From Boardroom to Blackbox: A Project Management Primer For Actors, Producers and New PMs
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About this ebook
All it took was one final project to throw a Senior Project Manager over the edge. One morning, after brushing her teeth and prepping her lunch, she took a hard look in the mirror and said *&^%$ it and rage quit, throwing away her white collar life to be reborn as a dirty, dirty creative person!
Goodbye Bagel Fridays, whiteboard schematics and stand up meetings! Hello indie stages, horrible auditions, low pay and bleeding for your art even if you can't eat!
But said Senior Project Manager couldn't turn off her organizational brain when she entered the theatrical world. Despite the thrill of being being bathed in the spotlight of the stage, the tragic climax of horrible production management, hiring fickle talent and screaming personalities reminded her of her past cubicle life...just without the calendar alerts.
From Boardroom to Blackbox: A Project Management Primer For Actors, Producers and New PMs is an easy to read book geared to educate artistic, non white collar people to learn good organization practices and personal branding while being comical about it.
If you're a new actor that wants to learn some technological tips, and branding advice, to further your career, this book is for you.
If you are a producer who can't wrap your head around the concept of organizing a budget, scheduling a show or firing difficult talent in a respectable manner, this book is for you.
Finally, if you're a new project manager and you have no idea what you're doing (neither did I when I first started), then this book is for you! You'll get golden nuggets like the following:
“Scrum is like the CrossFit of project management: douchebags brag about it but it rarely does anything long term. The term 'Scrum' was taken from a formation in Rugby where a whole bunch of sexy, determined athletes form a huddle to gain possession of the ball.
So some dudes thought it would be cool if software could be developed like said game; small groups, quick turnaround and software that works. Huzzah!”
From Boardroom to Blackbox: A Project Management Primer For Actors, Producers and New PMs is a book meant to be a humorous, endearing, inspiring and an easy way to get the reader's feet wet about being organized from a business perspective, all while telling it like it is. Organization is hard, but when done right, and with a laugh, it can bring longevity to any career be it artistic or corporate.
Kate 'Kano' Bassett is a former Senior Project Manager who used to work for companies like Microsoft, Electronic Arts, Fox, Turner Television and various Silicon Valley Startups. Now, she's gone native, writing wonderfully horrible books, coding kitschy mobile games and throwing dudes around in jiu jitsu class. She is currently trying not to be bitter!
Kate K. Bassett
Kate K. Bassett was a former Senior project manager who worked for Microsoft, Electronic Arts, Fox, Turner Television and God Knows Who Else in her twenty year career.Her last project drove her so bonkers that she quit her white collar job and became a dirty, dirty creative. Health and sanity was WAYYY more than a paycheck. She's not bitter. She really isn't.She codes mobile phone games and writes horrible erotica ebooks depending on the mood she's in. Kate is an avid gamer who loves Street Fighter 5 and anything Shin Megami Tensei Before Persona 4. Kate's a snob.She dreams of having coffee with Brian Micheal Bendis and ask what was he smoking when he wrote Sam & Twitch: Udaku. She wants to talk to Frank Miller, too but he's too important.Currently, she lives in Seattle, WA with her two cats and some dude who puts up with her. For stress relief, she practices jiu jitsu. OSSSS!And yes...it's pronounced like Kano from Mortal Kombat.
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From Boardroom to Blackbox - Kate K. Bassett
From Boardroom
To Blackbox
A Project Management Primer For Actors, Producers and New PMs
- Smashwords Edition-
by
Kate K. Bassett
From Boardroom To Black Box, A Project Management Primer for Actors, Producers and New PMs - Smashwords Edition
Copyright ゥ 2015 by Kate K. Bassett.
All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.
This book is a work of fiction. Names, characters, businesses, organizations, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
For information contact : http://www.kanobassett.com
Cover design by Issadora McSeisserson
Cover Photo by Jorge Royan
ISBN: 9781370097890
First Edition: October 2015
Second Edition: September 2017
978-1-37009-789-0
For More Books:
KanoBassett.com
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Join My Mailing List!
Dedication:
For Alejandro & Bill
Introduction
Many theater books bore me. They REALLY do. They spin up how to get an agent, or how to train or what clinical you have to go to or what directors want to see in an audition. With the exception of a few, most theater and film books for the dewy eyed performer are basically counter intuitive because their message is subtle but persistent:
‘You are not good enough, dedicated enough or charismatic enough to make it unless you do it MY WAY.’
Honestly, they make you feel bad. They make you think you can’t perform and make a living off of it. These books send young per- formers off to get flimsy advice from their peers, who are just as insecure and clueless as they are, or worse, go to bad casting directors, agents and teachers who just want to bleed them of any extra money, time and/or make them do things that are morally reprehensible.
This book is different.
It’s different because you, the performer, will be getting all the wisdom I’ve gathered as an underling in the entertainment industry (working as a waitress for a well-known comedy club chain, a PA on television sets and later an editor bay scheduler in a post-production house in Hollywood).
This book is also for the producer, who can garner my 10 years’ experience of being a project manager in multiple Fortune 500 companies; the very same that handles boardroom meetings, massive budgets, vendor negotiations and statements of work.
As you read this, I want to encourage you. Being an actor is hard.
It is.
Being a director or producer is hard. The thought of putting yourself, or your work, in front of eyes to show passion and conviction you would not typically have in real-time society is excruciating.
But when things don’t go your way, don’t ever give up. If you love the thought of not being just a performer, but a ‘story teller’, to have the lights bathe you as you allow your emotional muse to frolic and play, then it’s okay to go against the grain and take corporate know how to further your artistic career. If you’re a producer who has hit brick walls because the old way
of thinking isn’t working for you, let this book guide you.
Do things differently. Have a different mindset.
Most importantly, remember that the Boardroom and The Stage are more alike than not.
What works in one