Castle of Horror
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About this ebook
A novelette of 15,000 words. It is April of 1924. Colossus Films (of the novel Bride of the Rat-God) is shooting in Reno, because their male star, Tor Westlake, is getting his fifth divorce in order to marry Chrysanda (Christine) Flamande, the studio’s #1 starlet. They are filming at the supposedly-haunted castle on the outskirts of town, built by a Gold Rush millionaire, and sharing the sets with a black film company from Chicago, whose female star is also getting a divorce from her abusive husband. Tor wants to hold a séance in the haunted castle, but Norah – Christine’s sister-in-law and dog-minder – is uneasy. Christine’s dogs are conscious of supernatural activity, and there’s something about their reactions to the castle that doesn’t seem right to her.
Barbara Hambly
Since her first published fantasy in 1982 - The Time of the Dark - Barbara Hambly has touched most of the bases in genre fiction. She has written mysteries, horror, mainstream historicals, graphic novels, sword-and-sorcery fantasy, romances, and Saturday Morning Cartoons. Born and raised in Southern California, she attended the University of California, Riverside, and spent one year at the University of Bordeaux, France. She married science fiction author George Alec Effinger, and lived part-time in New Orleans for a number of years. In her work as a novelist, she currently concentrates on horror (the Don Simon Ysidro vampire series) and historical whodunnits, the well-reviewed Benjamin January novels, though she has also written another historical whodunnit series under the name of Barbara Hamilton.Professor Hambly also teaches History part-time, paints, dances, and trains in martial arts. Follow her on Facebook, and on her blog at livejournal.com.Now a widow, she shares a house in Los Angeles with several small carnivores.
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Castle of Horror - Barbara Hambly
CASTLE OF HORROR
by
Barbara Hambly
Published by Barbara Hambly at Smashwords
Copyright 2016 Barbara Hambly
Smashwords Edition, License Notes
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Table of Contents
Castle of Horror
About The Author
Castle of Horror
"Darling— Christine Flint – known to film-fans from Pasadena to Yokohama as the incomparable Chrysanda Flamande – rustled into her sister-in-law’s boarding-house bedroom in a firestorm of diamonds and a chinchilla coat so extravagant as to give the impression that she was being devoured by bears.
You’d be able to write another scenario this evening, wouldn’t you? Lenny’s being an absolute pill and says he won’t let you work on anything but Brooklyn Queen, like that’s the only film in Hollywood, but Danny Cross’s brother runs the best speakeasy in Reno, and he says he’ll let Tor drink and play blackjack there on the house if you’ll re-write Lost Lamb as a Western. Is there any of that gin left?"
She opened the nearest drawer in the dressing-table that Norah had, for most of the afternoon, been using as a desk. Mrs. Krause’s regular bootlegger isn’t due in until tomorrow and Tor’s practically climbing up the walls and swearing he’ll drive back to Los Angeles if he can’t get a drink, and he isn’t supposed to leave Nevada or else his wife’s lawyer… No, sweetheart, Mama can’t pick you up—
This to the smallest of her three Pekinese, who was insistently licking her silk-clad ankle. "Is this whiskey, darling? All the liquor in this town smells the same… Oh, and Lost Lamb has to take place in that Castle place because Centurion Pictures has already paid the rent on it for this week and next."
I thought we had Blatt’s Castle until the first.
Norah Blackstone turned from the yellow pile of foolscap – we meaning Colossus Pictures, the current employers of herself, Christine, and thirty other assorted stars, extras, electricians, wardrobe mistresses, Norah’s friend Alec Mindelbaum the cameraman, and Christine’s extra-special latest friend Tor Westlake, whose marital disentanglement (and upcoming marriage to Christine) was responsible for Brooklyn Queen being filmed in Reno rather than Hollywood. And, no,
she added. Since Mr. Palmer insists on changing the story every other day, it’s as much as I can do to keep up with him. I can’t possibly write the scenario of another film—
They’re filming at night,
explained Christine, digging another bottle from the back of the dresser-drawer and adding both it and the putative whiskey to a champagne-glass she fetched from her suitcase. Using the same sets as we are. It’s Bebe Jolivet, you know – the star, I mean – and she’s in Reno, too, like Tor, getting a divorce… Bebe Jolivet,
she added, seeing Norah’s puzzled face. "She’s a tremendous star in the Negro pictures – she’s married to Stan Littlejohn. The baseball player?"
Norah shook her head. I’ve never heard—
"He’s in the Negro Leagues, darling. Where have you been?" She pulled up her skirt, extracted a thin silver flask from her garter, dribbled the last thimble-full from it into her ad hoc cocktail, drank it off, and made a face. I swear if somebody doesn’t find a decent bootlegger in this town I’m going to have to go back to cocaine.
Where I have been,
said Norah, "is writing the scenarios for such epics as Hot Potato, Sparkin’ In The Dark, Week-End Wife, and King Lear… and re-writing other peoples’ scenarios for Corpus Delicti, Asking For It, and, currently, The Brooklyn Queen. And I shudder every time I contemplate the title-card that’s going to say, King Lear, by William Shakespeare with additional dialog by Norah Blackstone."
"Yes, but darling…" Christine flounced down onto the corner of the nearer of the room’s two beds – which was so close to Norah’s dressing-table that her knees brushed Norah’s hip – and leaned across to take her hands. The largest of Christine’s three Pekinese, Chang Ming, leaped up onto the bed beside her and immediately tried to climb into her lap, while the other two, unable to make so colossal a spring as eighteen inches, stood on their hind legs with