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Life in Motion: An Unlikely Ballerina Young Readers Edition
Life in Motion: An Unlikely Ballerina Young Readers Edition
Life in Motion: An Unlikely Ballerina Young Readers Edition
Ebook159 pages2 hours

Life in Motion: An Unlikely Ballerina Young Readers Edition

Rating: 4 out of 5 stars

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About this ebook

Determination meets dance in this prizewinning and New York Times bestselling memoir by the history-making ballerina Misty Copeland, vividly recounting the story of her journey to become the first African American female principal ballerina at the prestigious American Ballet Theatre.

When she first placed her hands on the barre at an after-school community center, no one expected thirteen-year-old Misty Copeland to become one of America’s most groundbreaking dancers. A true prodigy, she was attempting in months roles that take most dancers years to master. But when Misty became caught between the control and comfort she found in the world of ballet and the harsh realities of her own life, she had to choose to embrace both her identity and her dreams, and find the courage to be one of a kind.

With an insider’s passion, Misty opens a window into the life of an artist who lives life center stage, from behind the scenes at her first classes to her triumphant roles in some of the world’s most iconic ballets. A sensational memoir as “sensitive” and “clear-eyed” (The Washington Post) as her dancing, Life in Motion is a story of passion, identity, and grace for anyone who has dared to dream of a different life.
LanguageEnglish
PublisherAladdin
Release dateDec 6, 2016
ISBN9781481479813
Life in Motion: An Unlikely Ballerina Young Readers Edition
Author

Misty Copeland

Misty Copeland made history by becoming the third African-American ballerina for the American Ballet Theatre, the first in decades. A recipient of the Leonore Annenberg Fellowship in the Arts and an inductee into the Boys and Girls Club Alumni Hall of Fame, she currently lives in New York City. Visit her online at MistyCopeland.com.

