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From Dusk to Dawn: A True Story
From Dusk to Dawn: A True Story
From Dusk to Dawn: A True Story
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From Dusk to Dawn: A True Story

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In these poignant poems, the author as survivor unconsciously experiences the natural stages of grief defined by Elizabeth Kubler-Ross: anger, denial, sadness and acceptance. In addition, Holt offers a fifth stage referred to as questing.

The poems are not separated into individual categories in the same way any survivor may simultaneously feel anger, denial, doubt, sadness and even acceptance of the passing of a beloved one.

Holt, already a believer in the philosophy that the spirit never dies, found even greater corroboration of her beliefs in synchronous reading: Dr. Jane Greer's The Afterlife Connection and Gary R. Renard's The Disappearance Of The Universe. Trans-communication with a loved one is possible and indeed even comforting and healing.

However, initially, one must enter the tunnel before seeing the light which is why the collection is titled From Dusk To Dawn. Not only does the spirit leave earth for a new and brighter beginning, but the one left behind eventually comes to realize that the darkness of mourning will become as transparent as sunrise when the survivor is able to connect with the spirit of the beloved.

"Valley Of The Shadows & Surrender, a novel duet (iUniverse 2004) reveals not only the struggles of a painter but of all humanity as the author unravels desires, dreams, hopes, hidden protectively within the psyche. Holt's writing is an avalanche of images and magic Her poem-novels share the anguish of the survivor in a long-term relationship which is ongoing but can be viewed in a creative and purposeful light."-Lili Bita
LanguageEnglish
PublisheriUniverse
Release dateMar 2, 2007
ISBN9780595874415
From Dusk to Dawn: A True Story
Author

Rochelle Lynn Holt

ROCHELLE LYNN HOLT was first pen pal and then friend to Virginia Love Long in Bushy Fork, North Carolina. They read together at Butner Federal Penn. in the Eighties. Their correspondence and friendship continued for almost three decades. They even collaborated on several published projects: poetry and non-fiction honored by Pulitizer Prize commendations in the small press world. Rochelle lost her partner of twenty eight years less than two months after the passing of her best friend, Virginia. The losses were devastating. With the permission of both her late friend and Virginias sister, Rochelle decided to edit the literary letters of Virginia, filled with her poems and ever-present wit. Since Virginia referred to Rochelle as my twin, the author devised a novel epistolary project entitled, Pointing to the Moon. Rochelle and Virginia were devotees of the moon and her advising progressions. Oddly enough, Virginias love of her cats came to be experienced by Rochelle when she entered a new relationship and inherited two tabbies, Iris and Tiffany. Now, the author divides her time outside the city of her birth (Chicago) and her home for the past sixteen years in Ft. Myers, Florida.

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    From Dusk to Dawn - Rochelle Lynn Holt

    Copyright © 2007 by Rochelle Lynn Holt

    All rights reserved. No part of this book may be used or reproduced by any

    means, graphic, electronic, or mechanical, including photocopying, recording,

    taping or by any information storage retrieval system without the written

    permission of the publisher except in the case of brief quotations embodied in

    critical articles and reviews.

    iUniverse books may be ordered through booksellers or by contacting:

    iUniverse

    2021 Pine Lake Road, Suite 100

    Lincoln, NE 68512

    www.iuniverse.com

    1-800-Authors (1-800-288-4677)

    ISBN-13: 978-0-595-43099-4 (pbk)

    ISBN-13: 978-0-595-87441-5 (ebk)

    ISBN-10: 0-595-43099-6 (pbk)

    ISBN-10: 0-595-87441-X (ebk)

