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Goddess of the Luo River: Selected Plays by Wang Haiping
Goddess of the Luo River: Selected Plays by Wang Haiping
Goddess of the Luo River: Selected Plays by Wang Haiping
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Goddess of the Luo River: Selected Plays by Wang Haiping

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Cai Yuanpei
A Musical
Written in Chinese by Wang Haiping
Translated into English by Ouyang Yu

The topic and the theme:
The New Culture Movement has a far-reaching impact in the modern history of China. Back then, the New Culture Movement, as the ideological foundation of the May Fourth Movement, played a role in ideological enlightenment and iberation.
While the May Fourth Movement became the explicit state and the political form of radical revolution, its hidden state and the movement of comprehensive social forms at a deeper level are continuing, and
the cultural modernising movement is also continuing as the shifting spirit and spiritual support of modernisation in China. As China is in the process of change, moving from a xiaokang society to a more affluent society, the central government has offered the challenge of great development and great prosperity that requires us to look
back at history and to rethink on an ideological and cultural level.

The thinking style, therefore, of Cai Yuanpei in the New Culture Movement is a typical subject.
LanguageEnglish
PublisherXlibris AU
Release dateMar 25, 2014
ISBN9781493136933
Goddess of the Luo River: Selected Plays by Wang Haiping
Author

Wang Haiping

Author Biography coming up soon

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    Book preview

    Goddess of the Luo River - Wang Haiping

    Copyright © 2014 by Wang Haiping.

    Coordinator: Li Lingyun.

    Library of Congress Control Number:         2014902915

    ISBN:                  Hardcover                        978-1-4931-3691-9

                                Softcover                          978-1-4931-3692-6

                                Ebook                               978-1-4931-3693-3

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Rev. date: 03/17/2014

    To order additional copies of this book, contact:

    Xlibris LLC

    1-800-455-039

    www.Xlibris.com.au

    Orders@Xlibris.com.au

    520603

    Contents

    Cai Yuanpei

    Setting the Capital in Peking

    Skybridge

    The Goddess of the Luo River

    Wu Duomei

    Yellow Leaves, Red Mansion

    Cai Yuanpei

    A Musical

    Written in Chinese by Wang Haiping

    Translated into English by Ouyang Yu

    The topic and the theme:

    The New Culture Movement has a far-reaching impact in the modern history of China. Back then, the New Culture Movement, as the ideological foundation of the May Fourth Movement, played a role in ideological enlightenment and liberation. While the May Fourth Movement became the explicit state and the political form of radical revolution, its hidden state and the movement of comprehensive social forms at a deeper level are continuing, and the cultural modernising movement is also continuing as the shifting spirit and spiritual support of modernisation in China. As China is in the process of change, moving from a xiaokang society to a more affluent society, the central government has offered the challenge of great development and great prosperity that requires us to look back at history and to rethink on an ideological and cultural level. The thinking style, therefore, of Cai Yuanpei in the New Culture Movement is a typical su bject.

    In the New Culture Movement, Cai Yuanpei’s propositions were not the main theme. But today they seem to explicate the comprehensiveness and profundity of the New Culture in exactly the right way. Mr Cai Yuanpei’s guidelines in running a university by replacing religion with aesthetics in an all-inclusive manner, his idea of running the country through education, and his concept of culture involving a philosophy of life are strongly relevant and realistically significant today. The spirit of university and the concepts of culture, as expressed in the New Culture Movement, exert a long-term enlightening influence in shaping the nation’s spirit and character.

    In memory of the late sage and in an attempt to reconstruct the history, we have produced this musical as a way of feeling the broad-mindedness, far-sightedness, personality, and spirit of Mr Cai Yuanpei, shown in the New Culture Movement, to encourage and enlighten us in an even more enthusiastic and rational furtherance of great cultural development and prosperity as well as the revival of the whole nation.

    The script: Each singing section is introduced by using opera terminology.

