Four Steps to Being a More Creative You: Goose Your Muse Tips for Creatives
By Yvonne Kohano and Y J Kohano
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About this ebook
Writers, artists, musicians – we all complain about the same thing. We never have enough time to create. But what if you could train yourself to be creative, no matter what the circumstances, and create on cue? What if the creative life you only dream about is actually in reach, no matter how much or how little time you can now devote to it?
This book was written with one intention in mind, inspiring you to tap into your inner muse and turn out something creative, something that tickles your imagination. You already know you want to be creative, more creative than you already are. It’s the step between knowing and doing where many of us fall off the cliff and never recover.
Utilizing the creative learning technique of mind-mapping to document your journey, you will design your best creative life. Visualization, tearing down barriers, and filling your creative reserves guide you to productive strategies. Simple instructions make the process of moving from imagining to implementing easy. Open these pages and become a more creative you!
About the GOOSE YOUR MUSE Tips for Creatives Series: Building blocks for your best creative self! Being creative can be the ultimate joy – or a disappointing challenge. What if you could eliminate the painful parts, like running the business side or running out of ideas? This series is designed for creatives types in any field, with advice on keeping the fun in our daily creatives lives.
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Book preview
Four Steps to Being a More Creative You - Yvonne Kohano
FOUR STEPS
TO BEING A
MORE CREATIVE
YOU
Goose Your Muse Tips for Creatives Series
Y J Kohano
Nanokas Press
A Division of Kochanowski Enterprises
Copyright © 2016
FOUR STEPS TO BEING A MORE CREATIVE YOU
Goose Your Muse Tips for Creatives Series
Copyright © 2016 by Y J Kohano
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author.
Nanokas Press/KE Press books may be ordered through booksellers or by contacting:
Kochanowski Enterprises/Nanokas Press
PO Box 1274
Clackamas, OR 97015-9594
www.yvonnekohano.com
yvonne@yvonnekohano.com
www.gooseyourmuse.com
Cover design: John Kochanowski
ISBN:
978-1-940738-10-9 (e)
978-1-940738-11-6 (sc)
Nanokas Press First Edition: 09-06-2016
Contents
WHY YOU NEED THIS BOOK
WHERE DOES CREATIVITY COME FROM?
CREATIVE RHYTHM
SUBCONSCIOUS MIND
JOURNEYING
BEGINNING OUR JOURNEY
STEP 1 – VISUALIZE YOUR BEST CREATIVE LIFE
DRAW THE PICTURE
Map Your Dream
Your Map of Creative Life
Goose Your Thinking
Exercise 1: Your Mind-map
MAPPING AH-HAS
Interpreting a Map
Ask the Lottery Question
Still Struggling?
STEP 1 ON YOUR JOURNEY
STEP 2 – ASK YOURSELF ‘WHY NOT?’
THE TIME DEMON
EDUCATION AND SKILL
BAN SELF-DOUBT
INFLEXIBILITIES
Exercise 2: Your Honest Self-Assessment
STEP 2 ON YOUR JOURNEY
STEP 3 – FILL YOUR CREATIVE WELL
BUSY LITTLE THINGS
MULTITASKING MYTH
NURTURING
BENEFITS OF REFILL
TAPPING THE WELL
Idea Journals
Visioning
Change Habits
Inspirational Resources
Wide-Eyed Child
Exercise 3: Filling Your Creative Well
STEP 3 ON YOUR JOURNEY
STEP 4 – EMPLOY PRODUCTIVE STRATEGIES
STOP SIGNS
What’s Critical?
Some Assistance Required
Reality Check
DETOURS
Shortcut Temptation
Time Required
Patience
Organized to Work
Time Schedules
MISSED TURNS
Misdirected Energy
Vague Directions
Changing Course
GUIDEPOSTS
Expert Wisdom
Mimicry
Instructions
No One Way
Exercise 4: Strategies to be Creative
STEP 4 ON YOUR JOURNEY
How to Implement Your Creative Life
OR
How to Climb the Mountain Daily
PREPARATION AND PERSPIRATION
Positive Self-Talk
Turn Off Distractions
Flexibility
Set Your Creativity as a Major Priority
Also by Y J Kohano/Yvonne Kohano
About the Author
WHY YOU NEED THIS BOOK
FOUR STEPS TO BEING A MORE CREATIVE YOU was written with one intention, to inspire you to collaborate with your inner muse and turn out something you’ve dreamed about, something creative. If you’ve selected this book, it’s because you know you want to be creative. Maybe you already listen to your muse, but you know you can do more. It’s the step between knowing and doing where many of us fall off the creativity cliff and struggle to recover.
I’ll be the first to tell you that being creative over the long term in any medium isn’t for the faint of heart. I have spurts of writing time when the torrent of ideas flow so quickly, my fingers can’t keep up and I swear smoke wafts off the keyboard. On other days, I stare at the blinking cursor because, despite a surplus of directions I could go, nothing seems to fit.
Writers, artists, musicians – we all complain about the same thing. We never have enough time to create, time when the muse is our cheerleader, egging us on to produce something worthy of our best efforts.
But what if you could train yourself to be creative, no matter what the circumstances? What if you could create on cue and make the most of whatever opportunities you have?
Cue the angels singing ‘Halleluiah’!
This book traces creative processes I’ve learned from productive inspirations in various fields, and from my own experience. But this book isn’t about me, or even about all of them.
It’s about YOU.
Ready to be more creative? Read on!
WHERE DOES CREATIVITY COME FROM?
Oh, you were born that way.
To be creative, I have to work one certain way.
You’re just lucky, because you can…
Reasons – or excuses? I won’t judge, since I’ve heard them all and probably used each of them until I figured myself out. From these examples and many more I’m sure you can add, it’s clear we set up our personal roadblocks to success without even realizing we’re doing so. Here are some examples.
A writer friend says that the only way she can work is in total silence. I mean, complete and total, absolute silence. She has a set of what I can only call earmuffs strictly for this purpose. (She calls them noise-cancelling coverage, but they are fuzzy on the outside.) They look a little strange in the middle of a hot summer day, but they work for her. While she wears them, she can be productive. Take them away, and she is unable to conjure a single word, distracted by any bright shiny things around her.
Another writer must have his playlist. He spends countless hours crafting THE PERFECT selection of songs he believes most accurately reflect the mood he wants to achieve in his story. He then plays it in a continuous loop, day in and day out, as he writes. If for some reason he has no way to play the music, his pen shakes over the page as he writes nothing.
The sequence of notes needs to be superb, without a single beat out of tune, according to one musician. His work must be flawless from the first note he creates, or his effort is worthless. His anxiety to create performance-ready songs without need for revision means he produces very slowly and very little. What he does write he often throws aside, frustrated when it requires more work. He calls his muse a fickle friend, appearing only rarely and then at inconvenient times.
An artist carries his paints with him everywhere. They have long