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Rating: 3.7890625875 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Best for: Those who enjoy a good memoir; those who enjoy a story about someone rising to the pinnacle in their artistic field.In a nutshell: Misty Copeland tells the story of her life, from living in southern California to being promoted to be the first African American female principal dancer at the American Ballet Theatre.Line that sticks with me: “In ballet, appearance is critical. That may seem superficial or frivolous, but in an art form that is visual, and so much about grace and suppleness, it definitely matters.” (p 108) (I am not a fan of the implications in that line.)Why I chose it: I enjoy going to the ballet, and I’ve seen articles describing her talents in the past.Review: I often find it hard to write reviews of books that I don’t love and don’t dislike. This book falls into that middling category, although do want to say that I think this is a fine book, and that people who are interested in learning more about Ms. Copeland’s life will not be disappointed. It is full of candor, and benefits from having distance from many of the more difficult subjects she addresses (her childhood, the fight over where she should live). Though not all stories are in her past, as especially in the second half of the book when she shares more of her experience not just as a dancer starting many years late, but as a black dancer in a field dominated by white dancers.I appreciate Ms. Copeland’s honesty as she navigates how to share the feelings she has about her field, especially as she is still in it. It’s possible that this book might look different if written a decade after she stops dancing - I’m thinking of how the book by Abby Wambach, who has retired, had a very different feel from the one by Carly Lloyd.The one thing that I found frustrating, and it was a small section, was in her discussion about the challenges she faced when she finally went through puberty and found herself curvier than other ballerinas. It's interesting to read her stand up for herself - that she should be viewed based on her skill and ability, and not punished for not fitting the antiquated idea of super-thin, white ballerina, but in the same breathe say things like the line I pulled up top. Would she support someone with as much talent, skill, and grace as her who was, say, 300 pounds? She doesn't seem to want limits placed on herself, but at the same time seems to accept different limits that she agrees with. I have a hard time reconciling that.As someone who enjoys ballet, I enjoyed the discussion of the work that goes into creating that art. I think to enjoy the book you should at least have some interest in ballet.
  • Rating: 5 out of 5 stars
    5/5
    This was a beautiful story of Copeland's path to ballet and the ABT.
  • Rating: 5 out of 5 stars
    5/5
    Such a beautiful book about Misty Copeland's life. This book shows and teaches resilience to readers... Misty experienced a great deal of struggle but she emerged outrageously successful. It is a great story for kids to read because they can see that no matter the circumstances, you can be successful and you can overcome... that is incredibly important to teach students because often they get stuck on the reasons why they will fail instead of searching for ways to make it. Books like these are a gift.
  • Rating: 2 out of 5 stars
    2/5
    Living in a motel room with her mom and five siblings, Misty felt like she was trapped. Through a class at the Boys and Girls Club, she discovered ballet. Although nervous at first, she soon discovered that she had an innate talent . In order to learn more, she moves in with her teacher, who shows her an entirely different life from the one she had. Although her mother tolerates this for a while, when Misty is on the verge of success, her mom launches a custody battle to regain control of her daughter.I thought the first half of this book was pretty interesting. It was well written and had a good pace to it. The second half seemed to devolve into name dropping, thanking everyone and passing on the same words of wisdom over and over. The last few chapters all seemed the same and I found myself hoping that the book would end.
  • Rating: 3 out of 5 stars
    3/5
    Misty Copeland has a life worth writing about. Raised by a beautiful mother who escaped one relationship with a man by running into the next one. Misty and her five siblings move to a new house and situation every few years, eventually ending up with all seven of them in poverty trying to share a motel room. When she is 14 Misty is encouraged by her drill team instructor to take a ballet class at her local Boys and Girls Club. Misty describes feeling a physical intuition about the movement she is taught - holding any pose asked of her and remembering sequences of steps easily. Soon, Misty is introduced to an woman who owns a dance studio. From there her natural talent is cultivated by a long list of mentors, while she struggles to overcome family, racial, and body image challenges. This book contains some interesting parts. I particularly liked learning about the path dancers take to become part of a dance company. I also enjoyed what Misty shared about the different roles in a ballet performance. However, most of the story felt undeveloped to me. She is not the only sibling from her family that is successful, but she does not delve into her family culture to offer an explanation. She does not detail what it feels like to be a prodigy. She talks about how uncomfortable it is to be the only woman of color in a dance class, but she gives it no nuance or depth. And toward the end of the book she talks about her goal of becoming a soloist for the American Ballet Theater in a way that sounds like she is making a bid for it in the writing of the book. If her intention was to write a book for adults, I think she would have been well served by writing this book as an older woman or perhaps having a biographer write it for her.
  • Rating: 5 out of 5 stars
    5/5
    Looking for a book to read as a family? This is perfect. My daughters (10 & 4) and I listen to this as an audiobook in the car. This book doesn't shy away from issues of race or class, but the authors did an outstanding job keeping the story appropriate for the whole family. Life in Motion is great for starting discussions with little ones and giving them an opportunity to put themselves in Misty's shoes. BONUS: Misty Copeland's story is a great way to reinforce values you are working to instill in your children (hard work, resilience, following your dreams, etc.) without giving another lecture.
  • Rating: 5 out of 5 stars
    5/5
    I love classical ballet but not its lack of non-white female dancers (for some reason, brown and black men seem to be more acceptable). Misty Copeland is one of the few black women who have made it to soloist/principal in a major American company. Her story of hardship is very inspiring. She came up through the Boys and Girls Clubs in California, with minimal support from her parents. She found mentors who quickly saw her talent and drive. Misty has such an elemental joy in performing that shines through in the book. She handles very tough decisions - emancipation from her mother, racism all around her in ABT (American Ballet Theater), recovery from injuries. One of the best parts is her collaboration with Prince, who turns out to be as sweet, shy, and thoughtful as we all thought. I can't wait to see her dance!
  • Rating: 4 out of 5 stars
    4/5
    Quick, interesting read, with great details about ballet and Copeland's childhood. I love reading about dancers, and this was really satisfying with a small handful of photos included. Though I always want MORE photos in dance books, because it's such a visual art. Anyway, totally worth a read, great choice for teens as well, I think, since so much of the story takes place during her childhood and adolescence.
  • Rating: 5 out of 5 stars
    5/5
    An award winning role model that has supported communities all over with her accomplishments and sharing to give others confidence to overcome their doubts and pursue dreams.
  • Rating: 3 out of 5 stars
    3/5
    Narrated by Lisa Renee Pitts.?Copeland shares the struggles and challenges of her itinerant upbringing and later as a black ballerina in the lily-white ballet world. It's remarkable that she transcended a background that would typically render most young people as statistics. A story that is especially inspirational for teens and young adults. Pitts' clear and deliberate performance reflects Copeland's determination and passion. There are occasional moments of a halting delivery that trips the flow of the narrative but otherwise it is a compelling reading.