    Time: Around the May Fourth Movement, in the period of the Republic of China

    Place: Peking, West Lake, Hangzhou, and a certain place in Europe

    Cast:

    Cai Yuanpei: Then president of Peking University

    Chen Duxiu: Editor-in-chief of New Youth and also a Peking University professor

    Li Dazhao: Professor of Peking University

    Gu Hongming: Conservative teacher of English

    Hu Shi: Professor of Peking University and promoter of the written vernacular Chinese

    Lin Qinnan: Conservative writer

    Huang Zhongyu: Cai Yuanpei’s second wife

    Zhou Jun: Cai Yuanpei’s third wife

    Xu Beihong and Wang Xinkui: Professors of Peking University

    Wang Kunlun: Student of Peking University

    Wang Lan and other women students: First Peking University women students

    The special commissioner, the Northern Warlords A and B, a group of students, military police, and prostitutes

    Prelude

    [This is the year 1916, before the Red Building, Peking University.]

    [Students, wearing gowns and Mandarin jackets, in twos and threes, walk out of their classrooms. As Student A looks around, an attendant comes up and makes a bow, with his hands folded in front. A rickshaw is waiting nearby.]

    Attendant [full of respect]: Your honour, I’m so worthless that I have come late.

    [Student A pays no attention as he boards the rickshaw, followed close on his heels by the attendant.]

    [The rest of them boo and hoot.]

    Student B [in imitation of the attendant]: Ah, I’m so worthless that I have come late. Ha ha!

    The group of students: Ha ha ha.

    Scherzo ensemble [ ‘Drinking and Enjoying Music, with a Great Future of Officialdom’]:

    Here is a university

    That’s actually a vanity fair

    Where people go for fame

    As they do for a name

    Reading for the time being

    And hoping to crown themselves with the thing

    Making friends while drinking and poetrying

    Looking out for one’s own townspeople, enjoying music amidst the flowers

    A university

    Of vanity

    Where you drink and enjoy music, with a great future of officialdom

    [Situational dance: ‘A Happy University’]

    [A representation of pomposity involving sworn brothers, card playing, flowery wine eating (a euphemism for going to dinner parties), and whore visiting on the part of old Peking University students.]

    Act I, Scene i:

    New Winds of Change

    [In 1917, in front of the Red Building auditorium, where students, in twos and threes, are walking towards the auditorium. Cai Yuanpei goes onto the stage on his way to the auditorium, singing as he walks.]

    Cai Yuanpei sings:

    This imperial university of Peking

    Is so well known at home and abroad

    I am full of anxiety as I am about to take office

    There are talented people everywhere under heaven

    And it’s here they assert themselves

    The campus, though small, is well connected in Cathay

    Where a classroom resembles a martial field

    And people seek the truth high and low

    Determined to write new chapters

    Putting all their hesitation behind themselves

    And treading the waves on the strength of their hot blood

    Student Group sings:

    They say we’ve got a new president

    Who, a revolutionary party member in the past,

    Had carried a gun and made assassination attempts

    Bang, bang, bang!

    He, third best in the National Civil Examinations, went overseas

    Overseas, overseas, overseas!

    Now, the backwater of the Swallow Garden will be stirred

    And the old Red Building will change its features,

    Its features, its features, its features!

    [Scene now changes to the inside of the auditorium, where Cai Yuanpei is giving his inaugural speech while Student Group, in the audience, is whispering among themselves.]

    Cai Yuanpei sings:

    This is an academic palace

    That keeps the veins of literature age-old, alive in Peking

    Where, as Western learning gradually seeps into the university,

    There are reformation and transformation in a culture that changes

    With surging new thoughts from a boundless sea of studies

    Now it’s as much time for the waking of the insects, accompanied by the spring thunder

    As for the thriving of literature, like the growth of grasses in March

    When one should treasure every second in being industrious

    And tolerant, with a heart that embraces the world

    The prosperity of China

    Lies in its culture that needs to be revived

    With the enlightenment of new learning to strengthen the nation

    And harmony achieved when heart hankers after beauty

    One, though, must avoid treating the university as a corridor of power

    As it may very likely to become one of corruption

    After all, sores have grown in the world itself

    Where people are vying with each other for power and profit

    Each trying to cheat or outwit the other, engaging in malpractice

    Without knowing that power and profit is much shorter-lived than learning

    For there in the heart is a plan made for a hundred years

    Full of spirit that lasts

    Everyone of you, now, need to read thousands of books

    Cultivating yourselves with a solid foundation

    That’s where people of ideals and integrity come from

    A towering palace hundred years long!