    Contents

    PRELUDE

    FROM DUSK TO DAWN

    EYES LIKE TORCHES

    STAGES

    FLUCTUATING BETWEEN SADNESS &ACCEPTANCE

    BY THE WANING MOON

    FROM DUSK TO DAWN

    THIS RUE

    LIKE HOLLOW TREE

    GHOST TRANSFUSION

    CANCER

    FROM THE RIGHT HAND

    LIKE AN INFANT UNSWATHED

    LIKE A LONG EPIC POEM

    FLICKERING SHADOW

    GHOST OBSESSED

    SECOND OPINION

    WADING FEAR

    RAIN OF TEARS

    WHEREVER I AM

    GRIMREAPER

    NECROPLIS

    OUT OF SIGHT

    PROPHETIC PORTRAIT

    WHEN LIGHTS FLICKER

    IN FLAMING CRATE

    RIDING HER PONY

    BATTERED CLOAK

    INDEPENDENCE DAY

    WHEN EMOTIONS ARE PREDISPOSED

    DROWNING IN FLOOD

    ON HIGHEST BUTTE

    KARMA

    SONNET FOR SOUL MATE

    WITHOUT STEALTH

    ON THE HYPOCRATIC OATH

    DANGLING FROM ROCK

    AFLOAT IN DEBRIS

    CELEBRATION

    AFLUTTER OVER LEA

    TIME’S SACRIFICE OR SACRAMENT

    HIDE-AND-SEEK

    SUCH INDULGENCE

    ONLY ECHO HAUNTS

    TO PERSEVERE

    AFTER DEPARTING PENELOPE

    BEYOND CAMELOT

    MEMORIES OF THE SCAR

    NOTHING TO DREAD

    NIGHT TRAIN

    IN CAMELOT OR INVERNESS

    CONTACT AS BAILIWICK

    FALLIBLE REASON

    NO S.O.S.

