinedwit h robustness.
When st acked vertically, channels can be set
out to form a curved wall, a characterist ic
well known with glass block walls.
The relatively poor t hermal insul ation
of glass blocks and cast channels,when
200!300mm
Typical glass block dimensions
Details
I. Glass block
2. I-section or box section
3. Metal edge frame
4. External cladding
5. Steel fiat or T-section
6.Thermal insulation
7. Enclosing wall or adjacent wall
8.Window casement
9. Cast glass channel
IO. Fl oor slab
MCH 137
CD
0 ~
I
Vert ical sect ions I :20. Glass blocks fitted
int o window frames in masonry wall
Det ails of glass block connections
within window casement
~ ... ------ ------ ---_. ----- ----_ .
r-- __ :
-- -- ---- -- . -- -- r-- -- -- -- -- -- -- -- -- --- :
UI
Hor izont al section " I O. Connect ion to rI0
J
supporting structure U
3 ~ ; ; - - - 3 : E
-
~ :
~
t-
ii \
"
~ ,
I' ,
i :
I,
~
r.
I
I
:1
jl
I'
I
II
'I
\!
I
rrr
J:=====lll
Horizont al section I: IO. Glass blocks support ed by welded sect ions
Hor izontal section I : I O. Connection to
alternat ive wall buildup
3-D view of glass blocks set within window casement in wall assembly
Wall s 02
Glass systems 5: glass blocks
I
. ~ .. % .
I
G) I
!\
"""-
CD
., II!! E
I -
~
~
f
F.f
ii .-------
l
1\
I
J .1
J
1
I:
-
_.
I'
. -
- -
!
II
CD
I
~
J I
,
I
MCH 138
~
CD
60mm
J
=
~ ~ ....... ~
r
CD
CD
up to 2S00mm
I
\
~ I
I
\
Elevation and section I :20. Glass blocks
supported by box sections
3-D view of typical glass panel
vert ically hung
Section I:20 Left: double skin of interlocking
glass horizontal channels. Right: Single skin
compared to double glazed unit s, can lead
to condensation occurringon t he interior
face of the block,and adequate vent ilati on
is requiredto avoid this. Consequently,their
use remains ideally suited to semi-external
conditions in temperate climates, such as cir-
culation spaces. Glass block panelsfixed into
reinforced concrete framesor wall openings
are bedded in eit her mortar or silicone, wit h
flexible joints introduced on t he sides and
top edgeto allow for structural movement.
Glass blocks are set wit hin t he frame which
formsthe external wall,or on the edge of
reinforced concret e floor slabs. Storey height
panelson the edge of floor slabs require
metal angle restraints at t he top of the open-
ing to accommodate the deflection in the
slab.This can be overcome by settingt he
glass blocksforward of the floor slab on a
steel frame in the manner of glazed curtain
walling.
System details
Bot h glass blocksandcast channels can
also be set into steel frames madefrom
I-sections, box sections,T-sections or a
combinat ion of t hese. In smaller openings, a
T-section is set into joint sto st iffen t he panels
at mid height between floor and ceiling/sof-
fit. Larger panel s canbe formed by adding a
rectangular box section to t he backedge of
theT-section to form a complete st ructural
frame. Some manufacturers offer thesemate-
rials as proprietary systemswhich include
edge framing channels, thought he appear-
ance of these can be concealed by adjacent
finishes.
Glass blocksusually have bed reinforce-
ment between joints,t ypically a metal ladder-
t ype reinforcing strip which is set wit hin the
joints andis not visible. Sil icone is also used
to bond blocks, with a sealingsilicone used
on the external face to provide a weath-
ertight seal. Cement-based mortar sare
also used, wit h t he choice of material being
governed largely by visual considerations.
Corners are formed usually with either the
structurethat supportsthe panel or special
corner panelswhich form a part of most
proprietary systems, mainly 90 and 45
corners.Junctions of blocks with adjacent
wallsare formed with a flexible seal, either
silicone-based or wit h metal angle restraints.
The angles are usually concealed by wall
finishes, both internally andexternally. Flex-
ible seals areused where a door or window
opening is introduced int o a glass block wall.
The door isusually fixed at its baseonly in
order to allow the block wall t o be structur-
ally independent. but someti mesthe door
ist ied into the horizontal joints of the glass
block wall, dependingon the amount of
expected structural movement.
Cast glass channel s arefixed into alu-
minium extrusions at their ends, and are
sealed wit h silicone-based seals betweenlong
joints.vertically-set channels canbe bottom
supported, but in horizontally-set arrange-
ments, each channel isindividually supported
rat her than each channel being supported on
the channel below.As wit h glass blocks,the
edge frame can be concealed by wall finishes,
but cast channels are increasi ngly being used
as a primary material on facades where t hey
are used, asthey are not required to be set
into framedpanels, and can be used in storey
height form in longlengths.
MCH 139
Det ails
I. Outside
2. Inside
3.Rolled steel glazingsection
4.Transom
5. Mullion
6. Single glazed or double glazed unit to suit
application
7. Fixing bead
8. Fixing lug
9. Projecting t ransom
10. Rubber-based seal
I I. Fixed light
12. Inward opening light
I 3.Outward opening light
14.Window cill
15. Condensat ion t ray
16. Internal finish
@
@
Plan 1:5. Rolled steel frames glazed externally
Plan I:S. Rolled steel frames glazed Intemally
Rolled steel glazing connect ion detail
Matsunoyama Museum of Nat ural Science. Matsunoyama. Japan.Architect:TezukaArchitects.
Wall s 02
Glass systems 6: steel windows
---
System design
Steel framed windows made from rolled
sections have been preferred for t heir t hin
sight lineswhen compared to those in alu-
miniumfor small-scale window openings.
However, t he t hermal performance of the
framesisconsiderably less t han thermally
broken aluminiumsections, dueto the dif-
ficulty of introducingathermal break int o
small sections. Larger scal e steel windows
and glazed wallsmade from pressed steel
sections, used mainly for their fire resisting
qualities, can incorporate a thermal break
but their sight linesare simi lar to those of an
equivalent aluminium window or glazed wall.
Steel framed windows are either fitt ed into
wall openings or are joined toget her to form
a glazed wall with deeper sectionsasfram-
ingmembers, which is slightly different to full
aluminium-based stickglazi ng.
Steel framed windows with thin frames
without thermal breaks in thin doubleglazed
units aremadewit h rolled steel sections to
form windows of a maximumsize of around
3000mmx 1800mm down to a minimum
size of 250mm x 400mm. Fixed lights and
openingwindows can be joined together
wit hT-sectionsto provide a supporting
frame. Larger-scale steel curtain wallinghas
a grid of pressed steel mullions (verticals)
and transoms (horizontals) to which double
glazed units are fixed wit h steel pressure
plates. Sealsare provided with synt het ic rub-
ber gaskets similar to thoseused in alumini-
um curtain wallingsystems. Si ngle glazed units
have small channelsor angle shaped glazing
beadsto hold the glass in place,while double
glazed units usually have extruded clipst hat
hold t he glass in place.
Larger scale,thermally broken, windows
anddoors are used primarily for their ability
to providefire resistance.They aremadeas
pressed steel sectionsin sizessimilar to an
equivalent in aluminiumbut with slight ly dif-
ferent profiles governedby the processof
pressing,which cannot provide the complex-
ity in section of extruded aluminium profiles.
Unlikealuminium windows, where new extru-
sionscan be made economic for each project,
pressed and rolled sectionsfor steel windows
cannot produce new sectionsas easil y. Fully
glazed walls are made by fixingindividual
windows into a frameof pressed box sec-
t ionswit h integral thermal breaks.There is a
wide variety of standard sectionsavailable for
MCH 140
Det ail of project ing mul lion in st eel glazing Matsunoyama Museum of Nat ural Science. Mat sunoyama, Japan. Arch itect: Tezuka Architect s.
Fixed bead
with proj ecting
transom :
@
~
~
@
Sect ions 1:5. Rolled steel frame s glazed int ernal ly and exte rnally
the pressed steel profi les that support t he
glass, though it is more difficult t o develop a
profile for an individual project due t o t he
constraints of pressing steel sheet, which is
expensive to modify for individual projects.
System details
Outward opening lights for bot h windows
in small-scale rolled sections and larger-scale
pressed sections have profiles that lap over
t he front of t he surrou nding fixed frame, with
a drip above the wi ndow t o avoid rainwa-
t er finding its way in through the top of t he
frame.Any water t hat finds its way into t he
frame is drained down t he sides and out at
the bottom. Most windows have synt hetic
rubber seals to both assist drainage and
reduce air infilt rat ion t hrough t he opening 3-D view of rolled steel wi ndow details
Opening
window with
projecting
transom
Gil detail
MCH 14 1
Walls 02
Glass systems 6: steel windows
CD
Iii
I
" ~ > - - f
0 " ~ J
m-n.
Vertical sections 1:5. Sliding/foiding door wit h rubber
seals
Sections 1:5 of pressed steel doors
wit h thermal breaks. Left: Outward
opening. Right: Inward opening
Section 1:5 Pressed Steel win-
dow,thermally broken
light. Wit h inward opening lightsthe top of
the window isprotected by the top transom
of the fixed frame.The window is more vul-
nerable at its bottom edge where it ispro-
tected by a projectingcill. Wit h steel windows
madefrom rolled sections, any water pen-
etratingthe outer seal runs around a groove
in the frame of the opening light and down
the sidesinto the bottom transombelow,
where it isdrained through weep holesto
t he outside.This is simil ar to the principle
of traditional timber windows, but windows
madefrom thermally broken pressed sec-
tions canfollow the principles of aluminium
framed curtainwalling,wit h a vent ilated and
pressure equali sed chamber behind the outer
seal which drains moistureaway andbackto
the outside at the bottom. Opening windows
and doors areset into steel framed glazing
wit h an addit ional framewhich isvisible from
the outside, a principlewhich isfollowed in
aluminiumwindows and glazed walls. Door
andwindow lightsareformed from pressed
steel sectionswhich arefoldedtogether to
form a family of profilesto suit different sizes
MCH 142
and glass types. Steel framed windows and
doors arealso madeas separate itemsfor
glazing into openings in masonry walls. Inthis
instance they are fixed throughthe frameinto
the adjacent structural wall.An EPDM foil or
silicone sealant isthen used t o seal the gap
between the steel window/door andthe adja-
cent concrete or masonry wall.
Larger-scaleglazing hasframing wit h a
continuous indented groove that forms a
channel into which toggle-type fixingsare
insertedto receive the fixingsthat secure the
pressure plates.The synt het ic rubber seals, on
either side of the glass provide a sealed cham-
ber behind the pressure platewhich is used
to drain awayanywat er that penetratesthe
outer lineof defence. Thisvoid isvent ilat ed,
wit h transoms draining water at the base
of each glazed unit using a synt het ic rubber
stripthat slopesdown to drainwater to the
outside.
For both small-scale rolled sectionsand
larger-scalepressed sections, doors are con-
structedinthe same wayas windows, but
wit h horizontal rails to providegreater stiff-
ness where rolled sectionsareused, andwit h
thicker horizontal sectionsin doorswhere
pressed steel sectionsare used. Corners are
framed wit h either glazed or glass-to-glass
corners inthe manner of aluminium curtain
wallingbut where the glazingis fire resistant,
panel sizes are limited.Thosein small-scale
rolled sectionsare formed wit h eitherT-sec-
tionsthat meet to form a recessed corner,
or wit h a square-shaped hollow section t o
form a solid corner. Corners using larger-
scale pressed sectionsare formed in a similar
way to stickglazing,wit h mullion profiles set
t ogetherjoined by athermally insul ated panel
on the surface of the glass. Some manufactur-
ers provide standard corner sectionsas part
of a proprietary system. Parapets are formed
by fixing a folded metal coping into the top
transomandfolding it over the parapet
behind. Metal fiashingswit h an EPDMfoil
behind it are also used to seal steel glazing
agai nst areas of adjacent walls, t ypically of
masonry or concrete construction.
3-D view of pressed steel windows thermally broken
Details of alt ernative cappingprofiles for angled glazing and corner condit ions
Profiled mullion detail
Details
I . Pressedsteel frame
2. Pressed steel glazi ng bead
3 Double glazed unit
4. Insulat ed steel panel
5. Rolling wheels
6. Guideat bottom of door
7. Rubberbased seal
8.Thermal break
9. Pressed steel pressure plate
IO. Pressed steel glazingsection
MCH 143
as 01
Glass systems 7: alumini um windows
(
(j)
(j)
3-Dviewof opening windowset into large scale al uminiumwindowassembly Vertical section I:5. Opening windowdetail
System design
Windows made from aluminium are
formed either asindividual frames set into
structural openingsor are set in groupsto
form a complete glazed wall where indi-
vidual lights are linkedt o givethe appear-
ance of an overall modular glazed facade. A
glazed wall, formed as a large scale window
assembly is used typically where t he glazed
wall is not of sufficient size t o require it to
be supported or hungfrom floor to floor;
which isthe principle of stickglazing and
unitisedglazingin curtain walling. In contrast
to curtain walling, which is a structurally
independent external wall,'window walls'
have windows fixed onto a structural frame
or backingwall, which is set into a larger
structural openingin a facade.Window walls
provide the appearance of a curtain wall
combined with the acoustic and fire resi st-
ing properti es of its backing wall, making it
suitable for apartments, for example.Win-
dow wallsaretypically supported at t heir
base, but can also be top hungor side hung
depending on their geometry
An advantage of aluminium windows
MCH 144
over t hosein other materials istheir useof
extruded profileswhich can take up com-
plex shapesin section t o which thermal
breaks and sealscan be fixed wit h ease, and
wit hin which water can be drained wit h a
high level of precision.This allows aluminium
window framesto be relat ively well thermal-
ly insulated, and have low rates of air infiltra-
tion when compared t o ot her materials.The
main disadvantage,from the visual point of
view, ist he wide sightlines required for struc-
tural reasons in accommodatingsealsfor
int ernal drainage and thermal breaks.Where
sight lines are reduced,the overall depth of
window isincreased to compensate for t he
loss of stability of the frame. In common
wit h aluminium curtain walling, extruded
aluminium window frames are pressure
equalised and int ernally drained in order t o
providetwo lines of defence against rainwa-
t er penetrati on.An outer seal,typically a syn-
t hetic rubber gasket, excludes most of the
rainwater;but any wat er that passes through
is drained away at the bottom of the profile
to the outside.The internal barr ier serves as
an air seal rat her than as a full weat hert ight
seal.An additional function of the gasket seal
ist o provide a continuity wit h the thermal
break sothat the air temperature of the
inner chamber ismuch closert o the internal
temperature thanthe external t emperature.
Where window frames tend to be
narrow and deep in section, in order to
accommodatethe seals andthermal breaks,
doors are usually wider in order to provide
greater stiffnessfor the glazed unitswhich
they support. Doorswere not usual ly ther-
mally brokenunti l recently, since rigidity and
durability of the frame isusually the most
important consideration, but t hermal breaks
arebecomingmuchmore common in door
sections. Doors wit h lower air infilt rat ion
ratesand athermal breakare madefrom
window sections rather than door sections.
The increased performance usually results
in smaller maximum door sizes, at around
2400mm for athermally broken, internally
drainedandvent ilat ed door. Doorswit h
t hermal breakscan reach a maximum of
around 3000mmto 3500mm wit hout wide
(j)
CD
CD
Elevation I : I 0, Opening window set wit hin large scale aluminium wi ndow section
II
II
(j)
Vert ical section I : I 0, Outward
opening aluminium window
Horizontal section I : I 0, Outward opening windows set wit hin large scale window assembly
J J , " , ~ = = = = C D
Horizontal section I : I 0, Outward opening wi ndow set t ypical wall construction
3-D view of aluminium framing system for large scale window wall.
Vert ical section I : I 0, Outward opening
aluminium window set within t ypical wall
construction
Details
I , Outside
2, Inside
3.W indow frame
4, Single glazed or double glazed unit to
suit applicatio n
5, Ext ruded aluminium section
e.Thermel insulation
7,Timber battens for decoration
8, Opening mechanism
9, Surrounding wall
10, Insulated composit e panel
I I Floor construction
12, Roof construction
MCH 145
W alls 02
Glass systems 7: aluminium windows
3-Dviewshowingconstruction of aluminiumframed winowwall system
sight lines. Doorswit h thermal breaks can
exceed2400mm high by sili cone bonding
the glass to the frame so that glass assists in
st iffening the frame.The maximum widt h of
doors isa function of their height, in order
to restrict the overall weight, but a 850mm
wide door leaf forming a 1700mm wide pair
of doors is not uncommon. Minimumwidt h
of opening lights is about 250mmwhere a
double glazed unit is used. Minimumheights
of glazed vent ilators, such as those set above
door sfor night time vent ilat ion, are around
250mmto suit the needs of the opening
mechanism. Side hung,top hung,bottom
hung andtilt/turn windows usesimilar alu-
miniumprofiles.
System details
A recent development has beenthe
introduction of parallel opening lights, where
windows open in a direction parallel to
that of the frame.Thishas an advantage of
increasing the amount of air that is admit-
ted wit hout exposing a complete section of
wall to the effects of both wind and solar
radiation. If solar control glass is used in the
MCH 146
opening light, then that shading function is
largely maintained when the window is in
the open position.Thesewindows also help
smoke evacuation where used as smoke
vents, but an essential characteristic isvisual,
in havingopening lights in glazed wallswhich
do not interrupt the visual cont inuity of
the overall facade design. Parallel opening
windows usea scissor-shaped hinge which
slideswit hin the frameto provide a stable
support for the open window in any posi-
ti on.Theseopening light s are used wit h win-
dows t hat use stickglazing sectionsused in
curtain walls, particularly where the double
glazed units are silicone bonded to reduce
the visual impact of their support ing frames.
Windows anddoors are sealedat their
int erface wit h the surrounding walls usually
wit h a synt het ic rubber st rip which forms an
integral part of the window frames, or alt er-
natively wit h a seal betweenwindow frame
and opening,t ypically wit h a silicone-based
product. Some synt het ic rubber sealshave a
metal facing for addit ional protection, called
a'foil',which is bondedt o the adjacent wall,
and is usually concealed by the adjacent con-
struction.The EPDM-foil seal is usedwhere
the window isfitted first, since the surround-
ing wall must be clear in order to fix it, and
a perimeter seal is usually used where the
window isfitted after the adjacent external
wall has beencompleted.
Where aluminium window wallsare
used, opaqueglazed infill panel s are set
between window panel s as a facing to the
insul ated backing wall arranged immediately
behind. Metal infill panel sare also used,
somet imes in rainscreen configurat ion,
but more typically sealed in a support ing
framework.Where opaque panel s are used,
opaque panel s arefitted to a simple support
as required by rainscreens and composite
panel s rather than a full window wall fram-
ing system. Inthis window wall configuration,
windowsare set forward of the opening
where the complete facadeis requiredto
be in a single plane, rather thanwit hin the
opening itself.The gap between window and
opening is closed wit h metal flashings, which
can be concealed wit h internal finishes.
3-D det ail of aluminium frame in typical window wall system
3-D det ail of window wall connection to fioor system
CD
Ho rizont al sections 1:5 t hrough aluminium window wall system showing typical panel and window details
3-D view of typical window
wall system
,.
CD
MCH 147
Wa fs 02
Glass systems 8: timber wi ndows
:r
II
II
G)
Section 1:5 Ver t ical sliding sash wi ndow
Details
I .W indow frame
2. Outside
3. Inside
4. Head
S.Ci ll
6. Single glazed or
double glazed unit
to suit applicat ion
7. Fixing bead
8. Rubber-based seal
MCH 148
3-D sect ion through t imber frame top hung window
Old Nichol St reet, London, UK Architect Maccreanor Lavingt on Architects
3-D section through side hung window det ails showing different framing methods
System design
In common wit h aluminium windows,
t imber windows are used either individually
within wall openings or are grouped t o form
a complete 'wi ndow wall' , formed by linking
windows int o a cont inuous arrangement.
They are supported by an integral timber
frame, typ ically reinforced internally by steel
flats or sometimes supported by separate
secondar y steel supports in the form of col-
umns or complet e frames.W here individual
windows are linked together wit h t hin steel
reinforcing plates,the panel size is limit ed t o
storey height, and the window wall arrange-
ment is fixed back to the suppor t ing struc-
ture of floor slabs or supporting wall.Where
t he visual presence of timber framing mem-
bers is not the preferred expre ssion of the
facade from the outsi de, a secondar y steel
frame can be set internally, typically made
from tubes,T-sections or box sections to
reduce their visual impact. Alternatively, the
steel component s can be set wit hin timber
members forming the supporting frame t o
the window wall, depending on the required
sizes of the steel member s.These steel com-
ponents are set within t he t imber construe-
Horizontal sectionI:5. Slidingsash windows
t ion to avoid being expo sed to the effects of
t he weather. In addition, the high moisture
movement associated wit h t imber makes t he
penetration of the steel supporting struc-
t ure through the external face of t he t imber
glazed wall more difficult to wat erproof
W here windows are linked and reinforced
wi t h a mi ld steel flat , a drainage groove set
int o the joi nt ensures that any wat er that
penet rat es t he outer joi nt is drained away
to the outside at the bottom of t he window
or wi ndow wall. Drainage channels are used
on all four sides of the window in t he man-
ner of aluminium curtain walling.The steel
stiffening rib or br acket does not extend for-
ward of the dr ainage groove to allow wat er
to be drained away unimpeded. Mullions
and t ransoms (verticals and horizontals) may
be of different depth to suit their individual
structural requirements and may be in a dif-
ferent wood. Hardwoods and softwoods can
be mixed in a singlewi ndow wall construc-
t ion, but t he relati ve moisture movements
associat ed with each t ype istaken in account
to ensure t hat this movement does not
adversely affect the appearance or stability
of the window wall.
Timber framed window wallstypically
span up to two floors, t ypically restricted by
the self weight of t he panels,which are usu-
ally support ed at their base.Thi s is due t o the
need to t ie the frame into large single units
t o avoid t he effects of ther mal movement of
the sections. If timber sections are not t ied
together; t hey tend to wrap and twi st when
exposed t o outside elements. Even if t he
surfaces are painted or sealed wi t h varnish,
any movement due to moist ure wi ll crack the
outer finish and allow further movement to
occur.Timber sections are jointed wit h either
t ongue-and-groove or rebated joint s.Where
to ngue-and-groove joint s are used,the linking
material can be a durable hardwood or alu-
minium. Sections can also be bolted together
if t he sections are of sufficient size, such as
around 75 x 50mm.
System details
Inward openi ng windows are inherently
vulnerable to wat er penet rati on at the bot-
tom of t he frame, whi le outward opening
frames are weaker at the head of t he frame.
MCH 149
Walls 02
Glass systems 8: timber windows
o
= z ; = ~ ~ ~ _ 0
Section 1:5 Outward opening case-
ment windows
- ! -=::::::::-----
- --------....---::... ::::-.. - --
Section 1:5 Sliding doors
3-D view of timber doors and windows in wall system
MCH I SO
J
@
CD
@
Horizontal section throughtimber slidingdoors
Elevation 1:5 Sliding doors
For this reason, drainage channel s are provid-
ed wit hin the frames, together wit h weat her
seals and weat her bars. Like aluminium win-
dows, timber windows usea single section
for all four sides of an openinglight, and a
single section for three sidesof the frame,
wit h the cill being different to drainwater
away from the window.Timber windows can
achieve relatively low levels of air infiltration
and have vastly improved in their weat her
performance in recent years, primarily as a
result of the useof synt het ic rubber seals and
aluminium weat her bars.Weat her t ightness
has beenenhanced by the use of pressure
equalisedrebates in the window section so
that any water passing through its outer seal
is drained away wit hout being drawn through
by capillary actionasa result of an air pres-
suredifference between insideand outside
the framing. The inner synt het ic rubber seal
also serves as an acoustic barrier. providing
improved sound insulation. Seals between
the window andthe opening have been
enhanced in recent years wit h the increased
useof folded aluminium andUPVC profiles
which are set into a groove aroundthe
window during manufacture and are sealed
against the surrounding wall.There has been
an increased control of moisturemovement
of the timber used wit h better controlled
kiln-drying. Treatmentsto timbers are also
changingto avoid toxic runoff while provid-
ingsome protection against colour fading
from UV radiation from sunlight. Some more
economictimber windows havetraditionally
suffered from poor jointingat the corners of
the frame. Thesehave been improved across
all window types in recent years wit h the
useof double mortise and tenon joints and
wood glueswit h better resistance to heat
and moisture.Where timber windows are
set into an openingrather than being part
of a window wall, the most common materi-
als usedare masonry block, brick or timber
boarding.With all thesematerial s,timber
windows arefixed either into the reveal s of
the opening or are fixed into the face of the
opening.The positionof the window in the
opening has more influence over the junction
wit h the surrounding wall thanthe choice of
material for the wall. In proprietary ranges
of windows from manufacturers, a com-
mon frame design isused for different hinge
arrangements in openinglights, which gives
a harmonious appearance to window walls
wit h lightsthat are requiredto open in differ-
ent directions.
Timber glazed walls can be sealed
against adjacent wall constructionwit h metal
flashings which can be formed eit her as an
integral part of the window frame, or alter-
natively be fixed to it wit h synthetic rubber
based sealsmechanically fixedto the frame.
Corners can be formed wit h either atimber
post formingthe corner or as a fully glazed
junction.Where transoms meet at a corner
wit hout the benefit of a mullion (vertical)
the junction isusually joined wit h atoothed
junctionto ensure that no visible move-
ment occurs.The full interlocking connection
between components in theseexposed
conditions isvit al to the success of timber
glazed walls.
MCH 151
ails 02
Concrete I : cast in-situ
3-D view of concrete cast-in-
place panels in st ructure
System design
The method of forming concrete by
pouring it into a shape createdby formwork
makes its construction quite different to
working with other materials.While metal,
glass, timber and masonry are made in rela-
tively small panel and unit sizes, concrete is
restricted only by the available formwork
andthe amount that can be poured at one
time.The useof in-situloadbearing con-
crete walls asa facade systemexposes the
castconcrete asa surface finish.This is in
contrast to the useof in-situ loadbearing
walls as backing wallsto a different facade
system, where the function of the wall is
only asprimary structure, while the external
skin isnon-Ioadbearing cladding.The useof
in-situ reinforced concrete as a self-finish to
external wallswas popular in avant garde
architecture throughout most of the 20th
century. but wallswere constructedwit hout
thermal insul ation wit hin the wall depth.
Instead, insulation waseventually addedon
the inside face of the wall, which both pre-
vents the thermal mass of the concretewall
from being used to regulate the air tempera-
MCH 152
ture wit hin the building aswell asprevent
the concretesurface from being seen inside
the building.An important development in
recent years has beenan increasein the
provisionof thermal insulation set t ypicall y
wit hin the depth of the construction, allow-
ingthe external face to have a visible con-
crete finish.
Setting thermal insulation wit hin the wall
allowsthe thermal mass of the concreteto
contribute to night-timecoolingas part of
an environmental design strategy. Continu-
ity of thermal insulation at the interface of
concreteandglazed openings is increas-
ingly important in order to avoid thermal
bridging. Inthis method of construction,
diaphragmwallsare used wit h two walls
linkedstructurally being set either side of a
rigidthermal insulation core.This allows part
of the concretestructureto remain closer
to the internaltemperature of the building,
and benefiting from the thermal mass of the
primary structure as well as permittingthe
internal face of the building to have a visible
concretefinish. In diaphragmwall construc-
Det ails
I. Conc ret e external wall
2. Concret e int ernal wall
3. Met al lining t o gutter
4.Window frame
5. Slot formed as part of
casting concret e.
6. Met al parapet fiashing
7. Single glazed or double
glazed unit t o suit applicat ion
8. Met al cill, though precast
concrete could be used
9. Int ernal floor slab
10. single concret e wall
I I. Thermal insulat ion
tion,the two linked concretewallsare joined
structurally by concrete ribswhich form
limitedthermal bridges, or alternatively are
linked by stainless steel ties.The useof metal
ties reducesthe thermal bridging wit h its
associated riskof condensat ion and pattern
stainingforming on the insideof the wall in
temperate climates.
An alt ernat ive method of constructing an
in-situ castconcretewall isto set the thermal
insul ation on the inside face of the wall, but
this results in the loss of the wall'sthermal
mass.This method hasthe benefit of econo-
my. especiallywhere there isno requirement
for night-timecooling.
System details
Dust particlesthat settleon horizontal
or slight ly sloping surfaces such as window
cills are washed off duringrainand can be
depositedon the wall below. Consequently.
openings, parapets andcills in exposed con-
crete walls have projectingcills andflashings
to ensurethat rainwater isthrown as clear
as possible from the external wall surface. In
,
(if
"
<1
CD
-....
Section I:25. In-situ cast concrete wall cast
intwo skins with rigid closedcell insulation
between skins
CAC Museum Cincinatti, USA.
Architect: Zaha HadidArchitects
3-Dview showing roof parapet and window detail s witin cast-in-situ concrete wall system
MCH 15 3
Walls 02
Concrete I: cast in-sit u
.0
. ' 1'
3-D view & horizont al section I: IO. Concret e wall: Insulation set within wall
3-Dview &horizont al section I : IO. Concrete wall: Insulati on set on inter nal face
Tod's building,Tokyo,Japan. Architect: Toyo It o
urban condition s,dust-catching surface tex-
tures are usually avoided and smoot h finishes
are often preferred. However, where protec-
ti ve treatments are applied t o the external
surface of t he concrete t o reduce porosity,
th is can give a reflect ivity to the mat eri al that
reduces it s charact eristic stone-like appear-
ance.
Drips in t he form of continuous grooves
are cast int o the t ops of window reveals
t o reduce bot h staining t o t he soffit and to
reduce t he amou nt of wat er reaching the
wi ndows. Cills are usually formed wi t h a
metal sheet apron that helps th row wat er
clear of the wall below, while met al copings
are usually inclined in order t o drain wat er
ont o the roof or gutter behind rat her than
down the face of the concrete wall.
The col our of concrete for in-situ load-
bearing concrete walls is influenced mainly by
the choi ce of cement, wit h fair faced visible
concret e walls using either grey or white
cement bases to prod uce t he surface colours
associated wi t h each.The physical prop erties
of t hese two cement types are very similar,
MCH 154
wi t h grey being associated wit h archit ectural
concrete finishes which usually provide a con-
sistent appearance, when pouring methods
and condit ions remain consistent during con-
struction of th e facade.The t one of grey wi ll
vary wit h the cementJwater rat io, the poros-
it y of the shuttering, vibrat ion condit ions,
formwork stripping t ime and weat her condi-
t ions.W hite cement is much more t olerant
of variat ions in methods and sit e condit ions
in providing a consistent whit e col our.
The most common finishes for concret e
walls cast in-sit u are eit her an as-cast finish or
a washed finish. Other finishes are discussed
in the sect ion on precast panels: acid etching,
sand blasting, t ooling and pol ishing, though
the se additional finishes can be used on in-
sit u-cast concrete .W ith as-cast finishes, t he
colour variat ions result not usually from t he
cement colour, but rather from the marbling
effect of fine particl es of sand becoming
unevenly distr ibuted during vibrat ion when
t he concret e is poured in place. Smooth
concrete is typically self-coloured in large
areas of facade t o avoid colour variat ions
associated wit h pigment addit ives. Smooth
and visually consistent natural finishes are
achieved largely by both the accuracy of
mi xed proportions including water.
Textured finishes can be achieved wit h
specially formed shuttering boards or wi t h
an addit ional lining sheet containing th e
t extu re pattern. Polystyrene (one t ime use)
or synt het ic rubb er sheet (multi ple use) are
commonly used. Recessed joi nts are usually
introduced bet ween the formwork boards
t o avoid uneven and blurred lines at t he
junction between boards.W ashed finishes
are formed by applying a deactivat or t o th e
external face of t he concrete, eit her to t he
face of the formwork before casting or to
the concret e surface when t he formwork
has been removed.The deactivator is used to
slow down or stop hydration of the cement,
and is applied by br ush or spray.The con-
cret e is then sprayed wit h water or aqueous
acid solut ion to remove the surface, revealing
the mater ial below.
Photos illustrating texture that can be achieved through in-situ casting
~
b-
=
II
~
~ ~
~ r
-
r
,
I.-
2 C ~
F
I -
I
~ I t
f--,- 'E
~
Fg: F
-'I I =
;0 "f
I
~
~
~
r ~
rr:::I: --=- ~
!=== ;: -==::I:.- ::r:
~
Int ernal wall elevation I :50 In-situ cast concrete wall wit h textured effect as above right
Timber/Aluminium formwork on upper fioors of building construct ion
Timber formwork used t o achieve texture
Elevat ion 1:50 In-sit u cast concrete wall showing how formwork can be arranged and cut to form different shaped panels and window openings
MCH 155
Wa ls 02
Concrete 2: storey height panels
3-Dviewof wall assembly
System design
The method of casting in-sit u walls
described in the previous section is one
of forming loadbearing construction. With
precast panel s, walls can be formed as either
loadbearingwallsor ascladding panel sto
a structural frame. Loadbearing typeshave
storey height panel s'stit ched' toget her to
become integral wit h the floor slabs.Junc-
tionsare usually pin jointed, wit h structural
stabilit y provided by other components such
asservice cores elsewhere in the building.
Precast panels may have a decorative fin-
ish on one side, with thermal insulation set
within the panel,or may be used asa back-
ing wall to another facade system such as a
rainscreen set forward of the panel, where
thermal insulation is set on t he outer faceof
the precast panel. In addition t o setti ng pan-
elsfull height from floor to floor;loadbearing
panels can also be set horizontally to form
structural beams between precast columns,
typically around 1200mm highto provide
spandrel panels. This allows full length glaz-
ing t o be used, set between the t op of the
panel and the bottom of the panel above,
MCH 156
rat her thanglazingindividual openings
associatedwit h full height precast panel s.
Non-Ioadbearingprecast cladding panel s
t ypically span from floor to floor; with panels
supported either directly on the floor slabs
or set forward of them, fixed back to the
floor structure with brackets madet ypically
from stainless steel or reinforced concrete.
The method of fixing panel s isvery depen-
dent on both spat ial requirements within
t he buildingand whether concrete nibscan
remain a visible part of t he panel design or
are required to be concealed within the
internal finishes. St orey height panels can
have either thicker edges, to form an integral
'frarne' t o the panels, or be completely flat,
but the later will usually be thicker;and con-
sequent ly heavier. The 'framed' version has a
visual language of framing which canbe vis-
iblefrom either the outside or the inside.
Due to their self weight, panels are usu-
ally supported at their base at the floor slab
and are restrained at the top of the panel
with mechanical fixings. Panelsare usually
a maximum of around 3600mm wide t o
HousingVillaverde, Madrid,Spain.
Architect: ChipperfieldArchitects
suit road transportation, with a maximum
weight of around 10tonnest o suit regular
site cranes. As wit h in-situcast concrete
walls,the thermal insulation can be set either
on the inside face of the panel s or wit hin
a diaphragm wall construction. Panels are
manufactured in flat moulds, with the fin-
ished face at t he bottom of the mould when
the concrete finish is required to be visible,
or wit h t he finished face on the top of t he
mould where another material is applied
such as ceramic t iles, or where metal fix-
ings for a masonry finish are castinto t he
face of the panel.Where a concrete finish is
formed in t he bott om of t he panel,t extured
finishesare formed within the mould, usually
by a synt het ic rubber mat or polystyrene.
The shape of the panel isadjusted t o suit
the ease of removingthe mould when the
concrete has been poured in place, but most
panel s can achievesharp linesthat do not
have an obviously 'moulded' appearance.
-------
---
Plan I:25.Typical wall construction
Details
I. Concrete floor deck
2. Precast concrete panel
3.Window
4.Vert ical joint (typically a baffle) between panels
5, Horizontal joint (typically a lap) between panel s
6, Drywall/dry lining
7. Concrete floor deck
8, Steel dowel
9. Drywall/dry lining
<J
(])
3-D view of wall assembly
HousingViliaverde. Madrid, Spain,Architect:Chipperfield Architects
(])
Vert ical section I :25.Typical wall con-
struction
MCH 157
Wa ls 02
Concrete 2: storey height panels
HousingViliaverde, Madrid, Spain.
Architect:Chipperfield Architects
3-D view of wall assembly
System details
Joints between panels are similar for
both loadbearing and cladding panel t ypes,
with a common useof either 'open' or
'closed' joints. Open joints have an outer
open joint that is narrow but admits small
amountsof rainwater, which is drained down
an inner chamber andreleasedbackto the
outsideat the base of the panel through
a stepped horizontal joint.This internally
drainedand pressure equali sedsystemis
similar in concept to that used in unitised
curtain walling. In closed joints the outer
face is sealed wit h a wet applied silicone or
polysulphide sealant in a similar wayto the
sealing of joints between bolt fixed glazed
panel s. Joint widt hsboth vert ically and hori-
zontally for both open and closed joints vary
from IO-25mm increasing wit h panel widt h
up to a maximumof around 6000mm.The
inner chamberbetween panels in vertical
open joints is closed wit h a synt het ic rub-
ber strip which provides a primary seal.The
interior face of both vert ical andhorizontal
joints is closed wit h an air seal formed wit h
MCH 158
either an extruded syntheticrubber gasket
or a wet-applied seal ant.Loadbearing pan-
elsare sealed wit h a cement-basedgrout.
Closed joints are mostly usedin loadbearing
panel construction where panels are joined
together wit h mechanical fixings. Panel fixings
are positioned near the corners, wit h slotted
fixingsused in order to allow for both ther-
mal movement between the panel andsup-
porting structure and for adjustment during
construction.The cleats aret ypically fixed to
a small channel fixing cast into the concrete.
Panel s are lifted into place on site by crane,
using hooksthat are screwed into threaded
tubes set into the concretetypically on top
or on the backface of the panel.The hooks
are unscrewed when the panel is in place,
andthe holes plugged.
The most common finishes in precast
panels are acid etching, polishing, sand blast-
ing andtooling.The lastt wo techniques are
discussed in the next section on small pre-
cast panel s but can be applied equally here.
Poli shed finishes are formed by an abrasive
grinding wheel lubricated wit h wat er,that
removes up to 2mm of the material wit h
a single pass of the grinder to a honed or
fully polished finish.This exposes the colour
of the aggregate but the surface does not
shine naturall y varnishescan be applied to
achievethis stone-like appearance,Acid
etchedfinishes are well suited to precast
panel s since the amount of acid applied can
be more carefully controlled in the factory
than can be achieved on site.The outer face
of the panel istreated wit h hydrochloric
acid to reveal the concrete texture beneath,
which isthen rinsed off, havingthe effect of
revealing the concretetexture immediately
beneath.Acid etchingattackslimestone
aggregat es, and somet imes more quickly
than it doesthe cement, while silica-based
aggregate remains.The surface texture
achieved varieswit h the fineaggregate used,
beingmore granul at ed in the caseof silica
andless coloured in the caseof limestone.
CD
I
Details
I. Concret e floor deck
2. Precast concretepanel
3.Wi ndow
4.Vertical joint (typically a baffle) between panels
5. Horizontal joint (typically a lap) between panels
6. Drywall/dry lining
7. Concrete floor deck
8. Steel dowel
9. Conrete coping
10.Thermal Insulation
I I. Roof const ruction
Vertical sectionI :25 showingtypi-
cal details
3-Dview of wall assembly
Vertical sectionI :25.Parapet
detail
Corner details
MCH 159
Panel installation
:I![l:- - C
ails 02
Concrete 2: small precast panels
---..,.
One Coleman Street. London, UK.
Architect: David Walker Architects
Plan andelevation I:25. Glass reinforced concrete (GRC) panel swit h openjoints
System design
Small precast concretepanels have a
greater sense of visual variety possible with
a reduced unit size than large panels. While
storey height panels suit larger scale projects,
smaller self-supporting and interlocking pan-
elscan be stacked together inthe manner of
composite metal panels. Panels have aninner
core of thermal insulation wit h a finished
concreteface on each visible sideof the
panel. Alternatively; individually supported
rainscreen panels usethe visual language of
stone or metal cassette facadesto a back-
ingwall in a different material. Small precast
rainscreen panels are fixedto a backing wall
either directly with individual fixingbrackets
or onto an aluminium or stainless steel car-
rier frame, wit h open joints that follow the
rainscreen principle.
Panel s can also be madeas self sup-
porting wallssupported at their base.These
panels are shaped so as to ensurethey
interlockto provide a stable form of con-
struction. Panel s can be stacked to a single
storey height of around 10metres, wit h
lateral restraint provided by the structural
frame, and at every fioor level in buildings
wit h more than one storey. Panels at ground
fioor level are set on a beam edge to a con-
crete fioor slab or structural beam. Panels
are stacked wit h continuous vert ical joints
and are restrained by columns. The need to
restrain panel s on their vert ical joints results
in interlocking panels being long in order
to optimisethe distance betweenstruc-
tural columns, avoiding intermediary posts
that would be requiredto provide lateral
restraint. Interms of weight. the long panels
compensate by being low in height in order
to ensure their weight can be lifted by a site
crane,typicall y wit h a liftingcapacity of 4
to 6 tonnes. Since the stacked. interlocking
panels have concreteon all sides, both hori-
zontal joints andvertical joints usuall y have
a limitedthermal bridgewhich can leadto
pattern stainingas a result of different rates
of thermal transmittance inthe material. in
additionto the increased risk of condensa-
tion occurringon the internal face. The
thermal bridgecan be avoided by the use
of metal connections betweent wo skins of
concrete in place of a fully encased concrete
panel . but this makes it more difficultto stack
panel s andto maintain the economy of the
system. Self-supporting stacked panels fabri-
cated inthicknesses of 75- 1OOmm can also
form the outer skin of a complete cavity wall
constructionof 200-300mmthickness. The
inner wall can vary widely in its construction
from concrete block to light gauge metal
studwall wit h an outer wat erproof facing.
The cavity between concrete panelsand
backing wall is 50-75mm,vent ilat ed at the
top andbottom of the wall.
Small precast rainscreen panel s can be
formed wit h narrower jointsthan those
possible in full height panels, together wit h
the possibility of a non-rectilineararrange-
ment of joints. Fi xingbrackets are similar
to thoseused for stone cladding, but are
usually biggerto support the heavier panels.
While stone panel sizes aret ypicall y around
1500mmx750mm or 1500mmxIOOOmm,
depending on stonet ype.precast rainscreen
panels cantypically reach 1500mmx-
3000mm. Panels are support ed on stainless
MCH 160
I ---
l
If=i
-:
",/
II II
/ ....
II
III
,/
.......
0)
Jj
CD
0
I 0
__
ilL__
1
111
II II
III I I
I II
I
---
I
l -
Section I :25.Typical precast concrete wall construction.
Left: Panelswith drained joint.
Ri ght: Panelswith sealed joint
Details
I. Backing wall
2. Precast concrete panel
3. Closed cell t hermal insulat ion
4.Vertical joint open or closed type
5. Horizontal joint open or closed type
6. Internal finish
7.Window frame
8. Concrete floor deck
9. Precast concrete coping
10. St eel angle
I I. Rubber-based baffle
I 2.Waterproof membrane
3-D view of wall assembly wit h angled
precast concrete panels
<t
MCH 161
Walls 02
Concrete 2: small precast panels
----
3-Dviewof wall assembly with profiled, precast concrete tiles
Panel casting detail
Details
I. Backing wall
2. Precast concrete panel
3. Closedcell thermal insul ation
4.Vert ical joint open or closed type
5. Horizontal joint open or closed type
6. Internal finish
7.Window frame
8. Concretefloor deck
9. Precast concrete coping
10, Waterproof membrane
steel brackets which are fixed either to pri-
mary structure or to a carrier framethat isin
turn fixedto primary structure.Slotted holes
in the bracket provide adjustment vertically;
horizontallyand laterally. In common with
stone cladding, individually supported con-
crete panels are supported on short lengths
of stainless steel angle at each fioor level in
order to avoidthe possibility of progressive
collapse of cladding panels in the event of a
single panel failing or slipping from its posi-
tion. Fixings are designed sothat they can
support the full load of the panels immedi-
atelyabove it in the event of fixings to panels
above failing either partiallyor completely.
System details
Interfaces for individually supported
panels are similar to those for stone cladding.
An advantage of small precast panels isthat
interfaces of stacked panels with openings,
parapets andcills are relativel y straightfor-
ward.Windows are fitted into openings
relatively easily, since the stepped profile at
MCH 162
the base of the panel provides an integral cill
profileto the opening.The concretefacing
to all sides of the panel provides weather-
tight edges on the jambs andat the head
of the opening.Windows are set in a posi-
tion which suits the positionof the thermal
insulation inthe precast panel, typically inthe
middle,but windows are positioned to pro-
vide continuitywit h the thermal insulation.
The closing of parapets isprovided by
a metal fiashing that covers the top of the
panel andthe vertical face of the parapet
wall that may be set behind the panels
to close off the roofThe copingissloped
towardsthe roof to ensure that rainwater is
drainedonto it andnot directeddown the
facade. A precast copingcan also be used
instead of metal, but an additional mem-
braneis set under both metal or concrete
copingsto ensure a fully watertight seal.
The base of walls isdetailed in a similar way
to other forms of loadbearing masonryA
continuous damp proof membrane (OPM)
extendsup from the outsideof the structure
beneath andforms a damp proof course
(OPC) which ispositioned sothat it extends
at least ISOmm above external ground level,
depending on climate conditions.The ope is
positioned sothat the lowest row of panels
at ground level appearsto sit on the ground
wit h its bottom edge either level , or slightly
abovethe adjacent ground level or pave-
ment.This avoids the needfor a ISO-200mm
waterproofed plinth at the base of the wall.
Sandblasting andtooling are common on
small cladding panels. Panels are sandblasted
wit h iron filings rather than sand particles,
wit h the blasting slight ly erodingthe face
of the concrete, either backto the surface
or more deeplyto the coarse aggregate
beneath, resulting in a matt finish.Tooled
concrete isa method of texturing concrete
with chisels or picks to makes grooves or
continuous textures.The textures usually
stop short of corners of wallsto give a crisp
edge.
St Albans Pavillion, St Albans, UK. Architect: MUFArchitects
. "
A
4
' @
. . 8
"
."'4 d
.. .
',i
~
~ I .r..= = : ; : : :
I:
U
<1
.. "4
~
I)
I
4
'.
