Antonio & Mellida: THE FIRST PART OF THE HISTORY OF ANTONIO AND MELLIDA
By John Marston
()
About this ebook
John Marston was born to John and Maria Marston née Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.
Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.
His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.
In 1598, he published ‘The Metamorphosis of Pigmalion's Image and Certaine Satyres’, a book of poetry. He also published ‘The Scourge of Villanie’, in 1598.
‘Histriomastix’ regarded as his first play was produced 1599. It’s performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.
However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's ‘Sejanus’ in 1605 and dedicated ‘The Malcontent’ to him.
Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was ‘The Malcontent’ in 1603, his most famous play. His second was ‘The Dutch Courtesan’, a satire on lust and hypocrisy, in 1604-5.
In 1605, he worked with George Chapman and Ben Jonson on ‘Eastward Ho’, a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.
Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.
On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.
He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.
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Antonio & Mellida - John Marston
Antonio & Mellida by John Marston
The first part. As it hath beene sundry times acted, by the children of Paules.
John Marston was born to John and Maria Marston née Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.
Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.
His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.
In 1598, he published ‘The Metamorphosis of Pigmalion's Image and Certaine Satyres’, a book of poetry. He also published ‘The Scourge of Villanie’, in 1598.
‘Histriomastix’ regarded as his first play was produced 1599. It’s performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.
However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's ‘Sejanus’ in 1605 and dedicated ‘The Malcontent’ to him.
Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was ‘The Malcontent’ in 1603, his most famous play. His second was ‘The Dutch Courtesan’, a satire on lust and hypocrisy, in 1604-5.
In 1605, he worked with George Chapman and Ben Jonson on ‘Eastward Ho’, a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.
Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.
On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.
He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.
Index of Contents
STORY OF THE PLAY
DRAMATIS PERSONÆ
SCENE:—Venice and the Neighbourhood.
INDUCTION
THE PROLOGUE
THE FIRST PART OF ANTONIO AND MELLIDA
ACT I
SCENE I - Neighbourhood of Venice
ACT II
SCENE I - Palace of the Duke of Venice
ACT III
SCENE I - The Sea-shore
SCENE II - Palace of the Duke of Venice
ACT IV
SCENE I - Sea-shore near Venice
ACT V
SCENE I - Palace of the Duke of Venice
EPILOGUS
JOHN MARSTON – A SHORT BIOGRAPHY
JOHN MARSTON – A CONCISE BIBLIOGRAPHY
STORY OF THE PLAY
Andrugio, Duke of Genoa, being utterly defeated in a sea-fight by Piero Sforza, Duke of Venice, and banished by the Genoways, conceals himself, with Lucio (an old courtier) and a page, among the marshes round Venice. Piero proclaims throughout Italy that whoever brings the head of Andrugio or of Andrugio’s son, Antonio (who is in love with Piero’s daughter, Mellida), shall receive a reward of twenty thousand pistolets. Antonio disguises himself as an Amazon, and, obtaining an interview with Mellida, announces that her lover has been drowned at sea. The pretended Amazon is received as a guest in Piero’s palace, and there quickly discovers himself to Mellida. Arrangements are made by the lovers to escape to England; but Piero gaining intelligence (through a letter that Mellida has dropped) of the intended flight, the plot is frustrated and Mellida escapes to the marshes in the disguise of a page. While Piero is giving orders for Antonio’s arrest, a sailor rushes forward, pretending to be in hot pursuit of Antonio towards the marshes. The pursuer is Antonio himself, who had assumed the disguise of a sailor at the instance of Feliche, a high-minded gentleman of the Venetian court. Piero gives the pretended sailor his signet-ring that he may pass the watch and not be hindered in the pursuit. Arrived at the marshes, Antonio, distracted with grief for the fall of his father and for the loss of Mellida, flings himself prostrate on the ground. Presently Andrugio approaches with Lucio and the page, and a joyful meeting ensues between father and son. Andrugio and Lucio retire to a cave which they had fitted up as a dwelling, and Antonio, promising to quickly rejoin them, stays to hear a song from Andrugio’s page. Meanwhile Mellida, disguised as a page, approaches unobserved, and hearing her name passionately pronounced, recognises the sailor as Antonio. She discovers herself to her lover, and after a brief colloquy despatches him across the marsh to observe whether any pursuers are in sight. Hardly has Antonio departed when Piero and his followers come up, and Mellida is drawn from a thicket where she had concealed herself. Piero hastens back to the court with his daughter, whom he resolves to marry out of hand to Galeatzo, son of the Duke of Florence. Antonio, returning in company with Andrugio and Lucio to the spot where he had left Mellida, learns from Andrugio’s page that she has been carried away. Andrugio now separates himself from Antonio and Lucio; proceeds, clad in a