    LOVE NOT DEARTH

    WHO BELIEVE BLINDLY

    NO RESPITE BREEZE

    STILL BENT ON CARE

    TO CARRY GENTLY

    VISIBLE TRANSFER

    THE ULTIMATE INCONVENIENCE

    LOST IN UNIVERSE

    JEALOUS GODS

    SILENTBREATH

    UNTIL FLAME LIFTS

    SPIRIT & WILL

    ENDLESS LULLABY

    LOOKING FOR RIGHT HAND

    WILL AND HEIRLOOMS

    UPROAR

    ON BORROWED TIME

    RIDING SAME TRAIN

    PAEAN

    HOW MINERVA FOUND WISDOM ON HER MOONWALK

    STUNG BY SHARP BURRS

    INTERMITTENT RAIN

    SPIRIT IS INFINITE

    PARALYZED & UNWISE

    BURIED IN THE SAND

    SWAMP OF CEMENT

    BLACK PEARL

    TRANSFEREE

    NOTHING LEFT TO WHISPER

    WANDERING EARTH

    CHOMPING AT BIT

    FORLORN, BEREFT

    ‘TIL SPIRITS DRIFT

    NOT TO DWELL IN MURK

    NO MATTER COST

    WITHOUT SOFT GLOVE

    GRIEVING CREATOR

    TIMELESS FRIEZE

    NIGHTMARES FILLED WITH SHAME

    LIKE A FISHWIFE

    TRUE PEACE

    NONETHELESS

    SPIRIT ISN’T BRAIN

    LIKE HOMELESS ORPHAN

    VANISHED FROM GILDED CAGE

    THORNS

    FIRECRACKER ON FOURTH OF JULY

    ANGEL ON MY SHOULDER

    EXODUS

    IN LAND OF UR

    IN THE DESERT

    SMALL SPRING

    CABIN WITH SPIRE

    ANOTHER VANISHED PLANET

    AFTERMATH

    TO MEND HURT

    NOTHING TO COVET

    RISING FROM SHELL

    GASPING FOR BREATH

    EXCEPT FOR TEARS

    TO CONNECT

    BESTFRIEND

    A RUNE

    FIRE OF FLIGHT

    THE RED WINE

    DESERT NIGHTMARE

    RESHUFFLING CARDS

    DISPLACED NUN

    REVELRY

    LA LLORONA, THE WEEPING WOMAN

    RISING ABOUT EVIL

    ALONG CROOKED PATH

    RITUALS

    BELOW RAGGED SCARECROW

    NEWDESIGN

    TIGHT SHOES

    NEVER UNDONE

    THE SPACE OF TIME

    LOSTKEY

    STORM IN THE DESERT

    LIKE METEORITE

    SURE ANTIDOTE

    LOVING SPIRIT

    MYSTERY OF WHIRLPOOL

    METAMORPHOSIS

    MARIONETTE

    IN BIZARRE ROMP

    MEMORIES & RUE

    GREATER THAN DUST

    DARING MUSKETEER

    FOR WHISPERING ASPEN

    IN QUEST OF RIND

    BLUE BUTTERFLY

    HER TROUBADOUR

    AT COUNTRY STEEPLECHASE

    GARDEN DOLPHIN

    AGOG

    LIKE PROSERPINE

    AMULET

    LOSS OF THE SUN

    BEFORE CROSSING BAR

    BUTTERFLIES IN FLIGHT

    AT ARM’S REACH

    MYSTICAL INVOCATION

    OTHER TITLES

    About the Author

    for Diane,

    my only true love,

    my best friend

    and my soul mate

    Acknowledgements

    On the Hypocratic Oath and Butterflies in Flight first appeared in Reflections in Ft. Myers, FL. The photo of Diane and Rochelle in fall 1978 at DaisyAldan’s apartment in New York was taken by the late Daisy Aldan.

    PRELUDE

    I met Diane Erdmann at a house party over the Christmas holidays in 1978 whenI was visiting my parents in Phoenix and she, a college friend from Tusculum inTennessee. Laurie, who worked with my mother, had asked Diane if she pre-ferred a cheerleader or a belly dancer for an upcoming Saturday party.

    Let’s try the belly dancer, Diane responded.

    At the time, I was writing, teaching and supplementing my income with bellydancing in Birmingham, Alabama. Always a devotee of dance, I’d first learnedthis Middle Eastern art in Memphis when I was living in Holly Springs, Missis-sippi.

    My husband and I were going through a no-fault divorce, ending a ten yearrelationship which occurred, oddly enough, when we decided to sell our Chan-dler and Price letterpress, ending our decade as the (private) Ragnarok Press.

    After our initial meeting and one miniature golf date in Phoenix, never to berepeated, Diane and I began a lengthy correspondence that eventually totaledmore than a hundred letters. We were also talking on the phone for months untilmid-April when I decided to take her up on sharing her apartment in West-field, New Jersey until I’d made up my mind what I wanted to do next.

    I never left. Diane and I shared over twenty-eight years together. We hadmuch in common—fine dining, movies, the theater, dancing and traveling. Sheintroduced me to the Atlantic Ocean and many of the Caribbean islands on ourvarious vacations as educators. I introduced her to the world of artists and mycolorful friends.

    Diane taught Physical Education and Psychology, primarily at David BrearleyHigh School in Kenilworth. I taught English and Creative Writing at myriadeducational institutions in central New Jersey. An Aries, she was more stable andeventually completed thirty-five years of teaching before she retired. I hadapproximately twenty years of varied teaching experiences in several states whenwe relocated from Cranford to Ft. Myers, Florida in early 1995

    Ours, like many long-term unions, was not perfect. I sought unconditionallove; she advocated trust. Over the decades, I believe I came to learn the truemeaning of love from Diane, a generous and devoted partner. I think she came toaccept my need for new experiences as a curious creative writer. Together, welearned forgiveness, understanding and compassion, perhaps not in that order!

    In mid-April 2006, we took an anniversary river cruise to Europe preceded bythree days in Amsterdam. The subsequent ten day cruise throughout Hollandand Belgium was the trip of a lifetime.

    However, before we left, she had difficulty swallowing and was told only thatthere was a growth in her throat. Nonetheless, she wanted to proceed with ourtrip. When we returned, Diane went through numerous tests and procedures tolearn that she had stage four lung cancer as well arrhythmia, an irregular heartbeat. In June she spent a week in the hospital, then a week at home before shesaid to me, I think it’s time.

    Diane was carried out on a stretcher to Hope Hospice where she spent her lastweek. Finally, on the night of July 3, I reluctantly said to her, It’s okay. You canleave. I’ll miss you desperately, but if you have to go, you might as well depart onthe 4th of July. We half-joked!

    The next morning at 5 A.M. when I’d just written the next to last line ofanother poem: Now we prepare for new destination, the telephone rang. Dianehad passed.

    From May until mid November 2006, I wrote almost two hundred poems,primarily in interlocked tercet with a certain rhyme and rhythm that I remem-bered Anne Sexton, a favorite poet of mine, was fond of. I feel I probably neededthe constancy of the form, because I was unstable and deeply emotional before,during and after Diane’s passing.

    Often, I believe many of these poems were channeled through her as I’ve beena fiction writer for the past several years. My focus has been on invented genre,the poem-novel; I hadn’t written any new poems in years. These poems flowthrough the natural stages of grief defined by Elizabeth Kubler-Ross: anger,denial,

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