Book preview

Life in Motion - Misty Copeland

chapter 1

FOR AS LONG AS I can remember, I’ve led a life in motion.

When I was two years old, I rode a bus from Kansas City, Missouri, to our new home in Southern California. I was the youngest back then, with two older brothers, Doug and Chris, and an older sister named Erica. Mommy moved us away from our father to a sunny suburb of Los Angeles called Bellflower, where we would live with her new husband, Harold.

I don’t remember the bus ride, but when I think back to those years, I always remember my time with Harold. He liked jokes and he had a great laugh, one that would make everyone around him laugh too. My baby sister, Lindsey, was born after we’d lived with Harold for three years, so I wasn’t the youngest anymore. But even with five of us kids to look after, Harold would find time to spend alone with each of us. I loved when I’d sit on the couch with him, eating sunflower seeds.

But when I was seven, Mommy decided we needed to leave our home again. Without Harold. And Lindsey was coming with us. This was the second time Mommy had packed us up and moved us to a new place, and we didn’t know why. We loved Harold. Later, she would tell us he drank too much. He was an alcoholic. He mostly hid it from me and my brothers and sisters. But when I remember Harold, I don’t think of the beer cans that always sat on the nightstand he shared with Mommy. I remember how kind he was and how he made waffles for Lindsey and me on Saturday mornings while we watched cartoons.

This time we moved only about twenty miles away, to a community in Los Angeles called San Pedro. Even though we were in a big city, San Pedro felt like a storybook town, where we had bonfires on the beach and took school field trips to a lighthouse. Part of the Port of Los Angeles is located in San Pedro, where goods like furniture, clothes, and car parts are shipped in.

Our new house was close to the Pacific Ocean, with a big front yard and a view of Catalina Island. It also had a new stepfather, named Robert. We missed Harold, and it didn’t take long to notice the differences between Mommy’s old husband and her new one. Robert was stricter. He made us do chores around the house, and we ate breakfast, lunch, and dinner at the dining room table instead of on the couch in front of the TV.

Robert called me little Hawaiian girl and said I looked like his family. Like me, he was of mixed ancestry. His family had roots in Hawaii, Korea, the Philippines, Portugal, and Japan. Mommy had been adopted by an African American couple, but her biological parents were Italian and black. Our father, whom we left in Missouri, was also biracial, with a black father and a German mother.

I guess I did look a bit more like Robert’s family than my brothers and sisters, but I didn’t think about that when we were together. I loved them, and we were a united force. Still, the way I looked mattered to Robert, and especially to his family. Everyone knew I was Robert’s favorite, and soon it became clear that his family felt the same way. I went over to his parents’ house in the summer, where Grandma Marie taught me how to sew clothing for my dolls. But Doug, Chris, Erica, and Lindsey almost never came with me. And Robert’s father, Grandpa Martin, would hide in his bedroom when all of us visited. I don’t remember him ever speaking to me or my brothers and sisters.

Robert was strict about us kids helping clean up around the house. We would get in trouble if we didn’t follow his rules. He made us stand in the corner without talking. Doug and Chris were punished more often than us girls, though. They’d have to stare at the wall for at least an hour, and sometimes Robert would make them stand completely still as they balanced a thick book on their heads. I didn’t like when they were being disciplined, especially when Robert was particularly mean. Like when he dragged Chris across the house by his ear. Or worse, when Robert got so mad that he hit Chris with a frying pan.

But he didn’t stop there. When Chris and Doug would argue with each other, Robert made them work it out by boxing in the backyard. Since you guys can’t agree, you’ll have to fight it out, he would say.

We all became so scared of him that we tried our best to make sure the house was always in perfect order when he was home. We avoided him as much as we could. My big sister, Erica, slept over at her friend’s house, and I would spend a lot of time with Doug and Chris in the room they shared, listening to music by our favorite hip-hop groups. But no matter how hard we tried to stay out of his way, Robert would find a reason to be mad at us. And he was almost always mad at our baby sister.