,
@
' 4
4
4
1
(0
.c
(0
A ,
Plan I : I0 Corner GRCpanel with open joint
CD
CD
3-D view of wall assembly for GRCpanels wit h
open joints
Section I: IO.Juncti on at win-
dow jamb andat parapet
Section I :IO. Panel soffit andwindow junc-
t ions of GRCpanel s wit h open joints
MCH 163
als 02
Masonry loadbearing wal ls
Bl uecoat Art Gallery. Liverpool, UK
Architect BIQ Architects
System design
Loadbearing masonry wallsare used
mainly in small scale construction, but in
recent years there has beena revival in their
use for larger scale buildings asan alternat ive
t o the language of cavity wall construction.
Walls are most commonly madefrom brick
or concrete block. In continental Europe,
ter racotta blocksare more common, but
are usually rendered on their external face,
both to enhancet heir appearance and for its
t raditional role as a weat hert ight outer layer.
Concrete blocksare similarly protected by
render. Only brickwork isfully exposed. rely-
ing on the depth of wall to avoid t he ingress
of rainwater.
In brick construction, it is assumed
t hat a 31Smmt hick wall ( I Y2 bricks) isthe
minimum depth sufficient to resist rainwater
penetration in temperate climates.This is
dependent upon brick densit y and manu-
facturing dimensions.With brick,thermal
insulation is set on the inside face to allow
the material to be visible on the outside. but
with concrete block,the insulat ion can be
set on t he outside with an external layer of
MCH 164
Plan I: IO.Window jamb connection in
loadbearing brick wall
render to provide t he weatherproof skin.An
alternative solution isto set thermal insula-
tion wit hin the wall, creati nga loadbearing
diaphragm wall where t he brick or block
can be seen on both sidesof the wall, and
also allowsthe internal face of the wall t o
be used for night t ime coolingwit hin t he
building.Two ski ns of brick,t ypically 21Smm
to 3ISmmthick,are set apart, joined by fin
wallsset perpendicular to t he main walls.
Concrete block wallsare made from skins
200mmto 300mmt hick.The position of
t he insulat ion wit hin t he walls, or on t he
int ernal faceof t he wall, allows a straightfor-
ward cont inuit y wit h the t hermal insul ation
provided by windows wit hin openings.An
essential benefit of using loadbearing mason-
ry walls istheir ability to avoid movement
jointsthroughthe useof lime mortar. This
traditional mat erial has lower strength t han
mortars used in contemporary cavity wall
construction but has greater flexibility. allow-
ing it to move more freely wit hout cracking.
This reduces, or can even avoid the needfor,
movement joints which areint roduced t o
Vertical section I: IO. Window opening
in loadbearing brickwall
avoid crackingin masonry walls. Movement
joints in wallswhere cement-based mortars
are used are set t ypicall y at 6.0-8.0 metres
depending on t he requiredstrength and size
of wall. In lime mortars the strength of mor-
tars isvaried by alteringthe proportion of
cement and lime which are usedto bind t he
mortar t ogether.Increasing the proportion
of cement will increase its strength, while
increasing that of lime increasesit s flexibility.
wit h mortar mixes having different propor-
tions of strength andflexibility. In addition,
the comparat ively low wat er permeabilit y
of lime gives it greater resistance t o rain
penetration t han mortar mixes with a high
proporti on of cement. Lime hasthe effect of
makingmortars increasi ngly light in colour
wit h its increased proportion in t he mix.
However,mortar colour can be modified by
adding pigmentsto the mix.Where stone is
used on the outer face of the loadbearing
wall,t ypically facing a brick wall behind,the
mort ar has crushed stone added in place of
sand in order t o give mortar itstext ure and
some of the texture of the stoneitsel f
"
Section I: I 0 Floor connection in brick
loadbearing wall
@
@
Detail s
I. Loadbearing brick wall
2.Timber framed window
3. Int ernal plaster finish or dry lining/drywall
4.Thermal insulation
5. Precast concrete lintel
6. Precast concrete cill
7. Concrete loadbearing blocks
8. Damp proof course(DPC)
9. Stone facing blocks
10. Floor slab
I I. Floor construction
12. Hollow bricks
I 3. Roof construction
14. Stone lint el/anch
15. Stone cill
16. Parapet
17. Loadbearing concrete block wall
I 8. External finish
3-D view of loadbearing brick
wall syst em
MCH 165
ails 02
Masonry loadbearing walls
3-D section through loadbearing wall with
stonefacing blocks
System details
An essential aspect of loadbearing
masonry walls isthe needfor the structural
requirements of walls to take precedence in
the waysopenings are formed, particularly
where the wall supports both itself and
other elements such as floors and roof. For
example, the useof flat arches to window
openings that form the equivalent of lintels
to support the wall aboveresult in the struc-
tural requirements beingthe dominating
criterion in bringing componentstogether.
There arevisual benefits, such as openings in
loadbearing masonrywalls having the ability
to reveal the thickness of the wall to give
it a massive appearance. Cillsto openings
are formed from either the same material if
stone is used for the wall or, more commonly,
precast concrete. Sometimes the timber or
metal cill that forms part of the window is
used to form the cill where visual criteria
permit its use. Cillsare sloped with a project-
ingedge that throws the rainwater clearof
the wall beneath.A throating isalso used to
avoidwater runningback to the external
MCH 166
face of the wall from the underside of the
projectingcill. Where stoneisused to form
cills, the material must be sufficiently impervi-
ous or alternatively have sufficient slopeto
ensure that water runs off quickly. Where
softer stones are used such as sandstones
andlimestones, the material must be suf-
ficiently dense anddurable to avoid staining
occurringdue to water absorption. Cillsare
usually madeas single pieces to avoid joints
beingformed which are less imperviousthan
the cill material. A DPC isset under the cill to
ensure that rainwater penetrating the outer
cill drains away any water that soaks through
the cill, particularlyat the joints.The heads
of openings in loadbearing masonry walls
are supported by lintels or arches which are
structural ,takingon an appearance informed
by that primary requirement. In brick con-
struction, a flat or curved archistypically
used to support the brickwork above. In
concrete block construction, a reinforced
concrete lintel isused, which spans the com-
plete width of the wall,while in stoneathin
archis used on the outer face of the wall,
Plan I :IO.Window jambs in brick loadbearing
wall wit h stonefacing blocks
Section I: IO. Window jambs in brick loadbear-
ingwall wit h stonefacing blocks
often wit h a more rudimentary brick arch
behindit, concealed by the window frame. In
parapets, the copingpiece has a damp proof
course(DPC) set beneath it to avoid rainwa-
ter being absorbed into the wall beneath.The
DPC iscontinuous wit h the wat erproof layer
used for the roof immediately behind the
parapet. In common wit h copings in other
facade systems,the top is sloped inwardsto
drainwater towards the roof rather than
down the facade where it would cause stain-
ing.The copingusually projectsbeyond the
face of the wall on the roof side in order to
throw wat er clear of the wall.
0
@
@
r ~
r-
CD
I
I ~
~
I
I
I
' 'V
CD
@
r ~ ~ . ~ - " ?
1 /
CDI
I
----J 0)
I
I '0
i
I
I
I
i G)
~ 8 i I.--- -- ---
1
@
CD
I v
(2) !fff
I>
CD
--'
!'
_ __ ___-.I ,
o
_ ___ __ _-.I
- - - - - - - i..
3-D view of concret e block wall assembly wit h
window det ails
Plans and sections I: I O. Window opening in concret e block wall illustrat ing applica-
t ion of insulation to inter ior or exterior of wall system
I
<Vi T
I
I @ .
~
L ._
30 Finsbury Square. London.
Architect: Eric Parry Architects
Section I :IO. Window opening
in hollow brick wall
MC H 167
ails 02
Masonry cavity walls: I . bri ck
-----
Private residence, Dublin, Ireland Architect: BoydCodyArchitects
Woodward Place housing, New Islington, Manchester. Architect: FAT
Details
I. Outerbrick wall (or 'leaf)
2. Inner blockwork wall (or 'leaf)
3.Timber framed window
4. Steel/Aluminium window
5.Timber cill
6. Cavity closer
7.Internal plaster fini sh or dry lining/drywall
8.Thermal insulation
9. Air cavity (sometimesomitted where insu-
lation fill scavity)
System design
Where loadbearingbrick walls usethe
overall wall thickness to stop the passage
of rainwater frorn outside to inside, cavity
walls usetwo skins of rnasonry separated
by a venti lat ed air gap, where only the outer
skin is saturatedwit h wat er. The inner skin is
usually formed in concrete block or timber
studwork, wit h thermal insulation usually
set on the external faceof the inner skin.
Earlierexamples of cavity walls were built
by t yinginner and outer skins together wit h
fioor slabsto form diaphragm walls, so that
both inner and outer skins performed a
structural function. Their usewas reduced
wit h concern over the thermal bridge cre-
ated by linkingthe two skins of brick,wit h its
attendant issues of heat transfer across the
wall and condensation risk. Current practice
uses the outer skin as claddingto a drained
MCH 168
10. Inner precast concrete lintel
I I. Pressedsteel lintel
12. Outer precast concrete lintel or brick
flat arch
I3. Floor Construction
14. Roof Parapet
15. Stainlesssteel tie
16. Damp proofcourse (DPC)
17. Ground
18. Primary Structure
and vent ilat ed void behind, wit h an inner
skin that is wat erproofed wit h a high level of
thermal insulation.The cavity is vent ed top
and bottom to ensurethe free passage of air
through the cavityThis allowsthe cavity to
remain dryas well asassisting in dr yingout
the outer skin of brick,which canbecome
fully saturatedin a rainstorm.The cavity is
bridged only by openings for windows and
doors, but t ypically this isdone wit h proprie-
tar y cavity closers, which are insulated strips
that create athermal break between inner
and outer skins.
The outer brick skin is usually only one
brick thick,t ypically of IOOrnrn widt h, wit h
both skins beingsupported at ground level,
at intermediary floor levelsand at the roof,
dependingon the height of the building.
The inner skin is built off each fioor slab
CD
Isometric detail through windowconnection
and is restrained at the head by the fioor
slab or roof structure above.Taller buildings
have the inner skin built directly onto fioor
slabs in the same way, but the outer skin is
supported at each fioor level on a series of
continuousstainless steel angles, fixed backto
the fioor slab.A damp proof course (DPC)
isset on top of the steel angle to drain the
cavity.Weep holes (vertical slots) are formed
in the vertical joint s immediately above the
steel angle in order to allow wat er in the
cavity to drain t o the outside. In addition to
beingrestrained at fioor slabs, the outer skin
is also t ied at intermediary points backto
the inner skin wit h stainless steel ties.These
are set t ypicall y at 450rnrn horizontal centres
and 900mm vertical centres.vertical move-
ment joints are provided at around 7500mm
centres, or are avoided altogether in the
@
@
3-D view of assembly showing cavity brick
wall fixed to concrete frame
,.': .' .
I:}.'(I b
. CD II
..: I
"1' ; ' ..:
... .. .
CD
@ ,
C' I
. "
....,
,.", "<,
CD
.<
Il G)
(]) I (j) "
L,
/
@}-- - -+-J
I
i
I
i
I
I
!
I
..
3-D view of. t imber window frame in stone cavity wall
Section I: IO. Roof connection to stone
faced cavity wall system
Detai ls
I . Damp proof course (DPC)
2. Outer block wall (or 'leaf )
3. Inner block wall (or 'leaf)
4.Timber framedwindow
5. Precast concrete cill
6. Stonecill
7.Timber inner cill
B. Cavity closer
9. Internal plaster finish or dry lining/
drywall
10.Thermal insulation in cavity
I I.Air cavity (sometimes omitted
where insulation fillscavity)
12. Inner precast concrete lintel
I 3. Outer precast concrete/stone lintel
14. Stainless steel t ie
15. Roof Const ruction
16. Floor Construction
17.Timber framed inner skin
IB. Steel frmaed inner skin
19. Ground
MCH 173
Walls 02
Masonry cavity walls: 2. stone and block
---""'
NoLi Housing.Philadelphia. Architect: Erdy McHenry Architecture
Vert ical section I:IO. Typical window at cill and head
in block cavity wall system
filledwit h t wo part polysulphide sealant that
also matches the colour of the mortar as
closely aspossible and provides a seal that
can accommodate the structural movement
wit hin the cavity wall.
System details
This section discusses variat ionsand
details additional to those set out in the pre-
vious section on brick cavity walls andfocus-
eson different materials for the inner skin.
When atimber framed inner skin isused,
the window is usually an integral part of that
inner skin so that a complete enclosureis
formed in timber wit h masonry used as an
outer skin providingsome lateral stability. The
outer masonry skin can be returned to form
a reveal up to around 125mm depending
on the thickness of insulation inthe cavity.
Alternatively the timber window can be set
forward close to the lineof the outer face
wit h atimber cill projectingforward of the
wall.Thisgives the outer wall an appearance
of a brick texture, givinga planarappearance
to the material.
With reinforced concrete inner skins,
MCH 174
stainless steel fixings andrestraints are usu-
ally post-fixed to the concrete. In recent
years, outer masonry skins have beenmade
as prefabricated panel s on some projects
when fixed backto a reinforced concrete
wall. Panels of stone, terracotta or even
brick are bonded together wit h mortar and
then held in a steel edge frame, which is
fixedto the inner skin.The concreteinner
skin iswat erproofed wit h bituminous paint
andthermal insulation isset on the outside
face ofthe inner skin.The steel angle on the
bottom edge forms a closerto the window
below,while the steel on the top edge forms
a cill to the window above.The vert ical steel
angles are usually concealed wit hin the cavity
to give a continuous masonry appearance.
The masonry is sometimes restrained wit hin
the panel by vert ical stainless steel rods
which aretensioned against the frameto
form lightly prestressedpanels.Yertical joints
between panels are sealed,typicall y wit h a
polysulphide sealant.
For parapetsthe inner skin isthickened
up when used as a balustrade. A handrail
on top of the copingisfixed by drilling
through the top andbolting it to the inner
skin beneath.The copingiscut to recei ve the
balustrade or handrail , unless the uprights
supportingthe handrail pass between the
joints. The adjacent area of flat roof or gutter
usually has a waterproofing layer returning
up the wall. regardless of the roof finish. The
wat erproofing layer isset into horizontal
joints in outer masonry skin.A metal flash-
ingisset into the same horizontal joint and
is set over the top of the wat erproofing
to protect it from damage. Metal copings
are usedincreasingly on parapets in order
to matchthe appearance of windows and
doors, particularly where metal cills are
used. The same principles apply asfor con-
crete copings, with a DPC set on top of the
masonry wall.Drips areformed on either
side of the vert ical face to ensure that wat er
isthrown clearof the wall.For all parapets,
the wat erproofing layer is continued up the
wall to becomecontinuous wit h the DPC
in low parapets. For high parapet walls, a
stepped DPC isused to drainwater back
to the inner skin to ensure that wat er inside
this part of the cavity wall is drawn away.
Verti cal ection I:25showing typical details
/'
Details
I. Damp proof course (DPC)
2. Outer block wall (or 'leaf )
3. Inner block wall (or 'leaf)
4.Timber framed window
5. Precast concrete cill
6. Stone cill
7.Timber inner cill
8. Cavity closer
9. Internal plaster finish or dry lining!
drywall
10.Thermal insulation in cavity
I I.Air cavity (somet imesomitted
where insulation fills cavity)
12. Inner precast concrete lintel
13.Outer precast concrete/stone lintel
14. Stai nless steel t ie
15. Roof const ruction
I 6. Floor const ruction
17.Timber framed inner skin
@ 18. Steel frmaed inner skin
19. Ground
' ..0'1
j
';
C".
<,
, I
"
. "
4
30 sect ion through block cavity wall system
MCH / 75
Archaeology museum Almeria, Spain.
Architect: Paredes/Pedrosa
--
-
3-Ddetail of stone panels on carrier system
Details
I. Stone panel
2. Backingwall,typically concrete block
3.Stainl esssteel fixings
4.Timber framed window
5. Stone ci ll
6. Timber inner cill
7. Internal plaster finish or dry lining/drywall
8.Thermal insulation
9. Stone coping
10. Floor construction
I I. Roof construction
12. Extruded aluminium/steel sections
System design
Stonecladding panel s aret ypically fixed
backeither directly to a backing wall or to a
metal carrier frame wit h a separat e backing
wall behind.The useof stone for cladding
requires an emphasis in the design stage on
choosing not only the specific material , but
also settingthe range of colours and tex-
tures of the material.This requires an inves-
tigation int o establishing the physical prop-
erties of the actual stoneto be usedif this
is not already known,to a structural-based
design to establishor confirm maximum
panel dimensions and suitable fixingmethods
for the proposedsizesof panel.The physi-
cal properties of the stone may be available
from the quarry at an early stage,but some-
t imestestingis done duringthe early pro-
curement stage to ensure that he material
meetsthe requirements of the building code.
The thickness of stone required for a facade
is usually establi shed by structural calculation.
Flexural strength. also called the modulus of
rupture, isusually the most significant struc-
tural consideration in establishing panel size.
Codes of practiceoften set out minimum
thickness for variouspanel sizes. but this is
only a general guide and calculation is usually
undertaken for specificfacade applications.
Since the material may not already be cut
from the quarry at the time of its selection,
stone facades can involve longer procure-
ment times than ot her facade systems.
particularly on larger projects.The stones
used are t ypicall y granites. sandstones. lime-
stones and slat es, andare once again being
considered as a material that might be locally
sourced; a material laying in abundance
beneath the region in which the building is
to be constructed.
Stainless steel is used for stonefixings
becauseof its resistance to corrosion com-
bined wit h high strength andrigidity. Fi x-
ings have athree-way adjustment vert ically,
horizontally and laterally in order to align
the stone panels accurately. The type of fix-
ingused varies wit h the thickness and stone
t ype used. Fi xings are usually set at the top
andbottom of the panel,wit h the bottom
fixings being loadbearing andthe fixings at
the top of the panel being restraints. Side
fixings are somet imesused depending on the
weight and strength of the panel.
St one cladding can be used as a'wrap'
to a structural frame as well as its more tra-
ditional usefor cladding wallswit h punched
openings. The mixture of largestone panels
wit h long narrow panel s associat ed wit h
reinforced concrete structural frames gives
a visual drama not usually associated wit h
stone cladding until recently. The arrangement
of stone panel s can imitatet raditional pat-
terns of jointing such as st retcher bond, but
can also benefit from the mechanical fixing
of each stone panel by forming anarrange-
ment that is independent of the backing wall
behind. mixing both stone sizesand differ-
ent shapes in a single wall composition. The
development of water jet cuttingtechniques
in addit ion to development of established
stone cutting tools has ledto a greater vari-
ety inthe size and shape that remainswit hin
the limits of economic const ruction.The
introduction oftriangul ar panels in rainscreen
configuration has encouragedthe useof
stone cladding on folded facadesurfacesto
MCH 176
@
,/ I' /
-<
L
CD
. <:L.
li 0
I
/
Plan I: IO,Typical stone carrier system
made from extruded aluminium section
t -r- t
.----t- ==:r t
1 + +- +
.....J..__.
+ ~ t T
I + 1
+
J
r- r '
~ ~ r J1
---r
- +
CD
-)
----
3-D view of stone panels on individual fixings
3-D detail of stainess steel fixing pins
El evation ( I:50) & vertical section ( I: I0) Typical stone carr ier system made from
individual stone fixings showing typical fixing posit ions
MCH 177
Walls 02:
Masonry cladding
@
r
CD
j
Section I: IO.
Stone supported
on individual
fixings
- .If
8)
~ I I
:L-
l I,"
System details
Joints betweenstonecladding panels are
either of open rainscreen t ype or are closed
with mortar or sealant. Closed joints sealed
wit h mortar or sealant are used where the
cladding issupported at each floor level on
stainless steel angles wit h jointed stones. With
open jointed stones, each panel isindividu-
ally supported in a rainscreen construction,
where rainwater passing through the joints
isdrainedaway down either the backof the
stones or down the face of the backing wall,
which ist ypicall y insulated.The choice of joint
t ype is partly a visual decision andpartly one
complement the geometries used in glazed
walls. Finishes for stone have also developed
in recent years, wit h rubbed, honed, polished
andflamedfinishes for different stonet ypes.
3-D view of stone panels sup-
ported on individual fixings
MCH 178
CD
@
~ : b
SJ
@
n"
==
---j
@@
4 ~
l ~ -
I
,j--- ---h
I
@@
I
I
@@
II
1.
0
CD
"I
I I
I I CD
@
i I
@
I
I
I
I
I
I
I
I
@
I
I
I
I
!
3-Ddetail of stonepanels on carrier system
Section I: IO.Typical stone panel s on
carrier system
that ensures adequat e vent ilat ion to the cav-
ity between the stone andthe backing wall,
allowingstonesto dry properly Closedjoints
allow the stone cladding to perform in a simi-
lar wayto a cavity wall,wit h venti lat ion pro-
vided at the top andbottom to dry the void
behind the stones.Joints in sandstonesand
limestones are usuall y filledwit h cement/sand
mortar or cement/sand/lime mortar. Granites
and slat estypically are proprietary sealants
such ast wo-part polysulphide. Mortar used
for pointingismadefrost resistant when
used in temperate climates, and of similar
strength to the joiningmortar; wit h the struc-
tural mortar behind.The maximumwidt h
of mortar filledjoints isaround 12mm, but
sealant filledjoints can exceedthis, subject to
visual requirements.Joint widt hs are partly a
function of the cutting toler ance of the stone,
which can vary along its length by up to
2mm, depending on stone panel size andthe
cutting machine used.Joint widt hsof 4mm
are common, but this can riseto around
12mm when requiredfor visual reasons.
Movement joints are set both horizon-
tally and verticallyto accommodate move-
ments in the building structure. Horizontal
movement joints are used to deal mainly
wit h structural defiections in fioor slabs, and
are usually provided at fioor level, where
the stone cladding is support ed from either
short lengths of stainless steel angle, or a
continuous steel angle.The movement joint
is set immediately below the stainless steel
angle, where vertical defiection will occur.
Hor izontal movement joints can be set at
intervals of two storeys if a carrier frame is
used that will span the full height.The move-
ment joint widt h is usuall y around 20mm,
formed as an open joint.Vertical movement
joints in the facade, locatedto correspond
to movement joints inthe building structure,
are set immediately forward of thesemove-
ment joints where they reach the facade.The
distance between joints istypically at around
6 metres in a continuous run of stone clad-
ding wit h closedjoints.The joint widt h cor-
respondsto the expected movement in the
cladding, but where sealed joints are used,
the joint widt h is dependent on the amount
of movement that the sealant isrequired to
accommodate.
MCH 179
ails 02
Masonry rainscreens
@
@
Ll
'-J
I
~
~
I
Ll i
@
I 111111111 111111
-a
I
CD
Ll
Ll
<1
Ll
Ll
0) Ll
Beaufort Court , London,UK. Architect Feil den CleggBradley Architects
Ll
-a
@
-a
I 1111I1I 11111
I
Vertical section I : IO. Terracott a rainscreen
fixedto loadbearingconcrete wall
MCH 180
System design
Terracottarainscreens are a recent
development over the past 15 years. and
can be seen as a development of brick cav-
ity wallsto a fully vent ilat ed version in full
rainscreen configuration. Over that t ime t he
sizes of terracotta panels have increased
and fixingsystems have developed,and have
also beenadapted for useas solar shading
louvres to glazed walls, particularly where
terracotta is also used asan adjacent wall
cladding material.Terracotta louvrestypi-
cally comprise hollow sectionsreinforced
internally wit h aluminium sections to form
louvered screensthat can match with adja-
cent areas of terracotta cladding.Terracott a
rainscreen panel s arefixed either on rails,
into aluminiumor stainless steel panels. or
onto individual brackets like masonry clad-
ding with concealed fixings.Vertically-set or
horizontally-set rails are used to suit a range
of joint arrangements t hat imitate t radit ional
masonry bonds. or alternatively can be fixed
in a stack bonded arrangement Recently
developed systems have interlockingpanels
to provide visually crispjoints, andpanels
extruded as twin wall sectionsto provide
long spanningpanels.The range of glazed
finishes has developed considerably in recent
yearsto give a very wide range of t extures
and colour mixesderived from contempo-
rary pottery. Terracotta ismade from natural
clay t hat isfirst extruded.t hen cut to t he
required length of panel .then fired in a kiln.
The useof extrusion dies allowsthe manu-
facture of t erracott a panelst o be flexible
from project to project.As wit h aluminium
framed curtainwalling,the die creates differ-
ent heights and depths of block while main-
taininga hollow interior t o keep the material
relatively light andeasy to handle, allowing
long panel lengths to be formed.
System details
Terracottapanels have two extruded
edges and two cut edges, resulting in panel s
being arranged on a facade so as to avoi d
a cut edge being visible at a corner. This
arises because the surface finishand colour
of the end face will not match that of the
front face.The ends of panel s are usually
(2)
Construction sequence of
terracotta rainscreen cladding
system
concealedwith aluminium tri ms, sometimes
at the corners but typically around win-
dow openings. Alternatively, special corner
shapes can be formed by hand to match the
standard extruded t iles, made by a press-
ing method, usual ly with a maximum length
of 150mm on one leg and 300mm on t he
other. Large corner pieces are made by hand
byjoiningt wo sections together, but these
currently produce less reliable results that
can lacka straight andcrispedge. In addition,
manufacturers often provide extruded cill
sectionsfor parapet s and window sections
to suit wall constructionsof 300mmto
500mm wide.
Fired ter racotta is either left in its natural
colour or isglazed. A glazed finish can give
the material a refiectivefinish which provides
better protection from surface staining.
However, water absorption of regular ter-
racotta panels is between 3%and 6%, with
a densit y of around 2000kg/m3, maki ngthe
use of glazesnot essential for excludingrain-
water but important more for visual reasons.
Panels arefixedto support rails which are
Det ails
I. Backingwall, typically concrete
2.Thermal insulati on
3.Terracott a rainscreen
4. Extrudedaluminium carrier frame
5. Support clip, typically aluminium
6.Aluminium window surround
7. Metal framed window
8. Int ernal plasterfinishor dry lining/
drywall
9.Vapour membrane
I0. Roof const ruction
I I. Metal coping
12. Copingsupport
13. Stonepaving
MCH 181
Wall s 02
Masonry rainscreens
3-D view of t erracotta shingles hung on hori-
zontal rails with projecti ng w ind ow
I
I
o I,
I:
I
Ii
I
I
I
Details
I . Backing wall. typically concret e
2.Thermal insulat ion
3.Terracotta shingle
4. Ext ruded aluminium carrier frame
5. Support rail. typically aluminium
6. Rigid insulat ion
7. Glazing support
8. Met al window casing
9. Metal framed window
10. Internal plast er finish or dry lining/drywall
I I .Vapour membrane
set either verticallyor horizontally, made
from aluminium for their abilityto be formed
precisely as extrusions for ease of fixing.
Vertical rails arewell suited to 'stack bonded'
terracotta, where joints form a rectilinear
grid of continuous vertical andhorizontal
joints. Horizontal rails are suited to staggered
bondsof panels that imitatethe stretcher
bond used in traditional wall construction
where vertical joints are not continuous. At
least twice as many vertical rails are needed
as those for a stack bond arrangement. Since
horizontal joints are continuous, horizontal
rails are used to fix courses of terracotta.
Jointwidths vary from 2mmto around
IOmm, depending on the size of panel and
type of fixing system chosen.
The largest panels are planks up to
MCH 182
around ISOOmm longx 600mmwide x
40mmthick,requiring a more substantial alu-
miniumsupport section behind the panels.
The aluminium extrusions, set at the ends
of each panel, sometimes project forward of
the terracotta as structural fins to provide
the rigidityto the support framing without
requiringgreaterdepth in the cavity zone
behindthe terracotta.Where used, the pro-
jectingfins give the facade a characteristic
appearance of vert ical bays of panels, where
only vertical backing supports are used,
divided by the visible edge of the aluminium
support. Corner pieces can be madein sizes
of 2S0mm x 300mmhigh, which often do
not correspond with the maximum length
that can be manufactured for the planks,
but this constraintwill no doubt be over-
come with the development of this facade
system.Thinner terracotta panels of 30mm
thickness are used, in sizes with a maximum
length of around 800mmand corresponding
maximum height of 300mm.These thin-
ner panels have maximum corner panels
of ISOmm on one legand 300mmon the
other leg. The minimumsizes that can be
accommodated with the vert ical rail system
areterracotta panels around 200mmlong
x 200mmhigh, wit h athickness of 30mm
to 40mm.Windows and doors are set into
terracotta rainscreen cladding by fixing them
to, and sealing them against,the backing wall.
Aluminiumtrims used at corners andedges
of the panels can also be used to close the
gap betweenterracotta andwindow, with
the trim on the bottom edgeof window
Walsall Art Gallery, UK Architect: Caruso St John
Architects
openings useid to provide a cill. Windows
and doors are posit ioned to form a cont inu-
ity of weat her proofing, and aretypically set
back from t he face of t he terracotta panels,
wit h t he t rim providing a crisp edgefrom a
visual point of view.Typically. t rims are made
from eit her folded aluminium or rolled steel
channels.The flat, planar nature of terracotta
has ledto the increasedomissionof reveals
around window openings by pushing the
window frameforward to align wit h the
face of the terracotta panels, wit h insul ated
panels closing the gap between the window
andthe backing wall.Where terracotta is
int roduced asthe material to form a reveal,
corners are mitred wit h open joint s if special
corner panelsare not used.
~ l
I>
V
~
'\7
~
W1
CD
CD
~
I>
'\7
CD
~
CD
~
0
I
0
@)
I ~
I
CD
WJ
1>'\7
~
rD
CD
bJj
V
~
CD
I> W1
~
'\7
~
I>
\
Vertical section I:20.Terracott a shinglesfixed to
concrete load bearing wall
CD
MCH 183
3-D detail of composite cladding panel
corner assebly
System design
The use of plastics is based on both
proprietary systems and thosedeveloped by
manufacturers for specific projects. Pl astics
are resinous, polymer-based materials, used
in facade systems asthe primary material in
bot h sealed cladding panels and rainscreen
panels.As seal ed cladding panelstheir use
has been enhanced by t he successful use of
proprietary systemswhich combine light ness
in weight with high levels of t hermal insula-
t ion wit h panels of visuallyelegant appear-
ance. Concerns about t he longterm weat h-
ering aspects of plastics,wit h their t endency
to det eriorate noticeably wit h t ime, have
been largely addressedby manufacturers.
The materials used are principally glass rein-
forced polyester (GRP), polycarbonat e and
UPVC. This section discussesthe useof GRP
in sealed cladding panels which ist he most
common material used. GRP is a composite
material made from thermosetting polyester
resins, which set hardand do not melt when
re-heated,that are mixed wit h glassfibre
mat.This compositemat erial has hightensile,
shear and compressive strength combined
wit h light ness and resistanceto corrosion.
MCH 184
3-D view of window assembly within
composite panel
However;like aluminium it deflects consider-
ably under high loads and requires stiffening,
but is more rigidthan ot her plastics. GRP is
not combustible and can reach one hour fire
resistance in some cladding applicat ions. GRP
panel s are formed by laying glass fibre cloth
into a mould and coat ing it wit h resin and
catalyst, or alternatively spraying a mixture of
glassfibre and resin into a mould.The face of
t he mould is coatedwit h a releasing agent
to allow t he GRP to be removed when it
has set hard.
GRPpanels are characterised by their
light ness in weight combined wit h being
manufactured by moulding, allowingt hemto
be made in large panel sizes, up to 6000mm
x ISOOmm. Panel thicknesses are usually
70-7Smmt o provide structural stabilit y and
high levels of t hermal insulat ion. In common
wit h metal composite panels, GRP panel s
have undergone much development in
the useof adhesivest o avoid delamination
between the outer skinsand the insulation
core. GRP cladding panels can be made
either as separate panelsglazed into an alu-
minium pressure plate system (in a similar
Det ails
I .Translucent Polycarbonate cladding panel.
insulated
2.Thermally broken extruded aluminium
framing
3.W indow inserted int o frami ng
4. Insulated comer panel
5. Adjacent wall
wayt o glass) wit h a secondary support ing
structure behind, or alternat ively by set -
ting thermally broken aluminium extrusions
wit hin the depth of the panel s.That allows
them to be fixed together inthe manner of
composit e metal panel s. Panels are also stiff-
ened internally wit h aluminium I-sections or
T-sections where large scale panels are used.
The arrangement of t he framing can provide
differingamounts of t ranslucency across a
panel, where some of the framing is either
partl y visi ble, or completely concealed.
In addit ion to proprietary panels, GRP
and polycarbonate (discussed in the next
section) canbe used to form larger scale
panels which are madeby fabricators for
individual projects.Thesetypically comprise
two sheets of either profiled GRP or poly-
carbonate fixed eit her side of met al framing
spanningfloor to floor;or full height wit h
some additional restraint, to suit individual
projects.The main issue from the visual point
of view isthe choiceof thermal insulation,
which canprovide either translucency or
opacity.Wheretranslucent sheet is used, t he
insulat ion itself canform t he primary visual
Exploded view of polycarbonate composite
panel construction
--; ....._-+-- --+- -
-....---+-- ---+- --
Dancestudio,Tooting & MitchamFootball Club, UK,Architect:Clash Associat es
Horizontal section I: I O. Wall assembly show-
ingtypical details
MCH 185
Wall s 02
Plastic I: plastic-based cladding
-----. .- - - ,;;...- _ .......
3-Ddetail showing connection betweencomposite
panel andcavity wall
Composite panel junction detail
Details
I.Translucent polycarbonate cladding panel, insu-
lated
2.Thenrnally broken extruded aluminium framing
3.Window inserted intoframing
4. Insulated corner panel
5.Adjacent wall
expression of the facade panel rather than
the plastics, Natural materials such as straw
bales andwool have been used to this effect,
System details
When formed as translucent panels, alu-
miniumframingisset within the panel form-
inga visible grid resembling that of tradition-
al Japanese Shoji screens. These internal ribs
aretypically set out on a grid of between
around 300mmx300mmto 300mmx600mm
centres.The void between the two skins
of the panel can be filledwith translucent
insulation quilt to increase thermal insulation,
while still allowing a diffused light to pass
through the panel. Lighttransmission with-
out additional thermal insulation istypically
around 15%, with a U-value of I.5W/m
2
OK,
similarto an argonfilled doubleglazed unit,
and a shading factor of 20%, which provides
a high level of shading for a glass-based wall.
Windows can be glazed into the panels, giv-
ingthe possibility of a rich mix of windows,
doors andtranslucent panels without the
needfor complex framing.Window frames
can form part of theT-section extrusion
MCH 186
around a window, Integrating the window
frame into the extrusionthat supportsthe
GRP panels avoids the riskof leaks associ-
atedwith single silicone-sealed butt joints
when a separate window frame andpanel
frame arefixedtogether. The integrated
window frame allows water to be drained
from the frame, GRP panels can be glazed
into large structural openings, from floor to
ceiling for example, or can form a complete
glazed wall, restrained by a secondary steel
frame.When glazed into an opening, the
edge T-section aluminium profiles are sealed
against the adjacent concretefloor slab with
silicone, at both top andbottom. When
fixedto a secondary support frame, panels
are supported at each floor level on metal
brackets in either aluminium, mild steel (if
internal) or stainless steel (if exposed to the
weather).Cillsandcopings are formed with
the methodsdescribed in the section on
metal compositepanels.
Where twin wall polycarbonate isused
in conjunction with other plastic-based
panels, the material isfixedwith either con-
ventional aluminium framing for windows
or;alternatively, framing for stickglazing
curtain walling. Some manufacturers provide
extruded I-sections, similar to those used in
GRP cladding, to clipthe twin wall sheets
to provide a completelylightweight system.
This isa very economicform of cladding
which can be screen printed to createvisu-
allydramatictranslucent facades.As with
profiled polycarbonate sheet, other standard
components are not usually manufactured,
andfolded aluminium sections are used for
dripsand parapet copings instead of polycar-
bonate sections, which are expensive to pro-
duceas new profiles. Although plastic-based
panels are usually madeas panels fabricated
in a factory andfixedtogether on sitein an
extruded aluminium glazing system, they can
also be formed on siteby fixingplastic-based
sheet on either side of metal framing sup-
ports.The cladding maybe formed into pan-
elsor asa continuous wall structure.The use
of translucent insulation as an infill material
that is not fully bondedto the supporting
plastic skins provides considerable possibili-
ties for innovation.
,.0
"",.
",aM
og
poI
Y
"
-
'"
,o,"p
o
,
panels \n
a typ\cal facade
co
n5truct\o
n
Wall s 02
Plastic 2: plastic rainscreens
3-D section detail of polycarbonate rainscreen
I
I
I
I
:0
I
@
~ I
I
I
I
I
Vertical sect ion I : 10. Polycarbonat e rainscreen cladding
Det ails
I. IOmm plywood sheathing
2. Breather membrane
3.Vertical timber battens
4. Reflective foil breather membrane
5. Profiled polycarbonat e cladding (orientated
vertically)
6. Composite timber joist
7.Thermal insulat ion
8. Int ernal dry lining
9.Timber framed window
10. Horizontal t imber battens
I I. Screw fixingwith plastic spacer
12.Aluminiumwindow surround
I 3.Roof construction
MCH 188
3-Dcutaway detai ls of polycarbonate rainscreen
System design
Plastic-based rainscreens are usein a
variety of types reflecting t he overall range
madein other materials: flat panels, cassette
panels, profiled sheet and shingled t iles. Pl as-
t ic panels are used as either outer screens
to glazed walls, typically as solar shading,or
as rainscreen panelsto an opaquewall.The
materials used are either polycarbonateor
glass reinforced polyester (GRP).The use
of GRP is discussedin t he previous section.
Acrylic and UPVC,while softer than bot h
t hese materials, are usedfor window frames
and special moulded elements. In addition,
compositesare used for cladding panels,
madefrom thermosettingpolymer resins
mixed wit h cellulosefibresto provide sheet
materialswit h high durabilit y which fade
little in sunlight.In common wit h rainscreens
in other materials, panels or sheets are
fixed wit h eit her visible point fixings, verti-
cal/horizontal railswit h partially concealed
framing members, or partially interlocking
panels where there is no view throughthe
joints. Polycarbonat e is athermoplastic,t hat
isto say it melts at high temperatures,which
isused in cladding for its translucency and
transparency, achievingup t o around 90%
light transmission.The material is extruded
or moulded (from polymer-formed gran-
ules) to form sheet materialsthat are flat
or profiled. Polycarbonate has atendency
to yellow wit h age, which canbe overcome
wit h an acrylic coating. It is also used for its
high strength and impact resistance,ductility
and lightness in weight However;because
the material is combustible, its usein facades
islimited. It isalso less durable than glass,
scrat chingeasily which makesthe surface
dull wit h t ime,and has highthermal expan-
sion, up to 20%more thanglass. Opaqueflat
sheet isfixed as rainscreen cladding panels,
made in a wide range of colours, Sheets are
fixed either at their corners with an alumini-
um clamp on both sides, or wit h visible point
fixings. Generally, plastic panels can be used
with the full range of rainscreen configura-
tions of other material s, including the lapped
constructionof t imber boards and shingles.
Like sealed plastic panels, plastic rainscreen
panels have the benefit of translucency.
thoughthe visual effects of dust settling
on the rear face of the rainscreen, andany
periodic cleaningthey may require, varies
between facade applications.
System details
Singlelayer polycarbonate sheet sizes are
around 2000mmx 3000mmand 2000mm
x 6000mm, in thicknessesfrom around
3mmto 8mm. Profiled sheets are produced
in lengthsup to around 10met res, around
1200mm wide, wit h thicknessesaround
Imm.When opaque colours are used, rather
t han the translucent or clear types, hook-on
fixings can be secured to t he rear face of the
panel, secured t o vertically- or horizontally-
set railswit hout the fixings beingvisible. Pro-
filed sheets are fixed wit h selftappingscrews
sealed wit h a weat hert ight washer and
lapped on all sides, in the manner of profiled
metal sheet.Thistechnique creates a shadow
where they lap, which can be masked by
t he support structure behind, or may even
contribute to the overall visual effect. Cill,
drip and coping profiles are madefrom
MC H 189
,.
Details
I. Opaque polycarbonate claddingpanel
2.Thermal insulation
3.Concrete loadbearingwall
4. Internal plaster fini sh or dry lining
5.Waterproof membrane
6. Extruded aluminium carrier frame
7.Thermal break
I
,
I
I
Wall s 02
Plastic 2: plast ic rainscreens
----
Reiss store, London, UK.Architect: Squire & Partners
anyof the typical materials used: extruded
aluminium, extruded UPVCor GRP. Profiled
sheet can be curvedto a minimumradius of
around 4000mmfor a sheet of 50mmthick-
ness, making it possible to createcomplex
geometrieswith an economictranslucent
material. Profiled polycarbonate sheet is
also madein atranslucent white colour to
provide a light transmission of around45%
and in greycolours with light transmission of
around 35%. Multi-wall polycarbonate sheet
canalso be used for rainscreens, where its
mainadvantage isthe abilityto provide large,
flat panels as well as its inherently high level
of thermal insulation. Thicknesses range from
4mm to 32mm in sheet sizes from IOOOmm
x 6000mmto 2000mmx 7000mm.The
material can be screen printed or coatedto
providea wide variet y of colours on a large
format sheet.As with flat sheet,the material
can be coatedto give UV protection on one
side or both sides to avoid yellowing.The
sheet material isused in increasing numbers
of walls, from twin wall to fiveor six walls
thick.Panels are fixed using the same meth-
ods as flat sheet with thicker sheets being
supported up to around 1800mm centres.
Panels can be curved by setting them into a
pre-formed aluminium edge frame, when the
material can be curvedto a minimumradius
of 1500mm for t win wall sheets and around
4000mmfor the thickest sheets.
Plastic-composite flat panels typically
have a mixture of around70%softwood
fibre and 30% resin, manufactured at high
temperature andpressure to provide
coloured panels of smooth andalmost
impervious surface. Althoughthe finish
colour isformed by using pigmented res-
ins as a top coat in the mould,the colour
extends all the waythrough the material,
allowing cut edges to be visible. Plastic-
compositepanels have highUV resistance,
high colour stability, high fire resistance and
can be cut anddrilled eaSily, allowing them
to be used as overlapping shingles. Their high
impact resistance makes them well suited to
conditions susceptible to damage.The mate-
rial ismadein sheet sizes from 3600mmx
1800mm, 3000mmx 1500mm and2S00mm
x 1800mm in thicknesses from around Smm
to 12mm. Corner panels andparapets are
also manufactured inthe same material. Plas-
tic-compositeflat panels can be fixed with
visible fixings or concealed point fixings.
Polycarbonate isgenerally a rnore
expensive material than GRP, making GRP
rnore suitable for lower cost applications.
However, GRP has one advantage over all
the other plastic-based materials, which isits
abilityto be mouldedeasily andeconomi-
cally for small scale applications.When used
as rainscreen panels the material needs a
top gel coat to avoid its fibres being seen.
The abilityto see the fibres through the
material make it very unsuitable for transpar-
ent or translucent panels, but for moulded
rainscreen panels it ispossible to introduce
some3-D modelling into the facade panels.
GRP can be bondedto honeycornb panels
formed in the same material to produce
large panels with high fire resistance.
MCH 190
3-D view of opaque polycarbonat e panels
fixed to concrete loadbearing wall
3-D fixing detail of opaque polycarbonate panel
MCH 191
W alls 02
Timber I: timber frame
Harmood Children's Centre, London, UK, Architect: Greenhill Jenner Architects
Framing
Sheathing
Boarding arrangements
A. Feather edge boarding
B.Tongue-and-groove boanding
C.Tongue-and-gnoove boanding
with inserts
D. Shiplap boanding
@
Cladding
Assemblysequence
System design
There are two enduringgeneric forms
of loadbearing t imber framethat use small
section timbersto form framed loadbearing
walls: the platform frame andthe balloon
frame. Both the platform frame and the bal-
loon frame are basedon softwood sawn
t imber sections.The platform frame compris-
esstuds spanningfrom floor to floor,with
t he t imber floor structure being supported
at each storey height set of timber frames.
The balloon frame,which is now used to a
much lesser extent, is enjoyinga revival in
light gauge steel sections.Thismethod has
vertical framingmembers which are con-
t inuous, with the intermediary floors being
supported by t hewall running continuously
past it.A recent development has been in
'solid' construction rat her than the framed
t ype. Laminated structural timber has been
developed to makewall panel s as complete
proprietary systemswhere the material is
glued together t o makefull t imber panels.
Thermal insulation is added to one side of
these panels, wit h the possibility to expose
eit her t he outside or inside, dependingon
MCH 192
exposure andlocat ion, but mostly these pan-
els are clad with an additional material on
t he outsideto provide weat her resistance.
Another system, where plywood is bonded
t o each side of a rigid insul ation panel , called
structural insulated panel s, or 'SIP' panels,
providesa solid panel where the insulat ion
holdsthe structural plywood sheets in place,
allowingti mber wall construction to be thin-
ner and lighter.
Timber frames comprise studs (vertical
sections) fixed to rails (horizontal members)
which are clad wit h plywood sheat hing to
provide lateral bracing,typically 12mm-
18mmthick,depending on panel sizeand
loads.Timber boards can also be used as
sheathing, but this isan expensive solution.
Framing members are t ypicall y formed from
IOOxSOmm softwood sections at 400mm
vertical centres which are nailed together.
Voids between the framing members are
filled wit h thermal insulation.A breather
membrane isthen fixed to the face of the
sheat hing layer.This providesa waterproof
barrier which alsoallowst he vapour to
escape t o allow t het imber wall t o release
and absorb moisture with changes in the
weather. Outer t imber cladding boardsare
then fixed on the outside of the breather
membrane,Traditionally, t imber cladding was
used to st iffen t he structural frame by fixing
the boardingdirectly to the frame, with a
breather membrane set between the frame
andthe t imber boards asa weatherproof
layer. More recent ly, the timber cladding is
fixed to battens set forward of the breather
membrane, or waterproofing layer, to ensure
that the t imber isvent ilat ed on both sides.
The inside face of the t imber framedwall
has a conti nuousvapour barrier set (in tem-
perate climates) on the warm-in-winter side
of t he wall.The inner face of t he wall isthen
finished wit h a dry lining,
Solid laminat ed structural t imber
is made in panels up to approximately
16000mm long,3000mm wide and to a
maximum t hickness of around SOOmm, vary-
ingbetween propriet ary systems.The main
benefit of the system isthat it provides an
alternative t o steel and concrete framesfor
Vertical section I:20 showing typical details
/
I
/
/
I
/
/
I
3-D cutaway section showingtypical wall construction
Details
I.Timber boards
2.Timber battens
3. Plywood sheathing
4.Timber studs
S.Timber rail
6. Breather membrane
7. Engineered floor joist
8. Damp proof course
9.Vapour barrier
10.Timber floor
I I. Concrete ground slab
12. Internal plasterfinish or dry lining/drywall
13.Thermal insulati on quilt set within t imber
frame
14.Timber framedwindow
IS.Timber cill
16.Air gap
17. Roof buildup
Vertical section I :20. Roof junction
MCH 193
@
9.Vapour barrier
10.Timber floor
I I. Concrete ground slab
12. Internal plaster finish or dry lining/drywall
13.Thermal insulation quilt
14.Timber framed window
15.Timber cill
16.Air gap
Details
I.Timber boards
2.Timber battens
3. Plywood sheathing
4.Timber studs
5.Timber rail
6. Breather membrane
7. Engineered floor joist
8. Damp proof course
..
