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    The Great Indian Epic Tales - Including the Ramayana and the Mahabharata
    The Great Indian Epic Tales - Including the Ramayana and the Mahabharata
    The Great Indian Epic Tales - Including the Ramayana and the Mahabharata
    Ebook57 pages48 minutes

    The Great Indian Epic Tales - Including the Ramayana and the Mahabharata

    By Anon Anon

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    About this ebook

    These are wonderful examples of early Hindu writing, with tales showing people how to live ideal lives as husbands, wives kings and servants. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateSep 6, 2016
    ISBN9781473358959
    The Great Indian Epic Tales - Including the Ramayana and the Mahabharata

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      Book preview

      The Great Indian Epic Tales - Including the Ramayana and the Mahabharata - Anon Anon

      INDIAN EPICS

      BESIDES the two great classical epics (Mahákavyas)—the Mahabharata and the Ramayana—Indian literature claims eighteen Puranas, each of which bears a distinctive title. These Puranas treat mainly of ‘ancient legendary lore,’ and contain many tales of gods and sages, as well as descriptions of the Hindu world, with Mount Meru as its centre, and also of the deluge.

      Many of the incidents of the two great epics inspired later poets to compose what are known as kavyas, or court epics. Six of these by Bahrtruhari are termed Great Court Epics (Mahákavyas), and another, by the poet Asvaghosha, describing the doings of Buddha at length, was translated into Chinese between 414 and 421 A.D. The Golden Age for the court epics (which were written from 200 B.C. to A.D. 1100) was during the sixth century of our era.

      In the fifth century A.D. the poet Kalidasa composed a nineteen-canto epic, entitled Raghuvamça, wherein he related at length the life of Rama, as well as of Rama’s ancestors and of his twenty-four successors. This poem abounds in striking similes, as does also the same poet’s Kumarasambhava, or Birth and Wooing of the War God Siva. There are, however, cantos in all these poems which are too erotic to meet with favour among modern readers. Kalidasa is also the author of an epic in Prakrit, wherein he sings of the building of the bridge between India and Ceylon and of the death of Ravana.

      We are told that the Ramayana inspired the greatest poet of Mediaeval India, Tulsi Das, to compose the Ram Charit Manas, a play wherein he gives a somewhat shorter and very popular version of Rama’s adventures. This work still serves as a sort of Bible for 100,000,000 of the people of Northern India.

      The poet Kaviraja (c. A.D. 800) composed an epic wherein he combines the Ramayana and Mahabharata into one single poem. This is a Hindu tour de force, for we are told that "the composition is so arranged that by the use of ambiguous words and phrases the story of the Ramayana and the Mahabharata is told at one and the same time. The same words, according to the sense in which they are understood, narrate the events of each epic."

      THE RAMAYANA

      This Hindu epic, an older poem than the Mahabharata, was composed in Sanscrit some five hundred years before our era, and is contained in seven books, aggregating 24,000 verses. It is often termed ‘the Odyssey of the East,’ and relates events which are said to have occurred between 2000 and 900 B.C. The poem is generally attributed to Válmikí, a hermit on the bank of the Ganges, who, seeing one bird of a happy pair slain, made use of a strange metre in relating the occurrence to Brahma. This god immediately bade him employ the same in narrating the adventures of Rama, one of the seven incarnations of the god Vishnu.

      Praise to Válmikí, bird of charming song,

      Who mounts on Poesy’s sublimest spray,

      And sweetly sings with accents clear and strong

      Rama, aye Rama, in his deathless lay.¹

      The poem opens with a description of the ancient city of Ayodhya (Oude), beautifully situated on the banks of a river and ruled by a childless rajah.

      In bygone ages built and planned

      By sainted Manu’s princely hand,

      Imperial seat! her walls extend

      Twelve measured leagues from end to end;

      Three in width, from side to side

      With square and palace beautified.

      Her gates at even distance stand,

      Her ample roads are wisely planned.

      Right glorious is her royal street,

      Where streams allay her dust and heat.

      On level ground in even row

      Her houses rise in goodly show.

      Terrace and palace, arch and gate

      The queenly city decorate.

      High are her ramparts, strong and vast,

      By ways at even distance passed,

      With circling moat both deep and wide,

      And store of weapons fortified.

      The Rajah Dasaratha, a descendant of the moon, was 60,000 years old when the story begins. Although his reign had already extended over a period of

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