Lindsey resembled her father, Harold, and her African features were more pronounced than the rest of ours. Robert didn’t like this, and he blamed her for everything. I was shocked the first time I heard him call her the N word. But soon the slur would flow so freely from his mouth that none of us were surprised.

Mommy was scared of Robert, too. She’d complain about him when he wasn’t around, but when he was being terrible to us, she wouldn’t say anything. She didn’t shield us from him, but she didn’t protect herself, either. After a while, our mother couldn’t hide the bruises Robert would leave on her skin.

Mommy’s adoptive parents had given her a good home, but she was still young when they’d died. She’d had a hard childhood, moving a lot to stay with different family members. Sometimes we wondered if that’s why she moved us around so much.

One day, after we’d been living with Robert for about four years, Mommy told us we were leaving him forever. We’ve got to get out of here, she said, so scared that she whispered even when he wasn’t around. Robert can’t have a hint that we’re leaving. When it’s time, I’ll let you know.

Knowing that we were leaving him soon made it easier to deal with Robert’s anger and unpredictable moods. And then, one day, it was time to go. Robert left for work in the morning, like usual, but instead of leaving for her job, our mother stayed home. She flung open the door to the room I shared with Erica and said, Today’s the day.

By that time, we had a baby brother, Cameron, Mommy’s son with Robert. We all rushed around the house, cramming our suitcases with as many of our belongings as would fit. A strange car pulled up to the house then, driven by a man we didn’t know. He didn’t look anything like Robert. He was a tall white man with brown hair and glasses.

We quickly learned he was there to help, and he began loading our bags into his car. Mommy told us his name was Ray. He was our mother’s new boyfriend.

chapter 2

AFTER WE LEFT ROBERT, WE briefly stayed with Mommy’s friends in downtown L.A. They were Auntie Monique and Uncle Charles to my siblings and me.

They were kind to us, but their neighborhood was home to gang activity. I didn’t feel safe living there. If any of us wore a color the gang didn’t like, I knew something bad could happen.

Then, one night, we heard gunshots outside. There was a loud thump, like something heavy had landed on the front porch. When we ran outside, a man was lying there. Blood from where a bullet had hit him bloomed into a bigger and bigger circle on his jeans.

We moved a few weeks after that. I was happy to get away from the drive-by shootings and gangs in Auntie Monique and Uncle Charles’s neighborhood. But my good mood didn’t last. Not once I found out we’d be living with Ray.

We were annoyed that our mother always seemed to need a boyfriend or a husband. We wanted to stop moving around so much. We wanted a mother who wouldn’t make us live with dangerous people, like Robert, or in dangerous areas, like with Auntie Monique and Uncle Charles. We wanted her to feel like she didn’t need anybody but us.

Mommy worked in sales, and her income was unpredictable. Ray didn’t make a lot at his job, either, so the eight of us had to live on very little money. We mostly ate packaged food, like potato chips and ramen noodles. Sometimes we’d have a can of vegetables to round it out. Our mother didn’t cook much, but she would give money to my older siblings to buy groceries. My brother Chris, who had learned how to cook from Robert, would prepare our meals.

We didn’t like Ray. He was nerdy. He tried too hard to make us like him. And our mother changed when she was around him. They got matching tattoos, and she kissed him in front of us like they were teenagers.

We only had to put up with Ray for about a year, because soon Mommy had a new boyfriend: Alex. We moved into his apartment. Like Ray’s, it was tiny, and the six of us kids slept on the living room floor, leaving the bedroom to Mommy and Alex. Mommy lost her job and then our car. After a while, Alex was kicked out of his apartment and we had to move again—to a motel.

Alex came with us to the Sunset Inn, and again we were living in a cramped space. But soon Cameron would leave us. His father, Robert, took our mother to court and got primary custody. That meant Cameron lived with us only on the weekends. I cried and cried when he left. He was the baby in the family, and even though we were all young, it felt like we’d helped Mommy raise him.

Cameron moving out seemed like the thread that started to unravel our family. Erica was spending the night with friends more often than she stayed at home, and Lindsey spent several weeks with her father, Harold. Money was so tight that sometimes we’d search through the couch cushions and carpet for loose change, hoping to come up with enough to buy food at the corner store. After it became clear she could no longer support us, Mommy applied for food stamps.

I didn’t want anyone at school to know about our situation, so I pretended everything was fine. I didn’t have friends over, instead

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