3-D cutaway section showingtypical wall construction
ails 02
Timber I : timber frame
Plan detail I:5. Inward openingwindow
Vertical section I:20. Flat roof connection
Plandetail I:5. Outward opening window
MCH 194
r.
Examples of vert ical andhorizontal cladding anrangements Privateresidence, London, UK. Archit ect: Lynch Architects
largerscale projects.This panel systemhas
recentl y beenused for buildings up to eight
storeys high, providing loadbearing walls in a
single material which islight in weight. Struc-
tural insulated panels, wit h integral insulation,
are madein panels up to approximately
6S00mm long, 1200mm wide and in thick-
nesses up to around ISOmm, depending on
the manufacturer. Curved wall panel s are
madeto shallow radius.They are used typi-
cally as a direct alternative to traditional tim-
ber framed construction, andlike laminated
timber panels, are set to becomemore
widely used in timber construction.
System details
For all theset imber wall t ypes,the tim-
ber cladding isterminated at ground level
at a minimumof ISOmm above external
ground level.Thecladding isusuall y sup-
ported at ground level on a concrete slab or
edgebeam that forms part of the concrete
wall.Alternatively,the wall can span between
concrete pads at 3000mm-5000mm centres,
wit h timber beams at the base of the wall
to provide support between pads.Where
an expression of a concretefloor slab is
required, the edge of the slab is covered
wit h thermal insulation,wit h an additional
outer protection,t ypicall y athin concrete
facing panel.The timber wall frame isusu-
ally set on a continuoustimber section at
ground level, which isfirst fixedto the con-
crete slab to provide a level surface to set
the timber in place.A damp proof course
(OPC) is set beneath the continuous tim-
ber baseplate usually extending down the
vertical face of the concrete slab where it
connects wit h the damp proof membrane
(OPM) beneath the concrete slab or the
vert ical face ofthe basement wall.The OPC
is also madecontinuous wit h the OPMset
on top of the concreteslab.Where concrete
foundation pads are used,the timber beam
isset into stainless steel shoes fixed to the
pads. Timber can also be supported on brick
walls set at a minimumof 150mm above
external ground level andbe support ed on
a concretestrip foundation or ground beam.
An insulated raised floor isthen set into this
brick wall.The void beneath the timber floor
isvent ilated wit h air bricks that encourage
cross vent ilat ion.Thisavoids stagnant air in
the void from damaging andeventually rot-
ting the timber floor.
Corners, both external andinternal
type, are formed typically wit h atimber
bead set so that the timber boards on both
sidesbutt into it. If a breather membrane is
used behind the cladding, then anaddit ional
waterproof flashing is added to the corner.
This isformed in a durable polymer-based
sheet or metal sheet. Alternatively, the
boards can be allowed to makea corner
wit h a butt joint, andanadditional L-shaped
timber trim, formed from t wo separate
timber sections, isaddedon the face of the
corner to protect the exposed end grain of
one of the sides formingthe corner. Boards
can be joined wit h a mitred joint (45)
wit hout any cover strip but the timber used
must be of the highest quality to avoid the
joint openingup wit h moisturemovement. A
waterproof layer or flashing isset behindthe
mitred joint.
MCH 195
al s 02
Timber 2: cladding panels
Exploded diadram showing assembly
of timber cladding panels
System design
Timber cladding panels have been more
widely used in recent years as a method of
cladding steel andconcreteframe buildings
with prefabricated, factory madepanels that
have a natural finish.They are also used in
twin wall facades, or 'double skin facades'
where an inner timber wall with window
openings has an additional glazed screen
set approximately one metre in front of it
to provide athermal buffer to reducethe
effects of heat and cold at different times
of the year; as well as allowthe windows
to be opened intaller buildings. Where
timber cladding panels are fixedto a timber
frame, or structural laminated frame, the
cladding panels canbe set betweentimber
columns as well as in front of them to give
a combined timber frame andpanel build-
ingusing a single primary material system.
Thesecladding panels aretypically faced in
timber boards in rainscreen configuration.
A recent additionto the language of timber
rainscreens has beenthe useof thin slats to
createa degree of translucency in timber
screens, particularlywhen set forward of
MCH 196
windows set into the panel behind.This can
createa visually rich mix of timber panel
assemblies that usea single timber species.
However; the highermoisturemovement
associated with timber has the consequence
of requiringjunctionsbetweencladding
panels to providean allowance for both
structural movements andmoisturemove-
ments both betweencladding panels as well
aswithin the panel itself
Where timber cladding panels are set
forward of floor slabs in the manner of
glazed curtain walling, panels extend from
floor to floor;either hungfrom a floor slab
or;more typically, supported on it at floor
level.Vertical joints betweencladding panels
have a stepped joint to allowfor deflections
in floor slabs between panels, followingprin-
ciples of glazed curtain walling.Thisstepped
joint is covered on the outsidewith timber
boards, set forward of the face of panels
on battens in rainscreen configuration. The
constructionof panels followsthe same
principleof timber cladding described in the
previous section. Horizontal joints have an
inner chamberformed betweentwo adja-
cent panels. Any rainwaterthat penetrates
the outer seal, which is also kept open in
somedesigns, is drained down an inner
chamberwhere the water isdischarged
through the horizontal joint at the bottom
of the panel. Where timber cladding isused
in twin wall constructionas an inner wall to
an outer glazed wall where the outer wall
provides athermal buffer; the outer screen
provides protection by allowing the material
to maintain its appearance without full expo-
sureto outsideconditions, other than the
effects of the sun which cause the timber to
change colour.
When cladding panels are set onto
floor slabs, andrestrained at the slab above,
timber posts that mayform part of the
structure can also be set between panels
rather than inside the building, since there is
no significant thermal bridgefrom outside
to inside, allowing the structural frameto be
exposed on the outside. Cladding panels are
set into openings in laminated timber frames,
with panels supported at their base on the
El evat ion of t imber cladding panelsshowing relationship
with structural frame
Framing
II
~
II
Sheathing
III jill I
II IIII II
Cladding
Assembly sequence
Detail s
I.Timber boards
2.Timber batt ens
3. Plywood sheathing
4.Timber panel frame
5.Timber louvre
6. Breather membrane
7.Timber framed window (fixed)
8.Vapour barrier
9. Profiled metal cover strip
10. Floor construction
I I. Air gap
12. Internal plaster finishor dry
lining/drywall
13.Thermal insulation quilt
14.Timber framed window (out-
ward opening)
IS.Timber cill
3-D section of timber cladding panel
showingintegrated window
MCH 197
".,..:"
.,. .:
l i l ~ 1
~
o ~ ~
~
c: ~ \-"'=,------- -
- @
ails 02
Timber 2: cladding panels
3-D view of connection betweentimber cladding panel and supporting frame Vertical section I:I0through timber claddingpanel sshowingtypi cal
detail s
beams set beneath. Floor decks intimber
arethen fixed to the side of the laminated
timber beams.Timber panel s are fixed at
their base to the beam beneath, but have a
lateral restraint at the top to allow the slab
andpanel above to deflect wit hout damag-
ingthe panel below.A metal flashing at the
base of the panel drains water andthrows it
clear of the beam beneath in order to avoid
staining of the timber beam. The outer tim-
ber rainscreen cladding is set flushwit h the
outer face of the laminated timber frameto
avoid any views into the waterproofing layer
behind.
System details
Both softwoods and hardwoods are
used for cladding panels, wit h durable hard-
woods being more commonly used for
rainscreen applications. Where less expen-
sive, less durabletimbers are used, higher
levels of both protection andmaintenance
are required. Softwood boards are made
usually in 250mmwidths, wit h trimmed
boards wit h profiles routed into them usu-
ally trimmed down to 150-200mmwidt hs.
All timbersvary in moisturecontent wit h
changes in temperature and air humidity,
this being one of the essential aspects to be
considered in timber detailing. Most timbers
used in cladding will have a moisture content
from around 5%to 20%when in use. Similar
levels are found in timbers from timber sup-
pliers, and are classified as 'dry','kilndried'
or' seasoned'.The most common types of
jointing of boards is' ship lapping' where tim-
ber boards are set horizontally andlapped
over one anot her wit h the upper board
MCH 198
3-D view of timber cladding panel consisting of
fixed glazing andlouvre screen
lapped over the top of the board below to
protect it from rainwat er ingress. Ship lap-
ping can be assisted by the useof'feathered'
or wedge-shaped boardsto give the lapping
a more elegant appearance.Tongueand
groove boards are used to give a continuous
flat appearance,while having the advant age
of locking boardstogether into a continu-
ous p l a t e - l i ~ structure. Boards aretypicall y
around 20mmthick, madeas longas pos-
sible at around 3000mm- 3500mm,to avoid
vert ical joints which are a potential source of
rainwater penetration except in rainscreen
configuration.Timber cladding is finished
wit h the timber being left either as supplied,
wit h preservative applied or injected by the
supplier, or alternatively isgiven coats of
preservative in clear,stained.or opaque finish
on sitewit h preservativest hat repel rainwa-
3-D view of cladding panel assembly with built in opening
window
ter; or wood stains andpaint. Paints can be
oil-based or acrylic,while preservatives are
clear and can be used asa finishthat does
not appreciably change itsappearance. It
can also be used before stainingor painting
the t imber. Preservatives helpto prevent
moisture absorpt ion as well as reduce fungal
growt h, enhancingthe life of the t imber but
not preventingthe material changing colour
and fading to its characteristic silver grey
appearance.An essential issue in the use
of timber cladding panel s and rainscreens
isthe coordinat ion of timber t ypes andfin-
ishes used for windows, doors, visible panel
framing and rainscreen cladding, in order to
give a controlled visual appearancethat will
weat her consistently together.
Carmarthen Place. London, UK.
Architects in Residence
MCH 199
ROOFS
Trends in roof design
Metal roofs
I Metal standingseam
2 Profiled metal sheet
3 Composite panels
4 Rainscreens
5 Metal louvres
Glass roofs
I Greenhouse glazing and
clamped glazing
2 Silicone-sealed glazing and
roofl ights
3 Bolt fi xed glazing
4 Bonded glass rooflights
Concrete roofs
I Concealed membrane
2 Exposed membrane
3 Planted roof
Timber roofs
I Flat roof: mastic asphalt
coverings
2 Flat roof: bitumen-based
sheet membranes
3 Pitched roof: tiles
Plastic roofs
I GRP rooflights
2 GRP panels and shells
Fabric systems
I ETFEcushions
2 Single membrane:
cone-shaped roof
3 Single membrane:
barrel-shaped roof
MCH 20 I
Roofs 03
Trends in roof design
An overview of roof systems
Where roofs were once considered
to be either of traditional appearance, as
wit h tiled and slated pitched roofs, or else
completely concealedasflat roofs, they are
now increasingl y considered to be a part of
a completely visible envelope design which
is asvisually important asthe extemal walls,
both in their appearance andtheir techni-
cal performance. In recent projects, walls
androofs aretakingon a single form, wit h
the same construction methods, materials
and detailing used on both walls androof
The increased technical performance and
long term reliability of roofing material s of
all t ypes has ledto a much more ambitious
design approach. However, an essential
difference between facades androofs is
that facades have rainwater running across
their surface, but roofs can be submerged
in wat er during rain. A roof hasto be com-
pletely sealed in areaswhere wat er can
collect, such as parapetgutters, wit h the
assumption that rainwater will be expected
to remain on the roof if the rainwater out-
letsbecome blocked.
Metals
The increasedreliability of jointing
together wit h the increased use of alu-
miniumsheet, wit h it s increased flexibility,
instead of steel sheet has ledto more
advent urous roof forms wit hout affecting
the waterproofing performance. By the
early I990sprofiled metal roofs were using
standing seam joints,which combinedthe
longspan capability of profiled sheet wit h
MCH 202
the visually refined andvery water tight
standing seams which are 'zipped' together
by machine on site. Since the introduction
of 'zip up' sheet ing, the difference between
profiled metal and standing seam systems has
reduced, wit h new hybrid systems having a
lining panel system which can be fixed wit h
metal sheets, someof which are being hung
down from the roof level wit hout scaffold-
ing. This makes large roof spans, particularly
at high level, such as in covered sports halls,
mucheasier to construct since scaffolding is
not required.
Compositeroof panel systems have been
in development since the I980s, wit h panels
that provide an intemal ceiling finishand
outer roof coveringin single panel sthat are
semi-interlocked, wit h either a lapped metal
joint bet ween panels or a metal capping
that clips over a standing seam-type joint.
Compositepanel s are now being used asan
insulated structural deckto a separate water-
proof membrane set on top. While lack-
ing visibility of metal faced panel s, they are
very adaptable andeconomic, wit h thermal
insulation not only filling the voids between
peaks andtroughsof the metal sheet on its
underside but also providing somestructural
stability.
Metal rainscreen panels are a recent
additionto metal roofing systems. They
do not usethe outer seal as a first lineof
defence against rainwater penetrationbut
rather as a protection to the membrane
beneath against the effects of the sun as well
asfoot traffic. Metal rainscreen panels are
requiredto be sufficiently rigidandresistant
to impact damage from occasional access.
Composite sheets wit h a plastic core and
thin metal outer facings are popular in this
regard since they achieve high levels of flat-
ness and are flexible enough to wit hstand
foot traffic, usuall y when aluminium sections
are silicone-bonded on the underside of pan-
els. Perforated and slotted metal sheets are
also being usedas metal rainscreen panel s,
partly shapingthe expressionof the building
envelope in forming a continuity between
different parts of a roofscape, ranging from
covering air extract terminals, rooflights and
guttersto producinga (seamless) smoot h
continuation of the facade below. These
rainscreen panel s can also accommodate
complex geometrieswit hout having to make
individual compositepanel sto achievethe
same visual effect. Alt hough such panel s are
an additional roof covering rather than being
formed entirely from metal, they can provide
varying amount s of translucency andtrans-
parency in a single metal layer that can reveal
its depth both from inside the building and
from outside.
A change over the past 10years which
has influenced all t ypes of metal construc-
tion isthe increased quality of the finishes.
The quality of powder coatinghas improved
enormously, wit h greater durability and
colour-fastness, so that it competes strongly
wit h the more expensi ve PVDFfinishes. Con-
sequent ly, the mainconstraint in the design
of metal roofs in any of thesesystems isthat
metal sheet is produced in widths of around
1200mm or 1500mm, from which most
metal panels in facades are made, but is usu-
ally available in long lengths where coil mate-
rial is used, that is, where the metal is rolled
into a long coil in the factory. Thicker plate,
at 4mm thickness and above, is made in flat
sheet form, at around I OOOmm x 2000mm
in size, with largersheets being more difficult
to obtain easily in large quantity. Working
with the width of the coil in forming joints,
and allowing for the folding or tuming of the
material at the joints, is the main constraint,
but the material can be curved and folded
economically in a durable material.
Glass
Although drained and ventilated systems
have been in use for the past 25 years, the
issueof the water tightness of the horizontal
joint, running perpendicular to the fall of the
roof, has been undergoing continual develop-
ment. Glazing bars have been used to sup-
port glass down the slope of the roof where
they do not impede the passage of rainwater.
Horizontal joints have been supported with
stepped joints where water runs off the top
of the upper glass down onto a lower glass.
The glass is traditionally secured with clips
and is sealed with a proprietary sealant. This
joint is difficult to seal reliably in order to
achieve water tightness for higher wind pres-
sures, and is difficult to adapt to a drained
and ventilated system. This issue has been
resolved over the past 20 years with the
development of silicone sealed glazingthat
was originally used in glazed curtain walls. In
this method, a metal channel is set into the
edge of double glazed units, with the units
being set flush with one another along the
horizontal joints. The units are then secured
with metal 'toggles' held to the metal chan-
nels within the depth of the joint, and fixed
to an aluminium frame below to provide a
mechanical fixing. The flush horizontal joint
between units is then sealed with silicone.
The aluminium frame onto which the glass
is fixed has ventilated drainage channels to
take away any water that passes through
the outer silicone seal. With the develop-
ment of silicone bonding techniques, the
double glazed unit can also be bonded to
aluminium profiles which are mechanically
fixed with screws to a supporting frame. The
joint between the glass units is then sealed
with silicone in the same way asthe previous
example. An altemative approach has been
to introduce horizontal glazing bars with
pressure plates that are shaped to allow as
much water to drain down the roof as pos-
sible, and accepts that the same water will be
trapped behind the upper edge of the pres-
sure plate. Small amounts of water that find
their way through the outer seal are drained
away within the system back to the outside.
Both the recessed fixing method with a sili-
cone seal, and the modified pressure plate
'toggle' system have been proved reliable in
their performance.
Bonded glass rooflights are a recent
development in glazed roofs, where dou-
ble glazed units are bonded directly onto a
lightweight metal frame that has no visible
fixings on its extemal face. While bolt fixed
glazing can conceal the fixing bolt within the
double glazed unit on one side, structural
silicone glazing has no visible structure at all,
with supporting glazing bars being concealed
within the width of the joint behind the
extemal seal. This has led to greater freedom
in the forms used for rooflights in this tech-
nique, where the position of the glazing bars,
and how they intersect, does not have to be
considered in rooflight design. Bonded glaz-
ing has encouraged the use of structural glass
beams, which suit well a structurally glazed
rooflight. Most bonded glass rooflights with a
gently sloping, but planar surface are derived
in part from examples of glass floor decks
and staircases used in buildings that have
been developed over the past I 5 years. A
new addition is to bond point fixings directly
to the inside face of the glass, with brackets
and support systems used for regular bolt
fixed glazing.
Concrete
Developments in waterproofing mem-
branes for concrete roofs over the past 25
years have focused on increasingthe flex-
ibility of the material used. Asphalt, a well
established material for concrete decks, suf-
fered traditionally from an inability to take up
movement from either the building structure
or from solar gain when exposed to the
effects of the sun. A solution to this problem
has been the 'inverted' roof configuration,
where thermal insulation is fixed above, rath-
er than below, the waterproof membrane
MCH 203
Roo s 03
Trends in roof design
in order to keep itstemperature cool and
relatively constant. Pebbles or paving slabs
are set onto the insulation. In addit ion, the
int roduction of polymersinto asphalt to pro-
vide great er flexibility has led to t he material
being easier to apply on site, particularly as
t orch-on membrane sheet rat her t han in liq-
uid applied fonm. However, polymer materi-
als, mainly thenmoplasticsand elastomers,
are becoming more economic. Polymer
materials have t he advantage of increasingly
being ableto be exposed to sunlight, which
is leadingto roofs being covered in a few
of thesematerial s asa self-fini sh, wit h some
buildingstakingthe membrane down the
facades to fonm a complete buildingenve-
lope. Where a smoot h or level insulated
substrate can be fonmed, thesewaterproof-
ing layers canbe fixed in a similar way t o
fabric membranes, welded together in the
factory to fonma membranewith straight
and crisply fonmed jointst hat can fonma vis-
ible self-finish to a roof, wit h an appearance
similar to that of fabric 'tent' membranes.
This change from roof membranes which
are kept concealed, dueto t heir poor visual
aspect, t o onesthat are now capable of
being a visual part of the design.
On pitched roofs, visually exposed
polymer-based membranes, or polymer
modified asphalt sheet, are beginning to be
used as materialsin their own right rat her
t han imitatingt he appearance of traditional
roof t iles or shingles. The more refined fix-
ing t echniquest hat are being madeavailable
by manufacturers will assist in this change.
Waterproof membranes are increasingly
MCH 204
being used on substrat essuch as folded steel
sheet decks andfoaminsul ation-clad roof
deckswhere there isa strong modellingof
the fonm of the roof structure seen either
from insideor from outside the building.
Membranes are required to accommodate
more structural movement and higher tem-
peratures combinedwith anextemal wearing
surface that can be walked upon wit hout
reasonable riskof damage, for maintenance
access.
Timber
Timber-based roofs have developed over
the past 20 yearsto improvetheir thenmal
insulat ion perfonmance. Socalled 'cold' roofs,
with the insulation set at ceiling level with the
roof void being vent ilated, continueto be
used, but 'warm' roofs have undergone much
development in order to properly deal wit h
the needs of vent ilati on to avoid condensa-
t ion occurringwithin the roof construction.
Some manufacturers prefer t o have no ven-
t ilat ion withinthe roof construction where
it cannot be easily provided by using a high
perfonmancevapour barrier on the inside
face of the wall construction immediately
behindthe intemal finishes. Manufacturers
also provide increasi ngly better perfonm-
ance vents to ensurethat air canbe drawn
throught he void betweenthe roof tiles,
slates or shingles, and t he breather mem-
braneor roofing felt that is set above the
thenmal insulation. Most of the effort in ven-
tilating pit ched roofs of t histype is in trying
to retain t he appearance of t raditional roofs,
where vent ilat ion ducts and boiler flues did
not, unt il recently, playa part. Modem ti led,
slated and shingled roofs usetwo lines of
defenceagainst rainwat er penet ration. where
the outer layer isthe outer line of defence
to, and protection for, a waterproof mem-
brane or breat her membrane beneath.
The use of metal shingles has beena
recent development. Thistechnique is a
hybrid of lappedt ile roofingand standing
seamfacades, and canbe used to fonmboth
wall and roof in a single systemthat is both
economic and able to deal wit h a variety
of fixingangles. While shingles or t iles are
hungfrom their top edge, metal shingles are
folded over into a seam on t heir sides and
lower edge, or edges, if the shingles are not
rectilinear, but are set at 45 t o the vert i-
cal, for example. The top edge or edges are
fixed wit h nails or screws with the shingle
immediately above beinglapped over the
top of t he nailedfixing in the manner of t iling.
This fixing method securesthe shingles on all
sideswhile retainingavisual lap, allowing t he
shingle to be fixed in any position, even in
a soffrt condition. The fixingmethod usually
follows rainscreen principles by assumingthat
rainwater will passthroughthe joints, which
are drained in a vent ilat ed cavity behind.
Metal shinglesare economicto fabricate,
since they can be cut easily from sheet metal,
from aluminium, mild steel, copper or zinc.
In addition, ti les can be fonmed t o a curved
shape in a pressto give a very textured
facadewit h a three-dimensional quality t hat
hasyet to be explored.
Plastics
Translucent plastics are used mainly both
to imitate the appearance of glass roofiights
as fiat sheet materials, and to form composite
panels. This is gradually changing as plastics
are no longer seen as economic substitutes
for other materials but as construction mate-
rials in their own right. Earlier examples of
plastic roofiights suffered from the effects of
colour fading or of yellowing in transparent
/ translucent roofiights. The materials and
finishes used in bonding are superior to those
used previously, ensuring that colour fading
is far less pronounced than it was. A greater
acceptance of plastics as durable and capable
of being moulded economically to complex
shape has prompted a revival in roof design.
Some panels have been used astranslucent
rainscreen panels with lighting or graphic
displays set beneath the outer plastic skin.
The essential difficulties for plastics remains
in their perception as being less durable
than either glass or metal, for which polymer
materials are seen as economic substitutes.
This perception will change only when more
complex geometries of extemal envelopes
are demonstrated in buildings which could
not otherwise have the budget available for
such work in other materials. Working with
plastics and composites is still undertaken
in relatively small-scaleworkshops, where
mock-ups can be produced easily and eco-
nomically, allowing an interaction between
designer and fabricator that is more difficult
in larger scale factory-based methods where
repeatability of large numbers of identi-
cal components still dominates production
methods.
Fabrics
The use of woven textiles made from
polymers has been focused on its applica-
tion to form tent-like roof forms. Tent-based
structures stretch a single membrane sheet,
which is waterproofed on its extemal face,
over a supporting structure that may use a
mast to support the tent, and cables to hold
the membrane in position, in the imitation
of a traditional tent. This has led to devel-
opments in the connection of membrane
to cable and restraint of cables to adjoin-
ing structure. Altematively, membranes are
stretched over more sculptured supporting
frames, which are derived more from the
established languageof building construc-
tion rather than from the masts and cables
of tent-based roofs. The design life of these
roofs is gradually increasing as both a result
of observing earlier examples and develop-
ing them, as well as an improvement in the
performance of the protective coatings
applied. The introduction of double layer
membrane roofs will no doubt change
their use from purely weather barrier to a
thermally insulated roof, making them more
attractive for roofs to intemal spacesthan
shelters for extemal spaces. More translucent
insulation materials reduce the amount of
light transmission lost through these roofs,
with research being undertaken to form an
economic and highly translucent thermal
insulation material that would suit double
layer membranes. An altemative method
of insulating membranes is to fill the gap in
a double layer membrane roof with air to
form an inflatable roof. The concem with this
approach is that it relies on a constant supply
of air to hold the roof in place rather than by
a supporting frame. This method has been
adapted as small 'cushions' or 'pillows' filled
with air to provide an insulated fabric mem-
brane roof. The most visually striking exam-
ples use ETFE foil which is both very durable
when compared to other polymer fabrics,
and also highly transparent. While this can
be a disadvantage in roofiights where some
amount of solar shading is usually required, it
is ideal for many facades and is finding use in
complete building envelopes, where wall and
roof is formed from a mixture of transpar-
ent and translucent panels. These panels are
infiated, fixed to a permanent air supply that
periodically refreshes the cushions with more
air to maintain the pressure required to give
them structural stability. The use of fabric is
set to grow, with air cushions that can be
used in conjunction with extemal solar shad-
ing or intemal screen walls in a variety of
twin roof or twin wall applications. Like sheet
plastic materials, ETFE cushions are becoming
liberated from the design languageof glass
rooflights, with more complex geometries to
form curved roofs. Loadbearing air cushions,
which do not require any supporting struc-
ture, are in their early stagesof development
and application, and we are likely to see
much of this development in roof structures
and self-supporting envelope structures in
the coming years.
MCH 205
Roofs 03
Metal roofs I: metal standing seam
Details
I, Metal sheet
2, Standing seamjoint
3. Breather membrane
4, Thenrnal insulation
5, Substrate, typicallytimber/
metal rafters with plywood facing
6. Vapour barri er
7. Drywall/drylining if required
8. Outerstanding seam sheet
9. Inner lining sheet
10. Clipsat centres
I I. Folded metal gutter
12. Curved eavessheet
13. Extemal wall
14. Structural frame
15. Outersheet fixing bracket
16. Rooflight
17. Metal flashing
I8. Ridge piece
3-D section through metal profi leroof ontimber structure
Uji-an Tea house, Tokyo, Japan
Architect: Arata Isozaki and Associates
System design
Standing seam roofs are increasingly
beingused for industrial and commercial
buildings where concealed fixings and low
roof pitches are required for visual reasons.
The mainadvantage of standing seam roofs
over profiled metal roofs isthat almost no
fixings pass through from outsideto inside
the construction. This givesthe roof surface
a visually crispappearance with very few
visible fixings, The standing seams allowthe
techniqueto be used on very low pitch
roofs, The traditional method of fomning
a standing seam roof isto set the sheet
onto atimber substrate, andto fold the
longedges of the metal upwardsto fomna
standing seam joint. However, this method
is increasingly givingway to prefabricated
systems where the sheet metal isfolded to
a specific profile either in a factory or on site
with a rolling machine, The folded metal is
then secured with a clip-based fixingsystem
rather than onto a continuous substrate.
The site-based method of fixing sheet
iswell suitedto smaller-scale applications,
or where complex geometriesare used.
MCH 206
Theseapplications makethe useof prefab-
rication both unnecessary and uneconomic,
due to the time saved by fomning junctions
and edges on site. The use of a single sheet
metal profile and angle support clipsused
in prefabricated methods istypicall y too
infiexiblefor such conditions. Thistraditional
method of fomning standing seam roofs has
timber boardsor plywood sheet used to
fomn a continuoussubstrate, or support-
ingsurface. Standing seams are fomned by
timber stripsof rectilinearor curved sec-
tion which are set at 450-600mmcentres
down the slopeof the roof, corresponding
to the width of the sheet metal used. Sheet
metal is laidalongthe lengthof the roof
from top to bottom, with the sides of the
sheet folded up and over the timber battens.
Successive stripsof metal sheet are lapped
over the next to fomn a continuoussealed
surface. The standing seam joint is produced
by foldingthe metal together to createa
seal. Becausethe roof isfomned, effectively,
as a series of linkedgutters, the standing
seam between each gutter isabovethe level
of the water draining down it. Rainwater
isavoidedbeingdrawn through the joint
by capillary action by one of two methods,
where the joint iseither sealed or ventilated.
In a sealed joint the seam is pressed tight, as
in atraditional lead or copper roof either by
foldingthe metal over itselfto fomnathin
seam, or by fomning the metal over atimber
roll or section. In a vent ilated joint, a small
gapis left between the folded sheets to allow
air to pass through but not rainwater.
For prefabricated standing seam roofs,
the most common configuration isto fix the
brackets supportingthe outer sheetto a set
of metal purlins. A metal liner sheet is set
below the purlinsto support the themnal
insulation quilt, set between the purlins. A
vapour barrier isset between the insulation
quilt andthe liner tray on the wamn (in win-
ter) sideof the themnal insulation. An alter-
native configuration isto have a full structural
deck with insulation set on top and an outer
(upper) sheet supported on brackets set
onto the structural deck. In hot, humid
countriesanadditional vapour barrier is set
Vertical section I:IO. Typical roof assembly without acoustic layer
Vertical section I: I0 Typical roof assembly
without acoustic layer
3-D cutaway view of typical roof assembly
.@ - T
, r.
Vertical section I: IO. Ridge with recessed flashing
Vertical section I: IO. Ridgewit h flashing
CD
3-D view of sheet metal on t imber roof
The Core. Eden Project, UK. Archit ect: GrimshawArchitects
MCH 207
Roofs 03
Metal roofs I: metal standing seam
3-Dviewof foldedeaves and ridge junction
Walt Disney Concert Halll, LosAngeles, USA
Architect: Frank Gehry
fI
~
)
A
1
I )
r:
CD
CD
J
@
Vertical section 1:20. Monopitch ridge
Vert ical section I:20. Eaves wit h exposed gutter and abutment wit h vert ical roof panel
o
, ( I
( I
@
-
Vertical section I:20 Ridge with flashing
Vert ical section I:20. Prefabricatedvalley gutter
MCH 213
Roofs 03
Metal roofs 3: Composit e panels
3-D view of verge with parapet upstand
System design
There aretwo t ypes of compositepanel
used for roofs: double sided panels andsin-
gle sided panels. The first is a development
of profiled metal sheet, where outer sheet,
thermal insulation andinner sheet are com-
bined into a single panel. These are used in
pitched roofs andhave an appearance very
similarto that of profiled metal roofs. Their
mainadvantage over profiled metal roofs
isthe speed of erection on site, but they
are usually a little more expensive than an
equivalent profiled metal sheet roof Single
sided panels consist of profiled metal sheet
bonded to one side only of a layer of foam
type thermal insul ation. The insulation is laid
face up to receive a separate waterproofing
layer, t ypicall y a single layer membrane. The
membrane isthen typicall y finished in rain-
screen panel s or smooth pebbles, depending
on the geometry and required appearance
of the roof. This second panel t ype can be
used on nominally flat roofs.
Single sided compositepanel s have a
single sheet of profiled metal on the lower
loadbearing face of the panel which is
MCH 214
-
bondedto a foam-based insul ationthat fills
all the voids in the profiled sheet , providing
a smoot h, flat upper surface. The depth of
the panel is determinedby both structural
requirements andthe U-value required, var-
ying the thickness of the thermal insul ation.
The upper face of the panel is waterproofed
wit h an independent membrane, t ypically an
elastomeric type that requires no upstands
or special joints between sheets. Panels
are usually set butted up to one anot her,
wit h the gap between panel sfilledwit h
foam-based thermal insulati on. A separating
layer is usuall y set between the waterproof
membrane andt he insul ated panel to allow
movement to occur freely in both the mem-
braneandthe composite panel subst rate.
The membraneis often protected wit h a
lightweight covering of smoot h pebbles
t hat can be walked upon for maintenance
access wit hout puncturing the surface. Metal
rainscreen panelsare also used to protect
the membrane from the effects of direct
sunlight.
Double sided composite panel s which
combinethe separate components of
profiled metal sheet have t wo joint t ypes:
a double seam wit h a cap on top in the
manner of standing seam roofing, or a single
projectinglapof metal profilethat forms a
lapped connection wit h the adjacent panel.
Wit h the first method, panel s have raised
edges on their longsidesrunning down the
slope. The raised edges are butted together
and sealed wit h butyl tape. A metal capping
isfixed over this joint to provide a weat her-
tight seal which sheds wat er onto the panels
either side of the joint, givingthis method
a distinct appearance of wider joints. The
second method has anuninsul ated rib of the
outer sheet projecting from the panel on
one longside which laps over the adjacent
panel. Thisgivesa continuous ribbed appear-
ance to the roof that isvisually no different
on its outside faceto profiled metal roof
cladding. Both methods have lappedjoints
on their short (horizontal)edges, where an
uninsulated edge projects down to form a
lappedjoint very similar to that used in pro-
filed metal roofs. Thesehorizontal joints are
(3)
_---.-......---'.-......---'-'----'-'----'-'---..".-.....---'r""''-----r""
Vertical section I : I 0 through composti te panel showing panel t o panel junction
3-D view of vert ical section through parapet edge and folded metal gutter between panels
@
3-D view of panel connection
CD
@
@
@
Detail s
I , Met al rainscreen panel
2, Single layer membrane
3, Composite Panel
4. Folded metal coping
5. Purlin or struct ural beam
6. Secondary Purl in
7. Folded met al gutt er
8. Folded metal drip
9. Met al fascia panel
10. Extemal Wa ll
I I . Outer sheet fixing bracket
12. Panel I
13. Panel 2
CD 3-D view of composit e panel supporti ng
rainscreen panel
MCH 215
Roo s 03
Metal roofs 3: Composite pane ls
Sainsbury Centre for Visual Arts, Norwich, UKArchitect: Foster Associates.
also sealed with butyl tape to avoid capillary
action from rainwater outside, andto pre-
vent the passage of water vapour into the
joint from inside the building.
Systemdetails
Ridges andfolds of single sided panels
are formed in t he same way asthe panel to
panel joints, filled t ypically with a foam insu-
lat ion applied by injection on sit e. The mem-
brane sheets are usuall y joined at the fold in
the roof, and a strip of t he same material is
bonded alongthe joint to provide a weath-
ert ight seal. At parapet gutters of single
sided panels, anupstand is formed in the
same insulation material as that used in the
composite panels, the upstandbeing bonded
t o the compositepanel beneath. The outer
edge of the upstand issealed and stiffened
with a metal strip fixed to the underside of
the composit e roof panel or t he supporting
structure beneath.
Ridges for double sided composite
panel s are formed by fixing a metal flash-
ing over the junction between the panel s.
MCH 216
The flashing is profiledto matchthat of the
panel s onto which it sits. The gaps are t hen
closed with a profiled filler piece as usedin
profiled metal roof construction. The ridge
flashing hasvisible fixings which are difficult
to conceal, sothat precise positioning is
essential t o the overall visual appearance
of the ridge. The gap betweenthe panels
is filledwit h thermal insulation on site, with
eit her mineral fibre quilt or, more frequent ly,
with the same foam-based insulat ion usedto
manufacture t he panels. Insulation is injected
into t he gapt o provide a U-value to match
that of the adjacent panels.
The inner face of the panelsforming the
ridge is sealed wit h a folded metal sheet.
t ypicall y fixed to adjacent roof purlins and
sealed against t he inner face of the compos-
ite panel to provide a continuousvapour
barrier, This inner trim is made either flat or
profiledt o suit the compositepanels used.
Eaves are formed in a similar wayto
profiled metal panels, by lappingt he edge
roof panel over a gutter. The gutter is closed
against the underside of the composite panel
either by folding it outwards and sealing it
or by folding the t op edgeinwards, up the
underside of the panel. Unlikeeavesgut-
ters, parapet guttersarethermally insulated,
forming part of the extemal envelope. The
gutter isusually prefabricatedto form part
of the overall compositepanel system. The
gutter shape, in cross section, is formed to
provide continuity in t het hermal insulat ion
from roof panel through t o the adjacent
parapetwall.
The t ops of parapets are closed with a
pressed metal copingt hat is folded down
over the face of t he extemal wall andt he
inside face of the parapet to provide a com-
plete weat hertight seal. Thetop of the cop-
ing is usually inclined towardsthe inside face
of t he wall, into the gutter, to avoid dust
settl ingon horizontal surfacesfrom being
washed down the face of the extemal wall
during rain.
/
-
3-D views showinggutter detail
within composite panelarrange-
ment, hiddenby rainscreen above
CD,
/
McH
2 \ 7
Roofs 03
Metal roofs 4: rainscreens
3-D view of metal rainscreenroof assembly
Vert ical sect ion I : I 0 through roof assembly
I "
r
@
t' /
1
System design
The use of metal rainscreen panels is
relatively new in roof construction and has
developed from usingthe panels in exter-
nal walls, albeit in a different configuration.
Firstly, most of the rain falling onto a metal
rainscreen roof is not usually drained away
on the outer layer of panels, unlessthe roof
has a relatively steep pitch or curved section.
Rainwater is st ill expected to drain onto the
wat erproofing layer beneath as if the panels
were not in place. The main function of the
rainscreen panels on roofs is to protect the
membrane from the effects of the sun (heat
and UV radiation). from the worst effects of
windblown rain and as protection for main-
tenance access. Rainscreen panels also pro-
vide a lightweight covering that fonms part
of the visual language of the extemal walls.
Alt hough smoot h pebbles are also used
to protect wat erproofing membranes on
non-visible flat roofs. they are obviously not
suit ed to sloping or curved roofs. The use
of metal rainscreen panels is well suited to
these more complex roof geometri es which
fonm a visible part of the design. These rain-
screen panels allow t raditional roof elements
which are usually visually dominant, such as
gutters, parapets and ridges. t o be accom-
modated wit hin a smoot h, continuous outer
skin. allowing roofs to take on the visual
characteristics of ext emal walls. contributing
to the overall archit ectural effect.
Alt hough metal sheet is used for rain-
screens, metal and plastic composit es are
becoming increasingly popul ar. In such
materials a thin layer of plastic is faced wit h
two thin sheets of aluminium which are
MCH 218
I. Metal rainscreen panel
2. Single layer membrane
3. Closed cell thermal insulat ion
4. Structural deck
5. Purlin or st ructural beam
6. Secondary purlin
7. Floded metal gutter
8. Folded metal drip
9. Metal fascia panel
10. Extemal wall
I I. Outer sheet fixing bracket
Details
Bercy ShoppingCentre, Paris, France.
Architect: Renzo Piano BuildingWorkshop
3-D view of metal rainscreen roof assembly wit h opt ional cap-
ping to seam
3-D view of metal rainscreenroof assembly
600mmwide if they do not have additional
supporting framing beneathto stiffen them.
Framed panel s can reach the maximum sizes
already mentioned. but care must be taken
to avoid the pattem stainingor denting that
can reveal the framebehindduring the lifecy-
de of the roof
Rainscreenroof panel s are t ypically
anranged either as panel s laid in a flat grid, or
as lapped panel s, where the bottom edge is
lappedover the top of the panel beneath.
Side joints remain open jointed and are set
in the same planeinthis configuration. Panel s
in a flat grid are set onto metal Z-sections.
which are either bonded to t hetop surface
of the wat erproof membraneto avoid any
riskof water penetration through mechani cal
fixings, or are set above the membrane on
support pads. These pads are usually covered
bonded to the plastic sheet core to provide
longer size panel sthanthoseof sheet metal,
with the benefit of providing greater flatness.
They are less likely to experience localised
impacts from foot t raffic duringmainte-
nance work, wit h the 'oil canning' effect of
depressedor dented panels resulting from
regular maintenance access usually being
avoided by using thesecompositesheet
materials. However, the size of metal rain-
screen panels is rest ricted more by the panel
width that can be walked upon for mainte-
nance accessthan by the sheet size avail able.
The maximumsize of metal sheet is usually
in a widt h of 1200mm or ISOOmm metal
coil. Composite sheets are typicall y IOOOmm
to 1200mm wide, in lengths from 2400mm
to 3000mm. depending upon the manufac-
t urer. In practice, panel s may only be around
3-D view of metal rainscreen roof support system
3-D view of metal rainscreen roof fixing channel
MCH 219
---Roofs 03- - - - - - - - - - ---.
Metal roofs 4: rainscreens
'/ t ,l t; x}
t I' { \ t. 1 / {
3-D view of metal rainscreen roof
draining from panel to panel
ii,' " ( )' X
Vert ical section I :25. Typical
long secion through metal rain-
screen roof
3-D detail of metal rainscreen support system
3-D detail of met al rainscreen support system
MCH 220
Sect ion I:25 t ypical section with rainscreen
panels draining from panel t o panel
0)
" ::>
f-
Vert ical section I : I O. Concealed parapet gutter with cantilevered edge
3-D view of concealed parapet gutte r with cant ilevered edge
'ML..-_ --'
@
with a waterproofing membrane to reduce
the number of fixing penet rationsthrough
this layer. The rainscreen panels arethen
screw fixed t o t he Z-section wit h brackets
that avoid the screw fixings being seen at
a distance where this is a visual require-
ment. Concealed fixings are more difficult
t o accommodate, though such systems are
likely to appear over the next t en years as
demand for t his roof systemincreases.
System details
An advantage of rainscreen panel sfor
parapets isthat the gutter and upstand
can be madewithout either element being
visi ble, allowing parapetsto function as
concealed gutterswhile providing a visual
continuity between wall and roof. Conse-
quently, eaves, monopit ch ridges and verges
can have a similar outward appearanceof an
unintenrupted panel layout extendingfrom
roof down to the extemal wall. Parapets are
formed only by a gutter that also provides
the necessary upstand height for the para-
pet itself. A copingist hen formed by using
t he same rainscreen panels as elsewhere
on the roof in order to provide a cont inuity
of appearance. The waterproof membrane
beneath ist hen sealed against t he wall con-
struction or agai nst t he side of the sealed
roof deck, which is closed off with a folded
metal strip, in the case of profiled metal
sheet or compositemetal panels being used.
The depth of t he roof construction is
t hen finished wit h another rainscreen panel,
set vert ically, which is fixed in front of the
parapet. Unlike parapets in profiled metal or
composite panels, the vert ical fascia panel
can extend up to the top of the wall in order
to conceal the copingfiashing. In other types
of metal roofing, the coping extendsover the
top of the wall, resulting in athin visual edge
t o t he top of the wall. This copingline can be
concealed from view in rainscreen roof panel
construction. The extemal wall beneath is
typically sealed up to t he underside of the
roof deck.
The parapet gutter can be covered wit h
a perforat ed or slotted metal cover in t he
same material and finishas t he adjacent rain-
screen panels. Sincerainwater runs off each
panel at its edges onto the membrane below,
there is no needto leave t he gutter uncov-
ered, as isthe case wit h other metal roof
systems. Water runningdown the membrane
isdrained directly int o the gutter, and water
undemeath the gutter cover drainsthrough
slots or perforations.
An advantage of rainscreen panels ist heir
ability to form complex geometriesfrom fiat
panel components. Since the panels are not
required to be waterproofed, t hey do not
require any joints between panelst hat would
become difficult andexpensive for roofswit h
complex geometri es. Flat panels can be fixed
down at t heir comers on a curvedroof to
create a set of gently curvedpanel sthat are
tumed in either one or two directions. Panels
are increasingly beingtwistedin two direc-
t ions in order to creategenuinely curved
roof finishes. Altematively, panels can be set
fiat but with each panel at different anglest o
create a facetted roof section.
MCH 22 1
Roo s 03
Metal roofs 5: metal louvres
3-D view of louvred metal canopy and support
CD
3-D sect ion through louvred canopy edge and support
System design
Arrangements of metal louvres are
used ascanopies to provide solar shading
while still allowingdaylight to pass through
the canopy. Louvreblades are set typically
at 45 to the vertical in order to blockthe
passage of direct sunlight but allowthe light
to be reflected off its surfaces down to the
space beneath the canopy. Louvre sections
are created from folded strips of aluminium
or mild steel sheet, but these have limited
stiffness and stability, requiring restraint
along their length to hold their straightness
in length. Greater stiffness is provided by
extruded aluminium sections, where the
elliptical section ismost commonly used,
mainly for its abilityto reflect daylight in a
way that reveals itsthree-dimensional fonm,
enhancing its appearance. Sections are
either a half ellipse or a full ellipse. Flat lou-
vre arrangements provide much less visual
vibrancy when viewed from below. Extruded
aluminium sections require end caps, usually
for visual reasons, andtheseare either fixed
with countersunk screws into the wall ofthe
section, or are welded andground smooth.
MCH 222
Where end caps are screwed to the ends,
the aluminium profile has screwports that
fonm part of the extrusion, into whichthe
screws are fixed. Aluminiumextrusions can
be madein lengths up to around 6000mm,
andare supportedat centres to suit their
structural depth. An elliptical section will
span typically 1500mm for a 75mmto
IOOmm deep section while a 250mmdeep
section will span 2500mm, depending upon
design wind speed andrelative loads. When
fixed at their ends, a fixed louvre assembly
canbe madewithout visible fixings.
System details
The supporting structureto the example
showncomprises a mild steel framefabri-
catedfrom box sections, supported by tube
sections that spring from points below the
roof The box sections are shown bolted
together to fonm a flat framestructure, into
which are set louvre panels, prefabricated
andfinished in a factory, then fixed to the
supporting mild steel frame on site. The
steel tubes are fixed to the flat framewith
pin connections. Two flat plates arewelded
to the endsof the tubes, and a single plate
fonming a cleat isfixed to the underside of
the flat frameandthe base support below
the roof. The fork ends of the tubular sup-
ports andthe support cleats to which it con-
nectsarefixed together with face-mounted
or countersunk bolts to fonm a visually crisp
connection. The tubes have tapered ends
shownwhich ist ypical of this type of steel
construction. The aluminium louvre panels
are fixed to the supporting flat framewith
brackets that arewelded to the sides of the
bottom flange of the steel I-section. The alu-
miniumlouvre panel issupportedon these
brackets, with a nylon spacer betweenthem
to allowfor thenmal movement. The louvre
panel isfixed to the cleat bracket with a
countersunk bolt.
