Guan-Yu the Hero: Romance of the Three Kingdoms (??, ??????)
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About this ebook
This fascinating period in Chinese history inspired many other authors, poets, artists, and playwrights, including Luo Guanzhongs novel, which is a work of enduring historical and literary impact and beauty. Guan Yu, the hero, has had a significant impact on Chinese culture and the arts. That influence has spread to Japan, Korea, Vietnam, and to all Chinese communities in the world. Guan Yu is well respected and worshiped in Taoism, Buddhism, Shintoism, and Caodaiism. He has also influenced modern entertainment and mass media as well, including television, video games, Manga, and more. The study and critical interpretation of Romance of the Three Kingdoms and Guan Yu has captivated scholars, artists, and writers for centuries.
Now, modern-day scholar and collector Frankie KT Neo offers the best of his research. Readers are invited to a detailed tour of his extensive collection of antiques and other artifacts commemorating Three Kingdoms and its hero, Guan Yu. His collection, called the Sanfen Tang Collection, currently features more than a thousand pieces, many of which are detailed within.
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Guan-Yu the Hero - Frankie KT Neo
Copyright © 2014 Frankie KT Neo. All rights reserved.
ISBN
978-1-4828-9424-0 (sc)
978-1-4828-9195-9 (e)
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
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04/06/2014
partridge.jpegCONTENTS
PREFACE
THE CHINESE THREE KINGDOMS ERA (中三代)
BOOKS AND RECORDS OF THE THREE KINGDOMS (三國記錄)
THE OATH OF THE PEACH GARDEN (桃园 结 义)
WHO IS GUAN-YU? (關羽)
GUAN YU’s EARLY LIFE (關羽,人生)
GUAN YU AND HIS HORSE (關羽與馬)
BATTLE OF THREE HEROES Vs LV BU AT HULAO PASS (三英戰吕布)
WHO IS LV BU (吕布)?
THREE VISITS TO THE THATCHED HUT FOR TALENT (三顧茅廬)
DEFINING A HERO WHILE WARMING WINE (温酒點英雄)
GUAN YU AT CAO CAO’s HUNTING EXPEDITION WITH EMPEROR(關羽在曹操带皇帝狩獵)
GUAN YU AT CAO CAO’s CAMP (在曹營)
RIDING ALONE FOR THOUSANDS OF MILES (千里走單騎)
CROSSING FIVE PASSES, KILLING SIX GENERALS (過五關斬六將)
ZHOUCANG AND GUAN PIN (周倉與關平)
ZHAO YUN SAVED AH TOU (趙雲救阿斗)
GUAN YU FIGHTS HUANG ZHONG [ 黃忠 - 老當益壯 ]
WHO IS MA CHAO [ 馬超 - 神威天將軍 ]?
THE FIVE TIGER GENERALS (五 虎 )
BATTLE OF RED CLIFF (赤壁之)
SU DONGPO RED CLIFF AND SCHOLAR ITEMS (文房四寶)
GUAN YU RELEASED CAO CAO AT HUARONG TRAIL (華容道)
GUAN GOES TO A FEAST ALONE(單刀赴會)
FLOODING OF HAN RIVER AT FANCHENG (水淹七軍)
SCRAPPING THE BONE TO TREAT POISON (挖骨疾毒)
BATTLE OF FANCHENG (樊城 之戰 )
RETREAT, ISOLATION AND DEFEATED AT MAICHENG (回麥城,打敗,)
GUAN YU’s DEATH (關羽的死亡)
ZHANG FEI’s DEATH (張飛的死亡)
LU BEI’s DEATH (劉備的死亡)
AFTER GUAN YU’s DEATH (關羽的死后)
WORSHIP OF GUAN YU (崇拜 關羽)
GENERAL WORSHIP (崇拜)
WORSHIP IN TAOISM (道教崇拜)
WORSHIP IN BUDDHISM(佛教崇拜)
BUILDING OF BUDDHIST TEMPLE ON YUQUAN HILL (建玉泉寺)
GUAN YU IN CONFUCIANISM(羽和儒家思想)
INFLUENCE ON CHINESE OPERA, AND PERRFORMING ARTS (印象文藝)
INFLUENCE ON TEA, WINE AND FOOD CULTURE (印象茶酒文化)
INFLUENCE ON MONEY AND NUMISMATIC (印象貨彙與錢幣)
INFLUENCE ON PHILATELIC(印象郵票)
INFLUENCE ON PHONE CARDS, TRAIN,ETC AND CASH CARDS(印象電話卡)
INFLUENCE ON ARTS: PAPER CUTTING, CLAY FIGURINES, EMBRODERIES, WOODBLOCK PRINTS, STONE RUBBINGS, ETC(印象藝術)
INFLUENCE ON EVERYDAY LIFE AND OBJECTS (印象日常用品)
INFLUENCE ON TIBETAN WORSHIP AND CULTURE (印象西藏)
INFLUENCE ON VEITNAM (印象越南)
INFLUENCE ON JAPAN (印象日本)
INFLUENCE ON JAPANESE ARTS AND ENTERTAINMENTS
INFLUENCE ON KOREA (印象韩国)
INFLUENCE ON FILMS (印象電影)
INFLUENCE ON TELEVISION (印象電視)
INFLUENCE ON VIDEO GAMES(印象視頻遊戲)
INFLUENCE ON CARD GAMES(印象紙牌遊戲)
Preface
This book aims to use the various items from the Sanfen Tang Collection of Guan Yu and Three Kingdoms artifacts to illustrate the parts in which Guan Yu was featured in the Novel Romance of The Three Kingdoms.
Since 1980, Frankie KT Neo, an antique collector began the journey of collecting antiques and artifacts on the specialized Theme on Guan-Yu and Romance of The Three Kingdoms. The collection is called The Sanfen Tang Collection (叁 分堂收藏)
.
Romance of the Three Kingdoms, a classic historical novel of enormous influence, is widely known in China as one of the four great Chinese classic novels. Its author Luo Guanzhong, was a scholar who lived in the late Yuan Dynasty and early Ming Dynasty. Romance of the Three Kingdoms was based on the history of the three kingdoms, Wei, Shu and Wu that strived to reunite the empire at the end of the Eastern Han Dynasty. The history of this period is expounded in the renowned history records of Three Kingdoms by Chen Shou (陳壽), and stories of the heroes and their deeds within have also come down from various folk tales, plays, ballads and verses. Out of historical records and folktales, Luo Guanzhong created the enduring historical and literary masterpiece.
The Mongols conquered China, and established the Yuan Dynasty. To savage pride and to satisfy psychological needs, the Han Chinese citizenry begun to look towards one of their kind to admired to. Guan Yu matched the aspiration. When Luo Guanzhong glorified Guan Yu in Romance of The Three Kingdom, it was most welcoming to the Han Chinese and since then Guan Yu occupied a very important part of the Han Chinese way of life.
After death, Guan Yu was well worshipped in Taoism, Buddhism ,General worshipping and it also spread its influence to Japan, Korea and Vietnam.
This book is delegated to all my antiques and art collection friends and to all enthusiasts who are interested in Guan Yu culture and The Romance of The Three Kingdoms.
Sincerely
Frankie KT Neo
email: ktneosea@hotmail.com
THE CHINESE
THREE KINGDOMS ERA (中三代)
The Three Kingdoms was a period of Chinese disunity, during the ending years of the Eastern Han (AD 220 – 265) dynasty resulting in the de facto collapse of the Han Dynasty, starting roughly from the