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Head and Shoulders
Head and Shoulders
Head and Shoulders
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Head and Shoulders

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In 1915 Horace Tarbox was thirteen years old. In that year he took the examinations for entrance to Prince-ton University and received the Grade A—excellent—in Cæsar, Cicero, Vergil, Xenophon, Homer, Algebra, Plane Geometry, Solid Geometry, and Chemistry. 
 
Two years later while George M. Cohan was composing "Over There," Horace was leading the sophomore class by several lengths and digging out theses on "The Syllogism as an Obsolete Scholastic Form," and during the battle of Château-Thierry he was sitting at his desk deciding whether or not to wait until his seventeenth birthday before beginning his series of essays on "The Pragmatic Bias of the New Realists." 
 
After a while some newsboy told him that the war was over, and he was glad, because it meant that Peat Brothers, publishers, would get out their new edition of "Spinoza's Improvement of the Understanding." Wars were all very well in their way, made young men self-reliant or something but Horace felt that he could never forgive the President for allowing a brass band to play under his window the night of the false armistice, causing him to leave three important sentences out of his thesis on "German Idealism."

LanguageEnglish
Release dateDec 15, 2016
ISBN9786059654852
Head and Shoulders
Author

Francis Scott Fitzgerald

Francis Scott Fitzgerald (Saint Paul, 1896-Hollywood, 1940) es considerado uno de los más importantes escritores estadounidenses del siglo XX y el portavoz de la generación perdida. El gran Gatsby se publicó por primera vez en 1925 y fue inmediatamente celebrada como una obra maestra por autores como T. S. Eliot, Gertrude Stein o Edith Wharton.

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    Head and Shoulders - Francis Scott Fitzgerald

    publisher.

    About Author:

    Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled Lost Generation, Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age.

    Other Books of Author:

    The Curious Case of Benjamin Button (1922)

    The Great Gatsby (1925)

    Tender is the Night (1933)

    The Beautiful and the Damned (1922)

    This Side of Paradise (1920)

    I Didn't Get Over (1936)

    The Rich Boy (1926)

    Jacob's Ladder (1927)

    The Sensible Thing (1924)

    Contents

    About Author:

    Contents

    Chapter 1

    Chapter 2

    Chapter 3

    Chapter 4

    Chapter 5

    ***

    Chapter 1

    In 1915 Horace Tarbox was thirteen years old. In that year he took the examinations for entrance to Princeton University and received the Grade A—excellent—in Cæsar, Cicero, Vergil, Xenophon, Homer, Algebra, Plane Geometry, Solid Geometry, and Chemistry.

    Two years later while George M. Cohan was composing Over There, Horace was leading the sophomore class by several lengths and digging out theses on The Syllogism as an Obsolete Scholastic Form, and during the battle of Château-Thierry he was sitting at his desk deciding whether or not to wait until his seventeenth birthday before beginning his series of essays on The Pragmatic Bias of the New Realists.

    After a while some newsboy told him that the war was over, and he was glad, because it meant that Peat Brothers, publishers, would get out their new edition of Spinoza's Improvement of the Understanding. Wars were all very well in their way, made young men self-reliant or something but Horace felt that he could never forgive the President for allowing a brass band to play under his window the night of the false armistice, causing him to leave three important sentences out of his thesis on German Idealism.

    The next year he went up to Yale to take his degree as Master of Arts.

    He was seventeen then, tall and slender, with near-sighted gray eyes and an air of keeping himself utterly detached from the mere words he let drop.

    I never feel as though I'm talking to him, expostulated Professor Dillinger to a sympathetic colleague. "He makes me feel as though I were

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