The supporting structureto the mov-
inglouvre assembly shown ismadefrom
either mild steel or aluminium sections.
Aluminiumsections are usually prefenred for
their durabilitybut mild steel is often used
for its greater rigidity. Mild steel isgalvanised,
3-D detail of louvred canopy edge andsupport
3-D detail of louvred canopy edge and support
3-D detail of louvred canopy edge and support
Detail s
I. Extruded aluminium louvre blade
2. Mild steel box section
3. Mild steel tube
4. Structural pin connection
5. Mild steel I-section
6. Bolt fixed metal panel
7. Aluminium sheet
8. Mild steel or aluminium support frame
3-D detail of louvred canopy
Forth Road Bridge Toll Plaza Canopy, Edinburgh, UK.
Architect: Reiach& Hall Archit ects
3-D detail of louvre support
MCH 223
Roors03
Metal roofs 5: metal louvres
3-D views of electrically operated louvre panel
in open and closed positions
Detail s
I . Extruded aluminium louvre
blade
2. Standard rackanm
3. Dri ve shaft
4. Slat clip
MCH 224
...
3-Dviewsof electrically operated lou-
vre panel inopenand closedpositions
painted, or both, while aluminium, wit h it s
greater durability, can be natural, anodised
or cromated (similar to anodising) depend-
ing on the individual application. Metal
panel s of large size, madefrom 1200mm
x 2400mm sheet, can result in a gentle oil-
canningeffect around their edges. Thisgives
panelstheir characteristicsoft edge, but they
look smooth and consistent, and this is usu-
ally accept ed visually as part of their appear-
ance. If muchthicker sheet is used, t here
isa disadvantage in increased cost as well
as a greater difficulty in workingthe sheet
to form smooth shaped pressed panels.
Aluminium panels are t ypically either PVDF
coated or polyester powder coated, while
steel sheet is usually polyester powder coat -
ed only. The useof anodised aluminiumas a
finish on sheet has increased in recent years
asa result of greater reliabilit y of t he finish,
which until recently has suffered from une-
ven colour consistency. The silicone used to
seal the joint s canbe applied in a variety of
monotone tints, rangingfrom white, to greys,
to black Some silver-grey coloursmatch
well with silver coloured panelst o givean
overall appearance of a single colour for t he
complete canopy, particularly when recessed
joints are usedbetween panels. Flush joints
in silicone tend to givet he canopy surface an
homogenous appearance, giving it more the
appearance of concrete t han of metal. This
candetract from t he crisply fitted assembly
of panelswhich is characteristic of metal and
also one of the advantages of t he material.
Louvres are typically a maximumof
around 6000mm long for those 75mmto
100mm deep, requiringsupport at 1000mm
to 1500mm. Sliding arms typically support up
to a 6000mmlength of louvre blades, giving
an overall squareshape (in plan) to each set
of cont rolled louvres of 6000mm x 6000mm
size which are fixed int o the supporting
I-section frame. A IOOmm deep I-section will
span t ypically IOOOmm - 1500mm between
supports dependingon the design of t he
glazed roof below. The distance between
the moveable louvre panels and the glazed
roof below is made sufficient t o allow for
accessfor cleaning the glass below and the
louvre assembly itself
Electrically operated louvre canopies are
also used for horizontal andinclined glazed
roofs, excluding up to 90%of solar heat
gain when set at a 45 angle. Louvre blades
are 75mm-1 OOmm in t ypical proprietary
systems but blades up to 300mmwide can
be madeas a single extrusion. Nylon sleeves
and washersare used at the connection of
movingparts, rather than metal, to avoid
t he need for regular lubrication. Louvres can
be solid or perforat ed to different percent-
agesof solid to void, from around 10% void
to a maximum of 50%, t hough t he latter is
difficult to fabricate. Louvres arefixed by
steel pins int o a sliding aluminium section
at each end of the profile. The louvres are
also fixed at their centre in section. Ast he
slidingaluminium rod moves, the aluminium
louvres move together. openingandclosing
together. The slidingrods are connected at
each end of t he louvresand arefixed to a
support ingframeof aluminium I-sections.
The singlet ube ispowered by an electric
motor, and as it tums, the slidingarmsmove
through the arrangement of gears.
MCH 225
Roofs 03
Glass roofs I : greenhouse glazi ng and capped systems
The Glasshouse, RHS Wisley, UK.
Architect: Petervan der Toom Vrijthof
Details
I. Extruded aluminium glazing bar
2. Single glazed sheet
3. Rubber seal
4. Aluminium glazing clip
5. Extruded aluminium section
6. Aluminium clip oncapping
7. Aluminium footing
8. Concrete base
9. Polycarbonate sheet
IO. Double glazed unit
3-D view of typical eaves connection
3-D detail of glazingsupport
Systems design
Curtainwalling principles used in extemal
walls have beenadopted, over the last20
years, as a reliable method of construct-
ingglazed roofsto replace earliersystems
developed from greenhouse glazing. This
glazing system isstill used in greenhouses for
agricultural activities, but has poor thermal
insulation, since their purposeisto absorb
the heat from the sun rather than excluding
it. The useof single glazing, with no ther-
mal breaks andhigh air infiltration rates (by
curtain walling standards), make it ideal for
agricultural use, but very poor for the use
in general building construction. However,
the concept of greenhouse glazing has been
developed into the highly insulated, air sealed
andwatertight glass roof systems used in
contemporary buildings.
An essential component of greenhouse
glazing that has beenretained in modem
glazed roofs isthe glazing bar, which cor-
responds to a mullionin glazed walls. The
greenhouse glazing bar has a condensation
channel beneath of the glass to drainaway
water that passes throughthe outer seal
MCH 226
duringrain. The condensation channel also
serves as a drain for moistureinside the
building that has condensed within the fram-
ing. Condensation channels are either open
at the edges or are enclosed. Modem green-
house glazing ismadefrom extruded alu-
miniumsections with no thermal break, since
high thermal insulation isnot required, but
includes the condensation channels to avoid
water from drippingbelow. The horizontal
joint betweenlapped glass sheets issealed
with either a sealant, typically silicone, or with
continuous aluminium clips. Some green-
house systems still have lapped glass with no
seal at betweenthe glass sheets, making it
veryeconomic, but not very airtight, which
suits certain agricultural applications.
Ventilation in greenhouse glazing ispro-
vided at the eaves andat the ridge, while
opening lightsare used for more closely
controlledventilation. Single glazed sheets
areheldin place on their sides by supporting
them on the glazing bars andsecuring them
in place with continuous aluminium clips that
snap onto the glazing bar. The aluminium
sections are separated from the glass by
extruded rubber-based seals which areheld
in place on the aluminium glazing bars and
which press against the glass to provide both
a cushion for the glass as well as awater and
air seal. The strength andstiffness of the glaz-
ingbar isprovidedby the central flat bar that
extends beyond the glazing lineeither inside
or outside the glazing. Unlikecurtain walling
based systems, where the structural mullion
extends on the inside face of the glass, with
a pressure plateon the outside, greenhouse
glazing has only clips on either side of the
control bar, allowing it greaterfreedomto
extend both inside andoutside the face of
the glass. The rubber seals aredeep enough
andsoft enough to allowthe bottom of the
glass sheetto lapover the top of the sheet
below on the horizontal joints.
System details
Systems for contemporary glass roofs
use the principles of traditional greenhouse
glazing, but incorporatethe techniques of
glazed curtain walling. Drainedandventilated
3-D view of ridge in greenhouse roof
Vertical section 1:5, Ridge in greenhouse
glazing
Vertical section 1:5, Typical capped glaz-
ing details
3-D detail of ridge
I
CD
I
Vertical section 1:5, Typical ridge and valleydetails
CD
@
3-D view of capped glazing system with
insulated ridge
MCH 228
@
3-D cutaway of glassto glass comer detail in
cpped glazing
3-D view of capped glazingroof
system
3-D detail of capped ridge
systemsareused, with t henrnal breaks and
double glazed units. Pressure plates rat her
than clips areused t o hold large glass units
in place in capped systems, and toggl e-type
plat esareused to provide flush joints in
siliconebased systems. This latter t ype is dis-
cussed inthe next section on siliconesealed
rooflights, while this section focuses on pres-
sure plate systems, so-called 'capped' glazing.
A typical system comprises glazing barswhich
are assembled on site in a grid of members
that resemble the mullionsand transomsof
stick glazed curtain walling. The base of the
curtain wall, at t he bott om of the extruded
profile, may have an additional condensation
channel, as shown. This provision can also be
made by settingthe condensation channels
immediately beneath the glass. The glass is
set onto rubber-based air sealsfixed to t he
glazing bar and issecured wit h a continuous
pressure plat e of extruded aluminium. A strip
of extruded EPDM is set betweenthe pres-
sureplateand the glass to provide a weat h-
ertight seal. As with glazed curtain walling,
the glazingbars are drained and vent ilat ed,
or pressure equal ised, intemally. Water that
is ableto find its way throught he outer
seal drips into anintemal channel where it
is drained away safely to the bott om of the
roof, typically at t he eaves. In smaller roofs
without eaves, where the roof angle changes
from pitchedto vertical wall, rainwater is
allowed to run on down the wall to the base
of t he roof. At the 'fold' point of the roof t he
intemal drain in the glazingbar iscontinu-
ouswit h t he vertical wall, and the system is
drained at the base of the wall, which could
be a reinforced concret e slab at roof level.
Whileglazing bars runningdown the
roof project abovet he surface of t he glass,
thoserunningalongthe roof which hold the
top andbottom edges of the glass in place,
require a method of allowingt he water to
run over t he junction. Some systems usea
step at this point, wit hout a pressure plateon
top that would otherwise impede the pas-
sage of water down the roof. Other systems
usea pressure plateand cover capping with
chamfered edgesthat allow rainwater to pass
over it easily. A small amount of water isleft
trapped on t he top edge of thishorizontally-
set glazingbar, but thisissoonblown away
by the wind or elseevaporates. Any water
that penetratesthe outer seal is drained
away t hrought he intemal drain inthe glazing
bar.
Ridges, like glazing bars, follow the main
principles of greenhouse glazing. The box
section, or chosen profile of the typical glaz-
ing bar is usually madedeeper to taket he
higher structural loads of the ridge. Gutters,
at both valleys and eaves, arevery different
to greenhouse glazing. Instead of lapping t he
glass into the gutter, the gutter profile (or
downstand flashing) isclamped into one side
of the horizontally-set glazi ngbar at the base
of the pitchedroof.
MCH 229
Roofs 03
Glass roofs 2: Silicone sealed glazing and rooflights
CD
CD
I
CD 0
~ ~ I , -1-
=--" '--
- ~
3-D view of connection detail with gutter
CD - 0
Vert ical section I: I0 through roofiight showing typical details
Details
I. Extruded aluminium glazing profile
2. Pressure plate and capping
3. Mild steel support frame
4. Double glazed unit wit h recessed edge
5. Thenmal insulat ion
6. Silicone seal
7. Concrete base
8. Gutt er
9. Intemal finish
System design
While capped systems, described in
the previous section, suit pitched roofs,
they cannot reliabl y be used on nominally
flat roofs, where the roof pitch isusually 3
to 5, This is mainly becausethe rainwater
running down the roof cannot pass the
horizontal glazing bars which project above
the surface of the glass, The smooth, con-
tinuous finish requiredfor flat glazed roofs
is achieved wit h a silicone seal between
glass panels that is set flush wit h the surface
of the glass. The glass is clamped in place
wit h short lengths of pressureplatethat are
recessed below the outer seal. The recessed
plates are secured to analuminium channel
which forms an integral part of the double
glazed unit andwhich is continuous around
its perimeter. The extruded aluminium
channel is recessedinto the gapat the edge
of the unit usually usedto bond the unit
together andto seal the edges behindthe
spacer. The adjacent spacer in the double
glazed unit both keepsthe glass at a fixed
distance apart as well as havingdesiccant
wit hin it to absorb any residual moisture
wit hin the sealedcavity between the glass
sheets. The recessedaluminiumchannel is
bonded to each glass sheet andalso pro-
videsthe edge seal to the completed unit,
as in a regular double glazed unit. The short
lengths of pressureplate arethen set into
the gap formed by the recessedchannel s of
abutti ng glazed units, and are clamped to the
glazing bar wit h self tappingscrews, t ypically
at 300mmcentres. The gap between the
glazed unit is sealed wit h silicone, typically
ISmmto 20mmwide, andwit h a backing
MCH 230
3-D view of typical rooflight assembly with uncapped horizo ntal joints
strip or 'backing rod' behindit to form a
backedge to the silicone seal.
The glazing bar has its structural box
or fin removed in order to fix it directlyto
a steel support frame. Altematively, an all-
aluminium glazing bar can be used. As with
capped systems, small amountsof rainwater
that pass through the outer silicone seal are
drained awayin the condensation channels
set below the glass, within the glazing bar. In
practice, silicone seals are very reliable but
are dependent upon correct workmanship
on site, sothe condensation channel isoften
not used in practice but serves as a second-
ary chamberto support the inner air seals.
Silicone-sealed glazing bars canbe used in
all directionsacross a roof, unlikecapped
systems, since the glazing bars present no
barrier to the passage of water.
System details
Since the advantage of silicone-sealed
systems isof continuous glazed surfaces
uninterruptedby visible glazing bars, ridges
andvalleysaretreated only as folds inthe
surface of the glazing, for rainwater runs
across the complete sealed surface of the
glass rather than being directed into gutters
set across its surface. The short lengths of
pressure platecan be folded inthe factory
to the requiredangle, while the glazing bar
formingthe ridgeisthe same as that used
elsewhere on the roof, with somemodifica-
tions to the angle of the clips that hold the
inner EPDM seal in place. The edges of roofs
are also treated as folds, with rainwater usu-
allyallowedto run off the edgeinto a gutter,
either just below the roof, or down to the
Dulwich picturegallery, London, UK.
Architect: Rick Mather
MCH 231
Roofs 03
Glass roofs 2: Silicone sealed glazing and rooflights
3-D view of comer detail showing folded pressure plate t o
achieve desired angle
Vert ical sect ion 1:5. Comer detail
Details
I . Extruded alumi nium glazing profile
2. Pressure plate and capping
3. Mild steel support frame
4. Double glazed unit with recessed
edge
5. Thenmal insulat ion
6. Silicone seal
7. Concrete base
8. Gutter
9. Int emal finish
base of the glazed wall below the glazed
roof An advantage of thi s system isthe
ability of the roof to be continuouswith a
glazed wall in the same system with a simple
'fold', wit hout reducing its weather tightness.
Typicallythe wall is not very high, fonrning
part of a largerglazed roof. Dust that is car-
ried down off t he roof during rain iswashed
down the vert ical glazing, rather than being
canried away in a gutter, but in practice
glazed rooflights require regular cleaning to
maintai n t heir crispappearance.
Folded comers are fonrned wit h either
a single specially fonrned glazing bar, or wit h
two glazing barsmeeting. The recessed
lengths of pressureplateare folded to fonrn
the requiredangle, andthe silicone is cham-
fered to fonrn a flat surface between the t wo
meetingglass panels. Silicone is rarely used
to makea sharp angle betweenthe two
double glazed units, as it isvery difficult to
achieve a straight linewit hout the assistance
of an additional metal angle bedded into the
silicone. The altemative method of fonrning
a roof edge requiresthe edge of the double
MCH 232
glazed unit to be coatedor 'opacified' to
avoid the framebehind being visi ble through
the glass. This is often achieved by stepping
the glazed unit, with the outer glass extend-
ingto meet the comer, while the inner glass
stops at the glazing bar to allow the recessed
aluminiumangle to be bonded in its usual
position adjacent to the glazing bar. The
glass unit is secured in the same way, wit h a
recessedlength of pressure plate, while t he
outer glass is cantilevered t o meet the adja-
cent glazed unit at the comer.
An advantage of silicone seal ed glazing
is its ability to be mixed with capped glazi ng.
Sinceboth systems are drained and venti lat-
ed (pressure equalised), the same glazing bar
canbe used in a mixed roof system of flush
silicone joints and cappedprofiles. Although
this mix is done often for visual reasons, it
doesallowfor easily fonrned junctions with
adjacent areas of roof in different materials,
andfor a mix of actual panel s andglazed
panels in a single roof using a reliabledrained
andvent ilated system. The most common
applicati on of t hismethod is where capped
profilesare used for the vertically-set glazing
bars running down the slope of a roof, while
silicone-sealed glazing is used on horizontal
jointsto allow rainwaterto pass down it
unimpeded by any projectingglazing bars.
Junctions in silicone sealed glazing, such as
edges of roofs andridges, arefonrned in the
same way, while the capped system follows
the folds with continuous pressureplates
that are mitred and sealed at t he folds. Butyl
tape isused asan extra seal at folds, set
betweent he pressure plateand the outer
EPDM gaskets. Cover caps are also mitred
to give a crisp appearance.
Vertical section 1:5. Panel to panel junction with cap-
ping
-
3-D view of panel to panel junction
detail wit hout capping
3-D view of panel t o panel junction detail with
capping
Horizontal panel t o panel junction wit h capping
3-D view of comer detail showing insulat ed comer cov-
ered by opaque glazing
MCH 233
Roofs 03
Glass roofs 3: bolt-fixed glazi ng
3-D view of ridge detail
3-D view of bolt fixed glazingwit h intemal fold
Details
I. St ructural steel support
2. Connector plat e
3. Bolt fixing
4. Silicone seal between glass
panel s
5. Single glazed or double
glazed unit
6. Support bracket
7. silicon seal
8. Adjacent extemal wall
9. Insulation
10. Extruded metal cylin-
drical section
I I. Roofconstruction
12. Concrete base
System design
This method of glazing for roofs has
been adapted fromthe technique used for
glazed wall s. where glass isfixed at points
with speciall y designed bolts rather than
with a frame supporting the perimeter of
the glass. Bolt fixed glazing for facade con-
structiondeveloped from earlier patch plate
glazing, where singl e glazed sheets of glass
are bolted together wit h mild steel brack-
ets. Glass fins are used to stiffen the glazed
walls to replacethe aluminium mullions. The
L-shaped patchfittings bolt the fins and glass
together. as well as bolting the glass to the
supporting structure at the top and bottom
of the wall.
Where glazed wall s are usually structur-
ally supported by either top hungor bot-
tom supported methods. the support of
glazed roofs is by trusses, steel sections or
purl ins that span acrossthe roof opening.
For nominally flat roofs, the most common
arrangement isa supporting beam set under
each glass joint. so that bolts are supported
on each side of the beam by a short bracket.
Only halfthe number of beams are required
MCH 234
to support the same three panels of glass.
Thisis achieved by settingthe beam inthe
middle of altemate glass panels. Brackets are
cantilevered fromthe beamto support the
edge of the panel above as well as one side
ofthe panel next to it. Thi s method pro-
vides greater visual transparency but requires
largerbrackets. which in practice detract lit-
tle fromthe increased effect of transparency.
The single tube section shown inthe
diagrams would suit only a short span. as in a
rooflight, but large span roofs require deeper
beams. usually fonrned as open trusses in
order to maintain the sense of transpar-
ency at obliqueviewing angles. Triangulated
trusses provide both structure and support
for the glass. but tend to be visually heavy.
Cabletrusses are often prefenred, but they
require a ring beamaround the edge of
the glazed roof to fonrn a tensile supporting
structure like a tennis racquet. The cable
trusses. always intension. require an equiva-
lent sunrounding structure incompression
to transfer the loadsto the main building
structure.
System details
The essential component inthis glazing
method. the bolt fi xing. is made typically in
stainless steel, and consists of several compo-
nents that fonrn the complete assembly. The
part that passes through the gl ass has either
a disc on each side of the glass to clamp
the glass or double glazed unit together, or
altematively is angled to fonrn a countersunk
devicewithin the depth of the double glazed
unit. The countersunkfitting isset flush with
the outer face of the glass. and the face
fixed disctype is set forward of the face of
the glass. A poli shed stainless steel finish is
mostly used on the outside inorder to make
it easyto clean and maintain. In the face fi xed
type. which iscunrently the most commonly
used fixing. the inner disc screws over the
threaded shankthat fonrns part of the outer
disc until it istight up to the inner face of the
glass. The threaded shank projecting intothe
building isableto rotate about a ball bearing
where it meets the inner face of the double
glazed unit. This all ows the double glazed
3-D view of bolt glazed roof
system
Vertical section & elevations I :25. Bolt fixed roof with folded profile
3-D of valley det ail
eD
eD
Vert ical section I : 10. Intemal fold
00JI @ eD
. . . : ~
1- . t .
-tr r.
-, ...---- 0 '
'='
r ~
:@; r@
3-D view of bolt fixed system Hori zont al section I :25. Typical clamp assembly
MCH 235
Roofs 03
Glass roofs 3: bolt-fixed glazing
Vertical sections I: 10. Bracket support
Vertical section I:IO. Connection to roof deck
Tower Bridge House, London, Uk.
Architect: Rogers Stirk Harbour + Partners
unit to rotate up to around 12 under wind
load andassociated structural deflections.
This swivel joint is essential in avoidingthe
over stressingof the glass under full wind
loadthat would otherwise result in breakage
of the glass unit. The threaded shank isthen
used to clampthe complete bolt fixingto a
support bracket wit h either threaded discs
or nuts. The visible thread in the shank can
be either left exposed, or be covered wit h
threaded sleevesand stop ends. This bolt
t ype isused regardless of the orientation of
the roof, whet her flat or pitched.
In common wit h other glass roof t ypes,
the inner glass of a double glazed unit isusu-
ally madefrom laminated glass. Inthe event
of a double glazed unit being broken, the
inner laminated sheet remains intact, while
the broken piecesof the heat strengthened
or fully toughenedouter sheet cometo rest
on top of the damaged, but intact, inner
sheet. The double glazed unitsare first fixed
and adjusted to form evenjoint widt hs
between all the units. Joints of 20-28mm
are used, though around 20mm isthe most
MCH 236
common joint width (in elevation) that
allows for both structural movement and
the slight variat ions inthe size of the glass
panels. Unlikecapped roof glazing systems,
the entire double glazed unit isvisible from
both outsideand inside, the edges arenot
set behind pressureplates that conceal any
variat ions in glass panel size. Joint widt hs up
to around28mm, which is deemedclose to
the maximumpractical joint widt h for the
adhesion of silicone sealant in a regulardou-
ble glazed unit, is used where brackets pen-
etratethe outer seal from insidethe roof
to outside. If required, thesebrackets are
used to support extemal sun shading and
maintenance equipment. Thesebrackets
are usuall y in the form of flat platesthat are
welded to the intemal supporting structure,
and project through the joint. Alt hough an
additi onal lip aroundthe projectingplate
may provide additional protection to water
penetrationbetween the silicone andthe
bracket, in practice it has beenfound that
this detail performs well if the seal isapplied
to a good level of workmanship.
Seals between double glazed units are
madeas an outer silicone seal wit h an inner
backing rod of extruded EPDM. The gasket
has projectingflaps on each side to form a
'fir tree' section which preventsany water
that penetratesthe extemal seal from reach-
ingthe inner face of the seal. This EPDM
gasket also servesasan inner air seal, and
provides a crisp appearance of sharp lines in
the interior face of the glazed roof.
Louvre gallery, Paris, France. Architect: I M Pei
3-D view of basestand connectionto roof deck
3-D view of underside of bolt glazed roof system
\
L _
-
Vertical section I:I O. Baseupstand junction
Vert ical section I:IO. Junction wit h adjacent wall Vertical section I: 10. Upstandat base
MCH 237
Plan I :20 of typical roofi ight layout
=
CD
3-D view of typical roof light assembly
Roo s 03
Glass roofs 4: bonded glass rooflights
I, Silicone bond
2, Mild steel support frame
3, Single glazed laminat ed
glasspanel
4, Silicone seal
5, Concret e base
6, Insulat ed met al panel
7, Folded met al fiashing
8, Reinforc ed concret e sup-
port frame
9, Folded alumunium pro-
t ective cover
10, Stee l aluminium sup-
port shoe
I I, St nuctural glass beam
I>
,
Details
Vert ical sect ion I : I 0, Base upstand, Junct ion with
adjacent mat erial
Vert ical sect ion 1:5through roofiight showing t ypical details
CD
3-D Details showing glassto glass junct ions
System design
The method of silicone bonding glass to
aluminium framing iswell developed for use
in glazed curtain walling to provide visually
smooth glass facades wit h no visible cap-
pings, The use of silicone sealed roofiights
can be taken a stepfurther to becomea full
bond wit hout the needfor the mechanical
restraint of pressure plates, In silicone bond-
ed roofiights, the glass isglued to a support-
ingframe, The glueisalso the extemal seal.
Thistechniqueisuseful for small roofiights,
where cappings would be very difficultto
fabricate, and in roofiightswhich arewalked
upon, where the roofiight is an extemal glass
floor,
The generic conical roofiight shown has
curveddoubleglazed unitsbondedto an
aluminium frame, Silicone bondingavoids
cover caps that would have to be curved
both vert ically andhorizontally, which would
be extremely difficult to fabricate, The rec-
tangularroofiight shown isbondedtogether
wit hout a supporting structure; the glass pro-
vides its own support. The fiat monopitch
roofiight isbondedto a frameto provide
a small roofiight from one doubleglazed
roofiight, wit h laminated glass sheets used to
fonm a surface which can be walkedupon.
Similar to a glass fioor used inside a building,
it must also take heavier traffic loadings and
be weat hertight.
The generic conical roofiight shown has
a lightweight steel frameused to support
double glazed unitsthat fonm a roofiight.
The structural framecomprises box sections
set vertically, held in place by thin tube sec-
tions running horizontally to fonm a circle,
MCH 238
3-D view of glassbeam with central steel support beam
111111111111111111111111111111111111111111111111111111111111111111111
3-D view of underside of glass beam and steel support beam
~
@
Ire:::
@
~
1
0
~
@
re:::
~
~
"
"
"
0" @
'1
~
"
"
v'
"
@
"
".
'1
Vertical section I: I O. Bracket support
Vertical sect ion I : I O. Junction with adjacent wall
~
' /-
Vertical section I: I O. Support systems for roofii ght
top of the waterproof membrane.
The generic rectangular roofi ightshown
is constructed without a supporting frame.
Mechanical restraint is provided at the
comers in t he fonm of pressure plate cli ps.
The double glazed units at the corners are
fabricated with a recessed groove on the
two sides of the panel fonming the corner
in order to receive the cl ip. An alternative
method is to fix the metal clip to the outside
of t he glass at the comer. Thi s avoidsthe
need for special ly made comer pieces but it
does fonm a visible fi xing. The modest sizeof
this roofi ightallows the hori zontally-set glass
to span from side to side with no additional
support. The comers of the roofl ightare
stiffened by short lengths of pressure plate
which holdthe glass in place. The glass has a
specially shaped groove in the depth of the
The glass panels are supported on steel fi at
sectionswhich are welded to the horizon-
tally set tube section. The glass is levelled on
blocks set onto the horizontal fiat section,
and the si li cone is applied to the joint. At the
base, the horizontal metal section projects
out to fonm a fiashingover the upstand in
which the roofi ight is set. An additional inner
metal upstand can be provided withanother
si licone seal ifthere is risk of future flooding
from blocked rainwater outlets, for example.
The waterproof membrane for the roof slab
is continued up the upstand and is bonded
to the base of the horizontal section that
supports t he glass. This provides a complete
seal fromthe glass to the roof membrane,
with the metal fl ashing providing both a pro-
tection to this seal and a means of conceal-
ingthe closed cell thenmal insulation set on
3-D det ail of st eel support beam
MCH 239
R o o ~ 0 3 I
Glass roofs 4: bonded glass roofl ights
0 . - - -- --- , o
0)
l:D
0) 8) 0)
I I
aJU3
0)
r
11
r-
11
Vertical section I: 10 through bondedglass roof light showingtypical details
0
I
1"",
f-
0)
CD
0)
CD
o 0)
Vertical section 1:5. Typical comer detail Horizontal section 1:5.
Typical comer detail
Vertical section 1:5. Bonded
glass t o glass connection
Vertical section I:5. Typical connection
to roof
double glazed unit, to which the pressure
platesare fixed. Comer joints have an outer
comer pieceof folded aluminium which is
silicone bonded either to the face of the
adjacent glass units, or isfolded at 90 to
bond it to the side of the unit. Glass-to-glass
joints between horizontally-set units have a
silicone seal wit h an aluminiumangle set on
the inside face to provide a second seal.
System details
Rooflights fonmed as nominally flat,
accessible roof decks have been in useover
the past 10years. Previously usedonly
insidebuildings for walkways and stairs, they
are now beingusedas fully waterproofed
external decks, manufactured asproprietary
systems. Single glazing is used, since double
glazed units are difficult to use asa result of
solar gain aroundthe edge of the unit, where
the glass is exposed to the outside, but is
supported on its underside, allowing heat to
enter but not to escape. Where blackcol-
oured edge 'frittiog' is used, the sit uat ion is
made difficult. However, double glazed roof
MCH 240
deckingis in development andwill no doubt
becomemuch more common over the next
10years.
The glass used is laminated, in common
wit h other rooflights, both to avoid the pos-
sibility of any falling objectsfrom penetrating
the glass on impact, as well as preventing
damagedglass from falling immediately into
the space below. The glass is set into a series
of extruded aluminiumanglesto which it is
bonded on its underside. A gapbetween the
frameand the top of the glass is sealed wit h
silicone of a different t ype. An additional
condensation channel isset below the glass
to catch any water that penetratesthe sili-
cone seal, or any water t hat passesthrough
a damagedjoint.
The details here show altematives for
both steel beamandglass beamsupports to
the glass panel s. A t ypical rooflight is shown
wit h glass panel s 2400mmx 1200mm in size.
The support ing structure hasa glass beam
set in the cent re, spanningthe full length of
6000mm. Its depth isapproximately 600mm,
but the beamdepth will vary depending
upon the individual design. Here steel plate
is used to provide a beam insteadof lami-
natedglass, a steel flat is welded to the top
of the beamto fonm aT-section that gives
enough bearing for the glass deck. The ends
of the glass beams are supported by a metal
shoe support, madefrom either mild steel
or aluminium. Stainless steel is used where
conrosion isan essential consideration of the
design. The metal shoe is bolted backto the
supporting structureor reinforced concrete
floor slab. The gapbetween the edge of the
glass deck and the adjacent roof finishmate-
rial is madewit h a silicone seal.
3-D cutaway of t ypical comer det ail 3-D cutaway of t ypical rooflight assembly 3-D cutaway of t ypical junction with roo f
ED
3-D detail of connection between glassbeam and concret e wall 3-D det ail of junction between glassand steel support beams
Details
I Silicone bond
2. Mild steel support frame
3. Single glazed laminated glass
panel
4. Silicone seal
5. Concrete base
6. Insulated metal panel
7. Folded metal flashing
8. Reinforced concrete support
frame
9. Folded almunium protective
cover
10. Steel aluminium support shoe
I I . Structural glass beam
3-D view looking up at int erior finish at edge of glassbeam
and concrete base
3-D view of juncti on at edge of glassbeam and steel support
MCH 24 1
Roofs 03
Concrete I: concealed membrane
Det ails
I. Waterproof membrane
2. Thermal insulation
3. Co ncrete deck
4. Paving slabs
5. Smooth pebbles
6. Parapet coping
7. Rainwater out let
8. Slot drain
9. Opening for overf ow
3-D overview of a concrete roof with a concealed membrane
System design
Bitumen hastraditionally been usedas a
wat erproof layer, applied while hot in liquid
fonm onto a concrete roof slab. As it cools it
hardens, fonming an impervious membrane,
but will soften again if heated by the effects
of solar radiation. For this reason, in order to
keepthe material cool, bitumen membranes
are concealed by smooth pebbles or pav-
ing slabs, usuall y wit h thenmal insulation set
betweenthe bitumen andthe pebbles or
paving. Traditional bitumen roofs are usually
laidin two layers, wit h an overall thickness
of around 25mm. One of the limitingfac-
tors wit h bitumen is foldingthe material at
a comer or edge. When the material tums
through a right angle from the horizontal
roof to a vert ical parapet wall, it canpass
through a maximumof 45 in a single fold.
For this reason 45angle fillets are used to
makea 90 tum from roof to wall.
Modem bitumen-basedmembranes that
are concealed beneath roof finishes aret ypi-
cally a combination of bitumen-based sheet
mixed wit h synthetic rubber to give flex-
ibility combinedwit h a reinforcement to give
MCH 242
dimensional stability andtensile strength.
This reinforcement often allows the mate-
rial to be foldedthrough 90, making its use
considerabl y easier, where angle fillets are
not required.
With the development of muchthinner
membranes in thenmoplastics andelastom-
ers, together wit h their competitive costs,
there have beenconsiderable efforts made
by manufacturers over the past 20 yearsto
makethe bitumen layers thinner, to reduce
the material requiredwhile enhancing its
propertiesof strength andflexibility. This has
beenachieved by replacing the thick two-
layer method wit h a mixture of thin layers,
still applied in hot liquidfonm on site, but
reinforced wit h an elastomeric sheet, usually
beddedbetween the layers. This ist ypicall y
two layers, each 3mmthick wit h reinforcing
layers bedded into the material. Thisallows
the bitumento accommodate both small
amounts of movement at thesejunctions, as
well asthe sharp fold inthe material , which
creates a weakness inthe membrane which
might otherwisebe damaged duringthe life
of the building. An outer protective layer
isadded for vulnerable locations such asat
gutters andat upstands.
System details
Concealed membrane roofs aret ypi-
call y in 'inverted' roof configuration wit h
either open joints or sealed joints in the
top layer that coversthe thenmal insulation,
usuall y paving. Inthe open joint version, the
membrane, bondedto the concreteslab, is
covered by a protection layer, wit h closed
cell, rigidthenmal insulation set on top. A
polyesterfilter sheet is set on top, wit h pav-
ingor smooth pebbleballast on top to hold
the insulation in place as well as to walk on.
Pebbles are 20mm - 40mm diameter, while
pavingslabs are around 600 x 600mmin
size and 30 mm - 40mm deep. Inthe sealed
joint configuration, the bitumen membrane
wit h its protection layer has a drainage layer
on top, onto which is laida minimum65mm
sand/cement screed, usuall y reinforced or
madesufficiently thick to avoid cracking both
in the screed andthe sealed pavingabove.
CD -
-- --c.!F - -' --
CD
CD
Vertical section I: 10. Rainwater outlet
CD
3-D det ail of rainwate r outlet
3-D view of parapet and rainwater out let
-,
- --'
- :
CD
Vertical section I: I0 , Parapet and rainwat er outlet
, ,
J .
CD '(
MCH 243
Roofs 03
Concrete I: concealed membrane
Persistence Works, Sheffield, UK. Architect: Fielden Clegg Bradley Studios
3-D detail of concrete upstand
Vert ical section I: IO. Concrete upstand
Vert ical section I: IO. Junction of extemal wall and
roof slab
CD
----
Vert ical section I:IO. two-way drain outlet
MCH 244
Paving slabs or blocks are bondedto the
screed wit h mortar andgrouted.
Expansionjoints between concrete
slabs of widt hs between around IOmm to
50mmare fonmed by stopping the material
each side of the joint andsetting a rubber-
based stripthat dipsinto the gapbetween
the slabs, linking the membranes into a
continuous seal. The joint isprotected and
reinforced wit h anadditional layer, either
fiat andbonded on one side only, or fonmed
as a folded, S-shaped cover that folds back
over itself, held in place by anaddit ional
protection sheet on top. The gap between
the membrane, dipped into the joint, and
the reinforcement cover isfilledwit h a foam
backing rod or tube, as used in the glass
joints of bolt fixed glazing. The material used
for the reinforcement is either the same
bitumen basedmaterial, or increasingly, a
rubber-based strip.
The top of the joint isfinished as level
as possible wit h the adjacent areas of roof
to allow water to drainfreely from the roof.
The reinforcing membrane is sometimes
folded down into the gap, separat ed from
the membrane below wit h a foambacking
rod. It can be difficultto drainwater from
thisgroove at the edge of the slab unless
water at this lower level can discharge into a
rainwater outlet.
In fonming parapet upstands, an essen-
tial requirement ist o keepthe waterproof
membrane aswell protected from the
effects of the sun as elsewhere on the roof.
For this reason, thenmal insul ation isapplied
to the inside face of the parapet, even if
this has no direct benefitto the passage of
CD
CD
3-D det ail of ballustrade wit hin roof system
3-D det ail of roo f parapet
Vert ical sect ion I : I O. Expansion joi nt in concrete slab
/)-__----'.c=-=..::"--_
CD
3-D det ail of expansion joi nt in concret e slab
Vert ical sect ion I : I O. Base of balustrade
CD
CD
J.
-,, 0-
CD
Vert ical section I : I O. Parapet detail
of the waterproofing layer. The base of the
rainwater outlet is fixed to the concrete slab.
The wat erproof membrane is dressed down
int o t he top of the rainwater outlet and the
upper part of the rainwater outlet is bolted
down onto the part already fixed and sealed.
The geotextile sheet is wrapped around t he
outl et to avoi d dirt and debris being washed
int o t he rainwat er drainage system.
heat through t he building. The membrane
is t umed through a full 90 as shown in the
drawings. but an angle fillet is required by
some manufacturers t o limit t he angle of
any fold to 45. A reinforcing strip is usually
added where a 90 fold is made.
Plint hs which are fomned as short col-
umns for the support of roof-mounted
mechanical equipment or balustrades are
wate rproofed in a similar way to a para-
pet upstand. The membrane is folded up
t hrough 90 from the roo f level and is
fomned t o cover the complete plinth. The
themnal insulation extends across the com-
plete plinth to prevent a themnal bridge
through the roof constructi on.
Rainwat er outl ets are set at t he level of
t he waterproof membrane. drained at both
the level of the sealed paving and t he level
MCH 245
Roofs 03- - - - - - - - -
Concrete 2: exposed membrane
3-D overview of concrete roof with an exposed membrane
System design
Exposed membranes have been used
for flat roofs which are not visible from
below, but this has changed in recent years
as membranes are produced in increasingly
smooth andregularfinishes. Because of their
lightweightnature, they are often used in
conjunctionwith lightweightroofs such as
profiled metal deck andtimber. This section
considers their usein concrete construction,
though the same principles of waterproofing
can be applied to these other materials.
The introduction of polymer-based
membranes provided economicwaterproof-
ingmaterials that are more flexiblethan their
bitumen-based predecessors. The increased
flexibility of the new sheet materials allowed
for greater amounts of movement between
adjoining components and assemblies, allow-
ingthe detailing of junctionsto be relatively
straightforward in forming a reliable weath-
ertight roof membrane. As a result of these
developments, polymer modifications were
also madein the earliergeneration bitumen-
based materials to makethem more flexible,
in order to compete with the polymer-based
sheet materials. As a result there isnow a
MCH 246
wide range of exposed membrane materials
available to suit different budgets andindi-
vidual roof designs.
Polymer-based membranes have the
mainadvantage of an abilityto be cut and
formed to complex shapes, allowing them
to take up shapes precisely. sometimes pre-
formed in the factory before being delivered
to site. Single layermembranes arevery
practical on roofs with a large number of
penetrations, typically in commercial build-
ings where mechanical ventilation equip-
ment is regularly being modified or replaced
duringthe lifetimeof a building. Single layer
membranes are madefrom either elasto-
meric materials, typically EPDM, or from
thermoplastic materials, typically plasticised
PVC(PVC-P). Elastomeric materials are
very popular in the USwhile thermoplastics
are preferred in Europe. EPDM (ethylene
propylenedienemonomer) isa flexible and
elastic material that has the appearance of a
synthetic rubber. EPDM ismanufactured in
the limited coloursof black, greyandwhite.
Both elastomers andthermoplastics can
be mechanically fixed, bonded or secured
with ballast to the concretedeck beneath.
Developments inthesematerials have ledto
them being used on timber decks andpro-
filed metal decks in additionto the concrete
decks discussed here. Boththermoplastic
and EPDM membranes can be welded
together to form a continuous waterproof
sheet. While both material typeswere glued,
there isan increasing useof hot air welding
methods, which avoidthe needfor flame
techniques or adhesive bondingmethods
that can be both slowandcan damage adja-
cent work duringtheir application. In hot air
welding, ajet of heated air isused to soften
the materials andweld them together,
applied from a range of tools that are either
handheld or fully automated, depending on
the application.
Membranes are reinforced with glass
fibre sheet or polyesterfabric. These lay-
ersare bonded into the material. The glass
fibre provides dimensional stability, making
it more stable for bondingto the substrate.
The woven polyesterfabric, used in tent
membrane structures, has hightensile
strength to resist wind loads.
TenerifeConcert Hall, Spain. Architect: Santiago
Calatrava.
Details
I.Waterproof membrane
2. Thenmal Insulation
3. Concrete deck
4. Pavingslabs
5. Smooth pebbles
6. Parapet coping
7. Rainwater outlet
8. Opening for overflow
9. Balustrade
10. Pipe or duct
I I. Extemal wall
12. Rooflight
(( r: tiIf( (-r-n
.J.J.J. J J ~ ' ~ ' . J . J J
Vertical section I: 10. Pipepenetration
3-D detail of pipe pentration.
.-: _)
. - J
:-- :,;
~ - _ J
r .J
r .J
~ j
- r '-;
-- .J
- )
r')
' - J
- :J
, .J
@
'0 I ,
Vertical section I: I0 Junction of extemal wall and
roof slab
3-D detail of junction between roof slab and extemal wall.
MCH 247
....----Roofs 03- - - - - - - -
Concrete 2: exposed membrane
3-D detail of rainwat er out let wit hin exposed membrane roof
Vertical section I : IO. Rainwater outlet (ballust ed
met hod)
Verti cal section I : IO. Rainwat er outlet (bonded
method
A t ypical build-up for a single layer
membraneis a concrete deckwith a vapour
barrier set on top, wit h thermal insul ation
above that, sealed on top with a single layer
membrane. PVC-Pmembranes aretypically
I.Smm - 3.0mmthick, while EPDM mem-
branes are typically I.Omm - l.5mm thick.
The mechanicall y fixed method is suit ed
to applications wit h high wind uplift forces,
as bonded systemstend to be limited by
the bondingstrength of t he vapour barrier
to which the membrane is itself bonded
through the thermal insulat ion layer, which
istypically madefrom expanded polystyrene
board. The vapour barrier is loose laid on
the concrete deck andthermal insulat ion is
then mechanically fixed throught his barrier
to the deck beneath. The spacingof the fas-
teners varieswit h the designwind loads. A
separat ing layer of glass fibre sheet is usually
laid onto t he insulation with an outer single
layer membrane. The membrane is mechani-
cally fixed wit h pressureplate bars, similar to
thoseusedin glazed curtain wallingsystems
to hold t he glass in place. Bars form strips of
pressure plateto hold the roof build-up in
MCH 248
place. The pressure plates are fixed by bolt s
at centres along t heir lengthto the substrat e
below.
System details
Membranes can also be secured by
point fixings rat her than by pressureplates.
SO-7Smm diameter rigid plastic discsare
used to hold the build-up in place. Theseare
set at centresto suit the designwind loads.
The closed cell rigid insulation istypically
made in panel sizes of 1200mm x 2400mm
in thicknessesfrom 2Smmto IOOmm.
In t he bonded fixingmet hod t he
exposed membrane of the vapour barrier
is usually bitumen-based andis bonded to
t he deck.Joints betweenthe vapour bar-
rier sheet s are lapped t o avoid any riskof
vapour passingthrought he roof structure
from inside the building. The thermal insula-
t ion ist hen bonded t o t he vapour barrier.
Insulat ion canalso be mechanically fixed
wit h pressure platesto t he concrete deck
beneath. The membrane isthen bonded
to the insulation wit h a continuous layer of
bondingadhesive on its underside. Some
systems still bond the membrane at points
only rat her t han across the entire surface of
the membrane, but this is dependent upon
the wind load and the proprietary system
used.
Bonded membranes have a visually
smooth appearance, making them suit able
where the roof surface is seen from points
around the building. This fixing met hod still
requires mechanical fixing at t he edges, and
around openings such as rooflights.
Membranes canbe bonded or mechani-
cally fixed to parapet upstands. The fixing
method t hat is used on the main areaof
roof is usually continuedon t hesevertical
areas. Wit h mechanical fixingt he pressure
plate canbe fixed either to the upstand
or to the flat roof area. The pressure plate
formsa junction betweent he membrane
sheet forming the upstand andthe mem-
brane sheet of the roof Intermediate pres-
sure plates are applied horizontally on the
upstandwhen its height exceeds around
SOOmm, depending on the specific material
used.
Canary Wharf underground stat ion, London, UK. Architect: Foster and Partners
...-- 0
"
- (2)' I
_,- _ l ~ ~ - - , , - , l _
Vertical section I: IO. Upstand for balustrade
3-D detail of upstand
@
.... """'-- - -,-
I I I I
I ( I
CD -
Y) I
3-D detail of low parapet Vertical section I: IO. Low parapet
MCH 249
Roofs 03
Concrete 3: planted roof
Vertical section I:IO. Heavyplanting. Rainwater outlet.
on a roof accessible to buildingusers, but
are seen from vant age points around the
building. Light planted roofs have plantsand
flowers that require little maintenance and
do not usually have an irrigation systemto
supply wat er at controlled times, relyingon
rainwater and modest amounts of wat ering
during maintenance at specific times of the
year. These lightweight planted roofs suit
a lightweight deck, such asathin concrete
shell , althoughprofiled metal decksare
commonly usedassubstrates. Maintenance
access is provided by the pebble strips at the
roof edges or by individual pavingslabs that
avoid the needto walk across the planting.
Heavy planted roofs permit a wide
variety of plants, shrubs andtrees to grow
on a concrete roof deck. Due to the size
and intensity of the plantingthey require an
3-Ddetail of cill junctioninheavily planted roof
System design
Concrete decksused for planted areas
canbe waterproofed with either a con-
cealed membrane or an exposed membrane
asdiscussed in the previoussections. Planted
roofs are of two t ypes: light planted and
heavy planted. Unlike other concrete roof
t ypes, planted roofs are not always insulated
asthey often form the roof of underground
structures such ascar parks, providinga
planted roof at ground level.
Light planted roofs have resilient plants
that require little or no irrigation, andthat
will grow in athin layer of soil or organic
growing medium. They are not usually used
@
3-D detai l of pipe penetration in
heavily plantedroof
3-D detail of rainwater oultet in
heavily planted roof
Vertical section I:IO. Heavyplanting. Pipepenetration.
Vertical section I: IO. Heavy planting. Cill
junction.
