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Down in the White of the Tree: Spiritual Poems
Down in the White of the Tree: Spiritual Poems
Down in the White of the Tree: Spiritual Poems
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Down in the White of the Tree: Spiritual Poems

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The marriage of poetry and spirituality is of course an ancient one, and in Down in the White of the Tree, Tim J. Myers works in that tradition. But his isn't conventional religious poetry, some of which, he believes, is either inadequate for genuine spiritual seeking or antithetical to it. Myers works from the larger tradition, in which Rilke speaks of God as the profoundly distant Center on whose outermost periphery we reside—and from which Hafiz can assert that the universe is “just a tambourine” for us to play against our “warm thigh[s].” These are poems of doubt, of faith, and of a profound love for the radiance we can encounter in the world.
LanguageEnglish
Release dateNov 16, 2018
ISBN9781947548480
Down in the White of the Tree: Spiritual Poems
Author

Tim J. Myers

Tim J. Myers is a writer, teacher, and storyteller. He is the author of numerous children’s books, including Basho and the Fox, which made the New York Times best-seller list for children’s books and was chosen by Smithsonian Magazine as a notable book. Myers lives in Santa Clara, CA, where he also lectures at Santa Clara University.

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    Down in the White of the Tree - Tim J. Myers

    (Confucius)

    Introduction

    Myself As Tree: A Prayer

    Adonai,

    give me life then kill me if You must,

    only let it be

    that like a tree I live, a planted thing,

    knowing the ground deep and deeper,

    drinking up world through roots I send down,

    water-life drawn from soil and darkness—

    let the season-round ring by ring increase me—

    when sun comes, let my leaves flutter

    each with its small luster—

    let autumn-release fling my numberless seeds

    outward on winds

    shifting and sure as Hope—

    and when my sap fails at last, come Thou, Axeman,

    fell me hard, lay me down,

    (I’ll murmur Your name all the while),

    stand over me gripping the ax of Death

    and split me with Your hands

    (the right I call Making, the left Unmaking),

    let the blade bite, let it jump into

    my drying white interior,

    oh Unspeakable, shape me, plane me—

    make me a Door.

    February, 1991

    Tonight on the car radio

    I heard a trumpet revealing,

    in minor scales, the eventual death

    of the sun.

    At the game today a misthrown ball

    went flying into the stands.

    A father threw his arms around

    his little girl, instantly, thoughtlessly.

    The bitterness of wasted deaths

    cannot overcome the truth

    of his gesture.

    There’s a war on now. They made

    love at midnight

    in utter joy and abandon.

    How many millennia did it take

    before we could make a rake—a fence—a school?

    I have books, and the great dead

    as if voices in my own ears, tonight.

    We must adjust the budget

    for unexpected military expenditures.

    In my love’s belly the bones

    of our child are forming.

    What should I say to the

    bright-specked wheeling night sky?

    Paleolithic Burial

    When he died they hunched him up

    like baby in womb, curled him

    into a shallow scoop in the cave-floor,

    planted him like a seed as he slowly stiffened,

    covering his slumped and earthen limbs

    with a layer of red ochre,

    sprinkling him with wildflowers—

    then turned away.

    Moon comes back each month, so bright,

    then curls itself into a dying crescent—

    baby struggles out of a woman’s darkness—

    petals of delicate blue, pale yellow, in the wetwoods,

    how do they know

    when sun is past dying and comes

    to life again?

    This is older than cities or books,

    older than prayers or earnest discussions,

    older than farming,

    something buried and burst open long before

    words, ideas, church or temple or crudest holy place,

    older even than itself,

    this longing.

    On Laughter

    Philosophers, tell us what

    laughter is.

    Explain this violent extraverbal utterance

    leaping up through us and out,

    sweetly infectious—

    explain our temporary scorn

    for all limits, all suffering,

    for death itself, when we inhabit

    the little kingdom of a joke—

    explain the whole of Spring

    arriving in sudden gust,

    epiphany of the belly—

    pore over your books,

    weigh the various factors,

    construct even more profound explanations

    than those you’ve already given,

    which are, I’m forced to say,

    inadequate—

    We’ve stolen the Elixir

    from under your noses.

    Secrets

    In summer, say,

    a row of potted plants

    on a sidewalk, or

    trains taking people to work.

    Secrets up out of

    ordinary things—

    how they press themselves

    against all that

    contains them,

    these secrets,

    revenants striving against

    matter. Existence

    as it gives life leaves so much

    buried.

    Set the table

    carefully—you are

    establishing something.

    Deep-rooted willow tree.

    Empty ball field.

    After Prayer

    Across from

    the smoothie stand,

    hummingbird in

    mating dance

    hovering at fifty feet

    falls, light-shot

    streak chittering

    ecstasy.

    I keep

    begging God

    for a sign—

    World sings back, relentless,

    what greater sign

    than Me?

    At the Edge

    At the edge of the cemetery,

    where row

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