Victorian Country Life
By Janet Sacks
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Victorian Country Life - Janet Sacks
THE COUNTRY ESTATE
He [the landowner] has been placed by providence in a position of authority and dignity; and no false modesty should deter him from expressing this ... in the character of his house.
Secular and Domestic Architecture, Present and Future, George Gilbert Scott, 1858
THE LANDED ARISTOCRACY dominated country life in the nineteenth century. By 1870 their great estates made up a quarter of the entire country and were concentrated in the hands of just a few families. An estate of 10,000 acres or an income of £10,000 per annum was said to distinguish the aristocracy from the gentry, and in the 1870s only nine hundred families qualified as the former. Some of them were much wealthier than the definition required; for instance, the Duke of Buccleuch held estates of over 10,000 acres in four English counties, as well as lesser estates in other counties and in Scotland.
From the 1870s to the mid 1890s the price of wheat fell because of American imports, and the value of arable land plummeted. Many landowners were forced to sell. However, there were some great landowners who became even richer by turning to industry: they exploited their estates for timber, stone quarrying or coal mining, and they invested money in river navigations and railways so that their goods could be more easily transported to their customers. The Marquess of Londonderry, for example, opened several coal pits on his Durham estate and built a seaport, Seaham Harbour, to export his coal.
As the urban population expanded, aristocrats who owned land in London, or, to a lesser extent, in other centres, became even wealthier as the demand for housing there became paramount. The Dukes of Westminster, Portland and Bedford owned land in the centre of London (as the names of some London squares reveal), making them and their descendants among the richest families in Britain. In the late nineteenth century, speculation and rents became a more lucrative source of income, and entrepreneurship fell by the wayside.
The local squire, usually from the landed gentry, was at the top of the social hierarchy in most villages. It was his land, rented out to tenant farmers, on which the labourers worked.
The great country houses, the seats of the landed aristocracy, became showplaces for their wealth and grew grander as the century progressed. Although fairly primitive at the start of the century, by its end the country house had embraced all that new technology had to offer – gas, electricity, heating and plumbing – and each house vied with its neighbour to be more splendid and more up to date.
At the start of Victoria’s reign the upper classes were seen as profligate and arrogant, but they gradually became more religious and supportive of family life and domesticity, coming to be viewed as pious, philanthropic, and responsible leaders of the land. This new piety certainly gave the women of the house something to do: reading religious books and visiting the poor were what every dutiful daughter did. Prayers were said every morning when the entire household assembled in the hall, and on Sundays they all went to church, or to the household’s private chapel, if they had one. The head of the house embodied the country virtues of being a good landlord with an interest in agriculture, an excellent sportsman, and a committee member of various local societies through which he could extend his influence and patronage.
There were several ways in which the well-off could do their duty by the poor: here the vicarage tea party for the village children at Chilcompton, Somerset, is in full swing.
The fashionable architecture of the great house also changed along with the character of its residents. Colonnades and crenellated walls, for instance, went out of fashion: the former smacked of foreign influence, the latter of fortification, which was the antithesis of the new domesticity. Instead, the Victorians championed Tudor and Gothic architecture, essentially English styles that, as in the past, allowed the master to offer hospitality to all in his great hall. The Gothic style was associated with Christianity,