MCH 250
3-D overview of concret e roof with heavy planting
3-D detail of parapetjunction in heavily planted roof
Vert ical section I: 10. Heavy planting. Low parapet.
Laban Centre, London, UK.
Architect: Herzogandde Meuron
automated irrigation system, usually from
pipes set into the soil that provide atrickle
water feedt o the soil at specific timeswhich
may vary duringthe course of the year.
Heavy planted roofs require regularmainte-
nance, provided by paved paths or by areas
of grass.
Both light planted and heavy planted
roofs have drainage layersbeneath the
growingmediumthat hold wat er and
release it backto the plants when required.
This allowsthe soil depth to be much less
than that which would be requiredfor
older landscaping methods, where the soil
was expectedto hold all the water. The
reduced depth of soil allows planting to be
considered for concrete roof structuresthat
would require no significant strengthening to
receive the added weight of soil. Interms of
drainage it isestimated by manufacturers of
proprietary systemsthat 50%to 90%of rain-
fall isretained in planted roofs, but thisvaries
considerabl y wit h local climate conditions
andrainwater drainage provision.
System details
Both light planted andheavy planted
roofs have a similar build-up, comprising typ-
icall y a top layer of planting, wit h a growing
mediumor soil beneath. A filter layer is set
underneath, andbelow this, a drainage layer
andmoisturemat. Beneath this lowest layer
is set thermal insulation if required. Although
planted roofs provide a limited amount of
thermal insulation from the soil, in practice
this is reduced due to the varying amounts
of wat er heldwit hin the soil. A root barrier
is set beneath the insul ation to protect the
Details
I. Light vegetat ion
2. Heavy vegetat ion
3. Soil/growing medium
4. FiIt er sheet
5. Drainage layer
6. Waterproofing layer
7. Thenmal insulat ion
8. Vapour barrier
9. Concrete deck
10. Smoot h gravel
II . Coping
12. Pipe/ duct
I 3. Supply pipe
14. Rainwater outlet
15. Wall cladding
MCH 251
R o o ~ 0 3 - - - - - - - - - - ' "
Concrete 3: planted roof
-@'- -
Section I:IO. Light planting. Rainwater outlet
Section I: 10, Light planting. Low parapet junction
3-D detail of rainwater outlet in lightly planted roof
3-D detail of low parapet in lightly planted roof
wat erproof membrane, that isthe bottom
layer, bonded to the concrete roof deck.
The root barrier is sometimes bonded to
the waterproofing layer, usuall y when the
complete build-up is a single proprietary sys-
tem. To prevent the passage of organic mat-
ter andfine particles into the water drainage
system, a filter sheet is set undemeath the
planting. This sheet is lapped up the sidesof
the planting, where it meets an upstand, to
the level of the planting.
The drainage layer beneath the filter
sheet retains wat er that drainsthrough
the planting. Wat er is retained in profiled
troughs in at ypically polystyreneegg-crate
shaped tray that releaseswat er backto the
planting. This method also perfonnns satis-
factorily on sloping concrete roofs. Excess
wat er is drained away through gaps between
the drainage trays. The egg-cratefonnn allows
aerat ion, pennnitting the soil to absorb the
water stored here. In drier months, water
diffuses up through the soil to the plant
roots. A moisturemat is often set under this
layer to catch wat er that runs off the drain-
MCH 252
age layer. The mat is madefrom a durable
fibre that retains moistureandnutrients as
well as serving as protection to the root
barrier beneath. It is not used in inverted
roof configurations. In inverted roofs, a root
barrier is set immediately below the insul a-
tion to protect the waterproof membrane
fonnning the lowest layer. This layer prevents
planting roots from damaging the water-
proofing. In wannn roof construction, the
wat erproof membrane isset on top of the
thennnal insulat ion, positioning the insulation
wit hin the building envelope. A vapour bar-
rier is set between the thennnal insulation
andthe concrete deck. Inthis configuration a
moisturemat isset between the wat erproof
membrane andthe drainage layer above.
The soil depth in light planted roofs
ranges from 50mmto around 150mm.
Water is stored in the growing mediumand
drainage layer, making it efficient in mild,
temperate climates. Light planted roofs can
be grown on both nominally fiat roofs and
on sloping roofs wit h a pitch up to 25 to
30. Heavy planted roofs have a deeper
drainage layer to provide greater water stor-
age. The soil depth, in excess of 150mm,
requires an automaticirrigation systemto
provide a reliable water supply coverage of
the complete roof
At upstands and eavesthe same princi-
ples apply to planted roofs as discussed in
the previoussections. The waterproofing
extends a minimumof 150mm above the
level of the planting, providing a continuity
from the roof membrane to the fiashing at
the top of the upstand or to the adjacent
wall construction. Upstands for parapets
and door sills, highwallsandroofiights are
fonnned by extending the waterproof filter
sheet and root barrier up to a minimumof
150mm above the level of the soil or grow-
ingmedium. The visi ble membranesand
sheets are concealed wit h thennnal insulat ion,
and typicall y either paving tumed on edge,
as per the paving usedfor adjacent access
paving, or a metal sheet to matchthat of
the parapet copingwhere a metal coping is
used.
3-D overview of concrete roof wit h light (sedum) planting
CD
I , r f
-- - 0
Section I: 10. Light planting. Rooflight upst and
3-D detail of rooflight upstand in light ly planted roof
@
{ , ( , r
(J I'
Section I : 10, Light planting. Pipe penetration .
Section I : I0. Light plant ing. t wo- way outlet
3-D detail of pipe penetration in lightly planted roof 3-D detail of t wo- way outlet in lightly planted roof
MCH 253
Roofs 03
Timber roofs 2: fiat roof: bitumen-based sheet
3-D overview showing t ypical flat t imber roof construct ion with insulation between roof joists.
Section I : IO. Flat roof wit h
insulation between joi sts
-- - - - ,
L
CD
(!) -- -
'0' ,
6
3-D overview showi ng typical flat timber roof construction with rigid insulat ion above roof structure
0 '
Section I : 10. Flat roof wit h
rigid insulation above roof
structure
@
Section I : IO. Low parapet wall wit h drain out let
MCH 254
System design
Flat timber roofs are described as being
in either 'warm' roof or 'cold' roof configura-
tion. Inthe wanrn roof configuration, thenrnal
insulation is set on top of the timber deck,
which isprotected by a wat erproof layer set
onto its upper face. A vapour barrier isset
between the thenrnal insulation andthe tim-
ber deck. The roof build-upisnot required
to be vent ilated asthe timber structureis
maintained at near intemal temperature
conditions. Inthe cold roof configuration the
wat erproof layer isset directly onto the tim-
ber deck. Thenrnal insulation is set beneath
the timber deck, in the voids between the
timber joistsandair isallowed to circulate
in the void to provide vent ilat ion that avoids
the possibility of rot fonrning in the timber.
A vapour barrier is set beneath the insula-
tion, on the wanrn (in winter) side of the
insulation, wit h a dry wall or intemal lining
board set below this. In both wanrn and cold
roofs, the vapour barrier avoidsthe passage
of dampair up into the thenrnal insulation
where interstitial condensation can fonrn that
might damagethe intemal construction of
the roof.
In a mastic asphalt waterproofed wanrn
roof. thenrnal insulation is set on top of the
timber deck, wit h an asphalt layer on top of
this. A separat ion layer is set between the
asphalt andthe thenrnal insulation. A vapour
barrier is set between the thenrnal insulation
andthe timber deck. Inthe mastic asphalt
cold roof configuration, the asphalt is set
CD
(2)
0
0
.------, ,----,
r
CD
~
0)
CD
CD
J ~ CD 0)
CD
CD
ly
(2) (2) (2)
CD
CD
System design
This section discusses flat t imber roofs
that use the common combination of bitu-
men sheet -based membrane as a wat er-
proofing layer in a warm roof. Al t hough
other membrane mat erials are used on
flat t imber roofs as bot h warm and cold
roofs, typically formed in elastomeric and
t hermoplastic memb ranes, their applica-
tion is discussed in the earlier sect ion on
exposed membrane s in concrete roo fs. The
principles of detailing in that section can be
similarly applied to timber roofs. Bit umen-
based sheet can also be used in 'inverted
roof, or concealed membrane configuration
as described in that earlier sect ion where
the detailing is similar, but bitumen-based
sheet is generally less robust than the mem-
branes described in that section. Membranes
Section I : I O. Step in roof
applied to concrete decks are usually laid in
hot liquid form and are reinforced to suit the
specific condit ions of folds and joints occur-
ring within the struct ural deck In this section
t he mat erial is considered as an exposed
and visible material on a relatively lightweight
deck
Bit umen sheet membranes are eco-
nomic, and are often used with t imber roof
decks, which t ogether provide an economic
roof design for relatively small-scale applica-
t ions, or designs wit h a complex geometry
of low pitched roofs, as is often used in
housing and in school buildings. Bitumen-
based membranes have developed over the
past 25 years t o compete with the newer
elastomeric and thermoplastic material s by
increasing t heir flexibility and making t hem
thinner, requiring less materi al, which helps
l
>-
,
,
, ~
,
, ~
Section I:IO. Low parapet wall
CD
I I I '17'\'
- - - - - - 0 - - ~ - -
o
u
3-D view of low parapet wall
CD
_' ' _'_'_1 __
0
1_1_1_'0 __ 1_1 __ '_1_,
-
I 1 I I I
, ,
CD
, ,
- -' (])-
~ .
J
o
o
-<
Section I:IO. High parapetwall Section I:IO. Roof light junction
to reducetheir overall cost. Bitumen-based
membranes can also be used wit h concrete
and metal decks, andthe principles here can
be applied in a similar wayto those roof
decktypes.
Bitumen-basedsheet ismanufactured
in roll form in widthsof around IOOOmm, is
blackin colour, andist ypicall y mixed wit h
SBS (styrene-butadiene-styrene) polymers
or wit h TPO (t hermoplastic polyolefin) poly-
mers. The addition of thesepolymersraises
the meltingpoint which ensures stability in
hot weat her aswell asincreasing the flex-
ibility of the material at low temperatures
(usually in wint er intemperate climates)
and enhancing the fire resistance of the
material. Bitumen-based sheet often hasa
glassfibre reinforced upper face to provide
greater dimensional stability andresistance
to accidental damage, as well as a polyester
reinforcedcore to increasetensil e strength.
Thesesheet materials aretypicall y around
4mm thick, depending on the proprietary
system used. Even with theseadditives,
bitumen-based sheet is slowly oxidised by
heat, makingthe material gradually more
brittle which eventually results in cracks. The
polymer additives reducethis effect, particu-
larly the TPO addit ivesthat helpto increase
the life of the material, which can now be up
to around 25 years. TPO-modified sheet can
be exposedto the effectsof the sun, requir-
ing no additional solar protection, since t he
material provides better UV resistance than
older-type bitumen-basedmembranes. SBS-
modified sheet is usually covered wit h stone
Details
I. MasticAsphalt
2. Plywood sheet or timber boards
3. Separat ing layer
4. Rigid t hermal insulat ion
S. Freestanding timber upstand
6. Vapour barrier
7. Softwood joists
8. Drylining/drywall intemal finish
9. Metal flashing
10. Fasci a
I I. Extemal Wall
12. Expanded metal lathing
13. Rainwater outlet! other penetrations
MCH 259
...----Roofs 03- - - - - - - - - - - - - - - - ---,
Timber roofs I: fl at roofs: mastic asphalt coverings
o
0)
~
Section I:10. Pipe Panentration
3-Dviewof pipepenet ration in mastic roof membrane
chippings or solar reflective paint to protect
them from the effects of the sun.
System details
Where plywood is used to form the
structural deck of ati mber roof, the joints
between plywood boards are usually taped
to provide a continuously smooth surface.
On t imber boarded decks, where t his is not
as practical a met hod, at hin layer of bit u-
men is laidonto the deck, appliedt ypically in
thick liquid form t o seal the joints between
the boards, the bitumen setti ngto form a
smoot h substrate. A vapour barrier is set
ont o the prepared timber deck, the bar-
rier being often bitumen-based as part of a
proprietary system. Rigid closedcell insula-
tion such aspolyurethane is bedded in hot
bit umen onto the vapour barrier t o hold the
insulati on securely in place. A loose laid per-
forated isolat ing layer is set onto the thermal
insulat ion which is used t o allow the mem-
brane and thermal insulat ion to release gases
into the isolating layer which are formed as a
result of bonding t he bitumen t o the insula-
t ion. The bitumen-based membraneist hen
bondedto the thermal insulation through the
holes in the isolating layer.
Resistance to UV radiation isprovided by
either a coating of fine stone chippings or by
aluminium solar reflective paint applied to t he
visible surface of the bitumen-based sheet.
As a result of providing this additional UV
protection, these coat ings have the additional
benefit of reflectingheat, which hasthe effect
of reducing the surface t emperature of the
roof below t hat which would otherwisebe
the case. Solar reflective paint givesthe roof
a metal appearance, which provides a visual
altemative t o the characteristic black colour
of bitumen-basedsheet. Membranes can also
be provided with a solar protection layer
during manufacture as part of a proprietary
bitumen-based membrane system.
Bitumen-based membranesare fixed
typically by either t orching, bonding or
mechanical fixingmethods. Wi t h t orching. a
flame is used t o melt an adhesive layer on
the underside of the sheet so t hat the mem-
brane adheresto the substrate. Sheets are
lapped by around IOOmm to ensure a water
tight seal. Torchesare usually gas fuelled,
suppliedfrom a small canister as part of a
hand-held tool , or are supplied from a large
gas cylinder set onto t he roof to a variety of
tools, either hand-held or wheeled, for larger
scale applicat ions.
Upstands in bitumen-based sheets are
formed by either fixing the sheet to the ply-
wood face of at imber framed upstand, or to
the face of the thermal insulation, depending
on t he configuration of the extemal wall.
Where at imber roof deck meets a masonry
wall, with the concrete block wall being clad
in t imber rainscreen panel s, the bit umen-
based sheet is shownfixed to the face of
MCH 260
..,
;:S
K "
>s::
CD
CD
;:S
Ij
r-
-@ r
:-'"
, , , , ( ,3 I
0 ,
0
><::
."
--,tD'
,
.fE. IJ .-( -'
,
J
CD
CD
a
CD
z
CD :c-
K,
K.
-.
c:
,:.?,
(j)
Details
I . Purlins spanning between t russes
2. Roof covering
3. Strut
4.Ti e
5.Ti mber wall plate
6. Bolted steel connection
7. St eel connector plate
Steel plate connecting timber elements at roof ridge
Typical exposed roof truss
MCH 322
that are spaced apart with secondaryt ies
and struts which linkthe primary members.
Timbers are bolted together using large steel
washers that spread the load imposed bythe
bott head and prevent it fromcrushing the
t imber locally as the connection is tightened.
The exposed steel components are painted
to avoid their corrosion.Timber trusses
can also make use of ties made insteel rod
where they are visible components. Small er
trusses are factory assembled with nail plates
and split ringconnectors as described in the
Materials chapter. Steel trusses can range
froma modest set of angles bolted together
with linking gusset plate connectors to weld-
ed tubular structures that can incorporate
cast node connections to all ow connections
with complex geometries to be formed.
These cast connectors allow the loads to
meet at the intersection of the centreli nes of
members inorder to minimise the diameter
of the tubes. Modest steel trusses use angles
set backto back and bolted together with
gusset plates set between them to all ow
several members to be joined together at a
single node.They are inwidespread use as
economic longspan supports to roof struc-
tures. Larger scale trusses are made from
laminated timber or LVL (laminated veneer
lumber),which resembles plywood inits con-
struction but is made in long lengths.These
materials use similar bolted connections to
smallertrusses, but typically with bigger metal
connector plates.Truss members can be
made fromsingle lengths of LVL, but for high
loads, LVL is glue-laminated to make large
cross-section members,typically square in
profile. Reinforced concrete trusses are usu-
ally precast either as a series of prefabricated
components which are stitched together
Timber truss with steel trussties
Steel ties act as truss in both directi ons alongthe length of the roof
Visitor Centre Koga Iberaki Prefacture, Japan.
Architects: Naito associates
Timber truss with steel truss ties
local bending intruss members,the fi xing of
claddingto secondary supports permits the
use of simple bolted or screwed connec-
tions that avoids any complexity infi xing to
a primary member. The bases of trusses are
set either onto a supporting structural frame
or onto a supportingwall.The wall plate
or purlin joiningthe base of the trusses is
typicall y used to form an interface between
roof covering and the external wall below,
where a gutter is typically required.The
arrangement of purlins is often adjusted to
suit the needs of supportingthe roof cover-
ing, which may range from profiled metal
sheet to traditional roof tiling. Steel trusses
may also have brackets fi xed to the top of
the truss to provide connectors to the roof
covering,typically with the aimof providing a
visual separation between structure and roof
covering.
or as a single completed component.They
are muchless commonly used than those in
timber or steel due to their self-weight. which
tends to reduce the lightness and economy
associated withtrusses.
Interface with external envelope
Trusses are tied together bythe second-
ary members called purlins which connect
trusses together,typically points on the rafter
which intersect wit h other tr uss members,
called node points.The purlins are set on
top of the outer face of the truss in order to
form a support for the build-up of the roof
covering and to makea simple connection
between truss and purlin. Purlins can have an
internal fini sh applied, such as timber boards
or dry li ning inorder to expose the trusses
within t he building, but this varies with the
design of t he tr usses. In addition to avoiding
MCH 323
Siobhan Davies Dance Studios, London.
Architects: SarahWigglesworth Architects
Section th ro ugh shell
I.Timber member
2. Steel rod
3.Steel node connector
4. Doubledglazed unit
The essential concept of the arch is
t o suppor t loads primaril y as compression
forces in the plane of t he str ucture, wit h
abut ments at the base to resist the outward
thrusts generated by its shape. Since arches
exert outward forces at their bases, t hey
require a tie such as a floor slab or beam, for
example.This is quite different to some por-
tal frames , which do not exert such forces at
thei r base points. Consequentl y, a variat ion
to this type is the 'tied arch' in which a ten-
sion member li nks t he base points across
the arch to resist t hese outward thrusts and
control spread ofthe arch.The t hree most
common types used in modern construction
are the rigid arch,the two -pin arch and t he
three-pin arch.These two-dimensional struc-
t ures are linked t ogether in bays with purlins
to form a complet e structure.Alternatively.
the arch concept can be extended into
t hree dimensions as a shell. Both arches and
shells can be formed eit her from t russ com-
ponents, as 'gridshells', which are in increased
use, or as monolithic structu res in reinforced
concrete .
MCH 324
Arches
The rigid arch has no pin joints, but
instead has rigid connections at both base
points.This arch type is generally considered
to be more economical than the two ot her
types, but has bending moments at its base
that are transmitted into the foundat ions,
which may need t o be linked by ground
beams to resist t he thru sts, in the manner of
a t ied arch, unless the ground is suffi cient ly
firmto wit hstand the thrusts wit hout a
beam.The two-pin arch has pin joints at the
abutments only It is more economical in
materia l than the three-pin type and bending
moments are more evenly distributed t han
in the t hree-pin type , minimisi ng the amo unt
of material used.The three-pin arch is hinged
at three points, which are at the apex and at
the two base points. Bending does not occur
at t he pin joints, which behave as pivots or
hinges. Bending moments away from the
pins are greate r than in ot her types.As with
the t raditional masonry arch, there are hori-
zontal thrusts at the supports.Thrusts at the
base of an arch increase as the arch profile
becomes shallower. Bot h t he t hree -point
and two -point arches suit larger spans which
would present difficulties for tr ansport and
handling if made in a single piece.The most
common mate rials used are stee l, laminated
t imber and reinforced concret e.
Shells
Shells are of two generic types;t hose
made from framing members to which clad-
ding is applied and monolithic shell s which
are made either by casting concrete in place
over complex formwo rk or as precast sec-
tions which are stitched together. In both
cases, the loads are carried in t he plane of
the structure wit h the outward thrusts being
taken out at the base. Shells constr ucted
from framing membe rs often have a ring
beam at t he edge to cont ain the effects of
the outward thru sts. Monolithic concret e
types may eit her follow the same principle
or have a continuous abut ment at their base
to deal with the higher loads associated with
concrete. Shells in which the structure and
enclosure are combined in a single form,
3-D vi ew of timber shell structure with tension cable support and double glazed roof
MCH 325
tructure 04
Arches and shells
Section through shell
I , Reinforced concrete
outer shell
2, Concrete edge beam
3. Concrete ribs
4, Steel connectingbrackets
3-Dview of shell structure with precast concrete
panels supported by steel grid structure
Yatsushiro Municipal Museum, Kumamot o Prefuc-
tur e, japan,Architects:Toyo Ito & Associates,
MCH 326
as found inan eggshell , are referred to as
monocoques, Shel l forms vary enormously,
fromthe relatively simple shell vault resem-
bling an extruded arch, to the complex
ribbed structures resembling seashells,
Joints and connections
Arches and shells made fromframing
members (rather than reinforced concrete)
are formed using the pinned and moment
connections associatedwit h each mate-
rial and are illustrated here,An interesting
recent development has been in using a mix
of materials to form shell structures, suchas
those in timber and stainless steel cables or
rods,The mixing of materials has benefits in
economy of weight, allowing forces in differ-
ent members to be matched to a suitable
material. An essential aspect of framed shells
or 'gridshells', with their double curvature, is
the connector node, which is typically made
in steel and which can alsobe usedto sup-
port the roof covering,Where a single mate-
rial is used for the gridshell , such as steel,
node connectors are not required ifregular
cleat and bracket connections can be used
economicallyThis allows the roof covering
to be supported directly on the structural
members, Shells can be supported at their
base on a variety of supports, from columns
to loadbearing walls or floor slabs.The
choiceof support may be related directlyto
the need to provide an economicweather-
tight seal at their junction,though structural
ring beams are often needed to contain the
outward thrust forces,
3-D view of shell structure with precast con-
crete panels support ed by steel grid structure
Interface with external envelope
Monolithic arched structuresand shells
are covered externally in continuous mem-
braneswhere rainwater is collected at t he
base of the structure. Membranes usedvary
from polymer-based typesthat arebonded
to t he structural substrat e,to standingseam
metal sheet ing.
Trussedarchesandgridshellsprovide
the opportunity for transparency, where
glazed roof systems can be used in addition
to metal clad roofs.Where metal is used, a
coveringof sheet metal or metal rainscreen
panel s are used,typically with a profiled
metal substrate serving as a deck, though
the double curvature of the shell can make
it easier to form a substrate from triangles,
which are always flat. Double glazed units
can be supported as clamped glazing sup-
ported at the node connector points, or
alternat ively from a secondary metal frame
alsoconnected at these node points.The
external envelope is fixed in a way which
allows the structural movementsof grid-
shells, which can be higher than ot her types
of roof structure,to occur wit hout damage
t o joint s inthe roof covering.While move-
ment s can be more easily accommodated
in metal roofs, glazed roofs require careful
particularattention to detail to ensure that
the support pointsfor t he glazed units do
not experience significant amounts of move-
ment.Consequently,t he principlesassociated
wit h point fixed glazing are often used, even
where part of the support system involvesa
metal support ingframe.
Yatsushiro Municipal Museum, Kumamoto Prefuc-
ture,Japan.Architects:Toyo Ito & Associat es.
MCH 327
3-D view of space frame st ructure
support ing a glass roof and facade
Plan and section
I. Node connectors
2.Top chords of frame
3. Bottom chords of frame
Space frames andgeodesic domes are
the most well known t ypes of space grid.
They can be regarded, from a conceptual
point of view as being three-dimensional
trusses. One of the earliestspace frames
wasthe Mero systemdesigned inthe 1940s
by Max Mengeringhausen, andis still used
today, though muchevolved from that time.
A development by Konrad Wachsmann
in the I950swas based on the geometric
form ofthe tetrahedron.The space frame
comprises a series of triangulated members
linkedby node connectorsthat, effectively,
form a series of linked trusses in directions
perpendicular to one another.The mate-
rial systemismadeeconomicandfastto
install by using a single nodet ype where
ever possible, though different connectors
may be used at the edges where they meet
the external wall.Somegeometries require
a'family' of connectorsto form complex
shapes, particularly those space frames that
depart from the square, rectilinear format
that has been used until recently. An equiva-
MCH 328
lent of the space frame for curved surfaces
isthe geodesic dome, originall y developed
by Richard Buckminster Fullerin the I940s.
Fullerbelievedthat structures in nature
behave in awaythat internal forces usually
act in the direction of minimum effort wit h
a maximum gain achieved wit h a minimum
of energyinput. Rather than apply this idea
to the form of the plant leafor the animal
shell, Buckminster Fullerinterpreted trian-
gularcrystall ine forms found in nature, using
triangulated frames. Like the space frame
the geodesic dome is essentially a continu-
oustriangulated structure but its geometry
often allows it to be used as a single-layer
structurewit hout the needfor introducing
triangulation into the depth of the structure.
Space grids provide long-span structures
for roofs andwalls. They can take on a huge
variety of forms from vaults to supporting
structuresfor large glazed walls. Deflections
in space frames are small dueto the overall
stiffness of the frame. Steel ismost com-
monly usedbecause of the strength and
stiffness of the material combinedwit h its
comparatively low cost.
Joints and connections
The'base' component of space frames
andgeodesic domescan be considered to
be a square-based pyramid-shaped frame,
assembled wit h rods or tubesconnected
by a single node connector.The early Mero
systems used a spherical nodewit h threaded
holes set into which eight connectors fixed
to structural members formingthe space
framecouldbe connected. Four holeswere
set in onderto allow membersall inthe same
horizontal or vert ical plane to be connected
together, wit h four additional holes at angles
that allow triangulated members formingthe
depth of the space frameto connect to form
the characteristic triangulated shape. More
recentversionsusesquare- andpolygon-
based geometriesto fonm the node connec-
tor, allowingtriangular gridsto be used rather
thanthe square-based versions.The new gen-
eration of nodescan be used for single layer
Eden Project, Cornwall, England.Architects: Grimshaw Architects
Eden Project, Cornwall, England.Architects: Grimshaw Archit ects
3-D view of space frame structure support ing
a glass roof and facade
Details
4. Spherical cast connector
5 Drained and ventilat ed cladding panels (acrylic
roofiights shown)
6. Rubber-based seal
Typical space frame
MCH 329
MCH 330
Eden Project, Cornwall,Architects: Grimshaw Architects
3-D views of space frame structure support ing a glass roof and facade
Eden Project, Cornwall. Architects: Grimshaw Architects
Typical nodes and chords of a space frame structure
Eden Project, Cornwall. Architects: Grimshaw Architects
structures that aremore based on the ideaof
gridshells than space frames, andallowmore
freedom inthe range of angles that can be
accommodated in order to allowmore geo-
metric variation inthe form of the grid.The
design of nodes iscurrentlymoving towards
this preference in design for awider range
of formsthanthat affonded bythe rectilinear
framearrangement.
The essential component of the space
grid isthe node connector.Very simple types
with simple geometries useaflat platecon-
nector to which steel angles arebolted inthe
mannerof atruss. Complex geometrytypes
use a cast or machined nodethat has thread-
ed holes to receive the ends of the threaded
connectors of the tiesandstruts.These form
part of proprietary systems designed by
manufacturers.
Interface with external envelope
An essential advantage of the space
grid isthat cladding panels canbe fixed
directlyto the structurewithout the need
for additional rails or purlins. For glass roofs.
atypical distance of ISOOmm between
horizontal structural membersin the space
frame allows economic sized doubleglazed
unitsof the same size to be used. Where a
profiled metal deskisused. there isgreater
flexibility inthe size of the structural bay. as
the decking can span up to around 3S00mm
with standard profile depths. Roof cladding
or glazed panels arefixed either with lugs
or brackets weldedto the structural mem-
bers. which maybe tubular or rectangular.
Alternatively. the roof coveringcanbe fixed
to the node connectorswhere the node is
designed for this purpose. More typically. the
nodesare used as structural connectorsonly.
Where a rectangular hollow section isused,
cladding can be fixed directlyto structural
memberswithout the needfor welded
lugs, providedthat the potential corrosion
caused by penetrating the tube istaken into
account.
Point fixed glazing isalso suitable for
space gridssince the connectorsfor the
glazing can be fixed directlyto the structural
node. Cladding conditions can vary from flat.
to inclined, to curved, followingthe geom-
etry of the supportingstructureto which
they are fixed. In conditions where the roof
ishorizontal. the roof covering can drainto
gutters set between roof panels, following
the direction of structural membersbeneath.
In conditionswhere the roof isinclined, the
roof covering is drained likea glazed roof,
with water runningacross the roof surface
to gutters at the edges. Glazed roofs in most
geometric conditions useglazing which is
togglefixed or point fixed,with a single
silicone-based seal set flush with the surface
of the glass. in order to allowrainwaterto
run freelyacross the roof.
Junctions between wall androof in
glazed space frames typically use either a
glass to glass joint, or one where an insulated
metal panel isused to form the junction.The
choiceislargely based on design preference,
andthe visibilit y of the glazed edge.
MCH 331
I: cast-in-situ/cast-in-place concrete
Reuters Building,London, UK. Architect: Richard
Rogers Partnership.
<J
;l
- - - - - - - - - ~ - - - - - - - - - - ~ ; ; ; : : : - - - - - 4 - - - - - - ; - - - G l
~ ~ Z
Vertical section I: 10.Typical floor slab build up
GD-------------------gj-------------- -------
a ;l ;lZl
<J (3) <J
The fiat slab isthe simplest type of east-
in-place fioor andis suitable for spans up
to around nine metres. It can be used in a
one-wayor two-way span, approximately
300mmdeep. depending upon span and
loading. In a one-wayspan. steel reinforce-
ment is introduced into the bottom part of
the slab andthe fioor isdesigned to span in
one direction only, likea beam. In atwo- way
slab. the reinforcement is laidin a perpen-
diculargrid sothat the total loadof the fioor
ismore evenly distributedat its perimeter as
the fioor spans in two directions. Reinforce-
ment isconcentrated on the lines between
columns to createbeams connecting col-
umnswithin the depth of the slab.The soffit
isfiat. providinga smooth ceiling and allow-
inga straightforward t ype of formwork to
be used. Providing the tops of columns with
protruding caps where the transfer of forces
MCH 332
is concentrated can reducethe depth of fiat
slabs. These caps provide greater rigidityfor
the structure andreduce the span of the
slab between columns.
Floor spans can be increased economi-
cally from six metresto 15 metresby form-
inga series of downstands in the fioor soffit
to createa ribbed fioor. Steel reinforcement
in the bottom of the ribs makes thist ype of
fioor lighterthan the fiat slab because of the
structurally efficient ribbingbut the form-
work ismore complex.
The two-way coffered fioor slab isa
ribbed fioor for large spans up to around 17
metres in two directions.The hollow coffers
are often used to house lighting andserv-
iceoutlets.The fioor structuregives better
resistance to shearwhen the beams are set
diagonally to the structural grid of columns
but as wit h ribbed fioors,the formwork
must be specially made.
Ground-bearing slabs may be either
reinforced or poured as mass concrete.
depending on the degree of strength and
rigidity required. Where ground-bearing
conditions permit. they are supported
directly by the ground beneath. Where the
ground istoo soft. a suspended fioor isused.
Ground-bearing slabs can be designed either
as a raft or as a slab supported by separate
foundations beneath. Ground slabs are laid
on a compacted base of hardcore(gravel).
which provides a level andwell-drained
base.The hardcoreisblinded with a smoot h
layer of sand onto which islaida damp-
proof membrane(DPM:vapour barrier).
The sand prevents the DPM. usually athick
polythenesheet, from beingpuncturedby
the hardcore.The DPM prevents moisture
rising up through the slab.The concrete is
2.Slab withdownstand beams
Typical in-situ concrete towerconstruction showing
form work ontoptwo floors
Sections through floor slabs
I. Screed
2. Concrete
3. Damp proofmembrane (DPM)
4. Sand blinding
5. Hardcore
6. Earth
poured directly over the DPM. In addition,a
DPM can be laidbetween the concrete slab 3.Oneway spanning ribbed slab
andthe screed.A liquid material is used to
provide a bond to the surface of the slab.This
results in a loss of bond between the screed
andthe slab, and athicker screed (about
75mm) is used.The DPM isjoined to the wall
DPC (damp-proof course: vapour barrier) to
provide continuity of damp-proofing.A DPM
laidon top of the concrete, usually in the
form of a liquid-applied layer. is used as an
alternative where sealing the undersideand
edges of the slab is not practical. Distribu-
tion bars (reinforcingmesh) are set near the
reinforcing bars in order to avoid cracking in
the undersideof the slab due to its beingin
tension under load. Reinforcement usedin
concrete fioors can be either conventional
reinforcement bars or welded mesh fabric.
4.Two way spanningribbed slab
MCH 333
Structure 0
Floor structures 2: precast concrete
3-D deta il of advanced beam and block system using
expanded polystyrene blocks
3-D detail of hollowcore system support ed on steel primary str uc-
ture
Details
I. Concrete block
2. Prestre ssed concrete beam
3. Expanded polystyrene block
4. Structural concrete topping
S. Hollowcore slab
6. Primary stee l structure
7. Struct ural concret e infil
8. Reinforcement t ie
3-D detail of traditional beam and block floor sys-
tem
Precast concrete floors consist of
prefabricated planks or beams connected
together to form a deck. Proprietary systems
provide longer spans than in-situ-cast con-
crete fl oors but they span inone direction
only. Precast fl oors that span two ways have
been developed for specific projects such as
the Richards Medical building shown here,
and go beyond the constrai nts imposed by
standardsystems.
Propri etary systems
The generictypes produced by manufac-
turers are as foll ows:
I. Beam and block, spanningto around 7.5
metres
2. Holl ow core slab, spanni ngto around 12
metres
These are all essentially prestressed
beams, whi ch are stitched together to form
a complete deck. Ends are supported either
on beams or by a loadbearing wall, typically
formi ng part of an overall precast concrete
constructi on, which has the advantage of
a rapid rate of construction.All types can
be lefteither exposed, as is sometimes the
case with parking garage construction, or be
topped with a layer of concrete to form a
composite structure. Openi ngs for service
runs need to be fi xed at an early stage, since
the size and position of openings in precast
fl oor systems is much more constrained than
isthe case for cast-in-place floors.
Beam and blockSystem
Atraditional beamand block floor uses
pre-stressed concrete beams to support
aggregate concrete blocks.The beams are
spaced at various centres depending on the
applied loads and internal plan configu ration.
Beams may need to be staggered or dou-
bled up to support internal walls.
After the blocks have been positioned
a grout consi sting of a mi xture of sand
and cement is brushed across the fl oor to
ensure all joints are evenly fill ed.The use of
expanded polystyrene blocks in the place
of concrete blocks eliminates the need for
additional sheet insulation withinthe fl oor
system. Pre-stressed concrete beams are
placed at 620mmcentres before the poly-
styrene blocksare fitted between them.A
structural concrete topping adds strength to
the system and provides a smooth topping
to which internal fini shes can be applied.
Hollowcore systems
Hollowcore flooring systems use large
pre-cast slab elements supported froma
structural frameto create large clearspan-
ning floor systems.The hollowcore system
can be used with the majority of structural
framing systems incl uding masonry, steel
and concrete. Masonry bearings need to be
inthe region of IOOmm, whereas 75mm is
needed for bearings on steel or concrete.
Holl owcore slabs canspan up to 12
metres and panels are typicall y tied over
supports with a tie reinforcement and
structural concrete infi ll. Holes smallerthan
[OOmm shoul d be drilled on site. Larger
holes can be formed duringmanufacture
and may need steel trimmingsupports.
MCH 334
Richards Medical Research
Laboratories
Richards Medical Research Laboratories,
University of Pennsylvania, Philadelphia, USA.
Louis Kahn.A series of interlocking beams
provides a floor structure whoseexposed
soffit could be clearly articulated as bays
formed by primary and secondary beams.
Thisapproach contrasts wit h that of the flat
slab.
MCH 335
Structure 04
Floor structures 3: steel and steel mesh
3-D detai l of composite floor contruction
Although it ispossible to makean all-
steel floor, in practiceit is structurally inef-
ficient and difficultto provide the necessary
fire resistance, impact resistance and sound
insulation. In addition,the amount of steel-
work fabrication requiredwould makeit
very expensive.The useof all-steel floors is
restrictedto steel grating in areas that are
not requiredto provide fire resistance. AII-
steel floors in sheet and plateare most com-
monly used in industrial buildings.
Steel composite floors
An alternative to precast concretefloors
isto usea compositedeck madefrom deep
profiled steel sheet wit h concrete poured on
top. During construction,the profiled deck-
ingprovides permanent formwork to the
concrete. Since the steel deck requires little
or no temporar y propping when the con-
crete is cast, constructiontime is reduced
in comparison to other cast-in-place tech-
niques.The steel deckand concrete perform
structurally in a composite actionwhere, in a
MCH 336
3-D det ail of completed composite floor
simpl y supported situation,the concrete isin
compression andthe steel isin tension.The
economicuseof thist ype of floor is limited
by its span. Over large distances, the sup-
porting beams becomevery deep,resulting
in an increased floor-to-floor height.
The profileddecking isfixedto the sup-
porting steel beams wit h shear studs which
providethe composite action between slab
andbeam.The concretegripsthe shear
studs, transmittingthe shear forces through
the metal deckto the support ing structure.
The bond between the profile andthe con-
crete is improved by the additional ribbing
on its surface.The profiled sheet can be set
either onto the top flange of the beam or
onto a plate projectingfrom the bottom
flange.The second method reducesthe
overall structural depth of the floor, wit h
a consequent reduction in floor-to-floor
heights; it also stiffens the web of the beam,
increasing its performance.
Composite floor details
I. Concrete to pping
2. Light reinforcing bars
3. Profiled steel decking
4. l-section beam
5. Steel plate bolte d or welded to l-section
6. End fi ller piece to form edge of poured conc rete
Steel mesh floors
Steel grating isused primarily in indus-
trial buildings and on maintenance access
decks in other building t ypes such as offices.
It provides a lightweight, economicdeck
material that allows rainwater to drain off
it immediately, making it less susceptible to
corrosionwhen painted or galvanized. Steel
grating is usedto make structural decks
by making a span between supports up to
about two metres (6ft), depending on the
depth of the grating. The choiceof grating
depends upon the spacing between the bars
andtheir depth. St eel grating ismadeby
one of two processes: welding or pressing.
Lightly loadedsmall panel s are manufactured
by welding flats and rodstogether. Larger
panel s are madeby a process that involves
pressing together rows of notched flat bars
positioned at right anglesto one another to
form a grid.
Vert ical section I: 10. Composit e steel floor - section
throughslab
)
Vertical section I:IO. Composit e steel floor - section
through steel beam
Verti cal section I:5.Steel mesh deck andsupport
Reuters Building, London,
UK. Richard Rogers
Part nership.
Steel mesh detail s
7. Steel mesh
8. Supporti ngsteel st ructure,
typical ly I-sections or channels
9. Fixing bolts
<1 '4
Finsbury Baracks, London, UKArchitect:Arnold & BostonArchitects
(7)
3-D detail of underside of steel meshdeck
MCH 337
/
3-D cut away detail of typi cal t imber floor support ed on masonry wall
MCH 338
Detail s
I. Soft wood fioor joists
2. Softwo od fioor plate
3. Loadbearing wall
4. Floor boards or plywoo d/chipboard
5. St rutting to stiffen floor const r uction
6. Insulat ion
Timber floors areused typically with
either loadbearing masonry walls, usu-
ally in cavity construction, or as part of a
timber-framed structure.A typical floor
for residential use, spanning up to around
3500mm might consist of softwoodjoists
supportedat each end by gal vanized metal
shoes or timber plates.Timber strutsprovide
lateral stability and rigidity. Softwoodboards
aretypically used as decking which iseither
3-D cut away view of atypical timber famed building
with timber fiooring
butt-jointedor tongue-and-grooved.Alter-
natively,thicker boards areused, which have
the advantage of bracing the floor structure
horizontally. Plywood sheet provides supe-
rior stiffening action but itsuse makes access
to the void beneath more difficult. particu-
larly if the floor void isused for the passage
of services. Additional stiffness isprovided
by herring-bone struttingset into the depth
of the floor joists at centres to suit the span
anddesign of the floor.
A recent development has been the
introduction of'engineered joists' intimber
as analternativeto cut timber sections.They
make use of a combination of cut timber
sections and timber composites that com-
binewood or wood fibrewith adhesives.The
main composite materials used inthe joists
aremainly LVL (laminated veneer lumber) or
OSB(orientedstrand board
MCH 339
Structure a
Floor structures 4: timber
3-D details of composite engi neered timber and
steel joists creatingfloor structure
MCH 340
Details
I.Top / bottom cord in timber based
mater ial
2.Vertical support intimber based mater ial
3.Steel connectors forming supporting
web
3-D details of composite engineered timber and
st eel joists creating floor structure
Engineered joistsare of two generic
types,those which resemble the form of a
steel I-beam andthosewhich resemble open
web trusses. The solidjoist I-beam type is
madefrom top andbottom chords in timber
which are connected by a solid web madein
wood-based productssuch as LVL or 05B.
The open web types often have a series
ofV-shaped andtriangulated connectors
formingthe equivalent of truss members
with narrow timber flanges top andbottom
connected by a vert ically set t imber-based
board material to form a structural web.
These V-shaped connectors are madeas
proprietary productswith fixingsystemsto
suit a factory-based manufacturing process
rather than for assembly in a small workshop.
The ideaof theseengineered joists has been
takenfurther by joiningthem into prefab-
ricated floor panel s, also called 'cassettes'.
Theseare madein standard modules to
suit reduced construction time on site, and
where there is sufficient repetition to suit
prefabrication methods. Panels arrive on site
wit h atimber deck andsoffit liningattached,
as well as thermal insulation when used as
panelsfor roof decks.
An advantage of engineered joists is
their ability t o form longer spanst han sawn
timber sections, with spans up to 12- 14
metres depending on the proprietary sys-
tem used. The open web joistsalso have
the advantage of being able to pass service
ductsand cablesthrough the depth of the
floor const ruction, which isan advant age in
mechanically vent ilated buildings. These new
forms of floor construction are finding a use
in commercial buildings aswell astheir use
in the more obviousapplication in domestic
construction. Engineered joists also have
the advantage of using less material than an
equivalent solidtimber joist, which is also
typicall y heavier thanthe engineered t ype.
The lower moisturecontent of the material s
makesit less suscept ible to moisture move-
ment and reducing the riskof squeaking
noises associated wit h timber floors.
Typical joist hanger in masonry wall with engineered
t imber joist
Typical timber floo r construction wi t h masonr y
str ucture .Timber boarding used for st iffness
MCH 341
Q;l CD
81 =r -
Verti cal section:Alternative fixing methods
Glass floors are used to enhance natural-
ly lit spaces by allowing light to pass through
to spaces below.The primary material used
ist ypically either glass sheet or glass blocks.
Where glass sheet is used, laminated glass is
set into a steel frame, givingit as much light-
ness andtransparency as possible. Where
glass blocks are used,they are set into a
supportingframe of steel or concretewit h
reinforcing bars. Each block is individually
supported,which hasthe effect of limiting
the effects of lightness andtransparency.
Economic spansfor glass sheet are cur-
rently in widt hs of one metre, but panel sizes
of 1200mm by 2600mmcan be achieved,
at significantly highercost.The glass is usu-
ally beddedwit hin the frame on a flexible,
Details to glass sheet floors
I. Laminatedglass sheet, single glazed or outer layer
of doubleglazed unit.
2. Silicone seal.
3.Stainless steel angle.
4. Spacer.
S. Silicone bond.
6..Support ing str ucture.
CD
Vertical section: alternative fixing methods
Lerner Hall Student Center, ColumbiaUniversity, NewYork, USA.
Architects: BernardTschumi / Gruzen Samt on,Associated Architects.
MCH 342
3-D detail of glasspanel fioor build up wi t h
stone fiooring and steel supporting str ucture
rubber-based material such as neoprene
or EPDM, or alternatively bonded to the
framewith silicone.This allows the support-
ing structure to move independently of the
glass, as well as allowing eachto move with
thermal expansion. Junctions wit hthe frame
are closed with a silicone sealant. Sandblast-
ing grooves intothe glass can provide trans-
parency and slip resistance. In addition, a
translucent laminated interlayer can be used
to control views throughthe glass. Sheet
glass fioor panels are currently restricted to
relatively low loadings.Supporting structures
can be in either steel or reinforced concrete.
Ifthe supporting structure isconstructedto
the correct height and fall, ifused externally,
then the laminated glass sheets can be bond-
3-D detail of glass panel fioor build up wit h
stone fiooring and steel supporting structure
Educatori um, Utrecht Univer sit y, Holl and. Architects: Rem Koolhaas.
Office for Metropolitan Arch itecture .
MCH 343
tructure 04
Floor structures 5: glass
3-D det ail of glassblock floor build up with typical steel suppo rti ng struct ure
3-D detail of glassblock floor build up wit h t ypical steel supporting structure
MCH 344
Okanoyama Museum ofArt, Hyogo, Japan.
Architects:Arata lsozaki &Associates
3-D detail of glass block
floor build up with typical
steel support ingstructure
ed directly to it rather than setting them into
a steel sub-frame. Steel frames to support
the glass useT-sections in order to provide a
bearing for the glass at the top, but avoid a
bottom flange to the support ing beamthat
would makethe frame appear wider.
Glass bl ockswith textured or ribbed
surfaces are often used as they have good
slip resistance.Thi s type of construction has
a high resistance to shock, and is capable
of very hi gh loadings. Because each glass
block requi res support, the number of june-
tions inthe frame becomes very high. Since
joints inmaterials are usually expensive to
form inrelation to the cost of components,
junctions are kept as simple as possible. For
this reason,frames are often made as cast-
ings,where the material is poured in place
to form a frame. Cast iron, cast steel and
reinforced concrete are commonly used.An
advantage of concrete isthat it can be cast
directly against gl ass blockswhich become a
permanent formwork. Reinforcingbars are
laid ina grid in the joints between the blocks.
Details to glass block floor
I, Glass blocks
2, Mort ar joints
3.Junction between adjacent
concrete floor and frame to glass
blockfloor sealed with rubber-
based strip
4, Steel frame
3-D detail of glass block
floor build up with typical
steel support ingstructure
I"1CH 345
Structure <l
Stairs I: concrete
Details
I. Guarding
2. Handrail
3.Staircase
4.Treads projecting from concrete wall
5. Cast-in-place staircase
6. Precast staircase
Part elevationof concrete cantilever stair
3-Dview of cantilevered concrete stair
Concrete stairs have the advantage of good
fire resistance combinedwit h the ability to
absorb impact sound. Concrete can be used
in conjunction wit h both steel and concrete
structures. Stairs can be of cast-in-place or
precast types, but the type usedmust be
compatiblewit h the overall t ype of con-
struction used.