    [Thunderous applause ]

    Student Group sings in multiple duets ‘This President Is Different’:

    This president is different

    Who seems an entirely otherworldly being

    Not interested in enjoying a life of food and sex

    But insistent that we must all study hard regardless

    This is a confused world running with human desires

    In which the black gauze cap is valued over mere literature

    Oh, boy!

    Mr Gu, stop strolling in the red-light Eight Alleys

    And, foreign professors, no more frivolities please in Peking

    This president is different

    So inclusive that we have to be careful with him

    [Scene changes to a brothel that Gu Hongming is visiting. The prostitutes, in red or green, cluster around Gu in various postures, preening themselves. Gu, in a long gown and a mandarin jacket, has a pigtail that reaches down to his waist.]

    Gu Hongming sings:

    I pay everyone a buck

    But each has a hundred charms

    With tender feelings for me to taste

    The world is in chaos, but here things settle down

    The human heart is a piece of dirt, but a brothel is clean and cool

    Who gives a damn if I go wild here, in tears

    Wearing my old garments and long tail, my bones all proud

    China is a country with strong roots

    No need to kowtow to the West

    Its people, though, lacking self-respect

    Would have reduced Confucius and ancient saints to sadness

    Let me utter a long and loud cry to the sky over a cup of wine

    And wash my intestines of sorrow amidst the flowers

    Ha ha ha ha!

    [Gu swaggers off as he scatters a handful of silver dollars. The prostitutes pick them up as they stare at this monster. When Gu bumps into two English professors, he hardly even glances at them and leaves in style.]

    English Professor A sings:

    That is the foreign Li Sao.

    English Professor B sings:

    Exactly right, the one who speaks nine languages.

    Professors A and B sing in chorus:

    A guy who comes and goes in a strange fashion,

    One preferring to go mad, who’s nevertheless not into sex.

    A few students join in:

    Yuanpei is organising a carnival

    As gods and monsters stream into the school

    Who cares how the Red Building goes

    As long as we have fun in a sex cave!

    [They, in pairs, go behind the bed curtains.]

    [Scene changes to the president’s office, where Cai Yuanpei decides to sack two professors who have visited a brothel with their students, and he rejects the plea from the British envoy in Peking.]

    Cai Yuanpei: They, as a model for others, must be dismissed from office as it is a brazen breach of the university rules.

    British Envoy: As far as I am aware, there are many more of them at Peking University. What about Gu Hongming?

    Cai Yuanpei: Mr Gu, by nature, is different as he is a playboy of the mind, not of the body.

    British Envoy: All right ! We’ll see how much longer you can last as the president of the university!

    [British Envoy storms out in a huff.]

    [A new notice is put out at the Red Building with the president’s recommendation that a moral welfare society be established.]

    Cai Yuanpei: It does not stand to reason that the Ministry of Education has wanted to change the decisions made at Peking University on a number of occasions just because the Englishman has informed against Yuanpei at the Ministry.

    He sings:

    This is Peking University

    And this is China!

    How can they disregard the law here?

    While Western learning could serve as my master

    It is not one of hegemony!

    I must clean up the university to warn them all

    As the students need morality

    Aside: A moral welfare society has got to be established shortly to promote three noes: no whoring around, no gambling, and no concubine taking. So they pay attention to their studies and become useful soon.

    Student Group sings in duets ‘First Three Forbiddances and Second Three Forbiddances’:

    No gambling, no whoring around, and no concubine taking

    Just as Mencius says:

    Everyone is a Yao or a Shun, our legendary sages

    As they study diligently

    With no time to visit the flowers in the brothels

    Then they have to quit smoking and quit drinking the wine or tea

    Studying and living like a monk

    For there is much Zen in a poor and bitter style of living

    Or should one go and ask our saint in his study?

    Ha ha ha

    Hi hi hi

    Aye aye aye . . .

    [Scene changes to a hotel at Qianmen, where Cai Yuanpei and Chen Duxiu meet.]

    [There are people around discussing the war in Europe, to which both Cai and Chen are listening. Cai can’t help making a comment that Europeanisation of China has been going on for over sixty years,

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