Guy de Maupassant's Tales of Revenge - A Collection of Short Stories
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Guy de Maupassant
Guy de Maupassant was a French writer and poet considered to be one of the pioneers of the modern short story whose best-known works include "Boule de Suif," "Mother Sauvage," and "The Necklace." De Maupassant was heavily influenced by his mother, a divorcée who raised her sons on her own, and whose own love of the written word inspired his passion for writing. While studying poetry in Rouen, de Maupassant made the acquaintance of Gustave Flaubert, who became a supporter and life-long influence for the author. De Maupassant died in 1893 after being committed to an asylum in Paris.
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Guy de Maupassant's Tales of Revenge - A Collection of Short Stories - Guy de Maupassant
Guy de Maupassant’s
Tales of Revenge
-
A Collection of
Short Stories
Copyright © 2016 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Contents
Guy De Maupassant
A Vendetta
Father Milon
Mother Sauvage
The Corsican Bandit
The Hand
The Lancer’s Wife
I
II
III
IV
V
VI
Guy De Maupassant
Henri-René-Albert-Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature, especially Shakespeare. Upon entering high school, he met the great author Gustave Flaubert, and despite being something of an unruly student proved himself as a good scholar, delighting in poetry and theatre.
Not long after he graduated from college in 1870, the Franco-Prussian War broke out, and Maupassant enlisted voluntarily. Afterwards, he moved to Paris, where he spent ten years as a clerk in the Navy Department, and began to write fiction under the guidance of Flaubert. At Flaubert’s home he met a number of distinguished authors, including Émile Zola and Ivan Turgenev. In 1878, Maupassant became a contributing editor of several major newspapers, including Le Figaro, Gil Blas, Le Gaulois and l’Écho de Paris, writing fiction in his spare time.
In 1880, Maupassant published his first – and, according to many, his best – short story, entitled ‘Boule de Suif’ (‘Ball of Fat’). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. In 1883 and 1885 respectively, Maupassant published Une Vie (A Woman’s Life) and Bel-Ami, both of which rank among his best-known works. In 1887, by then a very famous and very wealthy literary figure, he published what is widely regarded as his finest novel, Pierre et Jean.
As well as being a well-known opponent of the construction of the Eiffel Tower, Maupassant was a solitary, withdrawn man with an aversion to public life. In his later years, as a result of the syphilis he had contracted earlier in life, he developed a powerful fear of death and became deeply paranoid. In early 1892, Maupassant tried to commit suicide by cutting his throat, and was committed to a private asylum in Paris. He died here some eighteen months later, aged 42. He penned his own epitaph: I have coveted everything and taken pleasure in nothing.
Some years later, in his autobiography, Friedrich Nietzsche called Maupassant one of the stronger race, a genuine Latin to whom I am particularly attached.
A Vendetta
The widow of Paolo Saverini lived alone with her son in a poor little house on the outskirts of Bonifacio. The town, built on an outjutting part of the mountain, in places even overhanging the sea, looks across the straits, full of sandbanks, towards the southernmost coast of Sardinia. Beneath it, on the other side and almost surrounding it, is a cleft in the cliff like an immense corridor which serves as a harbor, and along it the little Italian and Sardinian fishing boats come by a circuitous route between precipitous cliffs as far as the first houses, and every two weeks the old, wheezy steamer which makes the trip to Ajaccio.
On the white mountain the houses, massed together, makes an even whiter spot. They look like the nests of wild birds, clinging to this peak, overlooking this terrible passage, where vessels rarely venture. The wind, which blows uninterruptedly, has swept bare the forbidding coast; it drives through the narrow straits and lays waste both sides. The pale streaks of foam, clinging to the black rocks, whose countless peaks rise up out of the water, look like bits of rag floating and drifting on the surface of the sea.
The house of widow Saverini, clinging to the very edge of the precipice, looks out, through its three windows, over this wild and desolate picture.
She lived there alone, with her son Antonia and their dog Semillante,
a big, thin beast, with a long rough coat, of the sheep-dog breed. The young man took her with him when out