In situ cast concrete
In sit u cast concrete stairs are madeby
settingsteel reinforcement into reusable
steel or timber formwork. A screed isadded
afterwards to provide a smoother andmore
exacting finish to the exposedsurfaces.The
screed can be used as a self-fini sh, when
used internally, but the dusty natureof con-
crete walking surfaces often leadsto the use
of floor paint, or polishing the concrete, or
insertingtreads in another material such as
timber.Where the screed isused as a self-
MCH 346
finish, anti-slip nosings are added.They can
be recessed or surface fixed.Where the stair
is exposedto view,the formwork into which
the concrete is cast has to be designed and
built carefully to reflect the quality of the fin-
ish demanded.
The junction at stair landings is often
designed to createa single arris lineacross
the soffit.This allows handrails on different
flights to be properly aligned, achieved by
offsetting flights by a distance equal to one
tread widt h.
Precast concrete
Precast stairs are manufactured either as
completeflights, sometimes wit h a landing
attached to one end,or as individual treads
which are fixedtogether on site. Precast
stairs are used primarily where there is a
large number of stairs of the same design
usedin a single project,andwhere a short-
er construction time isan important factor.
These stairs also assist in the construction
process itself by providingconvenient
access.This isparticularly important if the
design of the stair is complex, where the
cost of precast staircases can be consider-
ably more than the cast-in-pl ace type.
Guardrails
Guardrails on concretestairs are most
often pre-fabricated in parts,t ypically in
steel, andthen grouted into slots or holes
drilled into the sides or treads of the stair.
Alternatively, t hey can be fixedto the side
of the stair wit h steel brackets. Handrails in
metal are eit her integral wit h the guardrails
or fixedto an adjacent wall.
Tadao Ando concrete staircase
Cast-in-situ stair
u:
Plan viewof stair
r
r
r
r:
r
r
Precast stair with individually cast treads
Tadao Ando concrete ctaircase
I
I
r
I
o
/
/
/
3-D view of precast concrete stair
MCH 347
.z -.
.6
CD
/_-
Jc
0
' . : . . . . ~
(6)
-eB ".
0
\
I
Vertical section 1:50 through treads
3-Dview of steel stair
3-Dviewof steel stair
3-Dviewof steel stair
Strudure 0
Stairs 2: steel
Steel stairs have the advantage of being
lighter in weight, allowing them to be prefab-
ricatedanddelivered to siteas completed
sections of flights and landings.They can be
lifted into place more easily than concrete
stairs, but lackthe highfire resistance asso-
ciated with that material.There aretwo
generic types, with either treadsas plates
set between stringers, or with folded sheet
set between stringers. In addition, spiral
stairs in cast iron and steel are available as
proprietary products in a range of standard
sizes. These comprisea central post to which
radiating treadsare fixed.
Flat plate type
Stairs with plateset betweenstring-
ers are madeby bolting or weldingtreads
formed from either smooth- or checker-
plate. Stringers, which form the beams at the
sides of the stair, are usually madefrom steel
channel, which provides a straight vertical
face to which the treadscan be fixed.The
position of the treadswithin the depth of
MCH 348
the stringeris critical in order that stringers
can be aligned neatlywhere they intersect at
landings. Boltedor welded connections are
madeto be sufficiently stiff sothat the stair
does not rattle or experience anysignificant
movement while in use. Depending on their
width, treads may needto have either their
edges foldedto providestiffness which can
accommodate an additional finish such as
a decorative timber tread, or formed as a
compositesteel tray with a concretefill. An
alternative method of stiffening treads isto
weld a vertical steel plateto their underside
to form aT-section.
Stairs can be formed by foldinga steel
sheet and supportingit, either on stringers
set at the sides or by a single central stringer
set beneath the plate. The inherent rigidity
of the folded sheet allows a wide range of
economic solutions for the arrangement of
the stringers. As with the fiat platetype, the
assembly can be either bolted or welded,
and decorative inserts in other materials
such as timber can be added. Both stair
types can be finished in a varietyof coatings
from galvanizing to painting to polyester
powder coating. Softer coatings such as
PVDF are rarely used dueto their poorer
wearing qualities. In additionto visual consid-
erations,the choiceof finish isdetermined
by the requireddegree of durabilityand
appearance.
Guardrails
Steel guardrails are prefabricated but are
not often fixedto staircases before delivery
to sitein order to make the stair both easier
to install andto make it easier to align the
guardrails with adjacent walkwaysor enclos-
ingwalls. Guardrails are usually finished
before delivery to site. If a paint finish is used
the guardrail will at least be prepared and
primed before arrivingon sitewhere finish
coats can be applied after its installation.
CD
Ted Baker Building, London, UK,
Architect: Matthew Priestman Architects
3-D view of folded steel plate stair
School of Decorative Crafts, Limoges
France,Architect: Labfac/ Finn Gepel.
Nicolas Michelin
9, RHSbox section
10, Balustrade
I I, Folded steel plate t o form
continuous tread and risers
12, One stringer wit h project-
ing armsto support t reads/
risers or two stringer sets
near edges of stair
CD
Detail s
I , Guarding
2, Handrail
3.Steel stringer
4,Tread
5, Insert s, typically t imber or
concrete, set onto steel plate
6, Steel channel
7, Landing in steel plate
8, Steel platedeck
3-D elevation
Steel stair,City Hall London
Horizontal section
Vert ical sect ion
CD
- ,
CD 0 L.G)
CD
MCH 349
~ - r r r ~ - -
1
'"
0)
/ /
/ i
y
0) G)
/ -
CD
,,-
G)
- ~
T
~
iI
r
,
,,-
"
Patio Houses, Esposerde, Portugal,
Architect:[oao Ferriera Alves
Vertical section I:I0 throughtreads
3-Dview of stairtreads
V
',
~
/
G)
CD
/'
Vertical section I:10& I:50 through stair
House in Cappeco,Viana de Castelo,
Architect: [oao Ferriera Alves
An advantage of timber staircases isthat
they can be integrated easily into adjacent
t imber construction and can be modified
easily on site ina waythat isvery difficult to
achieve inan equivalent steel or concrete
construction.Timber stairs consist of string-
ers or carriages, which support the stair, to
which treads and risers are fixed. Several
carriages may be positioned between string-
ers as loading demands. The stair isgenerally
delivered to site as a complete structure
secured with t imber wedges,which avoids
the need for visible fi xings. Relatively small
piecesof t imber are used.The thin timber
sectionsare prone to shrinkage and creep
unless they are locked together. Because
timber stairs havepoor fire resistance,
they are often restrictedto residential use.
Treads and risers are fixed together with
tongue-and-groove (or rabbeted) joints that
provide a tight fit and avoid creaking when
t he stair is inuse. Both treads and risers are
fi tted into rebated slots cut into the string-
ers where they are wedged to providethe
correct alignment of treads.Trimmer beams
are sometimes added at the top and bot-
tom of t he staircase to stabi lise the staircase
and provide fi xing pointsto the adjacent
floors, which are typically alsoof timber
construction.An alternative approach isto
use heavytimber sectionsto formstaircases
t hat resemble those in steel.Steel brackets
that are bolted intothe t imber sections
connect the stringers and separate treads
together. They can easily accommodate steel
guardrai lswhich are bolted through the large
stringersections.Timber guardrails follow the
tradit ional use of balusters at close centres,
typically set IOOmm apart.The lack of large
structural members intimber stairs makes
the use of balusters at wider centres,as used
insteel or concrete construction, lesssuit-
able.Timber connectionsare more fragi le
than those instee l; they must alsoaccom-
modate more movement due to moisture.
Balusters at close centres allow imposed
loads on the guardrai l to be spread evenly
alongthe length of the stair stringers.
House West London, UK.
Architect:Seth SteinArchitects
G:
I
MCH 350
3-DViewof timber stair
Details
I . Handrail
2. Balustrades
3.Timber beam
4.Tread
5. Carriage
6.Wedge
7. Bracket
8.W all
9. Riser
I O. Newel post
I I. Trimmer joist
3-D view of timber stair
Verti cal secti on
Horizontal section
Vertical section I: I 0
t hrough handrail
Handrail detai l
3-D view of timb er stai r
Verti cal section
Horizontal section
MCH 35 1
CD
/
,//
CD
[
CD
CD
(0
J '
CD CD
CD
CD
-
CD
CD
CD
CD
(0
CD
CD
(0
3-D view of glassstair
Vertical section I:50
Stairs with glass treadshave the advan-
tageof transparency. allowing light to pen-
etrate down the stair enclosure.The glass
used isusually athick laminated glass which
can be madeof two sheets of float glass
with athin interlayer. or toughened glass with
a more robust interlayerthat stays in place if
the two toughenedsheets are broken. Glass
treadscan be supported either within a steel
tray which provides support on all edges. or
betwo edgesupported.An alternative isto
bolt fix the glass using techniques taken from
their primary application in glazed walls. This
method allowsthe stairto be suspended
from cables, a techniquestill in the early
stages of use. The tread assemblies arethen
usually supported by steel stringers. though
concrete canalso be used.
Where glass treadsare set wit hin a steel
supportingtray, the laminated glass sheet is
set directly onto a silicone-based bedding.
In additionto holdingthe glass in place.
MCH 352
the bedding provides both a cushion anda
method of ensuring that the glass isevenl y
supported along all the edges andisfixed
level. An additional weather seal is used on
the sides of the glass betweenthe glass and
frame. if the stair isto be used in external
conditions.Treads often have a surface treat-
ment to provide slip resistance. Sandblasting.
etching or the addition of a carborundum
coating. typicall y in strips, isused for this
purpose.
Guardrails
All-glass, or structurally glazed. balus-
trades can be constructed wit h sheets of
toughenedor laminated glass and used wit h
a stair built in another material.They com-
prisesheets of toughened or laminated glass
fixed at floor level wit h either a clamped
platesecured by bolts or by bolt fixings
directly through the glass. The glass must be
sufficiently strongandrigidto span vert ically
wit hout additional vertical support.A 12mm
thick sheet ist ypically used.A handrail can
be added by introducing a rebate into the
handrail section and setting it directly onto
the top of the glassguardrail. An alternative
method isto form a guardrail from steel
posts that support a handrail. wit h laminated
or toughened glass sheets used as infill pan-
els.The glass can be fixed wit h clamps or be
bolt-fixed backto the posts. Glass sheets
are set with a vertical gap of around IOmm
betweenthem which isfilledwith atranslu-
cent or transparentsilicone seal.
Detail s
I, Glass balustrade fixed at
base
2, Stainless steel handrail
3.Steel stringer
4, Glass treads, typicallysand-
blasted to provide fricti on
S, Steel tube support frame
6" Steel angle
7, Glass landing in steel plate
Glass stair in Apple store, Regents Street London, UK, Architect: Bohlin Cywi nskiJackson
,I CD
3-D vertical section through glass landing
CD
CD
3-D vertical section throughglass landing
Vertical section I: I0
Vert ical section I: I0
0)
3-D view of glass stair
---
3-D plan view of glass stair
MCH 353
ENVIRONMENT
Energyand the building envelope
Double skinfacades
Environmental studies for envelopes
Analysis for design
I Solar radiation
2 Daylight
3 Embodied energy
Passive design
I Natural ventilation
2 Solar shading and
Daylight controls
3 Solar power
4 Solar heating
Low energy material systems
I Straw bales and hemp
2 Rammed earth, cob
and adobe bricks
3 Green oak and bamboo
4 Green walls
Active design
I Liquid based heating/cooling
systems
2 Mechanical heating/cooling
systems
3 Electrical lighting
4 Fuel and water supply
Support services
I Sanitation and drainage
2 Fire control
3 Maintenance and cleaning
4 Lifts
MCH 355
Environment 05
Energy and the building envelope
Studies for a moveable shading system
Rendered studiesof shading devices at different times of day / year
Cultural Centre at Noumea.
Architect: Renzo Piano Building Workshop.
---
.
MCH 356
Thischapter discusses environmental design
in terms of passive andactive methods
that can be used to modify environmental
conditions wit hin a building.Active controls
are provided mostly by mechanical vent ila-
tion systems that are usedto heat, cool and
vent ilat e spaces. Passive controls can be
provided by natural vent ilat ion, by the useof
the building fabricasathermal mass to slow
down the rate of heating and cooling, andby
solar shading or passi ve heating.A combina-
tion of thesemethods helps to reducethe
energyconsumed by buildings in use.
Fifteen years ago, combinations of struc-
ture andcladding were generally limited to
the useof materials that were constructed
either from the same base material (either
steel, concreteor timber) or from materi-
als havingcompatible amounts ofthermal
movement.Today, the useofthe thermal
mass of the structure, andmaterials wit h low
embodiedenergyhave ledto a muchwider
range of structure/cladding combinations.
While thermal andstructural movement was
the mainissue in detailing fifteen years ago,
the ideaof 'energy' is considered important
today anddetailing becomes more complex
in response to thesechanging priorities.
Until recently. the expression of struc-
ture andconstruction (particularly of joints)
was considered one of the primary archi-
tectural intentions in cladding design.This
situation isslowly changing. More buildings
are clad externally wit h insulation, where the
rainscreen panels that conceal it from view
have both awaterproofing anda decorative
function. Rainscreens are a recent develop-
ment that allows a simplified approach to be
taken to movements in the primary support-
ingstructure of the building.A continuous,
uninterrupted appearance can be achieved
with a consistent gap between panel sthat
extend across movement joints in the build-
ingstructure. Both movement joints and
breaks inthe constructionneed not be
'registered' on the facade.Joints canbe reg-
istered on the facade but they serve only as
a decorative device.The real movement joint
concealed behindthe panel can be achieved.
A notableexample isthe Cultural Centre
at Noumea, designed by the Renzo Piano
Solar radiation incident on a building's facades.
Analysis of solargain througha facade.
University of Northumbria,UK.
form more efficiently in generating electricity
when inclined towardsthe sun. The first
large photovoltaicpanel installation isat the
University of Northumbria in England.The
output of electrical power fiuctuates wit h
changing weather conditions. For this reason
the building is supplemented by a conven-
tional electricity supply. Operating periods
range from fifteen hours per day in May
to eight hours inJanuary. The installation is
expectedto pay backthe energyused in the
manufacture of the cells within three years,
then produceelectricity for a further twenty
years.The electricity generated isexpected
to meet 50%of the building's needs in sum-
mer and 10% in winter,averaging around
30%over a year. The cost of generating elec-
tri city through photovoltaicmeans isabout
four timesthe current commercial rate.
SHADING SYSTEM
PROVIDES
PROTECTION f ROM
SUNLIGHTENSURING
GOOD DAYLIGHT
PENETRATION
ingt he dayt hanwill a lightweight structure
with low thermal capacity such as steel.A
considerable amount of research into the
effect on t hermal mass performance due
to different slabconstruction methods was
recently published.Where t he contribution
of t hermal mass isto play a part in the inter-
nal environmental strategy, the preference
for exposed concret e soffits is part icularly
important giventhat external wallstend to
have a high percentage of fullyglazed walls.
In addit ion,during winter mont hs, natu-
ral ventilat ion can be used t o redistribute
heat stored in the building structure to help
keep t he building warm at night.There are
a number of proven methodswhereby
thermal mass is used to exchange heat wit h
vent ilating air st reams.These are generally
mechani cally driven due to the airflow resist-
ance normallyencountered.This approach
can be viahollow core pre-cast slabs as used
on the lonica building in Cambridge, England,
whichare linkedt o form concrete looped
passages to optimise heattransferbefore
supplyingthe air t o the occupied zone.
lonica Building, Cambridge, England.
MCH 377
Environment 0
Passive design 2: daylighting and solar shading
Details
I. Fixed ferro-cement louvres
2. Glazed rooflights
3. Support trussesfor louvres
A space wit hin a building lit by natural day-
light produces about one tenth the amount
of heat created by anequivalent incan-
descent lighting installation andabout one
half of that of a discharge lampinstall ation.
This, along wit h the desireto offer greater
naturally lit space, has led to the increased
useof daylight as part of the drivetowards
reducing the in-useenergy costs associated
wit h mechanical cooling. In addition,there
has beena move away from reflective glass
andbody-tinted glassto increased transpar-
ency and admission of daylight. Increased
daylighting can increase the problemof glare.
Viewing two highly contrasting levels of light
at the same time causes glare.The huge
increaseinthe useof computers in buildings
and the need to see monitor s clearly has
CarterlTucker House,Victoria.Architect:Sean Godsell madethe problemall the more important.
Conventional solar shading, which projects
horizontally from the wall plane reduces inci-
dent solar radiation and therefore reduces
heat build-upin glazing, but it only reduces
glareto the extent that it obscures part
of the bright sky. It cannot obscure the sky
at the horizon, nor can it deal wit h bright
reflections from objects at eye level.These
two sourcesof glare are particularly char-
acteristic of very open environments. Glass
treatments such asfritting,silk-screening
and sandblasting merely diffuse brightness
and can even make the problemworse.
The solution requires the introduction of a
mechani smto control overall light transmis-
sion andtherefore light intensity, thus ena-
bling a reduction in percei ved contrast.
MCH 378
Wit h increased daylighting,there is often
an increased amount of solar gain particu-
larly on those facades facing the sun.This has
brought the issue of solarshading into sharp-
er focus. Even facades wit h low percentages
of glazing ( I0 - 40%) are increasingly using
solar control devices instead of relyingheav-
ily on mechanical cooling. A popular method
of solar shading has beenthe use of exter-
nally mounted canopies and screens.A vari-
ety of horizontal continuous canopies, verti-
cal blinds, fixed louvresand movable screens
isused. External shading hasthe advantage
of both controlling the passage of sunlight
andreflecting heat awayfrom the sun out-
side the building envelope.The positioning
of solar shading inside the building envelope
results in some of the heat being reflected
backout of the building, but more than 50%
isradiated into the building, providinglittle
advantage in controllingsolargain.Although
external shading provides better reduction
of solar gain than an internal fixedt ype, the
components will require cleaning andmain-
tenance.This has ledto the increased useof
access decks or walkways, which also provide
a degreeof horizontal shading. However, this
method imposes a high maintenance budget
and commitment on the building occupiers.
An alternative solution isto set the shading
behind an outer glazed wall such as a rain-
screen, which draws radiated heat directly
away from shading components prior to its
reaching the inner glazing.This heat gain can
be drawn awayby natural vent ilat ion, when
external air temperaturespermit, or by
mechanical means.
The Menil Collection Museum, Houston, USA.Architect: Pianoand Fitzgerald.
I
Solar shading and daylight controls
Shading devices used to control solar
gain andthe admissi on of daylight fall into
two generic t ypes: 'integrated' shading and
'applied' shading.
'Integrated' shading uses components
set wit hin the depth of a cladding panel.
One of the most technically sophisticated
examples isthe Institut du MondeArabe in
Paris, designed by a team led by the architect
Jean Nouvel.The principleis based on pho-
tographiciris diaphragm aperture control,
aninst rument that precisely controls the
intensity of light, andthis was used in glazed
cladding panels on the south facade. A set of
computers respondsto direct solar radiation
by operatingshutters in each panel.These
shutters control the amount of sunlight
enteringthrough the south facade of the
building. Thisallows both the admission of
daylight and solargain to be closel y control-
ledwit h a single mechanism wit hin the clad-
dingpanel itself More typical examples use
motori sed blinds set wit hin a sealed glazed
cladding panel.
'Applied' shading sets components as a
separat e layer to the (usually glazed) weat h-
erproof layer. A t ypical example isthe Menil
Museum in Houston,Texas. designed by the
Renzo Piano Building Workshop. Daylight
baffles, which also provide solarshading, are
madein a lightweight concreteconstruction,
mounted beneath the glazed roof. Besides
controllingthe amount of daylight anddif-
fusing it,the white-finished louvre blades are
shaped to reduce internal temperature vari-
ationsfrom solar radiation.Their horizontal
tops reflect heat but allow light to reflect off
the surface andinto the spaces beneath.A
more modest approach to applied shading is
the 'light shelf principle, a horizontal reflec-
tive shading device that projectsthrough the
facade both to shadesunlight and reflect
light off its upper surface andacross the
adjacent ceiling.This helpsto even out day-
light levels wit hin deep spaces wit h a shallow
floor-to-floor depth that requiregood natu-
rallight , such as in officebuildings.
This 'layered' approach is used in the
Bibliotheque Nationalein Pari s,which fea-
tures all-glass facades.The project team, led
by Dominique Perrault, tackled the problem
by introducing a fine metal meshon an inde-
pendent frame offset from the external face
of the glassViewsare maintained through
the light veil of stainless steel which creates a
gentle hazyquality internally.The mesh mate-
rial providesatextured and sparkling surface
externally, which complementsthe smoot h,
reflective appearance of the glass skin.
Other recent examples include the Berlin
Velodrome also designed by Dominique Per-
rault andthe Euralille Commercial Centre
at Lille by Jean Nouvel. In order to facilitate
glass cleaning, mesh screenscan be placed
at a distance from, or tilted away from the
planeof glazing. Alternatively,the screens
can be designed to unclipfor easy removal ,
or canbe motor-controlled in an overhead
or roller-shutter format.
MCH 379
nvironrnent 0
Passive design 3: solar power
----
, .
, .
: ~ ~ : : :
:!:!:!!!
a ,
1
WI
a
1
. .
. .
: : : : ! ! ! ! ! ! !:
Government Training Centre, Herne-Sodingen, Germany. Architect:Jourda Perraudin.
Photovoltaic panels
Photovoltaic (PV) cells are used to
generate electricity from sunlight.The power
generated isthen used inside the building
to cont ribut e to the electrical demands of
the building and, in some cases, the power
generated can be sold backto the electric-
ity supplier. Electricity isgenerated in arrays
of cells set in panel s on roofs andfacades.
The orientation of panels is important.Those
inclined closeto the horizontal produce
more electricity annuallythanthoseinclined
vert ically. Panel s are set as close as possible
to the angle at which the most amount
of electricity isgenerated over a one year
period,t aking into account the varying path
of the sun duringthat period andthe effects
of diffused solar radiation. Panels comprisea
glass substrate coatedwit h tin oxide, form-
ingatransparent electrode, which is covered
wit h layers of silicon together wit h a coat
of aluminium film, which forms the other
electrode. Particles of ultraviolet light called
photons interact wit h electrons in the semi-
conductor to convert sunlight into direct
current electricity. PV cells are of three t ypes:
multi-crystalline, which produces the most
MCH 380
University of Northumbria.UK.
amount of power per unit area, mono-crys-
talline, which produces less but is cheaper;
andthe thin filmt ype which iscurrently
madeonly in one fixed panel size but which
isyet cheaper' andcan be fixed into a glazed
walling system.
The photovoltaic process has the advan-
tageof requiringno movingparts. It requires
no fuel andneeds relatively little mainte-
nance.The amount of energyrequiredto
manufacture the PV cells anddeliver them
to siteisestimated by manufacturers to be
equivalentto the amount of energydeliv-
ered inthe first three years of use; the PV
installation will continueto produce power
for the next twenty years or more.
A sampled photovoltaic panel
installation
An early large-scale PVinstallation, from
which a relatively long performance has
beenrecorded, isat the University of North-
umbria in England.The output of electrical
power fluctuates wit h weather conditions
andit isnecessary to supplement the supply
wit h electricity from conventional sources.
Daily operatingperiods range from fifteen
hours in May to eight hours inJanuary. It is
estimated that the installation paid backthe
energyused in the manufacture of the cells
wit hin three years, andis still expectedto
produce electricity for a further 20 years.
However; the cost of generating electricity
is about four timesthe current commercial
rate.The PV cells are integrated into the
facade wit h a rainscreen cladding system.The
cladding is inclined at 26 to the vert ical, also
providing passi ve solar shading. Ventilating
the void behind the panel disperses heat, a
by-product of the photovoltaicprocess.
Here,the array of PV cells is divided
into a series of units 3.0x 1.36 metres. Each
panel is demountable for ease of mainte-
nance or replacement.The cells are bonded
to an extruded aluminium frame wit h
structural silicone. Excess electricity can be
exported to the electricity supply company.
The electricity generated meets50%of the
building's electricity needs in summer and
10%in winter; which averages out at 30%
over a one-yearperiod.
Details
I ,Window
2, Photovoltaic panel
3.Supporting frame
4. Structural wall
5. Fl oor construction
MCH 381
Environment 05
Passive design 4: solar heating
----.
Solarchis Solar Houses, Japan.Architecture
Studio and Maeta Concrete,
Solarheating systems consist of collector
panels that absorb heat from solarenergy
to warmcirculating water. Heat absorbed
bythe water is transferredto a storagetank
bypumping or when positioned above the
collectorthe two componentsform a ther-
mal circulating system. In the latter case.the
thermo-siphon effectof water movement is
created bythe density difference between
hot and coldwater. The heated water isnor-
mally usedto exchange heat with a build-
ing's systemwater, which isthen distributed
aroundthe building as required for either
heating water or as domestic hot water. The
amount of heat generated issignificant and
whilst it is currently suited to climates that
have abundantsunshine for much of the year,
the performance efficiency has developedto
the extent that Northern European states
canalso benefit.
Collectorpanels should ideally be ori-
entated to face south and in the UK, they
should be angled at 45
0
from the horizontal.
Panels traditionally consisted of sheets of
clear high light transmission glass that allows
maximum solar radiation penetration, trap-
MCH 382
ping this radiation to be absorbed bythe
receiver surface. This surface isa copper
base platethat transmits the heat to a con-
tinuous pipefixed to itsrear face. The pipes
are enclosed in thermal insulation to reduce
heat loss to the air. The most populartypes
of panels currently in use are: a) flat plate
collectors, b) vacuumflat platecollectors
and c) evacuated tube, (the latter being the
most efficient over a typical annual tempera-
ture/solar radiation yearly profile. whilst the
addition of a vacuumvoid to flat platecol-
lectors significantly improvestheir efficiency).
Solarabsorbers have been usedfor
many years to provide warmwater of up
to 50
0C
for swimming pools.They consist
of special solarabsorbing high-grade rubber
matswith integral water flow channels for
circulating the pool water. They canalsobe
used for domestic warmwater supply.
A recent example isthe Solarchis Hous-
ing System in Japan, set up bythe Solar
Architecture Studio and Maeta Concrete
Industry Ltd. Demonstration houses built
in theYamagata Prefecture, Japan, use roof-
mounted solarwater heaters in conjunc-
tion with a photovoltaic array on the roof
and a wall construction withhigh thermal
mass internally and thermal insulation fixed
externally. The Iyama House has a solar
water heater installed in a transparent roof
that producesdomestic hot water at 50C
in a 300 litre storagetank. Food iscooked
mainly by a solar steamcooker with the sup-
port of an electromagnetic induction heater
which uses high-temperature solardomestic
hot waterfroma 20 litre storagetank.The
House of the Sun (above) has a system of
evacuated tubularsolarcollectors heating
water stored in a 300 litre tank.The cooking
systemissimilar to that used in the Iyama
House.
Devices for obtaining hot water directly
from solarenergy have been in develop-
ment since the I850s. An early example
was a boilerand power plant for water
pumping built near Cairoin 1913. It con-
sisted of fi ve long parabolic mirrors.each
4.2 metres wide by 62 metres long. Steam
was producedat slightly aboveatmospheric
pressure and usedto drive a 20hp water
pump. It was abandonedduring the First
Daggett SolarFarm, California, USA.
Sunlight at
summersolstice
PV power generationand
solarhoi water supply
I
Sunlight at the
wintersotstice
~ ~ ~ , . : . , ~ . .
Concrete panel : ' '
(heat-conclucting facing)
Pressure-tight concrete board
Heat absorption
D-D-D-
Coldstorageinthe concrete structure
Heatinsulatingmaterial
il.=========!JJ Ij- -
SUMMER
WINTER
WorldWar. Modern solarfurnaces still use
a similar system of mirrors. Recentdevelop-
ments, prompted bythe space programme
in thermo-electricity and photo-electricity,
are used both to run water-heat ingsystems
and to generate electricity. Only a few large-
scale solarfurnaces have been built.The
10.5 metre diameter mirror and heliostat at
Montlouis in the French Pyrenees are used
for research into materials at hightempera-
tures rather than as an economic source of
heat.
A recent installation isthat at Daggett
SolarFarm, California, USA where electricity
is generated from an array of parabolic mir-
rors, arranged in long rows,that heat liquid in
pipesset intothem.
MCH 383
Environment 05
Low energy material systems I : straw bales and hemp
. 0
ModCell Panel Module
ModCell isbased on a
3 bale wideby 8 bale
high standard module.
A typical panel isap-
prox 3.2m x
2.9 m x 510mmunit.
3-D view of modularised componentsthat can be createdusingthe modCell system
Details
l .Timber frame
2 Straw/hemp/paper bales
3.Steel rods
4.Openings for windows
doorsetc.
5. Lime based render (applied
over bales)
Key uValuedata
ModCell Straw450mm0.1 3
ModCell Hemp 300 mm0.26
ModCel1 Hemp 500 mm0. 16
ModCell Paper200 mm0.1 6
Building RegsCavityWall 0.35
ModCell strawpanel being constructed(left) and Modcell hemp (right)
ModCel1 is a modular system of building
utilising renewable materials such as straw
bales, hemp and paper as its insulat ing
core. These off-site manufactured panels
mean that buildings can be quickly and
effici ently installed on sitemakingit ideal
for large scale commercial , school or
office buildings
Each panel ismadeup of a sustainably
sourced t imber frame into which t he insulat-
ingmaterial is insert ed.The straw baleand
paper panelsarethen kept in place by steel
rodswit h all t he panelsfinished off with a
layer of lime render which as well asbeing
a natural product also hasthe essential
attribute of providing a breathable layer to
the panels.
The diagram above illustrates some of
the various modulesthat can be utilisedin
construction using panels of a certain widt h
MCH 384
and height accordi ngto t he individual project.
Wi t hin t hese panels open areas for windows
and doors can be left available accordingto
the design. Currently theseunits have been
used as loadbearing elements up to three
modules(approximately 9metres high)
A major advantage of thesepanels is
t heir thermal performance which is up to 3
t imeshigherthanthe current buildingregula-
tions. As a result, buildings using ModCell can
have zero heat requirement s, saving money
and C02 emissions. The main disadvantage
of these panels iswit h the thickness of t he
panelswhich typically are approx. 450mm
t hick.
The current rangeof ModCell panels
uses t hreetypesof CelluloseInsulat ion
Cores (C1C):
ModCell Straw
ModCell Hemp
ModCell Paper
Each has a part icular set of performance cri-
teria, designed for different applications:
ModCell Straw uses straw balesas
its insul ati on core. Straw is an agricultural
by-product , and almost 3 million tons are
disposedof annually in the UKalone.The
strawpanels creates a mass market usefor a
valuable andrenewable resource that would
normally be chopped and ploughed backinto
the ground. ModCell Straw has exceptional
insulation propertiesand can be used both
dry lined andrendered.
ModCell Hemp uses hemp mixed with
lime in the panel,these panel s are slight ly
thinner in depth to provide similar t hermal
mass benefitsto that of t he straw panels.
ModCell Paper uses recycledpaper
which provides a light er-weight construction
The straw house. London,Architect: JeremyTill and SarahWigglesworth
Strawbale dance studio, London.
Strawbale classroomat AvonTyrrell. New Forest, UK
Strohaus.Architeet: Felix Jerusalem
The Archimedia Project, Bristol, UKModCell Straw
Straw bale construction isa building
method that usesstraw balesas structural
elements, insulation, or both.Aswith the
modCell system it isa material that excels
inthe areasof cost-effectiveness, energyeffi-
ciency and ease of availability. A typical bale
of straw hasa U-value of O.13W/m2K.
Theconstr uction typically consists of
stacking rowsof bales on afoundation plate
with avapour barrier t o protect t he straw
fromdamp.These are thent ied together with
pinstypically made wit h wood or with wire
meshes.These wallscanthenrenderedwith
alimeor eart h/clay based mix. Because the
building method isso straightforward, people
without previousbuilding experiencecan
participate inthe design and construction,
thereby savingon labour costs.
Typically bales created on farms with
baling machines have been used, but
recently higher-density 'precompressed'
bales, or 'straw-blocks', can increase the
loadst hat may be supported.
The main concerns wit h straw bale
construction like many of these natural
building materials are to do with keep-
ing t he bales dry. Splash back from rain
bouncing up from the ground, rain caus-
ing high humidity or wind driven rain are
the main problems.Thesehowever can
be easily mitigated with adequatefounda-
tion design, a suit able render and protec-
t ion by large overhanging roofs.They are
also constructed of breathable materials
and need not be wat erproofed, t hough
t hey must be weatherproofed.
Straw
alternative to Straw and Hemp with again
similar thermal advantages.
ModCell panel sare constructed off-site
but in order t o minimise energyin transport
in existing projects 'flying factories' havebeen
set up for manufacture. These have been
located within 10 miles of the site in agree-
ment with local farmers who have been able
to provideasource of strawand a suitable
locat ion to assemble the modularpanels.
By usinglocal straw, skillsand labour, the
project'svalue can also be kept within the
local economy
MCH 385
Environment 05
Low energy material systems 2: rammed earth, cob and adobe bricks
---....
Left to right: Entrance building, Eden Project Cornwall , England, Detail of rammed earth wall, The Redding Residence, Kendle Design Collaborative,Scottsdale,Ari-
zona, USA. Detail of example of rammed earth colouration through varioussoil types
Compacted earth construction is a
techniqueused in the building of walls using
the raw materials of mud, chalk, lime and
gravel where moist looseearth is compacted
in layer between shuttering or formwork to
construct a wall.
It is an ancient building method that has
seen a revival in recent years.The nature
of the materials used rneans that it isnon-
combustible,thermally insulating andvery
strongandhardwearing. It also has the added
advantage of beinga very low cost andsim-
ple wayto construct walls.
The exact compositionof the soil and
water in rammedearth walls is critical for
it success.A small proportion of cement
or lime is sometimes addedto the mix as
a stabiliser to correct any deficiencies in its
makeup.
As well as this, good compaction opti-
mises the strength andstiffness of the mate-
rial. There arethree mainmethods in which
to do this:
Static (block presses)
Dynamic (rammedearth)
Vibration (wacker plate)
MCH 386
Leeum - Sarnsung Museum of Art inSeoul,
South Korea. Architect:Jean Nouvel
After compressionthe wall frames can
be immediately removed andrequirean
extent of warm dry daysafter construction
to dry and harden. The structure can take
up to two yearsto completely cure,and
the more it cures the strongerthe structure
becomes.When the process is complete it is
muchlikeconstructing a handmadewall of
solid rock..
Like other natural building materials
rammedearth wallsneedto be protected
from heavy rain.They aret ypicall y con-
structed on top of conventional footings or
a reinforced concrete base, sometimes wit h
extra ground insul ation.
One of the significant benefits of rammed
earth constructions istheir excellentthermal
mass;(at ypical rammedearth wall isabout
360 mm): it heats up slowly duringthe day
andreleases its heat duringthe evening. On
the other hand, rammedearth is not a good
insulatorand isoften insulated in colder cli-
mates.The thickness anddensity of the walls
lends itself naturally to soundproofing and
the materials used inthe walls make them
highly fire resistant Rarnmed earth structures
do utilise locally available materials, which
meansthat they also have very low embod-
Apart heid Museurn, Johannesburg, South Africa
ied energyandgenerate very little waste.
Coloured oxidesor other items such as
bottles or pieces of timber can be used in
construction to addvariety andtexture to
the finished wall.
Gabions are boxesmadeof metal, plastic
or reed mesh filled in-situ wit h rock or cob-
bles andusedas a basic building unit.
Gabions have a longhistory in civil engi-
neering, as retaining walls andin erosioncon-
trol but today they are becoming commonly
used in structural walls in buildings particu-
larly as a feature in projectswhere the cages
can be filledwit h any recyclable material such
as glass bottles,or local material s.
The mainadvantages of the systemare
in the low embodiedenergyanduseof local
materials as well as providing a large thermal
mass to control the internal environment
of buildings. How they areweat herproofed
isthe rnain disadvantage wit h an additional
layer required in addit ion to the gabion wall if
a sealed environrnent isrequiredwit hin.
Adobe House,Choisica, Peru
The Cobtun House,Worcestershire, UK.
Mud-brick! Adobe is a natural build-
ing material madefrom sand, clay, andwater,
with some kind of fibrous or organic mate-
rial (sticks, straw, dung), which is shaped into
bricks using frames and dried in the sun. It
is simi lar to cob and mudbrick,althoughit
requires a higher clay content thanthat for
rammedearth. Excessive amounts of clay
however may lead to shrinkage cracking in
construction.
Bricks are typically made in an open
frame. The mixture ismoulded by t he frame,
and then the frame is removed quickly.After
drying a few hours, the bricksareturned
on edge to finish drying. Slow drying out in
direct sunlight reduces cracking.Tradition-
ally bricksare madeon sit e in arid countries
where there is little risk of rain for the drying
period (between 2 and 8 weeks).Todaymany
are made in factories constructedfor the
project on site or in t he locale.
Basic construction of adobe or mud
brick buildingsfollowsthe principles of block
masonry. The blocksare t ypically laid in weak
cement lime. sand or earth mort ar or can be
dry stacked.
The main advantage of an adobewall
is in itsthermal properties inherent in the
massive wallst ypical in adobeconstruction.
The cost of t he material and low embodied
energyassociated wit h beingfound on site
meanit has a very low environmental impact
Adobe structures are extremely durable
and account for some of the oldest extant
buildings on the planet. However in order
t o protect them from damage from rain etc
coatings renderings or claddingareusually
applied to t he structure andprojectingroofs
or other structures considered in t he design
to shed heavy water away from the walls. It is
also import ant that the bricksare protected
form the damp by building onto a plinth at
least ISOmm from the ground.
Other disadvantages are wit h the
required thickness of the wallsand the labour
andti me involved in the manufacture of the
bricks. Particularly in the UKt he weat her
poses a bigthreat to the construction and
maintenanceof an adobe/mud brick building.
Due to these factorsvery few examples of
this form of construction exist in the UKat
present.
Cob isa building material consistingof clay.
sand, straw,water,and earth, similar to adobe.
The mainadvantages of cob as a material is
that it canbe used to create artistic, sculp-
t ural forms usi ng local materials. It isalso
fireproof, resistant t o seismic activity,and
inexpensive.
Inthe UKcob is most st rongly associated
with the counties of Devon and Cornwall
and in Glamorgan and Gower peninsula in
t he UK. Traditionally it was made by mixing
the clay-based subsoil with straw and wat er
using oxen to t rample it.The earthen mixture
was then ladled onto a stone foundation in
coursesand trodden onto the wall by work-
ers in a process known as cobbing.After dry-
ing,the walls would be trimmed andt he next
course built, with lintels for lat er openings
such as doors and windows beingplaced as
t he wall took shape.
The walls of a cob house are about
600mmt hick, and openings therefore
become correspondingly deep set.Thethick
wallsprovide excellent thermal mass and
the material has a long lifespaneven in rainy
climates if atall foundation and large roof
overhang are present.
MCH 387
nvironment 05
Low energy material systems 3: green wood and bamboo
Aboveand right:: The National Maritime Museum,
Falmouth, UK,Archit ect: Long &Kentish.
GreenWood
As opposed to regular timber used
in construction, green wood is ti mber in
which the cavities contain water.
The primar y reason for use of green
oak, hist ori cally, was to enable it t o be
worked with hand tools, Dr y oak is very
hard and extremely difficult to saw, plane
or chisel.Today the main reason is envi-
ronmental in terms of the cost and ti me
involved in dr ying.The rat e of drying of
oak is approximat ely 25mm per year, so
that a 300 x 300mm t imber would t ake
I 2 years to dry for construction.
The cost of freshly felled (green) oak
is considerably cheaper than the dried
product after processing. Freshly felled
at the roadside a piece of t imber costs
approximat ely one tenth the cost of the
mat erial after processing at the sawmill ,
MCH 38 8
Visit or Centre. Savill Gardens,Windsor,UK,
air dr ying (2 to 3 years) and then t he kiln
dr y.
Green oak, like other forms of tim-
ber, is a carbon neut ral product that has
absorbed C02 throughout its natural life-
span and does not emit carbon dioxide
when it is felled or used for construction
purposes,
It is also replenishable. Quick growing
hardwood species like spruce and oak
are ideal woods wit h which to build, pro-
viding load-bearing st rength and durability.
Green oak frames are considered
attracti ve because they showcase the
skills of craftsmen, particul arly the joints
which are fixed using oak pegs.This is
st ill done because met al fixingswould
corrode in the moist, acidic environment
of t he unseasoned wood.This met hod
requires specific skills and t echniques for
t he constr uction of green wood buildings,
as well as t he connections and det ailing
of buildings need careful consideration
t o compensate for any movement in t he
dr ying process.
Bamboo
When t reated, bamboo forms a very
hard wood which is bot h lightweight and
except ionally durable unlike many othe r
woods, which can be heavy and soft .
Traditionally, it is used in tropical cli-
mates in element s of house construction,
scaffolding, and as a substit ut e for st eel
reinforcing rods in concrete construction,
The main advant age environmentally
is in bamboo' s rapid growth which is very
fast, up t o 25met res over 6 months, wit h
three to five years to mature. This unique
characteristic makes it one of the most
o Centro Cultural Max Feffer,Brazil.
Archit ect: Leiko Motomura
Connection detail below
o Centro Cult ural Max Feff er,The largest bamboo structure in Brazil. Architect: Leiko Mot omura
DIAPHRAM
INTERNODE
METI School in Rudrapur,Bangladesh.
Analogue constructionusing local resources.
The str ucture of bamboo consists
of hollow cylindrical stems called culms.
The culms are segmented int o nodes and
int ernodes.This structure gives the mate-
rial ver y good compressive and tensile
strength in construction as well asthe
huge benefit in weight in comparison to
other wood materials
rapidly renewable construction materials
avai lable as well as a fairly inexpensive
mat erial. In the United St ates and in
France, it is possible to have houses made
entirely of bamboo. which are earthquake
and cyclone-resistant and internationally
certified.
However; bamboo wood can become
easily infested with wood-boring insects
unlesstreat ed with wood preservatives
or kept very dr y. The main disadvant age
in t erms of use as a global building mate-
rial is in the current limit ed regions in
which it is grown. Bamboo can be grown
in a variety of climates including the UK
but currentl y it is more economical to
impo rt t he material in from exist ing bam-
boo plantations whi ch incurs large cost
t o the environmental accreditation of the
material through transportation.
MCH 389
Environment 0
Low energy material systems 4: green walls
Modular systemwit h soil substrate:
EcoStore, London.
Tensioned wire greenwall, Heathrow Airport, UK.
Green wall design
Green walls are living, self regenerat-
ing cladding systems that allow building
facades to be covered completel y with
vegetation.The concept has been in exist-
ence for centuries. In the Mediterranean,
plants are often trained over facadesto
act as a natural means of climate control.
Fruit plants in particular thrive in this situ-
ation since the heat stored in the backing
wall is particularly conduci ve to plant
growth.
In recent year s, however; the use of
'living walls' has expanded into the public
realm to the extent that veget at ion can
now be seen adorning the facades of
museums, shops, community centres and
offices.
Living walls can help to link buildings
with their natural environments. In cities
large planted facades have a dramatic
visual effect and can act as an oasis of
nature wit hin what may otherwise be
barren and industrial surroundings. While
climbing plants can be seen astempo-
rar y additions to buildings, technological
MCH 390
advancements have enabled living walls to
become fully integrated facade systems in
new developments.
Advantages and disadvantages
Living walls offer a number of envi-
ronmental benefits:
Planted facades can help regulate
internal temperatures. In the summer the
vegetation shadesthe wall from the sun
and can reduce the daily temperature
fluctuations by up to 50%. In the winter
an evergreen facade will provide insula-
tion not just by trapping air bet ween the
planted zone and the wall, but also by
reducing the wind chill on the facade.
Living walls can also benefit the sur-
rounding environment by altering the
local microclimate.vegetation helps wit h
noise absorption and can lead to an
improvement in the atmosphere through
the dust trapping effect and their absorp-
tion of C02. Planted facades also help
with the retention of rainwater after
heavy rainfall.They reduce intense local
heat gainsexperienced in cities and ere-
ate a cooling effect as a result of evapora-
tion
Living walls are an excellent way of
introducing biodi versit y into urban envi-
ronments although the presence of mice
or insects may cause problems.
Without proper planning living walls
can cause building damage. Planting
systems can impose additional loads on
external walls.They can also affect the
structural balance of the building. Roots
and tendrils can break through water-
proof seals or force their way behind
cover strips and window abutments and
without regular maintenance, leaves and
other dead matter can block gutters and
rainwater pipes.
System overview
Living walls fall into two main cat-
egories: Individual point plantings require
almost no supporting structure and
therefore provide the simplest method
of installation to both new buildings
and existing facades. Plants are grown in
individual containers and trained across
Details
I. Irrigation hose
2. Plantedfacade
3. Compacted soil
4. Metal container
5. Drainagechannel
6.Yentilated cavity
7. Outer wall withwaterproof seal
8. IOmm waterproof base board
9. Stainless steel support structure
10. Polyamide felt substrate
I I. Support bracket
Modular system with rockwool substrate:
Paradise Park Chil drens Centre. London.Architect: DSDHA
~ - - - - ,
Modular green wall
system
I
1
I
I
1
I
I
I
1
I
I
1
I
I I
I I
1 I
I I
~
CD
Hydroponicgreen wall
system
t relli ses or wires fixed backto the facade.
Because plants grown in this manner will
have a maximumheight to which t hey
wi ll grow it is often necessary to distrib-
ute many containers across the facade
to achieve growth beyondthis range. It
can take many years to achi eve a dense,
homogeneous coverage.
Pl anti ng beds, laid vertically on the
facade, all ow for full surface coverage.
Plants grow horizontally out fromthe
wall rather than vertically up it and this
allows for a wider range of plant types to
be used.
Li ving wall systems fall into two cat-
egories, distinguished by their met hod of
pl ant cultivation:
Modular systems
Modular systems use cassette ele-
ments filled wit h a soil substrate that
pl ant roots draw nutrients from.The
modular units are usually cultivated off
site until they reach maturity.These mod-
ules can then easily be fi xed to a sup-
portingst ructure on site to complete the
facade.
Because of their modular nature, sub-
strate walls often take on a chequerboard
pattern, however it does give great flex-
ibility and allows panels to be replaced
indivi dually ifnecessary.
Hydroponic walls
Hydroponics is a method of grow-
ing plants wit hout the need for a soil
substrate.An irrigation system distributes
nutrient enriched water droplets across
the facade which are absorbed directly by
the roots.
