Graffiti Burners
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About this ebook
In cities worldwide, graffiti art is constantly being taken to higher levels. The will to burn all resistance, to outdo all the others, brings about unexpected and amazing results. Graffiti Burners shows us how techniques have been refined and letter construction distorted, how colour combinations have blossomed and concepts developed. The competition for mastery is burning hot! In addition to amazing pictorial material, several of the writers talk about their pieces and what burners mean to them. Moreover, they offer tips and guidance to those who want to do a burner of their own. Graffiti Burners offers a unique opportunity to acquaint oneself with the progress of the last few years; to be inspired and impressed. In Graffiti Burners the world’s foremost writers show us their favourite works. In short, the best of the best!
Askew (NZ), Aroe (UK), Bates (DK), Bio (USA), Ces, Dems, Ether (USA), Kacao77 (D), Kaos (S), Kem (USA), Mad C (D), Nomad (D), Os Gemeos, Pose (USA), Revok (USA), Rime (USA), Rubin (USA), Scan (CA), Skore (UK), Smash 137, Soten (DK), Suiko (JP), Swet (DK) T-Kid, Wane and Yes 2 (USA) are just a few of the contributors to the book.
"A burner needs to suck the life out of every other piece near it and stand alone, as the focus, the centre of attention."-- AROE MSK / HA / 7TH LETTER
"The meaning of a burner is when another writer looks at that piece and says that shit is fire. Even the average person will look at it and say it’s hot!" -- BIO Tats Cru
Björn Almqvist
Publisher and senior editor at Dokument Press. He has edited numerous books on art and street culture. His earlier books include Graffiti Cookbook, Graffiti Coloring Book 3, Writers United and Overground.
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Book preview
Graffiti Burners - Björn Almqvist
Graffiti Burners
Björn Almqvist
Graphic design: Martin Ander
Translation: Martin Thomson
Cover: Piece by Aroe, Milan, Italy, 2010. Photo
by Rebel, BN Crew
Endpapers: Details from Askew, Page 120
ISBN 978-91-85639-42-7
First printing
Printed in Poland
© 2011 Björn Almqvist & Dokument Press
Box 773, 120 02 Årsta, Sweden
www.dokument.org
info@dokument.org
Adeo 98-99
Aple76 109
Aroe 114-115
Askew 120-121
Assma 54-55
Atos 64
Atroz 48-49
Azek 20
Basto1 89
Bates 40-41
Bio 42-43
Bios 64
Boaone 104-105
Boons 50-51
Bosie 64
Bridge 58-59
Cakes 18
Cazter 79
Ces 45
Chas 44
Chedo 83
Cole 50-51
Cost 51
Dead 48-49
Dem189 78
Dems 24-25 & 48-49
Desk 7 83
Devas 108
Dire 54-55
Disey 118-119
Diko 65
Dmote 42-43
Does 124-125
Doom 68-69
Dudez 118-119
Duro 104-105
Dwane 118-119
Each (OBS) 68-69
Each (KCN) 97
Eazy 32-33
Egs 62-63
Emyr 68-69
Ether 10-11
Finok 60-61
Form 76 62-63
Func’88 12
Gable 54-55
Gary 9
Gauge 13 & 90-91
Golden Green 62-63
Great 84-85
Gris 70
Herzo 15
Hews 8
Hocus 104-105
Horfe 96
How 16-17
Huit 98-99
Izzy 70
Jaba 24-25
Jaes 100-101
Jeks 13
Jeroo One 32-33
Jers 22-23
Jurne 102-103
Kacao77 14
Kaos 21
Kcis 106-107
Keats 62-63
Keiro 126-128
Kem 19
Kid Kash 28-29
Kolba 64
Kosem 122-123
Kurir 88
Lanser 126-128
Mad C 86-87
Mega 130-131
Milk 62-63
More 93
Mosk 132-133
Mozer 52-53
Navy8 54-55
Nemo 132-133
Noah 54-55
Nomad 39
Nosm 16-17
Ojey 74
Opium 106
Oral 50-51
Os Gemeos 60-61
Pariz One 72-73
Park 52-53
Pencil 106
Pley 52-53
Poet 66-67
Polar 54-55
Pomac 54-55
Pose 36-37
Pun18 38
Puppet 134-135
Rath 94-95
Relic 97
Revok 110-111
Rhok 68-69
Riam 112-113
Rime 116-117
Romeo 130-131
Rosy One 136
Rota 106
Rubin 90-91
Rust 98-99
Scaner 6-7
Score 58-59
Serch 102-103
Serval 28-29
Serve 46-47
Seter 76-77
Seth 78
Sken 97
Skore183 82
Skore 108
Smash 137 129
S.M.E 92
Soten 56
Sobek 107
Stae2 76-77
Stare 6-7
Stray 57
Suiko 71
Suko 75
Swet 134-135
T-Kid 46-47
Trama 62-63
Tokeo 10-11
Tones 8
Vans The Omega 30-31
Vizie 36-37
Wane 27
Warz 58-59
Wasted 118-119
Wolf 54-55
Wow123 26
Yes 2 34-35
Zeus40 106
ZZ Top 80-81
The shit got def style…so it’s a burner !
The first burners I saw probably wouldn’t be called burners today. And then, I didn’t even know there was a thing called burners, just that they were fantastic.
The hunt for more, better graffiti pieces took me to new, remote locations. Through suburbs on the other side of town, condemned buildings, forested areas and railways.
Nature excursion, excitement and exploration all at the same time. The burners weren’t easy to access. You had to fight both to see them and to understand them. They were magical.
Later, to other cities, but the same locations. When I found one, I stayed for a long time, amazed by its greatness. Studying and being fascinated. Fantasising about the image, the characters, the letter combinations, the style and colours, and after much effort, deciphering the codes. A new, exotic world.
Part of the fascination disappears once you have solved the codes, but once you’ve learnt more and understand what lies behind a good piece, it grows again. The feeling still remains, I can’t stop looking at a really well-made graffiti piece. It has personality. A style-consiciousness and lettering architecture that has taken decades to build. There is more behind the colours. The lines tell a story.
The German writers Lans and Moves’s piece Make Your Dreams Come True, with a girl at its centre and a dreamlike frame of flowers and bubbles catches the onlooker. It ‘s beautiful in a kitsch way. Out of the colourful image come the letter combinations: white, angular and precise. The letters play with and against the picture, and create tension. They demand a bit more of the beholder, but the framing helps and makes it easier. The painting is about ensuring that your dreams come true. The writers themselves have been actively realising theirs as graffiti writers for several years, and it shows in the letters.
A burner burns all resistance. This is the goal of many graffiti writers. The competitive element in graffiti has always been a central impetus for the creation of new styles and masterpieces.
According to American graffiti writer and historian Freedom, the expression burner
was used as early as 1974, and probably earlier. Where it comes from is a matter of debate. Freedom guesses that: the term came about when the flame cloud was introduced by Tracy 168 in 1973. If writers didn’t pick up on it then, the Snake 1 piece with flames from New York magazine (1973) should’ve driven the point home.
"Burners as I understood it, were defined a masterpiece with sharper angular out lines, as opposed to the common bubble style lettering, extremely bright colours with patterns inside it