The Cows
By Lydia Davis
3.5/5
()
About this ebook
"You read Lydia Davis to watch a writer patiently divide the space between epiphany and actual human beings by first halves, then quarters, then eighths, and then sixteenths, into infinity," says The Village Voice. Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.
The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" or to Claude Monet's paintings of Rouen Cathedral.
Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.
She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.
Lydia Davis
Lydia Davis is the author of Essays One, a collection of essays on writing, reading, art, memory, and the Bible. She is also the author of The End of the Story: A Novel and many story collections, including Varieties of Disturbance, a finalist for the 2007 National Book Award for Fiction; Can’t and Won’t (2014); and The Collected Stories of Lydia Davis, described by James Wood in The New Yorker as “a grand cumulative achievement.” Davis is also the acclaimed translator of Swann’s Way and Madame Bovary, both awarded the French-American Foundation Translation Prize, and of many other works of literature. She has been named both a Chevalier and an Officier of the Order of Arts and Letters by the French government, and in 2020 she received the PEN/Malamud Award for Excellence in the Short Story.
Read more from Lydia Davis
The Collected Stories of Lydia Davis Rating: 4 out of 5 stars4/5Can't and Won't: Stories Rating: 4 out of 5 stars4/5Essays One Rating: 4 out of 5 stars4/5The End of the Story: A Novel Rating: 3 out of 5 stars3/5Essays Two: On Proust, Translation, Foreign Languages, and the City of Arles Rating: 4 out of 5 stars4/5
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Reviews for The Cows
14 ratings2 reviews
- Rating: 3 out of 5 stars3/5Another absolutely precise exercise in writing and observation, this time on an intentionally undramatic subject, three cows across the street from Davis's house. For me, the interest is in observing the faint ghosts of other kinds of writing hovering around the nearly clean skeletons of her descriptions. A touch of surrealism, of anima rights, of detective stories, of transcendentalism... no paragraph is pure in the sense that a haiku can appear pure. (Appear, not be.)I am not as happy with the pictures, simply because they are too loosely correlated with the text. Why can't a writer as exacting as Davis demand the same of her images? On a page where the prose insists that she sees the cows only from a great distance and through a restricted angle of view, we get a photo of cows taken from the edge of their pasture. The difference is not made into a theme, either in the text (which doesn't acknowledge the viewpoint of the photos), or in the photos (which shift without rhyme or reason from telephoto to close-up). It makes images seem weak: it appears it's not right to request too much of them. I think the opposite.
- Rating: 4 out of 5 stars4/5Too short.
Of course.
************
(okay, that was a bit of a cop-out. I love short books and short reviews.)
I liked that she just captured the serenity of cow-gazing. Gazing at cows, being gazed at by cows.
It is all very in the moment, "mindfulness" I think is the current term. It was a literary equivalent of a prescriptive nature exposure -- being out 'in nature', such as a park etc., for even just a few minutes a day, is good for the mental health.
It was a good and restful piece to read at lunchtime in the office.
It reminds one that just zoning out and enjoying our surroundings is something to do more often.
Book preview
The Cows - Lydia Davis
Table of Contents
Also by Lydia Davis
Title Page
Copyright Page
Also by Lydia Davis
NOVEL
The End of the Story
STORIES
Break It Down
Almost No Memory
Samuel Johnson Is Indignant
Varieties of Disturbance
The Collected Stories of Lydia Davis
SELECTED TRANSLATIONS
Madame Bovary by Gustave Flaubert
Swann’s Way by Marcel Proust
Death Sentence by Maurice Blanchot
The Madness of the Day by Maurice Blanchot
Rules of the Game, I: Scratches by Michel Leiris
Rules of the Game, II: Scraps by Michel Leiris
Hélène by Pierre-Jean Jouve
EACH NEW DAY, when they come out from the far side of the barn, it is like the next act, or the start of an entirely new play.
They amble out from the far side of the barn with their rhythmic, graceful walk, and it is an occasion, like the start of a parade.
Sometimes the second and third come out in stately procession while the first has stopped and stands still, staring.
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