Hydroponicwalls have a much
reduced constructional depth and impose
signifi cant ly reduced loads on the building
facade (around 30kg/m2) when com-
pared to substrate systems.
The standard form of construction
provides felt pockets in which plants can
be individuall y located. Roots spread radi-
ally wit hin the felt and can support pl ant
growth of up to six met res. Horizontal
irrigat ion pipes run along the outer edge
of the felt at the top of the facade.The
supply of water is computer controlled
to ensure the regul arity of operation is
in keeping wit h external conditions.The
exact calibration of the system needs
to be calculated prior to installation tak-
ing into account the facade dimensions,
plant types and local cl imate, to ensure
adequate supply of nutrients to all pl ants.
With correct cult ivat ion and main-
tenance living walls have a li fespan of
around 30 years.
I
v V
P
P
P
P
Future 06
3 Triangular panels for twisted facades
Above. Exploded views of a nodal joint between framing members
Below. Diagram showing variat ion in member lengths
MCH_438
Above. Sectional view through panel joint
Below. Int emal view of panels
-------
result of a need to ensure conrect alignment
of joints are not discussed here. The fiat
triangul ar panels designed for economy are
required to meet at fold lines. Since folds
need to occur on a plane of infinite thick-
ness, parts of the panel meeting either for-
ward or behind thi s plane will always be out
of alignment at the point of intersection . W e
are developing t wo solut ions for thi s condi-
tion: eit her a shadow gap bet ween adjacent
panels or a node connector at the intersec-
tion of several panels, still using a shadow
gap between the edges of adjacent panels.
W here most node systems are des-
tined for use as stick systems assembled
on sit e, we have proposed using unitised
panels assembled from nodes, wi t h only
the comer conditions being sit e assembled.
Thi s method would be used both where
aluminium framed panels span t wo floors
vert ically wit hout addit ional steel support or
where smaller unitised panels are fixed to a
mild steel frame which spans t he t wo floo rs
in th e same way.
MCH_ 439
Future 06
4 Twisted panels with flat glass for twisted facades
.-
.-
.
.-
.-
.-
.-
.-
.-
.-
.-
r
::: I
-
II
II ,
.-
.-
.-
.-
.
.-
Left. Twisted roof element
Right. Typical structural bay
Above and left. Investigation into how the geom-
etry of a twisted tower can be broken down into a
repeated panel which has a twisted frame but use
flat glass.
MCH_ 440
I,EST ELEVJ.TOt,_t 1000 F.DOR PtJt.-J 1(XXJ
--prmari W.;ct;l3 eemerts
--'al '"
In dealing with twist in facade struct ures
t hat support cladding panels, we investigated
the nature of 'twist' as a visual pheno menon.
A roof structure that we designed for a tall
building is both curved and twisted to cre-
ate a complex shape. The roof covering
itself compri ses an opaq ue lightweight deck
protected by an outer memb rane. The sup-
porting structure was required to be visi ble
and formed a 'lid' to t he twisting facades
of the tower. The roof was designed by
esta blishing primary points of support on the
supporting core as we ll as point s on the roof
plane. These points were then connected
wit h strut s springing from a set of points on
the central structural core of the building to
form a series of notional 'tree' structures.
The roof structure was then re-rot ated, or
'un-twisted' , in order to alignthe roof wit h
the floor level forming an atrium space at
the top of the building. The struct ure was
then adjusted t o suit t his position, as if the
roof structure were to be constructed as
an 'un-twisted' design. The roof structure
was then twisted back to its actual posi-
t ion, causing distortion in the structure. The
revised structu re now looked 'twisted' as
opposed to being a twisted form that had
a more rect ilinear solut ion imposed upon
it. This new twisted form was then adjusted
a second time to make it more suita ble as
a structure that would carry the loads of a
roof dec k Triangular structural members
were added for this purpose. Once again
the structure was un-twisted to alignwith
t he floor deck beneath and adjusted to suit
a more rectilinear solution. The structure was
twisted back to its actual position, and the
proce ss of adjustment was done one more
t ime. This process of twisting and un-twisting
t he roof structure allowed us to understan d
t he 'behaviour' of the structure when under-
going twisting from a rectilinear conce pt to a
solution that both visually expressed the idea
of a twisted struct ure as well as functioning
as an economic and logical structure in its
own right.
The geometry of panels in singletwist
facades is created typically by pulli ng one
comer of a notional flat panel out of plane.
As the panels are set together, the y follow
the fl oor plate as a straight line of panels at
t he floor level, but their twist creates anot her
MCH_ 441
Future 06
4 Twisted panels with flat glass for twisted facades
/
Systems using bolt fixed glazing
straight line in the floor above at a different
angle t o th e floor below. Typically, a facade
t wists along it s cent re line (with vert ically
set mull ions in mid facade), wi t h panels in a
single floor being of different shape. How-
ever, panels set above each other are of a
single t ype. As a result, the design of twisted
facades require cont inuit y vert ically in order
to make th e panels economi c t o manufac-
t ure, as the use of all different panels on any
floor obviously requires more panel t ypes
than a t ypical uniti sed facade.
1VPICII. SPIIlRCASTIOGWITH IIOllS
MCH_ 442
- - u
(
W it hin each facade panel, flat double
glazed units can be inserted into straight
aluminium profiles by using diagonally cut
inserts t hat allow the glass t o fit int o a twist-
ed shape. This method allows the aluminium
extrusions used for t he framing to follow
regular panel const ruct ion methods that
incorporate standard methods of pro vid-
ing struct ural thermal breaks, seals, internal
drainage and ventilation. The all-important
comer junctions of panels are able to meet
wit h smooth mitred joints, an aspect of
design that we have explored through the
use of full size physical mock-ups.
Possible mthods of creating a twisted panel using fiat glass
MCH 443
Future 06
4 Twist ed panels with flat glass for twisted facades
Above. Section through facade
Left. Ful l size mock-ups of cladding panel s
Below and right. Furtherst udiesof roof element
MCH_ 444
MCH_ 445
Future 06
5 Moving shading panels
o
o
Unligned: both layers of moving system out of alignement
- exposedwindow area =approx. 30%
Facade system using several layers of small louvres to provide controllable shading
MCH_ 446
The framing of t his design for solar shad-
ing panels is fabricated from extruded alu-
minium profiles, and thesecan be designed
for maximum efficiency of material and
structural connections. This system also
makes connections between t he various
element s quite straight forward, using well
established fixings and techniques. The detail
is designed t o allow for off-sit e prefabrica-
t ion of the shading panel 'cassettes' and
simple installation of these panelson site.
Insulation and cover panels (a reflection of
the ceiling grid pattem) are designed t o con-
ceal the framing while still providing for ease
of maintenance access and visual cont inuit y.
The extemal glazing behind the shading
is conceived as 'storefront' glazing, as the
facade would be built like a storefront. from
floor to ceiling, rather t han like a curtain
wall, which hangs from the edge of a slab.
The approachallowst he edge of floor slabs
to serve as an extemal maintenance deck.
resulting in glazi ngwhich is economic in cost.
The way t he glazing would be construct-
ed would be unitised (preassembled) rat her
than sit e-assembled. Site-assembled glazing
is slow and expensive, whereas the unit ised
method ischeaper and faster, but needsthe
repetition of panel size that is characteristic
of larger scale installat ions.
The unitised glazed wall t o t he wall
behind comprises a system where the fram-
ing is set ext emally rat her thanon the interi-
or face. This providesa mullion-free int erior
that followsthe principle of providing unob-
structed spacein t his project. This allows
the floor andceilingfinishest o extend up
I
Renders showing moveable shading system from bot h intemal and ext emal views
to the glass, creat ing an elegant space wit hin.
In order t o maxi mise daylight transmission
through the facade when required, glazing
exte nds from floor t o ceiling. Because the
vert ical structural glazing bars (mullions) are
set extemall y, the thenmal breaks are set at
the back of the frame in line wit h t he double
glazed unit s in order to pro vide continuity of
thenmal insulation.
Eachof the facade bays would be unique.
The shading panels will need to connect
at different angles wit h differing widt hs of
shading systems. The shading panels for
these locati ons will have a bespoke frame
to accommodate these variables and allow
maximum views out at the comers by mini-
mi sing the framing. At the comer the fixed
vert ical shading sticks will meet, to provide a
clean edge th at will run up t he length of t he
building.
The extemal shading devices com-
prise prefabricated panels set between the
extemal structural column s fixed in front of
the access deck and between the extemal
structural column s. The system is compri sed
of three layers: one fixed, vert ically set outer
member, and two moving inner members
which are set to a variable geomet ry in order
to cont rol the amount of daylight in the
building. The fixed vert ical louvres span from
floor to floo r and follow the lines of geom-
et ry of the extemal structure of the building.
Both fixed and moving louvres are made
from extruded aluminium sections set into
an aluminium support frame. The moving
louvres are fixed to a mechanism set int o
th e frame, comprising a set of belt s driven by
cog wheels that are powered by an electri c
motor. Each set of moving panels has its own
motor linked to operating swit ches set wit hin
the office spaces, operat ed either by the user
or as part of the BMS (building management
system) . The moving mechanism for the lou-
vres is set behind access panels in t he panel
frame in order to avoid the effect s of dust,
which can affect the smoot h running of the
system.
The drive mechanism for the moving
louvre element s is concealed and protected
wit hin t he ext ruded aluminium framing.
Shown here is a system based on an art icu-
lat ed chain and sprocket wit h a number of
linked motors. The size and specificat ion of
t he motor and attendant control systems
would be key t o the design of the framing.
The drive system woul d also ideally need
MCH_ 447
Fut ure 06
5 Moving shading panels
" I
" I
r',l l
-
-
" I
" I
" I
" I
J I ~
Exploded view showing how a panel incorporating moveable shading could be constructed
to be as maintenance free aspossible, par-
ticularly wit h regards to any potential grit
infiltration.
The facade is installed in phases in order
to provide a sealed enclosure to the inte-
rior spaces as quickly aspossible, allowing
the extemal shading to be installed after
floor areas have beensealed, andwit hout
interfering wit h installation work inside the
building.
The extemal glazed wallswould be
installed by first liftingthem by crane as uni-
tised (factory made) panels onto the floor
plates, where they are laidout adjacent to
where they will be fixed. Panel s are made
MCH_ 448
floor heightto a width of around ISOOmm.
Each panel is assembled, glazed and sealed
in the factory, then delivered to sitein
batches of 10or 12at atime by truck. Each
unitised panel islifted either by a monorail
set onto the edgeof a floor deckfurther up
the building, or is lifted by machine on the
floor itself if this proves to be difficult. Panels
arethen lifted into positionon the floor
deckandsecured at both floor andat soffit
levels at the top andbottom of the panels
with brackets which are already fixed and
aligned. Each panel isfixed to the next until
the complete floor is enclosed. Floors are
typically enclosed from the bottom upward
to follow the construction of the primary
structure.
Shading panels arefixed onto brackets
secured to the upper surface of the access
deck. Like the brackets for the unitised
glazing, they arefixed andaligned ready to
receive the unitised shading panels, ensur-
inga fast installation time that minimises its
effect on adjacent installation operations.
Once shading panel s are installed, the col-
umn faces are coveredwit h thermal insula-
tion andclad wit h precast cladding panels
fixed from both the access deckandfrom
a cradle hungfrom above. When this work
iscomplete, the adjacent access deck is
covered in thermal insulation after which the
wearing material of the deck isapplied as
Detailed studies of the mechanical systems t hat might be used to make layers of louvres move
well asslab edgeand related soffit cladding.
All this work can proceed independently of
installat ion works within the building.
Prefabricated panels for the glazing and
the solar shadingwould be fabricatedt ypi-
cally by a fabricator licensedby an intemal
curtain wallingcompany. Several such com-
panies exist, makingt hismethod economic
andeasier to manage as a supply chain from
factory, to temporary storage, to delivery to
sit e. Since the panels wi ll be installed quickly
on site, they would needto be prefabricated
in large quantity prior to delivery to sit e. The
size of the site will probably require panels
to be delivered directly fromt he storage
facility (which might also be in the factory)
to the site to be lifted directly to t he floors
where installation isneeded.
The unitisedglazed panel s would be
fabricated on an assembly line in the classic
mannerto ensure that quality controlled
panel s are assembled and glazed, ready for
installati on on site. The shading panelswould
be madein a similar way, wit h extruded
aluminiumframes being assembled wit h the
louvres in place. The electricmotors would
have a switchpoint set within the panel
ready for connection to the wiring installed
on site that would run to the intemal swit ch-
es. All panels would be t ested for movement
prior to delivery to site.
St udies showed at ypical solar shad-
ing condit ion for the mid season with the
volumesin place of proposedsurrounding
buildings. While this study demonstrated
that lower floors of t he tower would require
little shading at thist ime of year, t he system
is designed to be variable, and adaptto the
specific requirements of each area of facade.
A shading anal ysis indicated that solar
shading was needed on all facadest o reduce
the effects of solargainat different times of
the year. Inthe winter season, all facades
experience low angle sun except t he north
eastelevati on, which receivesalmost no sun.
The effectiveness of the louvres in t heir
MCH_ 449
Fut ure 06
5 Moving shading panels
Sectional and exploded views of louvre shading
system
variouspositions would vary across the span
of a day, over the year and on the differ-
ent facades. Generally on the east and west
facing facadest he aligned louvreswould
provide better shading asthe deep fins
are effective against the low sun hitting t he
facades at an oblique angle. On the sout h
the unaligned louvres function better asthey
provide more of a horizontal element which
helps to block out the higher sun at an angle
perpendicular to the facade.
The building management systemwould
MCH_ 450
be required to control the movement of
louvrest o be int heir most effective align-
ment at any given t ime.
The drive system and attached control
systemsare installed off-sit e duringthe
facade panel construction. Connectionsto
the movinglouvre systems and maintaining
a strongfixingfor easeof movement will be
paramount in the design. The prevention of
sand or grit infiltrating the mechanismmust
also be a primary design consideration.
The aluminiumframingwould needto
allow for easy access t o t he drive mechanism
for maintenance purposes. The aluminium
framecanhave hinged panel s designed into
assembly to allow for this access. To simplify
control systems and reduce the potential
number of motors needed, the drive system
could be geared to vary the range of move-
ment and speed of the attached louvres.
The primary access to cleaning the shad-
ing panel s isfrom the access deck, which is
effectively a cont inuat ion of the floor slab
out of the building. The shadingdevices pro-
Analysis of the shading effectsof small, moveable louvres
vide a full height balustrade for day-to-day
access, but if a panel is partly dismantled for
maintenance, then an alternat ive 'balustrade'
deviceis needed. When shading panels are
removed, maintenance staff are secured
by their body harness to a safety lineset at
deck level. The safety line isa cableset at
floor level beneath the curtain wall transom,
ensuring that access users cannot be tripped
by the wire itself.
The external face of the shading panels
can be accessed by one of two options:
either from a cradle which is lowered from
roof level, or by fonming the shading panel s
as vert ically hinged panels which can be
opened inwards into the areaoccupied
by the access deck, from which it can be
accessed.
Inthe cradle option, a cradle approxi-
mately three metres long by 7S0mm wide
could serve each bay of shading panel s as it
is lowered from the top to the bottom. The
cradle would be temporarily secured in small
ringbrackets set into the facade everytwo
fioors vert ically, in the classic manner. These
safety brackets would be barel y visible on
the facade,
Inthe hingedpanel option, each
3S00mm panel would be divided into a pair
of 17S0mm wide hinged leaves. Since each
panel is set approximately ISOOmm in front
of the glazed facade, panel s can be rotated
to almost 90 degrees so that they are per-
pendicularto t he access deck, where they
can be freely accessed wit hout the needfor
a cradle. Maintenance staffwould, of course,
be secured by the safety lineset at floor
level.
MCH_451
Future 06
6 Precast concrete panels for facades of complex geometry
The work done on thi s facade system
focused on the nat ure of the precast con-
crete panelsto suit cur ved planes.These
were considered as options as foll ows:
Structural in-situreinforced concrete backingwall with precast
concrete cladding
I . A single structural wall with ther-
mal insulation set on the inner face.
2. A diaphragm wall, t hat isto say.
an' inner and outer reinforced concrete wall
linked toget her str ucturally across an inner
layer of t her mal insulati on.
3. An inner structural wallwith out er
cladding panels and insulation set bet ween
t he inner structural wall and the outer clad-
ding.
Given the geometric, structural and
construction parameters. an in-sit u concrete
structural wal l with precast cladding panels
was considered t o be t he most appropriate
solution from the point of view of ease of
constructi on.
MCH_ 452
Rendered viewsof large precast concrete claddingpanels.
/ ~
Exploded, sectional viewsshowing thefixing system for large precast concrete cladding panelswith struc-
tural reinforced concrete wall behind
This option was explored by looking
at how panels could be divided into sizes
equat ingto around SOOOkg. allowingthem
to be lifted with a regular site-based crane.
Alternatively. panels could be fixed either in
the factory to form part of the inner struc-
tur al wall, or be sit e fixed in the manner of
stone cladding panels.
The useof concrete claddingpanels in
t hethird option provided protection for
thermal insulat ion and protection to t he
joints between structural wallsbehind from
risk of rainwater penetration.The cladding
panels also have the advantage of concealing
t he variability of joint width associated with
loadbearing reinforced concrete walls,
The methods of panel fabricat ion. includ-
ingthe type andthickness of insulat ion to be
used. would needto be investigated wit h all
the likely suppliers of these panels.The focus
of t hisinvestigat ion would be as local to the
site as possibl e, due to the high costs associ-
ated wit h t ransporting precast panels over
significant distances. Si nce building systems
are in continual development in all industr-
ialised countries. somecompanies would be
interested in advancingtheir skills in order
to meet the needs of the project;t hisis
already t he approacht aken by leadingfacade
cont ractors. Development of t he facadesys-
tems would need to be undert aken sothat
t he design is ableto accommodate a range
of specific solutionsfrom different precast-
based companies.
MCH 453
Future 06
6 Precast concrete panels for facades of complexgeometry
Precast concrete panel
Finishedpanel stepped areas
Rubber mould
Base formwork
Inadditionto the design work of generic
systems,the design of all facade systems
would needto co-ordinatewit h build-
ingcodes wit h particular regard to wind
pressures experienced by the buildings. In
addition, CFDstudies (computational fluid
dynamics studies) would needto be under-
takenwit h computer software to establish
any likely areas of high wind pressure in
order to understand the effects of wind
behaviour on the facades.
Individual precast panels
The panels would be castoff-site using
curved latex mouldsto createthe form
for each panel.This formwork could be
reused to createrepeated panels across the
completefacades. Each individual panel has
athickness of around ISOmm andwould
weigh in the region of five tonnes, but which
could be broken down into smaller sections
to ease construction if needed. In order
to support these large panels metal hang-
ers would be cast into the concrete.These
would aidboth in liftingthe panels into place
on the facade as well as fixingbackto the
structure behind. Spacer bolts would also
be cast in andwill tie the panels backto the
structural wall behind particularly aiding in
supportingthe panel s at inclined areas on
the facade.
Rendered views showing process of precast concrete panel
MCH_ 454
Glazed openings within precast
panels
The glazed openings comprisedouble
glazed unitsthat would be set on the inside
face of the panels to maximise the depth of
the reveal sto the openings, as is common in
masonry andconcrete-based construction.
Panel types
An essential issue in the design of the
panel wasto ensure that they could be of
different types wit hout adding significantly
to cost. It was found that panels can be
of different length for straight and curved
panels of the same radius by using moulds
where edgerestraint s could slide, held in
Ribbon mould sections
\
Window moulds
"
Additional decorative
profiles
Basefo wo
Rendered views showing process of precast concrete panel
--------)
MCH_ 455
Future 06
6 Precast concrete panels for facades of complexgeometry
I
I
I
)
Expl oded views of precast concrete wall panels with thermal insulation on the inside face
place by fi xed restraints on the opposite two
sides.This is usually possible only with steel
moulds, which are used many t imes in t he
manufacture of precast concrete panels, but
are usually fabricat ed by specialist companies
rather than by precast companies, who make
moulds typically for straightforward panel
shapes only.
Sculpted relief in the surface of the panel
was found to be difficult to undertake, and
was therefore expensive due to the amount
of mater ial needed to create the ext ra
material, typically wit h moulded rubber but
also wit h CNC-cut polymer board of a type
similar to that used for the rmal insulation. It
was found to be much more economic to
create surface textures on t he face of t he
concrete t han to create a relief of different
depths of concrete , t hough the addition
of small er cast concrete elements to the
finis hed surface of the panel can be a more
cost effective method of creating a rich sur-
face pattern that can cast shadows as well as
provide te xture.
It was found that corner panels for the
curved types can be cast wit h one face up
to around 200mm long when formed as
a single panel. Corner panels wit h longer
lengths on each face are made in two pieces,
fi rst by casting one side wit h the stee l rein-
forcement for t he complet e panel in place,
then turning the cast face over while curing
in order to cast t he ot her face t o form a
str ucturally int egral corner panel.
Anot her essent ial aspect of t he design of
precast concrete panels is how they are lift-
ed into place.Where the y are set onto or in
front of concret e fl oor slabs, the fi xing meth-
od is relat ivelystraightforward, as panels can
be set onto brackets fixed to the floor slab,
either on the vert ical edge , or on the surface
of the fl oor slab itself Where the panels are
used as a facing to backing wall, eit her in
reinforced concrete or in a different material,
bracket s can be more difficult t o reach when
MCH_ 456
Sectional views show-
ing precast concrete
cladding panels with
structural reinforced
concrete backing wall
faced with thermal
insulation
Exploded views of precast concrete wall panels wit h thermal
insulation on the inside face
they are fixed in place. Brackets must be
fixed in a way that is easyto reach when the
panel is required to be fixed from the front.
Associated with the fixings is the method
of lifting panels into place so that the lifting
hooks fixed to the panels can be removed
when secured. Panels which are cur ved ver-
tically are required to be manoeuvred from
both top and bottom in most instances in
order to reach their position on the wall.The
overall shape of the panel and positioning
of the lifting hooks on the back of the panel
can be adjusted so that the panel can be
lifted into place wit hout the need to rotate
the panel horizontally.
MCH_ 457
Fut ure 06
7 Glazing systems with integral solar shading
\ I
MCH_ 458
Rendered views a claddingsystem wit h integated
louvres
Environmental considerations
Proposalsfor this project were based
around t he idea of providinga new facade
for an existing building that would allow
the existing natural venti lat ion of the build-
ingto be maintained andto be improved
in terms of performance. In addition. t he
facade would also provide enhanced solar
shading which is provided only by intemal
blinds inthe existing facade. The options
were designed to achievethiswit hin a single
facade rather than a double facade in order
to be bot h economicandto allow users a
direct link to the outside air which rises only
a few floors above its neighbours.
The louvres are an integral part of each glazing
panel and provide both shading and prot ect against
the wind so that windows can be opened up the
ful height of the building
An obviousdisadvantage wit h opening
lights in buildings above two or t hree sto-
reys ist he effect of wind gusts, which make
highlevel openingwindows difficult to use.
Whil e trickle ventscan provide minimum
levelsof air replacement. as used in dwell-
ings, they cannot replace the control and
comfort associatedwit h opening wi ndows.
The designoptions that were developed
usedbaffleswhich createlocal eddies and
zones of turbulencethat draw wind away
from areas immediately adjacent to opening
windows. These baffles also provide solar
prot ection but their different requirements
are balanced in the design.
MCH_ 459
Fut ure 06
7 Glazing systems with integral solar shading
Computer generated views of a proposal where louvres buck and twist to provide different levels of shadingacrossthe building
A 3-D digital model of the existing build-
ingandits surroundings wascreatedin order
to understand the response of the building's
facade to insolation, that isto say its solar
gain, aswell as the solar shadihg provided
by the adjacent buildings. It wasfound that
the existing building experiences significant
amounts of insolation on all four facades.
Consequently, a new extemal envelope
would needto deal with the effects of solar
gain on all four sides of the building.
MCH_ 460
Levels of daylight in the existing building
were studied with a digital model in order
to understand the effect of introducing solar
shading on intemal daylight levels. It was
established that although the existing build-
ingenjoyed highlevels of natural daylighting,
there isan attendant solargain which reduc-
esthe benefits of high intemal daylight levels.
This infonmation provided sufficient datafor
athenmal comfort diagram which illustrated
the needfor greater levels of thenmal insula-
tion in the extemal walls.
Infonmation for insulation, daylighting,
average operating temperature, shadow
andCFD (wind) analysis isgathered into
a spreadsheet in order to understand the
effect of changes in one or several of the
environmental design parameters. The
design matrix allowsdifferent design options
for the new facades to be compared both in
tenms of their relative perfonmance aswell
as the effect of making changes of geometry
within the facade optionsthemselves.
/
Above right. 3D printed model of facade
Abo ve and below. Computer generated views of t wisting louvres
, I
Facade options
One solutionconsists of cast glass
channels which are used to createboth
translucent andopaqueareas of wall around
opening windows. This concept isessentiall y
one of replacing the existing windows and
substituting the facade panel s above and
below windows wit h a facade build-upthat
provides greater levels of thennnal insulation
as well as a greater mix of translucency than
isachieved by the current facade. Thiswould
allow the building to maintain its highlevels
of natural daylighting of intemal spaces while
increasing the level of thennnal comfort. This
option would also reduceheat loss to the
outsideas well as controllingsolar gain dur-
ing summer months. Froma visual point of
view, the timber framed windows contrast
wit h the three dimensional effect of the glass
planks wit h their glassflanges being visible
from the outside. A timber framedbacking
wall to the glass planks fonnns a continuity
wit h the timber framedopeningwindows.
Windowswould typically be sliding, allow-
MCH_ 461
Future 06
7 Glazing systems with int egral solar shading
Close-up views of t wisting louvres
ingthem to be wider than hinged windows,
wit h their vertical edges providing control-
lableamounts of vent ilation. The useof tim-
ber allows separate ventsto be incorporated
easily andeconomically into the windows,
avoidingthe needto open windows in win-
ter, and using the vents instead to introduce
fresh air from outside. Cast glass planks can
also be set into framedwindows in order to
provide greater protection from the effects
of wind when windows are opened. Pl anks
are positioned so as t o avoid difficulties in
cleaning the facades from the outside.
Anot her option uses a set of louvre
panel t ypesthat provide different t ranspar-
ency and orientation. Panels are set out from
an environmental 'facademap' of overlaid
solar shading and wind baffle requirements,
which provides an arrangement of panels
derived from these specifi c requirements
MCH_ 462
rather than from primarily visual considera-
t ions. Louvre blades are set horizontally to
suit protection from a primarily high angle
sun, while vertically arranged blades suit
protection for low angle sun. Louvre panel s
are set forward of sliding windows set into a
curtain walling systemthat uses metal faced
panel s above andbelow windows. The
modular natureof the facadeconstruction
lends itselfto prefabricated construction,
wit h unitised panel s having the louvresfixed
to the glazed panel s in the factory.
The approach takenin two further
opt ions is of providing a framing to the
glazed wallswhich servesas both solar shad-
ing andas a wind baffle to opening windows.
In one of theseoptionsthe inclined fram-
ingmembers formingthe vertical lines are
orientatedto optimiseand balance require-
ments of solar shading and wind protection,
followingthe environmental 'facade map'
for this option. This option is based on a
framing system of variable depth that can
respondto varying amounts of solar gain as
well ascontrollingdaylight levels, which in
tum affectsthe operat ing temperature of
intemal spaces. Blending t hese requirements
wit h reducing wind pressureon openable
windows is achieved by using the framing
as aerofoilsto move points of highpressure
and any associ ated t urbulence to other parts
of the facade.
The second of thesetwo options has
a continuous folding strip of shading which
either forms an integral part of the window
wall or altematively isset slight ly forward
of it. The strip projects outwards from
the facadewhere solar shadingfrom high
angle sun isrequired, and flattens against
the facade where either more daylight is
Above. Sectional view through facade
required, less wind protection isneeded, or
a combination of thesefactors. This option
directsair up and down the facadefollowing
preliminary CFD(wind) analysis studies. The
angle of the curving solari wind bafflesvaries
from vertical, to suit low angle sun, to hori-
zontal, to suit highangle sun, as used in the
louvered option.
The final option is primarily a structural
solution, allowingt he facade to be support -
ed from the ground rather than from slab
edges as per conventional curtainwalling.
The facade structureforms a set of int erlink-
ing arches that also provide solarshading.
Additional membershave been addedat
upper levelsto provide shading in more
exposedparts of the building.
MCH_ 463
Future 06
8 Stick glazing for double facades
Views of clamp fi xed glazi ngfacade with PVcovered shadingfins
The design optionsfor the glazed enve-
lope of this project are based on cladding
a form set out on two intersecting surfaces
that together form a curvedstructure. The
claddingwas designed to be supported on
a structural grid of approximately 10 metres
x 10metres, which could be formed in dif-
ferent ways: asa grid shell, as a set of t ied
arches, or as a combination of arches and
grid shell.
The first design uses a Voronoi grid gen-
erated from a 'point cloud' of solar gai n envi-
ronmental data. Visuallythis can be seen as a
parallel to the wings of aninsect, where ele-
ments of the primary structure of the wing
are linked by secondarymembers that form
an inregular web-likegrid. Essent ially, areasof
the facade experiencinghigh overall amounts
of solar radiation over a year are madeinto
smaller pods which can useprojecting areas
of framing to provide solar shading. The grid
is set up by mappingpoints on the facade
that mapt he levels of solarradiati on experi-
enced over a 12month cycle. These points
arejoined in a grid, then the linesjoiningt he
points are intersected by lineswhich meet
t o form a set of lineswhich are as far as
possible from each of t he points. These lines
are in tum intersected where t hey meet to
form another irregular grid wit h points set
at t he centre of eachnew panel formed.
The Voronoi grid of panelsformsthe shape
of the facade claddingpanels, which are set
onto a grid formed from mild steel tubes
whichare welded together. These frames
are fixed backto the primary structure set at
10metre x 10metre centres. The two sides
of glazed structuresreveal very different
shading pattems on the facades, providing a
MCH_ 464
Rendered images showing curvedsteel structure which supports glazed panels
MCH_ 465
Future 06
8 Stick glazing for double facades
Imagesor a system wrucn uses a racaae structure oasea on a voronoi panem to support Irregular snapec giazeo panels
visually rich mixof grids when seen through
the depth of the building. as experienced
at night. Where the Voronoi grid of facade
panels covers the lines of primarystructure,
the glass curves over it in order to reduce
the distance of the glass fromthe primary
structure, whi ch makes it more efficient. The
curving of the glass creates a 'wave' effect
across the surface of the facade. The glass
has a double curvaturealong one side only,
while the glass above and belowthe area
of the curvethat fonms the wave is fl at. The
large scale nature of the glazed envelope
ensures that flat panels will provide a visually
MCH_ 466
smooth curve without the need for curva-
ture across the surface of the glass. Glass
panels are secured with clamped fi xings.
with silicone joints between the panels. This
ensures t hat rainwater fl ows across the face
of the facade unrestricted by glazing bars
that would project forward of the glass, and
impedethe flow of water across such a large
surface area.
The second design uses curvedtubular
members anranged in a waythat reduces
spans of the glass to less than two metres
in length. while maintai ninga constant width
of one metre. The curved elements are tied
together with stainless steel cables that cre-
ate a facetted facade that has a curved sup-
porting structure. The cables are tensioned
against the primarystructure set on an
irregular 10 met re x 10 metre grid. Glazing
is supported on point fi xed glazing to allow
the four glazed panels to be seated differ-
ently where they meet at the comers. Since
the panelswill meet at different angles and
on slightly different planes where they meet,
the bolt fi xings all ow each glass panel to be
set independently of its neighbouringfi xings.
This method of fi xingglazing is in contrast to
Above. Detail of the supporting structure
including a curved lapped panel
Left. Overview of voronoi pattem
Bel ow. Details supportingstructure
MCH 467
Fut ure 06
8 Stick glazi ng for do uble facades
Images of a solution where the primary structure is set out on a roughly 10m x 10m grid but secondary supports which hold the glass patt ems take up a more
organic shape and allow glass panels I m wide
patch fixings used in clamped glazing, where
the alignment of glass isneededto accom-
modatethis simplerfixingt ype.
The third design comprises a set of
glazed panels which are lapped over one
another to accommodate both movement in
the supporting structureas well as deal with
dimensional variat ion in the structural grid
across the structure. This approach allows
panel sto lapover one another by varying
amounts to take up differences in module
size rather than usepanel s of many different
sizes. Double glazed unitsare curvedin one
direction and cut along curvedlines to pro-
MCH_ 468
vide a visually dynamic relationship between
the tiled panels. The glazing isfixed backto a
set of mild steel tubes which span between
primarystructural members, using point fix-
ings set in the centre of each panel. The gap
between adjacent panels issealed wit h a
metal faced insulated panel which isheld in
compression by the fixingbolts for the glaz-
ing. and secured wit h mechanical fixings to
ensureits correct positioning. This approach
allows glazed panel sto move independently
to one another as a result of structural and
thermal movement.
The fourth design isbased on the use of
parallelogram-shaped glazed panels which
have triangular-shaped perforatedmetal
panels set above them to provide solar
shading. The shape of the shading panels
varies according to its locationandthe
amount of solarcontrol needed in relation
to the levels of daylight requiredwit hin the
building. The mixed requirements of solar
shading anddaylighting are determinedby
both the geometry of the shading panels and
the percentage of perforation of the metal
sheet.
.
..
"
.(
..
..
..
..
..
..
.
, .
.
.
, .
..
Images showingclampedglazing fixings
MCH 469
Future 06
9 Shingled glazing for facades of complex geometry
/
/
/
Lapped shaped glazing panel s supported off a 10mx IOm primarystructuregrid
The biggest development that can be
seen in new projectsof complex geometry
isin the useof digital fabrication techniques
for physical modelling andrapid prototyp-
ing, allowing an investigation of issues of
climate with environmental design software
using different design options. This project
involved the development of a methodology
that allowed usto usea common method
of working from the start of a project to its
completion. For this reason we used compu-
ter software programmes that ranged from
environmental design, to three dimensional
CAD, surface modelling, structural anal ysis
andparametric geometry. This combination
of digital tools allowed usto build a model
MCH_ 470
of the project that could be communicated
to cladding contractors, avoidingthem hav-
ingto becomeinvolved inthe early problem
solvingissues raised by havingtwo dimen-
sional drawings supplied by designers at
the tender stage. We think that the useof
three dimensional modelling with parametric
modelling tools, which can be linked directly
to manufacturing, will have a big influence
on facade design inthe comingyears. We
considerthat the useof digital fabrication
should not be used simply as a method of
making the manufacturing process easier,
but as atool that allows designers to better
understand the 'material system' used for a
project andhow it can respondto specific
climate conditions. The 'mat erial system' is
not only the physical propertiesandmeth-
ods of working wit h a particularmaterial but
also the rules of useof a particularfacade
systemin a given material. How a facade
system isdrained, vent ilat ed, and deals wit h
variat ions in temperature as a result of cli-
mate conditions, are fundamental aspects of
facade design that digital fabrication allows
a greater appreciation of duringthe design
stage beforetender. This digital fabrication
may be canri ed out wit h facade specialists or
cladding contractorsbeforetender as well as
when the project moves into the first phase
of working drawings, beforethe contractor
starts his fabrication drawings.
Overviewof apped shaped glazingpanel system
MCH_ 47 1
Future 06
9 Shingled glazing for facades of complex geometry
Detailed rendered view of lapped panels
Interms of materials, the useof timber
as a primary material for engineered facade
systems has increased significantly over the
pastfive years. This is in part due to its pop-
ularity in housing, where the general public
are beginning to seenew homesasan engi-
neered'kit of parts'that can be adapted to
suit context andclimate. The techniques of
using laminated timber panels andsections
are now infiuencing largerscale structures. In
common with someother materials, timber
lends itselfto digital fabrication, delivered
to site in fiat packform as prefabricated
panels. The advantage of timber to date has
been in its highstrength to weight ratio, but
the solidtimber panels are of course much
heavier. We are researching a combination
of theseheavierlaminated elements with
the lighter insulated sandwich panels that
combinethe advantages of prefabrication
with the equal advantages of sitefabrication
that suits non-standard facade conditions.
Another application of digital fabrica-
tion techniques is in concreteformwork
madefrom a combination of polymer foam
materials andtimber. Thisnew generation
of formwork isbeing developed to pro-
vide greater sculptural effects in reinforced
concretestructures andfacades both in
reinforced concreteandthe emerging useof
fibre reinforced concrete. Consequently, we
are seeing in our work a gradual interest in
loadbearing facades in reinforced concrete,
a move awayfrom the contemporaryuse
of facades asnon-loadbearing cladding. The
use of 'cladding', asopposedto loadbearing
walls, has cometo dominatearchitectural
design, partly dueto the fact that build-
ingenvelopes are requiredto provide high
levels of thermal insulation, which can be
provided by wrappingthe building in an insu-
latinglayer over the face of anyvisible struc-
ture. The introduction of thermal insulation
within structural materials, rather than over
them, has allowedthe possibility of structure
being used both as a structural andvisible
part of the facade design where its benefits
of thermal mass can once again be used.
Another areaof research we are
engaged in isin the development of 'mini-
Above. Section showi ng sealed connection between panels
Future 06
9 Shingled glazing for facades of complex geometry
Detailed rendered view of lapped panels
testing' for water tightness of small scale
facade samples. This research aims to allow
usto perform rudimentarywat ertight ness
testson prototypes quickly and cheaply,
permittingmore teststo be done (with
approximateresults) andallowing changes
to the design to be explored through a
series oftested mock-ups that reveal the
behaviour of facade systems when their
design is changed. Current test rigs for
facades are large, specialised andexpensive
to operate. This approach tendsto favour
as few detailing conditionsas possible being
created inthe facadedesignin order to sim-
plifya taskthat is difficult to explore three
dimensionall y, either technicall y or visually.
The simplification of the design results in
a more conservative andless exploratory
approach than would be taken if a method
MCH_ 474
of testingat the level of small scale assembl y
were available. This will allow a 'pattem of
behaviour' to be established for variat ionsto
a facade systemrather than attempt to opti-
misea design completely before a single full
test is carried out, where only a 'pass' or 'fail'
can be registered. Consequentl y, the design
of the cladding is not investigated under test
conditions but rather the quality of fabrica-
tion andassembly that ensuresthe chosen
design performs successfull y. The 'mini-test'
would be a design tool as muchas a verifica-
tion tool. Since a rapid prototyped mock-up
can be made quickly, follow-up tests could
be arranged soon after by modifying the
design, 're-print ing' the model andtesting
again accordingly.
These future developmentsare all
aimed at allowing the design of facades to
incorporate issuesof thermal insul ation and
of a response to climate while maintaining
high levels of technical performance. The
increased useof natural vent ilat ion, rather
than mechanical vent ilation, is drivingfacades
to draw in air in controlled ways around
buildings. Increasedthermal insulation is
reducing dependency on fossil fuels, as much
lower amounts of heatingrequired in build-
ings can be generated by altemative means.
Techniques of mastering the increased
geometric complexity of facades, informed
by the generat ion of air movement, can be
translatedto economicproduction through
the useof rapid prototyping and digital fab-
rication.
Physical mode]of facade using pieceslasercut with data exported directly fromthe computer model
MCH_475
Future 06
10 Variable concrete panels for solar shading
Rendered view of a structural facade which also provides shading.
Biomimetics and double skin
facades in cool climates
A recent t rend in contemporaryarchi-
t ecture, responsible for twisted andfolded
geomet ric forms, isthat of biomimetics.
Where most 'modem' architecture canbe
regarded asa collage of separate volumes
and objects linkedas a formal compositi on,
biomimetic-inspired architecture looksto
t he natural world for inspiration, where living
creat ures are madefrom a single material
'system' (like a mass produced component)
that makes local adjustments to its form
where changes are needed, rather than cre-
ate a different form. An example in nat ure is
the earthworm, which has a single system of
MCH_ 476
'structure' and 'ski n' from which its complete
body is formed. There isno separate 'head'
or 'feet'; rather the creature has a stnucture
adapted locallyto suit particular body func-
t ions.
This observation from nature has been
used in the design of buildings which display
a cont inuit y of form, such as where a single
expression isused for both wall and roof in
a visually complex solution. In such designs,
the outer wall is often separated from t he
inner wall, which respondst o specific func-
ti onal requirements wit hin the building. The
resulting double ski n facade typically uses
the zone between the inner andouter walls
to provide higher levels of t hermal insula-
tion as well asto allow larger buildings to
be naturally venti lated rather than relyingon
mechanical vent ilat ion systems.
The useof double skinfacades has
led facades beingshaped t o suit particular
requirementssuch as encouragi ngair move-
ment in a space t hat uses nat ural ventila-
t ion. Another reason for visually sculpting a
facade is in order t o optimise t he form to
reduce the amount of energythat would be
required to temper t he space, typically by
makingt he volume between inner and outer
skins wider at t he floor level then narrower
at the top. Where adjacent spacesare linked
vertically, such as in superimposed at riums,
the overall form of the building envelope
Some of the o ~ e n i n g s arefilledwith a meshwhich provides increased amounts of
shading. Thistreatment would depend on the function of the areas behind the facade.
I I
I
B
J-
1=
Future 06
10 Variable concrete panels for solar shading
Opt ion for a facade using organic forms in rein-
forced concrete to creat e a structural facade
around a curved building.
Above. Views of a section of facade
Left. Overview of system over an ext ended area
of the facade
might be twisted, curved or folded. For
the design of facades, the definit ion of t his
geometry andt he form of facade construc-
t ion used becomeprimary issues for the
facade designer. This project for an external
shading system sets out a proposal where
variat ion in t he shading is provided within a
variable geometry of the external shadingof
a buildingin a hot, humid climate.
External shading in hot climates
The approach taken in exploring com-
plex geometries in sealed or vent ilated dou-
ble facades isfinding a parallel in facadesfor
hot climates. In such conditionst he wint er
conditions correspond, to someextent, to
MCH_ 478
t he summer conditions experienced in tem-
perate climates. For most of t he year, glazed
double skin facades are impractical dueto
a highbuild-up of heat that would occur
behinda sealed outer glazed skin that would
not be mechanically vent ilated. Consequent-
ly, where two glazed skins are provided,
the outer skin serves only as solar shading
set forward of a sealed glazed wall. Where
external shadingdevices have been int ro-
duced inthis region, significant reductions
have beenmade in the cooling requirement
for mechanical vent ilation wit hin the buildings
when comparedto the classic solution of a
curtain wall wit h reflective glass.
Where shading devices are used forward
of an outer glazed wall, an overall form of
complex geomet ry can result from shading
that is set specifically to respond to the path
of the sun. While external shadingdevices
often present fewer technical challenges than
complex geometries for sealed facade panels,
the visual aspect presents issues for architects
and engineers. Again, a biomimetics-inspired
architectural approach allows t he facade to
be viewed as an organismmadeup of a small
number of components which have local var-
iations of that system as a response to specif-
ic climate-based needs. Fi xed shadingdevices
are designed typically t o be opt imised t o suit
a rangeof conditionsthroughout t he year. In
our work, this is done by making studies of
Structural facade system using a regular diagonal grid in reinforced concrete
-:
insolation and daylight levels throughout the
year and setting shading devices at different
fixed anglesto follow the path of the sun
in a position that would provide as much
protection aspossible throughout the year.
In practice this has meant that the shading is
least efficientfor low angle wint er sun inthe
early aftemoon, but this situation is assisted
by int emal blinds which, although not pro-
viding any reduction in heat gain, reducethe
effects of glare duringthis period.
We have also explored the idea of
using motorised shading in order to better
excludesolar radiation at different times
of year in facade projectslocatedin hot
climates. Thisapproach was found to be
beneficial in conditions where glazed facades
were exposed to the effects of the sunfor
only part of the day. Generally, mechanically
operated shading wasfound to have little
benefit in highly exposed conditions where
the systemwould consume more energy
to operatethan the conresponding saving
in mechanical vent ilat ion from the reduced
solargain. However, on facades which expe-
rience direct solar radiation for only part
of the day, we found that a mechanically
operated shading system can be beneficial
in reducing the energy loadfor mechanical
vent ilat ion wit hin a building.
MCH 479
Fut ure 06
10 Variable concrete panels for solar shading
Above andbelow. Perforated louvres which are moveableallow the shading to trackthe sun offering maximumprotection at different timesof day. The horizon-
tal setting shown below would be effective against a highsun whilst the situation above when the sun is lower.
MCH_ 480
Above and below. Shading screens which can be moved to provide more or less shading depending on t he function or user inside a space.
MCH_ 481
Future 06
I I Structural facades of complex geometry
A grided pattem of members providesboth shading and structural support to thefacade
This project was a design to integrate
an extemally-set loadbearing structurewit h
a systemof solar shading. The structure is
based on a design of interlocking arches,
forminga structuresimilar in construction to
a gridshell used for roofs. In environmental
terms, the design worlks likea set of extemal
louvresset in front of a wall wit h significant
areas of glazed wall. Inthis case, the facade
behindis approximately 50%glazed in order
to provide adequate daylight into teach-
ingareas of an academic environment. The
extemal structureserves as a complete
shading element that allows light to enter
but blocks the sun in the mid seasonfor
MCH_ 482
most of the teaching day, creating a striking,
fluid form over the ent irety of the extemal
envelope.
The density andspacing of the structural
members was adjusted in different areas of
the facadeto provide varying levels of day-
light penetration. The depth of the individual
members was also varied over the structure
to accommodate different lighting require-
ments. Inaddit ion, the structure provides a
frame which could support paneli sed meshes
to act as devices for localized solar shading
and control of daylight.
It was decided that timber would suit
this principl e, creat inga material systemwit h
the flexibility of fabrication and ease of instal-
lation to matchthe required physical form.
Metal was considered as altemative, but the
ease of jointing intimber, combined wit h its
economy, madeit a preferable solut ion.
Interms of solar shading, the effective-
ness of the 'louvre' pattem across thiswest
facing facadevariesdepending on the t ime
of year. Inthe summer monthsthe louvres
are not very effective in the late aftemoon.
This isparticularl y true in the areas of the
facadewhere the louvresare more widely
The structure becomes more dense towards the top of t he buildingwhich provides more shading and visual variat ion across the facade
MCH 483
Future 06
I I Structural facades of complex geometry
'<'
\
: , .
,
""'-" . _ -.. <, c........'i .I
;-
'"
-
, ,
.
. , .
, ,
.
, ,
, ""': : <,..:: ..... 4
,
I r--
.
,
,
01-
,
,
I I
, ,
"
,
p "
, ,
,
,
". , - ..... ,
.
, '-
.
.
I ,
"
,
. ,
.... . ,
,
\
,
- ,
",""
"
I
\
\ , ,
\ ,
,
;K-
\
.
.J
\
\
.
,
I
I
.
,
..
-c
.
, , ,
"J- - ... .... .... , . .,
,
,
.
.
' -,
-
, , .
-. , ,
.
, ,
.
-
.
.. -... -
, ,
,
J
.
.. "'-- --- -
"
. ,
- -
\ " -
-
, ,
,
. , ,
-
I
\
I
-. -
,
\ , ,
'"
,
,
,
-
.
,
-
.
' ....-
-
..... _.- .
,
J
A solution which uses a grid of curved members as bot h shading and structure
spaced. They are much more effective dur-
ing winter although there are still areas with
high levels of direct sunlight in lower parts
of the building, but the large sports spaces
at this level made the need for shading less
acut e, providing a more direct link with t he
experience of t he adjacent extemal sports
areas.
MCH_ 484
The idea of the structural facade was
continued asa non-loadbearing screenof
louvresacrosst he roof of the building, pro-
viding limited solarshadingt o large areas
of glazed roof immediately beneath the
shading. The shading effect of the louvres
set above t he roof provides an even greater
variat ion in its overall performance over
a year than the adjacent west facing wall.
During the winter months, when the sun
is lower, t he roof isvirtually fully shaded
with almost no direct sunlight falli ngon it.
Inthe summer, however, the roof is almost
constantly exposed t o t he much higher sun.
This exposure was reduced by makingthe
louvres higher which increased t heir effec-
tive shading depth combinedwit h increas-
ingthe frequency of the louvres locally to
Sectional view\; through t he structural facade
shade areas beneath that required it. Both
thesesolutionsresulted in a decrease of
the amount of dayl ight entering t he atri um
spaces below, alt hough the reduction would
probably be less if the louvres were t aller
rather than by increasing their frequency.
In the case of t his project. there isvery
little shadingon the building from t he sur-
rounding buildings. Only in the moming on
the east facade and afternoon on the west
facade duringt he winter months does sig-
nificant shading occur and this shading does
not cover more than a single comer of the
facade at anytime.
The design wasexplored further by
consideringthe expression of 'concrete'
on the supporting structure aswell as the
adjacent external walls, which wasaddressed
in a number of ways. A smoot h concrete
finishcan be achieved as a 'honed finish' wit h
precast concrete panel s, achieving a finish
similar to that of the text ure of stone. The
use of precastconcrete t echniques allows a
wide range of textures and surface model-
ling to be applied as well asa high degree
MCH_ 485
Future 06
I I Structural facades of complex geometry
Detailed view showing glass panels fitting between structural! shading members
MCH_ 486
Structural facace solut ion where a regular column grid is skewed to
provide varying amounts of shadingwhere needed
of dimensional control which is useful when
coordinating panel joints wit h fixingfor the
extemal shading devices.
Large scaleprecast concretecompo-
nentsfor extemal wallst ypically span from
floor to floor and can be insulated wit hin
their depth, allowing surface finishesto be
applied directly to the intemal face of the
panel. Large areas of concrete can be col-
oured but variat ion in colour as a result of
the difficulty of maintaining a consistent col-
our canbe addressed by useof a range of
hues from panel to panel to createa 'patch-
work' effect Wall panel s can be loadbearing
or be usedas cladding.
Precast concrete wall panels canbe
clad in other materials such as terracotta,
but other backing wallssuch as concret e
block or metal framed insulated panels can
be used. Terracotta is economic andover-
comesthe difficulty of using brickwork on
large areas of wall, where dimensional coor-
dination wit h the more precisecomponents
andassembl ies of the shading system can
be difficultto achieve. Shingled terracotta
tiles provide greater surface modelling and
texture than flat t erracottapanel s, which
movesthe expressionof the facadeaway
from sharp joint linesto a surface that read-
ily accepts windows which are not set out
on a preciserepetitive grid. However, the
ideaof combining an extemally-set precast
concretestructurewit h precast wall panels
will be developed in another project, with a
language that would allow the extemally-set
structure to appear to be pulling out of the
precastwallsbehind.
As an altemative to the useof addit ional
louvres set betweenthe mainstructural
members, anadditional metal mesh shading
systemcould be used to increasethe effi-
ciency of the facade, reducing light penetra-
t ion into the large spaces behind. On areas
of the facadewhich require more shading
the grid can be adjusted to becomemore
dense. The pattem of the facadecanthen
respondto light requirements of the intemal
functions of the building or an environmen-
tal analysis of the facade. This approach to
the shading could be part of the loadbear-
ingtree-like structure which supports and
becomes part of this grid. The structurecan
change in depth in atree-likemannerto
provide more shading on the t op stories of
t he school. As int he previous proposal the
grid runs acrossthe roof providingshading
to the atrium in a seriesof angl ed louvres.
MCH_ 487
Future 06
12 Facade with integrated fumitu re
Facade solution where a repeated cladding panel forms an enclosure, provides shading. houses
heating and electrical fittings and acts as cupboards and shelves
The idea of a extemal envelope which
isgenerated from the fumiture of a building
andbecomes asmucha part of the fumiture
as a weat her barrier was explored in the
FumitureHouseby Shigenu Ban, asshown in
the first section of this chapter. This project,
which did not needtloor to ceiling glazing,
but did require deskand storage near the
windows, was an opportunity to integrate
window andfumiture in a complete extemal
wall systemfor a ten storey university build-
ing.
Panel swere based on unitsthat would
fit between stnuctural columns set at
approximat ely 3000mmcent res, and were
set between columns rather than be forward
of them as would t ypically be the case in
a unitised panel system. Typically, unitised
panels are slotted together on their vertical
MCH_ 488
joints, as well as partially interlocking wit h
the panel below, andare usually set forward
of the edgeof the tloor slab, away from any
stnuctural columns. The aimherewasto set
out columns at closercentres than would
t ypicall y be the case andallow panels to be
supportedat tloor level. Thisallowed the
perception of the panel from the inside to
be of an individual window bay rather than a
separat e wall.
Each panel, approximately three metres
wide and of storey height, was sealed against
the stnuctural slab at tloor level, wit h a skirt
tlashing from the panel set immediately
above providing a weat her seal. The sides of
the panel were sealedagainst the face of the
column, wit h thermal insulation set around
the outer face of the columnto provide
thermal insulation.
The panel itselfisformed from alumin-
iumextnusionsthat interlockwit h nubber-
based seals at both tloor level andceiling
level. Thisensuresthat weat her seals areto
the standards expectedin regular curtain
walling. The frameis madeeither 300mm
deep or 600mmdeepto suit the panel t ype,
either for useas shelving, or as deeper desk
space andstorage space. The 600mmdeep
desk-based panel has awork surface set at
800mmabove the finished tloor level, wit h
room for storage above the window height.
The window itselfcan be either full height
or half height, but only the lower portion of
the window opens, asthe panel above istoo
high to reach, andthe ethos of the solution
is concemed wit h a straightforward solut ion
that has no mechanical devices to control
the opening and closing of the window.
Instead, the panel has electrical sockets and
Left: Section throughcladding unit.
wiring built into it for desk lighting and desk
top equipment such as power for a laptop
computer.
The 300mm deep panel has shelving
built either below the window, or both
above and below the opening light. Although
the panel was approximatel y two and a half
times the weight of a regular unitised panel,
it could still be lifted into position in the
building by a hoist set at roof level. Speed
of construction dictated that the fumiture
would be mostl y fitted in the factory rather
than on site, but sliding fioors would still be
fitted after the panels were lifted into place.
This approach to the construction of
the panel allowed a mixture of material s
in a single panel t ype. Windows would be
timber faced intemall y, but be fonrned in alu-
MCH_ 489
Future 06
/2 Facade wit h int egrat ed furniture
I
Variations of the multi-functional cladding panel including meshscreens or timber louvres extemally
MCH_ 490
minium extrusions externally. The use of all
timber windows within an aluminium carrier
frame was considered carefully, but could
not achieve the weather tightness required
at high level. Windows were sliding, though
parallel push-out t ype windows were con-
sidered, and might form part of the develop-
ment of this furniture wall system.
A further development of the idea was
to attach a gantry on the outside of the
panel for window cleaning access. In this
proposal, the edge of the floor slab was pro-
jected an additional 600 beyond the face of
the columns to provide a surface for a main-
tenance walkway. The walkway deck was set
onto a projecting 'toe' to the facade panel,
with a metal panel set below the deck to
provide a weather seal and durable cover-
ing to the reinforced concrete slab. Thermal
insulation is set below the metal panel to
avoid a thermal bridge around the edge of
the concrete slab.
Another development of the panel was
to provide a sliding solar shading screen
on the outer face of the panel which also
served as a wind break for the opening win-
dow. Rather than being a translucent screen
providing 30%to 50% shading, the panel
was largely opaque in order to serve as a
'curtain' set externall y, allowing air move-
ment around it so that when the window
was open and the study desk in use, the
screen would provide both privacy and
protection from the wind. Various studies
The panel can be adapt ed t o almost any required configurat ion, Versions here include a door or furt her glazing at lower level
were undertaken on levels of refiectionof
the inner face of t he screen to ensurethat it
refiected light rather than making the space
behindsignificant ly darker,
The windows usetimber as a mate-
rial wit h low thermal conductivity when
comparedto metals, thus serving as ather-
mal break inthe panel system as well as a
material combinedwit h aluminium for the
window frames. Greater dimensional stability
could be achieved by using engineered tim-
ber, such asLVL (laminated veneer lumber)
or OSB(oriented strand board), which are
more commonly used in intemal sit uat ions,
isolated from the effects of the weat her. This
would allow the structural part of the frame
to be madefrom an engineered timber
product, while the outsideis sealed in glass
and aluminium, as well astimber boards in
rainscreen configuration if required. This
approachcould both reducecosts and
reducethe weight of panel s, making them
easier to transport and install on site. The
framing could be assembled in a similarway
to triangul atedtimber engineered trusses,
wit h aluminium or mild steel connectors
pressed into the timber in a similarway
to the production of timber trusses. This
approach to panel design as a mixture of
fumiture andcurtain walling, could bringthe
fabrication methodsof carpentryandjoinery
wit h the technical performance of glazed
walls, and allowing each part of the design
to reducecosts overall, rather than the fur-
niture beinganexpensive additional compo-
nent to an extemal wall system, or a joinery-
based approach lacking economy dueto a
reluctance to engagewit h the principles of
economiccurtain walling. Wall panel scould
also follow the principles of prefabricated
'cassette' fioors where complete sections
of timber fioor are factory finished, ready
for installation on site. This useof prefabri-
cated, yet economic, timber frames exists in
systems for straw bale walls, where strawis
encapsulated in atimber frame. Inthe exam-
ple of this facade system, the timbers would
remain as part of the intemal construction,
wit h curtainwalling components remaining
extemal.
In common wit h other projects, an aim
of the design isto encourage the useof
MCH_ 491
Future 06
I2 Facade with integrat ed fumiture
A version of the cladding panel wit h a more vertical
emphasis. This version includes a moveable mesh
shading screen, openings for naturalventi lat ion,
heating systems and strorage.
natural vent ilat ion in facades, which in cross
venti lat ed buildings of relat ively shallow
depth isvery useful in the mid season as
in summer in cooler climates. The opening
windows slide in order t o avoid confiicting
with user requirements of the study desks,
aswell ast hose using the storagespace in
other panels. The system also allowsfor full
height opaquepanelswhich can be used
for storage on their inner face. Storage can
also be provided upwards from 800mm
above finished floor level, with a glazed strip
set at low level in order to wash the floor
with light andallowt he fitted fumiture to
be set above the floor finishes. Full height
glazed panels were also designed, provid-
ingadditional light in spaces with adjacent
full height glazing. Here it was assumed
t hat the framing would revert to a primarily
aluminium outer frameandt imber int emal
tri ms, allowingt he floor t o ceilingspanning
capability of t hin aluminium extrusions to
take precedence.
The system wasdeveloped further so
MCH_ 492
-
Thi scladdingpanel has deep
horizontal windowreveal sto
shade theglazing from high sun
and avertical louvre to help
protect against alowersun. The
vertical louvre also fonrnspart of
theextemal drainage system.
that tables could be addedto the sides to
adapt its useto universitylaboratoryspaces.
Thisallowedthe fumiture wall to coordinate
wit h intemal fittings sothat light, heat and
electrical power could be providedwit hin
the wall panel rather than across the floor
of the ceiling. This approach avoidedthe
needfor raised fioors andsuspended ceil-
ings by servicing the space from the extemal
walls, aswas the case in other buildings built
for the same university in the I960s. There
was muchto leamfrom mucholder facade
installations in the university, from the mid
20th centurywhen building systems were
undergoing considerable development.
The vision in someof thesedesigns of fifty
years ago, for the integration of structure,
envelope, heating and natural vent ilat ion has
not been matched in manylater buildings.
Not quite the energy hungry 1960s of the
popular imagination. This project showed
usto look backward into history as well as
forwardto the future.
MCH_ 493
MCH 495
The glossary of terms here is aimed to
explain words used in the context of this
book.These are not intended to be general
definitions and should be used accordingly.
Topics are arranged in alphabetical order.
BunJOINTS.These are a contempo-
rary type of joint where two materials
are brought together and sealed with a
different material such as silicone, as in an
external wall.Traditionally, joints in walls
have been formed by some form of lap-
ping, or interlocking of materials, as in the
corners of window frames. Butt joints have
the advantage of allowing movement to
occur in the joint, as where adjacent panels
are supported separately.An example is the
use of silicone sealant between bolt fixed
glazed units, where double glazed units move
independently, and may experience consid-
erable amounts of movement if secured to
a structure that allows higher deflections
than frames, such as cable net structures. An
essential requirement of most butt joints is
to ensure that the there is sufficient surface
on either side of the joint for the sealant to
seal against,allowing it to stretch in several
directions without losing adhesion.
CAPPED SYSTEMS. Glazed walls or roofs
which are fixed to a continuous framing
system on all sides are referred to as being
'edge restrained'. Since most panels in glass
or metal, for example, have four sides,these
systems are generally called 'four edge
restraint' systems,with the panels being held
in place by pressure plates. Since the pres-
sure plates have visible screws which are not
always aligned neatly,an additional cover cap
is set on top of the pressure plate.The cap is
made in extruded aluminium and is coated,
typically with a colour to match any adjacent
metal panels or doors. Such systems are
called 'capped systems'to differentiate them
from those which have a silicone seal on the
outside, such as'toggle' glazing and 'silicone
bonded' glazing, where only a silicone strip
is visible from the outside. Sometimes a
MCH 496
capped joint is used in one direction on a
glazed wall, while a silicone seal is used in the
opposite direction.
CAVITYWALL.This form of construction
developed in the I 920s onwards in brick
construction as an alternative to thicker
loadbearing walls, which were both unreli-
able in their ability to keep out rainwater
and vapour as well as being more expensive
to construct.The cavity wall divides the wall
into two halves, orskinsThe outer skin
is the weather barrier, and is assumed to
become completely soaked during a rain
storm. The inner leaf is not in contact with
the outer leaf, so it remains generally dry.
The two skins are joined together with cav-
ity wall ties, designed to encourage water
in the cavity from dripping off the ties and
down the cavity rather than being carried
onto the face of the adjoining inner skin.The
cavity wall has developed by setting thermal
insulation either within the cavity, on the
outer face of the inner skin, or within the
inner leaf itself.
CLADDING.This term refers to non-Ioad-
bearing facade systems which are applied
to a building envelope in a way which is
independent of the building structure. Clad-
ding may even be used to give a completely
different expression to the building from that
suggested by either the building structure or
the organisation of spaceswithin the build-
ing.This independence of cladding from its
supporting structure has been exploited
by many contemporary architects to cre-
ate textures and geometries which accept
this independence of the technology of the
building envelope, and work with the oppor-
tunities provided by the non-Ioadbearing
nature of cladding. Since the primary struc-
ture of building is set behind the cladding,
the external envelope can be configured
to give precedence to other design consid-
erations as primary forms of architectural
expression, such daylight, solar control and
the visual expression of individual spaces
within a building without direct reference to
the structural frame.
COMPOSITE MATERIALS.These have been
developed to mix two or more different
materials together in order to benefit from
the strengths of each in order to overcome
the weaknesses inherent in one or other of
the materials. In wood, for example, where
a length of timber can span only as long as
can be cut from a tree, lengths of timber
sections can be increased significantly by
gluing strips or particles of timber to make
board material. This combination usesthe
benefits of timber of lightness in weight and
ease of working the material with increased
size and greater stability to reduce the
effects of moisture movement. Reinforced
concrete can be regarded as a composite
material, with steel reinforcement providing
strength in tension which is lacking in regular
concrete. GRRor glass reinforced plastic, is a
mixture of resins providing, conceptually at
least, compressive strength with glass fibre
giving tensile strength.
CURTAIN WALLING. This refers historically
to glazed wall systems which were 'hung' in
panels or as a metal framework into which
glass panels were set.While the concept is
clear,these systems are not always hung in
the manner of a curtain, and are not always
spanning from floor to floor Contemporary
curtain walling is described as being either
'stick' systems,'unitised' systems,or 'panelised'
systems (explained under separate headings).
Consequently, the term curtain walling is not
referred to in this book as it is too generic,
with 'glazed walls' used instead to allow the
primary material to take precedence. Cur-
tain walling was developed in the years fol-
lowing 1945, primarily in the United States,
where it was a practical way of enclosing tall
buildings without the need for lifting heavy
materials such as stone and brick high up,
where they were slow and difficult to man-
age,which became far less economic in
industrialised countries.
DOUBLE SKIN FACADES.These are essen-
tially two skins of external wall which pro-
vide a thermal buffer in winter and natural
ventilation in summer.The thermal buffer
ensures that solar gain in winter months can
be used to heat a building, while in summer,
windows at high level can be opened into a
void between inner and outer skinswithout
experiencing the effects of wind gusts.Dou-
ble skin facades can vary from IOOOmm in
width, with two walls separated by a main-
tenance walkway,to a thickness of 300mm,
where the double skin is set within a single
wall construction, typically as unitised panels.
With the wider version, comprising two
walls set apart, the cavity can be ventilated
form the outside, either with open joints or
with controlled louvres.Thin double skins
are ventilated from inside the building, some-
times actually linking the void within the wall
to the mechanical ventilation system.
EAVES.These are junctions between the
top of an external wall and the underside
of a sloping roof, which typically overhangs
the wall.Where the external wall is made as
a cladding system rather than a traditional
loadbearing wall, the relative movements of
wall and roof need to be taken into account
in the weather tightness of the junction.
There is also a need for continuity of ther-
mal insulation from wall to roof, sometimes
providing ventilation into the roof space
and sometimes providing a complete seal
from wall to roof As an interface between
primary elements of a building which are
usually performing in quite different ways,
using quite different forms of construction,
eavesjunctions require the lapping of the
waterproofing for the roof to form a con-
tinuity with that of the wall. As an interface,
an eavesdetail usually requires one of the
systems of wall or roof to take precedence
from a visual point of view, so this becomes
an additional requirement of their design.
EMBODIED ENERGYThis is the amount of
energy required to construct a building or
part of a building. No specific standards can
be applied yet, as an essential component in
the energy required to construct a building
isthe delivery of materials to site, which can
vary enormously, but which favour as local a
sourcing of materials as possible., in practice
this can be difficult to agree, as it needs to
be established how far up the supply chain
to go when calculatingthe energy required
to make primary materials for a building.
In the case of polymers for example, the
dependence on oil from different parts of
the worlds being moved around can create
complicated scenarios for calculation.Timber
is considered to have zero embodied energy
as a material, but the energy used to fell, cut
and transport the material is much higher,
though not as high asthe metals used in fix-
ingswhich allow the timber to be made use-
ful as a building material.
IN-SITU CAST CONCRETE.This method
of working with concrete, also called cast-
in-place concrete, is based on forming the
material on site usingformwork that is set
up specificallyfor the casting process, before
moved to the next stage of casting. The
method can be used to create large scale
concrete structures or walls.An important
consideration is the formwork, which is
used increasingly as a kit of parts that can
be moved and re-assembled quickly for the
next part of the work. If the concrete is to
be a visible part of the construction, as in the
caseof columns or external walls,the provi-
sion of joints and junctions with adjacent
elements needs to be considered carefully
prior to starting on site. Sincethe casting
of concrete reveals very closely the texture
of the formwork from which it is cast,the
choice of formwork board size, or tube size
for columns, is an essential part of the design
of the building, and is considered at an early
stage of the design.
LAPPEDJOINTS.This is the traditional
method of forming junctions between mate-
rials in external walls. In order to ensure that
water runs off timber boards, for example,
the material is ship lapped, where one board
is set over the other. More generally, this
principle applies in tiled and slated roofs, and
in brick walls where openings are formed so
asto lap the external wall around window
frames.Where render is used on top of
masonry walls,the render forms, effectively, a
lap between wall and window. Lapped joints
are used in contemporary construction
where a butt joint is either not appropriate
in terms of its exposure or appearance, or
alternatively where ventilation is required, as
in rainscreen panel systems and roof cover-
ings. An essential aspect of lapped joints is
that they are oriented in a direction that
ensures rainwater will run off the joint in a
downward direction while allowing ventila-
tion to occur in the upward or lateral direc-
tion.
MEMBRANES.These are single layer materi-
als made in large sizes, typically I OOOm to
2000mm in width and in long lengths, sup-
plied in rolls.They are made primarily from
polymers, and havethe advantage of being
able to be bonded or welded together, often
by heat rather than a naked flame, making
them easyto install on site.Their use is main-
ly as reliable waterproof or vapour proof
layersto large areas of wall or roof which
experience relatively little thermal move-
ment.Though reliable, they are relatively
fragile unlessdesigned speciallyfor external
use, as isthe casewith thicker, tougher roof-
ing membranes. Mostly, however, membranes
are required to be concealed beneath other
materials to protect them from the effects of
the sun and from suffering accidental dam-
age, such as being walked upon for example.
Membranes are usually fixed at points on
their underside in order to avoid penetrating
the membrane.
MCH 497
OPENINGS.This book shows examples of
details around openings asthey are often at
the interface of different systems, or com-
ponents from different systems.Windows
and doors, for example, do not have obvi-
ous ways of being fitted into walls when a
very watertight and airtight performance
is required. Since facade systems are often
developed and tested to quite different
standards and with the intention of form-
ing a complete building envelope as a single
material system, combinations of two sys-
tems are dealt with on a project by project
basis. In the case of windows and doors
being designed within a single system, such
as windows and doors, it is essential in order
to understand the visual impact that they
make on a facade, as well as how they can
be accessedfor cleaning and maintenance.
Openings are required to be assembled in a
particular order if made from different mate-
rials or systems,which can infiuence their
appearance, so the sequence of construction
is a consideration.
PARAMETRIC DESIGN.This is an approach
to the design of a building, or part of a build-
ing, based on the idea of setting 'parameters'
that can be changed dimensionally, while
making other parts of the design 'fixed',
which cannot be changed.This principle can
be applied to the geometry of a set of fioor
slabs, for example, which may be allowed
to change in one direction only, or be used
for a set of components which might be
changed.This approach suits geometrically
complex or large-scale projects where the
time required to rebuild the model would
be uneconomic. Because parametric design
software allows the design to make changes
quickly, it allows the designers to try changes
to see what happens to an overall building
form, for example.This allows the behaviour
of the component or building geometry to
be understood, sometimes linking fioor areas
to a building geometry.
MCH 498
PANELISED SYSTEM.This is a general term
covering large scale panels used primarily for
external walls.Their use is in prefabricated
wall systems where a building is required
to be assembled on site quickly, or where
the specific site does not make it easyto
undertake complicated work, mainly where
access is restricted. Where unitised panels
in glazed walls are typically around 1500mm
wide, panelised systems can be made up to
around 7000mm long, depending on their
weight, but are typically del ivered to site on
trailers, so that transportation is an impor-
tant consideration in the design of panelised
systems.These panels may comprise a
mixture of systems,such as metal framed
backing walls with windows installed, or even
precast concrete panels with masonry fixed
or forming an integral part of the panel.They
are finding use as waterproofed or vapour
proofed backing walls which can be installed
quickly on site while the outer skin of the
wall is applied later.This allows the building
to become watertight at an earlier stage of
construction.
PARAPETS.Theseare traditional elements
of buildings which still form a prominent
part of contemporary design. Parapets are
formed when an external wall projects up
in front of the base of the roof construction,
requiring rainwater to be drained into a gut-
ter behind the external wall rather than in
front of it.This makes it essential to draw the
rainwater down the pipes which are typically
set outside the building rather than inside,
where they can be difficult to access for
maintenance an can be susceptible to dam-
age, causing leaks. Parapets are detailed so as
to form a gutter between wall and roof that
can fill to capacity without the risk of leaking
back into the building. Since parapet gut-
ters can become blocked as a result of the
outlet being accidentally covered, the design
of these junctions, as well asthe provision
of overfiows to the outside, are essential
considerations in their design.The coping, or
durable covering set on top of the parapet,
has some visual presence on the facade and
can be seen as a termination of the top of
the building.
POINT FIXED GLAZING. This is a recent
development that originated with clamped
glazing systems of the I 960s, used mainly as
shop front glazing at that time.The technique
comprises either bolt-like fixings set near
the corners of the glass, or clamps set on
both sides of the glass along the edges of
the glass, but not necessarily at their corners.
An essential part of their design is to ensure
that the glass is supported so that it can
move in order to avoid putting additional
stress into the glass. These systems are typi-
cally designed in conjunction with a manu-
facturer or facade designer who can ensure
that the design is suitable both in relation to
its supporting structure and for fabrication.
Clamped glazing has become more popular
in recent years since it is more economic
than the bolt fixed method, as clamps can be
set between the joints rather than requiring
glazed units to be drilled to accommodate
the bolt fixing.
PRECAST CONCRETE. This material is an
alternative to in-situ cast (or cast-in-place)
concrete. An essential aspect of precast
concrete is that it can be used for structures,
facades, roofs and interior building compo-
nents, making the understanding of how the
material is used an essential aspect of design-
ing with the material. Becauseof the weight
of concrete and the high amount of material
required for its use in construction, its use
as prefabricated components requires care-
ful consideration, particularly in expected
tolerances in its assembly, which can require
wider gapsthan those required in other
materials. Although precast concrete is used
for staircases, for example, these compo-
nents are often covered up by finishes work
and so are not revealed. Consequently, the
choice of precast concrete over in-situ cast
concrete may not be of primary interest to
the designer in such applications. Where the
use of precast concrete wi II be of concern is
where the material is visible, requiring careful
attention to finish, mainly in terms of colour
consistency and texture, as well as how the
formwork will leavetraces of the pouring
method that may, or may not be, required in
the finished work.
PREFABRICATION AND SITE-BASED
WORK. The choice between buildings being
constructed mainly on site or off site in a
workshop or factory is based on issues pri-
marily of cost and quality,though it has also
to do with increased specialisation in con-
struction. Projects of ambition often require
specialist construction skillsto undertake
the construction. Such specialists are usually
set up with their own working environment
rather than being based on a succession of
building sites.While prefabricated elements
and systems are required to be assembled
or set into position on site, this environment
is too temporary for many specialists, who
require a specific planned work environment
for them to be effective both as an organisa-
tion and in order to produce work of high
quality. Quantities of what can be transport-
ed to site are usually limited by the capacity
and weight allowance of a trailer as well
as storage facilities on site. However, some
building work is more effectively undertaken
on site, usingthe site as a workshop and
storage facility for components. Structural
frames and floor slabsin large scale con-
struction are still mostly site-based, though
the amount of prefabrication is increasing.
RAINSCREENS.These are facade and roof
panel systems which allow small amounts of
rainwater to enter the joints between panels
and be drained down through the framing
back to the outside, either at each floor level
. or at the lowest level of the system.The
term was first used for curtain walling, where
leaks in earlier forms of curtain walling were
overcome not by attempting to exclude any
water penetration, but by accepting that it
is easier to ensure the water drains away
safelywhen it penetrates joints.The term, in
general use, is applied more to open joints
in panel systems,typically metal, timber and,
terracotta than to glazed curtain walls.When
used in this context, panels in these materi-
als are generally fixed to a framing system
which is secured to the building structure.
A separate backing wall istypically used to
provide thermal insulation and a waterproof
layer. Rainscreen panels have grown in use as
a visually refined facing to economic backing
walls.
STICK SYSTEM.This is a method of con-
structing glazed walls on site from framing
and glazed units. Stick glazing is often used
in complex arrangements of curtain waIl-
ing and for smaller projects. Larger projects
such as apartment buildings often have
many different conditions in their design on
the external envelope, which would require
many types of unitised panel that would
be both uneconomic and difficult to install.
Smaller projects do not have a sufficiently
large envelope to make unitising panels eco-
nomic and are usually stick built regardless
of their level of complexity. Advantages for
designers are mainly the flexibility of design,
which does not need to be made modular
to suit repeated panels,and the narrower
size of joint widths, which is usually SOmm
to 70mm depending on project require-
ments. Stick systems can also be combined
effectively with supporting steel frames such
asthose for atrium structures and double
skin facades. Where steel frames are used,
the aluminium extruded box section on the
internal side of the framing can be omitted,
allowing the front part of the stick system to
be fixed directly to the supporting steelwork,
which would typically be also in box sections.
THERMAL BRIDGING.This is also called
'cold bridging' but can occur in hot thermal
conditions as well as cold conditions. Essen-
tially,the design of different systems of wall
and roof construction is gradually being
developed to reduce thermal transmission
through the build-up. Some parts of the
system can perform considerably worse than
others, creating a 'bridge' for the passage of
heat or cold which is prevented elsewhere in
the system. In glazed walling, for example, the
thermal performance of the framing is signifi-
cantly lessthan that of the glazed panels,and
is improved by using a 'thermal break' so that
the high thermal transmission of the frame
is'broken' with a polymer based component
set between inside and outside. The thermal
break may be a separating strip or may form
an integral part of the construction, as is the
casewith aluminium framing to glazed walls.
U-VALUE ANDTHERMAL INSULATION.
The U-value of a construction is a measure
of the thermal transmission through the
material, with systems of lower U-value
having higher levels of thermal insulation.
The U-value takes into account the thermal
transmission of all the layers of construction
that make up the wall, so walls of different
build-up in section require separate U-value
calculations. U-values can be used in calcu-
lating the rate of heat flow of spaces in the
building, but are separate from the effects
of solar gain'through glazing, which may also
causethermal transmission. Consequently,
double glazed units have a Low-E coating
and vacuum in the cavity to provide thermal
insulation, while a separate solar control
coating provides protection against the
effects of solar gain.
UNITISED SYSTEM.This is a prefabricated
method of making facade panels,typically
for glazed walls. Its advantage is primarily
of reduced cost for facades with consider-
able repetition resulting in few panel types,
but another advantage is the use of silicone
bonding, allowing frames to appear slim on
the outside, and for opening lights to have
their frames concealed internally.Applying
silicone on site in stick systems can be very
difficult to achieve due to the time needed,
as well asthe avoidance of dust around the
edges of the bonds.
MCH 499
This book has been a team effort involv-
ing members of Newtecnic in London.
Drawings were modelled and rendered by
Michael Clarke, Gerard Ellis, Louise Jarvis,
Howard Tee and Adam W illetts. Ad ditional
images were generat ed by Roly Hudson,
Maria Sfaellou and AnthonyTaylor.The book
was designed by Yasmin W atts.The t ext is
by Andrew W att s,wit h contributions from
Michael Clarke and Louise Jarvis. Michael
Cl arke wrot e the following t exts: Environ-
mental studies for envelopes, Solar radiat ion,
Daylight, Green walls
Loui se Jarvis wrot e the following texts:
Straw bales and hemp, rammed earth, cob
and adobe bricks, Green oak and bamboo,
as well as addit ional text for Doubl e skin
facades.
David Marold is Edit or for Architecture
and Philosophy at Spr inger Ver lag inVienna.
He has driven this book fro m a set of basic
layouts to a comp leted book He has a pas-
sion for books and their design, ranging from
the ir wider content t o the quality of print
paper.
Newtecnic is a firm of London-based
specialist architects who create facades in
collaborat ion with leading archit ects.The firm
pr actices int ernationall y as facade designers
for archit ecturally and technically challeng-
ing projects and has a parti cular interest in
developing new facade systems and in the
use of comp lex geometries. Newtecni c fol -
lows pri nciples of rapid prototyping as a
met hod of developing facade systems that
MCH 500
can be manufactured quickly and wit h a
high degree of accuracy and precision. The
office's current work ranges from large scale
developments in Moscow, Dubai, Egypt,
Kuwait City and St Peter sburg to residential
and commercial projects in London, where
Newtecnic are working wit h design teams
t o develop innovati ve t echnical solut ions and
optimise complex designs for digital fabrica-
tion .
Before establishing t heir own practice
specialising in facades, Newtecnic principal s
Andrew andYasminW atts worked exten-
sively both in the UK and abroad. During thi s
time the y were involved in a range of signifi-
cant projects including Federation Square,
Melbourne wi t h LAB Architects, the Millen-
nium Bridge, London for Foster and Part-
ners, Euralille and Institut du Monde Arabe,
Paris for Ate liers Jean Nouvel, and Cit e
Int ernationale, Lyon and t he New Caladonia
Cultural Cent re for Renzo Piano Building
Workshop.They have produced a number
of vol umes on contemporary building tech-
nol ogy which provide reference material
for student s and pro fessionals.The Modem
Construction Series is publi shed by Springer
Wi en New York In addition, the Facades
Technical Review,from RIBA Publications
was published in spring 2007.
Much of Newtecnic's work is informed
by a specific response t o climate and to
the technical performance of t he external
envelope. In projects where climat e cont rol
and natural vent ilat ion are primar y design
criteria for t he facades in temperate climates,
doubl e skin facades are oft en used. Rather
than follow rectilinear design, the outer skin
of facades of projects where Newtecnic
are involved are required increasingly to be
shaped geometrically in response to specific
environmental issues.These resulting facade
forms are t ypically twisted, curved, t apered,
or a combinat ion of t hese forms.These
pages aim t o illustrate some of the research
undertaken by Newtecnic in recent projects
which exhibit the se tendencies in terms of
the possible solut ions for the design of the
cladding in both t emperate and hot climates.
The Newtecni c t eam investigates mate-
ri al systems that are explored through 3-D
modelling rather t han 2-D drafting.The
engineering aspect s of the design, both
structural and environmental, are developed
t hrough an investigat ion of th e behaviour of
construction systems when modifed geo-
metrically. Rather than develop a series of
opt ions to solve a design, a single parametric
model is used with fixed criteria and criteria
which can be stretched and pulled unt il an
opt imum solut ion is found.This allows a
single design model t o provide a'range' of
solut ions which can be explored through
rapid protot ype model s,using a range of
modelling tools from 3-D printers t o laser
cutt ers. Strands of fabrication, context, site
specificity, language of the base 'component'
of the design and spatial organi sation are
developed in parallel for each proj ect.
Images are credited per page, left to right,
and from top to bottom:
PIO left. Photo:Adrian Pingstone from
Wikipedia.
P21 left. Photo: Michael Reeve from
Wikipedia.
P21 first from left. Photo: julian Nitzsche
from Wikipedia.
P21 first from top: Photo:Adrian Pingstone
from Wikipedia.
P40first from left: Photo:Yoshito Isonofrom
Structurae.
P40 second from top. Photo: Lucas B. Salles
from Wikipedia.
P41 left. Photo:Yoshito Isono from
Structurae.
P41 first from left. Photo: Finlay McWalter
from Wikipedia.
P41 first from top. Photo: Enrique Cornejo
from Wikipedia.
P44,45. Photos: jim Dunster.
P47first from left. Photo:Adrian Pingstone
from Wikipedia.
P47 second from top. Photo:Adrian
Pingstone from Wikipedia.
P48Lfirst from top. Photo: Chris McKenna
from Wikipedia.
P49 first from left. Photo: Olaf Davis from
Wikipedia.
P50first from left. Photo: Paul Lechevallier
from Wikipedia.
P52first from left. Photo:Walter Horvath
from Wikipedia.
P52 second from top. Photo: Raul Polanco
Montiel from Wikipedia.
P56 left. Photo: Marion Schneider &
Christoph Aistleitner from Wikipedia.
P58 left. Photo: Richard Bartz from
Wikipedia.
P64, 65. Photos: Don Evans.
P66 second from left. Photo: Hubbell &
Hubbell Architects.
P66 second from top. Photo: Pari iamentary
copyright images are reproduced with the
permission of Parliament.
P66third from top. Photo: Parliamentary
copyright images are reproduced with the
permission of Parliament.
P67 left and first from left. Photo: Hubbell &
Hubbell Architects.
P68, 69,70,71. Photo:Architen Landrell
Associates Ltd
P74, 75. jewish Museum, Berlin, Germany
Photos: Courtesy of jewish Museum, Berlin.
PIOI. Usera Public Library, Madrid.
Photo: Roland Halbe.
P104. Bridgewatchers House, Rotterdam.
Photo: Bolles andWilson
PI 08. Sun Tower Office Building, Seoul.
Photo:Youngill Kim.
PI I I. Kew House, Melbourne,Carter Tucker
house, Victoria, Peninsula House,Victoria.
Photo:s: Earl Carter.
PI 18. RWEAG Essen, Germany.
Photos: H. G. Esch, Holger Knauf
P140-141. Matsunoyama Natural Science
Museum, japan. Photos: Katsuhisa Kida
P206. Uji-anTea house, Tokyo.
Photo: Katsuaki Furudate.
P275, 276. ETFE images.
Photos: Vector Foiltec Ltd.
P280, 282 &283. Canopies.
Photo:Architen Landrel Associates Ltd.
P284-285. Millennium Dome, London.
Photos: Robert Peebles.
P288. Photos: jim Dunster
P289. Saltwater Pavilion, Neeltje [ans,
Holland. Images: OosterhuisAssociates.
P290-29 I. jim Dunster.
P29 I. jewish 'Museum, Berlin, Germany
Photos: Studio Daniel Libeskind.
P324. Leipzig Exhibition Centre, Germany.
Photos: Busam/Richter.
P327. Yatsushiro Municipal Museum,
Kumamoto Prefecture, japan.
Photos: Toyo Ito &Associates.
P322, 337. Photos: Robert Peebles.
P342. erner Hall Student Center, Columbia
University, New York, USA. Photos: Peter
Mauss/Esto (left), Lydia Gould (right).
P343. Educatorium, Utrecht University,
Holland.
Photo: HansWerleman, Hectic Pictures.
P344. Okanoyama Museum of Art, Hyogo,
japan. Photo:Yasuhiro Ishimoto.
P349. Museum of Contemporary Art, Los
Angeles, USA.
Photo: Yasuhiro Ishimoto.
P349. School of Decorative Crafts, Limoges,
France.
Photo: C. Demonfaucon.
P350. Patio houses, Esposende, Portugal.
Photo:s LUIs FerreiraAlves.
P372. The British School in the Netherlands,
The Hague, Holland. Photog: jan Derwig
P372. Kew House, Melbourne,Australia.
Photo: Earl Carter.
P373. lonica Building, Cambridge, England.
Images: Battle McCarthy Engineers, London.
P374. CarterlTucker House, Breamlea,
Victoria,Australia.
Photos: Earl Carter
P375. Bibliotheque Nationale, Paris, France.
Dominique Perrault.
Photos: Georges Fessy. (above), Michel
Denance (below).
P375.The Menil Collection Museum,
Houston,Texas, USA.
Photo: Paul Hester Renzo Piano Building
Workshop.
P376. GovernmentTraining Centre, Herne-
Sodingen, Germany
Photo: Christian Richters.
P377. Photovoltaic Installation,
Northumberland Building, Universityof
Northumbria, England.
Photo: University of Northumbria.
P378. Solarchis Solar Houses, japan.
Architecture Studio and MaetaConcrete.
Photo: Solar.
P379. Daggett Solar Farm, California, USA.
Photo: G. Donald Bain, Geo-Images Project,
Universityof Californiaat Berkeley, USA.
P381 . Strawbale classroom at AvonTyrrell,
New Forest, England.
Photo: New Forest ParkAuthority.
P382. The Redding Residence, Kendle
Design Collaborative, Scottsdale, Arizona
Community, USA.
Photo:www.eartharchitecture.org
P392. Photo: Rob Peebles.
P394. RWEAG Essen, Germany
Photo: Christian Richters.
P395. Photos: Robert Peebles.
P396 (left). Kitakame Canal Museum, japan.
Photo: Kengo Kuma andAssociates.
P396 (right). Furniture House,Yamanashi
Prefecture, japan.
Photo: Hiroyuki Hirai.
P397 (left). International HousingExhibition,
Fukuoka, japan.
Photo: Kwano, courtesy of the Office for
Metropolitan Architecture.
P397 (right).
Freshwater Pavilion, Neeltje [ans, Holland.
Photo: Lars Spuybroek, NOX Architects.
P404, 405. Offices, DaimlerChrysler Projekt,
Potsdamer Platz, Berlin, Germany
Photos: Robert Peebles.
P4I2, 4 I 3. Photos: Robert Peebles.
P41 6, 417. Mini-House, Nerima-ku,Tokyo,
japan. Photos: Tsukamoto and Kaijima.
P41 6. Furniture House,Yamanashi Prefecture,
japan. Shigeru Ban. Photos: Hiroyuki Hirai.
All other photographs have been provided
by courtesy of Newtecnic Ltd.
MCH 50 I
A E Glossary of terms 492
Green oak and bamboo 384
A future for building 416 Elevators 410 Green walls 386
Authorship 496 Embodied energy 368 Greenhouse glazing and
Aluminium 26 Energy and the building capped systems 226
Aluminium windows 144 envelope 352 GRP panels and shells 270
Arches and shells 324 Environmental studies for GRP rooflights 266
envelopes 358
Electrical lighting 396
B ETFEcushions 274 H
Exposed membranes 246
Bonded glass rooflights 238 Straw bales and hemp 380
Bolt fixed glazed walls 132
Bolt fixed glazed roofs 234 F
Brick 54
Brick boxes 312 Fabrics and membranes 68
Brick cavity walls 168 Fabric systems 274 Internal walls 72
Braced frames 292 Facadewith integrated Introduction to Second Edition 4
furniture 484 Changes from the First Edition 4
Fire control 402 Structure of this book 5
C Fixed and demountable walls 72
Flat roof:
Cast-in-situ concrete 152 Mastic asphalt coverings 254 L
Cast-in-situ Floor 332 Bitumen-based
Ceilings 80 sheet membranes 258 Lifts 410
Clamped glazing 128 Floors 78 Liquid based heating/cooling systems 388
Composite panels roofs 214 Folded glazing 418 Loadbearing boxes 308
Concealed membranes 242 Fuel and water supply 398 Louvre screens 112
Concrete 40
Concrete block 50
Concrete frames 292 G M
Composite panels 100
Copper, zinc and lead 30 Generic wall types 90 Maintenance and cleaning 404
Glass 34 Masonry 48
Glass blocks and channels 136 Masonry cavity walls 168
D Glass boxes 316 Masonry cladding 176
Glass floors 340 Masonry rainscreens 180
Daylight 364 Glass roofs 226 Masonry loadbearing walls 164
Digital tectonics 12 Glass systems 116 Metal solar shading: louvres
Double skin facades 354 Glazing systems with and mesh 424
integral solar shading 454 Material systems for structures 288
MCH 502
Mechanical heating/cooling systems 390
S Tectonics in glass 32
Mesh screens 108 Tectonics in concrete 38
Metal louvres roofs 222 Sanitation and drainage 400 Tectonics in masonry 46
Metal standingseam walls 206 Sheet metal walls 92 Tectonics in plastics 56
Metal walls 92 Shingled glazing for facades of Tectonics intimber 62
Moving shadingpanels 442 complex geometry 466 Timber 64
Silicone-sealed glazing Timber cladding panels 196
and rooflights 230 Timber floors 338
N Single membrane: cone-shaped roof 278 Timber roofs 254
Single membrane: barrel-shaped roof 282 Timber frames 300
Natural ventilation 372 Small precast panels 160 Timber framed walls 192
Solar power 376 Timber windows 148
Solar heating 378 Triangular panels for twisted facades 430
P Solar radiation 360 Trends infacade design 84
Solar shadingand daylight controls 374 Trends in roof design 202
Passive design 372 Space grids 328 Trusses 320
Photo credits 497 Stairs: Twisted facades 436
Pitched roof:tiles 262 Concrete 342
Planted roof 250 Steel 344
Plaster systems 74 Timber 346 U
Plastic-based cladding 184 Glass 348
Plastic rainscreens 188 Steel 22 Unitised glazing 124
Plastics and composites 58 Steel mesh floor 336
Portal frames 304 Steel frames 296
Precast concrete panels Steel windows 140 V
for facades of complex geometry 448 Sticksystems 120
Precast concrete floors 334 Stickglazing for double facades 460 Variable concrete panels for
Profiled cladding 96 Stone 52 solar shading 472
Profiled metal sheet roofs 210 Stone and blockwalls 172
Storey height precast 156
Structure and envelope 10 W
R Structural facades of
complex geometry 478 Wallboard systems 76
Rainscreens roofs 218 Support services 400
Rainscreen walls 104
Rammed earth, cob
and adobe bricks 382 T
Reinforced concrete boxes 308
Taxonomy of material systems 8
Parametric design 16
Tectonics in metal 20
MCH 503
Andrew Watts
London, England
This work is subject to copyright.
All rights are reserved, whether the whole or part of the material is concerned, specificallythose of translation, reprinting, re-use of illustrations,
broadcasting, reproduction by photocopying machines or similar means,and storage in data banks.
Product Liability:The publisher can give no guarantee for the information contained in this book.The use of registered names,trademarks, etc.
in this publication does not imply, even in the absence of specific statement, that such names are exempt from the relevant protective laws and
regulations and therefore free for general use.
200 1,20 I 0 Springer-VerlagNienna
Printed in Austria
SpringerWienNewYork is a part of Springer Science+Business Media
springer.at
The publisher and editor kindly wish to inform you that in some cases, despite their best efforts to do so,they did not succeed in clarifying the
copyright for text excerpts used.
Layout and Cover Design: YasminWatts, London, England
Cover photo: Helene Binet
Proofreading: Andrea Lyman,Vienna, Austria
Printing and binding: Holzhausen Druck &Medien GmbH, Vienna,Austria
Printed on acid-free and chlorine-free bleached paper
SPIN: 12090631
Library of Congress Control Number: 200 I 042058
With numerous (partly coloured) figures
ISBN 978-3-211-99195-4 SpringerWienNewYork
MCH 504